Horses dancing on the Istana’s lawn

5 11 2014

One of the memories that connects me to Tanah Merah, a magical place that I dearly miss by the sea, is of seeing what had first appeared to me to be grown men at play on cardboard horses. Tanah Merah was a wondrous place to me, not just because of that little moment of magic, but also due to its physical landscape. Set along a coast marked by cliffs from which the area derived its name, it a naturally beautiful world into which I could in my childhood, often find an escape in.

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Four decades now separates me that memory. The place has long been discarded by a Singapore that has little sentiment for its natural beauty, but what I remember of it, the horsemen I saw at play,  continues to be a source of fascination for me, play a dance that is surrounded by much mystique.

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The dance, known as Kuda Kepang here in Singapore, is thought to have its origins in the animistic practices of pre-Islamic Java and part of the mystery that surrounds it are the spirits invoked in joining man with the horses they stand astride on. The trance the horsemen fall into provide the ability to do what science cannot explain.

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I revisited these memories of what I had witness as a young child from the safety of the side of the road at the village of Kampong Ayer Gemuroh in Tanah Merah. With the familiar strains of the dizzying gamelan-like accompaniment playing, I watched, enthralled, as men possessed pranced on their two-dimensional horses in the shadows of a former royal palace .

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The palace, once the Istana Kampong Glam, is now a centre to promote the history and culture of the Malay community of which the descendants of the Javanese immigrants in Singapore have largely assimilated into. Known as the Malay Heritage Centre, it was on its now well manicured lawn on which I was able to catch what today is a rare performance of the age-old dance.

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Where it had once been quite commonly seen, especially at happy occasions such as weddings, performances in public have become few and far between as a change in lifestyles, social perceptions, and religious objections, have seen such ritual practices having been all but discarded.

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While I have in fact put up a post on the dance, sitting through an entire performance does mean I have a newer and more photographs of the dance to share in this post. My previous post does however contain a more complete description of my first impressions of Kuda Kepang and on the dance itself, and should you wish to visit it, it can be found at this link.


Before the performance

Prayers offered before the performance.

Prayers offered before the performance.

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Preliminaries

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During the Dance

Smoke from the kemenyan (incense) being breathed in.

Smoke from the kemenyan (incense) being breathed in.

Men becoming one with the horse.

Men becoming one with the horse.

The performers are obviously in a trance-like state.

The performers are obviously in a trance-like state.

Drinking from a bucket of water.

Drinking from a bucket of water.

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The horses are whipped, apparently without any pain being felt.

The horses are whipped, apparently without any pain being felt.

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The Barong

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Performers being brought out of the trance

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An Ocean of Possibilities

4 11 2014

In An Ocean of Possibilities, we may find a sea of change. A photography exhibition brought to Singapore through a collaboration between Singapore International Photography Festival (SIPF) and Noorderlicht International Photo Festival in Groningen, An Ocean of Possibilities features the thought provoking works of 34 internationally acclaimed photographers who find unlikely forces for change in the midst of  the trials and tribulations of tragedy, conflict and upheaval.

Finding out how a camera obscura works in An Ocean of Possibilities.

Hands-on in finding out how a camera obscura works in An Ocean of Possibilities.

It is a theme that SIPF Festival Director, Gwen Lee, says that Singapore is no stranger to, having overcome many obstacles in charting its course through to an improved future. To Ms Lee,  the ocean “signifies a test of our courage, imagination and capabilities to take the path less trodden”, a path that is taken by the subject in the works.

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The exhibition at the ArtScience Museum, which opened on 31 October 2014 and will run until 28 December, sees over 200 works – photographs and videos, on display. Among the photographs are the works of two Singaporeans, Zhao Renhui and Lim Weixiang in the 34 that have been selected from over 1000 submissions.

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The works that I thought were especially provoking are those of Alex Masi, Ana Galan, Matthew O’Brien and Loulou d’Aki. Masi’s Bhopal Second Disaster is particularly so in examining the continuing fallout of the Bhopal disaster, 30 years on, through a series of haunting images. In all this, Masi finds hope in adversity, a hope that a population abandoned by those who should be making wrongs right, have found from within.

Photographs from Alex Mesi's Bhopal Second Disaster.

Photographs from Alex Masi’s Bhopal Second Disaster.

d’Aki also finds hope in the future – through the faces of the youth of the Middle East and in their dreams and ambitions in Make A Wish, while O’Brien finds beauty in the common folk of Colombia in lives where the threat of violence and misery is ever present through a series of Polaroids in No Dar Papaya. In Galan’s In a Quest for Utopia, we are made to take a look at a Myanmar, which in spite of democratic reforms, continues to be dominated by the politics of the past half a century. Galan’s work sees a homage paid to activists who in continuing a fight for freedom put their lives and their own personal freedom at risk.

Ana Galan's portrait of Nay Yee Ba Swe with the words of Article 37 of the Burmese Constitution superimposed.

Ana Galan’s portrait of Nay Yee Ba Swe with the words of Article 37 of the Burmese Constitution superimposed.

Polaroids from Matthew O'Brien's No Dar Papaya.

Polaroids from Matthew O’Brien’s No Dar Papaya.

Loulou d'Aki's Make A Wish - hope for the future seen in the faces of the youth of the post Arab Spring Middle East.

Loulou d’Aki’s Make A Wish – hope for the future seen in the faces of the youth of the post Arab Spring Middle East.

A quite enjoyable part of the exhibition are the interactive activities that Hands On Lenses, curated by artscientist Isabella Desjeux, that visitors can participate in. Participants will be able to make their own magnifier, understand how a camera obscura works and use their smart phones to take photos of magnified objects. Hands On Lenses workshops will be conducted by Isabella Desjuex on 8 and 9 and 22 November, 13 and 20 December. In addition to this, Marina Bay Sands’ resident photographers will be conducting two courses, Photographing Stories on 23 and 30 November and Shooting Travel Photos like a Pro on 13 December.

Hands on Lenses.

Hands on Lenses.

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In addition to this, ArtScience Museum will also be organising a free symposium on 8 November, Digital Frontiers: Exploring the context of Digital Imaging. This will see academic experts in the art and science field, Dr Vasillios Vonikakis from Advanced Digital Sciences Center and Associate Prof Oh Soon-Hwa from Nanyang Technological University exploring how digital photography has changed our perception of images today. The session will also include a discussion on how technological advances have spurred greater progress in key areas within the artistic and scientific domains.

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More information on the exhibition and workshops can be found at the ArtScience Museum’s site and also the SIPF website. A exhibition guide can be downloaded here.

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Divine faces in the dark

22 08 2014

Take a walk on the dark and somewhat mysterious side of the Bras Basah.Bugis precinct this weekend (and the next), and you might stumble upon a few surprises, all of which, if you are lucky enough, have nothing to do with the time of the year from the perspective of the Chinese calendar.  The precinct plays host to the annual Singapore Night Festival that brings life and colour to the streets and greens of the area along with a wonderful show of light in Night Lights.

Hauntings at the dark and mysterious yard of Singapore's Armenian Church.

Hauntings at the dark and mysterious yard of Singapore’s Armenian Church.

Night Lights is back for the Singapore Night Festival (** Ryf's Insert Caption Please is seen in the foreground).

Night Lights is back for the Singapore Night Festival (Ryf’s **Insert Caption Please is seen in the foreground).

Night Lights this year has installations that range from one inspired by a giant jellyfish inspired to the divine. The enchanting line-up of lights, include some of which I got to have a glimpse at last night. Standing out, not just among the installations, but also among the trees is Clement Briend’s Divine Trees found just east of the National Museum of Singapore. While seeing Briend’s projections, which leave ghostly like faces of divine figures imprinted on the leaves of several of the trees by the National Museum, can be initially a little disconcerting; it would certainly leave the view in awe as to how alive the seemingly three-dimensional projections seem. The installation is an attempt by the artist to “blur the divide between reality and imagination” and “a study of the divine and the spiritual in the world made visible by projection onto objects of nature”.

Divine faces in the dark.

Divine faces in the dark.

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Over at Singapore’s oldest church building, the Armenian Church, we see more ghostly figures, this time set among the gravestones of the exhumed graves of the church’s yard.  The figures, glowing in a ever changing change of colours, are dresses woven from 40 kilometres of fibre optic cable. Dresses of Memory is all the work of Taegon Kim,  the glow-in-the-dark figures are intended to convey the celebration of “being in love” and having “a lover’s silhouette imprinted on the webs of one’s memory”.

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The Armenian Church is also where a rather enjoyable installation, Scenocosme’s Alsos*, can be found. The installation, at first glance seemingly nothing more than a illuminated tangle of twigs, is one that invites the visitor to interact with it. By shinning a light on its flowers, and altering the light’s intensity, the visitor creates his or her own set of sounds with each flower filling the air with a different sound.

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A surprise very different and with a far less mysterious flavour awaited me along a narrow alleyway. That was where a bunch of some rather tough looking characters, ones you wouldn’t really want to mess with, seemed to be spoiling for a fight. The fight the tough dudes were looking for were fortunately not with us, but among themselves – they would be meeting in a wrestling ring that would be set up right on on Armenian Street next weekend (29 and 30 August) in the Singapore Pro Wrestling event as part of the exciting line-up of events for the Singapore Night Festival.

Singapore Pro Wrestling comes to the alleyways ...

Singapore Pro Wrestling comes to as alleyway …

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For more information on how to catch the wrestlers in action, the light installations, and the rest of the excitement at the Singapore Night Festival do visit the festival’s website at www.sgnightfest.sg. The festival’s happenings can also be followed on twitter at @BrasBasahBugis and on Facebook. There is also a festival guide available on instagram @SNFGUIDE. Hashtags for use during the festival are #SGNightFest and #SNFer. Do also refer to a previous post Bold and Beautiful – let’s Harp on it for more photographs and an introduction to this year’s festival.


A second look at WeComeInPeace’s Spirits of Nature at SAM for #SGNightFest

Through once familiar archways ...

Through once familiar archways …

... another look at WeComeInPeace's Spirits of Nature.

… another look at WeComeInPeace’s Spirits of Nature.

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Bold and Beautiful – let’s Harp on it

21 08 2014

Bold and Beautiful – in line with its theme for this year, the ever so magical Singapore Night Festival, is back! This year’s festival, on for two Fridays and Saturdays on 22 and 23 August and 29 and 30 August 2014 across the arts and cultural Bras Basah. Bugis Precinct, sees it being organised around five key zones, that will include for the first time, a Festival Village at Cathay Green – which will not be short of delectable offerings, entertainment and shopping opportunities. Two venues will also feature for the first time at the Night Festival, with the historic Armenian Church seeing two Night Lights installations and the National Design Centre (the former St. Anthony’s Convent), which will see a mini interactive exhibition with a ceiling of white illuminated helium filled balloons as well as two light installations.

The Singapore Night Festival is back - bolder and more beautiful.

The Singapore Night Festival is back – bolder and more beautiful – and sure to pull-in the crowds.

The highlight of this year's Singapore Night Festival has to be The Earth Harp at the National Museum's front lawn.

The highlight of this year’s Singapore Night Festival has to be The Earth Harp at the National Museum’s front lawn.

The highlight of the festival has to be the William Close performing on his Earth Harp at the National Museum’s front lawn – one of several spectacular performances being lined up for the Pretty Arty festival zone based at the museum. The Earth Harp Close creates for the Night Festival, sees the huge harp strung across to the National Museum’s façade – the use of architecture as part of his harp, is inspired by a quote “architecture is frozen music” from Frank Lloyd Wright. Close, who was a second runner-up in the seventh season of America’s Got Talent, will collaborate with several local and international  artists such as Singapore’s drum group ZingO and songstresses in the form of Sound of Sirens as well as the fire and lights of Austrian collective Phoenix over both festival weekends.

Willaim Close and his Earth Harp.

Willaim Close and his Earth Harp.

Close close-up.

Close close-up.

ZingO - a local drum group, who are collaborating with William Close.

ZingO – a local drum group, who are collaborating with William Close.

Pretty Arty also sees half human / half birds of Follies for É Birds by the Arts Fission Company in the former Fashion Gallery.

Pretty Arty also sees half human / half birds of Follies for É Birds by the Arts Fission Company in the former Fashion Gallery.

The festival sees the return of Singapore’s very own Starlight Alchemy, playing not so much with fire this time, but with light and acrobatics beside the Singapore Management University (SMU) School of Information Systems in a zone intended to reach out to Young Hearts around SMU Green. The acts will include AcroYogis – an acrobatic partner yoga presentation in which the audience can participate in, as well as Illuminated Playtime in which participants will be invited to play with LED lights.

AcroYogis by Starlight Alchemy.

AcroYogis by Starlight Alchemy.

Another look at AcroYogis by Starlight Alchemy.

Another look at AcroYogis by Starlight Alchemy.

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Watch 10 local DJs spin together on Stage at the SMU Green in the Young Hearts Zone.

Watch 10 local DJs spin together on Stage at the SMU Green in the Young Hearts Zone.

The 10 DJs on stage.

The 10 DJs on stage.

Always a crowd-pleaser, Night Lights, will also return – this time doubling in scale – with installations spread across the festival’s zones. Night Lights never spares the Singapore Art Museum (SAM), a building I always enjoy seeing bathed in light – like outstretched arms its wings are always welcoming as it had been when I went to school there all those years ago. This year the façade of the SAM will be see a nature inspired multi-media presentation, Spirits of Nature, by WeComeInPeace from France.

Spirits of Nature by WeComeInPeace.

Spirits of Nature by WeComeInPeace.

The two Frenchmen coming in Peace.

The two Frenchmen coming in Peace.

One of the students behind Singapore University of Technology and Design's Night Lights installation at SMU, Stop and Smell the Flowers ...

One of the students behind Singapore University of Technology and Design’s Night Lights installation at SMU, Stop and Smell the Flowers …

... the installation requires one to pause - only by pausing to take a long exposure photograph, can the artwork be appreciated.

… the installation requires one to pause – only by pausing to take a long exposure photograph, can the artwork be appreciated.

Greenhouse Effect - another Night Lights installation by Maro Avrabou and Dimitiri Xenakis from France.

Greenhouse Effect – another Night Lights installation by Maro Avrabou and Dimitiri Xenakis from France.

Other eye-catching Night Lights installations I got to see a preview of include Cyanea, inspired by the Cyanea capillata – one of the largest jellyfish in the world, spread across Cathay Green. The installation, illuminated by a set of colour-changing lights, with smoke and sounds for effect, is being put up by Cumulus Collectif also from France.

Night Lights: Cyanea by Cumulus Collectif.

Night Lights: Cyanea by Cumulus Collectif.

Back to the SAM, where the Roundabout Midnight zone is based around, there are several installations to look out for. These include, The Cloud of Unknowing  by Ho Tzu Nyen in the Chapel on 29 and 30 August, 2014 – a cinematic exploration of the cloud as image, metaphor and carrier for divine illumination; a NOISE Weekend @ SAM on 22 and 23 August at 8Q Plaza, SAM at 8Q that will feature emerging bands and musicians from NOISE Singapore’s Music Programme; Darker Than Wax DJs at SAM on 29 August; and The Local People x SAM Night Market on 30 August, 2014 – where visitors can eat, listen and shop at the art market along Queen Street.

Cyanea from its inside.

Cyanea from its inside.

A view of the Orchard Road Presbyterian Church, through Cyanea.

A view of the Orchard Road Presbyterian Church, through Cyanea.

The last zone, Block Party @ Armenian Street, will see a wild and happening Armenian Street where parties to late will be taking place. The parties will include one that will see much excitement with a ring put up on the second weekend right in the middle of Armenian Street (which will be closed to traffic from 8 pm to 2 am on festival nights). The ring will see wrestling bouts that will pit stars of Singapore Pro Wrestling – another first at the Night Festival.

And Tango makes the Singapore Night Festival.

And Tango makes the Singapore Night Festival.

A performance that might be worth catching at Block Party is How Drama ‘s Fat Kids are Harder to Kidnap, in Something Borrowed, Something New at The Substation Theatre, which will probably have you in stitches – not just because of the speed performance of 31 plays in an hour by the Singapore based improvisational performers, but also for their rather amusing take on current happenings. The performance, which will see the audience determine the sequence, has the audience laughing at the funny side of issues such as the much talked about Singapore Tourism Board’s “Honey, Look!” video advertisement as well as the National Library’s tango with the removal of children’s books from the shelves.

Honey, Look!

Honey, Look!

Admission to the Singapore Night Festival (including to the participating museums) is free. More information, including the festival guide, details of the performances, installations and also the artists, can be found at www.sgnightfest.sg. The festival’s happenings can also be followed on twitter at @BrasBasahBugis and on Facebook. There is also a festival guide available on instagram @SNFGUIDE. Hashtags for use during the festival are #SGNightFest and #SNFer.

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The ICON de Martell Cordon Bleu 2014

12 08 2014

The prestigious photography award that recognises the Singapore best of the best in photography, the ICON de Martell Cordon Bleu, returns for a fifth year. As with the award of the previous years, an exhibition of works of the award nominees will be held, this time around in conjunction with the Singapore Night Festival at the Stamford Gallery of the National Museum of Singapore from 20 August to 5 September.

Lavender Chang: Eldest Daughter (2011)

An additional highlight of the exhibition will be an interactive room on which Martell and ICON de Martell Cordon Bleu 2013 winner Sarah Choo have collaborated on. The presentation will attempt to draw parallels between both photography and cognac making and is intended to convey the message of how discernment in the details is important to both.

Wilfred Lim: Superhero (From the series ‘Self Portraits’, 2013)

Jeannie Ho: Brunch Is The Order Of The Day (From the series ‘All In Between’, 2012)

Also to look forward to during the period of the exhibition is the visit of Martell Heritage Ambassador Christophe Pienkowksi, formerly a chef at the Chateau de Chanteloup (where Martell entertains its guests). Pienkowski’s gastronomic expertise and knowledge of Martell cognacs lends to the expert pairing of different cuisines with the various marques of Martell cognacs for which he will share and make recommendations. 

Eugene Soh: Venus & Grace Edition 30 (2012)

During the period of the exhibition, visitors will also be able to complete the Martell experience at a pop-up bar that will serve Martell cognacs and cocktails.

Ang Song Nian: Detour No. 3 (From the series ‘Many Detours : Washed-­‐out & Interrupted’, 2011)

The nominees for the award this year are:
  • Ang Song Nian
  • Eugene Soh
  • Jeannie Ho
  • Ken Cheong
  • Lavender Chang
  • Neo Xiaobin
  • Wilfred Lim
More information on last year’s awards and winners can be found at this link.




Singapore Art Museum – National Day Open House 2014

8 08 2014

Event Listing

In celebration of Singapore’s National Day, the Singapore Art Museum is opening its doors to the public with free admission to the museum and participation in various family art activities. Free workshops and activities have been organised to coincide with the newly opened exhibition Sensorium 360º. Visitors are able to create their own artworks, inspired by Singapore’s National Day and the artworks of Sensorium 360º.

ACTIVITY HIGHLIGHTS

ACTIVITY: COLLABORATIVE MURAL

VENUE: SAM Level 2 Lobby

TIME: 11.00 am to 6.00 pm

This collaborative artwork celebrates National Day by involving participants the creation of a mural with cityscape and landmarks of Singapore. Participants can contribute by drawing well-known Singapore landmarks, as well as personal landmarks such as houses, people, cars, etc. This mural will be displayed at SAM throughout National Day.

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ACTIVITY: DARK ROOM

VENUE: SAM Gallery 3.7

TIME: 11am, 12pm, 1pm, 2pm, 3pm, 4pm, 5pm

DURATION: 45 minutes

Inspired by Sensorium 360° artwork, Unseen: Touch Field by Alicia Neo, this activity encompasses the experience of craft making in a dark room setting and allows the participants to rely solely on their sense of touch. Participants will create shapes and forms using materials such as beans and beads by following verbal instructions.

ACTIVITY: NATIONAL DAY KALEIDOSCOPE

VENUE: SAM Glass Hall

TIME: 11am, 12pm, 1pm, 2pm, 3pm, 4pm, 5pm

DURATION: 45 minutes

Inspired by Sensorium 360° artwork, The Overview Installation by Eugene Soh, which transforms the way we see the world, participants will create a kaleidoscope to celebrate National Day through intriguing fragments of colours and patterns.

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For more details, please visit the Singapore Art Museum website at http://www.singaporeartmuseum.





Sensorium 360°

8 08 2014

Sensorium 360° Logo_Image Courtesy of the Singapore Art Museum sEVENT LISTING

The Singapore Art Museum is proud to present Sensorium 360°: Contemporary Art and the Sensed World, an interactive exhibition of contemporary art that reveals the complexity of the human senses, and explores how sensory experiences locate us in understanding the world and knowing the self. 11 artists from Singapore and wider Asia – including Thailand, Vietnam, the Philippines, Indonesia, and China – will give expression to 9 different senses, peeling back the multiple layers of sensory relationships that inform our personal well- being.

Sensorium 360° will run from 31 July 2014 to 22 October 2014 at the SAM. In addition to the exhibition, the museum will be holding parallel programmes including curatorial tours, educators’ talks, and sensory workshops.


AUGUST 2014

Awakening the Senses – of Herbs, Spices and Roots

Dates: Friday, 8 August 2014

Time: 7pm – 8:30pm

Venue: Singapore Art Museum

$19. Tickets available at SAM and SISTIC. Limited spaces. For ticket availability at the door, please call SISTIC.

Take part in this introductory workshop on how our olfactory and gustatory senses work both independently and together to enable us to enjoy the food and drinks we consume. Learn how herbs, spices and roots should be handled and how they may be used in creating simple mocktails in a demonstration and hands-on workshop, where participants will learn how to concoct their own mocktails. This workshop is conducted by BarSmiths, a specialist in bartending and mixology.


SEPTEMBER 2014

Guest Talk: Listening to the Universe by Honor Harger

Date: Friday, 5 September 2014

Time: 7.30pm

Venue: Singapore Art Museum

Limited spaces. To pre-register, please email education@singaporeartmuseum.sg

For more information, please visit http://www.singaporeartmuseum.sg/programmes/index.html

In this talk, Honor Harger will explore the sounds of the sky, using art to connect her audience to the universe. Sound waves cannot propagate in the vacuum of space, and the stars and planets are not directly audible. However, radio waves emitted from celestial bodies can be turned into sound by ordinary radio receivers speakers that convert electrical signals into sound waves. Using this century-old process, the universe becomes ‘soundful’ — this is all possible due to the science of radio astronomy. This talk will show us how radio enables us to hear something which is physically present, but imperceptible to our senses.

The Colours of Tea

Dates: Saturday, 13 September 2014

Time: 1.30pm – 2.30pm and 3.30pm – 4.30pm

Venue: Singapore Art Museum

$20. Tickets available at SAM and SISTIC. Limited spaces. For ticket availability at the door, please call SISTIC.

Understand the different types of unblended teas and let them stir your senses. This tea tasting workshop actively engages the sensory experiences. Participants will use their sense of smell and taste to evoke certain memories from various aromas of teas. Participants will taste teas across six categories from different tea-growing regions in the world. This workshop is conducted by Pekoe & Imp, who has been conducting tea tasting sessions since 2011.

Awakening the Senses – of Herbs, Spices and Roots

Dates: Saturday, 20 September 2014

Time: 2pm – 3.30pm

Venue: Singapore Art Museum

$19. Tickets available at SAM and SISTIC. Limited spaces. For ticket availability at the door, please call SISTIC.

Take part in this introductory workshop on how our olfactory and gustatory senses work both independently and together to enable us to enjoy the food and drinks we consume. Learn how herbs, spices and roots should be handled and how they may be used in creating simple mocktails in a demonstration and hands-on workshop, where participants will learn how to concoct their own mocktails. This workshop is conducted by BarSmiths, a specialist in bartending and mixology.

Sensorium 360° Curator Tour: Racing Through the Senses

Dates: Friday, 19 September 2014

Saturday, 20 September 2014 / Sunday, 21 September 2014

Time: 4.30 pm – 5:30 pm

Venue: Singapore Art Museum

$18. Tickets available at SAM and SISTIC. Limited spaces. For ticket availability at the door, please call SISTIC.

Indulge the need for speed and catch up on the latest in Singapore and Southeast Asia’s contemporary art at the Singapore Art Museum. Led by our curators, take a spin through our latest exhibition – Sensorium 360° – a visual art exhibition that moves beyond vision to ‘see’ the world through the other senses, then end your visit with a glass of sparkling wine served in our courtyard.

Taste of Perfume

Dates: Saturday, 27 September 2014

Time: 2pm – 3.30pm

Venue: Singapore Art Museum

$20. Tickets available at SAM and SISTIC. Limited spaces. For ticket availability at the door, please call SISTIC.

Did you know that certain scents are edible? Learn about different perfume ingredients and explore how these ingredients affect the human body. Participants will also get totaste various types of edible perfume. This workshop is conducted by Prachi Saini from Je T’aime Perfumery. She has been conducting workshops on perfumery since 2006.

Creating and Reading Braille

Dates: Sunday, 28 September 2014

Time: 2pm – 3.30pm

Venue: Singapore Art Museum

$20. Tickets available at SAM and SISTIC. All proceeds of this workshop will be channeled to Singapore Association of the Visually Handicapped.
Limited spaces. For ticket availability at the door, please call SISTIC.

Gain better insight and understanding of this unique technique through a customized braille reading workshop with our visually impaired facilitators from Singapore Association of the Visually Handicapped (SAVH). After a basic introduction to Braille, participants will take part in a hands-on session to create messages using braille writing frames!


OCTOBER 2014

The Colours of Tea

Dates: Saturday, 4 October 2014

Time: 1.30pm – 2.30pm

3.30pm – 4.30pm

Venue: Singapore Art Museum

$20. Tickets available at SAM and SISTIC. Limited spaces. For ticket availability at the door, please call SISTIC.

Understand the different types of unblended teas and let them stir your senses. This tea tasting workshop actively engages the sensory experiences. Participants will use their sense of smell and taste to evoke certain memories from various aromas of teas. Participants will taste teas across six categories from different tea-growing regions in the world. This workshop is conducted by Pekoe & Imp, who has been conducting tea tasting sessions since 2011.

Create Your Signature Perfume

Dates: Sunday, 19 October 2014

Time: 2pm – 4pm

Venue: Singapore Art Museum

$20. Tickets available at SAM and SISTIC. Limited spaces. For ticket availability at the door, please call SISTIC.

Join us in this hands-on workshop and explore how to translate your personality into your own signature scent, using various exotic scents and oils. Participants will bring home a custom-made 30ml bottle of their own signature perfume after the workshop. This workshop is conducted by Prachi Saini from Je T’aime Perfumery. She has been conducting workshops on perfumery since 2006.


For more details, please visit the Singapore Art Museum website at http://www.singaporeartmuseum.sg/








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