The Singapore Biennale 2016

2 11 2016

The 5th edition of the Singapore Biennale,”An Atlas of Mirrors”,  opened last week. Running until 26 February 2017, this year’s edition features works by 63 artists and art collectives from 19 countries and territories across Southeast Asia, East and South Asia that have a strong element of history in them. Curated around nine sub-themes the works are being displayed across eight locations with the Singapore Art Museum and SAM at 8Q as anchor venues. More information on the programmes, venues, artwork and ticketing can be found at the Singapore Biennale 2016’s website.

The Great East Indiaman by David Chan on the National Museum of Singapore's front lawn.

The Great East Indiaman by David Chan on the National Museum of Singapore’s front lawn.

Giving art a finger - Lim Soo Ngee's Inscription of the Island.

Giving art a finger – Lim Soo Ngee’s Inscription of the Island.


A selection of installations

Titarubi - History Repeats Itself at SAM. Featuring robes of gold coated nutmegs, it recalls the legacy of colonial conquest. to facilitate the control of the valuable trade in a spice said to have been worth its weight in gold.

Titarubi – History Repeats Itself at SAM. Featuring robes of gold coated nutmegs, it recalls the legacy of colonial conquest. to facilitate the control of the valuable trade in a spice said to have been worth its weight in gold.

The dreams of a Shaman's wife. Tcheu Siong, a Hmong shaman's wife has her dreams reinterpreted as 'story' clothes in which one finds the spirits she sees in her dreams, represented by the lanky figures alongside representations of mountains, humans and animals.

At SAM, the dreams of a Shaman’s wife. Tcheu Siong, a Hmong shaman’s wife has her dreams reinterpreted as ‘story’ clothes in which one finds the spirits she sees in her dreams, represented by the lanky figures alongside representations of mountains, humans and animals.

Also presented alongside are the works of Tcheu Siong's husband, Phasao Lao.

Also presented alongside are History, the works of Tcheu Siong’s husband, Phasao Lao.

Paracosmos by Harumi Yukutake at the SAM.

Paracosmos by Harumi Yukutake at the SAM.

Rubbish by Kentaro Hiroki, which features recreated items of rubbish picked by the artist.. On display at both SAM and 8Q.

Rubbish by Kentaro Hiroki, which features recreated items of rubbish picked by the artist.. On display at both SAM and 8Q.

Rubbish attrracting a crowd at SAM.

Rubbish attrracting a crowd at SAM.

Another view of Inscription of the Island, by Lim Soo Ngee.

Another view of Inscription of the Island, by Lim Soo Ngee.

Freakily leeky - Chia Chuyia's Knitting the Future at 8Q. The artist knits leeks to create a body length garment over a five week period. Leeks, as a food item, hold significance to the Teochew community to which the artist belongs.

Freakily leeky – Chia Chuyia’s Knitting the Future at 8Q. The artist knits leeks to create a body length garment over a five week period. Leeks, as a food item, hold significance to the Teochew community to which the artist belongs.

Knitting the Future.

Knitting the Future.

Rathin Barman's Home, and a Home, inspired by the experiences of the migrant Bangladeshi community in Singapore.

Rathin Barman’s Home, and a Home, inspired by the experiences of the migrant Bangladeshi community in Singapore.

Melissa Tan and her If you can dream a better world you can make a better world or perhaps travel between them.

Melissa Tan and her If you can dream a better world you can make a better world or perhaps travel between them.

Music boxes - which feature impressions made by physical features are part of teh installation.

Music boxes – which feature impressions made by physical features are part of the installation.

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The Great East Indiaman features a recreation of the whale skeleton that once hung inside the National Museum of Singapore in wood.

The Great East Indiaman features a recreation of the whale skeleton that once hung inside the National Museum of Singapore in wood.





Exploring emptiness: Kamolpan Chotvichai’s Fragility of the Self

23 09 2016

An interesting exhibition that will open at the Sundaram Tagore Gallery at Gillman Barracks this evening is emerging Thai artist Kamolpan Chotvichai’s “Fragility of the Self“. The solo exhibition features thought provoking works each of which is an image of the artist’s body with parts of her anatomy hand-cut into a ribbon like form. The works explore the concept of emptiness in Buddhism, through the process of stripping away her physical form and challenge  at the same time gender based prohibitions.

Ms. Kamolpan Chotvichai at the Sundaram Tagore Gallery.

Ms. Kamolpan Chotvichai at the Sundaram Tagore Gallery.

The process to create the works is a painstaking one that starts with a sketch and involves a fair bit of detailed planning. The process of slicing parts of the images for which Ms Chotvichai uses an ordinary utility knife, takes two weeks on the average. Ms Chotvichai, who holds a Master of Fine Arts degree, experimented with several techniques to achieve the desired effects prior to settling on her current methods.

Her work has been featured at Saatchi Gallery in London alongside those of renowned Thai artists Rirkrit Tiravanija, Navin Rawanchaikul and Udomsak Krisanamis and was chosen for the cover of the book accompanying the exhibition, Thailand Eye. Ms. Chotvichai was also the youngest artist to participate in Frontiers Reimagined, an exhibition of global art – a Collateral Event of the 56th Venice Biennale.

The exhibition held in association with the 5th edition of the Singapore International Photography Festival, will run until 9 November 2016. Ms. Chotvichai, who is in town for the opening of her exhibition, will be having an Artist Talk on Saturday 24 September 24 at 3 pm for which registration is required through this email address: rsvpsg@sundaramtagore.com. More information on the exhibition can be found at the Sundaram Tagore Gallery’s website.





Art Stage Singapore 2016

21 01 2016

Southeast Asia’s flagship art fair, Art Stage Singapore, is back for its sixth  edition. The four day event, with an intended focus placed on contemporary Southeast Asian art, is being held at Marina Bay Sands Expo and Convention from 21 to 24 January 2016.

The sin-full creations of Kittisak Thapkoa at Number1Gallery.

A reflection on Qin Chong’s Evolving Ink.

For 2016, Art Stage Singapore brings the Southeast Asia Forum – an extension of the Southeast Asia Platform it introduced in 2014. The forum in its inaugural year is titled Seismograph: Sensing the City – Art in the Urban Age – and has an emphasis on urbanisation and will have both an exhibition and a talk component. The projects of 19 Southeast Asian artists, which relate to issues and sentiments in the wake of rapid urbanisation in their own countries, will be brought into focus. More information on the Southeast Asia Forum can be found here.

Takeshi Haguri’s Tengu, presented by Toki-no-wasuremono.

Entang Wiharso’s Feast Table: Undeclared Perceptions presented by ARNDT.

This year’s fair, the anchor event for Singapore Art Week, features 173 galleries from 34 countries with some 75% or 133 galleries from Asia. Art Stage Singapore 2016 will also see several public artworks being exhibited at public areas, a special exhibition of photographs and oil paintings by Hannes Schmid – best known for his iconic Marlboro Man series in the 1990s, and a return of Video Stage .  The fair runs until Sunday. More information on it can be found at http://www.artstagesingapore.com/.

Yayoi Kusama’s Kei-Chan and Reach up to Heaven ‐ Dotty Pumpkin (Black) presented by Opera Gallery.

Close-up of Pink Collar by Ma Han – a public artwork.

The $170.4 million sale in 2015 of Modigliani’s “Nu Couché” to a Chinese based collector points to the rise of Asia in the International art market according to Art Stage President and founder Lorenzo Rudolf.





A glance at Art Stage Singapore 2015

22 01 2015

I love it when Art Stage Singapore comes around every January. Not only does the fair provide the opportunity to get in touch with the contemporary art scene, but it also provides hours of visual stimulation to break the monotony of the start of the year. And, from the glance I had at this year’s fair, it certainly is no different.

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Hwan Kwon Yi, Traffic Jam, Gana Art.

Hwan Kwon Yi, Traffic Jam, Gana Art.

As Southeast Asia’s flagship art fair, Art Stage Singapore, the fifth edition of which opens its doors at Marina Bay Sands Expo and Convention Centre today, lends its support to the regional art scene. This year, a curated Southeast Asia platform has the works of 32 emerging artists from the region featured. In all, over 200 galleries from 29 countries – 75 percent of which are from the Asia-Pacific, are represented at this year’s fair, making it a must-visit exhibition for both the collectors and curious alike.

Kiatanan Iamchan, Oh, My Baby, Number1Gallery.

Kiatanan Iamchan, Oh, My Baby, Number1Gallery.

This year also sees video art, which is fast gaining prominence as a collectible art medium, receive an airing through Video Stage. Intended as a regular feature of the annual fair, Video Stage for Art Stage Singapore 2015 will take a look at the medium over the years, through 73 videos.

Art Stage Singapore 2015.

Art Stage Singapore 2015.

Also to look out for, are programmes being held as part of the fair including ARTnews Talk Series talks with a focus on Southeast Asia. There will also be talks given by various artists from the Southeast Asian platform, as well as performances and tours. More information these programmes can be found in the fair guide. Art Stage Singapore 2015 runs from 22 to 25 January 2015. More information on the fair is available at http://www.artstagesingapore.com.

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A scalp raising experience.

A scalp raising experience.

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Artistic Impressions by Shunji Matsuo

3 11 2014

Renowned for his artistic creations in the hair salon, hairstylist Shunji Matsuo unleashes another dimension in his creative genius in Artistic Impressions, an exhibition running until 13 November 2014, which showcases not only his contribution to hairstyles, but also some 40 paintings and over 20 sculptures and headdresses. The exhibition, curated by Steven Lim, a late bloomer in the field of art – interestingly he was a ship designer before he put himself through art school close to the age of 60, is being held at the Japan Creative Centre in Nassim Road.

A model dressed in Shunji Matsuo's happy colours at the opening of the exhibition on Friday.

A model dressed in Shunji Matsuo’s happy colours at the opening of the exhibition on Friday.

I thought that the works, which in most part have a recurring theme centered around women and hairstyles – have also been inspired by contemporary artists such as Yayoi Kusama and subjects such the Amasan in Japan, are rich in colour (yellow is said to be his happy colour) and have a rather intriguing child-like quality.

A work inspired by Yayoi Kusama.

A work inspired by Yayoi Kusama.

Matsuo at the opening.

Matsuo at the opening.

The exhibition is well worth a visit not just for Matsuo’s happy expressions of creativity, but also because it gives you an opportunity to step into the gorgeous old world house that the Japan Creative Centre is housed in. More information is available at http://www.sg.emb-japan.go.jp/JCC/invite_shunji%20matsuo.html.

The gorgeous house the Japan Creative Centre is housed in.

The gorgeous house the Japan Creative Centre is housed in.

Matsuo's contributions to 50 years of fashion evolution.

Matsuo’s contributions to 50 years of fashion evolution.

Curator, Steven Lim.

Curator, Steven Lim.

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Bold and Beautiful – let’s Harp on it

21 08 2014

Bold and Beautiful – in line with its theme for this year, the ever so magical Singapore Night Festival, is back! This year’s festival, on for two Fridays and Saturdays on 22 and 23 August and 29 and 30 August 2014 across the arts and cultural Bras Basah. Bugis Precinct, sees it being organised around five key zones, that will include for the first time, a Festival Village at Cathay Green – which will not be short of delectable offerings, entertainment and shopping opportunities. Two venues will also feature for the first time at the Night Festival, with the historic Armenian Church seeing two Night Lights installations and the National Design Centre (the former St. Anthony’s Convent), which will see a mini interactive exhibition with a ceiling of white illuminated helium filled balloons as well as two light installations.

The Singapore Night Festival is back - bolder and more beautiful.

The Singapore Night Festival is back – bolder and more beautiful – and sure to pull-in the crowds.

The highlight of this year's Singapore Night Festival has to be The Earth Harp at the National Museum's front lawn.

The highlight of this year’s Singapore Night Festival has to be The Earth Harp at the National Museum’s front lawn.

The highlight of the festival has to be the William Close performing on his Earth Harp at the National Museum’s front lawn – one of several spectacular performances being lined up for the Pretty Arty festival zone based at the museum. The Earth Harp Close creates for the Night Festival, sees the huge harp strung across to the National Museum’s façade – the use of architecture as part of his harp, is inspired by a quote “architecture is frozen music” from Frank Lloyd Wright. Close, who was a second runner-up in the seventh season of America’s Got Talent, will collaborate with several local and international  artists such as Singapore’s drum group ZingO and songstresses in the form of Sound of Sirens as well as the fire and lights of Austrian collective Phoenix over both festival weekends.

Willaim Close and his Earth Harp.

Willaim Close and his Earth Harp.

Close close-up.

Close close-up.

ZingO - a local drum group, who are collaborating with William Close.

ZingO – a local drum group, who are collaborating with William Close.

Pretty Arty also sees half human / half birds of Follies for É Birds by the Arts Fission Company in the former Fashion Gallery.

Pretty Arty also sees half human / half birds of Follies for É Birds by the Arts Fission Company in the former Fashion Gallery.

The festival sees the return of Singapore’s very own Starlight Alchemy, playing not so much with fire this time, but with light and acrobatics beside the Singapore Management University (SMU) School of Information Systems in a zone intended to reach out to Young Hearts around SMU Green. The acts will include AcroYogis – an acrobatic partner yoga presentation in which the audience can participate in, as well as Illuminated Playtime in which participants will be invited to play with LED lights.

AcroYogis by Starlight Alchemy.

AcroYogis by Starlight Alchemy.

Another look at AcroYogis by Starlight Alchemy.

Another look at AcroYogis by Starlight Alchemy.

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Watch 10 local DJs spin together on Stage at the SMU Green in the Young Hearts Zone.

Watch 10 local DJs spin together on Stage at the SMU Green in the Young Hearts Zone.

The 10 DJs on stage.

The 10 DJs on stage.

Always a crowd-pleaser, Night Lights, will also return – this time doubling in scale – with installations spread across the festival’s zones. Night Lights never spares the Singapore Art Museum (SAM), a building I always enjoy seeing bathed in light – like outstretched arms its wings are always welcoming as it had been when I went to school there all those years ago. This year the façade of the SAM will be see a nature inspired multi-media presentation, Spirits of Nature, by WeComeInPeace from France.

Spirits of Nature by WeComeInPeace.

Spirits of Nature by WeComeInPeace.

The two Frenchmen coming in Peace.

The two Frenchmen coming in Peace.

One of the students behind Singapore University of Technology and Design's Night Lights installation at SMU, Stop and Smell the Flowers ...

One of the students behind Singapore University of Technology and Design’s Night Lights installation at SMU, Stop and Smell the Flowers …

... the installation requires one to pause - only by pausing to take a long exposure photograph, can the artwork be appreciated.

… the installation requires one to pause – only by pausing to take a long exposure photograph, can the artwork be appreciated.

Greenhouse Effect - another Night Lights installation by Maro Avrabou and Dimitiri Xenakis from France.

Greenhouse Effect – another Night Lights installation by Maro Avrabou and Dimitiri Xenakis from France.

Other eye-catching Night Lights installations I got to see a preview of include Cyanea, inspired by the Cyanea capillata – one of the largest jellyfish in the world, spread across Cathay Green. The installation, illuminated by a set of colour-changing lights, with smoke and sounds for effect, is being put up by Cumulus Collectif also from France.

Night Lights: Cyanea by Cumulus Collectif.

Night Lights: Cyanea by Cumulus Collectif.

Back to the SAM, where the Roundabout Midnight zone is based around, there are several installations to look out for. These include, The Cloud of Unknowing  by Ho Tzu Nyen in the Chapel on 29 and 30 August, 2014 – a cinematic exploration of the cloud as image, metaphor and carrier for divine illumination; a NOISE Weekend @ SAM on 22 and 23 August at 8Q Plaza, SAM at 8Q that will feature emerging bands and musicians from NOISE Singapore’s Music Programme; Darker Than Wax DJs at SAM on 29 August; and The Local People x SAM Night Market on 30 August, 2014 – where visitors can eat, listen and shop at the art market along Queen Street.

Cyanea from its inside.

Cyanea from its inside.

A view of the Orchard Road Presbyterian Church, through Cyanea.

A view of the Orchard Road Presbyterian Church, through Cyanea.

The last zone, Block Party @ Armenian Street, will see a wild and happening Armenian Street where parties to late will be taking place. The parties will include one that will see much excitement with a ring put up on the second weekend right in the middle of Armenian Street (which will be closed to traffic from 8 pm to 2 am on festival nights). The ring will see wrestling bouts that will pit stars of Singapore Pro Wrestling – another first at the Night Festival.

And Tango makes the Singapore Night Festival.

And Tango makes the Singapore Night Festival.

A performance that might be worth catching at Block Party is How Drama ‘s Fat Kids are Harder to Kidnap, in Something Borrowed, Something New at The Substation Theatre, which will probably have you in stitches – not just because of the speed performance of 31 plays in an hour by the Singapore based improvisational performers, but also for their rather amusing take on current happenings. The performance, which will see the audience determine the sequence, has the audience laughing at the funny side of issues such as the much talked about Singapore Tourism Board’s “Honey, Look!” video advertisement as well as the National Library’s tango with the removal of children’s books from the shelves.

Honey, Look!

Honey, Look!

Admission to the Singapore Night Festival (including to the participating museums) is free. More information, including the festival guide, details of the performances, installations and also the artists, can be found at www.sgnightfest.sg. The festival’s happenings can also be followed on twitter at @BrasBasahBugis and on Facebook. There is also a festival guide available on instagram @SNFGUIDE. Hashtags for use during the festival are #SGNightFest and #SNFer.

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Conversations of the lonely

15 06 2014

That sense of loneliness often creeps out on most of us whenever we find ourselves alone in a strange and foreign city, a sense that award winning Korean artist Jieun Park does quite cleverly capture in her series A Little Talk, an exhibition of works from which are currently on display at the REDSEA Gallery at Dempsey Road.

A Little Talk at REDSEA.

A Little Talk at REDSEA.

The works, which at first glance take on the appearance of pieces of calligraphy offering perhaps a glance into Park’s background in the Oriental Arts, are much more than that. It is against the base of the bold brushstrokes Park paints onto Korean paper that one finds the fine details in acrylic she has added on – intricately painted cityscapes – a means she uses to have “a little conversation” with each city she visits to overcome the loneliness that she feels.

Detail of the cityscapes in acrylic that Park juxtaposes onto calligraphy like brushstrokes.

Detail of the cityscapes in acrylic that Park juxtaposes onto calligraphy like brushstrokes.

A total of 30 pieces, which Park says takes anything between three weeks to three months to complete, have been brought in for the exhibition  featuring cities such as Paris, Lyon, Florence, Prague and Singapore. A Little Talk runs from 12 to 29 June 2014 at REDSEA Gallery at 9 Dempsey Road. More information is available at www.redseagallery.com.

There is much to ponder over.

There is much to ponder over.

Jieun Park.

Jieun Park.

Juxtapositions.

Juxtapositions.

 








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