My entry into the world came in the still of the morning, at a time when the world beyond the delivery room had been anything but still. Insulated from tumultuous events that accompanied the first year of Singapore’s merger with the Malayan Federation by the oblivion of early childhood, life as I would remember it seemed anything but calm in the world where I had spent the earliest years of my life.
That world is one that I have of late tried to reconnect with. It is a world of which I remember very little of – most of what I remember is associated with the Commonwealth Crescent area where I lived and of the walks I took with my parents in the area. Beyond that, it is the physical structures of the places as I remember them that I sometimes see in my memory, and ones that I have sought as a reminder of my connection to the place. Of the physical structures that I have long identified with the wider area, there were two beside the residential blocks that remain etched in my memory, across Commonwealth Avenue in what is commonly referred to as the Tanglin Halt area. One, a blue cylindrical tank – the gas holding tank of what had been the Queenstown Gasholder Station at Tanglin Halt, has long since disappeared, falling victim to the switch from City Gas production in the 1990s to imported natural gas. The other, also dominated by the blue of a prominent part of its structure, is thankfully still there, unaltered by the passage of time. That structure is that of a building that which some say is “more roof than building” – the Church of the Blessed Sacrament.
The church, with a very distinctive blue slate roof that dominates its structure, is one that I very much have an attachment to, being where I had been baptised all those years back. Standing out in an area that would have otherwise been dominated by the ramp of the road that has expanded beside it, the building was designed by James Gordon Dowsett of the architectural firm Iversen, Van Sitteren and Partners. Dowsett was the creator of two buildings that also become well recognised in their time – the old Shaw House and Lido Theatre. The design of the roof, said to resemble paper being folded in the art of origami, was inspired by the shape of a tent. This, based on information on the Urban Redevelopment Authority’s (URA) page on the conservation of the church, was to symbolise the “tent of meeting” in the Old Testament. The page provides further information elaborating further that “the roof dips downwards to wrap the interior with portions touching the ground, reminiscent of anchoring pegs” which functionally also serve as drainage points for rainwater. More information on the church’s architecture and interior can be found at the URA Conservation of Build Heritage web page. The church which was blessed and officially opened on 8 May 1965 by the Roman Catholic Archibishop of Malacca and Singapore, Monsignor Michael Olcomendy, was gazetted for conservation on 25 November 2005.
Stepping inside the church, the warmness of the visual greeting provided by the soft light filtering through that casts a warm glow over the wood flavoured interior seems to also extend a spiritual welcome. I realised then that it had been a long while since I visited the church – not since I shifted away as a child of three and a half. As I looked around me, it was nice to see that the church is one that has stayed very much the same as it had been at its beginnings close to half a century ago. In that, it is also nice to know that in a world in which we have been quick to forget the past, there is a place that I can come to where the past hasn’t been forgotten.