The Fire Dragon’s Lair

8 12 2014

It is in the last remnant of the village of sand that we find the lair of the fire dragon. The dragon, the only one in Singapore, lies in wait , its mouth wide open, expelling not a breath of fire, but of flames that reignite the memories of a time and place that might otherwise have been forgotten.

Inside the dragon's lair.

Inside the dragon’s lair.

The residence of the dragon, a small corner of the Mun San Fook Tuck Chee (萬山福德祠) – housed in a century old structure erected during the days of the now forgotten village, is the temple’s newly completed Sar Kong Heritage Room. The room is where the story of the dragon, that of the area’s heritage, and also of the humble origins of the temple and the community it served, now awaits discovery.

A view of the heritage room from the outside.

A view of the heritage room from the outside.

As with much of the Geylang that had developed along the banks of the rivers and tributaries of the area, the origins of the village of Sar Kong (沙崗) whose community the temple served, is one that is tied to the trades that thrived due to the geography of the area. In Sar Kong’s case, it was the kilns that fired the much needed building blocks for the fast developing Singapore, providing employment to a community of Cantonese and Hakka coolies. Established through the efforts of the community, the Mun San Fook Tuck Chee is unique in that among many early Chinese temples that has survived to this day, it owes its setting up not to an act of philanthropy by well-established individuals, but to the efforts of a coolie community.

Among the exhibits is a set of historical photos and building plans that is set against part of a wall that has its plaster removed to reveal its original brickwork.

Among the exhibits is a set of historical photos and building plans that is set against part of a wall that has its plaster removed to reveal its original brickwork.

Much of the information on geographical and historic setting for the village and the temple can be found within the exhibits of the heritage room, along with the background to some of the temple’s more interesting religious practices as well as the role it played from a social perspective. There also is information to be discovered about the dance of the fire dragon, which has its origins in Guangdong, Made of straw imported from China, the dragons previously made would have been constructed for the feast day of the Earth Deity, to whom the temple is dedicated, and sent in flames to the heavens.  The dragon that is on display is one made for a more recent Chingay Parade.

Putting up the plaques.

Putting up the plaques.

More information on the temple, which is under threat from future development, can be found in a previous post, On Borrowed Time: Mun San Fook Tuck Chee. The newly completed heritage room is due to be opened officially in Jaunary 2015.

Early birds to the heritage room.

Early birds to the heritage room.

The fire dragon.

The fire dragon.

A one way ticket from a personal collection on display.

A one way ticket belonging to a personal collection on display.





All at sea

24 07 2014

The launch on Saturday of Singapore HeritageFest 2014, bring us to focus on one of the key reasons for Singapore’s being, the sea. This year’s festival much of which revolves around a maritime based theme, “Our Islands, Our Home” has us looking at our maritime past as well as our present as a maritime nation.

HeritageFest 2014 opens a window to Singapore's island heritage.

HeritageFest 2014 opens a window to Singapore’s island heritage.

It is to raise the profile of this heritage, one that goes back to times well before the arrival of Raffles, that is in fact what the Maritime and Port Authority (MPA) and the National Heritage Board (NHB) hopes to achieve with the establishment of the S$500,000 Maritime Heritage Fund, which the two agencies will administer – for which a Memorandum of Understanding (MOU) was signed by the two agencies at Saturday’s launch.

One of the highlights of this year's HeritageFest is a lighthouse trail that includes a stop on Pulau Satumu, Singapore's southernmost island, on top of which Raffles' Lighthouse is perched.

One of the highlights of this year’s HeritageFest is a lighthouse trail that includes a stop on Pulau Satumu, Singapore’s southernmost island, on top of which Raffles’ Lighthouse is perched.

Once a common scene in the waters off the Southern Islands. Boats such as the kolek on the right, are very much part of our maritime heritage (a similar kolek is on display at the Balik Pulau Exhibition at the National Museum).

Once a common scene in the waters off the Southern Islands. Boats such as the kolek on the right, are very much part of our maritime heritage (a similar kolek is on display at the Balik Pulau Exhibition at the National Museum).

The focus of the fund, which complements the NHB’s S$5 million Heritage Grant Scheme launched last year, will be on developing community-initiated projects related to Singapore’s maritime heritage that will promote a greater understanding and appreciation of Singapore’s maritime connections, as was touched on by Mr Lawrence Wong, Minister for Community, Culture and Youth, in his speech at the festival’s launch.

Mr Lawrence Wong, Minister for Culture, Community and Youth and Mr Ong Yew Huat, Chairman of NHB launching Singapore HeritageFest 2014.

Mr Lawrence Wong, Minister for Culture, Community and Youth and Mr Ong Yew Huat, Chairman of NHB launching Singapore HeritageFest 2014.

Mr Wong also spoke of the transformation that will soon take place at the Asian Civilisations Museum (ACM), where the launch event was held. Besides a revamp of the museum with expanded galleries that will include a space allocated for the Tang Cargo and see new shops and dining outlets, the museum will be given a new entrance that will open it up to the river and give it a direct connection into the historic heart of Singapore.

Another lighthouse - the very pretty Sultan Shoal Lighthouse at the western extremities of Singapore's waters seen during the lighthouse trail as part of Singapore HeritageFest 2014.

Another lighthouse – the very pretty Sultan Shoal Lighthouse at the western extremities of Singapore’s waters seen during the lighthouse trail as part of Singapore HeritageFest 2014.

The revamp is part of the ongoing effort to develop a civic and cultural belt around Singapore’s colonial civic district (see: The Old Vic’s ticking again) that involves also the newly refurbished Victoria Theatre and Concert Hall, and the conversion of the Old Supreme Court and City Hall into National Gallery – due for completion in 2015.

The Old Vic's definitely back!

The newly refurbished Victoria Theatre and Concert Hall.

A cultural performance at the launch of Singapore HeritageFest2014.

A cultural performance at the launch of Singapore HeritageFest2014.

The launch also coincided with the first evening of a two-night series of programmes taking place around the ACM and the river, River Nights. The event, brought much life and colour to the river, and celebrated its changing identity over the years – in the same way the well received series of activities  for Singapore HeritageFest 2014 celebrates the islands.

A dragon dance performance at the start of River Nights at the ACM's front lawn.

A dragon dance performance at the start of River Nights at the ACM’s front lawn.

More information on the Maritime Heritage Fund, Singapore HeritageFest 2014, River Nights and on Balik Pulau: Stories from Singapore’s Islands (an exhibition at the National Museum of Singapore held in conjunction with HeritageFest 2014) can be found in the following links:





The Old Vic’s ticking once again

22 07 2014

The Old Vic’s finally back. Having seen it look increasingly tired over the years, it’s nice to see that it’s not just been freshened up during a four year hibernation, but has also been done up very nicely for its role as a mid-sized performing arts venue for the future.

Ticking once again is the clock at the Old Vic.

Ticking once again is the clock at the Old Vic.

The Old Vic's definitely back!

The Old Vic’ made new.

A passageway regained by the side of the concert hall.

A passageway regained by the side of the concert hall.

I had the opportunity to have a quick glance at the newly refurbished Vic at an exclusive tour organised for a group of bloggers over the weekend of the Open House, with a visit to the top of what to me has always been the mysterious clock tower thrown in; and I must say, there isn’t anything there is to dislike about its latest makeover – except that is that everyone now seems to want to refer to the well-loved monument by its acronym VTCH (for Victoria Theatre and Concert Hall). We in Singapore do have a penchant for using acronym, but extending the practice to our well loved icons, doesn’t seem quite right.

The queue at the opening of the Open House.

The queue at the opening of the Open House.

We got a peek at the inside of the clock tower.

We got a peek at the inside of the clock tower.

It will always the old Vic to me, a landmark that we have long identified with our Lion City. It is where the founder of modern Singapore, Sir Stamford Raffles, has maintained his proud position – almost uninterrupted (the statue was removed from its position during the Japanese Occupation in 1942 and restored in 1946) since 1919, the centenary of him setting foot on the island at a point not far away on the river bank and setting the ball rolling on a chain of events that has brought us to where we are today. The chimes from its clock tower were ones that flavoured my childhood and it was something I looked forward to hearing on the many occasions I found myself in the area in the days of my childhood.

Inside the refurbished Old Vic - seen on the third level below the glass roof of the Central Atrium.

Inside the refurbished Old Vic – seen on the third level below the glass roof of the Central Atrium.

The refurbished theatre.

The refurbished theatre.

The section of the building that has served as the concert hall since the late 197os was of course the Victoria Memorial Hall back in the days of my youth, a name I still have the tendency, as with many of my generation, to use in referring to the National Monument. There were several occasions when I did have a chance to pop into it – it had been the site of many exhibitions in the days before the former World Trade Centre and the former Harbourfront took over as Singapore’s main exhibition venues.

The entrance to the former Victoria Memorial Hall - the area below the concert hall where the box office is located.

The entrance to the former Victoria Memorial Hall – the area below the concert hall where the box office is located.

The concert hall, which served as the home of the Singapore Symphony Orchestra (SSO) from 1979 until the SSO shifted to the Esplanade in 2002, was actually a 1905 addition to the building, built in the memory of Queen Victoria. The original section, built as a town hall in 1862, was then remodelled to complement the memorial hall in a symmetrical fashion and reopened as a theatre in 1909. The clock tower, with chimes and clock by the Straits Trading Company, was completed in 1906.

A view from the clock tower.

A view from the clock tower.

Over the years, several modifications were made to the buildings. This included a significant makeover in the 1950s, which saw the two buildings air-conditioned, and the seating capacity of the theatre doubled. That makeover also saw the incorporation of the previously open courtyard between the two buildings into the structure with it being covered up – a modification that has to an extent, now been reversed.

The Central Atrium - where the courtyard between the two buildings had been.

The Central Atrium – where the courtyard between the two buildings had been.

A look through the old arches to the new relief etched panels of the theatre.

A look through the old arches to the new relief etched panels of the theatre.

A glass roof now allows light into a rather pleasant looking and air-conditioned courtyard, the Central Atrium, restored partially on the side of the concert hall. Not only does this allow a wonderful view of the clock tower, it allows it to serve as a through passageway from the front of the buildings to the back. At the back a magnificent view of Old Parliament House, now The Arts House, Singapore’s oldest government building, in its full glory awaits.

The Arts House - at the end of the passageway.

The Arts House – at the end of the passageway.

The Central Atrium is where we see a tasteful blend of old and new. The rolling back of the modifications made to maximise the capacities of both the theatre and the concert hall, sees the boundaries of both pushed back to the original locations, allowing the columns and arches to be brought out. On the side of the concert hall, we see how it may have been with its ornate archways and rusticated columns restored. It is however the side of the theatre that seems most interesting, it is there that we now see a reinterpretation of courtyard side of the old theatre, with the use of relief etched precast panels providing a modern and forward looking impression, partly to compensate for the absence of information relating to the original architectural details, in contrast to that on the side of the concert hall.

The precast etched relief panels.

The precast relief etched panels on the theatre side of the atrium.

It was also nice to see how Victoria Theatre has been redone – its seating arranged in the horseshoe shape as it might originally have been with a provision of an orchestral pit. This has reduced its capacity from 900  to 614, providing it with a more intimate setting. More importantly, the modifications must now give it much improved acoustics – one of the few impressions of the theatre that I have from watching Lea Salonga in a Singapore Repertory Theatre production of the musical “Into the Woods” sometime in the 1990s, was of its rather poor acoustics.

The refurbished theatre.

The refurbished theatre.

It is interesting to see that several items from the old theatre have been incorporated into the new – with the backs of the old seats decorating the entrance foyer, seen in a floating “Rubik’s Cube”. Frames and material from the old seating are now also seen in the remodelled theatre, such as the cast-iron components incorporated into the newly installed acoustic timber walls.

A re-used part of the frame of the old seating.

A re-used part of the frame of the old seating.

The 'Rubik's Cube' in the theatre's foyer and a reflection of it on a counter top.

The ‘Rubik’s Cube’ in the theatre’s foyer and a reflection of it on a counter top.

While some of us did not get to see the 673 seat concert hall, we did hear the glorious strains from Dr Margaret Chan’s masterful pipe-organ performance from the foyer where we got to see the suspended balcony – replacing the previously added balcony that had to be supported by intrusive structures, to free up volume and improve acoustics.

The refurbished concert hall (photo courtesy of Victoria Theatre and Concert Hall).

The refurbished concert hall (photo courtesy of Victoria Theatre and Concert Hall).

The suspended balcony.

The suspended balcony.

What we got to see that most visitors during the Open House didn’t was the clock tower (which incidentally has had its crown restored), which I had been curious about throughout  my childhood. The inside of the clock tower turned out to be quite different from the one I had envisaged – the clock’s mechanism and the five bells seemed a lot smaller than what I had imagined as a child.

The chime bells and a clock face on the platform below.

The chime bells and a clock face on the platform below.

The writing on the largest bell: 'This clock and chime of bells were presented to the Queen Victoria Memorial Hall by the Straits Trading Company, 1905'.

The writing on the largest bell: ‘This clock and chime of bells were presented to the Queen Victoria Memorial Hall by the Straits Trading Company, 1905′.

The clock has seen an improvement during the refurbishment – an automatic winding mechanism was added. Prior to this, the clock had to be rewound manually, requiring a winder and maintenance man to ascent up 176 steps once a week to spend up to an hour winding the clock.

The long road to the top - 176 steps for the winder who would have to ascend once a week.

The long road to the top – 176 steps for the winder who would have to make the acsent once a week.

An automatic winder has been added to the clock's mechanism.

An automatic winder has been added to the clock’s mechanism.

While the chimes I am told, can be heard as far away as the Esplanade, it didn’t quite sound as loud as one might have expected standing right by the bells, seemed minute compared to the bells that Quasimodo lent his hand in ringing. Beside the thrill of hearing the bells chime at 11 o’clock, there was also the bonus of taking in the magnificent views of the surroundings and the contrast of the old Padang surrounded by the architectural symbols of colonial power next to what architectural historian Lai Chee Kien, calls a new “liquid padang” – surrounded by the architectural symbols representing the new power.

The clock level.

The clock level.

The refurbishment of the old Vic coincides with an effort that will also see a renovation of the Asian Civilisations Museum and the transformation of the Old Supreme Court and City Hall into the National Gallery Singapore – all scheduled to be completed next year. That will complete the transformation of an area that had been at the heart of the colonial administration into an arts and cultural hub – what the Urban Redevelopment Authority (URA), in their 2014 Master Plan, terms as a “Civic and Cultural District by the Bay“.

For more information on what is envisaged for the Civic District as part of URA Master Plan 2014, do visit the following links:

More information on Victoria Theatre and Concert Hall and its recent refurbishment can be found on their website.


Some key dates relating to the Victoria Theatre and Concert Hall:

17 March 1855

The foundation stone for the new Town Hall was laid by the Governor of Singapore, Colonel W. J. Butterworth.

1902 – 1905

Victoria Memorial Hall was built in memory of Queen Victoria’s reign. Victoria Memorial Hall and Tower were joined to the existing theatre by R. A. J. Bidwell of Swan and Maclaren, with passageway between the two buildings.

18 October 1905

Victoria Memorial Hall was officially opened by the Governor of the Straits Settlements, John Anderson.

1906

The construction of the signature clock tower was completed. This was later than expected due to the delay in donation of the clock and chimes by the Straits Trading Company.

1909

The first performance that took place in the newly completed Victoria Theatre was Sirs William S. Gilbert and Arthur S. Sullivan’s well-known and amusing opera, The Pirates of Penzance, staged by the Singapore Amateur Dramatic Committee.

6 February 1919

On Centenary Day, T. Woolner’s statue of Sir Stamford Raffles was moved from the Padang to Victoria Memorial Hall, taking the place of the bronze elephant presented to Singapore by King Chulalongkorn.

Early 1942

The Victoria Memorial Hall was used as a hospital for victims of bombing raids by the Japanese forces during World War II.

1946 – 1947

Victoria Memorial Hall was used as a location for war crimes courts.

21 November 1954

The inaugural meeting of the People’s Action Party was held at the Victoria Memorial Hall.

1954 – 1958

Major renovations were carried out including a complete restructuring of the interior of the theatre. Air-conditioning and sound-proofing was added and the courtyard covered up.

4 November 1957

The public had its first glimpse at television when William Jacks and Co presented a full length variety show on television at the annual Philips Radio Convention held at the Victoria Memorial Hall.

15 February 1963

Television Singapura (Singapore’s first TV station) was launched with a pilot monochrome service at the Victoria Memorial Hall.

1979

Victoria Memorial Hall was renamed the Victoria Concert Hall and named as the official home of the Singapore Symphony Orchestra.

1980s

A gallery was added to the Concert Hall, adding seating capacity and enclosing the second storey balconies on the front and back facades with glass.

1990s

Renovations were carried out to Victoria Theatre to make it a more efficient performing venue.

February 1992

Victoria Theatre and Concert Hall was gazetted as a national monument of Singapore.

2010

The Victoria Theatre and Concert Hall was closed for a $158 million renovation.

2014

Victoria Theatre and Concert Hall reopened its doors after a four-year renovation.


 





Get a sneak peek at the refurbished Victoria Theatre and Concert Hall

10 07 2014

Event Listing

Victoria Theatre and Concert Hall Open House Weekend

For one weekend only, the curtain is up for a sneak peek at the refurbished Victoria Theatre and Concert Hall! On 19 and 20 July, be among the first to discover what’s new at Singapore’s oldest performing arts centre through a series of guided and self- guided tours. Enjoy special performances by the Singapore Symphony Children’s Choir, T’ang Quartet and other arts groups.

An artist impression of the refurbished Victoria Theatre and Concert Hall (courtesy of W-Architects).

An artist impression of the refurbished Victoria Theatre and Concert Hall (courtesy of W-Architects).

What’s Your Victoria Story?

We are on the lookout for your favourite memories of Victoria Theatre and Concert Hall! Do you have stories of your first dates, backstage jitters, or were you part of the mass weddings held there in the 1950s? Share your old photographs and memories of these well-loved spaces at our irememberVictoria collection booth!

Snap your most creative shot of the refurbished venues and hashtag your photos to #irememberVictoria!

A recent peek at the building.

A recent peek at the building.

Event Details:

Date: 19 & 20 July 2014 (Saturday & Sunday)
Time: 10am – 7pm

Location:

Victoria Theatre, 9 Empress Place, Singapore 179555

Victoria Concert Hall, 11 Empress Place, Singapore 179558

Admission: Free

irememberVictoria is a collaboration between Victoria Theatre and Concert Hall with the Singapore Memory Project.

Visit www.vtvch.com for more information.





A return to our islands in the sun

27 06 2014

Balik Pulau: Stories from Singapore’s Islands, as the name of the exhibition currently on at the National Museum of Singapore does suggest, takes us back to the islands of Singapore. Many of more than 70 island had once been inhabited – with communities that numbered from the hundreds to the thousands who were moved to the main island as part of redevelopment efforts. These communities were not just a well forgotten part of Singapore’s history, but also of the culture and history of a wider society that existed well before the coming of the British that was spread across the Riau Archipelago.

Lazarus and St. John's Islands (Pulau Sekijang Pelepah and Pulau Sekijang Bendara), two islands, now joined by a causeway that were once inhabited.

Lazarus and St. John’s Islands (Pulau Sekijang Pelepah and Pulau Sekijang Bendara), two islands, now joined by a causeway that were once inhabited.

An old postcard showing Kusu Island before reclamation.

An old postcard showing Kusu Island before reclamation.

The exhibition, curated by Marcus Ng and Yu-Mei Balasingamchow, revisits life as it was and now hard to imagine on several of the inhabited islands through a mix of artefacts of island life, archival images, and most interestingly, the experience of island life told through video interviews with some of the islands’ former inhabitants. One interview that I did find particularly interesting was that of a former resident of Pulau Seking (or Sakeng) – the last of the southern islands to be inhabited with its residents having been resettled as recently as 1994, the very emotional Mr Teo Yan Teck. The interview see Mr Teo, who have lived on the island for close to four decades, talk about how he came to settle on the island, the emotions he felt when told he had to leave and also of the burning of boats by the islanders before they were to leave the island and a way of life they were used to, for good.

A highlight of Balik Pulau is the video interviews with some of the islands' former residents.

A highlight of Balik Pulau is the video interviews with some of the islands’ former residents.

A kolek sauh from Pulau Seraya at the exhibition - boats were an integral part of island life and featured in races the islands played host to.

A kolek sauh from Pulau Seraya at the exhibition – boats were an integral part of island life and featured in races the islands played host to.

Mr Teo, when asked about how he felt about leaving the island.

Mr Teo, when asked about how he felt about leaving the island.

The fascinating exhibition, which runs until 10 August 2014, will also play an important part as a hub one of the focal points for the upcoming Singapore Heritage Festival (SHS). Now in its 11th edition, the SHS, the theme of which this year will be Our Islands, Our Home, will run from 18 to 27 July 2014 and sees over 60 programmes available for the participation of the public, put up with the help of 40 community groups, individuals and partners with the aim of drawing Singaporeans to connect with their shared history and heritage.

The festival offers an opportunity to explore some of the southern islands through excursions.

The festival this year offers an opportunity to explore some of the southern islands through excursions.

A sandy beach at Pulau Seringat - an enlarged island which incorporates the former reef island of Pulau Renggit.

A sandy beach at Pulau Seringat – an enlarged island which incorporates the former reef island of Pulau Renggit.

The sisters.

The sisters.

St. John's Island.

St. John’s Island.

Pulau Tekukor or Dove Island - hear stories of its past when it was known as Pulau Penyabong and its association with the origins of the former name of Sentosa, Pulau Blakang Mati.

Pulau Tekukor or Dove Island – hear stories of its past when it was known as Pulau Penyabong and its association with the origins of the former name of Sentosa, Pulau Blakang Mati.

Kusu Island today.

An enlarged Kusu Island today.

The highlight of this year’s SHS has to be without a doubt the opportunity it provides to reconnect with the islands, not just through the exhibition and through a series of talks that are being lined up, but also through an immersive experience that guided excursions to the islands will certainly provide. The excursions will include visits to St. John’s, Lazarus and Seringat Islands; a rare opportunity to visit one of Singapore’s lighthouses (Raffles Lighthouse) and have a look from the boat at another (Sultan Shoal); and a night of Nanyin at Kusu Island.  Space for the excursions will be limited and sign-ups will be possible from 1 July 2014 at www.heritagefest.sg. More information on the SHS is also available at www.heritagefest.sg and information on the exhibition at http://www.nationalmuseum.sg/.

The Tua Pek Kong temple on Kusu Island, the site of an annual pilgrimage.

The Tua Pek Kong temple on Kusu Island, the site of an annual pilgrimage.

The temple also sees Nanyin performances by the Siong Leng Musical Association during the ninth lunar month and will by special arrangement host a night of nanyin that sees young musicians performing an traditional music form.

The temple also sees Nanyin performances by the Siong Leng Musical Association during the ninth lunar month and will by special arrangement host a night of nanyin that sees young musicians performing an traditional music form.

Another look at the Tua Pek Kong Temple.

Another look at the Tua Pek Kong Temple.

Besides the temple, the Keramats, graves of Malay saints that are venerated, are also visited by devotees.

Besides the temple, the Keramats, graves of Malay saints that are venerated, are also visited by devotees.

Another look at two of the keramats.

Another look at two of the keramats.

 





A vestige of 16th Century Singapura?

1 12 2013

Ravaged by the passage of time and probably neglect, a structure which harks back seemingly to the days of empire and dominion, sits somewhat obscurely and well forgotten on the southern slope of Bukit Purmei in Kampong Bahru. Dominated by the emblems near it of a Singapore that spares little thought for such vestiges of its past, the structure, a walled compound, with an entrance archway suggesting a European origin, hides a world that has much to do with the days of empire that is anything but European.

The well hidden reminder of a past we have long discarded.

The well hidden reminder of a past we have long discarded.

The walled compound, referred to in the past as Keramat Bukit Kasita, is well hidden from view. Located on what can probably be described as a short spur on the Bukit Purmei slope, it sits on the edge of a public housing estate, behind a disarray of zinc topped shacks. A narrow path leads through the shacks – home to the guardians of the compound, who perhaps are also the keepers of a past which  would otherwise have been discarded; rising up to where the archway is. Beyond the locked gates – a more recent addition to the archway, it is the unmistakeable sight of Malay graves – many have its headstones covered in the yellow cloth that is associated with Malay royalty, that greets the eye. There are also several on which green cloth is wrapped over – green being the colour of Islam.

The concrete jungle Keramat Bukit Kasita now finds itself in. The blocks of flats painted in light blue and white are of Bukit Purmei.

The concrete jungle Keramat Bukit Kasita now finds itself in. The blocks of flats painted in light blue and white are of Bukit Purmei.

One of the keepers of the tombs, a rather chatty lady who identified herself as “Umi”, tells the group of us standing by the archway that the tombs are those of the Riau-Lingga branch of the Johor Royal family, hence the yellow cloth and the name Tanah Kubor diRaja by which the site is also known as. The earliest grave there she says, is one which dates back to 1721. She also made mention of a “Sultan Iskandar Shah”, buried at the site, about which I was rather puzzled as I was intrigued. 

A look into the compound from the back of it.

A look into the compound from the back of it.

“Wouldn’t Sultan Iskandar Shah be buried in Melaka” I ask. Umi tells me there might have been more than one “Iskandar Shah”, as names are often recycled down the line.

A Berita Minggu article from Nov 1998 tells us of a notice which identifies the tomb of a "Sultan Iskandar Shah" under an awning.

A Berita Minggu article from Nov 1998 tells us of a notice which identifies the tomb of a “Sultan Iskandar Shah” under in a yellow shed.

Interestingly a Berita Minggu article published on 29 November 1998 also makes mention of “Sultan Iskandar Shah”, drawing reference to a notice put up at the site on which the words “terdapat sebuah makam seorang sultan, Almahurum Sri Sultan Iskandar Shah, di pondok tuning itu“, which translates into “there is a tomb of a sultan, the late Sri Sultan Iskandar Shah, in the yellow shed”.

A zinc topped dwelling, one which hides the walled compound from view.

A zinc topped dwelling, one which hides the walled compound from view.

The article which is written based on an interview the newspaper did with a previous keeper of the tombs, an En. Azmi Saipan, also mentions that this “Sultan Iskandar Shah”, was thought to have died some 400 years previously – placing him in the 16th Century, well after the passing of the Iskandar Shah, the last king of Sang Nila Utama’s Singapura and the founder of Melaka, that we know well from our history texts.

What greets the eye at the bottom of the spur.

What greets the eye at the bottom of the spur – used as a barber shop until very recently.

There is a suggestion that is offered by a Radin Mas heritage guide which is put together by the Radin Mas Citizens’s Consultative Community, that the burial site was set up in 1530 by Sultan Alaudin Riayat Shah II – who established the Johor Sultanate out of the ruins of the Melaka Sultanate which was deposed through the Portuguese conquest of Melaka in the early 16th Century. Whether or not Sultan Alaudin Riayat Shah II who ruled from 1528 to 1564 could be that “Sultan Iskandar Shah” the keepers speak of isn’t certain, although the association remains a possibility. This does also does date the burial grounds some two hundred years before the “oldest grave” which Umi made a mention of.

The grounds of the former De La Salle School which opened in 1952 are right next to the keramat.

The grounds of the former De La Salle School which opened in 1952 are right next to the keramat.

We also learn from Umi that she was from a family of caretakers appointed by a member of the Johor Royal family to take care of the Istana Woodneuk and the grounds of the former Istana Tyersall until some 15 years ago, before being asked by a “Tunku” to move to Bukit Purmei to look after the Bukit Kasita site, which she says is still in the hands of the State of Johor. A check on the Singapore Land Authority’s one map site shows however that Bukit Kasita is within a parcel of land which is owned by the Housing and Development Board – although I am given to understand that it is possible that the site itself could still be owned by the Johor State.

Query on ownership of land on which Keramat Bukit Kasita is on via SLA's One Map site.

Query on ownership of land on which Keramat Bukit Kasita is on via SLA’s One Map site.

While it is uncertain what origins of the site are, we do know that there is at least the graves of a branch of the Johor Royal line all of which can be traced back to Sang Nila Utama and his successors who ruled Singapura and subsequently the Sultanate of Melaka, is can be found behind the walls. This branch, are the descendants of the rulers of the Riau-Lingga Sultanate which was set up by the Dutch out of the remnants of the Johor-Riau-Lingga Sultanate they controlled through the appointment of the Sultan Abdul Rahman Muazzam Shah the younger son of Sultan Mahmud Shah III following his death in 1812 and cemented by the Anglo-Dutch Treaty of 1824.

The locked gates.

The locked gates.

It was Abdul Rahman’s elder half brother, Hussein who was set up by Raffles as Sultan of Johor and Singapore, in Kampong Glam – Hussein’s descendants are buried in another site at the Old Malay Cemetery in Jalan Kubor.

The 'Tomb of Malayan Princes'.

The ‘Tombs of Malayan Princes’ at Jalan Kubor.

The Riau Sultanate was abolished when the Dutch drove an uncooperative Sultan Abdul Rahman Muazzam Shah II, the great-great-grandson of Sultan Abdul Rahman Muazzam Shah through his great-granddaughter Tengku Fatimah, from his seat in Pulau Penyengat into exile in Singapore in 1911. Sultan Abdul Rahman Muazzam Shah II, the very last Sultan of Riau-Lingga, died a poor man in 1930 and along with several of his descendants, is buried at Bukit Kasita. This does make the cluster, one of three connected, albeit distantly, with the Johor Royal family.

Sultan Abdul Rahman Muazzam Shah II, the last sultan of Riau-Lingga who died in exile in Singapore in 1930 (source: www.royalark.net).

The other two are the Tanah Kubor Temenggong at Telok Blangah where the Temenggong with whom Raffles negotiated with in setting up the East India Company’s trading post in Singapore, and  from whom the current line of Johor Sultans descended,  Temenggong Abdul Rahman is buried; and the Old Malay Cemetery at Kampong Glam, where the “Tombs of Malayan Princes” – many of whom were descendants of Sultan Hussein, is found. Tanah Kubor Temenggong along with the Masjid Temenggong Daeng Ibrahim are on land owned by the State of Johor. The tomb of Temenggong Daeng Ibrahim after whom the mosque is named is also found in that burial site. It was Temmenggong Deang Ibrahim’s son, Abu Bakar, who established the current Johor Sultanate.

Another view of the Tanah Kubor diRaja / Keramat Bukit Kasita.

Another view of the Tanah Kubor diRaja / Keramat Bukit Kasita.

It is thought that the area where Bukit Kasita is, was where one of the oldest settlements in Singapore was established well before the arrival of Raffles and the resettlement of the Temenggong and his followers by Raffles to the Telok Blangah area. It might have been Abu Bakar as Temenggong who permitted the establishment of a settlement by followers of the ousted last Bendahara of Johor in Pahang Tun Mutahir in 1863, many of whom fled to Singapore and Johor at the end of the Pahang Civil War of 1857 to 1863. Tun Mutahir was defeated by the Bendahara’s younger half brother Tun Ahmad who established the Pahang Sultanate.  The settlement came to be known as Kampong Pahang – which is shown in a map of Singapore from 1907, one of several villages of the same name set up by fleeing followers of Tun Mutahir, another of which was on Pulau Tekong.

Detail of a 1907 map of Singapore showing Kampong Pahang at Bukit Purmei / Bukit Kasita.

Detail of a 1907 map of Singapore showing Kampong Pahang at Bukit Purmei / Bukit Kasita.

As to how the Bukit Kasita site came to be venerated as a keramat, a clue is found in a paper published in the Journal of the Malaysian Branch of the Royal Asiatic Society in 2003 by P.J. Rivers. Rivers identifies two graves which are venerated as keramats, one is of a Raja Ahmad which Rivers identifies as Keramat Bukit Kasita. The second grave is that of a Raja Tengku Fatimah which is venerated on the basis that the waters of spring next to the tomb which is said to have healing powers.

Another keramat, that of Radin Mas Ayu, just a stone's throw away on the slopes of Mount Faber.

Another keramat, that of Radin Mas Ayu, just a stone’s throw away on the slopes of Mount Faber.

Outside the gate two urns containing sticks of incense provide evidence of the veneration of the site, which the Berita Minggu article says attracts visitors of all races. Umi does confirm this, telling us that there are indeed visitors who come from as far as Europe, who offer prayers at the site.

Yellow is seen along with the colour green.

Yellow is seen along with the colour green.

Before we leave, we ask Umi about the significance of the green seen on some of the graves. Umi tells us that they are of descendants of “shaikhs” from Iraq, related to Muslim holyman Habib Noh (of Keramat Habib Noh). Whether it is completely true or not is hard to establish. She adds the grave of an infant seen under the tree in the middle of the compound, is that of a grandchild of Habib Noh. As we thank Umi for her information and turn to leave, Umi adds that the tree is a holy one which should never be cut down.

URA's Draft Master Plan 2013 shows the Keramat Bukit Kasita area as a reserve site.

URA’s Draft Master Plan 2013 shows the Keramat Bukit Kasita area as a reserve site.

Whether or not the tree will ever be cut down, would depend very on whether the site and the wealth of history that comes with it is discarded in the same way much of what made us who we as Singaporeans are has been sacrificed for the glitter of the soulless world we have come to embrace. What is known today, based on the latest (2013) draft of the URA Master Plan, is that the site is a reserved site for which there are no immediate plans. In that there is hope that what may be a link we have to a world we might otherwise have lost touch with, may somehow survive.


See also:

A Straits Times Article published on 6 Dec 2013:

HDB estate with grave links to the past. Muslim burial site in Bukit Purmei holds historical, spiritual significance.





Motoring Heritage Day at Tanjong Pagar

5 09 2013

Motoring Heritage Day is back once again at the former Tanjong Pagar Railway Station. This year’s event will be held on Sunday 15 September 2013 from 10 am to 5 pm. Besides a rare display of some 50 vintage cars, there will also be lots of other activities including guided tours of the station by volunteer guides from the Preservation of Monuments Board (PMB), an exhibition on the former railway station that I would be assisting the National Heritage Board (NHB) to put up, and talks (see programme below). The event is jointly organised by the Malaysia Singapore Vintage Car Register (MSVCR) and the NHB. More information can be found at the MSVCR’s site and at NHB’s website. I will also follow up with some further information soon.

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