The making of Marina Bay

The decades that followed Singapore’s somewhat reluctant independence from Malaysia were ones of enormous growth and development which has led to an amazing transformation of a city state, with a burgeoning population, the threat of unemployment and facing much uncertainty into the modern city that it is today. One place where that transformation is very apparent is in and around the city centre, particularly in the Marina Bay area which has seen it morph from the old harbour on which Singapore’s wealth was built into the city of the future built around what has become Singapore’s 15th fresh water reservoir that it is today.

The dawn of a new Singapore at Marina Bay.

View of Clifford Pier, the Inner Roads and the Breakwater in the 1950s from an old postcard (courtesy of Mr. Low Kam Hoong).

Map of Singapore Harbour in the 1950s showing the Detached Mole, Inner Roads and Outer Roads.

The transformation that took place was a story that began in the years that followed independence. Singapore embarked on the State and City Planning Project (SCP) in 1967, assisted by the United Nations under the UN Development Programme’s special assistance scheme for urban renewal and development for emerging nations. The SCP which was completed in 1971, Singapore’s first Concept Plan, identified the need to build an adequate road transportation network. This included a coastal highway to divert traffic that would otherwise have to go through the city. For this land was to be reclaimed, with the construction of what is today Benjamin Sheares Bridge providing a vital link. Initial thoughts were that a green belt could be created on the reclaimed land with space created providing for a future expansion of the city. What did become of the plan and further developments over the years was to give us not just the highway which is the East Coast Parkway (ECP), but in addition to that a city of the future, a city in a garden, and certainly what is a truly amazing new part of Singapore we celebrate today.

Singapore’s City in a Garden concept is very much evident in the transformation of Marina Bay.

The last decade has seen the many developments which were the result of decades of planning take shape around Marina Bay.

You can find out more about this transformation and how it took place by participating in a guided walk this weekend or the next, ‘The Making of Marina Bay‘ which be conducted by Zinkie Aw, held as part of a month long ‘Loving Marina Bay‘ event organised by the Urban Redevelopment Authority (URA). Details of the walk (and also one more that I will be conducting on 25 Nov 2012 entitled ‘A Walk Around the Old Harbour’) can be found at The Loving Marina Bay site. To sign up for the walks, do visit the Eventbrite signup page. The month long event will also feature a street museum exhibition at Clifford Square (in between Clifford Pier and One Fullerton) in which photographs of the old have been superimposed on the new to provide an appreciation of the changes around the bay through which you can also discover where places such as the Satay Club once were.

A ‘Street Museum’ panel at Clifford Square.

Discover where places such as the Satay Club were through the street museum.

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About Loving Marina Bay

See the story of Marina Bay through our AmBAYssadors

Located at the heart of Singapore’s city centre, Marina Bay is the centrepiece of Singapore set to be a thriving 24/7 destination with endless exciting events and a necklace of attractions where people from all walks of life come together to live, work and play.

This photography exhibition showcases the different facets of the Marina Bay precinct through over 100 enthralling photos taken by 20 of our beloved AmBAYssadors made up of Singapore’s popular bloggers and photographers.

Heritage is very much part of the precinct’s foundation, captured in key historical landmarks such as Merlion Park and Collyer Quay.

An interesting Street Museum section chronicles Marina Bay’s story over its first few decades since the 1960s, telling a story of strategic, far-sighted and meticulous planning and committed engagement to reach its present state through archive photos superimposed on its modern-day context.

Join us during the month-long event where every weekend is full of exciting activities such as heritage walks and photography workshops led by our very own AmBAYssadors. We want you to be part of Loving Marina Bay too – submit a photo taken at Marina Bay anywhere, anytime to win prizes; or simply pen a Love Note to your family/friends, drop it into the red pillar post boxes at The Fullerton Hotel Singapore and we will send it anywhere in the world for you! Visit www.marina-bay.sg/lovingmb for more details.

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A walk down Neil Road

Tucked away in a rather quiet but no less interesting corner of a district of Singapore that has come to be called Chinatown is an area which is often overlooked. The area, in Chinatown’s south-western corner incorporates the Bukit Pasoh Conservation Area, part of the Tanjong Pagar Conservation Area and boasts several architectural gems, which have unfortunately been cast in the shadow of a towering 50 storey public housing development, The Pinnacle@Duxton at nearby Duxton Plain.

Several conservation gems can be found along Neil Road, including what would have been the houses of the very wealthy (judging from the enclosed front yards these units at No. 56 – 60) were provided with.

Units 56 – 60 Neil Road seen in 1983 (from the Lee Kip Lin Collection. All rights reserved. Lee Kip Lin and National Library Board, Singapore 2009).

The area is certainly one that is worth exploring, not just for the notable clan associations and clubs – one is the Ee Hoe Hean Club, a millionaires’ club dating back to 1895 that is associated with many luminaries including the illustrious Tan Kah Kee, set amongst the many rows of beautifully conserved shophouses. Running partly along the area’s southern boundary is Neil Road which can perhaps be said to lie at the heart of the Urban Redevelopment Authority (URA) conservation efforts – the pilot shophouse conservation project undertaken by the URA stands at No. 9 Neil Road.

The Bukit Pasoh Conservation Area boasts many architectural conservation gems and is also one that has been cast in the shadow of a towering public housing development at nearby Duxton Plain.

The Ee Hoe Hean Club, a millionaires’ club dating back to 1895 that is associated with many of Singapore’s luminaries.

Neil Road starts off where South Bridge Road ends at its junction with Maxwell and Tanjong Pagar Roads, rising up towards the Bukit Pasoh area. It is at this point that a gorgeous and very recognisable piece of architecture, the Jinrikisha Station, greets one’s eye. Built in 1903 in the Edwardian style on a triangular plan with a fairfaced brickwork exterior, the building is one that certainly needs no introduction and is now owned by Hong Kong Jackie Chan. It is just up the road from the Jinrikisha Station that No. 9, which now serves as a home to a Chinese tea shop Tea Chapter, lies.

The Jinrikisha Station at the start of Neil Road – built as a registration centre for rickshaws is now owned by Jackie Chan.

The conservation of No. 9 Neil Road was undertaken as part of a pilot URA shophouse restoration project that took place from 1987 to 1988 that involved a total of 32 shophouses built at the end of the 19th century, with No. 9 selected as a demonstration unit. The restored unit at No. 9 was where HM Queen Elizabeth II and Prince Philip had tea at during a visit in 1989. The successful conservation project involving the 32 houses was the first phase of a larger effort to conserve a total of 220 government owned shophouses in the Tanjong Pagar area and intended to demonstrate the technical and commercial viability of shophouse conservation. The effort was one that was welcomed by conservationists as it had come at a time when large parts of the city had already been cleared of the pre-war shophouses which once dominated the cityscape.

No. 9 Neil Road – the very first conservation shophouse.

The 220 shophouses are on a 4.1 hectare site that was acquired from 1981 to 1984 by the Housing and Development Board (HDB). The units had contained a mix of businesses and residents including many traditional businesses – one was Chan Pui Kee, an antique dealer and antique furniture restorer which had operated at No. 7 since 1913 (and has since moved to a restored shophouse at Lorong 24A Geylang). The residents of the houses had lived mainly on the upper floors, some at the point of acquisition, having lived there for much of their lives. Many were trishaw riders, craftsmen, and even prostitutes who worked in the area, living in very crowded spaces, renting rooms or cubicles for as little as $4 a month. The acquired houses, many of which had once been in the hands of Arab property owners, were to be demolished to make way for public housing, but a shift in thinking of our urban planners on high density public housing in the city centre saved them from that fate.

Conserved three storey shophouses along Neil Road.

Walking up the incline of the road, there are further examples of the conservation efforts that eventually was to involve a greater part of Chinatown, including several voluntary conservation initiatives. One such initiative is the conservation of the former Eng Aun Tong factory building at 89 Neil Road. As many familiar with the area would be aware of, Eng Aun Tong was a name used by the Haw Par brothers and the factory was where the most famous of their products, Tiger Balm, was once made. Based on information on the URA conservation of built heritage site, the building was built in 1924 in the Neoclassical Style. The starting up of the factory coincided with the Aw family’s move to Singapore from Rangoon (Yangon) in the 1920s. The factory operated until 1971 when production operations were contracted out and production of the famous ointment was moved to the Jack Chia group’s factories in Jurong.

The conserved former Eng Aun Tong factory building – where Tiger Balm had once been made.

The Eng Aun Tong factory building as seen depicted in a 1920s advertisement for Tiger Balm (source: National Archives of Singapore).

Walking past the former Eng Aun Tong factory, one will notice the blue balustrades of a concrete bridge. The bridge is one that passes over what is technically the first rail corridor conservation project. The corridor – now a linear park named Duxton Plain Park was where an extension to the original rail line (pre-1932 Deviation) had been constructed in 1907 to connect the terminal at Tank Road to connect with the waterfront, extending to Pasir Panjang. Operations on the extension were short-lived and the line was dismantled in between 1912 to 1914. A stretch from Yan Kit Road to New Bridge Road was retained as a public park. The park is one that is associated with one of the clubs in the area, a martial arts association – the Chin Woo Athletic Association (精武體育會or 精武体育会), as is evident from a steel sign erected on one of the bridge’s balustrades which reads “精武體育會操場” – the park had long served as a training ground for the association which has had a presence in the area since its formation here in 1922. It has been reported that our first Prime Minister Mr Lee Kuan Yew had often watched the association practice lion and dragon dances at the park in his younger days (he had lived as a boy in his paternal grandfather’s residence at nearby 147 Neil Road).

The bridge over the first rail corridor conservation project – now Duxton Plain Park. A sign tells us that it had served as a training ground for the Chin Woo Athletic Association. Living at nearby 147 Neil Road, Mr Lee Kuan Yew had as a young boy often caught many of the associations lion and dragon dance practice sessions at the park.

From this point, Neil Road soon crosses Cantonment Road and takes one west out of the Chinatown district towards another quiet and delightful conservation area, the Blair Plain Conservation Area. Crossing Cantonment Road, I am reminded of the many horror stories I have heard in my younger days that was associated with balancing the clutch on the slope at the junction during driving tests. Those were days when tests were conducted out of the former Maxwell Road driving test centre when the Traffic Police had its headquarters at the building which is today the Red Dot Design Museum. These days, it is across Cantonment Road that we notice a huge police presence – that of a towering new law enforcement complex named the Police Cantonment Complex.

A look into the compound of a conserved row of three shophouses at 56 – 60 Neil Road.

It might be a little hard to notice a little Victorian building that stands beneath the towering complex along Neil Road – especially now with its covered up for restoration work. The very pretty building, despite being very compact, once housed a school, and was where the Fairfield Girls’ School (which later became Fairfield Methodist School and is now Fairfield Methodist School) had operated at from 1912 to 1983. The building, built with the donation of a Mr Fairfield (hence the name of the school) is now part of the Police complex, although intended originally as a childcare centre for staff at the Police complex, the building will now house a Police recruitment centre.

The former Fairfield Methodist Girls’ School (photo on the URA website).

It is beyond the former Fairfield Methodist Girls’ School on the opposite side of the road that we come to the cluster of terrace houses which contains the unit that Mr Lee had spent some of his boyhood years at. Just down from that unit at No. 147, is No. 157 which is probably the jewel in the crown of the conservation efforts along Neil Road. That painted blue in an attempt to restore it to its original colour isn’t only a house which has seen it exterior restored but also one which has had much its fittings and furniture retained and restored and is possibly the best example of a Peranakan or Straits-born Chinese house from the turn of the 20th Century that exists today. The house, thought to have been built in the 1890s, had once belonged to shipping magnate Wee Bin and his descendants, has its interior retained through the conservation efforts of the National University of Singapore (NUS) (which owns the house having purchased it for the historical value of it and its contents) and the URA. Among the wonderfully preserved fittings is a very ornate carved wooden screen which separates the main hall from the interior of the house. The Baba House as it is called now, has some of its original furniture and flooring is well worth a visit. Visits are strictly by appointment only and advance arrangements for heritage tours are required. More information can be found at the NUS website. Do note that photography is not permitted inside the Baba House.

Baba House at 157 Neil Road – now owned by NUS and managed by NUS Museum was beautifully restored from 2006 to 2008.

Units 157 Neil Road (Baba House) seen in 1982 (from the Lee Kip Lin Collection. All rights reserved. Lee Kip Lin and National Library Board, Singapore 2009).

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The walk along Neil Road was part of a guided walk “Neil Road/NUS Baba House Walking Tour“, one in a series of tours conducted by the URA in conjunction with the URA Architectural Heritage Awards 2012. While registration for two of the remaining tours are closed, there is an ongoing exhibition at the URA Centre Atrium until 10 November 2012 which showcases the five award winners. The exhibition is open Mondays to Fridays from 8.30am to 7pm and on Saturdays from 8.30am to 5pm. It is closed on Sundays and Public Holidays.

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Marina Bay in the pink

Three landmarks, the ArtScience Museum, the Helix Bridge, and Marina Bay Sands Hotel, in the Marina Bay area, turned bright pink on Friday evening, coloured in a global effort that has seen some 200 well-known landmarks and monuments across the world such as the Taj Mahal, the Empire State Building and Harrods take on the same pink glow. All this is part of an initiative by Estée Lauder, the Breast Cancer Awareness (BCA) Campaign, intended to promote breast health and early detection in an effort to defeat breast cancer through education and medical research.

The ArtScience Museum awash in pink for the Global Illumination Initiative.

In its 20th year, the BCA Campaign was initiated by the late Mrs. Evelyn H. Lauder of The Estée Lauder Companies in 1992. It aims at creating a global impact to motivate women all around the world to see doctors regularly, perform monthly breast self examinations, and get an annual mammogram if they’re over the age of 40. Together with the Urban Redevelopment Authority (URA) as the official venue partner, the landmarks were illuminated at a ceremony at the ArtScience Museum which was graced by Guest-of-Honour Dr. Amy Khor, Minister of State for Ministry of Health and Manpower, Ms Grace Ban, Managing Director of The Estée Lauder Companies, and Mrs. Noor Quek, President of the Breast Cancer Foundation (Singapore).

The ever lovely Sharon Au was the host for the evening.

Ms Grace Ban, Dr Amy Khor, Mrs Noor Quek with host Sharon Au, launching the illumination.

Watching the illumination of the Helix Bridge.

A toast to the campaign.

Host Sharon Au was her usual animated self.

The ceremony with the ever beautiful Sharon Au as host had guests turning the area under the fingers of the ArtScience Museum into a sea of pink, and saw a fashion show segment in which ten breast cancer survivors including Singapore Woman of the Year 2012, Ms Theresa Tan, take to the catwalk. Also on hand was Japanese artist, Takeshi Sato, wowing the crowd by painting a likeness of Mrs. Evelyn H. Lauder on stage whilst moving in sync to music that was being played, as a tribute to her.

Takeshi Sato at work.

Ms Theresa Tan and daughter down the catwalk.

This year’s message, is Courage, Believe in a world without breast cancer. Know we’re here until its true. It highlights The Estée Lauder Companies’ 20-Year commitment to defeating breast cancer through education and medical research and celebrates the life and legacy of BCA Campaign Founder and Pink Ribbon co-creator, Mrs Evelyn H. Lauder.

The Helix Bridge lit up in pink.

The campaign this year also sees for the very first time, an online charity auction, which was launched on 26 September to raise funds for the Breast Cancer Foundation, Singapore. For the auction, many local celebrities have donated personal items. One is Michelle Chong, who donated a dress her character wore in Already Famous. The items also includes those donated by Andrea de Cruz, socialite Leonika Kei, model Serena Adsit and popular mandarin radio DJ Lim Peifen. Bids for the items can be placed online via The Estēe Lauder Companies’ microsite at www.bca2012auction.com. Bidding will close on 31st October 2012. Apart from celebrity donated items, the auction will also feature various luxury items and services donated to raise more money for the charity.

President Tony Tan Keng Yam visits the Journey of Possibilities

URA Press Release

URA establishes Rail Corridor Partnership to explore and promote community activities along Rail Corridor

2 May 2012 – The Urban Redevelopment Authority (URA) announced today the formation of a Rail Corridor Partnership to look into the programming and promotion of community activities along the Rail Corridor. The Partnership is an expansion of the Rail Corridor Consultation Group, which was formed last July to provide input to the government on charting the future development plans for the Rail Corridor.

With the re-opening of the Rail Corridor on 9 January 2012, the Partnership will look for opportunities to promote community use of the space that spans the entire width of the island from north to south. Representatives from agencies such as the Ministry of Education, Ministry of Community Development, Youth and Sports, Singapore Sports Council, and People’s Association will join the Partnership to further foster public-people sector collaboration along the Rail Corridor.

Collaborative effort to promote activities on the Rail Corridor

President Tony Tan Keng Yam, who visited the ‘Journey of Possibilities’ exhibition at the URA Centre, said, “I am very encouraged that many groups and individuals are taking a keen interest in the Rail Corridor and are actively contributing their ideas and suggestions on the development and uses of the Rail Corridor. I am also glad that URA is stepping up engagements with Singaporeans to develop the Rail Corridor into a unique feature of our urban landscape that can be enjoyed by all Singaporeans.”

Minister of State for National Development Tan Chuan-Jin, who chairs the Partnership, highlighted the collaborative nature of the group. He said, “The expanded role of the Rail Corridor Partnership will see a stronger collaboration between public sector agencies, interest groups, and individuals to promote and support suitable activities and events along the Rail Corridor. I hope that our engagement will continue to be constructive and fruitful going forward.”

The URA will work closely with partner agencies to assess the range of possible community uses and events as well as the necessary infrastructural requirements needed to support these activities along the Rail Corridor. The Rail Corridor Partnership will also provide advice on the public engagement efforts and proposed activities for the Rail Corridor. Such activities could span from community level events to national events that utilise the entire Rail Corridor. The feedback gathered from these events would be used by URA to draw up the design specifications and requirements that will form part of the brief for the Rail Corridor Master Plan and Design Competition that is being considered at the moment.

President met with winners of Ideas Competition

During his visit to the ‘Journey of Possibilities’ exhibition, President Tony Tan met with some of the winners of the Ideas Competition who shared with him their ideas for the Rail Corridor. The President was also introduced to members of the Rail Corridor Partnership and jury members of the Ideas Competition.

The ‘Journey of Possibilities’ exhibition features about 80 entries comprising 18 winning ideas, 19 honourable mentions, as well as other innovative entries received for the Ideas Competition. The exhibition also showcases some of the interesting feedback and suggestions received on URA’s Rail Corridor website since its launch in July last year. The exhibition ends on 11 May 2012.

The URA launched the Ideas Competition on 30 November 2011 to draw innovative and fresh new ideas from the public in addressing some of the key challenges and issues in planning for the future use of the Rail Corridor. The Ideas Competition attracted more than 200 submissions from both local and overseas participants. The URA will study the ideas and concepts from all these entries and distil from them suitable design principles and parameters that can form part of the brief for the Rail Corridor Master Plan and Design Competition that may be held in the future.

75 feet above the harbour

From a vantage point 75 feet (about 23 metres) over Singapore’s former harbour, officers with the Harbour Division of the Preventive Branch of the Department of Customs and Excise (which later became Singapore Customs), stood watch over the Inner Roads of the harbour for more than three decades. The vantage point, a panoramic lookout tower that we still today, was part of the Customs Harbour Branch Building built over an L-shaped pier along the waterfront at the end of Collyer Quay. The building and pier, built at a cost of S$1.8 million, was completed in October 1969. The complex housed the 300 strong force of the then Harbour Division, as well as provided berths and maintenance facilities (which included a slipway) for some 35 launches and speedboats of the Division when it first opened. The building also provided cargo examination facilities and its construction allowed the Division to move from its somewhat makeshift premises in a godown in Telok Ayer Basin.

What is today a posh dining destination, Customs House, with its very distinct 75 foot lookout tower, was formerly the Customs Harbour Branch Building. It was completed in October 1969 and housed the Harbour Division of the Customs Preventive Branch.

The Customs Harbour Branch Building in 2006 (source: URA site on Conservation Matters).

Collyer Quay in July 1974 seen beyond the Detached Mole, a breakwater that sheltered the Inner Roads from the opened Outer Roads. The Customs Harbour Branch Building and its distinct 75 foot tower is seen on the extreme left of the photograph (Photo courtesy of Peter Chan).

While 75 feet in the context of what now surrounds the former Customs complex, the tower allowed customs officers to keep a round-the-clock watch over the harbour for small boats attempting to sneak dutiable goods into Singapore. The octagonal shaped and fully air-conditioned watch tower which is supported by a cylindrical base provided a panoramic view which extended beyond the Inner Roads to the mouth of the Singapore River, the Geylang River and Tanjong Rhu. Officers spotting a suspicious boat could then alert their colleagues manning the speedboats which were on standby by the pier who would then head out to intercept the suspicious boat.

A side elevation of the former Customs Harbour Branch Building with its very distinct lookout tower (source: URA site on Conservation Matters).

At the bottom of the 75 feet climb up a spiral staircase to the lookout tower - reminiscent of climbs up several lighthouses I've visited.

In between heavy panting, I managed to appreciate the view halfway up.

At the end of the 75 feet climb - a view of the lookout tower's ceiling.

Looking down at the cause of my heavy breathing.

Use for the building and the pier in its intended role ended with the construction of the Marina Barrage which cut what were the Inner Roads of the old harbour off from the sea and the building then under the Maritime and Port Authority’s charge was passed over to the Singapore Land Authority in 2006. Customs House was given conservation status in 2007 and was reopened as a dining destination under the management of Fullerton Heritage, which also manages the former Clifford Pier and the Fullerton Hotel. The tower itself is however disused and remains inaccessible to the general public.

At the top of the lookout tower.

The lookout tower no longer commands a view of a harbour littered with bumboats, twakows and tongkangs, but of the new world that is Marina Bay.

Show me the money! An interpretation perhaps of the new view - as seen in the reflection of a window of the lookout tower offered by one of the installations for i Light Marina Bay 2012 - Teddy Lo's MEGAPOV.

Seeing double - BIBI's Bibigloo and a reflection of it as viewed from the lookout tower.

Rediscovering a 40 year old icon in a new sea of light

I’ve often wandered down Collyer Quay in the evening in the days when the smell of the sea filled the air to catch the evening’s breeze. Glancing out to where the sky met the sea, the view in the dark was one of the flicker of the sea of lights of the numerous ships that lay at anchor, interrupted by the sweep of the beam that shone from Fullerton Light – the lighthouse that stood atop the Fullerton Building – then the General Post Office (GPO). It was always a fascinating sight for me – one that I was always thrilled to take-in. That was years ago and the world as I had known it then, has been transformed to the glow of lights that seemed to have grown out of the seeds planted by of the lights of the old harbour. The glow is the new world that is Marina Bay, a world that glitters with the gold that the old harbour it grew out of has given. The new glow – brighter than the old, makes Marina Bay a world that is one to marvel at and one that for three weeks will glow even brighter with the colours and the lights that i Light Marina Bay 2012 brings to it.

Coming of age - one of the older icons in the brand new Marina Bay will be bathed in a sea of light during i Light Marina Bay 2012.

The highly anticipated festival, the second edition of i Light Marina Bay, was opened officially by Mr Tharman Shanmugaratnam, Deputy Prime Minster and Minster for Finance and Minister for Manpower on Friday. At the ceremony at the Promontory @ Marina Bay, Mr Shanmugaratnam spoke of his pleasure to be at Marina Bay, which he said attracted a record 23 million visitors last year, “to be immersed in the energy of a new downtown which has been evolving” and observed that the many developments in the area have transformed the skyline, and “imbued our city with more excitement, colour and vibrancy”. Mr Shanmugaratnam in his speech, spoke of the ‘software’ that was required to make and sustain a place – such as the festival, which serves to bring the community together to enjoy the place, and also help in defining an identity for the Bay. The Deputy Prime Minister also observed that “do so through a display of beautiful light art installations is creative, fun and delightful”.

Mr Tharman Shanmugaratnam speaking at the opening ceremony of i Light Marina Bay 2012.

Launching the festival.

After Light, an installation involving projections on shipping containers, is seen behind the stage at the opening.

Street performers - who were present at the opening, will also feature in the area during the period of the festival (top photo taken with LUMIX GF-3).

Fun and delightful the festival certainly has, in the first few days of the opening, proved to be. The festival’s 31 installations drew large crowds to the bay area over the weekend and judging from the number of visitors – one of the crowd favourites must be the Light of The Merlion – the brainchild of Nuno Maya and Carole Purnelle of OCUBO. OCUBO translates into “The Cube” in Portuguese, a name which reflects the geometric nature of the team’s projection work which for the work commissioned for i Light Marina Bay involves the projection of a combination of colours on the surface of the Merlion that are determined purely by members of the public through an interactive screen at the site. It is through this interactivity – a feature of all the group’s work, that the colours of the 40-year-old much-loved icon are changed through the evening – something which is designed to create a memorable experience with which the Merlion can be rediscovered with members of the public placed in the role of the creator. Based in Sintra, a delightful hilltop town in Portugal which boasts of the magical Sintra National Palace, OCUBO – an art and multimedia studio dedicated to light projects has presented light, multimedia and interactive art works in countries such as Japan, Australia, Singapore, Israel, Germany, the Netherlands, Slovenia, the Czech Republic and Poland and also conceived, produced and directs Portugal’s only light festival, the LUMINA Light Festival.

Light of The Merlion allows members of the public to play the role of the creator through an interactive panel which lets the public choose the colours to be projected on the much-loved 40-year-old icon (photo taken with LUMIX GF-3).

Nuno Maya (left), one half of OCUBO, at the opening ceremony (photo taken with LUMIX GF-3).

The many colours of the Light of The Merlion ... (photo taken with LUMIX GF-3)

After the opening ceremony, Mr Shanmugaratnam and guests were also able to take a tour of the bay by boat – a wonderful way of not just taking-in the sights around the bay, but also to have an excellent view of The Light of the Merlion and other installations that are around the bay’s waterfront including the festival’s largest projection Garden of Light, and the unmistakable red glow in the dark – BIBI’s Bibigloo at the Promontory @ Marina Bay. The eye-catching installation is an igloo made of 250 plastic jerry cans and is a replacement igloo intended to spread awareness of global warming and melting glaciers. BIBI has since 1992, attempted to explore man’s relationship to the environment, as well as the capacity to confront the contradictions with regard to waste production, through the use of everyday objects made from materials such as plastic using light to give life to his installations.

The eye-catching red glow in the dark - Bibigloo made out of 250 plastic jerry cans aims to raise awareness of rising temperatures and melting glaciers with a replacement plastic igloo (photo taken with LUMIX GF-3).

BIBI (right), the creator of Bibigloo.

The Festival Director, Ms Mary-Anne Kyriakou (centre) with artists present at the opening and Mr Mark Goh of URA.

The trial of light that I followed after the boat ride, somehow compelled me to take a walk towards the ArtScience Museum and onwards to the seating gallery at the Float @ Marina Bay, under which there are several other interesting installations. One – Sweet Home, which a mention of was made in my previous post, is an attempt by Swedish based Aleksandra Stratimirovic to make ugly places pretty. Ms Stratimirovic’s attempt to create a homely atmosphere through the use of lanterns must have been a very good one as the artists had used the installation to hold an opening night celebration late into the night.

Sweet Home an installation by Swedish based Aleksandra Stratimirovic under the seating gallery of the Float @ Marina Bay, aims to make an ugly place pretty - colourful forms of lanterns used in the installation are designed to spread warmth and homeliness in the urban environment (photo taken with LUMIX GF-3).

The artists certainly gave their thumbs-up! They found Sweet Home homely enough to spontaneously hold a party there on opening night (photo taken with LUMIX GF-3).

i Light Marina Bay 2012 is on until 1 April 2012 and several fringe activities and events will be held during the weekends – for a listing, do visit the events page on the i Light Marina Bay 2012 website. Information on Boat Taxis which provide an excellent way to see the installations on the waterfront also operate during the weekends, departing every 15 minutes between 7.30pm to 10.00pm from Fridays to Sundays from 10 March to 1 April and cost $4 per trip – more information is also available on the website’s events page.

The coming of light at Marina Bay

Come Friday (9 March 2012), Marina Bay will be aglow, bathed in the colours of lights that will transform the area into a greater spectacle than it already is. Friday sees the opening of the sequel to the highly successful first edition of Asia’s only sustainable light art event of two years ago, i Light Marina Bay 2012, which on the evidence of a media preview of the event – Asia’s first and only sustainable Light Art Festival held last evening, is one that will be a feast for the senses.

i Light Marina Bay 2012 brings a spectacle of colour and light to the already spectacular Marina Bay.

Organised by the Urban Redevelopment Authority (URA) and with festival direction provided by Smart Light, this year’s edition will feature 22 works which will be by Asian based artists and designers. This is in line with the festival’s theme of “Light Meets Asia”. Beyond the theme, the festival aims to also promote sustainability and the use of energy-efficient technology – a message that the 31 works selected for the festival will carry. A total of 17 countries are represented in the 31 works, which were selected from some 100 submissions. 21 of the works are festival commissions.

Ms Mary-Anne Kyriakou, the Festival Director and Mr Mark Goh, Deputy Director of URA’s Place Management Department, speaking at the media preview.

As the area around which the 31 installations is large, the media preview, led by Festival Director Ms Mary-Anne Kyriakou, covered some of the highlights of the festival. One of the highlights Key Frames – a delightful installation set by the Float @ Marina Bay which has not just 30 light stick figures in various poses seemingly dancing in a routine choreographed to the music, it makes the viewer want to also dance with them. The installation is by French light artists, Groupe LAPS, which hails from the World’s largest light festival, Lyon’s Fête des Lumières.

Lighted stick figures are brought to life in a choreographed display by the Float @ Marina Bay. The light and sound show, Key Frames, is the work of Groupe LAPS from the World's largest light festival, the Fête des Lumières, Lyon.

A full exposure of Key Frames.

The highlights also included some of the more eye-catching installations – those that involved projections on two of the new icons of Singapore that are hard to miss. One is that of the interactive projection on the Merlion, Light of the Merlion – the work of Portuguese projection artists, OCUBO, which I did not have an opportunity yet to photograph. With Light of the Merlion, visitors are able to control light projections on the surface of the Merlion through an interactive touch-screen at Merlion Park. The other installation that certainly cannot be missed is the animated projection on three fingers of the ArtScience Museum, which uses 3D digital mapping technology – best viewed from The Helix (bridge), which is the work of local projection artists Hexogon Solution. The work, entitled Garden of Light, is also the largest projection at the festival. Hexogon Solution is one of eleven Singaporean artists whose works would be seen at the festival.

A close of the animated projection on the ArtScience Musuem.

Three interesting works can also be found in a rather unconventional space – under the seating gallery of seating gallery of The Float @ Marina Bay. The first, Sweet Home, is a site-specific work by Swedish based Serbian artist Aleksandra Stratimirovic is an adaptation of an original work created for Belgrade of Light 2011. The work aims to make ugly places pretty – the original work in Belgrade was an attempt to bring warmth and a homely atmosphere to one of the most polluted, busiest and exciting streets in Belgrade. For i Light Marina Bay 2012, Sweet Home, supported by Philips Lighting, attempts to use the colourful forms of the lanterns used in the installation to spread warmth and homeliness in the urban environment. The second installation here is American artist Dev Harlan’s Parmenides I. This is a large-scale geometric sculpture which incorporates a 360 degree projection mapped video which was previously exhibited at the New Museum’s New Ideas for the New City Festival in New York. The work features hypnotic 3D projections of swirling abstract patterns that gives a sense of movement, colour and form. The third, Crystallised by Andrew Daly and Katherine Fife from Australia, is one to look up to. The work which is an abstraction of the starry night sky, is an installation of five thousand hollowed-out and edge-lit acrylic rods which attempts to create a glowing internal landscape like a ceiling of a cave with glittering stalactites. It is under this that visitors walk and reflect on the impact of poorly considered lighting on city life.

Dev Harlan's Parmenides I.

The glowing internal landscape under which visitors walk and reflect on the impact of poorly considered lighting on city life - Crystallised by Andrew Daly and Katherine Fife.

Several installations are also located across the bay at the Promontory and the Waterfront Promenade. This includes After Light – which makes use of shipping containers the ends of which projections are made on which will examine the significance of light in New Zealand, from where the group behind the installation, StoryBox hails, and across cultures to Asia. The containers will also incorporate two site specific installations inside the containers that feature the work of budding talents from Singapore’s La Salle College of the Arts and School of the Arts. The area will also feature the glow of cocktail stirrers that have been transformed by French/Filipino artist Olivia d’Aboville into a glowing reef of coral-like sculptures that encourages visitors to interact with, much as a coral reef attracts life under the sea to do so, entitled Coral Garden. Other works in the area include Planting Shadows by Singapore’s Vertical Submarine; Thai sculptor Be Takerng Pattanopas’ Gap the Mind; the orange-red glow of France’s BIBI’s Bibigloo; Receptacle by Cambodia’s Marine Ky; Uh by the Propeller Group from Vietnam and one that is definitely should not be missed – Classification Pending by Craig Walsh from Australia which has 3D animated projections of artificial marine life forms on the waters of the bay.

Installation being carried out for After Light, by Story Box from New Zealand.

The coral garden at the Promontory - Coral Garden by French/Filipino artist Olivia d’Aboville.

Over the Marina Bay City Gallery, The Gate promises to be a huge attraction with its red beams of light. The work of Li Hui, which uses a powerful symbol of a portal which the red beams lead to – a passage perhaps to enlightenment, is one that we are not able to pass through. It suggests that enlightenment is a goal that cannot be attained.

The Festival Director Ms Mary-Anne Kyriakou speaks through the red beams of light of Li Hui's The Gate.

Li Hui, whose silhouette is seen at the right, speaking about his work.

An exit it is not. The Gate which can be seen to look at enlightenment as a goal that can never be achieved, is one that we are not able to go through.

Along the waterfront promenade leading to Marina Bay Sands and in front of Marina Bay Sands are a series of 9 other installations, which include two works by Singaporean artist we were introduced to – a squid like creature 5QU1D by Ryf Zaini and the work of Zulkifle Mahmod named Deck Journey. The series of 31 installations are spread around the bay and would definitely take much more than an evening to fully appreciate. One, the work of another Singaporean artist Angela Chong, Tree Stories, is found somewhat off the beaten track over at Esplanade Park. Tree Stories involves illuminated text on tree trunks which encourages interaction in the form of dialogue between the reader and the tree. Besides Tree Stories and Light on the Merlion, there are also several other installations that invite interaction – something that would appeal especially to the kids. These include several located in and around the seating gallery at The Float @ Marina Bay – White Rain by Japan’s Takahiro Matsuo, Urban Makyoh by UK based “lighting guerillas” Light Collective and Immersion by Martin Bevz and Kathryn Clifton from Australia. Several are also located over at the waterfront in front of Marina Bay Sands – The Light Dam by Taiwan’s Uno Lai, Illumination Disorders II by Singapore’s Tay Swee Siong and Bio Shell by Shinya Okuda of Japan. Installations can all be visited free of charge and will be on from 7.30pm to 11pm nightly.

Ryf Ziani and 5QU1D.

Zulkifle Mahmod's Deck Journey.

A series of activities and events has also been arranged during the festival which include free guided tours, workshops and also a photography competition in which participants will have a chance to win prizes worth up to $10,000 sponsored by LUMIX (who have also kindly lent LUMIX cameras for the Photo AmBayssadors and Official Bloggers to use during the period of the festival. More information can be found at the i Light Marina Bay 2012 website.

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All photographs in this post have been taken with a LUMIX GF-3.

A new face to a once familiar place

Some might remember a time when Punggol Point lay at the end of a somewhat long and winding road – the old Punggol Road that meandered through a countryside that we have since lost. The road, which started at its junction with Upper Serangoon Road where the St. Francis Xavier Minor Seminary served as a landmark, took one past some five miles of the many tracks of Punggol, villages and farms with attap and zinc roofed houses and a lot of which I don’t quite remember. What I did remember was the unmistakeable pong that hung in the air – one that was fed by the numerous poultry and pig farms that had thrived in the area, and perhaps the evening’s chorus of squeals – that of pigs calling for their dinner.

The beach at Punggol Point - now cleaned up and freed of the boatels and boats that added colour to the landscape.

The end of the road offered a lot to those who did brave the journey. There was first and foremost the cluster of seafood restaurants that drew many with the reward of reputedly some of the best and freshest seafood dishes on the menu in which service always seemed to begin with the customary basin in which one found the table’s utensils and teacups, cleansed in the water that the basin held. There was also the weekend crowd that came: those armed with rods to fish at the jetty, or board a boat to attempt to reel in a bigger catch offshore – which invariably included a lot of Ikan Sembilang; and those who sought to satisfy a need for speed planing over the water on waterskis – either off Punggol Point or at nearby Coney Island. For some, Punggol Point also offered a quiet escape from the fast moving concrete world that was taking over much of the rest of Singapore – the fishing village it hosted by the sea adding to the rustic charm that the area already held.

Punggol Point before the big change that took place at the end of the 1980s and in the early 1990s (source: http://picas.nhb.gov.sg).

The last I saw of that Punggol Point and of Punggol Road was at a time when I was still in my youth, and with the distractions of a decade when I made the transition from being a curious child to adulthood, a decade that probably saw the most significant change in Singapore’s rural landscape – the 1980s, the clearing of Punggol as it was at the end of the 1980s seemed to have passed me by. Some business at Punggol Point like the seafood restaurants and boatels did have an extended lease of life, but they too went in the early 1990s, and Punggol, as with much of Singapore, was to be changed forever.

Looking west today towards what was the area close to the mouth of Sungei Punggol.

I was to discover how much has changed as I made my way over the weekend for the first time in over two decades to Punggol Point for the official opening of Punggol Point Walk and Punggol Point Park. The journey was there of course now made a lot easier by the Tampines Expressway (TPE) which runs below an elevated stretch of Punggol Road, no longer was there a need to make one’s way over Upper Serangoon Road to the start of that long and narrow Punggol Road. There wasn’t much that I had expected to see that would have reminded me of the old Punggol Road and Punggol Point, as I tirelessly drove along what is now a wide dual carriageway, flanked not by attap and zince roofed houses and greenery, but by the new HDB estate that has risen out of the ashes of the old Punggol. A surprise awaited at the last stretch of the road – the dual carriageway merged, after a wide junction into a stretch on which for a moment, gave me a feeling that I was on my way to that old Punggol Point. Flanked by a line of trees which provided cover to the short but winding stretch of road, it did look as if I was heading down the old Punggol Road – which this stretch was a part of, kept almost as it might have been as a heritage road. Althought the ‘Tracks’ of Punggol Road were gone, there is still a couple of familar streets – one Ponggol Seventeenth Avenue brings with it memories I have of campfires and walks by a narrow beach that led to the mouth of Sungei Punggol. It is after the next familiar name, Ponggol Twenty-Fourth Avenue, that the realisation sinks in that it is not to that old Punggol Point that I was heading to, as the break in the cover of trees reveals the brand new world which will attempt to retain some of that rustic charm that the old Punggol Point had been known for.

The tree lined stretch of road that leads to the end - reminiscent of the Punggol Road of the days gone by.

Past the Outward Bound School, I soon arrived at the end of the road. Desperate to see what Punggol Point has become, I quickly make my way up a viewing deck, which I was to find out later, shaped like a ship. The viewing deck offered a wonderful panorama of the Straits of Johor and Pasir Gudang beyond the jetty which it overlooked, where stakes used to moor boats and the boats tied to them would have once greeted the eye. On both sides, a beach that looked a lot cleaner than the one I remembered ran up and down the coastline, cleared of the boatels and the stilted houses of a Malay kampung that once stood close to the water’s edge. The beach, and perhaps the jetty are perhaps what can connect us with the past, and a reminder in the form of a National Heritage Board sign of an unfortunate and tragic episode in our history that took place on the beach – the Sook Ching Massacre.

The jetty today.

The lookout that I stepped on to, is part of what is a 1.2 km promenade and park, the Punggol Point Walk and Punggol Point Park, which is one of three thematic zones of the $16.7 million 4.9 km long Punggol Promenade project undertaken by the Urban Redevelopment Authority (URA) that was officially opened by Deputy Prime Minister Teo Chee Hean on 20 Nov 2011. This is a component of its Parks and Waterbodies and Identities Plans which aims to open up and introduce new recreational activities and amenities to coastal areas, and also preserve the laid-back and village-like appeal that the areas are known for. Punggol Promenade will link up two recreational clusters at Punggol Point and Punggol East, as well as link to the park connectors along Punggol Reservoir and Serangoon Reservoir. This will form a continuous 17 km loop around the north-eastern part of Singapore. The two other thematic zones are the 1.3 km Riverside Walk which anchors a growing recreational cluster at Punggol East which opened in March this year and a 2.5 km Nature Walk, scheduled to be completed next year.

Punggol Point Walk and Punggol Point Walk was officially opened by Deputy Prime Minister Teo Chee Hean on 20 Nov 2011.

Ms Penny Low, Member of Parliament for Pasir Ris-Punggol GRC, speaking at the opening.

Location Plan of Punggol Promenade and Punggol Point Walk and Punggol Point Park. © Urban Redevelopment Authority. All rights reserved.

A dragon who's eyes were painted by DPM Teo used in a dragon dance performance at the opening.

Dragon dance performance by Pasir Ris-Punggol GRC residents.

The Punggol Point Park offers a lot more besides the viewing deck and the beach, there are also the calm of Lily Ponds, a 81 metre by 10 metre Event Plaza and a Children’s Playground to draw families to enjoy the newly opened park. There is certainly more to look forward to – a reserve site has been released by the URA for sale by tender for food and beverage development – which will perhaps see the return of seafood to the area, and a horse-riding school will also soon open. The Promenade at Punggol Point Walk will feature both a 3 metre wide cycling track for use by cyclists and roller skaters and a parallel 3 metre wide footpath constructed of simulated timber. A sustainable approach is in fact adopted in the selection of materials for use in the project that also involves the use of permeable Tegula pavers on hard scaped area which eliminate the need for drainage systems, the use of bio-swales to filter surface run-offs and the use of Laterite earth.

The Lily Pond.

Besides the mobile ice-cream vendor - there is now a lot more to attract those with children to visit the park and promenade.

The Children's Playground. © Urban Redevelopment Authority. All rights reserved.

Footpaths and cycling paths at the waterfront promenade. © Urban Redevelopment Authority. All rights reserved.

I must say that although I didn’t really find much of the old Punggol Point that I might have hoped for, I am grateful to have taken the opportunity to visit the area. The drive through the heritage road did help trigger a few memories that I have stored away, as did my walk around the new park. While much of the old world rustic charm has inevitably been lost, there is still some of that charm that is left to draw vistors to the area and to also draw me back not just for the chance to escape from the urban world, but also for the opportunity it offers me to rediscover and reconnect with a part of Singapore I have might have almost forgotten about.

Re-imagining the Rail Corridor

The ‘Re-imagining the Rail Corridor’ exhibition, put together by the Friends of the Rail Corridor, in association with the Nature Society of Singapore, and supported by URA, opened this morning at the URA Centre. Visiting the exhibition was Minister of State (National Development) Mr Tan Chuan-Jin. Organised as part of a series of events to help increase awareness on the ongoing engagement on the use of the former railway land and also with the aim to explore, encourage and develop creative ideas for incorporation into the future of the Rail Corridor, the exhibition showcases some initial ideas from architecture and landscape students and design professionals on the future use of the Rail Corridor around six key themes: Ecology, Heritage, Recreation, Transport, Education and Community Gardening.

Mr Tan Chuan-Jin speaking to Regina Koo, now of the URA, at the exhibition. Her final year thesis relating to the Velo-Park proposal on the railway land was mentioned by the Prime Minister in his National Day Rally Speech in August of this year.

Mr Tan Chuan-Jin looking at an architectural model of the rail corridor.

The ideas being presented involve suggestions for the entire length of the former rail corridor, including one by NUS Architecture student Ng Pei Yun whose idea involves the conversion of the former Tanjong Pagar Railway Station into a transportation museum. Other interesting ideas include the construction of housing that resemble train carriages over parts of the corridor and one that involves renaming the corridor as The Singapore Trail, installing a giant see-saw on one of the truss bridges and extending the use of the corridor as a continuous bicycle track. The exhibition is being held at The URA Centre Atrium, 45 Maxwell Road Singapore 069118 from 3 to 28 October 2011 (Mondays to Fridays, 8.30am to 7pm / Saturdays: 8.30am to 5pm / Closed on Sundays and Public Holidays). Admission is free.

The exhibition will be held at The URA Centre Atrium, 45 Maxwell Road Singapore 069118 from 3 to 28 October 2011 (Mondays to Fridays, 8.30am to 7pm / Saturdays: 8.30am to 5pm / Closed on Sundays and Public Holidays). Admission is free.

The initial ideas include those for the use of the former Tanjong Pagar Railway Station - this proposal by Ng Pei Yun of NUS involves usage as a transportation museum.

Singapore Polytechnic Architecture students speaking to Mr Tan on their ideas - one which includes building housing over the corridor that resemble train carriages.

Another idea is to rename the corridor as The Singapore Trail.

At the exhibition, Mr Tan Chuan-Jin also made an announcement that the ‘Rail Corridor’ (铁道走廊) will be the final project name for development plans for the former railway land. The name which was used by the Urban Redevelopment Authority (URA) as the working name when the former railway land was returned to Singapore on 1 July 2011, was chosen from a total of 158 suggestions received by the URA and was one of the top three suggested project names. The other two project names were ‘Rail Trail’ and ‘Green Corridor’. The suggested project names were discussed and deliberated at the Rail Corridor Consultation Group (RCCG) meeting where the members came to a consensus on the final project name being ‘Rail Corridor’.

An idea for a super see-saw on one of the truss bridges.

A model of the entire rail corridor.

A proposal with the fast growing cycling community in mind.

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Feedback sought by URA:

The URA continues to welcome feedback and ideas from the community in shaping the future development plans for the railway lands. The members of the public are invited to visit and provide their ideas at
http://www.ura.gov.sg/railcorridor
.

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URA Press Release

3 October 2011

‘Rail Corridor’ endorsed by consultation group to be final project name

Minister of State (MOS) for National Development Mr Tan Chuan-Jin announced today during a visit to the Re-imagining the Rail Corridor exhibition that the ‘Rail Corridor’ (铁道走廊) will be the final project name for development plans for the former railway land.

The Urban Redevelopment Authority (URA) had used ‘Rail Corridor’ as the working name for this project when the former railway land was returned to Singapore on 1 July 2011. A website was launched on the same day to gather feedback and ideas from the public in shaping the future development plans for the former railway land, including suggestions for a name for the project.

A total of 158 suggestions on the project name were received on the website as at the closing date on 31 July 2011. “Rail Corridor’ was one of the top three most suggested project names received. The other two project names were ‘Rail Trail’ and ‘Green Corridor’.

Final project name – ‘Rail Corridor’

The suggested project names were discussed and deliberated at the Rail Corridor Consultation Group (RCCG) meeting where the members came to a consensus on the final project name being ‘Rail Corridor’.

Mr Jerome Lim, a RCCG member and blogger is in fact amongst those who proposed to have ‘Rail Corridor’ as the project name, as it “reflects the history and heritage of the corridor”.

Another RCCG member, Mr Ho Weng Hin, member of Singapore Heritage Society agreed and noted that the ‘Rail Corridor’ is apt as “it encapsulates the history, heritage and social memories, and also connotes the conceptual and spatial continuity of the former railway land”.

Mr Leong Kwok Peng, Vice President of Nature Society (Singapore) had preferred to keep the name as Green Corridor which was the name given by NSS for its proposals for the former KTM land. However, he is supportive of ‘Rail Corridor’ as the project name, adding that “I am interested to see how the future development plans for the rail corridor pan out eventually, especially in areas where development can co-exist with greenery”.

MOS Tan who chairs the RCCG, reiterates the collaborative nature of the group: “We are all part of this effort and the selected project name is endorsed by the RCCG members. I am glad that our engagement with the members has been very good so far, and everyone has contributed useful inputs and ideas during our regular meetings.”

Re-imagining the Rail Corridor exhibition

The Re-imagining the Rail Corridor exhibition was put together by the Friends of the Rail Corridor, in association with the Nature Society of Singapore, and supported by URA.

The exhibition is envisioned as part of a series of events dedicated to increasing public awareness and deepening understanding of the tract of KTM railway land recently returned to Singapore. It intends to explore, encourage and develop creative ideas for incorporation into the future of the Rail Corridor. Revolving around six key themes: Ecology, Heritage, Recreation, Transport, Education and Community Gardening, the exhibition aims to shape the public’s understanding of and give insight to a rare piece of Singapore’s cultural and natural heritage amidst the urban landscape, and to spark interest in the protection and preservation of this heritage as an extension of our national identity.

The exhibition will showcase some early ideas from architecture and landscape students as well as design professionals on what the future of the Rail Corridor could become. Through these initial ideas, the organisers hope to inspire more Singaporeans to recognise their stake in their surroundings and to engage the public in jointly envisioning the development of spaces around us.

The exhibition will be held at The URA Centre Atrium, 45 Maxwell Road Singapore 069118 from 3 to 28 October 2011 (Mondays to Fridays, 8.30am to 7pm / Saturdays: 8.30am to 5pm / Closed on Sundays and Public Holidays). Admission is free.

Future plans for rail corridor

The URA continues to welcome feedback and ideas from the community in shaping the future development plans for the railway lands. The members of the public are invited to visit and provide their ideas at www.ura.gov.sg/railcorridor.

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A gradual reopening of the Rail Corridor

Members of the media and the Rail Corridor working group were provided with an update on the track removal works and plans to reopen parts of the Rail Corridor as work is being completed early this morning during a walkabout in the vicinity of Bukit Timah Railway Station with Minister of Law, Mr. K Shanmungam, the Minister of State (National Development) BG Tan Chuan-Jin, the Senior Parliamentary Secretary, Ministry of Education & Ministry of Law, Ms Sim Ann, and officers from the SLA, MND, URA and Nparks.

Minister of Law, Mr Shanmugam briefed members of the media and the Rail Corridor Consultation Group on the progress of SLA's track removal work and the reopening of the Rail Corridor for use by the community.

Mr Shanmugam being briefed by a SLA officer near the truss bridge.

The Minister also responded to concerns raised by members of the public about damage to existing vegetation during track removal works in the vicinity of the station and explained that the SLA had been “aware of the need to preserve vegetation and no trees were removed”. He also stated that turfing works over the area of the removed tracks, which is now quite evident, was necessary to ensure that there was little risk of water ponding. The tracks, all ancilliary structures such as signal posts, kilometre markers and the ballast are being removed and returned as part of the agreement with Malaysia, with the exception of a stretches in way of the platforms of the two conserved stations and the three bridges that will be retained.

Turfing work south of Bukit Timah Railway Station.

A section of the tracks in way of the Bukit Timah Railway Station platform is being retained.

Another view of Bukit Timah Railway Station. Besides the tracks, one sign and several other structures are being kept.

A map at the station showing SLA's removal plans which identify the bridges that will be retained.

The truss bridge at Bukit Timah / Dunearn Roads with trufing work and the portion of tracks to be retained very much in evidence.

The SLA also announced the reopening of a 1.4 kilometre stretch of the Rail Corridor where track removal and turfing work is being completed from the 16th of September. The stretch is from the steel truss bridge over Bukit Timah / Dunearn Road southwards. This will allow members of the public to enjoy walks along the stretch. Work to remove the tracks is scheduled to be completed by 31st December this year and portions of the former railway land will be progressively opened to the public as the removal works are being completed.

Rather than the green SLA signs we are used to, signs welcoming the public are being put up along the stretches of the Rail Corridor that are bing reopened.

The portion of the track being retained at the truss bridge at Bukit Timah / Dunearn Roads. a 1.4 km stretch from the bridge southwards is being opened up to the public from 16th September.

Mr Shanmugam being interviewed by members of the media at Bukit Timah Railway Station.

Mr Shanmugam speaking to Mr Leong Kwok Peng of the Nature Society (Singapore).

The public will also have access to the former Bukit Timah Railway Station building. Members of the public are advised refrain from acts vandalism, which the bridges and the tracks have been subject to. The station as we see today, has been stripped of items belonging to the railway, including signalling equipment and signal levers (except for six that remain). The station sign on the north end has also been returned to Malaysia, with Singapore retaining the one on the south end. The longer term plans for Bukit Timah Railway Station will be part of the URA’s comprehensive review of development plans for the former railway land and their surrounding areas and as part of its review, the URA will study the possibility of marrying development and greenery, such as applying innovative strategies to maintain a continuous green link along the rail corridor without affecting the development potential of the lands.

The Station Master's room at Bukit Timah Station, stripped of the safe which sat on the yellow support structure next to the door.

Another view of the room where the key token signal equipment had once been placed.

All that are left are six signal levers.

Another view of the six signal levers.

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Photographs proivided by SLA explaining the track removal process:

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The Green Corridor has the PM’s support!

In his speech during the National Day Rally, Prime Minister Lee Hsien Loong made what appears to be an endorsement of the efforts of the Ministry of National Development (MND) and the Urban redevelopment Authority (URA) in engaging various interest groups and the public on the use of the former KTM rail corridor, and also for the idea to develop a green corridor through the land. He cited this as an encouraging example in which Singaporeans are engaging the Government and “going beyond giving views … and coming forward to work with one other and with the government on projects which matter to them”. PM Lee also mentioned creating of “a green corridor along the railway land” citing “many views outside encouraging the government to make this a beautiful green corridor to add to the amenities of living in Singapore” and said that the MND and URA and he are all very keen on this and URA is carrying out an extensive public consultation to look for “creative ways of preserving green spaces without affecting development potential of the land”.

The Green Corridor has received the PM's support ... a butterfly seen at the Clementi Woodland area near Holland Road as track clearing work is being carried out.

PM Lee also mentioned that there were many bright ideas from students, architects, design professionals to use sections as creative arts and performing spaces and to develop a leisure corridor, linked to the park connector network and highlighted a proposal which he mentioned was “creative and imaginative” from a recent graduate of the NUS Architecture Department, Ms Regina Koo who suggested building a “Velo-Park” with bikeways, bike rental stalls, bike club and bike café “where one can have a bite on a bike”, saying that the Government would be looking forward to other good ideas saying “don’t just tell us what to do, but help us to do it”.

A proposal by Regina Koo, a recent Architecture graduate from NUS involves a Velo-Park (MND image via Channel NewsAsia).

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Recent images around the Clementi Woodland / Holland Road area:

Tracks have been cleared and beyond the stretch where work first started to remove the tracks, clearance work seems more contained.

Another view of the area - much of the vegetation here is intact.

The scene closer to Bukit Timah Station from the south - turfing work over where the tracks lay is very much in evidence.

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Plans for public engagement on the rail corridor

A press briefing was held at the Ministry of National Development (MND) yesterday during which thoughts on the way ahead for the use of the former railway corridor were shared by the Minister of State (National Development) BG Tan Chuan-Jin. BG Tan spoke of the conviction that the MND and Urban Redevelopment Authority (URA) had in engaging stakeholders, interest groups and members of the public in setting up channels to allow public consultation and feedback. At the briefing, BG Tan also introduced some members of a Rail Corridor Consultation Group which has been formed with members from NGOs, interest groups and individuals representing the various aspects of the rail corridor including the environment, flora and fauna, and areas such as history and heritage. The group would be consulted on ideas, feedback and proposals submitted to the URA and will be expanded to include other interest groups and parties along the way.

A Rail Corridor Consultation Group has been formed to take into consideration feedback from the public and various groups on development plans for the former rail corridor.

BG Tan also mentioned that the public engagement would include various channels for engagement including exhibitions (one of which is being planned by the Nature Society (Singapore) or NSS), and will include a design competition to allow architects and planners to submit proposals, leading up to the development of a concept masterplan in 2013. Some of the stakeholders that would be engaged in an active public engagement phase will also include the 1.2 million residents who populate the areas adjoining the corridor, and also some 98 schools and institutions along the corridor. The MND is also looking at the use of various social media platforms and channels to obtain feedback from the public and make it more interactive to allow online discussions and also provide feedback to the public.

The former rail corridor would be a subject of in concept masterplan to be unveiled in 2013.

BG Tan spoke also of the desire to maintain the corridor as a continuous stretch and the MND is looking at how this can be integrated with the development of the areas around corridor, at the same time reiterating that there was also the need to also serve the needs of land scarce Singapore. The case for a continuous stretch is a key component of the NSS’s proposal which the NSS hopes would serve as a channel for the movement of flora and fauna through the island, for example from the Central Catchment Nature Reserve to the Southern Ridges.

The idea for a continuous corridor to allow movement of flora and fauna across Singapore is something that the NSS would like to see.

On the Jurong extension built in the mid 1960s and has been disused since the 1990s, BG Tan mentioned that this would not be part of the rail corridor development plans. As such areas of the Jurong line for which development plans are already in place, will be developed accordingly. BG Tan spoke also of concerns raised on the fate of the truss bridge and the girder bridges over the Sungei Ulu Pandan and Sungei Pandan respectively. These would not be demolished and have been hoarded up for public safety reasons as the structures are currently in a state of disrepair.

The truss bridge on the Jurong Line over Sungei Ulu Pandan.

On concerns raised over the removal of the tracks, BG Tan reiterated that the tracks would be returned to Malaysia under the terms of the agreement and that the SLA is under intense pressure to meet the deadline set for the removal of the 26 km of tracks and return them by 31 December 2011 as per the agreement. While the most of the tracks would be returned, the good news for heritage groups and railway enthusiasts is that parts would be retained in way of the platforms at Tanjong Pagar and Bukit Timah Stations, and also on the bridges that are being retained which include the two iconic truss bridges along the Bukit Timah stretch of the corridor.

The tracks will be removed as part of the agreement and returned by 31 December 2011. Short stretches will be retained at the station platforms and the rail bridges being retained.

Responding to a question on public access to the corridor, BG Tan replied that parts of the corridor would be opened up as tracks are removed. He also mentioned that with the exception of specific areas which will be hoarded up to facilitate work, a large part of the corridor would be accessible and should members of the public wish to walk in the areas, they should be exercise caution as removal work is being carried out in some areas. On the question of Tanjong Pagar, BG Tan mentioned that there are no immediate plans to open it up, stating that the building needs to be refurbished first. Members of the Singapore Heritage Society have suggested that intermediate uses be found for the building before plans are drawn up for the National Monument’s eventual use.

Stretches of the corridor will opened for public access once removal works are completed.

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Public feedback sought:

The URA welcomes feedback and ideas from the community in shaping the future development plans for the railway lands. The members of the public are invited to visit and provide their ideas at www.ura.gov.sg/railcorridor/.

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Posts on the Railway through Singapore and on the proposal on the Green Corridor:

I have also put together a collection of experiences and memories of the railway in Singapore and of my journeys through the grand old station which can be found through this page: “Journeys through Tanjong Pagar“.

Do also take a look at the proposal by the Nature Society (Singapore) to retain the green areas that have been preserved by the existence of the railway through Singapore and maintain it as a Green Corridor, at the Green Corridor’s website and show your support by liking the Green Corridor’s Facebook page. My own series of posts on the Green Corridor are at: “Support the Green Corridor“.

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