Sensorium 360°

8 08 2014

Sensorium 360° Logo_Image Courtesy of the Singapore Art Museum sEVENT LISTING

The Singapore Art Museum is proud to present Sensorium 360°: Contemporary Art and the Sensed World, an interactive exhibition of contemporary art that reveals the complexity of the human senses, and explores how sensory experiences locate us in understanding the world and knowing the self. 11 artists from Singapore and wider Asia – including Thailand, Vietnam, the Philippines, Indonesia, and China – will give expression to 9 different senses, peeling back the multiple layers of sensory relationships that inform our personal well- being.

Sensorium 360° will run from 31 July 2014 to 22 October 2014 at the SAM. In addition to the exhibition, the museum will be holding parallel programmes including curatorial tours, educators’ talks, and sensory workshops.


AUGUST 2014

Awakening the Senses – of Herbs, Spices and Roots

Dates: Friday, 8 August 2014

Time: 7pm – 8:30pm

Venue: Singapore Art Museum

$19. Tickets available at SAM and SISTIC. Limited spaces. For ticket availability at the door, please call SISTIC.

Take part in this introductory workshop on how our olfactory and gustatory senses work both independently and together to enable us to enjoy the food and drinks we consume. Learn how herbs, spices and roots should be handled and how they may be used in creating simple mocktails in a demonstration and hands-on workshop, where participants will learn how to concoct their own mocktails. This workshop is conducted by BarSmiths, a specialist in bartending and mixology.


SEPTEMBER 2014

Guest Talk: Listening to the Universe by Honor Harger

Date: Friday, 5 September 2014

Time: 7.30pm

Venue: Singapore Art Museum

Limited spaces. To pre-register, please email education@singaporeartmuseum.sg

For more information, please visit http://www.singaporeartmuseum.sg/programmes/index.html

In this talk, Honor Harger will explore the sounds of the sky, using art to connect her audience to the universe. Sound waves cannot propagate in the vacuum of space, and the stars and planets are not directly audible. However, radio waves emitted from celestial bodies can be turned into sound by ordinary radio receivers speakers that convert electrical signals into sound waves. Using this century-old process, the universe becomes ‘soundful’ — this is all possible due to the science of radio astronomy. This talk will show us how radio enables us to hear something which is physically present, but imperceptible to our senses.

The Colours of Tea

Dates: Saturday, 13 September 2014

Time: 1.30pm – 2.30pm and 3.30pm – 4.30pm

Venue: Singapore Art Museum

$20. Tickets available at SAM and SISTIC. Limited spaces. For ticket availability at the door, please call SISTIC.

Understand the different types of unblended teas and let them stir your senses. This tea tasting workshop actively engages the sensory experiences. Participants will use their sense of smell and taste to evoke certain memories from various aromas of teas. Participants will taste teas across six categories from different tea-growing regions in the world. This workshop is conducted by Pekoe & Imp, who has been conducting tea tasting sessions since 2011.

Awakening the Senses – of Herbs, Spices and Roots

Dates: Saturday, 20 September 2014

Time: 2pm – 3.30pm

Venue: Singapore Art Museum

$19. Tickets available at SAM and SISTIC. Limited spaces. For ticket availability at the door, please call SISTIC.

Take part in this introductory workshop on how our olfactory and gustatory senses work both independently and together to enable us to enjoy the food and drinks we consume. Learn how herbs, spices and roots should be handled and how they may be used in creating simple mocktails in a demonstration and hands-on workshop, where participants will learn how to concoct their own mocktails. This workshop is conducted by BarSmiths, a specialist in bartending and mixology.

Sensorium 360° Curator Tour: Racing Through the Senses

Dates: Friday, 19 September 2014

Saturday, 20 September 2014 / Sunday, 21 September 2014

Time: 4.30 pm – 5:30 pm

Venue: Singapore Art Museum

$18. Tickets available at SAM and SISTIC. Limited spaces. For ticket availability at the door, please call SISTIC.

Indulge the need for speed and catch up on the latest in Singapore and Southeast Asia’s contemporary art at the Singapore Art Museum. Led by our curators, take a spin through our latest exhibition – Sensorium 360° – a visual art exhibition that moves beyond vision to ‘see’ the world through the other senses, then end your visit with a glass of sparkling wine served in our courtyard.

Taste of Perfume

Dates: Saturday, 27 September 2014

Time: 2pm – 3.30pm

Venue: Singapore Art Museum

$20. Tickets available at SAM and SISTIC. Limited spaces. For ticket availability at the door, please call SISTIC.

Did you know that certain scents are edible? Learn about different perfume ingredients and explore how these ingredients affect the human body. Participants will also get totaste various types of edible perfume. This workshop is conducted by Prachi Saini from Je T’aime Perfumery. She has been conducting workshops on perfumery since 2006.

Creating and Reading Braille

Dates: Sunday, 28 September 2014

Time: 2pm – 3.30pm

Venue: Singapore Art Museum

$20. Tickets available at SAM and SISTIC. All proceeds of this workshop will be channeled to Singapore Association of the Visually Handicapped.
Limited spaces. For ticket availability at the door, please call SISTIC.

Gain better insight and understanding of this unique technique through a customized braille reading workshop with our visually impaired facilitators from Singapore Association of the Visually Handicapped (SAVH). After a basic introduction to Braille, participants will take part in a hands-on session to create messages using braille writing frames!


OCTOBER 2014

The Colours of Tea

Dates: Saturday, 4 October 2014

Time: 1.30pm – 2.30pm

3.30pm – 4.30pm

Venue: Singapore Art Museum

$20. Tickets available at SAM and SISTIC. Limited spaces. For ticket availability at the door, please call SISTIC.

Understand the different types of unblended teas and let them stir your senses. This tea tasting workshop actively engages the sensory experiences. Participants will use their sense of smell and taste to evoke certain memories from various aromas of teas. Participants will taste teas across six categories from different tea-growing regions in the world. This workshop is conducted by Pekoe & Imp, who has been conducting tea tasting sessions since 2011.

Create Your Signature Perfume

Dates: Sunday, 19 October 2014

Time: 2pm – 4pm

Venue: Singapore Art Museum

$20. Tickets available at SAM and SISTIC. Limited spaces. For ticket availability at the door, please call SISTIC.

Join us in this hands-on workshop and explore how to translate your personality into your own signature scent, using various exotic scents and oils. Participants will bring home a custom-made 30ml bottle of their own signature perfume after the workshop. This workshop is conducted by Prachi Saini from Je T’aime Perfumery. She has been conducting workshops on perfumery since 2006.


For more details, please visit the Singapore Art Museum website at http://www.singaporeartmuseum.sg/





The bloodstained cliffs south of Sentosa

7 08 2014

Unlike its better known northern companion, the isle of Peace and Tranquility, Sentosa, the island of Pulau Tekukor is one that rarely gets a mention. Named in Malay after the rather benign spotted-neck dove – tekukur (as it is spelt today) is derived from the sound the bird makes, the name, so it seems, masks quite a sinister past.

A tekukur in flight.

A tekukur in flight.

Pulau Tekukor or Dove Island - hear stories of its past when it was known as Pulau Penyabong and its association with the origins of the former name of Sentosa, Pulau Blakang Mati.

Pulau Tekukor or Dove Island.

If one of the forgotten stories of our shores are to be believed, a curse was said to have been placed on Pulau Tekukor and despite the island’s welcoming sandy beaches, the island is one that unlike its immediate neighbours, has never been inhabited. The curse, one that left its soil incapable of supporting any useful plant life as well as leaving it without a source of freshwater, as the story goes, is a result of the island’s violent past, a past that does provide a possible explanation as to how the nearby island of Sentosa acquired its mysterious previous name,  Pulau Blakang Mati (the island of death at the back).

The eastern end of Sentosa today with Terumbu Buran in the foreground.

The paradise end of Sentosa today with Terumbu Buran in the foreground, now an isle for the living.

Pulau Tekukor was once itself, known by another name, Pulau Penyabong. Penyabung (as penyabong is spelt today), as is used in more recent times, has connotations of bloody confrontations, having been associated with the cruel but once popular sport of cockfighting. The fights, however, that were thought to have taken place on the island, so that blood not stain the soils of the more sacredly held islands, involved creatures not of the feathered kind. Pitting keris wielding Malay and Bugis warriors of the old world, these confrontations were duels to the death, for which the reward for the vanquished, was a final journey to be buried on an island that now for some, does seem like paradise on earth.

Another view of Tekukor a.k.a. Penyabong, Sisters' Islands can be seen to its south-west. The channel on the west of the island, Sisters Fairway is also known as Selat Tanjong Hakim.

Another view of Tekukor a.k.a. Penyabong, Sisters’ Islands can be seen to its south-west. The channel on the west of the island, Sisters Fairway is also known as Selat Tanjong Hakim.

Besides the curiously named Pulau Blakang Mati, another name that is thought to be linked to the bloody battles, is Selat Tanjong Hakim (now more commonly referred to Sisters’ Fairway in navigation charts). Hakim being the Malay word for judge – the selat or strait west of Penyabong, would have watched over the duels, in the same way a judge might have presided over the fights.

Another view of the former Pulau Blakang Mati.

Another view of the former Pulau Blakang Mati.

As Pulau Tekukor, the island became a commercial explosives storage facility for the Port of Singapore Authority (PSA) in the 1980s- after the island was enlarged by reclamation of its western shores. There was also a proposal to turn it into a sanctuary for long-tailed macaques that surfaced in the mid 2000s that did not take off and as of today, there are no known plans for the island and the island remains as mysterious as it long has been.

The sandy beaches and 'bloodstained' cliff faces of Tekukor.

The sandy beaches and ‘bloodstained’ cliff faces of Tekukor.

In its cliff faces that are still seen today – stained by the blood of the fallen, there perhaps is the only reminder of the story of the island; a tale that, as with the many stories from our islands handed down through the generations telling us of a past we long have discarded, may never again be told.





A paddle through the magical watery woods

30 07 2014

The process of acquainting myself with the shores of Singapore for a project I am working on, Points of Departure, has provided me with some incredible experiences. One that I was especially grateful to have had was the experience of paddling through a green watery space that is almost magical in its beauty. Set in the relatively unspoilt lower reaches of Sungei Khatib Bongsu, one of Singapore’s last un-dammed rivers, the space is one that seems far out of place in the Singapore of today and holds in and around its many estuarine channels, one of the largest concentration of mangroves east of the Causeway along the island’s northern coast.

Paddling through the watery forest at Sungei Khatib Bongsu.

Paddling through the watery forest at Sungei Khatib Bongsu.

The much misunderstood mangrove forest, is very much a part of Singapore’s natural heritage. The watery forests, had for long, dominated much of Singapore’s coastal and estuarine areas, accounting for as much as an estimated 13% of Singapore’s land area at the time of the arrival of the British. Much has since been lost through development and reclamation and today, the area mangrove forests occupy amount to less that 1% of Singapore’s expanded land area. It is in such forests that we find a rich diversity of plant and animal life. Mangroves, importantly, also serve as nurseries for aquatic life as well as act as natural barriers that help protect our shorelines from erosion.

Khatib Bongsu is a watery but very green world.

Khatib Bongsu is a watery but very green world.

The island’s northern coast was especially rich in mangrove forests. Much has however, been cleared through the course of the 19th and 20th centuries, with large tracts being lost during the construction of the airbase at Seletar and the naval base at Sembawang in the early 1900s. The mangroves of the north, spread along the coast as well as inland through its many estuaries, along with those found across the strait in Johor, were once the domain of the Orang Seletar. A nomadic group of boat dwellers, the Orang Seletar had for long, featured in the Johor or Tebrau Strait, living off the sea and the mangroves; finding safe harbour in bad weather within the relatively sheltered mangrove lined estuaries.

Mangrove forests had once dominated much of coastal Singapore.

Mangrove forests had once dominated much of coastal Singapore.

Boat dwelling Orang Seletar families could apparently be found along Singapore’s northern coast until as recently as the 1970s. While the Orang Seletar in Singapore have, over the course of time, largely been assimilated into the wider Malay community, the are still communities of Orang Seletar across the strait in Johor. Clinging on to their Orang Seletar identity, the nine communities there live no longer on the water, but on the land in houses close to the water.

Safe harbour in the watery woods.

Safe harbour in the watery woods.

It is the labyrinth of tree shaded channels and the remnants of its more recent prawn farming past that makes the side of the right bank of Sungei Khatib Bongsu’s lower reaches an especially interesting area to kayak through. Much has since been reclaimed by the mangrove forest and although there still is evidence of human activity in the area, it is a wonderfully green and peaceful space that brings much joy to to the rower.

The canalised upper part of Sungei Khatib Bongsu.

The canalised upper part of Sungei Khatib Bongsu.

The area around Sungei Khatib Bongsu today, as seen on Google Maps.

The area around Sungei Khatib Bongsu today, as seen on Google Maps.

Paddling through the network of channels and bund encircled former prawn ponds – accessible through the concrete channels that once were their sluice gates, the sounds that are heard are mostly of the mangrove’s many avian residents. It was however the shrill call of one of the mangrove’s more diminutive winged creatures, the Ashy Tailorbird, that seemed to dominate, a call that could in the not too distant future, be drowned out by the noise of the fast advancing human world.  It is just north of Yishun Avenue 6, where the frontier seems now to be, that we see a wide barren patch. The patch is one cleared of its greenery so that a major road – an extension of Admiralty Road East, can be built; a sign that time may soon be called on an oasis that for long has been a sanctuary for a rich and diverse avian population.

The walk into the mangroves.

The walk into the mangroves.

The beginnings of a new road.

The beginnings of a new road.

The Sungei Khatib Bongsu mangroves, lies in an area between Sungei Khatib Bongsu and the left bank of Sungei Seletar at its mouth that lies beyond the Lower Seletar Dam that has been designated as South Simpang; at the southern area of a large plot of land reserved for public housing that will become the future Simpang New Town. The area is one that is especially rich in bird life, attracting a mix of  resident and migratory species and was a major breeding site for Black-crowned Night Herons, a herony that has fallen victim to mosquito fogging. While there is little to suggest that the herons will return to breed, the area is still one where many rare and endangered species of birds continue to be sighted and while kayaking through, what possibly was a critically endangered Great-billed Heron made a graceful appearance.

Evidence of the former prawn ponds.

Evidence of the former prawn ponds.

Kayaking into the ponds.

Kayaking into the former ponds.

It is for the area’s rich biodiversity that the Nature Society (Singapore) or NSS has long campaigned for its preservation and a proposal for its conservation was submitted by the NSS as far back as in 1993. This did seem to have some initial success and the area, now used as a military training area into which access is largely restricted, was identified as a nature area for conservation, as was reflected in the first issue of the Singapore Green Plan. Its protection as a nature area seemed once again confirmed by the then Acting Minister for National Development, Mr Lim Hng Kiang, during the budget debate on 18 March 1994 (see: Singapore Parliament Reports), with the Minister saying: “We have acceded to their (NSS) request in priorities and we have conserved Sungei Buloh Bird Sanctuary and Khatib Bongsu“. 

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Unfortunately, the area has failed to make a reappearance in subsequently releases of the list of nature area for conservation, an omission that was also seen in subsequent editions of the Singapore Green Plan. What we now see consistently reflected in the Urban Redevelopment Authority (URA) Master Plans (see: Master Plan), is that as part of a larger reserve area for the future Simpang, the area’s shoreline stands to be altered by the reclamation of land. Along with land reclamation, plans the Public Utilities Board (PUB) appears to have for Sungei Khatib Bongsu’s conversion into a reservoir that will also include the neighbouring Sungei Simpang under Phase 2 of the Seletar-Serangoon Scheme (SRSS), does mean that the future of the mangroves is rather uncertain.

A resident that faces an uncertain future.

A resident that faces an uncertain future.

Phase 2 of the SRSS involves the impounding of Sungei Khatib Bongsu, Sungei Simpang and Sungei Seletar to create the Coastal Seletar Reservoir. Based on the 2008 State of the Environment Report, this was to be carried out in tandem with land reclamation along the Simpang and Sembawang coast. The reclamation could commence as early as next year, 2015 (see State of the Environment 2008 Report Chapter 3: Water).

JeromeLim-7503

In the meantime, the NSS does continue with its efforts to bring to the attention of the various agencies involved in urban planning of the importance of the survival of the mangroves at Khatib Bongsu. Providing feedback to the URA on its Draft Master Plan in 2013 (see Feedback on the Updated URA Master Plan, November 2013), the NSS highlights the following:

Present here is the endangered mangrove tree species, Lumnitzera racemosa, listed in the Singapore Red Data Book (RDB). Growing plentifully by the edge and on the mangrove is the Hoya diversifolia. On the whole the mangrove here is extensive and healthy, with thicker stretches along Sg Khatib Bongsu and the estuary of Sg Seletar. 

A total of 185 species of birds, resident and migratory, have been recorded at the Khatib Bongsu  area. This comes to 49 % of the total number of bird species in Singapore (376, Pocket Checklist 2011, unpublished  )  – almost comparable to that at Sungei Buloh Wetland Reserve. 13 bird species found here are listed in the RDB  and among these are:  Rusty-breasted Cuckoo, Straw-headed Bulbul, Ruddy Kingfisher, Grey-headed Fish Eagle, Changeable Hawk Eagle, White-chested Babbler, etc. The Grey-headed Fish Eagle  and the Changeable Hawk eagle are nesting in the Albizia woodlands in this area.

The mangrove dependent species present are : Crab-eating Frog, Dog-faced Water Snake & Malaysian Wood Rat. The Malaysian Wood Rat is regarded is locally uncommon.   In 2000, Banded Krait (RDB species) was found here near the edge mangrove. Otters, probably the Smooth Otter, have been sighted by fishermen and birdwatchers in the abandoned fish ponds and the Khatib Bongsu river. 

URA Master Plan 2014, showing the reserve area at Simpang.

URA Master Plan 2014, showing the reserve area at Simpang.

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It will certainly be a great loss to Singapore should the PUB and the Housing and Development Board (HDB) proceed with their plans for the area. What we stand to lose is not just another regenerated green patch, but a part of our natural heritage that as a habitat for the diverse array of plant and animals many of which are at risk of disappearing altogether from our shores, is one that can never be replaced.

The present shoreline at Simpang, threatened by possible future land reclamation.

The present shoreline at Simpang, threatened by possible future land reclamation.

The white sands at Tanjong Irau, another shoreline under threat of the possible future Simpang-Sembawang land reclamation.

The white sands at Tanjong Irau, another shoreline under threat of the possible future Simpang-Sembawang land reclamation.





Watch The World Wars tonight on History

26 07 2014

Event Listing

Close to 70 years since the end of the Second World War, there are still many physically reminders left of the dark and painful period of our history that can be found amongst the new Singapore we have become. However, for the many of us today, for whom the war was a dark moment in history, it would be hard to imagine the motivations of those who led their countries into battle as well as the horrors faced by the troops at the frontline.

The chapel and murals were a light in the darkness of captivity during the dark days of World War II.

A reminder of the war in Singapore, the Changi Murals, in the Chapel of St. Luke.

Recounting not just the horrors of the World Wars, but also how the two great wars were very much interlinked, including how some of the experiences gained by individuals during the first, motivated their decisions as men leading their countries into battle in the second, is The World Wars. A three-night event series, The World Wars looks back at the war years through the eyes of the powerful men of the time — Roosevelt, Hitler, Patton, Mussolini, Churchill, Tojo, DeGaulle and MacArthur.

This special event series commemorates the 100th anniversary of a turning point in the world’s history, where the old world of kings and empires collided with the new world of machine guns, where the old rules of engagement bowed before new and previously unthinkable form of warfare. Where one generation of men, fought two wars and changed the world. The series airs on HISTORY (StarHub TV Ch. 401), July 26 – 28, 10pm.

The World Wars received three 2014 Primetime Emmy Nominations for:
1. Outstanding Documentary or Non-fiction Series
2. Outstanding Writing for Non-fiction Programming
3. Outstanding Sound Editing for Nonfiction Programming (Single or Multi-camera)

For more information about The World Wars, check out: http://specials.historyasia.com/worldwars/index.html.

About The World Wars 

The World Wars is a three-night event series which looks back at the war years through the eyes of the powerful men of the time — Roosevelt, Hitler, Patton, Mussolini, Churchill, Tojo, DeGaulle and MacArthur. This special event series will honor the 100th anniversary of a decisive turning point in our history, where the old world of kings and empires collided with the new world of machine guns. Where the old rules of engagement bowed before tanks and chemical warfare. Where one generation of men, fought two wars and changed the world.

Interesting Facts

- The World Wars premieres to 3.4 million total viewers in U.S.

- U.S President Obama will be introducing Night One (Episode 1, 26th July at 10pm) of the six-part event series that takes viewers on an epic and groundbreaking ride through the bloodiest century in history.

- The series features gripping dramatic scenes, stunning CGI visuals and interviews with contemporary leaders, including John McCain, Colin Powell, John Major and David Miliband, along with noted historians from around the world.

The World Wars





All at sea

24 07 2014

The launch on Saturday of Singapore HeritageFest 2014, bring us to focus on one of the key reasons for Singapore’s being, the sea. This year’s festival much of which revolves around a maritime based theme, “Our Islands, Our Home” has us looking at our maritime past as well as our present as a maritime nation.

HeritageFest 2014 opens a window to Singapore's island heritage.

HeritageFest 2014 opens a window to Singapore’s island heritage.

It is to raise the profile of this heritage, one that goes back to times well before the arrival of Raffles, that is in fact what the Maritime and Port Authority (MPA) and the National Heritage Board (NHB) hopes to achieve with the establishment of the S$500,000 Maritime Heritage Fund, which the two agencies will administer – for which a Memorandum of Understanding (MOU) was signed by the two agencies at Saturday’s launch.

One of the highlights of this year's HeritageFest is a lighthouse trail that includes a stop on Pulau Satumu, Singapore's southernmost island, on top of which Raffles' Lighthouse is perched.

One of the highlights of this year’s HeritageFest is a lighthouse trail that includes a stop on Pulau Satumu, Singapore’s southernmost island, on top of which Raffles’ Lighthouse is perched.

Once a common scene in the waters off the Southern Islands. Boats such as the kolek on the right, are very much part of our maritime heritage (a similar kolek is on display at the Balik Pulau Exhibition at the National Museum).

Once a common scene in the waters off the Southern Islands. Boats such as the kolek on the right, are very much part of our maritime heritage (a similar kolek is on display at the Balik Pulau Exhibition at the National Museum).

The focus of the fund, which complements the NHB’s S$5 million Heritage Grant Scheme launched last year, will be on developing community-initiated projects related to Singapore’s maritime heritage that will promote a greater understanding and appreciation of Singapore’s maritime connections, as was touched on by Mr Lawrence Wong, Minister for Community, Culture and Youth, in his speech at the festival’s launch.

Mr Lawrence Wong, Minister for Culture, Community and Youth and Mr Ong Yew Huat, Chairman of NHB launching Singapore HeritageFest 2014.

Mr Lawrence Wong, Minister for Culture, Community and Youth and Mr Ong Yew Huat, Chairman of NHB launching Singapore HeritageFest 2014.

Mr Wong also spoke of the transformation that will soon take place at the Asian Civilisations Museum (ACM), where the launch event was held. Besides a revamp of the museum with expanded galleries that will include a space allocated for the Tang Cargo and see new shops and dining outlets, the museum will be given a new entrance that will open it up to the river and give it a direct connection into the historic heart of Singapore.

Another lighthouse - the very pretty Sultan Shoal Lighthouse at the western extremities of Singapore's waters seen during the lighthouse trail as part of Singapore HeritageFest 2014.

Another lighthouse – the very pretty Sultan Shoal Lighthouse at the western extremities of Singapore’s waters seen during the lighthouse trail as part of Singapore HeritageFest 2014.

The revamp is part of the ongoing effort to develop a civic and cultural belt around Singapore’s colonial civic district (see: The Old Vic’s ticking again) that involves also the newly refurbished Victoria Theatre and Concert Hall, and the conversion of the Old Supreme Court and City Hall into National Gallery – due for completion in 2015.

The Old Vic's definitely back!

The newly refurbished Victoria Theatre and Concert Hall.

A cultural performance at the launch of Singapore HeritageFest2014.

A cultural performance at the launch of Singapore HeritageFest2014.

The launch also coincided with the first evening of a two-night series of programmes taking place around the ACM and the river, River Nights. The event, brought much life and colour to the river, and celebrated its changing identity over the years – in the same way the well received series of activities  for Singapore HeritageFest 2014 celebrates the islands.

A dragon dance performance at the start of River Nights at the ACM's front lawn.

A dragon dance performance at the start of River Nights at the ACM’s front lawn.

More information on the Maritime Heritage Fund, Singapore HeritageFest 2014, River Nights and on Balik Pulau: Stories from Singapore’s Islands (an exhibition at the National Museum of Singapore held in conjunction with HeritageFest 2014) can be found in the following links:





The Old Vic’s ticking once again

22 07 2014

The Old Vic’s finally back. Having seen it look increasingly tired over the years, it’s nice to see that it’s not just been freshened up during a four year hibernation, but has also been done up very nicely for its role as a mid-sized performing arts venue for the future.

Ticking once again is the clock at the Old Vic.

Ticking once again is the clock at the Old Vic.

The Old Vic's definitely back!

The Old Vic’ made new.

A passageway regained by the side of the concert hall.

A passageway regained by the side of the concert hall.

I had the opportunity to have a quick glance at the newly refurbished Vic at an exclusive tour organised for a group of bloggers over the weekend of the Open House, with a visit to the top of what to me has always been the mysterious clock tower thrown in; and I must say, there isn’t anything there is to dislike about its latest makeover – except that is that everyone now seems to want to refer to the well-loved monument by its acronym VTCH (for Victoria Theatre and Concert Hall). We in Singapore do have a penchant for using acronym, but extending the practice to our well loved icons, doesn’t seem quite right.

The queue at the opening of the Open House.

The queue at the opening of the Open House.

We got a peek at the inside of the clock tower.

We got a peek at the inside of the clock tower.

It will always the old Vic to me, a landmark that we have long identified with our Lion City. It is where the founder of modern Singapore, Sir Stamford Raffles, has maintained his proud position – almost uninterrupted (the statue was removed from its position during the Japanese Occupation in 1942 and restored in 1946) since 1919, the centenary of him setting foot on the island at a point not far away on the river bank and setting the ball rolling on a chain of events that has brought us to where we are today. The chimes from its clock tower were ones that flavoured my childhood and it was something I looked forward to hearing on the many occasions I found myself in the area in the days of my childhood.

Inside the refurbished Old Vic - seen on the third level below the glass roof of the Central Atrium.

Inside the refurbished Old Vic – seen on the third level below the glass roof of the Central Atrium.

The refurbished theatre.

The refurbished theatre.

The section of the building that has served as the concert hall since the late 197os was of course the Victoria Memorial Hall back in the days of my youth, a name I still have the tendency, as with many of my generation, to use in referring to the National Monument. There were several occasions when I did have a chance to pop into it – it had been the site of many exhibitions in the days before the former World Trade Centre and the former Harbourfront took over as Singapore’s main exhibition venues.

The entrance to the former Victoria Memorial Hall - the area below the concert hall where the box office is located.

The entrance to the former Victoria Memorial Hall – the area below the concert hall where the box office is located.

The concert hall, which served as the home of the Singapore Symphony Orchestra (SSO) from 1979 until the SSO shifted to the Esplanade in 2002, was actually a 1905 addition to the building, built in the memory of Queen Victoria. The original section, built as a town hall in 1862, was then remodelled to complement the memorial hall in a symmetrical fashion and reopened as a theatre in 1909. The clock tower, with chimes and clock by the Straits Trading Company, was completed in 1906.

A view from the clock tower.

A view from the clock tower.

Over the years, several modifications were made to the buildings. This included a significant makeover in the 1950s, which saw the two buildings air-conditioned, and the seating capacity of the theatre doubled. That makeover also saw the incorporation of the previously open courtyard between the two buildings into the structure with it being covered up – a modification that has to an extent, now been reversed.

The Central Atrium - where the courtyard between the two buildings had been.

The Central Atrium – where the courtyard between the two buildings had been.

A look through the old arches to the new relief etched panels of the theatre.

A look through the old arches to the new relief etched panels of the theatre.

A glass roof now allows light into a rather pleasant looking and air-conditioned courtyard, the Central Atrium, restored partially on the side of the concert hall. Not only does this allow a wonderful view of the clock tower, it allows it to serve as a through passageway from the front of the buildings to the back. At the back a magnificent view of Old Parliament House, now The Arts House, Singapore’s oldest government building, in its full glory awaits.

The Arts House - at the end of the passageway.

The Arts House – at the end of the passageway.

The Central Atrium is where we see a tasteful blend of old and new. The rolling back of the modifications made to maximise the capacities of both the theatre and the concert hall, sees the boundaries of both pushed back to the original locations, allowing the columns and arches to be brought out. On the side of the concert hall, we see how it may have been with its ornate archways and rusticated columns restored. It is however the side of the theatre that seems most interesting, it is there that we now see a reinterpretation of courtyard side of the old theatre, with the use of relief etched precast panels providing a modern and forward looking impression, partly to compensate for the absence of information relating to the original architectural details, in contrast to that on the side of the concert hall.

The precast etched relief panels.

The precast relief etched panels on the theatre side of the atrium.

It was also nice to see how Victoria Theatre has been redone – its seating arranged in the horseshoe shape as it might originally have been with a provision of an orchestral pit. This has reduced its capacity from 900  to 614, providing it with a more intimate setting. More importantly, the modifications must now give it much improved acoustics – one of the few impressions of the theatre that I have from watching Lea Salonga in a Singapore Repertory Theatre production of the musical “Into the Woods” sometime in the 1990s, was of its rather poor acoustics.

The refurbished theatre.

The refurbished theatre.

It is interesting to see that several items from the old theatre have been incorporated into the new – with the backs of the old seats decorating the entrance foyer, seen in a floating “Rubik’s Cube”. Frames and material from the old seating are now also seen in the remodelled theatre, such as the cast-iron components incorporated into the newly installed acoustic timber walls.

A re-used part of the frame of the old seating.

A re-used part of the frame of the old seating.

The 'Rubik's Cube' in the theatre's foyer and a reflection of it on a counter top.

The ‘Rubik’s Cube’ in the theatre’s foyer and a reflection of it on a counter top.

While some of us did not get to see the 673 seat concert hall, we did hear the glorious strains from Dr Margaret Chan’s masterful pipe-organ performance from the foyer where we got to see the suspended balcony – replacing the previously added balcony that had to be supported by intrusive structures, to free up volume and improve acoustics.

The refurbished concert hall (photo courtesy of Victoria Theatre and Concert Hall).

The refurbished concert hall (photo courtesy of Victoria Theatre and Concert Hall).

The suspended balcony.

The suspended balcony.

What we got to see that most visitors during the Open House didn’t was the clock tower (which incidentally has had its crown restored), which I had been curious about throughout  my childhood. The inside of the clock tower turned out to be quite different from the one I had envisaged – the clock’s mechanism and the five bells seemed a lot smaller than what I had imagined as a child.

The chime bells and a clock face on the platform below.

The chime bells and a clock face on the platform below.

The writing on the largest bell: 'This clock and chime of bells were presented to the Queen Victoria Memorial Hall by the Straits Trading Company, 1905'.

The writing on the largest bell: ‘This clock and chime of bells were presented to the Queen Victoria Memorial Hall by the Straits Trading Company, 1905′.

The clock has seen an improvement during the refurbishment – an automatic winding mechanism was added. Prior to this, the clock had to be rewound manually, requiring a winder and maintenance man to ascent up 176 steps once a week to spend up to an hour winding the clock.

The long road to the top - 176 steps for the winder who would have to ascend once a week.

The long road to the top – 176 steps for the winder who would have to make the acsent once a week.

An automatic winder has been added to the clock's mechanism.

An automatic winder has been added to the clock’s mechanism.

While the chimes I am told, can be heard as far away as the Esplanade, it didn’t quite sound as loud as one might have expected standing right by the bells, seemed minute compared to the bells that Quasimodo lent his hand in ringing. Beside the thrill of hearing the bells chime at 11 o’clock, there was also the bonus of taking in the magnificent views of the surroundings and the contrast of the old Padang surrounded by the architectural symbols of colonial power next to what architectural historian Lai Chee Kien, calls a new “liquid padang” – surrounded by the architectural symbols representing the new power.

The clock level.

The clock level.

The refurbishment of the old Vic coincides with an effort that will also see a renovation of the Asian Civilisations Museum and the transformation of the Old Supreme Court and City Hall into the National Gallery Singapore – all scheduled to be completed next year. That will complete the transformation of an area that had been at the heart of the colonial administration into an arts and cultural hub – what the Urban Redevelopment Authority (URA), in their 2014 Master Plan, terms as a “Civic and Cultural District by the Bay“.

For more information on what is envisaged for the Civic District as part of URA Master Plan 2014, do visit the following links:

More information on Victoria Theatre and Concert Hall and its recent refurbishment can be found on their website.


Some key dates relating to the Victoria Theatre and Concert Hall:

17 March 1855

The foundation stone for the new Town Hall was laid by the Governor of Singapore, Colonel W. J. Butterworth.

1902 – 1905

Victoria Memorial Hall was built in memory of Queen Victoria’s reign. Victoria Memorial Hall and Tower were joined to the existing theatre by R. A. J. Bidwell of Swan and Maclaren, with passageway between the two buildings.

18 October 1905

Victoria Memorial Hall was officially opened by the Governor of the Straits Settlements, John Anderson.

1906

The construction of the signature clock tower was completed. This was later than expected due to the delay in donation of the clock and chimes by the Straits Trading Company.

1909

The first performance that took place in the newly completed Victoria Theatre was Sirs William S. Gilbert and Arthur S. Sullivan’s well-known and amusing opera, The Pirates of Penzance, staged by the Singapore Amateur Dramatic Committee.

6 February 1919

On Centenary Day, T. Woolner’s statue of Sir Stamford Raffles was moved from the Padang to Victoria Memorial Hall, taking the place of the bronze elephant presented to Singapore by King Chulalongkorn.

Early 1942

The Victoria Memorial Hall was used as a hospital for victims of bombing raids by the Japanese forces during World War II.

1946 – 1947

Victoria Memorial Hall was used as a location for war crimes courts.

21 November 1954

The inaugural meeting of the People’s Action Party was held at the Victoria Memorial Hall.

1954 – 1958

Major renovations were carried out including a complete restructuring of the interior of the theatre. Air-conditioning and sound-proofing was added and the courtyard covered up.

4 November 1957

The public had its first glimpse at television when William Jacks and Co presented a full length variety show on television at the annual Philips Radio Convention held at the Victoria Memorial Hall.

15 February 1963

Television Singapura (Singapore’s first TV station) was launched with a pilot monochrome service at the Victoria Memorial Hall.

1979

Victoria Memorial Hall was renamed the Victoria Concert Hall and named as the official home of the Singapore Symphony Orchestra.

1980s

A gallery was added to the Concert Hall, adding seating capacity and enclosing the second storey balconies on the front and back facades with glass.

1990s

Renovations were carried out to Victoria Theatre to make it a more efficient performing venue.

February 1992

Victoria Theatre and Concert Hall was gazetted as a national monument of Singapore.

2010

The Victoria Theatre and Concert Hall was closed for a $158 million renovation.

2014

Victoria Theatre and Concert Hall reopened its doors after a four-year renovation.


 





Boarding the junk at sunrise

18 07 2014

An island that always seemed to me to have an air of mystery about it is the oddly shaped Pulau Jong. Set in an area of Singapore, the southern islands, that has much legend attached to it, legend does have it that Pulau Jong or “Junk Island” in Malay, had been a junk that had been transformed by the spirit of the sea into the island. The legend is described by H. T. Haughton in his 1889 paper, Notes on Names of Places in the Island of Singapore and its Vicinity:

Pulau Jong, “junk island”, a small island of a conical shape to the North of Pulau Seking and Pulau Sebarok. The story is that Malay pirates one night attacked a Chinese Junk, which was anchored where the island now is, and just as the Malays got alongside, the Nakhodah of the junk awoke. On seeing the pirates, through terror, he uttered such a frightful yell that the sea-spirit turned the junk into an island much to the consternation of the Malays.

Pulau Jong at sunrise.

Pulau Jong at sunrise.

Lying east of Pulau Semakau (which has absorbed Pulau Seking or Sakeng) and northwest of Pulau Sebarok, the tiny mound of an island measuring some 0.6 ha., is fringed to its north by some of the deepest waters in the Singapore Strait. From afar, the island looks rather inhospitable – particularly at high tide when only it tiny cliff faces and the clump of trees rising some 23 metres on its mound are exposed. It is at low tide that the fringing reefs that surround the island expose themselves – the reefs extend as far out as 0.4 nautical miles (about 700 metres) south-east in the direction of Pulau Sebarok.

Junk Island at low-tide.

Junk Island at low-tide.

The fringing reef on the island's south-east reaching out towards the oil terminal at Sebarok.

The fringing reef on the island’s south-east reaching out towards the oil terminal at Sebarok.

A navigation chart showing water depths around Pulau Jong.

A navigation chart showing water depths around Pulau Jong.

The reefs do make it difficult to land on the relatively untouched island – one of the last to resist human intervention in the waters of Singapore, but landing on it at sunrise was certainly a worthwhile experience, not just for the rich coral life found in the reefs, but also for the majestic perspectives one gets of the island being on it, the view of all that surround it, and an interesting look at the island’s geology and the glimpses it offers into its bird life.

Heading on a dinghy towards the island.

Heading on a dinghy towards the island.

Landing at sunrise - the reefs do make it a challenge to land safely on the island.

Landing at sunrise – the reefs do make it a challenge to land safely on the island.

The island's rock formations are part of the  are Jurong Formation that marks the geology of much of Singapore's west.

The island’s rock formations are part of the are Jurong Formation that marks the geology of much of Singapore’s west.

More rocks ...

More rock formations …

A pair of collared kingfishers.

A pair of collared kingfishers.

And another perched on a rock.

And another perched on a rock.

The junk, a very recognisable feature of southern Singapore’s seascape, has long been identified as an island for possible recreational use. More recently however, it does seem from the 2013 Land Use Plan that it would be be lost to future land reclamation. From the plan we see that it would be part of a large land mass that would also include Pulau Semakau and Pulau Sebarok and like the junks that once featured in the seas around us, the familiar sight of the junk that became an island will soon one that is forgotten.

A northward view.

A northward view.

The coral fringed beach looking west towards Pulau Semakau.

The coral fringed beach looking west towards Pulau Semakau.

Cliff faces on Pulau Jong.

Cliff faces on Pulau Jong.


The reef

I didn’t spend much time in the reef, which has some rather nice looking hard and soft corals and sea cucumber. There were also sightings of nudibranchs and flatworms on the reef’s edge. For more posts on what the reef revealed and also a wonderful drone’s eye view of the island, do also check these postings out:

JeromeLim-6618

JeromeLim-6612

JeromeLim-6610

JeromeLim-6609


The visit to Pulau Jong is part of a series of visits to some of the lesser known shores of Singapore, in search of words and sounds for an IRememberSG funded project, Points of Departure.

A pano of the southern foreshore of Pulau Jong.

A pano of the southern foreshore of Pulau Jong.


 

 

 

 

 








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