The faces of Chingay 2013

24 02 2013

If anyone reading this appears in any of the photographs below (or in this album), I would be pleased to extend a higher resolution copy of the photograph to you if you can drop me an email.

Photographs from what was certainly a feast for the senses, Chingay 2013, which was held at the F1 Pit Building over two evenings on 22 and 23 February 2013. The annual event, touted as “Asia’s Grandest Street Parade”  is organised the People’s Association. In its current incarnation, Singapore’s Chingay was conceived as a street parade to celebrate the Chinese New Year in 1973 in the wake of the ban on the tradition of letting off fireworks, the parade has evolved over the years into the spectacular celebration of Singapore’s rich multi-ethnic mix and includes participants from many other countries. The event wouldn’t have been a success if it wasn’t also for the efforts of many participants and volunteers, to whom this post is dedicated to:
















































The spirit of Chingay 2013

22 02 2013

Themed “Fire in Snow”, Chingay this year celebrates the strength of the human spirit in the face of life’s challenges. Presenting a spectacle (as it always does), with fire representing resilience, bravery, perseverance, passion and determination. This will be placed in contrast with snow representing challenges and hardships. Exemplifying the spirit of this year’s Chingay will be not just the resilient Singaporeans who would be honoured during Chingay, but also the participants who have collectively put in many hours of tireless efforts including rehearsing through last evening’s pouring rain to bring the show to the audience tonight and tomorrow night. Besides being part of the audience, Chingay 2013 can also be watched live at this link.

Participants rehearsing through the pouring rain - exemplifying the spirit of Chingay 2013.

Participants rehearsing through the pouring rain – exemplifying the spirit of Chingay 2013.





Mr Nah Juay Hng, Chairman of the Chingay Parade Exco with  Peng Qia Qia (澎恰恰), Hong Rong Hong (洪荣宏), Yang Lie (杨烈) and Billy Wang (东方比利) as well as some of the resilient Singaporeans who will be honoured at the event.

Mr Nah Juay Hng, Chairman of the Chingay Parade Exco with Peng Qia Qia (澎恰恰), Hong Rong Hong (洪荣宏), Yang Lie (杨烈) and Billy Wang (东方比利) as well as some of the resilient Singaporeans who will be honoured at the event.

The transformation of Chingay over the years

5 02 2013

The Chingay Parade in Singapore as we know it today had its beginnings in the wake of the total ban on firecrackers which once were a must-have at any Chinese New Year celebration.

That was back in 1973 – the parade was a relatively simple one which had been put together by the People’s Association and the Singapore National Pugilistic Federation, and it saw a procession of lion dancers, giant flag bearers, dragon dancers, stilt walkers, clowns and juggling acts down a 3 kilometre route from old Victoria School to Outram Park.


An early Chingay Parade through the streets. Chingay was revived as a street parade for everyone in 1973 following a total ban on firecrackers.

Being very much connected with Chinese New Year, it was a Chinese-centric procession and passed through some of the streets of Chinatown. The first procession was a resounding success, prompting the decision to make it an annual affair and the four decades of it, saw a transformation that had it move into the housing estates (starting with Toa Payoh in its second year), before it was moved to Orchard Road in 1985.

In that time, the parade also took on first a multi-cultural flavour and then an international flavour – moving from being a street parade not just for the man on the street but also for visitors to the island.

The carnival -like street parade Chingay is today. A less than traditional looking stilt-walker seen during the rehearsal for Chingay 2013.

The carnival -like street parade Chingay is today. A less than traditional looking stilt-walker seen during the rehearsal for Chingay 2013.

Stilt walkers from a Chinagy Parade in the 1980s seen along Orchard Road.

More traditional stilt-walkers from a Chingay Parade in the 1980s seen along Orchard Road.

The origins of Chingay were actually not in the carnival-like street parade that we are treated to today.

Chingay in its original form was what had been described as a Hokkien Chinese tradition, held in conjunction with religious festivals with a parade of deities. It is this form that it the celebrations of Chingay across the causeway still take. One example of this takes place in Johor Bahru on the 21st day of the Chinese New Year. The parades were held in Singapore as far back as in the 1880s, and saw the participation not just by the Hokkiens, but also by members of the main Chinese dialect groups.

The annual event has over the years taken on a multi-cultural and more international appearance.

The annual event has over the years taken on a multi-cultural and more international appearance.

The Japanese community  in Singapore has been well represented over the years.

The Japanese community in Singapore has been well represented over the years.

A Straits Times report of 1 February 1902 gives us an idea of the Chingays of the early days. It describes the parade as “being accompanied by all the usual banners, flags, toms toms, bands, magnificently and grotesquely made out individuals, and figures”.

The report further describes the parade: “barbaric splendour was manifested to extravagance and thousands of spectators flocked to all points to witness it. Numbers of pretty Chinese girls brilliantly and richly dressed sat on perches ten feet high, surrounded by flowers, and borne on the shoulders of bearers”.

The early parades in its more recent form would typically feature traditional performers such as flag bearers.

The early parades would typically feature traditional performers such as flag bearers.

Chingay in 1985 seen passing Peranakan Place.

Chingay in 1985 seen passing Peranakan Place along Orchard Road.

Parades in their original form were ones, which perhaps were an expression of identity and on which no expense was spared, were discontinued after December 1906. That was when at a meeting of the Hokkien clan, it was decided that the raising of public funds would better serve the promotion of children’s education instead.

The colourful celebration that is today's Chingay.

The colourful celebration that is today’s Chingay.

Chingay these days has perhaps come a full circle – at least in the sense of the extravagance.

Each parade is now one to look forward to and involves preparations that begin as early as some fifteen months ahead and are no longer the spontaneous street celebration it once had been. Many rehearsals are required so that the delivery is made “perfect” and what can be seen to be more of a staged performance – much like our National Day Parades.

For photographs of a preview of Chingay 2013 – please visit my previous post on Chingay 2013.

Stilt-walkers resting along the Orchard Road route in 1985.

Stilt-walkers resting along the Orchard Road route in 1985.

Some highlights of Chingay 2013:

  • Grandest Cultural Opening – 文天祥之“正气歌” Song of Righteousness by renowned Wen Tian Xiang, Song Dynasty (Cultural collaboration between artistes from Singapore and Fuzhou), with Chingay Taichi Sword Showcase
  • World’s Biggest Peach Blossoms, “桃夭” Performance
  • First-Ever Combined Chinese Opera Performance of Lady Generals of The Yang “杨门女将” jointly presented by Teochew, Hokkien and Cantonese Opera Groups in Singapore
  • Programme will involve at least 5,000 students and Singaporeans to write calligraphy based on the poem “Song of Righteousness” 五言诗:正气歌

Chingay returns with a big splash!

17 01 2012

Those who remember the very first Chingay in 1973 will remember it as a parade of lion dances, giant flag bearers, dragon dances, stilt walkers, clowns and juggling acts that took a 3 kilometre route from the old Victoria School to Outram Park. Those were the very first step of what has now become a continuing journey that is now into its 40th year. That first parade featured some 2000 performers that moved along from Tyrwhitt Road, passing Jalan Besar, Bencoolen Street, Bras Basah Road, North Bridge Road, South Bridge Road, Upper Cross Street, New Bridge Road and Outram Road, all of which had been lined with crowds that had gathered in anticipation. Introduced initially to make up for an imposition of a total ban on firecrackers, the parade which had been organised by the People’s Association and the Singapore National Pugilistic Federation, was such a success that it was made into an annual event. Over the years, the Chingay in Singapore has become a highly anticipated event on the calendar, and has evolved into the colourful night-time spectacle featuring participants from far and wide that we and audiences elsewhere look forward to.

Chingay celebrates its 40th year with the 2012 edition of the annual parade which will usher in the Year of the Dragon.

A scene from the opening segment in which the People's Association Youth Chinese Orchestra's Music Director & Conductor , Mr Ng Seng Hong performs on the erhu.

To mark the 40th edition of the Chingay, the organisers this year have lined up a treat that will certainly prove to be an unique and extraordinary experience – one that will be moved off dry land and into a specially created waterway at the F1 Pit Building. I had the privilege of being treated to a preview of this during Saturday’s full dress rehearsal which was preceded by a briefing to the media chaired by Mr Nah Juay Hng – the Chairman of the Chingay Parade Singapore 2012 Exco. Together with a panel that included Mr Kazuo Sugino of The Japanese Association, Singapore and Mr P Thirunal Karasu of Narpani, Mr Ng provided members of the media with an insight into this year’s parade which will see some 8000 participants splashing their way through a 360 metre waterway. Along with the participants, numerous floats will also make their way down the waterway through the parade’s 8 themed segments.

To mark the occasion of the 40th Chingay, the parade will take place in the glow of a show of light effects along a 360 metre waterway.

Participants moving along the 360 metre waterway.

Participants splashing their way through the waterway.

Participants representing NUS having a splashing good time.

Dubbed as “A Waterway Parade of Love and Care”, the parade will also see the active participation of the Indian community. Joining hands, both new citizens and long time Singaporeans from the community will present “Kaathal Doothu” – “Messengers of Love” with a 250 strong contingent. The parade will also feature performers from elsewhere, notably Japan, China and Indonesia, as well as local troupes and various community groups. The Japanese contingent will comprise 330 members and aims to spread a message of care and love with a 9.5 metre lantern structure that will be accompanied by the strains of the evergreen Japanese song “Ue O Muite Aruko” – more commonly known elsewhere as “Sukiyaki”. The Chinese contingent this year will include 300 young ladies – schoolgirls, as well as dancers from the Red Star Dance Troupe who will feature in a performance entitled “Ta Ge”.

This Chingay will also see the participation of the Indian community with a mix of both long time citizens and newly arrived ones.

A 9.5 metre high lantern will feature in the performance by the Japanese contingent.

300 young ladies from China's schools and its Red Star Dance Troupe will give a performance entitled “Ta Ge”.

The parade this year which ushers in the Chinese Year of the Dragon will also see an abundance of representations of the mythical creature. An opening all dragon segment will see an artistic dragon float, numerous dragons representations, as well as dragon dances form both Singapore and China. The penultimate segment will also see 28 community dragons representing various community grassroots groups in Singapore making an appearance before what will be a very grand finale which will see some 3000 performers and culminate with a rendition of “爱让你看到” or “Love Will Make You See” – the parade’s finale theme song by three popular lead singers, Yang Hai Tao, Joi Chua and Vera.

Ushering in the Year of the Dragon, Chingay will feature numerous dragons.

Fire, water and swirling dragons - Chingay has come a long way since its inception in 1973.

A fire breathing dragon makes an appearance.

The grand finale will see some 3000 performers along the waterway.

On the evidence of the what we were treated to during the full dress rehearsal complete with the well-choreographed lighting effects and dragons swirling to the glow of orange from burst of flames, the parade is one that will be nothing short of spectacular, and definitely one that will be hard to forget. This year’s unique parade on water is also one that is not to be missed and one that I would look forward to with the same anticipation as I did as as that child of eight that I was to that very first Chingay close to four decades ago.

The opening segment will see "Brides of the World" strutting down a catwalk on the waterway.

Faces from the Full Dress Rehearsal

How to catch Chingay 2012

Tickets for the event which will take place on 2 days – 3 and 4 February 2012, are, as of the day of the media briefing, 80% sold for what is expected to be a sold out event. Information can be found at the Chingay 2012 website (click here). Those unable to obtain tickets are able to catch the parade at a non-waterway section of the 800 metre parade route at free standing areas at the Marina Promenade behind the Singapore Flyer.

The event will also be broadcast live over the two days and see international coverage with stations from Japan, China and Taiwan broadcasting to audiences in their respective countries, as well as see it being beamed live through Chinese internet TV network PPTV which is target at audiences in China, as well as those worldwide – making a live streaming of the event available to a variety of internet enable devices. To catch a live webcast of it, please visit the Chingay 2012 website (click here).

A dragon awakens

5 09 2016

The fire dragon of Sar Kong, in a rare reprise of the its smoking performance earlier this year, will come alive once again this September on the occasion of the 150th anniversary celebrations of the temple its lair is found in, the Mun San Fook Tuck Chee (萬山福德祠) . The temple has its origins in Sar Kong (沙崗) or “Sand Ridge, where a community of Cantonese and Hakka coolies had settled in.


The practice of parading the burning dragon has its origins in Guangdong – the origins of many in the community. Made of straw that has been imported from China, such a dragon would previously have been constructed for the feast day of the temple’s principal deity and sent in flames to the heavens.  In more recent times, such straw dragons would be paraded on an average of once every three years.  This particular dragon, which made for a more recent Chingay Parade, is not burnt but set alight only by the placement of joss sticks on its body.


More information on the practice, as well as the historic setting for the village and the temple, can be found in the temple’s heritage room. More on the temple and its history can also be found at the post: On Borrowed Time: Mun San Fook Tuck Chee.

Schedule for the Mun San Fook Tuck Chee 150th Anniversary Celebrations

A number of events held in conjunction with the 150th anniversary of the Mun San Fook Tuck Chee: Taoist priests from Ching Chung Koon in HK invited here to conduct rituals over 3 days, a seminar on Dabogong (Tua Pek Kong), a heritage exhibition, a book launch, and the finale – the one and only fire dragon dance in Singapore.

9 Sep 2016 (Fri)
0900-1145 Preparing ritual space
1400-1600 Rituals
1800-1900 Opening of heritage exhibition
1900-2100 Rituals

10 Sep 2016 (Sat)
0900-1145 Rituals
0930-1200 Seminar and discussion on Dabogong
1400-1600 Rituals
1900-2130 Rituals
2000-2100 Crossing the bridge for devotees

11 Sep 2016 (Sun)
0900-1145 Rituals
1000 Lion dance to welcome foreign visitors
1045-1145 Paying of respects by foreign visitors
1100-1400 Mid-autumn event for respecting elders in the community
1400-1600 Rituals
1600-1730 Salvation rituals
1930 Fire dragon performance / Book launch / Exchange of souvenirs with foreign guests

Photographs from the parade of the Fire Dragon in March 2016














The Fire Dragon’s Lair

8 12 2014

It is in the last remnant of the village of sand that we find the lair of the fire dragon. The dragon, the only one in Singapore, lies in wait , its mouth wide open, expelling not a breath of fire, but of flames that reignite the memories of a time and place that might otherwise have been forgotten.

Inside the dragon's lair.

Inside the dragon’s lair.

The residence of the dragon, a small corner of the Mun San Fook Tuck Chee (萬山福德祠) – housed in a century old structure erected during the days of the now forgotten village, is the temple’s newly completed Sar Kong Heritage Room. The room is where the story of the dragon, that of the area’s heritage, and also of the humble origins of the temple and the community it served, now awaits discovery.

A view of the heritage room from the outside.

A view of the heritage room from the outside.

As with much of the Geylang that had developed along the banks of the rivers and tributaries of the area, the origins of the village of Sar Kong (沙崗) whose community the temple served, is one that is tied to the trades that thrived due to the geography of the area. In Sar Kong’s case, it was the kilns that fired the much needed building blocks for the fast developing Singapore, providing employment to a community of Cantonese and Hakka coolies. Established through the efforts of the community, the Mun San Fook Tuck Chee is unique in that among many early Chinese temples that has survived to this day, it owes its setting up not to an act of philanthropy by well-established individuals, but to the efforts of a coolie community.

Among the exhibits is a set of historical photos and building plans that is set against part of a wall that has its plaster removed to reveal its original brickwork.

Among the exhibits is a set of historical photos and building plans that is set against part of a wall that has its plaster removed to reveal its original brickwork.

Much of the information on geographical and historic setting for the village and the temple can be found within the exhibits of the heritage room, along with the background to some of the temple’s more interesting religious practices as well as the role it played from a social perspective. There also is information to be discovered about the dance of the fire dragon, which has its origins in Guangdong, Made of straw imported from China, the dragons previously made would have been constructed for the feast day of the temple’s principal deity Tua Pek Kong, and sent in flames to the heavens.  The dragon that is on display is one made for a more recent Chingay Parade.

Putting up the plaques.

Putting up the plaques.

More information on the temple, which is under threat from future development, can be found in a previous post, On Borrowed Time: Mun San Fook Tuck Chee. The newly completed heritage room is due to be opened officially in Jaunary 2015.

Early birds to the heritage room.

Early birds to the heritage room.

The fire dragon.

The fire dragon.

A one way ticket from a personal collection on display.

A one way ticket belonging to a personal collection on display.

The celebrating of Spring in the greater town

27 01 2014

The arrival of spring, commemorated by the Chinese by the celebration of the new year, brings much colour and life to the streets of the “Greater Town”, tua poh, as it was known as to the local population. Besides the street market – long a popular source of goods necessary to welcome in the new year, the area since 1985, has also been livened up by the illuminations of an annual Chinese New Year light-up.

No horse run - this year's light-up is perhaps light years ahead ...

No horse run – this year’s light-up is perhaps light years ahead …

Crowds thronging the street market.

Crowds thronging the street market this year.

I managed to take in the festive atmosphere on the streets, packed with crowds that the weekend before  the new year brings, but not before I attended a rather interesting sharing session on the celebration of Chinese New Year held at the URA Centre. Entitled “Cakap Heritage: All About Chinese New Year in Kreta Ayer / Chinatown” and jointly organised by the Singapore Heritage Society (SHS) and the Urban Redevelopment Authority (URA), the session provided a view not just of how the festival in years past would have been celebrated in the area, but also of the many ways in which Chinese New Year was observed all across Singapore through the recollections of several of the session’s participants.

A bus passenger The an gazes out at the festive light-up. The annual light-up is now a spectacle not to be missed.

A bus passenger The an gazes out at the festive light-up. The annual light-up is now a spectacle not to be missed.

One topic that was discussed at length during the session was shopping. Besides shopping for festive goodies, cards and decorations, Chinese New Year is also when new clothes and shoes – a must for every Chinese, are bought. For some it would be the only occasion to splurge on a new outfit and while many had theirs tailored, clothes for children were often bought from the Tua Poh street market – although as one former Changi Village resident did testify, shopping wasn’t necessarily confined to the streets of Chinatown.

Festive goodies on offer at the street market.

Festive goodies on offer at the street market.

A seemingly popular shop to buy shoes from, was the Phoenix Shoes Company, located in a shophouse along South Bridge Road. Although the shop wasn’t one I was familiar with, it did bring back memories of another shoe shop – further east along South Bridge Road, from which my parents got their shoes from. That shop, the Crane Shoe Store, is one I well remember for how a light green box in which the pair of shoes in the size desired, would come rushing down a chute from the store room above – almost without delay whenever the shop assistant shouted an order out.

The streets come alive in the lead-up to Chinese New Year.

The streets of the greater town come alive in the lead-up to Chinese New Year.

Other experiences ranged from the buying gold jewellery (On Choeng – a goldsmith on South Bridge Road, seemed a popular choice), to waxed products and ducks eggs. A name synonymous with the prelude to Chinese New Year these days, Lim Chee Guan – known for the long queues for what is today a must-have Chinese New Year treat, bak kwa or long yuk (sometimes translated to pork jerky or barbecued dried pork), did also get a mention. A participant did make the observation that queues would have been non-existent back in the 1950s – when it would be difficult for many. Another luxury mentioned was feasting on bats – something that a restaurant by the name of Oriental in the 1950s, was along with monkeys and squirrels, apparently quite well known for.

Shoppers at the street market.

Shoppers at the street market.

One the subject of luxuries, mention was also made of how for some of the less well-off folks – such as the Samsui women, Chinese New Year would be one of the rare, if not only occasion on which they would put meat, in the form of chicken, on the table, saving through the year to do so.  The mention of chicken does take me back to the Chinese New Years of my early childhood, when the second day involved visiting a family friend who helped on a chicken farm in old Punggol – besides the squealing of pigs for their supper and perhaps an unfortunate incident in which I swallowed a loose teeth biting into an ang ku kueh, a memory that does linger from those visits is the sight of a headless chicken bound for the pot, scampering around on the sandy ground. 

The colour of gold.

The colour of gold.

A consequence of the decades of social engineering in Singapore, is perhaps the loss of the use of the Chinese dialects, along with dialect group specific cultural practices such as was observed in the celebrations of yesteryear. Besides dialect group specific such as the Hokkien practice of Bai Ti Gong (honouring the Jade Emperor) still seen today, there are dialect group specific practices that have been adopted by the wider community such as the tossing of raw fish salad, yu sheng – a widely practiced Chinese New Year custom now in Singapore. This was confined initially to the Cantonese –  a gentleman recalled his first experience of it that went back to 1955. Other dialect group specific practices included taboos associated with Chinese New Year such as not sweeping the floor, and not throwing rubbish out of the house on the first days of the new year. 

A young shopper.

A young shopper.

One practice that was common across the community was letting-off firecrackers. The thunderous burst of noise, the acrid smell of gunpowder that lingered in the air and the sea of red paper that littered the streets, would not be something the younger folks would of course remember. Firecrackers which were banned after 1972 in Singapore – the first modern version of the Chingay parade organised in 1973 was offered as to compensate for that. These were however very much an integral part of the celebration before the ban and several of the participants did share experiences from the 1950s and 1960s, before the ban kicked in, such as how as girls they would not dare venture out on their own out of fear of mischievous boys would would lie in wait to scare the girls by throwing lighted crackers at them.

Scenes from Chinese New Years of days gone by ... the smell of gun powder and smoke that filled the air, and the sea of red left behind .... (source: National Archives,

Scenes from Chinese New Years of days gone by … the smell of gun powder and smoke that filled the air, and the sea of red left behind …. (source: National Archives, http://www.archivesonline.nas,sg).

Still on the subject of firecrackers, a Danish couple shared how it was also common practice to let off crackers for the new year. Firecrackers are known there as “Chinese” – the smaller ones “one-cent Chinese” and the larger ones “two-cent Chinese” – a reference possibly to the origins of firecrackers.

Preserved fruits on offer,

Preserved fruits on offer.

Without the sound of firecrackers going off through the night, and perhaps with the distractions of the modern world and the dilution of cultural practices, Chinese New Year does seem a quieter affair these days. Chinese New Year, is however, very much still an occasion for the family to gather – the family reunion dinner is still very much an important part of the celebration for many families. And if one does brave the crowds on the streets of the Greater Town, streets that while perhaps are over sanitised and modernised, are where one does discover that the spirit of Chinese New Years past is one that is very much alive in the present. 

A view over the sanitised Chinatown and the modern city that has grown around it.

A view over the sanitised Chinatown and the modern city that has grown around it.

A view of the busy New Bridge Road with the galloping horses of the light-up.

A view of the busy New Bridge Road with the galloping horses of the light-up.

A look down the Orchard Road of the early 1970s

20 01 2014

A photograph that would probably have been taken from the top of the Hilton in the early 1970s offers a view of that show how different Orchard Road was back then. The Mandarin Hotel, which was completed in 1971, and the two-way traffic system along the stretch from the junction with Scotts/Paterson Roads provides an indication of when the photograph would have been taken. This was period when I probably enjoyed Orchard Road the most, a time when the crowds we now cannot seem to escape from were non-existent, and a time before the modern shopping malls descended on what has since become a street well-known throughout the world for its shopping offerings.

Orchard Road early 1970s

Of some of the main landmarks seen in the photograph, only the Mandarin Hotel and Liat Towers stands today. In place of Orchard Road Police Station is the Orchard MRT Station and ION Orchard above it. Across the road, the complex that houses Tangs and Marriot Hotel (ex Dynatsy Hotel) now stands in place of the two rows of shophouses and the iconic old CK Tang Building.

Lucky Plaza (1978), one of the first malls to arrive on Orchard Road, stands where Champion Motors (a former Volkswagen dealer) used to be and Tong Building (1978) stands where the Yellow Pages Building and an Esso Petrol Station were, right next to the old Fitzpatrick’s Supermarket.

Fitzpatrick’s went for the Promenade Shopping Centre (1984) to be built. The Promenade, best remembered for its spiral walkway up, has since been demolished for an extension of Paragon (2003) to be built.

The original portion of Paragon (1997) would have been where The Orchard, a shopping centre that was converted from the former Orchard Motors showroom in 1970, had stood. The Orchard would be remembered for its famous Tivoli Coffee House.

Another icon along that old Orchard Road, would be Wisma Indonesia beyond Orchard Road Police Station and separated from the road by an uncovered Stamford Canal and a service road. That housed the Embassy of the Republic of Indonesia, and was very recognisable for its Minangkabau styled roof. In its places stands Wisma Atria (1986).

Beyond the Wisma was Ngee Ann Building. It was where the once well-known Mont d’Or Cake Shop was located. The site of Ngee Ann Building (and the then empty land beyond it) is where Ngee Ann City (1993) stands today. The canal one had to cross both to Ngee Ann Building and the Wisma, was covered up in 1974 and its is on top of this that the wide pedestrian walkway running down that side of Orchard Road, now runs.

More related to Orchard Road in the 1970s and 1980s can be found in several posts:

The skateboard ban of 1978

22 09 2013

Passing by Somerset Skate Park and watching a skateboarder in action, I was reminded of a time when skateboards first made an appearance in Singapore some three and a half decades or so in early 1976. Then, there were no skate parks catering to skateboarders to speak of and many would take to footpaths and even the streets. This was until a ban was imposed on skateboarding in public places including parks and void decks in May 1978 when I was in Secondary 2 – with the police warning that they would not hesitate to prosecute anyone caught as skateboarding was thought to be not just a nuisance, but also a dangerous activity. With a rink in Sentosa which had been popular with skateboarders (it was also possible to rent skateboards there) deciding to also close their doors to skateboarders not long after that, many skateboarders had to turn to secluded spots. One such spot was right at the top of Fort Canning Hill – there was actually a underused roller skating rink built in the clearing by Fort Gate which did become quite popular with skateboarders.

JeromeLim 277A2511

Over time, skateboarding did start to gain acceptance as a pursuit with several community centres offering courses, with a even a display of it during Chingay in 1989. There are today several skate parks to skateboard in including the one at Somerset which was opened in 2006.

Come walk with me …

8 06 2013

I started this blog back in January 2008, intending it as a means for me to take a walk back through my life’s journey. That was some two months into a working stint in Penang which in reminding me of a Singapore I had long forgotten, triggered a deluge of memories of my younger days in a gentler Singapore I had a most wonderful time growing up in which were locked up in me.

Come walk with me ...

Come walk with me …

It was then that I decided on trying to capture my experiences in life, moments not just of my happy childhood, but also the many stops I made on life’s long journey – a blog seemed a good enough way of doing this, allowing me to capture the many impressions made on me of both past and present. A collection of posts related to the early chapters of my life can be found on “The Singapore of My Younger Days”.

277A1152The “bright lights” of Singapore after dark I often seek to capture.

November's a busy time in and around Kyoto when many from far and wide flock to the former imperial capital just to catch koyo - the autumn leaves. Colouring my life with a pause along life’s journey taking in Kyoto’s autumn colours.

The winter landscape at the top of Mount Balwang Chilling out in winter at the top of Mount Balwang on another pause along life’s journey.

The blog has evolved over the years, and has very much been associated with the use of photography, twice being named as the Best Photography Blog at the Singapore Blog Awards and being shortlisted as a finalist for the award at this year’s edition. Photography was never intended as the focus of the blog, nor do I describe myself as a photographer, although photography is a medium I used to help in telling my story. Photographs are to me not just about capturing beautiful or perfect images, but are also a powerful visual means that can be used to convey mood and emotion, a sense of time and place, and a wonderful way to capture the moment and the passing of time.

277A0277bAfter dinner conversations, Chonburi, Thailand.

277A0277bA representation of architectural conservation in Singapore.

It is the consequence of the passage of time I am constantly confronted with in my attempt to connect with my memories, in particular, the rapidly changing landscapes in an island nation which has not stopped to pause in its race to modernise. It is perhaps a regret that I have that I did not think of harnessing this means – which I did have at my disposal, to previously do this, and I set out to also capture the present not just to connect with the past, but also as it will inadvertently become the past.

Capturing time, place and the moment on my journeys out of Singapore.

It is in doing just this, that I am also able to celebrate the wonderful experience I have of living in a Singapore that for me, has more to offer than its bright lights, glossy new icons, busy shopping malls, and eating places that the good folks in our tourism board seem to want to sell above all else. It is however far beyond the tourist view of Singapore, where the real Singapore is to be found, a gentler world in which the rich diversity of cultures and traditions which made Singapore what it was before the modern city took over can still be discovered. A collection of post in which I celebrate Singapore can be found at “Celebrating Singapore”.

Celebrating the arts and entertainment scene in Singapore.

The journey taken with this blog, has been one that is a very enriching one, and one in which I have learned a lot more about myself and my roots in Singapore. The blog has also provided many opportunities for me to broaden my view of and experience of life, including the many new and valuable friendships made with the many I have met along the way.  I am also grateful that it has given me the opportunity to share my impressions and memories through various channels. One is the Singapore Memory Project, a project which aims to collect the many memories we as Singaporeans have of living in Singapore.

Capturing the many facets of Singapore.

I have also been provided with the rare opportunity to exhibit some of my photographs at two recent National Heritage Board (NHB) exhibitions. The first, was a small photo exhibition I was able to curate on the last days of the railway through Singapore, “First Journeys, Last Goodbyes“. This was held as part of the Motoring Heritage Weekend at Tanjong Pagar Railway Station in September 2012 and involved a collection of photographs contributed by the community, including some of my own.

The other contribution I made was to an exhibition that is currently being held at the National Museum of Singapore, “Trading Stories: Conversations with Six Tradesmen“. For this I put together a series of photographs which offers my impressions of how spaces in which some of the early traders thrived have been transformed.

One thing that I hope that the blog can help in doing is in raising awareness on the lesser publicised issues which in celebrating Singapore, I am often put in touch with. One issue in which the blog did help in raising awareness on was on the proposal to preserve the rail corridor as a green corridor in 2011. More recently, posts relating to two religious National Monuments which are badly in need of funds for repairs, did help bring the plight of the monuments to the attention of the mainstream media. The two posts relate to the Cathedral of the Good Shepherd and the Church of Sts Peter and Paul, the two oldest Catholic churches in Singapore, on which reports in the mainstream media soon followed.

This year’s edition of the Singapore Blog Awards sees some excellent photography blogs. However, if as a reader you do feel that the blog does match up  or exceed the standards of the blogs it is up against at this years award, I would be most grateful for your kind voting support – reader’s votes do count for 30% of the scoring. To vote, registration (and account activation via an email you will receive upon registration) would required. Voters do stand a chance to win some prizes. Following activation, you may vote for finalists of your choice for each of the ten main categories, seven special categories and two celebrity categories, once a day (calendar day based on Singapore time).

This post wouldn’t be complete without me giving a shout-out to some the very good bloggers with who I have become friends with or who have been loyal supporters. These are:

The shortlived French invasion of Singapore

8 02 2013

I was looking through some of my old (and rather badly taken) photographs of Chingay when I stumbled upon a sign which brought to mind events of the 1980s. The decade was a time when the world around us was very much in transition and a time when the French decided on an invasion of Singapore. The invasion was one not involving any form of military force, but by forces of an entirely different nature – those of two of their well established retail giants, Galeries Lafayette and Printemps – department stores which are landmarks on one of Paris’ famous shopping streets, Boulevard Haussmann (it was a photograph with the Printemps sign that brought this to mind).

The Printemps Store along on the ground level of Hotel Le Meridien at Orchard Road.

The Printemps Store along on the ground level of Hotel Le Meridien at Orchard Road.

The entrance of the two stores into the local retail market came at the start of a decade in which Singapore was too see massive changes. Much of the resident population of the city centre had been or was to be moved out, and once bustling districts of shophouses which coloured much of the urban landscape was over the period, reduced to rubble. The 1980s also saw Orchard Road establishing itself as Singapore’s main shopping street and the economic success of Singapore – one of the four “Tigers” of the Asian economies, provided for the rising affluence among Singaporeans and with that a greater awareness of fashion trends. This influenced shopping habits and preferences and many overseas based retailers saw an opportunity to gain a foothold into the Singapore market, with two Japanese based retailers having by then already established themselves. Isetan came in 1972 and Yaohan in 1974.

It was Galeries Lafayette which lead the French charge, opening a 5574 square metre store in out-of-town Goldhill Square (since renamed United Square) in December 1982. Printemps followed soon after, taking up 4000 square metres of space on Orchard Road on the ground floor of the newly constructed Hotel Le Méridien (now Concorde Hotel) in September 1983. It was Printemps which perhaps had the greater impact – projecting an image not so much of Parisian chic but one of being hip, colourful and affordable – it was Printemps which introduced the colourful canvas espadrilles which for a while seemed to catch on with Singaporean shoppers (trendy as they might have been, they unfortunately were not the most ideal form of footwear for the local climate). Printemps colourful and cheap polo-tees were also rather a hit with the young.

Despite the apparent popularity of some of what the stores had to offer, both did have great difficulty in making inroads and were making losses. Galeries (as it was referred to by Singaporeans) closed its Goldhill Square store in May 1986. The news of that did not come as a shock as it had been plagued by rumours of its closing for several months before that even as it had expressed interest in taking up a space either at Crown Prince Hotel or the space previously occupied by Mohan’s at Orchard Shopping Centre. It was perhaps a poor decision made to open their store at a location far from the main retail scene in Singapore. The closure did turn out to be a temporary move. Some ten months after closing the Goldhill Square store, Galeries opened a 4460 square metre store at Liat Towers on Orchard Road and not long after that, a smaller 400 square metre outlet at Raffles Place. In spite of the problems the two stores faced in what was perhaps becoming a saturated retail market, the two did last a little longer. Printemps operated ntil December 1989 when it shut its doors. Galeries after its second coming lasted a little longer – it was in March 1996 when they did finally close again.

Galeries Lafayette's second coming which was at Liat Towers, seen here in the 1990s, in March 1987 (source: http://

Galeries Lafayette’s second coming which was at Liat Towers, seen here in the 1990s, in March 1987 (source: http://

Fire in snow lights up the Lunar New Year

4 02 2013

While many in Singapore feel that the annual Chingay parade, now in its 41st year, has moved away from its original purpose of a street parade for the masses first celebrated in 1973 to make up for a total ban on the long held tradition of letting off fireworks during the Lunar New Year, the parade is without a doubt still very much a celebration of what Singapore is and what perhaps Singapore has become. The parade has in its recent editions become a show of the spectacular, combining a street-like parade in which the people from all major races and from all walks of life participate, with a well-orchestrated show of lights, music and effects which never fail to dazzle the audience. The theme of this year’s parade, “Fire in Snow”, will on the evidence of Saturday’s rehearsal, no doubt be as dramatic, if not more so, than last year’s water show was, with the opening scene seeing some 3000 performers light pots of fire, which turns the 360 metre parade route at the F1 Pit Building into a spectacular sea of light. The parade’s dramatic opening is matched by an equally staggering finale during which the parade’s audience and participants will be showered in falling “snow”, in which falling soap and pieces of paper brings the parade to a sensational close.

Chingay brings together members of the various communities in Singapore in an annual street celebration.

Chingay brings together members of the various communities in Singapore in an annual street celebration.

The opening scene sees the lighting of pots of fire.

The opening scene sees the lighting of pots of fire.

The spectacular closing sees "snow" falling on the parade.

The spectacular closing sees “snow” falling on the parade.

Saturday’s rehearsal, which was opened to members of the media, also had some 8,000 students in its audience. The students, representing some 56 schools, were there to participate in a National Education (NE) show to educate students about multicultural harmony. This is the first time students an NE show, usually associated with National Day Parade rehearsals, is being held in conjunction with the Chingay Parade rehearsals. The six-part parade will see some 10,000 performers representing some 120 organizations and will include a Chinese classical featuring 450 young performers from Singapore and China; a combined Chinese Opera Show with 300 members of local Teochew, Hokkien and Cantonese opera troupes who will perform to the strains of Phantom of the Opera; Tai-chi Swordmasters; and the participation of a 1,000 strong PAssion Zumba Community which includes the youngest participant in the parade who is only 4.

The largest Chinese Classical Dance in the show's history sees 450 young dancers from both Singapore and China peform.

The largest Chinese Classical Dance in the show’s history sees 450 young dancers from both Singapore and China peform.

A close up of the Chinese Classical Dance segment.

A close up of the Chinese Classical Dance segment.

Tai-chi swordmasters.

Tai-chi swordmasters.

The parade will be held on Friday 22 February and Saturday 23 February this year. More information including that on ticketing can be found at the Chingay 2013 website.

Members of the Queenstown CC Cantonese Opera troupe pose for a photograph before the rehearsal.

Members of the Queenstown CC Cantonese Opera troupe pose for a photograph before the rehearsal.

Student performers dressed in Chinese Opera costumes practicing before the parade.

Student performers dressed in Chinese Opera costumes practicing before the parade.

The youngest participant who is 4.

The youngest participant who is 4.

Ms Elaine Tjon a member of the PAssion Zumba Community sharing her experience at the media conference.

Ms Elaine Tjon a member of the PAssion Zumba Community sharing her experience at the media conference.

Student participants at the media conference.

Student participants at the media conference.

Mr Nah Juay Hng, Chairman of the Chingay Parade Exco speaking.

Mr Nah Juay Hng, Chairman of the Chingay Parade Exco speaking.

Members of the Japanese community.

Members of the Japanese community.

Float carrying more participants from Singapore's Japanese Community.

Float carrying more participants from Singapore’s Japanese Community.

The NE Show audience - schoolchildren expanded a lot of energy during the parade.

The NE Show audience – schoolchildren expanded a lot of energy during the parade.

More photographs from Saturday’s rehearsal:






















Celebrating Singapore

26 10 2012

There’s enough about Singapore to celebrate!

Singapore, once described as the crossroads of Asia, is an island where many cultures and religions have come together. The Singapore we see today, is one that has developed from a wealth of influences, influences which have come with the many arrivals to its shores for close to two centuries, not just from the West and the Far East, but also from exotic places such as the streets of old Baghdad and the highlands of the southern Caucasus. It is behind the ultra modern mask of more recent time, that, despite it shedding much that had to do with its past, we find many examples of the cultures and religions that the mix of immigrants have brought with them, each adding to the spectrum of colour in Singapore’s food, festivals and religious observances, and the many styles of architecture found along many of its streets.

Cultural Expressions

Religious Festivals

Religious Architecture

Hidden Places

Colourful Spaces

Cultural Expressions

Chingay 2012

Bangsawan (Malay Opera)

Chinese Puppetry

Teochew Opera (Ubin)


Teochew Opera (Thau Yong)

Kuda Kepang

Wayang Kulit

Contemporary Dance

Chinese New Year

Moon Cake Festival

Ramadan in Geylang Serai

Vanishing Trades

Chingay 2013

River Hongbao

Getai on Ubin

Songwriter Natalie Hiong

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Religious Festivals



Hungry Ghosts Festival

Panguni Uthiram


Good Friday

Silver Chariot Procession

Tua Pek Kong’s Birthday (Ubin)

Guru Nanak Jayanti

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Religious Architecture

Sultan’s Mosque

Sri Srinivasa Perumal

St. Joseph’s Church

Chesed-El Synagogue

Hong San See

Blessed Sacrament Church

Masjid Hang Jebat

Mun Sun Fook Tuck Chee

Good Shepherd Cathedral

St. Andrew’s Cathedral

Sri Veeramakaliamman

St. Joseph’s (Bt Timah)

Thian Hock Keng

Fuk Tak Chi

Nagore Durgha

Maghain Aboth Synagogue

Armenian Church

Chruch of the Sacred Heart

Nativity Church

Sts Peter and Paul

Good Shepherd Cathedral (Restoration)

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Hidden Places

Thow Kwang Dragon Kiln

The Pier

398 Canteen

The Pearl of Chinatown

The Last Post Standing

Lost on the Ridge

Inside a Conservation Shophouse

A Secret Hideaway

Bukit Brown Cemetery

The Last Village

Osborne House

The Japanese Cemetery

Remnant of Hun Yeang Village

Former Khinco Factory

The Former Naval Dockyard

The actual Changi Murals

Selarang Camp

Tombs of Malayan Princes

The Lost World

The Submerged Reefs

Sungei Khatib Bongsu

The Lost Forest

Ghost Island

The secret of Dove Island

Colourful Spaces

Streets of Sin and Salvation

The Village of Lime

The Back Lane

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On borrowed time: Mun San Fook Tuck Chee

19 06 2012

The Geylang area as many know is one that is associated with the seedier side of life, great food as well as the many houses of worship it plays host to. It is unfortunate that the seedier aspects does dominate the impressions we have collectively formed of the area. Geylang does, despite its appearance, have a lot more to offer than that, being rich not just in its architectural heritage, but also where some aspects of its history (as well as that of Singapore’s) have been preserved. Strategically located in the area where the Kallang and Geylang rivers meet, a large part of Geylang’s more recent history lies in the industrial development that took place around the Kallang Basin which also drew many from afar to seek their fortune to the area.

The stories of these migrants and that of the area’s industrialisation are now all but lost and it is in the old buildings and in the houses of worship that these forgotten stories are to be discovered. One of the houses of worship that has a story to tell is a Taoist temple, Mun San Fook Tuck Chee (萬山福德祠), that now lies somewhat isolated in a quiet corner off the Geylang we now see – a story that all too soon may be totally forgotten. The temple is one that now sits on a site that it occupied since 1901 as a guest, a guest that may soon overstay its welcome. The site – an obscure corner of what used to be Geylang Lorong 17, now Sims Drive, is on land that the HDB now owns, land that will be possibly be redeveloped with the cluster of public flats next to it that find themselves the victims of the relentless pace of redevelopment in Singapore.

Mun Sun Fook Tuck Chee sits in a quiet corner at the end of what was Geylang Lorong 17 (the part that is now Sims Drive).

A portal to a forgotten past.

My introduction to the temple and its origins was via a guided tour of it that one of our local experts on temples in Singapore, Yik Han, was kind enough to give at the end of a short walk of discovery I did with some friends through Geylang’s streets of sin and salvation. The temple’s history, I was to learn, goes back beyond 1901, to the second half of the 19th Century (the 1860s). It owes its establishment to the Cantonese and Hakka coolie population that had found work in the brick kilns that thrived by the banks of the Kallang River due to the availability of clay that was of a quality suitable for brick making. The temple is closely associated with a village on the banks that was referred to as Sar Kong (沙崗) or ‘Sand Ridge’ and had moved a few times before finding itself in its current site.

Yik Han giving an introduction to the temple’s history.

A member of the temple’s committee speaking of the temple’s origins …

… some of which is captured on a tablet.

In the temple’s name, one can perhaps find a reference to its origins. The name ‘Mun Sun’ is thought to be transliteration of the malay word bangsal, the Malay word for ‘shed’ or ‘workshop’ – a reference to its industrial origins. The temple which is dedicated to the Taoist deity Tua Pek Kong (大伯公) does, besides its interesting history, contain several interesting articles that await discovery. One is a carved altar table that bears the markings of the craftsmen who made it. On closer inspection of one of its legs, there are the marks left by the craftsmen which include the Chinese characters ‘牛車水’ – ‘Ox-Cart Water’ or the Chinese name for what we call Chinatown today. What this points to is that the craft was carried out not as one might have expected in China – where there was a tendency to commission such work, but locally.

The main altar to Tua Pek Kong. The carved wooden altar table in the foreground is one that was crafted off the streets of ‘Ox-Cart Water’, 牛车水 or 牛車水 in the traditional script. A carved inscription on one of the legs bears evidence of this.

Close-up of characters carved on the table. The Chinese characters ‘牛車水’- ‘Ox-Cart Water’ or ‘Kreta Ayer’ or the Chinese name for Chinatown in Singapore, indicate that there were furniture craftsmen present in Singapore’s Chinatown who made the table at a time when a lot of such work would have been commissioned in China.

The temple plays host to several other deities including the Golden Flower Lady (金花夫人). That she is the patroness of child-bearing won’t escape notice with the 12 nannies tending to young children that accompany her on the altar. One deity whose name escaped meat the side of the temple takes a curious form – that of a mannequin that is used to represent it.

The patroness of child-bearing, the Golden Flower Lady (金花夫人) with some of the 12 nannies who flank her on the altar.

A close-up of one of the 12 nannies.

Te deity which has a mannequin representing him.

The temple’s building also holds a clue to its origins. In the course of his introduction, Yik Han pointed out a little known fact – that the building is one of the rare examples of Cantonese style temple architecture in Singapore. It is also interesting to note that the temple had also at some point, housed a school, as well as a sports club, the sports club being started to provide a channel for alternative pursuits other than addiction to opium.

The temple’s building is one of the rare examples of Cantonese temple architecture.

The part of the temple where the school operated, now houses the lion dance troupe that probably is the temple’s claim to fame. It is the troupe that performs the fire dragon dance which uses a dragon that is made out of padi straw and lit up with incense sticks. A fire dragon from the temple featured in this year’s Chingay parade. The dragon that was used lies quietly in a room on the right side of the temple.

A ‘fire’ dragon made from padi straw that was used in Chingay 2012. The temple is known for the Fire Dragon dance.

Despite the temple’s significant links with the history of immigration into and the industrial development of the area, the future of the temple on its current site is one that is uncertain. The blocks of Housing and Development Board (HDB) flats that have cast a shadow on it for over three decades have been vacated – part of a on-going programme to renew some of the older public housing neighbourhoods known as the Selective En-Bloc Redevelopment Scheme (SERS) that will see them demolished and replaced by newer apartment blocks. This may mean that the temple at its current site may soon see its final days and with that … one of the last reminders of the area’s early industrial history will be one that like the area’s past that it represents, be forever lost.

Coils of incense on the ceiling.

Blessings that will be attached to the incense coils.

See also: 19th-century temple at risk of demolition (Sunday Times 26 January 2014).

The Singapore Blog Awards 2012 Interview

28 05 2012

How do you feel about being one of finalists in Singapore Blog Awards 2012?

I am smiling from ear to ear! What I actually am feeling is a mix of emotions that include being excited and extremely ecstatic, at the same time, I am also deeply honoured to be picked as one of the finalists in the Photography Category!

When did you start blogging and what drew you to it? Where do you get inspiration for your blog content?

I started blogging in 2008 as an attempt to document my life. At that time, I was doing a stint in Penang, and in wandering around the streets which were very reminiscent of the Singapore of old, I was transported back to that Singapore. It was then I started to realise how different life for me was, and how much Singapore had changed, and I thought of documenting that part of my life as well as what went on around me, partly to help me reminisce and partly to keep a record of what the world around me was seen through my eyes – what essentially had left an impression on me along life’s long and winding road (hence the blog name). The blog has over time evolved to much more than that and I have included photographs that I have taken as a means to help the reader connect with my writing. In the process of that I have developed a strong interest in photography.

What has inspired my blog content has very much been my readers and it is through the generous feedback I have received that I realise that it is more than nostalgia that draws readers to my blog, but also the snippets of history and heritage, the interest the blog has generated on the passing of the railway and the Green Corridor, the mix of the old and the new and the cultural aspects of Singapore, as well as my use of images that I am told speak to the audience. This inspires me to seek new experiences as well as look back at older ones. The interest and attention the blog has received has also benefited me in offering opportunities to further my experiences in the areas I am interested in and document them in my blog.

How do you feel about the other Finalists in your category this year? How do you think you will fare compared to them?

As with the previous year, I have found myself amongst some very accomplished photographers in the category. These include another previous winner, and several who ply the trade. Going through their stunning and mouth-watering sites, the level of competition provided is certainly very high and it will certainly be very hard for me to repeat my feat last year of winning in this category.

Give a reason why readers should visit your blog and vote for you?

If there was to be one reason why readers should visit and vote for The Long and Winding Road – it will have to be for the images that I’ve used on my blog that I hope has been able to paint a thousand words, images such as the few that I have included in this post.

Support The Long and Winding Road for the Singapore Blog Awards

23 05 2012

The Singapore Blog Awards is back – for a fifth year with the finalists in each of the fifteen categories announced on Monday. Once again, The Long and Winding Road is in the running in the Best Photography Blog (PANASONIC ECO BEST PHOTOGRAPHY BLOG) Category.

It is a great honour to be selected, having already had the good fortune of being picked as the winner in the same category at last year’s awards – for which I am greatly indebted to the readers of this blog and to the many friends I have made on the journey along the Long and Winding Road who have cast their votes for the blog. Repeating the feat this year will certainly be difficult – as with the last, there are exceptional blogs in the category which are all more than worthy of winning and once more. I would be most grateful for your votes, if you do think the blog is worthy of the accolade, to help in nudging the blog in the right direction – once a day up until the 30th of June. The voting page can be found at the PANASONIC ECO BEST PHOTOGRAPHY BLOG page.

To be able to vote, you would need to first register by clicking on the “REGISTER NOW” text at the top left of the page – you may fill up with any ID number if you do not have an NRIC/FIN Number required to register.

At the same time, I would also like to give a shout-out to some finalists in other categories – some of whom I have become great friends with, whom I think deserve a mention:

  • Fellow Singapore Memory Corp member Lam Chun See, the man behind Good Morning Yesterday (Best Individual Blog). Chun See’s tireless efforts in documenting a Singapore that once was is the benchmark for many nostalgia bloggers – including myself.
  • Self-professed ex-City gal turned expat housewife Karen Lim, whose wonderfully refreshing blog, Story of Bing (Best Lifestyle Blog) takes us on an adventure to South Africa.
  • Wildlife and conservation enthusiast Ivan Kwan, whose morbid fascination with dead animals in the form of updates on Monday Morgue (Best WTH Blog) every Monday certainly has me exclaiming “What The Hell”.
  • Father of four (yes, four!) Andy Lee, who introduces us to his adventures with his kids on Sengkang Babies (Best Family Blog) and is a really nice and down to earth guy.
  • Travel writer Rosemarie John, who takes us on her travels and beyond on Travel and Beyond (Best Travel Blog).

Photography on The Long and Winding Road

I wouldn’t call myself a photographer, but I do use photography as a means to express myself. Photographs to me are a wonderful way to capture that story, an impression or to keep as a record of events, the beauty around us and also the passing of time. Photographs certainly can paint that thousand words, helping a reader to connect with a body of text – a wonderful way to help me keep account of my wanderings along life’s Long and Winding Road. Below are some more recent examples of the stories I try to tell, the impressions and moments in time I try to capture in this blog through the lens. Feel free to browse through them and let me know what you think. 🙂