A small crowd was present on Saturday, to witness the return of a ghost that has haunted us in Singapore for close to a quarter of a century. The ghost is of a much loved icon, the National Theatre, which having been completed in 1963, would have celebrated its 50th birthday this year.
Designed by pioneering architect Alfred Wong, the theatre was built with funds partly contributed by members of the public. What became for a while a symbol of Singapore’s statehood, the much photographed and very distinctive building, had stood for some 2 decades before it was closed, as we were told, due to structural defects in its cantilevered roof (it turned out that it was to be demolished to allow the construction of two tunnels for the CTE and for the MRT (to connect Chinatown with Dhoby Ghaut).
To commemorate the 50th anniversary of the National Theatre, a scaled replica of its very recognisable façade, was put up at Tank Road, across from its original site, by architect Lai Chee Kien, for the Singapore Biennale (entitled National Theatre@50). And it was at the installation on Saturday that perhaps some of our ghosts, not only of the National Theatre, did return in a collective lament for lost spaces and a lost past, in a poetry sharing session.
The enjoyable session involved with many of the who’s who in the local arts and literary scene and included a selection of works (some impromptu and some sung) that revolved around the theme of Memories and Lost Spaces. The session was jointly organised by Chee Kien and poet Alvin Pang and also featured Isa Kamari, Simon Tay, Kim Cheng Boey, Pooja Nansi, Christine Chia, Verena Tay, Jollin Tan, Cyril Wong, Felix Cheong, Hao Guang, Joshua Ip, Leonard Ng, Zai Ruda Kuning, Thirunalan Sasitharan, Vikas Bhatt Kailankaje, Emelda Jumari, Annaliza Bakri and Goh Beng Choo.
More photographs from Memories and Lost Spaces