I recently stepped into an old world soon to be discarded in an obscure corner of Mount Emily, a corner which has until now, resisted the changes which have taken away much of the area’s old world charm. The world I stepped into at 13 Wilkie Terrace, a semi-detached two storey house perched atop a terrace above which a house I suspect was built by the Sultan of Siak (the former Osborne House) proudly stands at the top of Mount Emily, will soon make way for a new residential development. Having been the home of the Chia family since 1935, the family decided to bid farewell to it by hosting a community arts exhibition, Displacements (which closed on Sunday), which has not only allowed the artists involved to express the subject of being displaced – a theme relevant not just to the house but to Singapore as a whole, but has also given the curious (I should really say kay-poh – local speak for a “busybody”) like me to have a peek inside a house which has always seemed mysterious to me.
Climbing the stairs to terrace, brings the house into full view. I was immediately drawn to the many windows the house has been generously provided with, typical of houses built in its era. It is through the many windows, which I always see in old places as portals into the past, where we do find lingering memories of the house and the reminders of a simpler time we have long forgotten.
Through the main door, a hall where too much seemed to be going on, came into view. In one corner, what seemed to be a flea market contributed much to the colour and clutter, clutter that was also contributed by the group crouched over a long table at the far end where a workshop was being held. Right by the door, a few cages filled with cat, apparently on sale, added to the confusion in the seemingly small pace. The confusion perhaps a reminder of the many extended family gatherings we are told had once brought much life to what did eventually became a silent and empty space.
It is beyond the hall where I found most interesting – the high ceiling spaces of the interior beyond which, coloured by the changing patterns of shadow and soft light streaming through the windows, both on the lower and upper levels were a joy to behold. In and around the rooms, there also were the many memories in the objects present, of times which have passed. An old piano for which the music has died, sits on an open area of the upper level. Laid bare, the signs of age and neglect for which it has been abandoned are very evident, a reflection of the once grand houses of the area, for which time did very quickly pass.
It is not just this house for which time will soon pass, the signs can already be seen of the transformation which will completely change the face of the terrace – on a plot where an empty terrace once separated No 13 from a neighbouring house at No. 7 (since demolished), sales office and a show flat for the new residential development taking place there have come up and it will not be long before another piece, one of few that is surviving, of an old world I once enjoyed wandering around, will be lost.
More photographs of 13 Wilkie Terrace