Light in the darkness after the storm, 6.41 am, Lower Seletar Reservoir, 28 May 2014.
Light in the darkness after the storm, 6.41 am, Lower Seletar Reservoir, 28 May 2014.
It was in the soft light of a storm washed morning on the first of May that I found myself taking in the quiet beauty of less visited part of Singapore, an island, Kusu Island, just 15 minutes away by boat from mainland Singapore. The island is one I have not set eyes on since the days of my youth, the last I did see of it would have been some three decades ago, when reclamation had already expanded it.
The island has been one that has been the subject of many tales from the past. Taking on the shape of a tortoise or turtle when the tide came in – it had been a pair of rocky outcrops set on a reef that were separated at high tide, with the smaller of the two outcrops resembling a head, and the larger mound, the body; legend does have it as having been a turtle that turned into an island in the act of rescuing shipwrecked sailors from the sea.
The legend is one connected with a annual pilgrimage that the island hosts during the ninth month of the Chinese lunar calendar when the sleepy island sees hundreds of thousands of Taoist devotees from the mainland who visit to pay homage at the island’s Tua Peh Kong temple (set on the smaller outcrop) and also the island’s three keramats (on the mound). The tradition is thought to go back to the days before Raffles arrived (see: “Before the Days of Raffles” – article on The Singapore Free Press and Mercantile Advertiser (1884-1942), 19 October 1932, Page 7) and draws some 100,000 to 200,000 visitors over the pilgrimage month.
The sight of Kusu during the pilgrimage must certainly be an amazing one – especially in days before the reclamation of the early 1970s provided more room for the mass of visitors – the reclamation saw some 270,000 cubic metres of sand filled into the sea and provided Kusu with an additional 7.3 ha. of land area (on top of the original 1.2 ha.) with swimming (two lagoons) and picnicking facilities added.
That sight was, however, not the same one that I did get of Kusu in the early light. I had gone over with a group of Marine Conservationists, who were kind enough to allow Juria and me (we are both attempting to document memories of the coastline and the islands as part of a IrememberSG project, Points of Departure) to tag along. The timing of the journey, which had us embarking a boat at Marina South Pier at 5 in the morning, had been timed to bring the group led by Ria Tan (many will be familiar with her Wild Shores of Singapore site) to the island at low tide. As I was experimenting with capturing sounds of the shoreline after the brief Sumatra squall had passed, the group was threading through the flats and reefs exposed by the shallow water of the western lagoon and beyond the rock bund to document marine life in and around what is a regenerated reef that I never realised was there. You can see what the group did manage to find on Ria’s post “How is Kusu Island doing?“.
Sitting on the bund, I did, for a brief moment, find myself transported faraway in time, to a Singapore I once was familiar with. It didn’t take long however, before the sounds of the sea were punctured by the drone of jets flying above and I noticed the illuminated wheel and adjacent to it the unmistakable paraphernalia of the modern city looming on the horizon. It was then that I heard the chatter of my companions for the morning, busy at work, bringing me back to where I was in time and space.
I have for long, longed to be transported to a childhood sea. And while I do know that sea is one I will never again see, I do at least have moments such as these to look forward to and be thankful for; moments, that in a world I can not longer feel for, is able to bring a sense of peace that might otherwise elude me.
Information on Kusu Island, including newspaper articles with illustrations of what it did once look like can be found in the following links:
A colourful Sembawang tradition that goes back to the days of the Naval Base, is the commemoration of the Hindu festival of Panguni Uthiram by the Holy Tree Sri Balasubramaniar Temple. While much of the landscape through which the procession of kavadis that is associated with the festival has been altered by the move of the temple away from its original premises with its route not only changed, but also shortened over the years; it is good to see that it is celebrated with as much fervour as it was when my first encounters with it back in the 1980s.
This route of the procession of this year’s festival, which is celebrated on the full moon of the month of Panguni, took devotees from the empty plot of land off Canberra Drive , down Canberra Lane and Canberra Link to the temple’s premises at Yishun Industrial Park A. More information on the festival and previous Panguni Uthiram celebrations can be found in several previous posts and at the temple’s website:
More photographs from Panguni Uthiram 2014
Once a place in Singapore that drew in the crowds, the gory, somewhat gaudy but mystical gardens that a tiger built, Haw Par Villa or Tiger Balm Gardens, has worn the look of another discarded icon of the past. It would have been a place that would have featured in many a childhood outing in simpler days. I for one, have an abundance of snapshots taken from times when I was held in my parents arms to the latter stages of my childhood. It really was such a shame to see an attraction that had once captured the imagination of local residents and tourists alike, suffer from neglect as our attention turned towards the new-age attractions of a Singapore we were not.
It is certainly a welcome sign to see that an attempt is now being made by the Singapore Tourism Board (STB) to revive interest in the fascinating world that Aw Boon Haw, the “Tiger Balm King” had built around a villa erected for his brother Boon Par, especially in a way that is very much in keeping to the spirit of what Boon Haw had wished for, expressing just prior to his death in 1954 – that the gardens should be kept open to the public to enter for free.
Getting Singapore residents to reconnect with its attractions of the past is what the STB – the custodian of the grounds since the Singapore government’s acquisition of it in 1985, aims to do as it celebrates its fiftieth year of promoting tourism, starting with Haw Par Villa. The effort sees a three-phased approach that will attempt to get us in Singapore to Reminisce, Rediscover, Celebrate.
Through the effort, Tourism50, STB hopes to raise awareness and appreciation of past as well as more recent tourism developments, and more importantly, encourage interest and participation. And as part of the series of events STB has planned for Tourism50, Haw Par Villa will host two weekends of activities, Reliving Haw Par Villa. The first on the weekend of 15/16 March, drawing the crowds – the very welcome downpour not at all dampening the spirits.
The weekend activities – there is one more weekend to look forward to on 22 and 23 March 2014, include free guided tours from 9.30 am to 4 pm (registration is required at the Tour Registration booth). The tours will be conducted by local heritage tour specialist, Journeys, in both English and Mandarin. The will also be cultural performances such as storytelling, skits, puppet shows and acrobatic displays, to look forward to, as well as a vintage flea market and most importantly, food! On the subject of food – do keep a look out for the to-die-for Durian Creme Brulee, for which I would return to hell (one of the attractions Haw Par Villa is very well known for is the Ten Courts of Hell) many times over!
The activities do go on throughout the day with the first at 11 am and the last starting at 5 pm. Admission as is in more recent times is free. It does pay to be early though as the first 1,000 visitors each day can look forward to a Tourism50 goodie bag. If you do intend to visit, do note that car park will be closed during the event and getting there by public transport is probably the best option.
Besides the goodies in the bag, do also keep a look out for the Tourism50 postcards. Designed by local freelance illustrator and Architecture student Richard Li, the postcards feature icons of the past like Haw Par Villa, Sentosa Monorail and Raffles Hotel. Besides being made available at the event, you will also find the cards at the ZoCard racks, in all community libraries, at the Singapore Visitors Centre, the Chinatown Heritage Centre, all Sentosa ticketing counters and at the Singapore Tourism Board (Tourism Court) from 15 March 2014.
Local residents who mail the postcards to their friends and loved ones will get to enter a Lucky Draw that offers a top prize of a 2D1N Grand Hotel Suite Staycation at Raffles Hotel Singapore (includes Limousine Transfer + Breakfast & Dinner for 2). Other prizes on offer include 50 Sentosa Islander Family Membership (1 year), and 50 paris of FORMULA 1 SINGAPORE GRAND PRIX Walkabout Tickets.
More information on Tourism50, activities, on Haw Par Villa, the event at Haw Par Villa and also the lucky draw can be found at www.xinmsn.com/rediscoversg and at lifestyle.xin.msn.com/en/rediscoversg/reliving-haw-par-villa
For me, it was one of the places from which I do possess an abundance of photographs taken through my childhood and a place I did enjoy that occasional visit to. This, in spite of it being the source of more than a few nightmares, that is, until the time a dragon gobbled it up.
The dragon, Haw Par Villa Dragon World, was a vain and rather costly attempt by the then Singapore Tourist Promotion Board (STPB), which in its current incarnation is the STB, to turn the previously free to visit gardens, into a theme park. The theme park had been an attempt to revive interest in an attraction for which time seemed to have left well behind – it was literally crumbling in the face of its huge maintenance costs, following the acquisition of it in 1985 by the Singapore government.
Some S$80 million was expanded during a two year makeover that took place from 1988 to 1990. That saw the gardens being refurbished and several displays removed. Rides were also installed, including what some of my younger friends tell me was a memorable water ride in their childhood, for the wrong reasons, into the horrifying ten courts of hell. Reopened as Haw Par Villa Dragon World in 1990, it did not live up to its promise and as soon as the novelty wore off, visitor numbers fell and huge running losses were incurred. It eventually closed in 2001 and with its closure, there were fears that the dying embers of an attraction that certainly was like none on the island, was soon to be extinguished.
It was nice to see that the park not only was kept open by the STB, but also that admission to it was kept free in keeping with what Aw Boon Haw had wished. It does now draw a steady stream of visitors although not in anyway near the visitor numbers of its heyday when it would be packed with local residents especially on public holidays. It was initially on certain public holidays that Aw Boon Haw had opened what was really the private grounds of a villa that offered a magnificent view of the nearby sea in Pasir Panjang, which he had built for his younger brother Boon Par.
The actual villa, a model of which can be seen at Haw Par Villa today, was erected in 1937. Boon Haw filled the sprawling grounds with figurines and dioramas depicting scenes from Chinese mythology such as the 8 Immortals and the Journey to the West, along with many that offered lessons in Confucian values. The gardens were said to be badly damaged during the Japanese occupation during which time Boon Par passed away in Rangoon in 1944. Boon Haw was said to have demolished the villa out of anguish when he returned after the war.
Boon Haw did however restore the gardens to it former glory adding to it over the years until his death in 1954. Following his death, new flavours were added to the grounds by his nephew, Aw Cheng Chye, creating “international corners” within the gardens. In the corners, Cheng Chye erected figurines associated with countries he had travelled, adding them through the 1960s until his death in 1971. While some of these are still around such as the Statue of Liberty and the Sumo Wrestlers all seemingly a curious addition to the largely Chinese themed gardens, several did get gobbled up by the dragon. One that did get removed was one of my favourites – a 4.5 metre Maori tiki (with two accompanying kiwis) at what had been a New Zealand corner that was installed in January 1966.
One part of Haw Par Villa that will be difficult for any visitor to forget is the Ten (previously eighteen) Courts of Hell. It was through the Ten Courts – stages through the Chinese interpretation of purgatory in the process of reincarnation, living souls were taken on a slow boat to see its many gruesome scenes, then tucked away in belly of the theme park’s dragon. It was seeing it on foot during the pre-dragon world visits that must have been the source of many of my nightmares, the scenes all very graphic in depicting the many horrible punishments that awaited the souls of sinners in their journey to reincarnation.
It is perhaps a journey of reincarnation that Haw Par Villa is itself embarked on, one in which it has been punished for sins not entirely of its doing. It would certainly be wonderful if the journey is one in which we will see the return of what has for too long, been a lost and wandering soul.
While Singapore hasn’t quite been blessed with naturally beautiful landscapes, there are several areas in which the intervention of man, has created places that are a joy to behold. One such place is the former Seng Chew Granite Quarry, nestled in a forested area well hidden from view. The former quarry is in the same area as the former Gammon Quarry, which has since become known as Little Guilin, on the slopes of Bukit Gombak.
The quarries at Bukit Gombak (which at 133 metres is Singapore’s second highest hill after Bukit Timah), were involved in the excavation of norite as granite (although they are not the same type of rocks). Norite in Singapore, concentrated in Bukit Gombak and Bukit Panjang and referred to as “Gombak Norite”, belong to some of Singapore’s oldest rock formations, thought to date back to the Palaeozoic age some 250 to 500 million years ago.
Left with hollows blasted that have been out of the rock formations, many disused quarries in Singapore, have since become pools of water resembling lakes, giving us some rather pretty sights. Some such as Little Guilin, and the granite quarries on the slopes of Bukit Timah Hill, have since been incorporated into parks and are some of the more picturesque spots in Singapore. The former Seng Chew Granite Quarry however isn’t one, lying at present, abandoned and forgotten – although a glance at previous version of the Urban Redevelopment Authority’s previous master plans as well as the Singapore Land Authority’s onemap system seem to indicate the area’s planned use is for a park. However, this is uncertain as frequent landslides in the area may have put paid to any thoughts to do this – a nature trail, the Bukit Gombak Trail, in the area was permanently closed following frequent landslides in 2006.
Photographs from the grand party held at the Gardens by the Bay’s Meadow on Saturday to launch Singapore 2015 (the 28th SEA Games and 8th ASEAN Para Games). The event was graced by Guest-of-Honour, President Tony Tan Keng Yam and attended by athletes past and present and saw the unveiling of the games mascot Nila as well official songs for the games performed by various local artistes. The line-up of the artistes included Daphne Khoo, a survivor of a rare form of Ovarian Cancer, who performed ‘Greatest’ and Tabitha Nauser performing ‘Unbreakable’.