More winds of change blowing through Queen Street

7 02 2014

Besides the stretch of Queen Street at the Cathedral end, another section of the street in the midst of change is the stretch between Bras Basah and Middle Roads. It is one that although is already much changed from the street that I was familiar with in my younger days, which is littered with reminders of a past when the European missionaries left what did once seem like an indelible mark on it.

A view of part of the area from the (new) National Library - the three blocks of Waterloo Centre can be seen at the top left of the photograph. St. Joseph's Church and the former St. Anthony's Convent can be seen in the foreground.

A view of part of the area from the (new) National Library – the three blocks of Waterloo Centre can be seen at the top left of the photograph. St. Joseph’s Church (the Portuguese Church) and the former St. Anthony’s Convent can be seen in the foreground.

One new addition to the stretch that will definitely leave a mark on the street will be the China Cultural Centre that is fast coming up (which got a mention in a post in March of last year). The centre, built as an effort on China’s part “to help people understand Chinese culture and deepen ties with the host country”, is one that will certainly change the character of an area once flavoured by schools which have since been moved out and two beautiful churches – legacies of the important contributions made by the French and the Portuguese missionaries to modern Singapore.

The China Cultural Centre  is seen rising up just beyond the burnt siena coloured Oxford Hotel.

The China Cultural Centre is seen rising up just beyond the burnt siena coloured Oxford Hotel.

The centre stands on a plot of land that once had been occupied by the Stamford Community Centre, a place that I had been familiar with in my school days in nearby Saint Joseph’s Institution. The centre was where in May 1978, a balloting exercise was held for would be residents of the three residential Housing and Development Board (HDB) blocks of flats built over a lower podium block – a public housing complex that has for some 35 years now, dominate this stretch of the street. 

The former Stamford Community Centre. I had climbed over the gate a few times with several of my classmates to play street football on the basketball court.

The former Stamford Community Centre.

The development of Waterloo Centre, which was completed in 1978, could be considered to be a significant one from a public housing perspective. It was one of several mixed commercial and residential built in the city centre at the 1970s and in the early 1980s that were built to accommodate some of the many residents and businesses that were being displaced by what was a huge wave of redevelopment sweeping across urban Singapore. 

The Waterloo Centre Podium with its mix of old and new.

The Waterloo Centre Podium with its mix of old and new.

Taking a walk around Waterloo Centre’s podium these days, one can’t help but feel the sense of time standing very still there; the podium is one that still contains many remnants of its shop lots’ first occupants – the motor spare parts dealers that were moved into it having been displaced from the redevelopment of the Sungei Road and Rochor areas. 

Shops housing motor spare parts dealers.

Shops housing motor spare parts dealers.

Another look at the podium.

Another look at the podium.

Although there now is a mix of newer business with some of the original occupants, Waterloo Centre does seem a lot quieter compared to similar urban podium block complexes such as the nearby Albert Complex with its wet market and popular food centre, and Bras Basah Complex with its mix of bookshops and art supply shops and printing business. And that is perhaps why the complex is being given a makeover into Arts Place – a centre that perhaps fits into the vision set out for the area as a destination for the arts and culture.

Waterloo Centre seems to be in the middle of a transformation into ArtsPlace.

Waterloo Centre seems to be in the middle of a transformation into Arts Place.

SAM @ 8Q - formerly  the Catholic High School - now an extension to the art museum.

SAM @ 8Q – formerly the Catholic High School – now an extension to the art museum.

On part of the plot where Waterloo Centre stands today was where a private school, the Mercantile Institution did once stand. The school, which was started in the late 1920s, was where my father did once enroll in, in the mess that came with the end of war when many publicly run schools were still shut and places were in short supply. It was only to be for a short while though, my father did eventually get a place in Monk’s Hill Boys School. There were a couple of things he did tell me of his experiences in the Mercantile Institution – one was that as the war had disrupted the education of many, there were many older boys who had to enrolled into the entry level classes. Another was that the name of the school was often mispronounced – coming across sounding like “Makan-tahi Institution” – “makan tahi” many in Singapore would know as Malay for (pardon the crudeness) “eat shit”.

Area where Waterloo Centre is today, as seen in 1959 - the Mercantile Institution, a private school established in the 1920s, can be seen on the left right next to Nantina Home (ex Nantina Hotel) (photo source: http://archivesonline.nas.sg/).

Area where Waterloo Centre is today, as seen in 1959 – the Mercantile Institution, a private school established in the 1920s, can be seen on the left right next to Nantina Home (ex Toyo Hotel) (photo source: http://archivesonline.nas.sg/).

Further along from the Mercantile Institution, there were two other buildings that many familiar with the area would remember. One was the former Nantina Home, which functioned as the Japanese owned Toyo Hotel before the war (it was the second Toyo Hotel – the first was demolished in 1937 to make way for Cathay Building) . As the Nantina Hotel after the war, it was used to accommodate returning European internees who came back via India, before it was handed over to the Department of Social Welfare who turned it into a home for the aged and destitute. That operated until 1959 when the building was taken over by the Trades Union Congress.

The area in 1975 with the former Nantina Home still standing next to Queen Street Post Office (photo source: http://archivesonline.nas.sg/).

The area in 1975 with the former Nantina Home still standing next to Queen Street Post Office (photo source: http://archivesonline.nas.sg/).

Right next to Nantina Home was another building many might remember – the Queen Street Post Office, housed in a four storey building. The building was demolished after the post office was closed in May 1978. What stands in its place (or at least partly in its place) today is the five storey Bylands Building of 1980s vintage, right next to Middle Road.

Queen Street Post Office which was to close in May 1978 is seen next to the already demolished former Nantina Home (photo source: http://archivesonline.nas.sg/).

Queen Street Post Office which was to close in May 1978 is seen next to the already demolished former Nantina Home (photo source: http://archivesonline.nas.sg/).

The part of Queen Street where the Mercantile Institution, the Nantina Home, and Queen Street Post Office was, is where a spectacle does takes place once a year on Good Friday. That is when part of the street and the compound of Saint Joseph’s Church next to it, becomes a sea of candlelight as part of a procession. That is a time when the rich religious traditions of the Portuguese missionaries, who did leave us one of the most beautiful churches on the island, does manifest itself – a celebration that does serve to remind us of what the area should really be remembered for.





Work resumes at St. Joseph’s Church

9 09 2013

Great news delivered over the weekend – the much delayed work on the stained glass restoration at St. Joseph’s Church will be resuming today. The work will restart at the south (or west) transept where the first batch of stained glass windows were taken down in the second half of last year. Work on this batch of windows has in fact been completed and that does mean we shall soon have a first glimpse of some of the beautiful windows restored to its full glory when the windows are finally re-installed.

A look across to the west transept.

A look across to the west transept.

Part of the west transept seen to the right of the sanctuary.

Part of the west transept seen to the right of the sanctuary.

Close up of the window at the end of the west transept.

Close up of the window at the end of the west transept.





A one hundred year old beauty

26 06 2012

Of the places that remain of a childhood in a Singapore that I will never be able to see again, there is one which carries not just the memories of yesterday, but also the memory of an emotion that has almost been forgotten. The place, a church – St. Joseph’s Church in Victoria Street, which is housed in a building which on the 30th of June will celebrate its centenary, is one that takes me back to years which hold my earliest memories. It was a place where I had spent many Sunday mornings at mass after which I could look forward to sitting by tables and chairs laid by St. Anthony’s Boys’ School in the church’s compound where I could enjoy a bowl fishball noodles from the enterprising school canteen vendor who opened just to serve churchgoers on Sunday. It was also a place to which my grandmother would take me to every Good Friday, when arriving early to get a seat inside the church for its very popular Good Friday service, I would spend hours seated next to my grandmother as she sat in quiet contemplation.

St. Joseph’s Church, Victoria Street.

The church was known then to me as the ‘Portuguese Church’, a name which pointed to its origins in the Portuguese Mission in Singapore and its administration by Dioceses in the Portuguese colony of Goa and later in the Portuguese colony of Macau. The mission’s presence had dated back to the early 1820s – not long after Raffles founded modern Singapore, and predated the French Mission under which the Catholic churches in Singapore were later to come under. The Portuguese presence was to continue through the church which came under the jurisdiction of the Diocese of Macau until 1981 and after through priests appointed to the church until 1999 by the Bishop of Macau. This long association with the Portuguese Mission has not only provided us with the beautiful building that houses the church, but also with a little bit of Portugal that manifests itself in the Iberian flavour of the church’s interior as well as traditions and practices that are unique to St. Joseph’s Church which even to this day is still very much in evidence.

The portico of the church with the marble statues of St. Joseph in the centre, flanked by St. John de Brito and St. John of God.

The rectory of the church seen through one of the arches at the entrance portico of the church.

The current church building was blessed by the Bishop of Macau, Dom João Paulino Azevedo e Castro on the 30th of June 1912. The grand ceremony had commenced at 7 am with a procession during which various points around the exterior of the church were blessed before the congregation was admitted into the new church building’s interior in which as newspaper reports would have it “nearly every available space” was occupied.

The interior of St. Joseph’s Church dressed up in red for Easter this year. Newspaper reports mention that ‘nearly every available space’ in the church was occupied for its opening solemnities.

Darkness and light – the beautiful illuminated interior of the church.

The congregation that morning would have been the first to marvel at the splendour that was the new church building’s interior, one that even with the worn appearance that it now wears, is still very much a sight to behold. It is this interior, and its 14th Century style Gothic design that for me makes the church the most beautiful in Singapore. The interior is one that at time of the day is illuminated by a soft and beautiful pale green light that streams through the generous panels of stained glass it is provided with that casts both light and shadow on the many niches that line the walls of the church. The niches are ones which contain statues of Saints – statues which in the Catholic tradition are not as is popularly believed, idols, but reminders of ordinary people who have achieved the pinnacle of holiness. It is a statue of one of the Saints high up on the south wall in the middle of the church’s nave that in my childhood I had a fascination with – that of St. Sebastian depicted as he popularly is, bloodied and tied to a tree.

The church is naturally illuminated by the soft green light that streams through the generously provided stained glass windows.

Windows on the south wall of the nave. The upper windows catch the light beautifully. The upper walls of the nave are lined with niches in which the statues of Saints are placed.

The statue of St. Sebastian on the south wall of the nave.

The church is laid out as was the tradition on a plan in the shape of a cross – a Latin cross in this instance. The nave which ends with the apse in the shape of five sides of an incomplete hexagon in the west which houses the Chancel and the main entrance to the east, is crossed by a transept. The high ceiling allows the provision of the many stained glass windows along the upper levels of the nave and the transept and those that attended the blessing ceremony would have seen this but not the stained glass that has to be seen as the church’s crowning glory – the beautiful panels in the Chancel which although now in a state of disrepair, can still be appreciated as one of the more elaborate works of such kind found in Singapore. The panels were the work of Belgian artisans from Jules Dobbelaere’s studio in Bruges. The church’s stained glass which are now in an obvious state of disrepair will be part of a restoration effort that will commence soon after the church celebrates the building’s 100th Anniversary. The work which will take two years of painstaking effort to complete will be carried out by a Singaporean stained glass artist, Bee Liang, who has extensive experience in the work from her stints in Canada and training in Germany.

The exterior of the south transept – even the exterior of the building catches the light beautifully at certain times of the day.

Closer inspection of a stained soft green glass window on the south transept, illuminated partially by another window across on the rear wall of the transept.

Stained glass panels in the Chancel – work of Belgian artisans from Jules Dobbelaere’s studio in Bruges.

Looking towards the east end of the nave – the gallery can be seen on the upper level.

Another view of the east end of the nave.

The central panels depicting the Sacred Heart of Jesus flanked by Our Lady and St. Joseph.

A stained glass panel depicting St. John Berchmans.

A panel depicting St. Francis Xavier.

A panel depicting St. Agnes.

Five panel stained glass window at the end of the south transept.

Morning light streaming into the north transept.

Besides the beautiful stained glass – the very elaborate high altar of white and coloured marble dedicated to St. Joseph is another that is worth taking a notice of. The church also features some excellent carved teak wood pieces – one which runs along the transept is a 40 metre long altar rail along which the faithful would once have knelt to receive Holy Communion. The carved piece that will certainly be noticed is the ornamented teak pulpit with its canopy, one that I never failed to notice every time I visited the church.

The stained glass of the Chancel and the high altar dedicated to St. Joseph.

The ornamented craved teak pulpit and canopy.

The church which once shared its compound with two schools – St. Anthony’s Boys’ School and St. Anthony’s Convent, is the last of the three to remain and having been gazetted as a National Monument in 2005, will be one that will certainly be there for a much more than the 100 years it has stood, for which a mass will be held at 10.30 am on 30th June 2012. Besides the work on the stained glass, there is much more repair work that needs to be done – the ravages not just of time, but also of nearby construction activity are clearly evident which will require funds to be raised. It will not just be the magnificent building and all that it holds that will with its restoration and conservation be retained, but also of a tradition that its has been proud to maintain that dates back to the early days of Singapore.

More views around the church in the morning light

Seeing the light.

Darkness and light.

Statue of St. Anthony of Padua.

The nave windows of the church.

Floor tiles in the church.

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A sea of candlelight: Good Friday on Queen Street

5 04 2010

Once a year during the Good Friday, the compound of St. Joseph’s Church on Victoria Street is transformed into a sea of candlelight, as thousands descend on the church and its compound for the Good Friday procession, spilling over into the area of Queen Street just behind the church. The procession is held to commemorate the crucifixion of Jesus Christ on Good Friday and is part of an evening service where the events leading up to the crucifixion and immediately after the crucifixion of Christ are reenacted.

The annual Good Friday procession at St. Joseph's Church, as seen from Queen Street, is one of a kind in Singapore.

A sea of candlelight: the Good Friday procession in the compound of St. Joseph's Church.

While the commemoration of the crucifixion of Christ on Good Friday at the church, referred to as the Portuguese Church, may not be as elaborate as the reenactments that take place in the barrio of San Pedro Cutud in the Philippines, during which penitents practice self-flagellation and are nailed literally to the cross, the elaborate manner in which the service and the candlelight procession is conducted is unique in Singapore, with one only other church close by, St. Peter’s Church in Malacca, where a similar (perhaps more elaborate) service is conducted.

The reenactment of the crucifixion as seen on a video screen at the rear of the church where many are gathered in the glow of candlelight.

During the reenactment of the crucifixion, a life-sized statue depicting the dead Christ is nailed to the cross, following which, the dead Christ is painstakingly lowered to a bier. The bier is then carried out the church into the compound and back into the church, accompanied by a statue depicting Our Lady of Sorrows and much of the clergy and congregation present, where thousands would be gathered in the light of their candles to witness the solemn occasion. The church, having been part of the Portuguese mission administered through the Diocese of the former Portuguese colonies of Goa (up to 1886), and then Macau (up to 1999), (the Catholic churches in Singapore were administered primarily by the French mission and later transferred to the Archdiocese of Singapore), adopted many of the elaborate traditions of the Iberian peninsula (St. Peter’s Church in Malacca was also administered by the Portuguese mission).

Crowds gather in the compound of St. Joseph's Church awaiting the procession.

As a child, I was a regular and perhaps reluctant participant in the service, having to accompany my maternal grandmother, who made it a point (when she was fit enough) to attend the service. What it meant for me, then a young child, were the hours of play time I would have to give up having to arrive several hours early to be able to get a seat inside the church. Seated on the rattan mesh webbing that were fitted to serve as seats and backrests on the carved wooden pews, with the the statues of the Saints (my favourite was the one of St. Sebastian tied to a stake) high on the church wall that may have otherwise have taken my attention covered in the purple cloth of mourning, there wasn’t much else to do except to wile the hours away poking my fingers through the rattan webbing. The service would culminate in the veneration of the cross, which would follow the procession, and one of the things I have a lasting memory of was the bunga wangi, as my grandmother would refer to the packet of scented chopped pandan leaves – “bunga wangi” meaning “scented flowers” that would be given to each participant after the veneration, which my grandmother would leave under her pillow as soon as she got home.

Rattan mesh webbing on the church pew at the Armenian Church in Singapore, similar to those that were fitted on the pews at St. Joseph's Church.

A light is shared before the procession.

A candle flickers in anticipation.

I was certainly grateful later on in my childhood when my mother allowed me to instead, join her on Queen Street with the thousands holding lighted candles, from where she would stand to witness the procession, while my grandmother attended the service inside the church. Not only did it relieve me of sitting for hours in complete silence, it also released me from the confines of the pews to the street outside, where there certainly was more going on to distract myself. Here, I could watch the candle sellers going about their business, the smaller candles were usually sold in pairs – their wicks attached, and the longer ones supported by a splint, as well as the other goings on around me. I was also able to find amusement with the lighted candle, exchanging light with others and dripping wax onto the ground, on which a mini wax sculpture could be created. It may not sound like much fun, but as a child it was certainly a marked improvement from having to sit quietly and still in the pews!

Many younger Catholics are among the crowds gathered in the glow of the candlelight, ready to carry the tradition on.

A light at the top of the church watches over the crowd.

A diffusion of candlelight greets the eye.

The procession begins with the bier of the dead Christ being carried through the aisle of the church around the compound.

Our Lady of Sorrows follows behind the bier.

Our Lady of Sorrows moves through the sea of candlelight.

The procession of the congregation follows the bier.

The procession of candles follows the bier.

The progress of the procession through the compound.

The progress of the procession through the compound.

The progress of the procession through the compound.

The compound after the procession.





Smokey’s and a Red House: Memories of Victoria Street from Bras Basah to Middle Road

28 02 2010

For the SJI schoolboy in the late 1970s, Victoria Street offered an appealing escape from the boredom of the classroom. It was not just for the two convent schools that stradled the ends of the stretch of Victoria Street in question (from Bras Basah Road to Middle Road), but also for the other distractions to the classroom that was on offer. The area around the corner of Bras Basah Road was perhaps where we were most familiar with. As we made our way from school or from the bus stop in front of the City Music outlet on Bras Basah Road roughly where the NTUC Income Centre is today, we would come to this corner where the window display of test tubes, beakers and laboratory supplies of the Central Medical Hall which occupied the corner unit of Victoria Building never failed to catch my eye.

A building belonging to the Singapore Management University stands in place of the two storey Victoria Building at the corner of Bras Basah Road and Victoria Street. The Central Medical Hall occupied the corner unit of the Victoria Building.

Around the medical hall, was the row of shops that included a coffee shop that we dubbed as “Smokey’s”, where many of us grabbed a cup of tea in the morning, motivated by the steady stream of convent school girls that dropped in on their way to school. I never found out why we called it Smokey’s and I understand that there were sumptuous beef brisket noodles on offer there, not that I noticed it then. Perhaps we did not have the time to dwell on all that, with the distractions offered by the comings and goings that we observed over the steaming hot cups of tea.

Two rows of steel pillars now lines the row where Smokey's and the Shanghai Bookstore was.

Tea was always served piping hot there, in the thick walled kopi-tiam (coffee shop) cups and saucers of old, complete with green motifs and hairline cracks in the baked porcelain that appeared through the glazing. This offered us the opportunity to observe world within the confines of the white tiled walls of the coffee shop, across the marble table tops and wooden chairs typical of the coffee shops of old.

Further down the row, perhaps at the end of Victoria Building, was the Shanghai bookstore, with its two storeys of Chinese books, smelling as a bookstore of those days did – a smell that I can still recall to this day. The second floor of the shop had a stationery section where many of the white uniformed boys of SJI could be seen, cooling off in the coolest part of the air-conditioned bookshop.

The Shanghai Bookstore was a popular hangout.

A few doors away from the bookstore, the Victoria Hotel stood. Next to the lobby on the ground floor of the hotel, there was another place that offered respite from the heat – one of the few air-conditioned chicken rice restaurants in those days, the Victoria Restaurant, which was quite popular with Singaporeans, seeking an cooler dining alternative from the more popular Swee Kee Restaurant on nearby Middle Road.

The Victoria Restaurant on the ground floor of the Victoria Hotel was popular for its Chicken Rice and Air-conditioned premises.

The Victoria Restaurant was located on the ground floor of the Victoria Hotel.

The stretch where the Shanghai Book Store and the Victoria Restaurant was.

Further along, there was the Hotel New Hong Kong, which became the Hotel Tai-Pan when I went to school. This is where the Allson Hotel now stands. Next door to this is the rectory building of St. Joseph’s Church and the entrance to the compound which holds the Church, St. Anthony’s Boys School and St. Anthony’s Convent, before the junction with Middle Road.

The rectory of St. Joseph's Church along Victoria Street.

St. Joseph's Church as seen from Victoria Street.

St. Anthony's Convent (see here from Middle Road with the National Library in the background) used to look across Victoria Street to the Empress Hotel.

The view of St. Anthony's Convent in the 1950s from a similar vantage point.

My own memories of the area on the other side of the road, where the brand new National Library building now stands, are rather vague and on this I have been helped out by a reader Greg Lim, who lived in the area in the 1950s, as well as by my mother who was a boarder at St. Anthony’s Convent in the late 1940s and the 1950s. There was the Empress Hotel which stood at the corner, which was apparently known for its mooncakes. My mother describes a sign that she remembered, standing out of the hotel building, proclaiming that the “Queen of Mooncakes” was sold there. My mother describes the hotel as being a rather seedy place, to which the nuns at the convent forbade the boarders and orphans whose windows in the boarding house across the street from the hotel faced, to look at. Greg also mentions that the six storey Empress Hotel was also notorious for being a location that was popular with people attempting to commit suicide.

The National Library Building now dominates the area bounded by Middle Road, Victoria Street, North Bridge Road and Bain Street and stands where the Empress Hotel, Lorong Sidin and Holloway Lane once stood.

Holloway Lane in 1958 (Source: Ray Tyers Singapore Then & Now).

Moving on this side of the street back towards Bras Basah Road, there were two streets there which have since disappeared, Lorong Sidin and Holloway Lane, still within the parcel of land on which the National Library is built on. Both were lined with rows of shophouses. The area is described by Greg as being referred to as the Hylam streets, a reference to the Hainanese families and businesses that dominated the area. The area also featured many furniture shops, and my mother says that an uncle of mine had bought his first set of furniture from the area.

Bain Street today - devoid of the vibrancy that the area was once know for.

Bain Street on which Greg lived, which is still there, running along Bras Basah Complex, as Greg describes was dominated by a four storey building named Victoria Court, at the junction with Victoria Street. On the ground floor, there was a furniture shop called Comfort Furniture and on the opposite corner, there was a shop that made mattresses. Bras Basah complex, which was built in 1980, was built in the area between the once vibrant Bain, Cashin, Carver and Miller Streets that were known for bookshops and hawker food. The complex itself housed many of the bookshops and watch dealers that were moved out of Bras Basah Road and North Bridge Road areas. Greg mentions that most shops along Victoria Street were furniture shops. Bain St as Greg notes was famous for Hainanese coconut pastry and beef noodles in black sauce. Miller Street is dominated by the Siakson building and with Carver Street, served as the main access for many of us heading to Odeon Cinema which was along North Bridge Road – that was where I watched Star Wars in 1977.

Bras Basah complex, which was built in 1980, was built in the area between the once vibrant Bain, Cashin, Carver and Miller Streets that were known for bookshops and hawker food.

The Siakson Building dominates Miller Street.

The spiral staircase of the Siakson Building.

Past Miller Street, right at the end of this stretch of Victoria Street at the junction with Bras Basah Road, where the Carlton Hotel now stands, was the well known red painted shophouse that housed the popular Red House Bakery and Cafe which was popular which many students for the reasonably priced set meals on offer.

The corner where the Red House was.


Added on 14 April 2010:

Victoria Street c.1981. The four storey building would be Victoria Court which was at the corner of Victoria and Bain Streets. The HDB block of flats in the background is Bras Basah complex (Photo courtesy of Peter Chan).






Schools, churches and a candlelight procession: Memories of Queen Street

18 02 2010

As a schoolboy in Saint Joseph’s Institution (SJI), the sections of Queen Street that I was most familiar with were the two sections of the street closest to the school. These were the stretches that ran southwards past the Cathedral towards the Armenian Street end which led to the MPH book store, and the other that ran along the school canteen northwards towards the junction with Middle Road.

The part of the street that I most saw was of course the southern section, the all important route to MPH, the bus stop along Stamford Road to catch bus service number 166 home, the National Library, and the little place by the library where there were a few hawker stalls including a wan ton noodle stall and ice kacang. This ran from the Cathedral, past the Cathedral Rectory, the little garden with stone tables and chairs by the Rectory and grounds of the primary section of Raffles Girls School on the east side of the street, before coming to a little road bridge over the then open Stamford Canal at the junction with Stamford Road. On the west side of the street, was the fence of the SJI school field along which there was a row of trees from which flying foxes were frequently constructed by the scouts. The footpath along the fence would be the route to Fort Canning Hill for the occasional jog or cross country training held during P.E. lessons, which many of us returning from the jogs would use to race in a mad dash to the junction with Bras Basah Road.

The Armenian Street end of Queen Street in 1976 (looking at Armenian Street at the junction with Stamford Road). Notice the bridge over the then open Stamford Canal which you don't see today (Photo source: Ray Tyers Singapore Then and Now).

The view southwards today toward Armenian Street.

The site of the former Raffles Girls School (RGS) on what was Queen Street (now a section of the realigned Stamford Road with the construction of the Fort Canning Tunnel) near the junction with Stamford Road. The building that stands on the site is part of the Singapore Management University (SMU) campus. The wide walkway that can be seen on the bottom right of the photograph runs over what used to be an open Stamford Canal

The Cathedral of the Good Shepherd along Queen Street.

A view of the south end of Queen Street looking North. Buildings belonging to the SMU campus stands where the SJI field was on the left and RGS on the right.

The next section of the street was where the building that housed the Brother’s quarters on the upper floors and the school canteen on the ground floor ran along. On the street side of the building there was a little door which the canteen stall holders would use to enter and exit the canteen. It was through this door that outsiders could make purchases from the canteen, with Char Kway Teow and Mee Siam being a popular choice. The Mee Siam seller also parked his cart next to the door, on which he would load his pot of gravy onto at the end of each day and continue his business along the streets.

The Brothers Quarters of SJI along Queen Street (as seen from the courtyard inside the school). The ground floor of the block housed the school canteen which had a back door to Queen Street from which outsiders make food purchase through. The Mee Siam seller parked his cart next to the door (Photo source: SJI 125th Anniversary Magazine).

Opposite the Brother’s quarters on the east side, there was the Kum Yan Methodist Church (which is still there) and the buildings that housed the Catholic High School, part of which was also housed across the street in the compound of the “Chinese Church”, the Church of Sts. Peter and Paul. Further along the west side there was this tall narrow building which housed Stamford College, a private college which was popular with students sitting for their GCE “A” Level examinations privately, which is now used as the Oxford Hotel. Sited next to this building was the Stamford Community Centre and its compound. With some of my schoolmates, desperate for a place to kick a ball around before school, I had on occasion, climbed over the gate which was opened only in the evenings to have our game of street football on the basketball court.

The former Catholic High School building.

The building that housed Stamford College.

The former Stamford Community Centre. I had climbed over the gate a few times with several of my classmates to play street football on the basketball court.

Close to the junction with Middle Road on the east side of the street is where the back entrance is to the beautiful St. Joseph’s Catholic Church which is also known as the Portuguese church, having been established by the Portuguese missionaries . The church was run by the Diocese of Macau up to 1999 when it was handed over to the Archdiocese of Singapore. Within the compound of the church, were St. Anthony’s Convent and St. Anthony Boys School. My memories of the church deserves mention in another post, but the reason I have brought the church up is that having been run in the Portuguese tradition, many of the practices have endured and on Good Friday every year, a candlelight procession is held in the church compound. Besides the participants within the compound, there would be many others who would gather beyond the wall of the church on Queen Street with tall lighted candles in hand. This evenings on Maundy Thursday (the day before Good Friday) and Good Friday would probably be the time of the year when these two stretches of Queen Street comes to life. Besides the procession, on Good Friday where many candle vendors and hawkers would line the street, on Maundy Thursday when many local Catholics practice visiting of churches to say prayers, with the concentration of Catholic churches along the street, the street would be bustling with people as well as hawker stalls.

The beautiful Portuguese Church (St. Joseph's Church).

The building on the right housed St. Anthony's Boys School within the compound of the Portuguese Church.

The buildings that housed St. Anthony's Convent within the compound of the Portuguese Church.








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