Strange Horizons: Past, present and the probable future

14 08 2014

One of the last untouched islands of Singapore, Pulau Jong, is seen with the first to be developed for industrial use, Pulau Bukom Besar (on the right), and its smaller neighbour Pulau Bukom Kechil – a juxtaposition perhaps of past, present, and perhaps the probable future.

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Pulau Bukom Besar’s development goes back to the 1890s when Shell established a kerosene storage facility on the island, then deemed a safe distance away from the main island of Singapore, outside the then port limits. The age of industrialisation in Singapore brought with it the refinery that Shell built – which heralded the start of Singapore involvement with the oil refining business, in 1961. The expansion into Pulau Bukom Kechil began in the 1970s. More on this can be found on a previous post: Snake Island at dawn through the darkness of the storm.

Sadly for Pulau Jong and its large fringing reef, a 2013 Land Use Plan seems to show that future plans could involve its absorption into a larger land mass through reclamation, joining it with the islands of Pulau Sebarok to its southeast and the enlarged Pulau Semakau (now Singapore’s offshore landfill) to its southwest.





The bloodstained cliffs south of Sentosa

7 08 2014

Unlike its better known northern companion, the isle of Peace and Tranquility, Sentosa, the island of Pulau Tekukor is one that rarely gets a mention. Named in Malay after the rather benign spotted-neck dove – tekukur (as it is spelt today) is derived from the sound the bird makes, the name, so it seems, masks quite a sinister past.

A tekukur in flight.

A tekukur in flight.

Pulau Tekukor or Dove Island - hear stories of its past when it was known as Pulau Penyabong and its association with the origins of the former name of Sentosa, Pulau Blakang Mati.

Pulau Tekukor or Dove Island.

If one of the forgotten stories of our shores are to be believed, a curse was said to have been placed on Pulau Tekukor and despite the island’s welcoming sandy beaches, the island is one that unlike its immediate neighbours, has never been inhabited. The curse, one that left its soil incapable of supporting any useful plant life as well as leaving it without a source of freshwater, as the story goes, is a result of the island’s violent past, a past that does provide a possible explanation as to how the nearby island of Sentosa acquired its mysterious previous name,  Pulau Blakang Mati (the island of death at the back).

The eastern end of Sentosa today with Terumbu Buran in the foreground.

The paradise end of Sentosa today with Terumbu Buran in the foreground, now an isle for the living.

Pulau Tekukor was once itself, known by another name, Pulau Penyabong. Penyabung (as penyabong is spelt today), as is used in more recent times, has connotations of bloody confrontations, having been associated with the cruel but once popular sport of cockfighting. The fights, however, that were thought to have taken place on the island, so that blood not stain the soils of the more sacredly held islands, involved creatures not of the feathered kind. Pitting keris wielding Malay and Bugis warriors of the old world, these confrontations were duels to the death, for which the reward for the vanquished, was a final journey to be buried on an island that now for some, does seem like paradise on earth.

Another view of Tekukor a.k.a. Penyabong, Sisters' Islands can be seen to its south-west. The channel on the west of the island, Sisters Fairway is also known as Selat Tanjong Hakim.

Another view of Tekukor a.k.a. Penyabong, Sisters’ Islands can be seen to its south-west. The channel on the west of the island, Sisters Fairway is also known as Selat Tanjong Hakim.

Besides the curiously named Pulau Blakang Mati, another name that is thought to be linked to the bloody battles, is Selat Tanjong Hakim (now more commonly referred to Sisters’ Fairway in navigation charts). Hakim being the Malay word for judge – the selat or strait west of Penyabong, would have watched over the duels, in the same way a judge might have presided over the fights.

Another view of the former Pulau Blakang Mati.

Another view of the former Pulau Blakang Mati.

As Pulau Tekukor, the island became a commercial explosives storage facility for the Port of Singapore Authority (PSA) in the 1980s- after the island was enlarged by reclamation of its western shores. There was also a proposal to turn it into a sanctuary for long-tailed macaques that surfaced in the mid 2000s that did not take off and as of today, there are no known plans for the island and the island remains as mysterious as it long has been.

The sandy beaches and 'bloodstained' cliff faces of Tekukor.

The sandy beaches and ‘bloodstained’ cliff faces of Tekukor.

In its cliff faces that are still seen today – stained by the blood of the fallen, there perhaps is the only reminder of the story of the island; a tale that, as with the many stories from our islands handed down through the generations telling us of a past we long have discarded, may never again be told.





A paddle through the magical watery woods

30 07 2014

The process of acquainting myself with the shores of Singapore for a project I am working on, Points of Departure, has provided me with some incredible experiences. One that I was especially grateful to have had was the experience of paddling through a green watery space that is almost magical in its beauty. Set in the relatively unspoilt lower reaches of Sungei Khatib Bongsu, one of Singapore’s last un-dammed rivers, the space is one that seems far out of place in the Singapore of today and holds in and around its many estuarine channels, one of the largest concentration of mangroves east of the Causeway along the island’s northern coast.

Paddling through the watery forest at Sungei Khatib Bongsu.

Paddling through the watery forest at Sungei Khatib Bongsu.

The much misunderstood mangrove forest, is very much a part of Singapore’s natural heritage. The watery forests, had for long, dominated much of Singapore’s coastal and estuarine areas, accounting for as much as an estimated 13% of Singapore’s land area at the time of the arrival of the British. Much has since been lost through development and reclamation and today, the area mangrove forests occupy amount to less that 1% of Singapore’s expanded land area. It is in such forests that we find a rich diversity of plant and animal life. Mangroves, importantly, also serve as nurseries for aquatic life as well as act as natural barriers that help protect our shorelines from erosion.

Khatib Bongsu is a watery but very green world.

Khatib Bongsu is a watery but very green world.

The island’s northern coast was especially rich in mangrove forests. Much has however, been cleared through the course of the 19th and 20th centuries, with large tracts being lost during the construction of the airbase at Seletar and the naval base at Sembawang in the early 1900s. The mangroves of the north, spread along the coast as well as inland through its many estuaries, along with those found across the strait in Johor, were once the domain of the Orang Seletar. A nomadic group of boat dwellers, the Orang Seletar had for long, featured in the Johor or Tebrau Strait, living off the sea and the mangroves; finding safe harbour in bad weather within the relatively sheltered mangrove lined estuaries.

Mangrove forests had once dominated much of coastal Singapore.

Mangrove forests had once dominated much of coastal Singapore.

Boat dwelling Orang Seletar families could apparently be found along Singapore’s northern coast until as recently as the 1970s. While the Orang Seletar in Singapore have, over the course of time, largely been assimilated into the wider Malay community, the are still communities of Orang Seletar across the strait in Johor. Clinging on to their Orang Seletar identity, the nine communities there live no longer on the water, but on the land in houses close to the water.

Safe harbour in the watery woods.

Safe harbour in the watery woods.

It is the labyrinth of tree shaded channels and the remnants of its more recent prawn farming past that makes the side of the right bank of Sungei Khatib Bongsu’s lower reaches an especially interesting area to kayak through. Much has since been reclaimed by the mangrove forest and although there still is evidence of human activity in the area, it is a wonderfully green and peaceful space that brings much joy to to the rower.

The canalised upper part of Sungei Khatib Bongsu.

The canalised upper part of Sungei Khatib Bongsu.

The area around Sungei Khatib Bongsu today, as seen on Google Maps.

The area around Sungei Khatib Bongsu today, as seen on Google Maps.

Paddling through the network of channels and bund encircled former prawn ponds – accessible through the concrete channels that once were their sluice gates, the sounds that are heard are mostly of the mangrove’s many avian residents. It was however the shrill call of one of the mangrove’s more diminutive winged creatures, the Ashy Tailorbird, that seemed to dominate, a call that could in the not too distant future, be drowned out by the noise of the fast advancing human world.  It is just north of Yishun Avenue 6, where the frontier seems now to be, that we see a wide barren patch. The patch is one cleared of its greenery so that a major road – an extension of Admiralty Road East, can be built; a sign that time may soon be called on an oasis that for long has been a sanctuary for a rich and diverse avian population.

The walk into the mangroves.

The walk into the mangroves.

The beginnings of a new road.

The beginnings of a new road.

The Sungei Khatib Bongsu mangroves, lies in an area between Sungei Khatib Bongsu and the left bank of Sungei Seletar at its mouth that lies beyond the Lower Seletar Dam that has been designated as South Simpang; at the southern area of a large plot of land reserved for public housing that will become the future Simpang New Town. The area is one that is especially rich in bird life, attracting a mix of  resident and migratory species and was a major breeding site for Black-crowned Night Herons, a herony that has fallen victim to mosquito fogging. While there is little to suggest that the herons will return to breed, the area is still one where many rare and endangered species of birds continue to be sighted and while kayaking through, what possibly was a critically endangered Great-billed Heron made a graceful appearance.

Evidence of the former prawn ponds.

Evidence of the former prawn ponds.

Kayaking into the ponds.

Kayaking into the former ponds.

It is for the area’s rich biodiversity that the Nature Society (Singapore) or NSS has long campaigned for its preservation and a proposal for its conservation was submitted by the NSS as far back as in 1993. This did seem to have some initial success and the area, now used as a military training area into which access is largely restricted, was identified as a nature area for conservation, as was reflected in the first issue of the Singapore Green Plan. Its protection as a nature area seemed once again confirmed by the then Acting Minister for National Development, Mr Lim Hng Kiang, during the budget debate on 18 March 1994 (see: Singapore Parliament Reports), with the Minister saying: “We have acceded to their (NSS) request in priorities and we have conserved Sungei Buloh Bird Sanctuary and Khatib Bongsu“. 

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Unfortunately, the area has failed to make a reappearance in subsequently releases of the list of nature area for conservation, an omission that was also seen in subsequent editions of the Singapore Green Plan. What we now see consistently reflected in the Urban Redevelopment Authority (URA) Master Plans (see: Master Plan), is that as part of a larger reserve area for the future Simpang, the area’s shoreline stands to be altered by the reclamation of land. Along with land reclamation, plans the Public Utilities Board (PUB) appears to have for Sungei Khatib Bongsu’s conversion into a reservoir that will also include the neighbouring Sungei Simpang under Phase 2 of the Seletar-Serangoon Scheme (SRSS), does mean that the future of the mangroves is rather uncertain.

A resident that faces an uncertain future.

A resident that faces an uncertain future.

Phase 2 of the SRSS involves the impounding of Sungei Khatib Bongsu, Sungei Simpang and Sungei Seletar to create the Coastal Seletar Reservoir. Based on the 2008 State of the Environment Report, this was to be carried out in tandem with land reclamation along the Simpang and Sembawang coast. The reclamation could commence as early as next year, 2015 (see State of the Environment 2008 Report Chapter 3: Water).

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In the meantime, the NSS does continue with its efforts to bring to the attention of the various agencies involved in urban planning of the importance of the survival of the mangroves at Khatib Bongsu. Providing feedback to the URA on its Draft Master Plan in 2013 (see Feedback on the Updated URA Master Plan, November 2013), the NSS highlights the following:

Present here is the endangered mangrove tree species, Lumnitzera racemosa, listed in the Singapore Red Data Book (RDB). Growing plentifully by the edge and on the mangrove is the Hoya diversifolia. On the whole the mangrove here is extensive and healthy, with thicker stretches along Sg Khatib Bongsu and the estuary of Sg Seletar. 

A total of 185 species of birds, resident and migratory, have been recorded at the Khatib Bongsu  area. This comes to 49 % of the total number of bird species in Singapore (376, Pocket Checklist 2011, unpublished  )  – almost comparable to that at Sungei Buloh Wetland Reserve. 13 bird species found here are listed in the RDB  and among these are:  Rusty-breasted Cuckoo, Straw-headed Bulbul, Ruddy Kingfisher, Grey-headed Fish Eagle, Changeable Hawk Eagle, White-chested Babbler, etc. The Grey-headed Fish Eagle  and the Changeable Hawk eagle are nesting in the Albizia woodlands in this area.

The mangrove dependent species present are : Crab-eating Frog, Dog-faced Water Snake & Malaysian Wood Rat. The Malaysian Wood Rat is regarded is locally uncommon.   In 2000, Banded Krait (RDB species) was found here near the edge mangrove. Otters, probably the Smooth Otter, have been sighted by fishermen and birdwatchers in the abandoned fish ponds and the Khatib Bongsu river. 

URA Master Plan 2014, showing the reserve area at Simpang.

URA Master Plan 2014, showing the reserve area at Simpang.

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It will certainly be a great loss to Singapore should the PUB and the Housing and Development Board (HDB) proceed with their plans for the area. What we stand to lose is not just another regenerated green patch, but a part of our natural heritage that as a habitat for the diverse array of plant and animals many of which are at risk of disappearing altogether from our shores, is one that can never be replaced.

The present shoreline at Simpang, threatened by possible future land reclamation.

The present shoreline at Simpang, threatened by possible future land reclamation.

The white sands at Tanjong Irau, another shoreline under threat of the possible future Simpang-Sembawang land reclamation.

The white sands at Tanjong Irau, another shoreline under threat of the possible future Simpang-Sembawang land reclamation.





All at sea

24 07 2014

The launch on Saturday of Singapore HeritageFest 2014, bring us to focus on one of the key reasons for Singapore’s being, the sea. This year’s festival much of which revolves around a maritime based theme, “Our Islands, Our Home” has us looking at our maritime past as well as our present as a maritime nation.

HeritageFest 2014 opens a window to Singapore's island heritage.

HeritageFest 2014 opens a window to Singapore’s island heritage.

It is to raise the profile of this heritage, one that goes back to times well before the arrival of Raffles, that is in fact what the Maritime and Port Authority (MPA) and the National Heritage Board (NHB) hopes to achieve with the establishment of the S$500,000 Maritime Heritage Fund, which the two agencies will administer – for which a Memorandum of Understanding (MOU) was signed by the two agencies at Saturday’s launch.

One of the highlights of this year's HeritageFest is a lighthouse trail that includes a stop on Pulau Satumu, Singapore's southernmost island, on top of which Raffles' Lighthouse is perched.

One of the highlights of this year’s HeritageFest is a lighthouse trail that includes a stop on Pulau Satumu, Singapore’s southernmost island, on top of which Raffles’ Lighthouse is perched.

Once a common scene in the waters off the Southern Islands. Boats such as the kolek on the right, are very much part of our maritime heritage (a similar kolek is on display at the Balik Pulau Exhibition at the National Museum).

Once a common scene in the waters off the Southern Islands. Boats such as the kolek on the right, are very much part of our maritime heritage (a similar kolek is on display at the Balik Pulau Exhibition at the National Museum).

The focus of the fund, which complements the NHB’s S$5 million Heritage Grant Scheme launched last year, will be on developing community-initiated projects related to Singapore’s maritime heritage that will promote a greater understanding and appreciation of Singapore’s maritime connections, as was touched on by Mr Lawrence Wong, Minister for Community, Culture and Youth, in his speech at the festival’s launch.

Mr Lawrence Wong, Minister for Culture, Community and Youth and Mr Ong Yew Huat, Chairman of NHB launching Singapore HeritageFest 2014.

Mr Lawrence Wong, Minister for Culture, Community and Youth and Mr Ong Yew Huat, Chairman of NHB launching Singapore HeritageFest 2014.

Mr Wong also spoke of the transformation that will soon take place at the Asian Civilisations Museum (ACM), where the launch event was held. Besides a revamp of the museum with expanded galleries that will include a space allocated for the Tang Cargo and see new shops and dining outlets, the museum will be given a new entrance that will open it up to the river and give it a direct connection into the historic heart of Singapore.

Another lighthouse - the very pretty Sultan Shoal Lighthouse at the western extremities of Singapore's waters seen during the lighthouse trail as part of Singapore HeritageFest 2014.

Another lighthouse – the very pretty Sultan Shoal Lighthouse at the western extremities of Singapore’s waters seen during the lighthouse trail as part of Singapore HeritageFest 2014.

The revamp is part of the ongoing effort to develop a civic and cultural belt around Singapore’s colonial civic district (see: The Old Vic’s ticking again) that involves also the newly refurbished Victoria Theatre and Concert Hall, and the conversion of the Old Supreme Court and City Hall into National Gallery – due for completion in 2015.

The Old Vic's definitely back!

The newly refurbished Victoria Theatre and Concert Hall.

A cultural performance at the launch of Singapore HeritageFest2014.

A cultural performance at the launch of Singapore HeritageFest2014.

The launch also coincided with the first evening of a two-night series of programmes taking place around the ACM and the river, River Nights. The event, brought much life and colour to the river, and celebrated its changing identity over the years – in the same way the well received series of activities  for Singapore HeritageFest 2014 celebrates the islands.

A dragon dance performance at the start of River Nights at the ACM's front lawn.

A dragon dance performance at the start of River Nights at the ACM’s front lawn.

More information on the Maritime Heritage Fund, Singapore HeritageFest 2014, River Nights and on Balik Pulau: Stories from Singapore’s Islands (an exhibition at the National Museum of Singapore held in conjunction with HeritageFest 2014) can be found in the following links:





The Old Vic’s ticking once again

22 07 2014

The Old Vic’s finally back. Having seen it look increasingly tired over the years, it’s nice to see that it’s not just been freshened up during a four year hibernation, but has also been done up very nicely for its role as a mid-sized performing arts venue for the future.

Ticking once again is the clock at the Old Vic.

Ticking once again is the clock at the Old Vic.

The Old Vic's definitely back!

The Old Vic’ made new.

A passageway regained by the side of the concert hall.

A passageway regained by the side of the concert hall.

I had the opportunity to have a quick glance at the newly refurbished Vic at an exclusive tour organised for a group of bloggers over the weekend of the Open House, with a visit to the top of what to me has always been the mysterious clock tower thrown in; and I must say, there isn’t anything there is to dislike about its latest makeover – except that is that everyone now seems to want to refer to the well-loved monument by its acronym VTCH (for Victoria Theatre and Concert Hall). We in Singapore do have a penchant for using acronym, but extending the practice to our well loved icons, doesn’t seem quite right.

The queue at the opening of the Open House.

The queue at the opening of the Open House.

We got a peek at the inside of the clock tower.

We got a peek at the inside of the clock tower.

It will always the old Vic to me, a landmark that we have long identified with our Lion City. It is where the founder of modern Singapore, Sir Stamford Raffles, has maintained his proud position – almost uninterrupted (the statue was removed from its position during the Japanese Occupation in 1942 and restored in 1946) since 1919, the centenary of him setting foot on the island at a point not far away on the river bank and setting the ball rolling on a chain of events that has brought us to where we are today. The chimes from its clock tower were ones that flavoured my childhood and it was something I looked forward to hearing on the many occasions I found myself in the area in the days of my childhood.

Inside the refurbished Old Vic - seen on the third level below the glass roof of the Central Atrium.

Inside the refurbished Old Vic – seen on the third level below the glass roof of the Central Atrium.

The refurbished theatre.

The refurbished theatre.

The section of the building that has served as the concert hall since the late 197os was of course the Victoria Memorial Hall back in the days of my youth, a name I still have the tendency, as with many of my generation, to use in referring to the National Monument. There were several occasions when I did have a chance to pop into it – it had been the site of many exhibitions in the days before the former World Trade Centre and the former Harbourfront took over as Singapore’s main exhibition venues.

The entrance to the former Victoria Memorial Hall - the area below the concert hall where the box office is located.

The entrance to the former Victoria Memorial Hall – the area below the concert hall where the box office is located.

The concert hall, which served as the home of the Singapore Symphony Orchestra (SSO) from 1979 until the SSO shifted to the Esplanade in 2002, was actually a 1905 addition to the building, built in the memory of Queen Victoria. The original section, built as a town hall in 1862, was then remodelled to complement the memorial hall in a symmetrical fashion and reopened as a theatre in 1909. The clock tower, with chimes and clock by the Straits Trading Company, was completed in 1906.

A view from the clock tower.

A view from the clock tower.

Over the years, several modifications were made to the buildings. This included a significant makeover in the 1950s, which saw the two buildings air-conditioned, and the seating capacity of the theatre doubled. That makeover also saw the incorporation of the previously open courtyard between the two buildings into the structure with it being covered up – a modification that has to an extent, now been reversed.

The Central Atrium - where the courtyard between the two buildings had been.

The Central Atrium – where the courtyard between the two buildings had been.

A look through the old arches to the new relief etched panels of the theatre.

A look through the old arches to the new relief etched panels of the theatre.

A glass roof now allows light into a rather pleasant looking and air-conditioned courtyard, the Central Atrium, restored partially on the side of the concert hall. Not only does this allow a wonderful view of the clock tower, it allows it to serve as a through passageway from the front of the buildings to the back. At the back a magnificent view of Old Parliament House, now The Arts House, Singapore’s oldest government building, in its full glory awaits.

The Arts House - at the end of the passageway.

The Arts House – at the end of the passageway.

The Central Atrium is where we see a tasteful blend of old and new. The rolling back of the modifications made to maximise the capacities of both the theatre and the concert hall, sees the boundaries of both pushed back to the original locations, allowing the columns and arches to be brought out. On the side of the concert hall, we see how it may have been with its ornate archways and rusticated columns restored. It is however the side of the theatre that seems most interesting, it is there that we now see a reinterpretation of courtyard side of the old theatre, with the use of relief etched precast panels providing a modern and forward looking impression, partly to compensate for the absence of information relating to the original architectural details, in contrast to that on the side of the concert hall.

The precast etched relief panels.

The precast relief etched panels on the theatre side of the atrium.

It was also nice to see how Victoria Theatre has been redone – its seating arranged in the horseshoe shape as it might originally have been with a provision of an orchestral pit. This has reduced its capacity from 900  to 614, providing it with a more intimate setting. More importantly, the modifications must now give it much improved acoustics – one of the few impressions of the theatre that I have from watching Lea Salonga in a Singapore Repertory Theatre production of the musical “Into the Woods” sometime in the 1990s, was of its rather poor acoustics.

The refurbished theatre.

The refurbished theatre.

It is interesting to see that several items from the old theatre have been incorporated into the new – with the backs of the old seats decorating the entrance foyer, seen in a floating “Rubik’s Cube”. Frames and material from the old seating are now also seen in the remodelled theatre, such as the cast-iron components incorporated into the newly installed acoustic timber walls.

A re-used part of the frame of the old seating.

A re-used part of the frame of the old seating.

The 'Rubik's Cube' in the theatre's foyer and a reflection of it on a counter top.

The ‘Rubik’s Cube’ in the theatre’s foyer and a reflection of it on a counter top.

While some of us did not get to see the 673 seat concert hall, we did hear the glorious strains from Dr Margaret Chan’s masterful pipe-organ performance from the foyer where we got to see the suspended balcony – replacing the previously added balcony that had to be supported by intrusive structures, to free up volume and improve acoustics.

The refurbished concert hall (photo courtesy of Victoria Theatre and Concert Hall).

The refurbished concert hall (photo courtesy of Victoria Theatre and Concert Hall).

The suspended balcony.

The suspended balcony.

What we got to see that most visitors during the Open House didn’t was the clock tower (which incidentally has had its crown restored), which I had been curious about throughout  my childhood. The inside of the clock tower turned out to be quite different from the one I had envisaged – the clock’s mechanism and the five bells seemed a lot smaller than what I had imagined as a child.

The chime bells and a clock face on the platform below.

The chime bells and a clock face on the platform below.

The writing on the largest bell: 'This clock and chime of bells were presented to the Queen Victoria Memorial Hall by the Straits Trading Company, 1905'.

The writing on the largest bell: ‘This clock and chime of bells were presented to the Queen Victoria Memorial Hall by the Straits Trading Company, 1905′.

The clock has seen an improvement during the refurbishment – an automatic winding mechanism was added. Prior to this, the clock had to be rewound manually, requiring a winder and maintenance man to ascent up 176 steps once a week to spend up to an hour winding the clock.

The long road to the top - 176 steps for the winder who would have to ascend once a week.

The long road to the top – 176 steps for the winder who would have to make the acsent once a week.

An automatic winder has been added to the clock's mechanism.

An automatic winder has been added to the clock’s mechanism.

While the chimes I am told, can be heard as far away as the Esplanade, it didn’t quite sound as loud as one might have expected standing right by the bells, seemed minute compared to the bells that Quasimodo lent his hand in ringing. Beside the thrill of hearing the bells chime at 11 o’clock, there was also the bonus of taking in the magnificent views of the surroundings and the contrast of the old Padang surrounded by the architectural symbols of colonial power next to what architectural historian Lai Chee Kien, calls a new “liquid padang” – surrounded by the architectural symbols representing the new power.

The clock level.

The clock level.

The refurbishment of the old Vic coincides with an effort that will also see a renovation of the Asian Civilisations Museum and the transformation of the Old Supreme Court and City Hall into the National Gallery Singapore – all scheduled to be completed next year. That will complete the transformation of an area that had been at the heart of the colonial administration into an arts and cultural hub – what the Urban Redevelopment Authority (URA), in their 2014 Master Plan, terms as a “Civic and Cultural District by the Bay“.

For more information on what is envisaged for the Civic District as part of URA Master Plan 2014, do visit the following links:

More information on Victoria Theatre and Concert Hall and its recent refurbishment can be found on their website.


Some key dates relating to the Victoria Theatre and Concert Hall:

17 March 1855

The foundation stone for the new Town Hall was laid by the Governor of Singapore, Colonel W. J. Butterworth.

1902 – 1905

Victoria Memorial Hall was built in memory of Queen Victoria’s reign. Victoria Memorial Hall and Tower were joined to the existing theatre by R. A. J. Bidwell of Swan and Maclaren, with passageway between the two buildings.

18 October 1905

Victoria Memorial Hall was officially opened by the Governor of the Straits Settlements, John Anderson.

1906

The construction of the signature clock tower was completed. This was later than expected due to the delay in donation of the clock and chimes by the Straits Trading Company.

1909

The first performance that took place in the newly completed Victoria Theatre was Sirs William S. Gilbert and Arthur S. Sullivan’s well-known and amusing opera, The Pirates of Penzance, staged by the Singapore Amateur Dramatic Committee.

6 February 1919

On Centenary Day, T. Woolner’s statue of Sir Stamford Raffles was moved from the Padang to Victoria Memorial Hall, taking the place of the bronze elephant presented to Singapore by King Chulalongkorn.

Early 1942

The Victoria Memorial Hall was used as a hospital for victims of bombing raids by the Japanese forces during World War II.

1946 – 1947

Victoria Memorial Hall was used as a location for war crimes courts.

21 November 1954

The inaugural meeting of the People’s Action Party was held at the Victoria Memorial Hall.

1954 – 1958

Major renovations were carried out including a complete restructuring of the interior of the theatre. Air-conditioning and sound-proofing was added and the courtyard covered up.

4 November 1957

The public had its first glimpse at television when William Jacks and Co presented a full length variety show on television at the annual Philips Radio Convention held at the Victoria Memorial Hall.

15 February 1963

Television Singapura (Singapore’s first TV station) was launched with a pilot monochrome service at the Victoria Memorial Hall.

1979

Victoria Memorial Hall was renamed the Victoria Concert Hall and named as the official home of the Singapore Symphony Orchestra.

1980s

A gallery was added to the Concert Hall, adding seating capacity and enclosing the second storey balconies on the front and back facades with glass.

1990s

Renovations were carried out to Victoria Theatre to make it a more efficient performing venue.

February 1992

Victoria Theatre and Concert Hall was gazetted as a national monument of Singapore.

2010

The Victoria Theatre and Concert Hall was closed for a $158 million renovation.

2014

Victoria Theatre and Concert Hall reopened its doors after a four-year renovation.


 





Finding romance on Terumbu Semakau

17 07 2014

At 4.30 am, less than 24 hours after the adventure or what perhaps was more of a near misadventure on Cyrene, on Sunday, I found myself once again on a boat headed south. The destination this time was another patch reef, Terumbu Semakau, which lies just east of the original Pulau Semakau - now part of an enlarged island of the same name that serves as an offshore landfill.

A view of Terumbu Semakau, looking across to the enlarged Pulau Semakau.

A view of Terumbu Semakau under the light of the moon, looking across to an enlarged Pulau Semakau.

Location of Terumbu Semakau relative to Pulau Semakau.

Location of Terumbu Semakau relative to Pulau Semakau as seen on a navigational chart.

Terumbu Semakau in the moonlight.

Terumbu Semakau in the moonlight.

The super moon seen setting over Pulau Semakau.

The super moon seen setting over Pulau Semakau.

Thankfully, the weather provided much greater joy than it did a day before, allowing the group I was with to take-in an almost magical view of the reef bathed in the light of the super moon and then in the early light of day. The setting was one that seemed perfect for romance – the chorus we could hear of romancing amphibians across on Pulau Semakau seemed to testify to that.

6.28 am, the lights of Singapore's southern seas, that of the ships at anchor is seen against the lightening sky.

6.28 am, the lights of Singapore’s southern seas, that of the ships at anchor is seen against the lightening sky.

The terumbu at sunrise.

The terumbu at sunrise.

Finding romance on Terumbu Semakau with the rising of the sun.

Finding romance on Terumbu Semakau with the rising of the sun.

The reef, as with many of southern Singapore’s once numerous patch reefs, bears the scars of the developments of the last five decades. Its once lush meadows of seagrass have all but disappeared, leaving the moonlit scene without the stars that illuminated our visit to Cyrene. The group did however, find a couple of stars that, so disguised, were ones I wouldn’t have recognised. Shaped as their common name suggests, these cushion sea stars are quite recognisable upturned – wearing the unmistakeable mark of a true star on their well hidden undersides.

A cushion star.

A cushion star.

The underbelly of a cushion star.

The underbelly of a cushion star.

A smaller and less richly coloured cushion sea star.

A smaller and less richly coloured cushion sea star.

The expense of the reef did, in the light of the silvery moon, reveal quite a lot more to the keener pairs of eye. Ria Tan in blog post Terumbu Semakau: still no seagrass recovery, does bring to light several interesting sightings. It was, however, as unlikely romance that might have been the highlight of the day – the romance of a pair of rare tiger cowries, taking place discreetly behind a large piece of coral.

A pair of rare tiger cowries, discreet in their romance.

A pair of rare tiger cowries, discreet in their romance.

Feeling crabby, early in the morning.

Feeling crabby, early in the morning.

A less than romantic find - a fish trap erected on the reef.

A less than romantic find – a fish trap erected on the reef.

The romance found on Terumbu Semakau, is one that may soon be lost, as foretold by the Land Use Plan that was released by the Ministry of National Development last year in support of the less than well received Population White Paper. In the plan, the reef is seen to be within an area that is potentially a future land reclamation site that will create an even larger Pulau Semakau – leaving very little of the patch reef systems that once shaped our southern waters left for us to find romance in.

Possible future reclamation poses a threat to the future of the reefs (and the islands).

Possible future reclamation poses a threat to the future of the reef (source: Land Use Plan 2013).

The incinerated waste receiving station at Pulau Semakau as seen from the reef.

The incinerated waste receiving station at Pulau Semakau as seen from the reef.

Branching Montipora corals in the middle of the terumbu.

Branching Montipora corals in the middle of the terumbu.

More views of the reef in the moonlight

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The visit to Terumbu Semakau is part of a series of visits to some of the lesser known shores of Singapore, in search of words and sounds for an IRememberSG funded project, Points of Departure.






The forgotten stars of Singapore

15 07 2014

It is good to be reading about Dr Siti Maryam Yaakub’s work on Singapore’s unseen and unheard of seagrass meadows in Saturday’s edition of The Straits Times. We did, as Dr Siti points out in the article, once have lush meadows of seagrass, ones rich in life and ones which contributed to some of my happier childhood experiences off Changi Beach.

The star of our fast disappearing seagrass meadows.

The star of our fast disappearing seagrass meadows.

Common Sea Stars.

Common Sea Stars.

A sea hare - a type of sea slug.

A sea hare – a type of sea slug.

Coincidentally, I found myself in wading through another meadow, early in the morning of the day the article was published, found at one of offshore Singapore’s patch reef systems that is known collectively the Cyrene Reefs. The meadow, one of the larger surviving meadows in a part of the world where a certain emphasis has been placed on creating land where the sea is, is one that is teeming with life – the most noticeable of which are the huge red or pink knobby sea stars, which had also been prominent in the fields off Changi that featured in my youthful days.

A view across the sandbar at the Cyrene Reefs towards the new container terminal at Pasir Panjang.

A view across the sandbar at the Cyrene Reefs towards the new container terminal at Pasir Panjang.

An anemone.

An anemone.

And a false anemone.

And a cerianthid.

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More Knobby Sea Stars at Cyrene.

More Knobby Sea Stars at Cyrene.

Surveying the landscape from the rather expansive sandbar at Cyrene at 4 in the morning, does provide that sense of the reef and its seagrass meadows having been put under siege by the industrial empire, one that has left its unsightly scars on much of Singapore’s western coast. To the north, the bright lights of a Pasir Panjang relieved of its “pasir” (sand in Malay) reveal that S$3.5 billion container terminal that is only a temporary one – port operations we hear would eventually be consolidated at Tuas. To the south lies Pulau Bukom, the first of Singapore’s islands to be committed to industrial exploitation and to its west Jurong Island, the monster of an island created by joining a cluster of lands through land reclamation has created; both dominated by stacks smoking in the cover of night.

What's smoking on Pulau Bukom at 4 in the morning.

What’s smoking on Pulau Bukom at 4 in the morning.

A fire worm.

A fire worm.

A shrimp.

A shrimp.

A sea cucumber.

A sea cucumber.

The visit to Cyrene, was perhaps to be remembered not for the opportunity it did provide to reacquaint myself with the seagrass adventures of my youthful days, but for the possible misadventure it might have turned into, as the quickening pace of the winds from the west – the much feared Sumatras, promised not just to cover us in rain but also threaten us with a show of light. The attempt the winds prompted to scamper off as quickly as we could from what would have been a location that was completely exposed, was one that Murphy seemed to want to intervene in when the inflatable boat that was to get us out floundered in the wind and the waves; the increasing frequency at which the flashes lit up the sky as well as the fast rising tide adding to the drama.

Before the storm ... an anemone.

Before the storm … an anemone.

The escape as captured by Juria.

We did somehow find ourselves in the relatively safety of the bigger boat. The “escape” is described as Ria Tan of the Wild Shores of Singapore saw it in her post “Near Death at Cyrene!“:

Fortunately, by some miracle, the Sumatras made a U-turn around Cyrene! The winds and waves died down. Kok Sheng redirected the dinghy to a less rocky spot, with Chay Hoon using the paddle to hold it away from the shore as every clambered on board. Eventually, everyone made it safely back to the big boat. Phew. Thanks to Alex and crew for making sure we don’t drown! (Why is it we often have a near death experience on Cyrene? During our last trip there in Aug 2013, Russel found a living cone snail!) 

The NEA weather map showing the u-turn of the storm.

The incident brought to mind a close encounter with lightning that I had as a child, the setting for which was provided once again by the waters off Changi Beach. That did teach me about the respect one has to show for the untameable forces of nature as did this new encounter. The incident did also heighten the respect that I have for the folks I was in the company of and the risks they expose themselves to. It is through their tireless efforts, that attention is drawn to the many offshore habitats we have, as well as the many threats to the habitats as Singapore looks to create more land from the sea.

The view towards Jurong Island to the reefs' west.

The view towards Jurong Island to the reefs’ west.

The news over the weekend of the creation of Singapore’s first marine park at Sisters’ Islands is a positive outcome of some of these and other similar efforts and hopefully, it with the efforts of researchers such as Dr Siti and enthusiasts such as the group I was with, we will see a lot more emphasis on the conservation and revitalisation of the once rich offshore habitats that have survived in the waters of Singapore.


The visit to the Cyrene Reefs is part of a series of visits to some of the lesser known shores of Singapore, in search of words and sounds for an IRememberSG funded project, Points of Departure.









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