Motoring Heritage Day is back once again at the former Tanjong Pagar Railway Station. This year’s event will be held on Sunday 15 September 2013 from 10 am to 5 pm. Besides a rare display of some 50 vintage cars, there will also be lots of other activities including guided tours of the station by volunteer guides from the Preservation of Monuments Board (PMB), an exhibition on the former railway station that I would be assisting the National Heritage Board (NHB) to put up, and talks (see programme below). The event is jointly organised by the Malaysia Singapore Vintage Car Register (MSVCR) and the NHB. More information can be found at the MSVCR’s site and at NHB’s website. I will also follow up with some further information soon.
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Tags: Events, Exhibition, Heritage, History of Tanjong Pagar Railway Station, Malaysia Singapore Vintage Car Register, Motoring Heritage, Motoring Heritage Day, Motoring Heritage Day 2013, MSVCR, National Heritage Board, NHB, Singapore, Tanjong Pagar Railway Station, Transport Heritage, Vintage Cars, What to Do
Categories : Events, Forgotten Places, National Heritage Board, National Mounments, Rail Corridor, Railway Land, Reminders of Yesterday, Singapore, Tanjong Pagar
Marina Bay Sands celebrates National Day weekend with free admission to Essential Eames
More on the exhibition, Essential Eames: A Herman Miller Exhibition - Essentially Eames
Marina Bay Sands will commemorate Singapore’s 48th birthday by offering free admission to its newest exhibition at ArtScience Museum from Friday, 9 August till Sunday, 11 August. Over this National Day weekend, the admission price for Essential Eames: A Herman Miller Exhibition, will be waived for all visitors. The daily operating hours for ArtScience Museum are 10am-10pm.
“We’re pleased to extend this special offer to ring in National Day,” said ArtScience Museum Associate Director Ross Leo. “Whether it’s the first time visiting our latest exhibition or a return trip to see it again, this is an experience not to be missed – and an opportunity we’re excited to make available. We look forward to welcoming all visitors to ArtScience Museum this National Day weekend.”
The Essential Eames exhibition brings to life the story of design duo Charles and Ray Eames through over 100 of their works and images culled from the collections of the Eames family, Eames Office, and Herman Miller. The exhibition showcases a number of rare and never-before-seen works and images. Highlights include a special chair designed for Pope John Paul II; the fun and educational toy House of Cards and groundbreaking films including ‘Glimpses of the USA’ and ‘Powers of Ten’.
Over the long National Day weekend, visitors to Marina Bay Sands can also look forward to an array of entertainment, leisure and dining options on property. All 300 boutiques and restaurants at The Shoppes at Marina Bay Sands will also be operating from 10am until midnight from 7-10 August – perfect for late-night shoppers and party-goers.
The iconic property also offers many great vantage points to view all the action from the National Day Parade on 9 August.
The Sands SkyPark Observation Deck, located on the 57th storey of the hotel, offers an exceptional view for the public who wish to catch the fighter jets and state flag fly past, complete with fireworks display. One can also simply soak up the festivities at the outdoor Event Plaza, which offers another vantage point to view the fireworks up close while dining along the waterfront promenade.
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Tags: An Eames Primer, Architecture, Art, ArtScience Museum, Case Study House No. 8, Charles Eames, Design, Eames Demetrios, Eames House, Essential Eames: A Herman Miller Exhibition, Events, Exhibition, Furniture Design, Herman Miller, House of Cards, Industrial Design, Lounge Chair Wood, Moebius Band, Ray Eames, Singapore, Toy Design, What to Do
Categories : ArtScience Museum, Events, Marina Bay Sands, Museums, New Singapore, Singapore
A rather compelling exhibition currently running at the ArtScience Museum which I was able to visit at the kind invitation of the museum is one which takes an in-depth look into the creative geniuses that are Charles and Ray Eames, long considered to be the first couple of design. The exhibition, Essential Eames: A Herman Miller Exhibition, which runs from 29 June 2013 to 5 January 2014 and is co-presented by renowned furniture maker Herman Miller and the ArtScience Museum in collaboration with the Eames Office, is one curated by the couple’s grandson Eames Demetrios based on a book he wrote, An Eames Primer.
The exhibition, which is certainly a must visit for anyone with a keen interest in the art of creative design, and for anyone else who takes delight in seeing and gaining insights into well-designed everyday objects and design concepts, includes a showcase of very recognisable furniture pieces designed by the couple – one which also provides an appreciation of the couple’s keen sense in the exploitation of the properties of different materials for use in their designs. The materials used range from fabrics, metals to moulded plywood – a technique Charles Eames himself developed and perfected in making moulded plywood splints in 1942 for the U.S. Navy during World War II. The technique was employed in the making of the iconic Lounge Chair Wood originally designed in 1945 for the Barclays Hotel in New York.
One moulded wood piece which did also catch my eye was a moulded plywood glider seat – designed in 1943 for the U.S. Navy, which was also to help the Eameses master the moulding of plywood. The seat on display we were told is currently valued at US $1 million.
Besides the moulded plywood chairs – of which I am a huge fan of for the eye-catching and clean forms, there are also furniture made of other materials including metals such as the wire-chair, designed to be lightweight and for outdoor use.
Interestingly, there also are several timeless furniture pieces from the Herman Miller furniture collection including the Nelson Marshmallow Sofa which was designed in 1956 by George Nelson and Irving Harper, using injection plastic discs which an inventor thought could be produced inexpensively and was durable. Nelson, who was the Director of Design at Herman Miller under whose supervision Charles and Ray Eames was to come under,arranged 18 of the discs on a steel frame to create the Marshmallow sofa which Herman Miller was to manufacture.
Beyond furniture, there is also much to discover at the exhibition’s other galleries about the range of the creative genius of the couple – who met while Charles was teaching at Cranbrook Academy of Art in Michigan and Ray was a student, inlcuding what they applied in architecture, exhibition design, toy making, photography, film and philosophy. In architecture, we are able to have a look at the “Eames House” or “Case Study House No. 8” - designed by the couple as part of the Case Study House programme for John Entenza’s Arts & Architecture magazine. The couple was, in 1949, to build the house they designed – for use as their home and studio – designed “for a married couple working in design and graphic arts, whose children were no longer living at home” which “would serve as a background for life in work and with nature as a shock absorber.”
The range of toys the Eames produced include the well-known House of Cards for which visitors can try their hands at. Other interactive activities at the exhibition include Essential Play where visitors can create their own small scale furniture, a Materials Trail, and a animal mask making activity for the young.
One exhibit which will certainly catch the attention of the visitor is at the Mathematica gallery where based on the original 1961 exhibit at the California Museum of Science and Industry where it remained on continuous display for 37 years are exhibits which explains complex mathematical concepts through simple forms. Here the visitor will find the mathematical concept of the Moebius band – a one-sided surface with only one side.
Of the exhibits which I must say shows the range that the creative genius of the couple extended to, my personal favourite was the photographic work of Charles Eames. He certainly is one with a keen eye for photography and in the gallery – we see the clean and uncluttered images which is of great appeal to me. More information on the exhibition can be found at the ArtScience Museum’s website.
Besides the visit to Essential Eames, the programme also included a visit to another must-see exhibition Mummy: Secrets of the Tomb, for which I already had the pleasure of seeing. Details of my previous visit to that exhibition can be found in a previous post. Another part of the programme I should not forget to mention was lunch – which was most kindly provided by SweetSpot Deli, which serves New York style deli sandwiches generously packed with fillings. My favourite was the corned beef. SweetSpot Deli opens from 8 am to 11 pm Sundays to Thursdays, and 8 am to 12 am Fridays, Saturdays and on the eve of public holidays and is located the Bay Level #01-30 The Shoppes at Marina Bay Sands.
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Tags: An Eames Primer, Architecture, Art, ArtScience Museum, Case Study House No. 8, Charles Eames, Design, Eames Demetrios, Eames House, Essential Eames: A Herman Miller Exhibition, Events, Exhibition, Furniture Design, Herman Miller, House of Cards, Industrial Design, Lounge Chair Wood, Moebius Band, Mummy: Secrets of the Tomb, Photography, Ray Eames, Singapore, Toy Design, What to Do
Categories : Architecture, Art, ArtScience Museum, Events, Interesting happenings around town, Museums, Singapore
From Saturday 27 April 2013, visitors to Marina Bay Sands’ ArtScience Museum will get to step some three thousand years back in time into the fascinating journey which is somehow filled with much intrigue and mystery that is taken by the ancient Egyptians into the netherworld.
The exhibition, for which the ArtScience Museum has partnered with the British Museum which has a long association with the study of Ancient Egypt and the world’s largest collection of objects from the period, is one that not only brings artefacts such as mummies, mummy cases, and funerary objects into a museum setting, but also peels away at the veneers which reveal the many secrets associated with the Egyptian view of the afterlife. A huge bonus is the opportunity the exhibition provides to look right inside a 3,000 year old mummy, that of a high priest of the Temple of Karnak, Nesperennub, through a 21 minute 3D movie which made its debut at a media conference held at the musuem yesterday, to discover the secrets that the well preserved mummy, still tightly wrapped in its elaborately made and decorate cartonnage cage, holds.
The film which I thought is the highlight of the exhibition, is one that could only be made through state-of-the-art CT scanning technology. This allows a non-intrusive “unwrapping” of the mummy to be made without any damage to the cartonnage or the delicate tissues of the mummy itself and provides a better understanding of the priests life and death. The resulting 6,500 images that were produced during the extensive scanning was combined with computer visualisation techniques and made into the very insightful 3D film narrated by acclaimed actor Patrick Stewart. The film is included with the admission into the exhibition.
With more than 100 artefacts which includes 6 mummies on display, the exhibition is in itself one that will surely captivate. The printed backdrops at the first two of the five galleries, Ancient Egypt and Life in Ancient Egypt, takes the visitor into the world where the journey into the netherworld begins – the world of the living or at least the one which is visible to the living. The artefacts in these two galleries include replicas of the famous Rosetta Stone and the head of a statue of King Amenhotep III, as well as mummies of a cat, an ibis several figurines and a water receptacle and ladle that would have been used for purification rituals by a priest like Nesperennub
The gallery which I found most intriguing is the Living Forever gallery – which looks at how the Egyptians send off the dead into the afterlife, what they provided for, and the beliefs and practices involved through the many interesting artefacts that are on display. One that was very interesting is a papyrus which is a page containing the judgement scene from the Book of the Dead – on which the concept of Judgement (a recurring theme in many religions) is seen from the Ancient Egyptian perspective where the heart which was thought to weigh as much as a person’s wrong doings upon death is balanced with a feather of truth.
That concept also reveals a little more about some of the objects that would be placed in the mummy such as amulets meant to protect the spirit in afterlife. Mummification which involves the removal of the dead person’s organs and the preservation of them in jars or in the time of Nesperennub, wrapped in linen and placed back in the body cavity, would have left the heart preserved in place – the heart was thought to be the most important organ (the brain was thought to be insignificant and was drained away). Among the amulets on display are several scarab beetle shaped ones representing the heart which are placed next to the organ, including one inscribed with a verse. These are designed to protect the heart at Judgement – so that it doesn’t reveal the misdeeds of the person.
Another important item found in the tomb of those of higher status is that of the Shabti – small figurines which are servants bestowed on the dead person for his afterlife – so that work on the fields could be carried out by them and a coffin in which the figurines are placed in. Interestingly we find out, a total of 401 Shabti would accompany a person into afterlife – one for each day of the year plus additional ones required by the complex system of supervisors the Ancient Egyptians had in place to manage their servants.
Also on display in Living Forever, are several Stelae, as well as a few mummies including that of the linen wrapped mummy of Shepenmehyt, the mummy of Tjayasetimu in its cartonnage case, the mummy of Padiamenet, and a model of a funerary boat – used to carry the dead of high status down the Nile. An interesting thing I learnt in hearing about the boat was the practice of burying the dead on the western side as the sun sets in the west and it was the belief that it makes a journey through the netherworld
It is in one or the two remaining galleries where an interactive area – the Embalmer’s Workshop can be found. That is where exhibition-related workshops included in the price of admission, are conducted. One of the workshops, The Secrets of Embalming, provides visitors with a demonstration of the very embalming and preservation process – which together with the very elaborate mummification process can take as long as 70 days to complete.
The other workshop, Amulets for the Afterlife, is one that would interest many. The hands-on workshop provides an opportunity to make clay-baked amulets – similar to the ones placed in the mummy or in the linen of the mummy as it is wrapped to protect it in its afterlife. The younger visitors might also be interested to know of the Activity Quest – which provides children of three different age ranges with the chance to take a journey through Ancient Egypt through a series of challenges in each of the galleries, armed with quest bags filled with tools for the mission – which families or school-groups can loan during the visit. The bags are aimed at children of three different age groups: those of ages between 3 and 6, primary school children of ages 7 to 12 and secondary school going children of ages 13 to 16.
The last gallery, the Mummy of Nesperennub is where the story of his journey into the afterlife comes to its conclusion and where we find his mummy in a beautifully decorated cartonnage case, the coffin in which the mummy was placed in, as well as a reconstructed head of Nesperennub … a head you will find out why from the 3D movie, on which a clay bowl was attached to.
Mummy: Secrets of the Tomb exhibition is scheduled to run from 27 April to 4 November 2013 at the ArtScience Museum. For information on the exhibition and admission charges to the exhibition, do visit the ArtScience Museum’s website. To mark the opening weekend of Mummy: Secrets of the Tomb, the British Museum’s Dr. John Taylor will conduct four guided tours and two lectures on ancient Egypt at ArtScience Museum, all of which is complimentary to exhibition ticket-holders. Through the guided tours, Dr. Taylor will provide exhibition insight and details regarding ancient Egyptians’ beliefs, customs and how they worshipped. His lectures will include a look into the evolution of modern mummy research and an in-depth presentation on ancient Egyptian rituals.
Opening Weekend Programme:
Saturday, 27 April 2013
Curator’s Guided Tour
(11:30am and 5:30pm; beginning at the first gallery of Mummy: Secrets of the Tomb)
Join Dr. John Taylor from the British Museum as he leads you through the exhibition, revealing fascinating facts about the life and beliefs of ancient Egyptians.
(2:30pm – 3:30pm; held on Level 4 of ArtScience Museum)
Investigating Egyptian Mummies Through Virtual Unwrapping
Dr. John Taylor from the British Museum will trace the development of mummy investigation from its early days to the non-invasive methods of today.
Sunday, 28 April 2013
Curator’s Guided Tour
(11:30am and 5:30pm; beginning at the first gallery of Mummy: Secrets of the Tomb)
(2:30pm – 3:30pm; held on Level 4 of ArtScience Museum)
The Horizon of Eternity: Living and Dying in Ancient Egypt
Dr. John Taylor from the British Museum will describe in detail the importance of rituals and the relationship between men and gods in ancient Egypt.
For a complete listing of dates and times with all ArtScience Museum programming, please visit: www.marinabaysands.com/ArtScienceMuseum.
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Tags: 3D Movie, Afterlife, Ancient Egypt, ArtScience Museum, Book of the Dead, British Museum, Cartonnage, Dr John H Taylor, Dr Neal Spencer, Embalming, Exhibition, Heart Amulets, Heart Scarabs, Judgement Scene, Marina Bay Sands, Mr Ross Leo, Mummification, Mummy, Mummy: Secrets of the Tomb, Nesperennub, Netherworld, Photography, Shabti, Shepenmehyt, Stela, Temple of Karnak
Categories : ArtScience Museum, Event Previews, Events, Marina Bay, Marina Bay Sands, Museums, New Singapore, Singapore
As part of the Singapore Memory Project (SMP), an exhibition, “My Home, My Library” is being held at the Public Libraries. The exhibition which runs from 25 March to 29 April showcases many precious memories which have contributed by residents of each of the neighbourhoods the libraries are in, with the aim of serving as memory triggers to help more Singaporeans to add to the 830,000 pledges and contributions made thus far to the SMP.
At the exhibition, visitors will open a biscuit tin of memories, in the way that their parents or grandparents might have opened their tins and boxes with their mementos and keepsakes stashed in them, through a huge human height biscuit tin (which resembles a popular brand of biscuits many would have been familiar with). There are some 500 memories in the tinboxes found across all the libraries and in them, there may perhaps be some which could evoke a memory stashed away somewhere.
The exhibition offers visitors a chance not just to relive precious moments but also to win attractive prizes every week in the Snap & Share social media contest. All that is needed is for visitors to take a photograph of an interesting exhibit or of themselves at the photo wall (which has on its backdrop an image of the respective neighbourhood in days past), and share it via Twitter or Instagram hash-tagged with #sgmemory to stand a chance to win up to $200 in shopping vouchers on a weekly basis. What’s more, the most retweeted tweet will win a prize of $50 in shopping vouchers!
Visitors will also have a chance to submit their memories at the Memory Submission Stand – fashioned from a large scale version of the all familiar Carnation Milk tin. Kids will also have a chance to stamp their mark at the at the Kids’ Stamping Station - I know stamping was one of my favourite activities as a child. There are 6 different locally inspired rubber stamp designs and kids can either bring that stamping work home or contribute their work towards the SMP.
In conjunction with My Home, My Library, the libraries also organised a couple of tours involving small groups of bloggers. I got a chance to bore a few bloggers all of whom were a lot younger than me, taking them to places in and around the library@esplanade in a nostalgia tour last Saturday. The places involved some which were close to my heart and some in which I am still able to find memories of times which would otherwise have been forgotten. The places were ones which I hoped could also trigger the memories of the four bloggers who came along.
The first stop on the tour was at the NParks roving exhibition “Playsets of Yesteryears” currently at Raffles Place. In spite of the rain, we spotted a little girl in a raincoat determined to have a go at one of the swing sets. That brought back not just memories of playing in many similar playgrounds in my swinging sixties (and seventies), but also of times looking forward to the rain so as to play in the falling rain, splashing in the puddles and wading in the flood waters (I still sometimes look forward to doing some of that!). The installation has been organised by the National Parks Board (NParks) for the commemoration of 50 years of Greening Singapore and is in collaboration with the SMP. More on the installation and where it can be seen at can be found in a previous post The 1970s playground reinterpreted.
From Raffles Place, a place which holds a lot more memories of days shopping at Robinson’s and John Little’s and having chicken pies around the corner, we boarded a bus which took us to the next stop, Albert Centre. There we had a look at a wet market and at some street traders along the pedestrian mall at Waterloo Street. The market isn’t one that I had my main wet market experiences at, but as all wet markets are, they are (or at least the used to be) where life revolves around, as well as providing a multi-sensory experience with their sights, colours, sounds and even smells. The market at Albert Centre is one which probably carries with it the memories of what the streets around used to hold, the original vendors having moved into the residential cum commercial Housing and Development Board (HDB) complex when it was completed in 1980, having been displaced from the street markets at Queen Street and Albert Street by urban redevelopment efforts which swept across the area at the end of the 1970s.
Markets were always fascinating places for me, until that is, when a vendor’s daughter pushed me into a basin of salted vegetables. It is in the markets that I find many of the memories I have of my childhood, although the sights, sounds (one particular sound was that of the cha-kiak - wooden clogs on the wet floor) and smells may now be a little different. Many revolved around live chickens, seeing them in cages, being chosen, weighed, slaughtered and de-feathered and occasionally being carried home alive, struggling in brown paper bags with red and white strings. There are many more memories I have which I do have some posts previously written on.
Just next to Albert Centre is a concentration of street traders at the end of Waterloo Street and Albert Mall. The area sees high pedestrian traffic because of the Kwan Im Thong Hood Cho and the Sri Krishnan Temples in the area which attracts a lot of devotees. Their presence there harks back to days when similar traders were commonly found on many other streets and one can find Chinese medicine men (that were especially common at pasar malams), fortune tellers, cobblers, as well as what one might expect, food, devotional objects and flower vendors.
From Albert Centre, we headed to Bras Basah Complex, another HDB residential cum commercial that came up in 1980 – this without a wet market. The complex was also one which took in many traders from the area it is in. This included the many watch dealers, book, optician and stationery shops that occupied the shophouses that were cleared on North Bridge Road and the bookshops that the shophouses at Bras Basah Road between Waterloo and Bencoolen Streets were well visited for. Those bookshops were where I got my textbooks and revision books such as the ever so popular “ten-year-series” from and their move in 1980s drew many of us who went to school in the area to Bras Basah Complex. While many of the original bookshops have moved out, there are some of the other original stores that remain including some old school stationery shops (where we could get not just stationery but calculators, sports goods and harmonicas) and watch shops which take us back to its early days. Of the watch shops – it was from a similar one in Katong Shopping Centre where I obtained my very first wrist watch, an Otis for $70 back in 1976.
The next stop we had was Esplanade Park, better known as Esplanade or Queen Elizabeth Walk in the days when it was a popular outing spot to catch the sea breeze and indulge after in some satay and chendol. Back then walks in the evening were always interesting, not just for the sea breeze, the flicker of lights of the ships in the distance, or the beam of light from Fullerton Light that swept across the harbour, but also for the many traders scattered around the promenade. There were the usual kacang putih man, the balloon vendor who supported his colourful air-filled balloons with long tubular ones, and the snake charmer.
No longer there are the satay club which was at the location from 1971 to 1995, having moved from its original spot at Hoi How Road where we would sit at low tables on low stools and where satay would be piled up on a plate and charging was by the number of sticks consumed, as well as the semi-circular laid out Esplanade Food Centre which went in 1980 and which was possibly Singapore’s first built hawker centre coming up in the 1950s, which had been well known for its chendol. However, there are several memories including the Tan Kim Seng Fountain which used to serve as a marker of the former Satay Club, as well as another first - Singapore’s very first pedestrian underpass (as well as non surface pedestrian crossing) built in 1964 which connects Empress Place with the Esplanade.
From Esplanade Park, we moved next to the library@esplanade for the My Home, My Library exhibition there – that provided not just a look at the tinbox of memories but also provided some welcome relief for what was an extremely hot and sweaty morning. From that it was a drive by of the former site of the New Seventh Storey Hotel, and the DHL Balloon, which some may remember as landmarks (the DHL Balloon for a short while) in the Bugis/Rochor area, enroute to the Children Little Museum on Bussorah Street which holds in its toy shop full of old school toys and its museum of many full memories, many reminders of my (if not the other bloggers’) childhood. The toy shop and museum does also provide an appreciation perhaps of childhood toys and games over the generations – from simple cheap to make toys and low cost games, many a result of invention and improvisation, to more expensive and sophisticated ones, to the handheld electronic games which made an appearance in the late 1970s – the predecessors of the handheld video game consoles of today.
There was time at the end of the tour and before the heavy downpour that was to come, to have lunch nearby. That was at the Seow Choon Hua Restaurant at Sultan Gate, popular for its Fuzhou (Foochow) dishes including Foochow fish ball noodles – which I had. There was also some time for me to share my experiences accompanying my maternal grandmother on a trishaw to the area nearby – Arab Street to be precise, an area she referred to a “Kampong Jawa” (as the area hosted a Javanese community), to do her shopping for items such as batik sarongs and bedak sejuk (powder sold in tablet form). The street then as it is now, plays hosts to many textile shops – a reminder of a time it was common to have clothes made-to-measure. While such shops in other areas have gone – the popularity of ready-to-wear clothes from the late 1970s onwards meant that demand for textiles fell. Many such shops, especially those found in Toa Payoh Central, turned to selling ready-to-wear clothes and a large concentrations of them are now found only on Arab Street.
About My Home, My Library:
The Singapore Memory Project presents “My Home, My Library” – a nationwide exhibition showcasing personal memories contributed by residents of each neighbourhood. From library romances to tok-tok noodle carts and kampong life, each memory tells a unique story that forms a portrait of our home and our libraries. Take a peek into our treasure trove of stories and share some of your own precious memories with your fellow residents. For more information, please click here. My Home, My Library runs at all public libraries (except for Geylang East which is under renovation) until 29 April 2013.
About the Singapore Memory Project (SMP):
The SMP is a national initiative started in 2011 to collect, preserve and provide access to Singapore’s knowledge materials, so as to tell the Singapore Story. It aims to build a national collection of content in diverse formats (including print, audio and video), to preserve them in digital form, and make them available for discovery and research.
Currently, members of the public can submit their memories for the project by”
- Sharing memories at the Singapore Memory Portal
- Via a free SG Memory iOS application available from the iTunes app store
Do also read about the impressions My Home, My Library left on some of the other bloggers:
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Tags: #sgmemory, #sgmemory hashtag, 50 Years of Greening Singapore, Albert Centre, Bookshops, Bras Basah Complex, Bugis, Childhood Memories, Children Little Museum, Contest, DHL Balloon, Down Memory Lane, Esplanade, Esplanade Food Centre, Esplanade Park, Exhibition, Fuzhou Fish Ball, library@esplanade, My Home My Library, National Library Board, New 7th Storey Hotel, NLB, Nostalgia, Nostalgia Tour, NParks, Pedestrian Underpass, Playsets of Yesteryears, Public Libraries, Queen Elizabeth Walk, Queen Street, Raffles Place, Rochor, Satay Club, Seow Choon Hua Restaurant, Singapore, Singapore Memory Project, SMP, Snap & Share, Stationery Shops, Street Market, Street Traders, Watch Dealers, Waterloo Street, Wet Market
Categories : Events, Interesting happenings around town, National Library Board, Reminders of Yesterday, Singapore
Stepping out from the MRT Station at Raffles Place, the sight of swing sets, see-saws and a merry-go-round, set on a bed of sand as playgrounds of the 1970s might have been, would probably seem odd. That, especially so considering what Raffles Place has become. What perhaps isn’t odd in the context of today’s world is how we have chosen to interact with it … not, if I may quote a friend “enjoyed with head in the wind”, but with the “face on the screen”.
The playground at Raffles Place is part of a National Parks Board (NParks) roving exhibition, “Playsets of Yesteryears” held to commemorate five decades of greening Singapore. The exhibition which also provides visitors with a look at the history of 12 parks including Toa Payoh Town Park and the Singapore Botanic Gardens will remain at Raffles Place until mid May before moving to East Coast Park in June and July, Bishan-Ang Mo Kio Park from mid August to mid October, and the Singapore Botanic Gardens in November to December.
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Tags: 50 Years of Greening Singapore, Exhibition, History of Parks, National Parks Board, NParks, Old Playgrounds, Photography, Playgrounds, Playsets of Yesteryears, Raffles Place, Singapore
Categories : Civic District, Events, New Singapore, Parks and Gardens, Reminders of Yesterday, Singapore
Take a stroll through a Singapore we have forgotten about through a series of postcards on display at The Fullerton Hotel. The postcards are part of a collection of 500 that were donated to the Singapore Philatelic Museum in July 2006 by renowned philatelist, Professor Cheah Jin Seng. The postcards date back to the pre-war years and go as far back as to 1893. The exhibition, Yesterday Once More, was officially opened yesterday by Mr. Sam Tan, Senior Parliamentary Secretary, Ministry of Culture, Community and Youth.
Yesterday Once More which is being held as part of The Fullerton Heritage’s Art in the City Programme. Yesterday Once More and is organised in collaboration with The Singapore Philatelic Museum, not only takes one back in time but also provides an appreciation of the transformation Singapore has seen through the last century. The highlights are the parts of the collection which show how much areas such as Orchard Road and the area around the old waterfront where The Fullerton is located has changed.
Postcards which were first used as an economical and convenient means to communicate, evolved to the picture postcards which in the days before the advent of the internet, served to document the tales of travellers. In time, these also served to archive places, faces and events. It is probably appropriate that the exhibition is also held at The Fullerton, which older Singaporeans fondly remember as the General Post Office or GPO – a special guest at the launch was Mr Subramaniam, independent Singapore’s very first Postmaster General, who is in his 90s. He was a treat to speak to, having many tales of his time first as the Director of the Post Office, and after separation, as the Postmaster General, to share.
Yesterday Once More runs until 30 April 2013 and is being held at The Fullerton’s East Garden Foyer.
More photos from the launch:
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Tags: Art in the City Programme, Exhibition, First Postmaster General, General Post Office, GPO, Mr Subramaniam, Mr. Sam Tan, Old Postcards, Old Singapore, Postcards, Singapore, Singapore Philatelic Museum, The Fullerton Heritage, The Fullerton Hotel, Yesterday Once More
Categories : Events, Forgotten Places, Marina Bay, Reminders of Yesterday, Singapore
One current exhibition that is certainly well worth a visit to is one that is devoted entirely to building bricks most of us would have been familiar with from our childhoods. ‘The Art of The Brick’ at the ArtScience Museum which opened on 17 November 2012 and will run until 14 April 2013, takes visitors into the world of 39 year old Nathan Sawaya, whose life-long obsession with Lego building bricks has seen him abandon his job as an attorney to devote himself to the ‘art of the brick’.
I was provided with the opportunity to visit the exhibition recently by good people of the ArtScience Museum. The visit provided me not only with the opportunity to see the artist’s work, but also step into the artist’s own world seen through some of his work which includes both representative brick sculptures as well as one which explore surrealist themes in what is some of the more fascinating pieces. Sawaya’s obsession with what is indeed a very popular and timeless toy we were told began at the age of five. Not being able to get that pet dog he had wanted, Sawaya did the next best thing – he dismantled his Lego city brick set and built a dog with it which he named Boxer.
Sawaya decided to turn what had in his working years become a means to blow off steam. It was when he realised that his sharing of his hobby on his website brickartist.com was receiving quite a fair bit of attention that he decided to dedicate his life to being a ‘brick artist’ first joining Lego before setting up his own art gallery in New York City.
The 52 large-scale brick pieces at the exhibition are displayed across eight galleries. In the first gallery, we are introduced to the artist himself, with several pieces through which Sawaya reveals some of his personal take on himself. The gallery includes several ‘iconic’ pieces including ‘Yellow’ and ‘Swimmer’. My personal favourite among the works in the gallery is Yellow which depicts a human torso tearing its chest open. Thousands of toy bricks can be seen to spill out from the gap. The work represents the artist’s personal metamorphosis and transitions and is said to capture his emotional journey in which the artist opened himself up to the world.
The seven other galleries are no less interesting. The next one we come to is the Catwalk Gallery where works are displayed on a runway like platform. Works here that caught my eye were Circle, Triangle, Square and Everlasting. Another interesting gallery is the Portrait Gallery, where there are some familiar faces in 2D – all made again from Lego bricks which I thought was rather amazing. Among the portraits are those of Jimi Hendrix, Bob Dylan, and Janis Joplin. What is interesting to learn about is the approach that the artist takes when creating a 2D portrait is that he starts off with the eyes – after which he says everything falls into place. The choice of colour is also important we are told. Sawaya, despite his talent in creating 2D likenesses of famous personalities with Lego bricks, we are also told, does not like to take on commercial commissions for 2D portraits for fear that he may offend clients should the work not come out right.
Another gallery which I did take my time to look at was The Emotion Box which has pieces all of which seemed to have a deeper meaning in them. Stepping into the gallery one encounters works that are mesmerisingly fascinating such as Mask, Ascension, Grasp and Trapped. There certainly are deeper meanings that one will discover in the works. Ascension depicts the artists desire to ascend to a higher place without experiencing death, whereas, Grasp refers to the many people telling the artist ‘no’ – people he would like to rid his life of.
One work that will certainly impress is a six metre long one – a T-Rex skeleton at the Art of Play. The last gallery is where you will find a brick sculpture of a familiar sight – that of the ArtScience Museum itself. The piece was specially commissioned by the ArtScience Museum and was created without the artist having actually visited the museum, and purely from 2D images.
The exhibition also has several areas which allow visitor interaction, including light and sound displays, a photobooth, a Play and Build area and an area where visitors can attempt to recreate Sawaya’s rain. The exhibtion is open from 10 am to 10 pm daily (last entry is at 9 pm). More information on the exhibition and ticket prices can be found at the ArtScience Museum’s website.
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Tags: ArtScience Museum, Brick Art, Brick Artist, Exhibition, Lego, Lego Building Bricks, Nathan Sawaya, Photographs, Photography, Singapore, The Art of The Brick, What to do in Singapore
Categories : Art, ArtScience Museum, Contemporary, Interesting happenings around town, Marina Bay, Marina Bay Sands, Museums, New Singapore, Singapore
While wandering around the busy Causeway Bay area on the second day of my Hong Kong adventure with Aussie Pete, we stumbled upon a really interesting sculpture exhibition “In between Imagination & Reality” going on at the Atrium in Times Square featuring sculptures from two of Korea’s renowned contemporary sculptors, Yong Ho Ji and Hwan Kwon Yi which runs up to 22 August 2010. What caught our eyes were the sculptures of Yi, whose sculptures are made in distorted proportions that play on one’s mind in a way that it serves to confuse and confound what the mind makes out of what the eye sees. It was really hard to describe how “disturbed” we felt from looking at the sculptures and this is something you have to see in three dimensions rather than in two dimensional images to have the feel of it. I guess the best way that can describe how viewing the sculptures affect one’s mind is how the NUS in Singapore had described Yi’s works in an introduction made to an exhibition held last year: “the affect of art lies not so much in the poses but rather in the compression of distance, space and time in Yi’s world”.
Note: this is a repost of my post on the omy My Hong Kong Travel Blog site. Please visit the My Hong Kong Travel Blog where you can vote for you favourite blogger and stand a chance to win a trip to Hong Kong. Details would be provided at the voting page.
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Tags: Causeway Bay, Exhibition, Hong Kong, Hong Kong Island, Hwan Kwon Yi, In between Imagination & Reality, Sculpture, Times Square
Categories : Art, Blogger's Hong Kong Trip, Causeway Bay, Hong Kong, Observations, Singapore Blog Awards
For anyone looking to take a trip down memory lane, or perhaps a trip back in time to catch a glimpse of what life might have been like in the Singapore of the 1960s, the Singapore 1960 exhibition at the National Museum of Singapore offers a chance to do just that. The exhibition which opened on 3 June, the anniversary of self-government, runs up to 22 August and features a display of more than 300 items from the 1960s. The exhibits include items which were commonly found in the 1960s as well as scenes of the life replayed in black and white providing a view into the vibrant cultural and entertainment scene of Singapore in the 1960s, including a view of the different “worlds”: Gay World, Great World, and New World, which played a big role in keeping Singaporeans amused and entertained.
It was a trip back in time for me as well, as I browsed through the exhibits. Some were familiar to me, transporting me back to the Singapore of my childhood, to a Singapore that was a very different place from the one we know of today. There were many reminders of the era, as well as the place, in which I had spent my early years in. One such reminder was in the form of a cigarette tin. I remember tins such as the one on display particularly well. This was from being sent regularly to the provision shop to buy a couple of sticks of cigarettes by my father. Cigarettes could then be purchased individually over the counter and this would be taken out of a tin. At that time, my father was trying then to curb his smoking habit and decided not to have a packet at his disposal at home, and so I would invariably be sent to the shops below whenever he felt like a cigarette (something that was possible then as there were no restrictions on minors buying cigarettes, and something I never enjoyed doing) to buy two sticks at a time.
There were many of the other exhibits that were familiar to me: a metal Player’s Navy Cut ashtray commonly found on the marble topped tables of coffee shops which brought with it memories of the coffee shops of old and spittoons that I never seemed to avoid kicking below the marble topped tables. There were two Magnolia soft drink bottles which brought memories of the Magnolia Grape soft drink that was one of my favourites once upon a time, as well reminded me of how Magnolia Milk was sold in similar bottles. A Smith Corona typewriter displayed on a desk brought back memories of how offices were once like when the constant sound of the clickaty-clack of the typewriters would always be heard in the background.
There are also pages from the newspapers of the era to browse through, providing an insight into a turbulent and violent decade in Singapore’s history, as well as images of a time some half a century ago, which provides an appreciation of how it once had been before Singapore became the clean and sanitised world that is the Singapore that we now know.
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Tags: 1960s Singapore, Exhibition, National Museum of Singapore, Old Singapore
Categories : Growing Up, Interesting happenings around town, Museums, National Museum of Singapore, Singapore, Things I loved about Singapore