Divine faces in the dark

22 08 2014

Take a walk on the dark and somewhat mysterious side of the Bras Basah.Bugis precinct this weekend (and the next), and you might stumble upon a few surprises, all of which, if you are lucky enough, have nothing to do with the time of the year from the perspective of the Chinese calendar.  The precinct plays host to the annual Singapore Night Festival that brings life and colour to the streets and greens of the area along with a wonderful show of light in Night Lights.

Hauntings at the dark and mysterious yard of Singapore's Armenian Church.

Hauntings at the dark and mysterious yard of Singapore’s Armenian Church.

Night Lights is back for the Singapore Night Festival (** Ryf's Insert Caption Please is seen in the foreground).

Night Lights is back for the Singapore Night Festival (Ryf’s **Insert Caption Please is seen in the foreground).

Night Lights this year has installations that range from one inspired by a giant jellyfish inspired to the divine. The enchanting line-up of lights, include some of which I got to have a glimpse at last night. Standing out, not just among the installations, but also among the trees is Clement Briend’s Divine Trees found just east of the National Museum of Singapore. While seeing Briend’s projections, which leave ghostly like faces of divine figures imprinted on the leaves of several of the trees by the National Museum, can be initially a little disconcerting; it would certainly leave the view in awe as to how alive the seemingly three-dimensional projections seem. The installation is an attempt by the artist to “blur the divide between reality and imagination” and “a study of the divine and the spiritual in the world made visible by projection onto objects of nature”.

Divine faces in the dark.

Divine faces in the dark.

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Over at Singapore’s oldest church building, the Armenian Church, we see more ghostly figures, this time set among the gravestones of the exhumed graves of the church’s yard.  The figures, glowing in a ever changing change of colours, are dresses woven from 40 kilometres of fibre optic cable. Dresses of Memory is all the work of Taegon Kim,  the glow-in-the-dark figures are intended to convey the celebration of “being in love” and having “a lover’s silhouette imprinted on the webs of one’s memory”.

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The Armenian Church is also where a rather enjoyable installation, Scenocosme’s Alsos*, can be found. The installation, at first glance seemingly nothing more than a illuminated tangle of twigs, is one that invites the visitor to interact with it. By shinning a light on its flowers, and altering the light’s intensity, the visitor creates his or her own set of sounds with each flower filling the air with a different sound.

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A surprise very different and with a far less mysterious flavour awaited me along a narrow alleyway. That was where a bunch of some rather tough looking characters, ones you wouldn’t really want to mess with, seemed to be spoiling for a fight. The fight the tough dudes were looking for were fortunately not with us, but among themselves – they would be meeting in a wrestling ring that would be set up right on on Armenian Street next weekend (29 and 30 August) in the Singapore Pro Wrestling event as part of the exciting line-up of events for the Singapore Night Festival.

Singapore Pro Wrestling comes to the alleyways ...

Singapore Pro Wrestling comes to as alleyway …

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For more information on how to catch the wrestlers in action, the light installations, and the rest of the excitement at the Singapore Night Festival do visit the festival’s website at www.sgnightfest.sg. The festival’s happenings can also be followed on twitter at @BrasBasahBugis and on Facebook. There is also a festival guide available on instagram @SNFGUIDE. Hashtags for use during the festival are #SGNightFest and #SNFer. Do also refer to a previous post Bold and Beautiful – let’s Harp on it for more photographs and an introduction to this year’s festival.


A second look at WeComeInPeace’s Spirits of Nature at SAM for #SGNightFest

Through once familiar archways ...

Through once familiar archways …

... another look at WeComeInPeace's Spirits of Nature.

… another look at WeComeInPeace’s Spirits of Nature.

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A sneak peek at NDP 2014

11 07 2014

I got an opportunity to have a sneak peek at what this year’s National Day Parade (NDP) had to offer at a rehearsal held on Saturday, taking a few photographs that accompany this post. The rehearsal was held a week before the series of rehearsals that Primary 5 students will attend as part of the National Education (NE) Show programme  starting on 12 July 2014, in the lead-up to the actual parade, all of which offers a glimpse of what the highly anticipated parade has to offer.

Always something to look forward to - the fireworks sign-off.

Always something to look forward to – the fireworks sign-off.

The audience seen as the lights come on ...

The audience seen as the lights come on …

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Beyond the always spectacular signature show of fireworks that now sign all NDPs off, the parade and ceremony, the flypast and the medley of National songs, this year’s NDP will see the introduction of a Military Tattoo, which for the first time, will open the Parade and Ceremony. The 7-minute band display, will involve some 164 personnel, including drummers from the Movement for the Intellectually Disabled of Singapore (MINDS) who will perform together with members of the Singapore Armed Forces (SAF) Band, the Singapore Police Force (SPF) Band, the Silent Precision Drill Squad (SPDS), the National Cadet Corp (NCC) Band, and the National Police Cadet Corp (NPCC) Band.

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The Parade and Ceremony itself, entitled “A Parade with a Heart”, has been aligned with this year’s NDP theme, “Our People, Our Home” and consists of five Heartbeats. The five moments will honour the organisations that have contributed in the defence, social and economic areas, pay tribute to our pioneers, get the audience singing in a sing-along of Singapore songs, celebrate the family and showcase the SAF and Home team’s capabilities in the Dynamic Defence Display.

The Leopard 2 MBT will feature in the Dynamic Display segment.

The Leopard 2-SG Main Battle Tank will feature in the Dynamic Display segment.

The Republic of Singapore Air Force (RSAF) Surface-to-Air PYTHON-5 and DERBY-Short Range (SPYDER-SR) ground-based air defence system - another asset the audience will see during the Dynamic Display.

The Republic of Singapore Air Force (RSAF) Surface-to-Air
PYTHON-5 and DERBY-Short Range (SPYDER-SR) ground-based air defence
system – another asset the audience will see during the Dynamic Display.

A navy RHIB during practice for the Dynamic DIsplay Segment.

A navy RHIB during practice for the Dynamic Display Segment.

Always something to look forward to at the NDP, are the so-called funpacks, which contain both giveaways as well as items for use during the parade itself. This year’s very brightly coloured funpacks were designed by a group of 15 students from the Institute of Technical Education (ITE) College Central’s School of Design and Media. Included in the funpacks are button badges – the result of the NDP 2014 Funpack Print Design Contest from which nine designs were chosen to be printed into button badges. Among the winning entries is one from 13 year-old Ong Zheng Jie Joshua, which centres on a tree that symbolizes the strong and prosperous Singapore built by our ancestors.

Funpack distribution.

Funpack distribution.

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The parade this year features some 35 marching contingents, with four Guard-Of-Honour (GOH) contingents, the Singapore Armed Forces (SAF) Colours Party, the Combined Band and 29 other contingents from the SAF, Home Team, uniformed groups as well as social and economic organisations. Numbering some 2,000 participants, the parade will be the largest Parade & Ceremony segment ever held at the Floating Platform.

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Artistic radiators growing up with Salvador Dali

19 03 2014

Opening at the REDSEA Gallery on Saturday is an exhibition that will offer a very personal perspective of the surrealist artist, Salvador Dali. SALVADOR DALI: The Argillet Collection will feature 112 etchings, drawings, and tapestries from the renowned Pierre Argillet Collection, all of which will be available for private acquisition. Seen for the very first time in Asia, the collection provides a glimpse into the bond Dali had with Pierre Argillet,  his publisher, through their many years of collaboration and friendship.

Dali with Christine Argillet. © CHRISTINE ARGILLET ALL RIGHTS RESERVED.

Dali with Christine Argillet. © CHRISTINE ARGILLET ALL RIGHTS RESERVED.

The collection is being brought over to Singapore by Pierre Argillet’s daughter, Christine Argillet, who in growing up in the presence of the great artist, will offer a personal insight into the collection. Madame Agrillet, who was also kind enough in allowing me to put some questions to her via email (see below), had this to say about bringing the exhibition in:

“This presentation is a tribute to the work of my father, Pierre Argillet, as an extraordinary publisher of the Dada and Surrealist group. This collection reflects his constant endeavour and his close collaboration with the artists of these two movements, especially Salvador Dali. My goal is to have this collection presented in the finest galleries and museums throughout the world,”

Argus in color, Individual Etchings, 1963. 57 x 77cm. Original etching reworked in drypoint Japanese paper. © CHRISTINE ARGILLET ALL RIGHTS RESERVED.

Argus in color, Individual Etchings, 1963. 57 x 77cm. Original etching reworked in drypoint Japanese paper. © CHRISTINE ARGILLET ALL RIGHTS RESERVED.

All works in the collection have been authenticated and signed by Salvador Dali and have never before left the Collection. The exhibition will be opened from 22 March to 20 April 2014. 

Portrait of Marguerite Faust, 1968. 38 x 28cm. Drypoint etchings with roulette, ruby & diamond Japanese paper. © CHRISTINE ARGILLET ALL RIGHTS RESERVED.

Portrait of Marguerite Faust, 1968. 38 x 28cm. Drypoint etchings with roulette, ruby & diamond Japanese paper. © CHRISTINE ARGILLET ALL RIGHTS RESERVED.


An interview with Madame Christine Agrillet

Christine Argillet. © CHRISTINE ARGILLET ALL RIGHTS RESERVED.

 

Christine Argillet. © CHRISTINE ARGILLET ALL RIGHTS RESERVED.

Growing up around Dali: Dali was a very kind uncle for me, simple in his daily life, yet very inventive. Anything at home was subject to turning it into another use, another tool. Dali had a very special way of envisioning or reconsidering things. 

For instance: one day, his wife Gala had told him that their radiators were really ugly. Dali decided to hide them behind a wood panel and painted radiators over it. The most artistic radiators…

There was always this kind of light humor, this way of making fun out of everything with a gentle surrealist attitude.

Dali was at the same time a workaholic and a very free person. He would strive to paint with a one-hair brush or he would throw acid on copper plates to create uncertain smudges that would challenge him to create a very figurative subject next to these abstract shapes. We have exhibiting here in Singapore the series of the Mythology etchings that was created using this process.

Dali’s influence on her: I think both Dali’s incredible work on himself and his total freedom have impressed me and certainly have had an influence on my life.

Behind the public persona: Dali could be very eccentric in public to grab attention, but he could be totally absorbed in his paintings and forget about anything around him for hours or days. I think that the public persona he created was at the opposite of his real character.

Have her impressions of Dali been changed since childhood: No, there was a very charming Dali, elegant, simple, and creative that I knew and there was this opposite: the public persona. For me, they were two different persons. My father used to say that Dali was shy and that he was exaggerating everything while facing a public.

The collection: Many works in our collection mean a lot for me. My father had a passion for Dali’s drawings and he would often meet with Dali, speak of his projects with him. The Aubusson tapestries became something extraordinary as Dali wanted to cover the walls of his museums with this traditional technique. We have a film where we see Dali discovering these hand woven pieces in my father’s castle. There were also watercolours, drawings, sculptures, incredible telegrams between Picasso and Dali. All these constitute a part of my childhood.

On bringing the collection over to Singapore: This collection has never been seen in Singapore. My intention is to the show the wonderful collaboration of an artist and a publisher. The strong friendship between both Dali and my father allowed wonderful artworks to come to light. This is at the same time a tribute to Dali as a great etcher and a tribute to my father as a talented facilitator.

Individual Bullfight, Individual Etchings, 1966. 51 x 66cm. Colour-printed heliogravure with stencil, Arches. © CHRISTINE ARGILLET ALL RIGHTS RESERVED.

Individual Bullfight, Individual Etchings, 1966. 51 x 66cm. Colour-printed heliogravure with stencil, Arches. © CHRISTINE ARGILLET ALL RIGHTS RESERVED.


About Pierre Argilllet:

The 1914-18 War Apollinaire (Secret Poems), 1967. 39 x 28cm. Original etching reworked in drypoint. Japanese paper. © CHRISTINE ARGILLET ALL RIGHTS RESERVED.

The 1914-18 War Apollinaire (Secret Poems), 1967. 39 x 28cm. Original etching reworked in drypoint. Japanese paper. © CHRISTINE ARGILLET ALL RIGHTS RESERVED.

Pierre Argillet was an avid collector of works by futurists, dadaists and surrealists, and very early on, met the major artists of the 20th century. In 1930, at the age of twenty, Argillet was deeply impressed by the “Les Chants de Maldoror” of Lautreamont. He began a spiritual journey along a path that was originated by Rimbaud and later pursued by Lautreamont, Marinetti, Andre Breton, Tzara and Chirico. He counted Duchamp and Jean Arp among his acquaintances, but when he met Dali, complicity led to a life-long friendship that lasted until the painter’s death in 1989.

Be it luck or fate, Dali’s delirious vision led to a long and fruitful collaboration between artist and publisher. They produced nearly 200 etchings. To name a few: la Mythologie (16 planches), le Christ, Sainte-Anne, l’Incantation. In 1966, Dali reworked 7 pieces of the Bullfight set of Picasso, giving them the Dali touch. In 1968, Dali illustrated “ la Nuit de Walpurgis “ of Faust (21 pieces) using rubies and diamonds as engraving tools, a technique that lent an incomparable delicacy to the design; next came the “ Poemes “ of Ronsard (18 pieces) and Apollinaire (18 pieces) . In 1969, Dali created “ Venus a la fourrure “ after Sacher Masoch (20 pieces), and between 1970-71, the Suites of Don Juan (3 pieces) and Hippies (11 pieces).

In 1974, artist and publisher parted their ways. Pierre Argillet would only accept etchings done in the traditional way, on copper, and refused to go along with Dali’s desire to make photo-based lithographs. But by using this process, Dali went on to produce a large number of works that appealed to a more widespread audience than ever before, but they were also subject to more criticism.

Piano under the snow Surrealist Bullfighter, 1966. 51 x 66cm. Heliogravures reworked in drypoint hand-coloured with stencil, Japanese paper. © CHRISTINE ARGILLET ALL RIGHTS RESERVED.

Piano under the snow Surrealist Bullfighter, 1966. 51 x 66cm. Heliogravures reworked in drypoint hand-coloured with stencil, Japanese paper. © CHRISTINE ARGILLET ALL RIGHTS RESERVED.


 





A sneak peek at i Light Marina Bay 2014

7 03 2014

From the eye-catching, to the fun and quirky, there is something that will certainly catch your attention as Marina Bay brightens up from this evening until the end of March 2014, all in a sustainable way I should add – the festival’s 28 light art installations have been picked so as to convey the message of sustainability through art – a key area of focus for the three week long festival. It would probably take more than one visit to take in all 28 – especially with the installations spread around the bay area and that is just what the curatorial team hopes visitors would do, taking in the lights, as well as the fun that does come from some of the interactive installations.

From the pick of installations participants of a preview were introduced to, my favourites are in fact the interactive ones as well as the somewhat quirky ones. These are CLOUD by Caitlind Brown and Wayne Garrett (which I only got to see from afar) – judging from what has been said about it, Jen Lewin’s The Pool, and Happy Croco by Bibi – who some may remember for his igloo installation during the last festival. The festival will be opened this evening and will be on every evening  until 30 March 2014. More information on the festival and the host of fringe events and activities can be found at the festival’s website.


A pick of installations


The Pool 

Jen Lewin Studio (USA)

Marina Bay waterfront promenade near The Promontory @ Marina Bay (A14 on the map)

Promises to be lots of fun, especially for the kids and those like me who want to be kids again. Watch as circular pads arranged in concentric circles change hues through movement – an effect that will best be seen when a group of people play together. The installation was created in a way that it can quite easily be recreated anywhere it needs moving to.

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Jan Lewin at The Pool


CLOUD 

Caitlind Brown and Wayne Garrett (Canada)

The Float @ Marina Bay (B9 on the map)

The CLOUD apparently has people pulling at strings – literally, by getting people to congregate under a rain cloud, the aesthetic of which is influenced by those under it pulling at light switches. The CLOUD features a contrast of old and new technologies, and is intended to demonstrate how an individual has the power to impact progress and achieve change. The real magic happens when multiple visitors work as one towards a unified response.

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Happy Croco 

Bibi (France)

Marina Bay waterfront promenade near Mist Walk (A4 on the map)

Happy Croco is a happy and somewhat quirky luminous 20 metre long installation – made with a backbone of traffic cones. There is an underlying message in the so-called urban crocodile though – in being made of items we discard everyday, Bibi, attempts to bring to attention the issue of plastic waste. 

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Mimosa

Jason Bruges Studio (UK)

Marina Bay City Gallery (A7 on the map)

Another that will be a favourite with the kids would be Mimosa – a work that uses organic light-emitting diodes to mimic the leaves of the responsive plant by sensing hand movements. 

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JouJou-Ours

Uno Lai (Taiwan)

Marina Bay City Gallery (A9 on the map)

The work, which features giant teddy-bear heads and intended to revisit childhood memories in which the soft toy would be a feature of , encourages the visitor not only to give the installation a hug, but also, judging to the response take lots of photographs with it.

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Uno Lai


#WeHeartLight

Light Collective (UK)

Marina Bay City Gallery (A8 on the map)

An installation made up of individual and personalised light boxes – the work of students from different schools in Singapore that emphasises the role of education in guiding the future generation towards a sustainable future.

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Beat

Arup (Singapore)

In front of Marina Bay Sands (A1 on the map)

An installation that appeals to the instinct to  touch, simulating a response from lighted globes that then adopt a human heart beat light pulse – another favourite with the kids.

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iSwarm

SUTD (Singapore)

In Marina Bay, near Bayfront Taxi Stop (A3 on the map)

A luminous swarm of “sea creatures” that interact with passer-by through light sensors.

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Floating Hearts

Travesias de Luz (Spain)

Marina Bay waterfront promenade, near Marina Bay Link Mall pop-up structure (A10 on the map)

A wall of illuminated hearts that invites passers-by to play with them.

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The Guardian Angels

Maro Avrabou and Dimitri Xenakis (Greece and France)

Marina Bay waterfront promenade near Breeze Shelter (A12 on the map)

Echoes the preservation of the garden and plants, and by extension, nature – a tribute to gardeners and artificially created gardens.

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**Insert Caption Please

Ryf Zaini (Singapore)

Marina Bay waterfront promenade (A11 on the map)

Giant speech bubbles that displays thoughts and messages akin to comic strips – a humourous reference to the shift in the way we interact socially in the digital age towards screen-based forms of communication.

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Fool’s Gold

Vertical Submarine (Singapore)

The Promontory (A13 on the map)

A work that alludes to a Chinese idiom about a fool who hides his gold but gives it away by erecting a sign to disclaim its existence. 

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1.26 Singapore

Janet Echelman (USA)

The Float @ Marina Bay (B10 on the map)

A huge illuminated net that depicts the force of nature that uses space-age Honeywell Spectra fibre. Suspended over the floating platform, the work is a 3D representation of the force of a tsunami created by the 2010 Chile earthquake and draws on laboratory research done by NASA and NOAA on the earthquake. The earthquake resulted in a shift in the axis of the earth’s rotation, which shortened the day by 1.26 microseconds – hence the installation’s name.

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1.26 Singapore

Justin Lee and Dornier Asia Pte Ltd (Singapore and Switzerland)

ArtScience Museum (B14 on the map)

Celebration of Life is a large-scale projection by local artist Justin Lee on the ArtScience Museum – the first time he has taken on such a challenge. The projection takes viewers through a commentary on the role and value of traditional culture on contemporary society, blending traditional Eastern icons with modern day symbols.

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Digital Wattle 

Out of the Dark (New Zealand)

Near The Float @ Marina Bay (B11 on the map)

Based on the Golden Wattle, the installation explores the interplay between individual ethnic groups that co-exist within a city – the change of colours of the flowers swaying in the breeze representing the new mix of cultures.

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i Light Marina Bay 2014 related:


 





Colouring the new world

6 03 2014

The Marina Bay area will be brought to life this month of March as i Light Marina Bay returns from the 7th to 30th. The latest edition of the biennial light art festival, Asia’s only sustainable light art festival, sees 28 installations spread across what is already a visually stunning new world, a large part of which, rose from the sea.

1.26 by Janet Echelman, seen in Amsterdam (Photo-Courtesy-of-Janusvanden-Eijnden)

Highlights of the festival will include seven installations, each of which is being put up by an invited artist, one of whom is the internationally renowned Janet Echelman. Known for her sculpture environments that respond to the forces of nature, Ms Echelman will illuminate The Float @ Marina Bay with ‘1.26 Singapore’, a large floating fluid installation that uses space-age Honeywell Spectra fibre. Suspended over the floating platform, the work is a 3D representation of the force of a tsunami created by the 2010 Chile earthquake and draws on laboratory research done by NASA and NOAA on the earthquake. The earthquake resulted in a shift in the axis of the earth’s rotation, which shortened the day by 1.26 microseconds – hence the  installation’s name.

Mimosa by Jason Burges

Celebration of Life by Justin Lee

Another of the festival’s highlights to look forward to will be ‘Celebration of Life’, a large-scale projection by local artist Justin Lee on the ArtScience Museum that sees a commentary on the role and value of traditional culture on contemporary society. There are also several interactive installations, one of which is ‘Mimosa’ by UK based Jason Bruges Studio at the Marina Bay City Gallery. The work mimics the behaviour of responsive plant systems such as the mimosa and uses organic light-emitting diodes (OLED) arranged to open and close in response to hand movements.

CLOUD by Caitlind Brown and Wayne Garrett (Photo Courtesy of Doug Wong)

Another interactive work that will surely be a hit is ‘CLOUD’ by Caitlind Brown and Wayne Garrett, who are from Canada. Located at The Float @ Marina Bay, ‘CLOUD’ features 5,000 new and recycled lightbulbs (of which some 200 are functioning) on an installation that resembles a rain cloud, extending an invitation to strangers to come together under it and play. Visitors will be able to pull on switches, triggering a shift in the aesthetics – intended to demonstrate how an individual has the power to impact progress and achieve change. The real magic, we are told, does however happen when multiple visitors work as one towards a unified response.

The Pool by Jen Lewin

iSwarm by SUTD, Suranga Nanayakkara and Thomas Schroepfer

Other highlights are ‘JouJou-Ours’ by Uno Lai of Taiwan, which revisits childhood memories beside the Marina Bay City Gallery; the very colourful ‘The Pool’ by Jen Lewin Studio of the US, which is at the Promontory @ Marina Bay; and iSwarm by a team from the Singapore University of Technology and Design (SUTD) – swarming the water near the Bayfront water taxi stop  with light that is reminiscent of naturally occurring phenomena such as bio-luminescent algae.

JouJou Ours by Uno Lai

Besides the invited artists, the remaining installations in i Light Marina Bay 2014 were selected through an open call, 13 of which are the creations of locally based artists. The three-week festival will also see several fringe activities and offerings that will include opportunities for fun with the family, to complement the installations – with food never far away. More information on the host of activities and culinary offerings is available at the festival’s website.

Giant Dandelion by Olivia D’Aboville

Along with the festival and fringe events, there will also be the i Light Symposium 2014, which will see three sessions held, the last of which will feature Janet Echelman. More information on the symposium and how to register can be found on the events listing page on the festival’s website.


i Light Marina Bay 2014 related:





A sneak peek at the Singapore Airshow 2014

9 02 2014

The much anticipated Singapore Airshow 2014 (SA14) opens this week at the Changi Exhibition Centre with the Republic of Singapore Air Force (RSAF) celebrating a significant milestone, its 45th Anniversary. Marking this milestone, visitors to the airshow will be treated to an event, the RSAF45@SA, which will see an RSAF Pavilion in which the RSAF will showcase its transformation into the 3rd generation force it is today. Members of the public can also look forward not just to the ever popular aerial acrobatic displays from the RSAF Black Knights and aircraft from several other international air forces, but also to the chance to win rides during the public days on either a C-130 transport aircraft or a Chinook helicopter that offers passengers the treat of spectacular views over Singapore. A sneak peek at what’s in store at RSAF45@SA follows. More information and to sign up for the chance to win the rides on RSAF’s aircraft, do visit the RSAF’s Facebook Page (registration for the ballot should be submitted by today 9 Feb 2014).


A sneak peek at the Singapore Airshow 2014 and RSAF45@SA

Acrobatic Aerial Displays

RSAF Black Knights

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RAAF F-18 and ROKAF Black Eagles

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Rides on RSAF Aircraft

Ride with a view.

Ride with a view – a photo taken during a preview of the Chinook  ride.

Stand a chance to win a ride on a Chinook (seen here) or a C-130 Transport Aircraft.

Stand a chance to win a ride on a Chinook (seen here) or a C-130 Transport Aircraft.

An iPhone pano taken inside the Chinook during a preview.

An iPhone pano taken inside the Chinook during a preview.

Another view inside the Chinook during a preview of the ride.

Another view inside the Chinook during a preview of the ride.


RSAF Pavilion

The Air Force Recruitment Centre at RSAF45@SA will showcase the various career schemes and vocations through its “One Force” campaign which includes the interactive “One Force” smartphone application. Visitors can download the One Force app (Google Play – https://play.google.com/store/apps/details?id=com.swagsoft.rsaf&hl=en / iTunes* – https://itunes.apple.com/sg/app/one-force/id798763850?mt=8) which provides an interactive experience by scanning through placement of  your phone in front of a commercial being screened. Instructions on how to use the One Force app can be found at http://goo.gl/ztmrlh.

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Static Display

Key highlights of the static display include the F-15SG, G550-AEW, SPYDER Air Defence System as well as the Heron 1 Unmanned Aerial Vehicle (UAV) and Hermes 450 UAV. Other aircraft types on display include the F-16D+ and the F-5S/T fighter aircraft, C-130 Hercules transport aircraft, AH-64D Apache attack helicopter; CH-47D Chinook and Super Puma helicopters. Other ground-based air defence systems on display include the Mechanised IGLA, I-Hawk, RBS-70 and Mistral.

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A walk 600 million years back in time

24 01 2014

What promises to be huge not just from a perspective of the size of its exhibits, the Dinosaurs: Dawn to Extinction exhibition will open this Saturday 25 January 2014 at the ArtScience Museum. The museum at Marina Bay Sands has once again outdone itself in bringing to Singapore an impressively well curated exhibition that provides not just a visual feast, but also one that provides an immersive and stimulating experience.

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Along the walkway.

Along the walkway.

From a media preview of the exhibition yesterday I was privileged to have been invited to, I was transported back not just to the age of the dinosaurs that the exhibition aims to take the visitor to, but also to my days of fascination as a child with the huge creatures that once dominated the earth. With some than 400 fossils and models, the scale of the exhibition is particularly impressive as is the content it provides the visitor.

Exhibits include coprolites - fossilised 'droppings' that provide insights into diets.

Exhibits include coprolites – fossilised ‘droppings’ that provide insights into diets.

Coprolites exhibited strategically outside the washrooms.

Coprolites exhibited strategically outside the washrooms.

Curated by world renowned paleontologist, Dr. Patricia Vickers-Rich, who did admit to not having that childhood fascination with dinosaurs at yesterday’s preview that most would have assumed she would have had, the ArtScience Museum’s exhibition does actually bring together exhibits from the collections of four different exhibitions. The four collections are from the American Museum of Natural History, San Juan National Science Museum, SCI! Expo at Monash University and artist Peter Trusler.

Dr. Patricia Vickers-Rich at the media preview.

Dr. Patricia Vickers-Rich at the media preview.

The exhibition is spread out over eight galleries in the museum’s basement, occupying a floor area of over 3,700 square metres is the largest exhibition there to date. It takes the visitor back not just to the age of the dinosaurs, but also to the dawn of life some 600 million years ago in the Precambrian age. This however is not before the visitor is first given an impression of the scale of the dinosaurs along the walkway to the exhibition’s entrance and being welcomed, by sound and then sight to dinner – as food for a herd of or rather four of their fossils,  upon entry.

Visitors can appreciate the scale of the larger dinosaurs along the walkway to the entrance.

Visitors can appreciate the scale of the larger dinosaurs along the walkway to the entrance.

One from herd of Herrerasaurus that greets visitors at the exhibition's entrance.

One from herd of Herrerasaurus that greets visitors at the exhibition’s entrance.

The Precambrian gallery.

The Precambrian gallery.

Beside the many imposing recreations of dinosaurs and their skeletons spanning the Triassic, Jurassic and Cretaceous periods, the highlight for me was being able to go up close to real fossils – one of which is a newly discovered fossil of an, uncovered in Argentina as recently as in September 2013. Dr Vickers-Rich was keen to also stress that it is rare that a newly discovered fossil such as this, is allowed to be moved out of its country, and visitors to the exhibition will have the privilege of seeing this (as well several other never exhibited fossils) on display for the first time.

The recently dsicovered fossil of the Adeopapposaurs.

The recently dsicovered fossil of the Adeopapposaurs.

Beside the many imposing recreations of dinosaurs and their skeletons spanning the Triassic, Jurassic and Cretaceous periods, the highlight for me was being able to go up close to real fossils – one of which is a newly discovered fossil of an Adeopapposaurs, uncovered in Argentina as recently as in September 2013. Dr Vickers-Rich was keen to also stress that it is rare that a newly discovered fossil such as this, is allowed to be moved out of its country, and visitors to the exhibition will have the privilege of seeing this (as well several other never exhibited fossils) on display for the first time. Visually, I also enjoyed a diorama in the Chapter 5 gallery, Dinosaurs: Ancient Fossils, of the American Museum of Natural History section – a recreation of the Liaoning forest, which also provides an insight to the various extinction theories.

The Liaoning forest diorama.

The Liaoning forest diorama.

Visitors can also look forward to a host of programmes and activities being held in conjunction with the exhibition including the opportunity to meet and hear from Dr. Patricia Vickers-Rich and other experts over the opening weekend (25-26 January 2014) – see below.

Very small dinosaurs such as this model of the skeleton of a foot long Chaliminia can also be seen.

Very small dinosaurs such as this model of the skeleton of a foot long Chaliminia can also be seen.

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Those intending to visit the exhibition can also download a free mobile application designed by the museum to  deepen the engagement and enhance visitor experience. The ‘Dawn2Extinction’ app is available in English and Simplified Chinese and features augmented reality experiences, animation and interactive games. The app is available for download now on iPhone 4 and 5, iPod touch, and Android phones.

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The exhibition runs from  25 January to 27 July 2014. More information and ticketing details can be found at the ArtScience Museum’s website.

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Opening weekend activities:

Special Guided Tours

(25 and 26 January 2014; 12:30pm, 1.30pm and 4:30pm; beginning at the first gallery of Dinosaurs: Dawn to Extinction)

Embark on a guided tour to explore the living habits of dinosaurs and be introduced to the extraordinary creatures that roamed the earth. Gain insight into how the paintings of dinosaurs and their surroundings displayed at the exhibition were reconstructed through leveraging scientific evidence.

Exhibition Talk – The Paleontological Camera

(25 January 2014; 2.30pm to 4pm; held at Expression Gallery, Level 4 of ArtScience Museum)

Curator Dr. Patricia Vickers-Rich and artist Peter Trusler talk about their collaboration to bring to life visuals from as far back as 600 million years ago through their “paleontological camera”.

Exhibition Talk – The Origins of Dinosaurs

(25 January 2014; 5.30pm to 6.30pm; held at Expression Gallery, Level 4 of ArtScience Museum)

Learn about the fascinating origins of dinosaurs through an illustrated talk presented by Dr. Oscar Alcober, Director of San

Programmes/Workshops:

Shadow Puppets Alive!

Visitors can try their hands at creating their own Bullockornis or Megalania shadow puppet to bring home.

A day in the life of a Paleontologist

Visitors who aspire to be or wish to understand the work of a paleontologist can take part in a hands-on demonstration. During the demonstration, members of the audience will have numerous opportunities to participate, including handling tools and specimens, cleaning fossils, identifying bones and making a plaster cast from a dinosaur’s footprint

Stop Motion Dinosaur Wipe-out!

Film and dinosaur enthusiasts can create their own stop motion animation based on one of the main theories of mass dinosaur extinction: asteroid impact, climate change or volcanic eruptions.

Dinosaur Tale

Presented by local puppet theatre company, Paper Monkey Theatre, visitors will be taken on a journey of how animal life adapted over 600 million years, presented through magical puppetry.

Sketch-a-fossil

A drawing workshop conducted by Isabelle Desjeux, a scientist turned artist, who brings fossils to life by having visitors draw them in detail and placing the art piece in a pre-historic landscape.

Sculpture Fun

Visitors can try their hands at carving their own sculpted fossil, be it a shell or bone, out of soap to bring home.









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