Nights out during the ghost month

19 08 2016

If you are not being kept indoors by what traditionally is a time of the year during which one hesitates to venture out into the dark, you should take a pause this and next weekend from trying to catch’em all to catch this year’s edition of the Singapore Night Festival. This year’s festival, revolves around the spirit of innovation with its theme of Inventions and Innovation and will be an enlightening experience with light installations and performances inspired by fantasy, and science fiction as it is be invention.

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As with recent editions of the much anticipated festival, this year’s, the ninth, is laid out across five zones, each packed with installations and performances that will certainly light up one’s weekend. Besdies those I  had a chance to have a peek at listed below, there are several rather interesting installations, performances and goings-on during the nights of the festival. Installations and performances to look out for include: Invasion by Close-Act (Netherlands)A Kaleidoscope of Spring by NAFA (Singapore)The Story Box by A Dandypunk (US)Les AquamenS by Machtiern Company (France)Into Pulsar by Ryf Zaini (Singapore), and The Peranakan Museum Variety Show by Main Wayang (Singapore).

Members of Main Wayang.

Members of Main Wayang.

Once again, a party atmosphere will descend on Armenian Street, the difference being that the roar of Harleys will be heard with Rrready to Rrrumble! by Harley Davidson Singapore, Mod Squad and Speedzone (Singapore) – recalling perhaps the roar of the hell riders who once tore down nearby Orchard Road and Penang Road.

There are also no shortage of opportunities to indulge in food and even shopping with Eat @ Festival Village and Shop @ Festival Village. The offerings by Steamhaus (Halal) and The Ugly Duckling, which I had a chance to savour, are particularly yummy. For those who like it sweet, sinful and frozen, do look out for Husk Frozen Coconut.

For the brave, there also is a Night Heritage Tour by National Parks Board. Registration is required for this. As of the time of writing, tours for the first weekend are booked up and only slots for 26 August are available. Along with these, there are also items being put up by the partners of the Bars Basah Bugis precinct such as PoMo, Prinsep Street and Rendezvouse Hotel, including a free Movie Nights at Rendezvous Hotel. There will also be a chance to go behind the scenes with some of the artists and participate in workshops  in Behind the Night.

The festival runs over two weekends on 19 and 20 August and on 26 and 27 August 2016. More information on the festival and programmes on offer can be found at at festival’s website.


JOURNEY, Feat soundtrack by Ed Carter  | NOVAK (United Kingdom)

Front Lawn, Singapore Art Museum
19, 20, 26, 27 August 2016, 7.30pm – 2am | 21 – 25 August 2016, 7.30pm – 11pm

Journey by NOVAK, which is inspired by the world of Jules Verne.

Journey by NOVAK, which is inspired by the world of Jules Verne.

A dynamic projection-mapping performance inspired by the world of Victorian novelist Jules Verne, known for his creation of a world reflecting the future of Victorian invention and fantasy. NOVAK reinterprets seven of his novels to create a unique adventure dynamically projection-mapped to fit the façade of SAM, including an exploration of Singapore’s art and culture. Highlighting the use of invention to enable adventure, the viewer will be taken on a magical adventure through a series of scenes, each depicting a different landscape, relating to the environments that feature so vividly in Verne’s classic novels.

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The Wheel House | Acrojou (United Kingdom)

Mainground (near National Museum of Singapore)
19 and 20 August 2016 | 8pm – 8.25pm, 9.25pm – 9.50pm, 10.50pm – 11.15pm

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A “tender, post-apocalyptic love story”, The Wheel House is a unique, rolling acrobatic theatre show, which unfolds inside and around a stunning circular home as it travels with the audience walking alongside. The enchanting story is set in a gently comic dystopian future at a time where survival depends on sharp eyes, quick hands and, above all, friendship. Join these traveller-gatherers on the road to nowhere: treading lightly, enduring quietly and always moving onwards.


KEYFRAMES | Groupe LAPS (France)

National Museum of Singapore Façade
19, 20, 26, 27 August 2016, 7.30pm – 2am | 21 – 25 August 2016, 7.30pm – 11pm

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Through micro-stories weaved upon the stately National Museum of Singapore facade, KEYFRAMES offers narration in the city – urban stories where bodies and their movements play main roles. Part animation and part moving sculpture, the LED figures and their routine imbue static buildings with energy and excitement. This new installation – part of the KEYFRAMES series – brings glimmers of the past to life.


HOUSE OF CURIOSITIES | Sweet Tooth by CAKE (Singapore)

(Ticketed Performance)

Cathay Green (field opposite The Cathay)
19, 20, 26, 27 August 2016 | 6pm – 8pm, 8.30pm – 10.30pm, 11pm – 1am

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Tickets are available for purchase from 27 July onwards via SISTIC or at the door (while stocks last)
Adults: $16 (inclusive of $1 SISTIC fee) | Concession: $13 (inclusive of $1 SISTIC fee) Students (full time, with valid student pass issued by enrolled institution), senior citizen (60yrs and above, with valid identity pass showing proof of age), NSF (with valid 11B pass)

The House of Curiosities is an event featuring performance, activities and more. Based on the storyline of The Mechanical Heart, it is a story of adventure, curious man-made machines and the wonderful capacity of the human mind and spirit to discover and invent. Professor Chambers is a celebrated explorer and inventor. With his son Christopher, he builds a time machine that takes them on an expedition to find crystal caves in the subterranean depths. On the journey back, a monstrous octopus attacks them, injures Christopher and escapes. The devious octopus is a man-made contraption, but who is behind it? Find out in this exhilarating performance.


:Samara | Max Pagel & Jonathan Hwang

Armenian Church
19, 20, 26 and 27 August 2016, 7.30pm – 2am | 21 – 25 August 2016, 7.30pm – 11pm


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:Samara reflects on the duality of progress and sacrifice. What are we willing to give up in order to advance? Sometimes we regret accepting the cost of progress and try to recreate past experiences that have been lost forever. Inspired by the loss of the artist’s favourite tree, :Samara is an interactive illuminated tree sculpture created to give closure to a lost space. :Samara invites us to reflect on the authenticity of using modern technology to recreate what we lose in our fast-changing environment. At the same time, it gives us the opportunity to acknowledge and let go of these losses.

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The tree, lost to development at Paya Lebar Central, that inspired :Samara. 


Shifting Interactions | LASALLE College of the Arts

Glass Atrium, Level 2, National Museum of Singapore
7.30pm – 2am (dance performance at 8pm – 11pm) 21 – 25 August 2016 | 7.30pm – 10pm

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Tying together electronic media, sculpture and dance, LASALLE College of the Arts presents Shifting Interactions, a performance installation. Dancers will traverse a dynamic performance space dotted with a series of static and animated objects. Conceptualised as a durational and improvised performance piece, participants will shape, change and vitalise the space over time through sound, light and movement.


Singapore Night Festival 2016 ‘Tap to Donate’ | Xylvie Huang (Singapore)

Platform, Level 2, National Museum of Singapore
19, 20, 26, 27 August 2016 | 7pm – 12.30am 21 – 25 August 2016 | 7pm to 10pm

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The Singapore Night Festival is turning ten next year and we would like you to join us in “building” the 10th Singapore Night Festival!

Come by the National Museum at level 2 from 19 to 27 August 2016, make a donation of $2 by tapping your ez-link card and you will be given a LEGO brick to add on to a wall installation of LEGO Bricks by Singapore artist Xylvie Huang. All donations go towards “building” the Singapore Night Festival 2017.

Help build our Singapore Night Festival LEGO Wall Installation (located on Level 2 of the National Museum of Singapore) with four easy steps:

1. Tap your ez-link Card

2. Collect your LEGO brick

3. Build on the wall installation of LEGO Bricks

4. Collect your Candylious candy and watch the wall being built

The first 250 festivalgoers who ‘tap to donate’, gets a generic designed ez-link card (of no loaded value)!

This programme is supported by Ms Xylvie Huang Xinying, Brick Artist, EZ-Link, Wirecard and Candylicious.






A peek at i Light Marina Bay 2016

4 03 2016

The sea of light that descends once every two years on Marina Bay, i Light Marina Bay, is back for a fourth time.

The 2016 edition of i Light Marina Bay, following which the festival will make its return on an annual basis, runs from 4 to 27 March. With 14 out of its 25 installations created locally along the lines of the festival theme ‘In Praise of Shadows’, this edition sees the largest turn out of local artists to date.

As with previous years, the festival invites visitors to take a walk of discovery around the futuristic Marina Bay area around which the installations are scattered. There will also be much to do beyond admiring the artwork with lots of fringe events and activities on offer, including the opportunity to indulge in one of Singapore’s favourite pastimes, eating.

Fringe events to look out for include a craft beer festival, CRAFT Singapore and the Singapore International Jazz Festival – both of which run from 4 to 6 March, PasarBella Goes to Town from 11 March to 3 April, flea markets, activities for kids including a kids fiesta and fairground rides with Uncle Ringo. Workshops and community activities will also be held during the period. More information on all of this can be found on the festival guide which can be downloaded at http://www.ilightmarinabay.sg/-/media/Files/i-Light/Festival-Guide.ashx and also at http://www.ilightmarinabay.sg/Discover/Festival. More information on the festival and installations can also be found at the i Light Marina Bay event website.


Some i Light Highlights

What a Loving, and Beautiful World by team-Lab (Japan)

What a Loving, and Beautiful World - a projection on the ArtScience Museum, which invites viewers to 'swipe' Chinese characters onto the museum's facade using a web application.

‘What a Loving, and Beautiful World’ – a projection on the ArtScience Museum, which invites viewers to ‘swipe’ Chinese characters onto the museum’s facade using their mobile devices through a web application found at http://www.ilight.team-lab.com.

About the installation:

First carved in tortoiseshell, ox and deer bone, and bronzeware, Chinese characters were said to each contain their own world. Projected on the facade of the ArtScience Museum, viewers can participate by ‘swiping’ the Chinese characters onto the facade of the building using a web application. The result is a colourful, multi-sensory experience that continuously evolves as images are released from these Chinese characters, while influencing and changing each other within its own immersive, computer-generated world.

More at : http://www.ilightmarinabay.sg/Discover/Installations/What-a-Loving-Beautiful-World


Lampshade by Snøhetta (Norway)

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About the installation:

Lampshade is made of simple bamboo structures covered in photovoltaic cells to prevent sunlight from entering its interior in the day, while lighting up intensively at night with solar energy enough to power a thousand lamps. The installation challenges the perception of artificial light as an element that is dependent on its energy source, and invites visitors to discover links in harnessing sunlight and the eventual electric light.

Made to be both socially and environmentally friendly, the lamps used in this installation will be donated to off-grid communities after its display while the bamboo structure and its light fixtures will be recycled as construction scaffolding.

More at : http://www.ilightmarinabay.sg/Discover/Installations/Lampshade


Moon Haze by Feng Jiacheng & Huang Yuanbei (China)

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About the installation:

Beyond its delightful representation of the full moon, Moon Haze also functions as a monitoring system for air pollutants, picking up and responding to the ambient air quality – the better the air quality, the brighter the installation. In the same space occupied by the moon, people and the environment, the collective effects of these individual parts on one another are integrated and expressed, showing their close relationship and inseparability.

More at : http://www.ilightmarinabay.sg/Discover/Installations/Moon-Haze


Shadow Bath by Loop.pH (United Kingdom)

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About the installation:

Shadow Bath is a luminous inflated bathhouse with coloured light and air casting spectacular patterns inside and out, bathing visitors in dynamic patterned shades. The pneumatic form is a mathematical toroidal space, signifying the geometry of the universe.

During certain periods, visitors will be able to enter the bathhouse for a unique light show. During normal times, visitors can observe the form from the outside as it casts its patterned moiré shadows far and wide like a huge lantern.

More at : http://www.ilightmarinabay.sg/Discover/Installations/Shadow-Bath


Cycle House by Hafiz Osman (Singapore)

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About the installation:

Cycle House is a mobile workstation combining temporary shelter and cycling. The mobility of this shelter represents a sense of nomadic livelihood of a wanderer, being adaptive to new environments and with a desire to search for new adventures. Two cycle houses have been created: the stationary house invites visitors to cycle to light up the piece while expressing their ideas of exploration by drawing on the canvas wall; the mobile house brings a more energetic, disco-themed performance to the bay.

About the More at : http://www.ilightmarinabay.sg/Discover/Installations/Cycle-House


TORRENT by Brandon Tay (Singapore)

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About the installation:

TORRENT is a site-specific interactive installation that aims to transport users into a dreamlike landscape. As users walk past the screen, they find their movements reflected on a screen against an icy landscape, as if a virtual shadow with a swarm of trailing particles, with their motions mirrored but their forms vague.

More at : http://www.ilightmarinabay.sg/Discover/Installations/Torrent


Bolt by Jun Ong (Malaysia)

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About the installation:

Inspired by the form and behaviour of lightning, the installation comprises an intricate network of LED tubes resting on steel legs that flare up when touched. Bolt not only mimics the ethereal nature of lightning, but also allows people to experience direct visceral connections, creating an emotional ‘spark’ that seems to be diminishing in today’s virtually-connected world.

More at : http://www.ilightmarinabay.sg/Discover/Installations/Bolt


Angels of Freedom by OGE Group, Gaston Zahr & Merav Eitan (Germany & Israel )

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About the installation:

Five sets of giant, colourful wings invite visitors to come close and interact with the symbolic angels. This installation seeks to remind visitors of their true selves and to always remain connected to loved ones and those who matter.

More at : http://www.ilightmarinabay.sg/Discover/Installations/Angels-of-Freedom


Lightscape Pavilion by MisoSoupDesign (Taiwan)

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About the installation:

Inspired by traditional Chinese lanterns, Lightscape Pavilion is made of simple, natural materials. Its bamboo lattice is designed to resemble a traditional lantern and its responsive glow serves to unite people under its canopy. The transparency and subtlety of the pavilion places emphasis and focus on the aesthetical beauty of its surroundings and inhabitants instead of its own self. As visitors move closer to its columns, its glow intensifies, as if to symbolically draw strength from the proximity of a human spirit.

More at : http://www.ilightmarinabay.sg/Discover/Installations/Lightscape-Pavilion


Groove Light by Department of Architecture, School of Design and Environment, National University of Singapore (Singapore)

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About the installation:

Groove Light generates geometric shadow patterns when a point light source is shone through five 3D printed lanterns, creating a carpet of light giving physical dimension – in the complex forms of the lanterns – to virtual projections. The suspended lanterns are positioned with precision to create a continuous lightscape which visitors can modify by moving the lanterns.

More at : http://www.ilightmarinabay.sg/Discover/Installations/Groove-Light


Some other things to look out for:

Pop-up Royal Tea Salon by Häagen-Dazs at the Promontory

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Must try at the Royal Tea Salon are Häagen-Dazs’ Spring collection of flavours including the Royal Milk Tea – a blend of fresh and sweet Darjeeling tea and strong, malty and honey-like Assam tea.


KamPONG

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An initiative by Innoverde that invites passersby to have a game of of ping pong on locally designed and custom fabricated tables. KamPONG is located at Mist Walk, close to where the Uncle Ringo rides are located. More information on KamPONG can be found at http://innoverde.com.sg/kampong/.

 





Inuits will paint the town red this weekend

20 08 2015

The highly anticipated Singapore Night Festival is back!

One of the highlights of this year’s festival has to be the appearance of the world’s smallest and perhaps the most lovable Inuits, Anooki (Anook and Nooki). The Inuits, the creation of David Passegand and Moetu Batlle, have come all the way from France to run riot and paint the town, of rather the façade of the National Museum of Singapore. red, green, purple and blue and put a smile on the faces of the the crowds that will descend on the museum’s front lawn on the weekends of 21/22 and 28/29 August.

Annoki Celebrate Singapore on the façade of the National Museum of Singapore.

The Anooki wreaking havoc on the façade of the National Museum of Singapore.

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David Passegand and Moetu Batlle.

David Passegand and Moetu Batlle.

The Inuits, which are said to have taken the animation world by storm, will feature in one of several performances specially commissioned for the jubilee year edition of the Singapore Night Festival. The fun and energetic projection, Anooki Celebrate Singapore, will anchor the festival’s Night Lights – a popular segment that promises to be bigger and better this year. Night Lights also sees several other light installations colour the night in and around the museum. One, Cédric Le Borgne’s le Desir et la Menace brings the huge banyan tree in front of the museum to life with giant illuminated bird wire sculptures. Another, Drawn in Light by Ralf Westerhof, recreates sights typical of Amsterdam using rotating illuminated wire frames suspended above the ground.

Le Desir et la Menace.

Le Desir et la Menace.

Drawn in Light.

Drawn in Light.

Inside the museum, Night Light offerings include And So They Say and A Little Nonya’s Dreams. The former is a documentary project that features interviews with 25 senior citizens that will also be seen at SOTA, DECK (at Prinsep Street) and the National Design Centre. The latter, sees three animators come together to individually interpret a little’s girls’ dreams.

And So They Say.

And So They Say.

From A Little Nonya's Dreams.

From A Little Nonya’s Dreams.

Playing with fire … and light over at the Singapore Art Museum, will be the Starlight Alchemy, an audience favourite and regular feature at the Singapore Night Festival. This year, sees the locally based group perform a specially commissioned Alchemy that tells of the reconciliation between Apollo from the world of Ethereal Light and Nuri from the world of Ethereal Flame, in another must-catch performance.

Fire ....

Fire ….

... and light meet at the SAM.

… and light meet at the SAM.

Other performances to catch include Goldies, who will take us back into Singapore’s musical world from the 50s to the 80s in a ticketed performance; Fields in Bloom, which sees flowers glowing in a spectrum of colours on the steps of SOTA and the Lorong Boys – 5 award winning Singaporean musicians who perform in both the concert hall and on the streets. Another interesting performance to catch is Lost Vegas, which features the giant puppets of Frank Malachi – an award winning puppeteer based in Singapore.

Meet Christine, who will be seen in Lost Vegas.

Meet Christine, who will be seen in Lost Vegas.

3 of the 5 Lorong Boys.

3 of the 5 Lorong Boys.

Flieds in Bloom.

Fields in Bloom.

Goldies.

Goldies.

The Singapore Night Festival 2015 runs over two weekends (Friday and Saturday nights), on 21 and 22 August and on 28 and 29 August, from 7 pm until 2 am. The festival will be held across 5 zones, the National Museum of Singapore, Armenian Street (which will again be closed for the festival), the House of Glamour (at the field across from the Cathay), the Festival Village at SMU and the Singapore Art Museum and Queen Street (including the National Design Centre, DECK at 120A Prinsep Street), Waterloo Street and SOTA). Besides light and music performances, festival goers can also look forward to lots of food offerings. More information on the festival can be found at the Singapore Night Festival Website at which a Festival Guide can also be downloaded.

Singapore Night Festival creative director Christie Chua.

Singapore Night Festival creative director Christie Chua.

 

 





Bold and Beautiful – let’s Harp on it

21 08 2014

Bold and Beautiful – in line with its theme for this year, the ever so magical Singapore Night Festival, is back! This year’s festival, on for two Fridays and Saturdays on 22 and 23 August and 29 and 30 August 2014 across the arts and cultural Bras Basah. Bugis Precinct, sees it being organised around five key zones, that will include for the first time, a Festival Village at Cathay Green – which will not be short of delectable offerings, entertainment and shopping opportunities. Two venues will also feature for the first time at the Night Festival, with the historic Armenian Church seeing two Night Lights installations and the National Design Centre (the former St. Anthony’s Convent), which will see a mini interactive exhibition with a ceiling of white illuminated helium filled balloons as well as two light installations.

The Singapore Night Festival is back - bolder and more beautiful.

The Singapore Night Festival is back – bolder and more beautiful – and sure to pull-in the crowds.

The highlight of this year's Singapore Night Festival has to be The Earth Harp at the National Museum's front lawn.

The highlight of this year’s Singapore Night Festival has to be The Earth Harp at the National Museum’s front lawn.

The highlight of the festival has to be the William Close performing on his Earth Harp at the National Museum’s front lawn – one of several spectacular performances being lined up for the Pretty Arty festival zone based at the museum. The Earth Harp Close creates for the Night Festival, sees the huge harp strung across to the National Museum’s façade – the use of architecture as part of his harp, is inspired by a quote “architecture is frozen music” from Frank Lloyd Wright. Close, who was a second runner-up in the seventh season of America’s Got Talent, will collaborate with several local and international  artists such as Singapore’s drum group ZingO and songstresses in the form of Sound of Sirens as well as the fire and lights of Austrian collective Phoenix over both festival weekends.

Willaim Close and his Earth Harp.

Willaim Close and his Earth Harp.

Close close-up.

Close close-up.

ZingO - a local drum group, who are collaborating with William Close.

ZingO – a local drum group, who are collaborating with William Close.

Pretty Arty also sees half human / half birds of Follies for É Birds by the Arts Fission Company in the former Fashion Gallery.

Pretty Arty also sees half human / half birds of Follies for É Birds by the Arts Fission Company in the former Fashion Gallery.

The festival sees the return of Singapore’s very own Starlight Alchemy, playing not so much with fire this time, but with light and acrobatics beside the Singapore Management University (SMU) School of Information Systems in a zone intended to reach out to Young Hearts around SMU Green. The acts will include AcroYogis – an acrobatic partner yoga presentation in which the audience can participate in, as well as Illuminated Playtime in which participants will be invited to play with LED lights.

AcroYogis by Starlight Alchemy.

AcroYogis by Starlight Alchemy.

Another look at AcroYogis by Starlight Alchemy.

Another look at AcroYogis by Starlight Alchemy.

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Watch 10 local DJs spin together on Stage at the SMU Green in the Young Hearts Zone.

Watch 10 local DJs spin together on Stage at the SMU Green in the Young Hearts Zone.

The 10 DJs on stage.

The 10 DJs on stage.

Always a crowd-pleaser, Night Lights, will also return – this time doubling in scale – with installations spread across the festival’s zones. Night Lights never spares the Singapore Art Museum (SAM), a building I always enjoy seeing bathed in light – like outstretched arms its wings are always welcoming as it had been when I went to school there all those years ago. This year the façade of the SAM will be see a nature inspired multi-media presentation, Spirits of Nature, by WeComeInPeace from France.

Spirits of Nature by WeComeInPeace.

Spirits of Nature by WeComeInPeace.

The two Frenchmen coming in Peace.

The two Frenchmen coming in Peace.

One of the students behind Singapore University of Technology and Design's Night Lights installation at SMU, Stop and Smell the Flowers ...

One of the students behind Singapore University of Technology and Design’s Night Lights installation at SMU, Stop and Smell the Flowers …

... the installation requires one to pause - only by pausing to take a long exposure photograph, can the artwork be appreciated.

… the installation requires one to pause – only by pausing to take a long exposure photograph, can the artwork be appreciated.

Greenhouse Effect - another Night Lights installation by Maro Avrabou and Dimitiri Xenakis from France.

Greenhouse Effect – another Night Lights installation by Maro Avrabou and Dimitiri Xenakis from France.

Other eye-catching Night Lights installations I got to see a preview of include Cyanea, inspired by the Cyanea capillata – one of the largest jellyfish in the world, spread across Cathay Green. The installation, illuminated by a set of colour-changing lights, with smoke and sounds for effect, is being put up by Cumulus Collectif also from France.

Night Lights: Cyanea by Cumulus Collectif.

Night Lights: Cyanea by Cumulus Collectif.

Back to the SAM, where the Roundabout Midnight zone is based around, there are several installations to look out for. These include, The Cloud of Unknowing  by Ho Tzu Nyen in the Chapel on 29 and 30 August, 2014 – a cinematic exploration of the cloud as image, metaphor and carrier for divine illumination; a NOISE Weekend @ SAM on 22 and 23 August at 8Q Plaza, SAM at 8Q that will feature emerging bands and musicians from NOISE Singapore’s Music Programme; Darker Than Wax DJs at SAM on 29 August; and The Local People x SAM Night Market on 30 August, 2014 – where visitors can eat, listen and shop at the art market along Queen Street.

Cyanea from its inside.

Cyanea from its inside.

A view of the Orchard Road Presbyterian Church, through Cyanea.

A view of the Orchard Road Presbyterian Church, through Cyanea.

The last zone, Block Party @ Armenian Street, will see a wild and happening Armenian Street where parties to late will be taking place. The parties will include one that will see much excitement with a ring put up on the second weekend right in the middle of Armenian Street (which will be closed to traffic from 8 pm to 2 am on festival nights). The ring will see wrestling bouts that will pit stars of Singapore Pro Wrestling – another first at the Night Festival.

And Tango makes the Singapore Night Festival.

And Tango makes the Singapore Night Festival.

A performance that might be worth catching at Block Party is How Drama ‘s Fat Kids are Harder to Kidnap, in Something Borrowed, Something New at The Substation Theatre, which will probably have you in stitches – not just because of the speed performance of 31 plays in an hour by the Singapore based improvisational performers, but also for their rather amusing take on current happenings. The performance, which will see the audience determine the sequence, has the audience laughing at the funny side of issues such as the much talked about Singapore Tourism Board’s “Honey, Look!” video advertisement as well as the National Library’s tango with the removal of children’s books from the shelves.

Honey, Look!

Honey, Look!

Admission to the Singapore Night Festival (including to the participating museums) is free. More information, including the festival guide, details of the performances, installations and also the artists, can be found at www.sgnightfest.sg. The festival’s happenings can also be followed on twitter at @BrasBasahBugis and on Facebook. There is also a festival guide available on instagram @SNFGUIDE. Hashtags for use during the festival are #SGNightFest and #SNFer.

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A sneak peek at i Light Marina Bay 2014

7 03 2014

From the eye-catching, to the fun and quirky, there is something that will certainly catch your attention as Marina Bay brightens up from this evening until the end of March 2014, all in a sustainable way I should add – the festival’s 28 light art installations have been picked so as to convey the message of sustainability through art – a key area of focus for the three week long festival. It would probably take more than one visit to take in all 28 – especially with the installations spread around the bay area and that is just what the curatorial team hopes visitors would do, taking in the lights, as well as the fun that does come from some of the interactive installations.

From the pick of installations participants of a preview were introduced to, my favourites are in fact the interactive ones as well as the somewhat quirky ones. These are CLOUD by Caitlind Brown and Wayne Garrett (which I only got to see from afar) – judging from what has been said about it, Jen Lewin’s The Pool, and Happy Croco by Bibi – who some may remember for his igloo installation during the last festival. The festival will be opened this evening and will be on every evening  until 30 March 2014. More information on the festival and the host of fringe events and activities can be found at the festival’s website.


A pick of installations


The Pool 

Jen Lewin Studio (USA)

Marina Bay waterfront promenade near The Promontory @ Marina Bay (A14 on the map)

Promises to be lots of fun, especially for the kids and those like me who want to be kids again. Watch as circular pads arranged in concentric circles change hues through movement – an effect that will best be seen when a group of people play together. The installation was created in a way that it can quite easily be recreated anywhere it needs moving to.

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Jan Lewin at The Pool


CLOUD 

Caitlind Brown and Wayne Garrett (Canada)

The Float @ Marina Bay (B9 on the map)

The CLOUD apparently has people pulling at strings – literally, by getting people to congregate under a rain cloud, the aesthetic of which is influenced by those under it pulling at light switches. The CLOUD features a contrast of old and new technologies, and is intended to demonstrate how an individual has the power to impact progress and achieve change. The real magic happens when multiple visitors work as one towards a unified response.

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Happy Croco 

Bibi (France)

Marina Bay waterfront promenade near Mist Walk (A4 on the map)

Happy Croco is a happy and somewhat quirky luminous 20 metre long installation – made with a backbone of traffic cones. There is an underlying message in the so-called urban crocodile though – in being made of items we discard everyday, Bibi, attempts to bring to attention the issue of plastic waste. 

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Mimosa

Jason Bruges Studio (UK)

Marina Bay City Gallery (A7 on the map)

Another that will be a favourite with the kids would be Mimosa – a work that uses organic light-emitting diodes to mimic the leaves of the responsive plant by sensing hand movements. 

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JouJou-Ours

Uno Lai (Taiwan)

Marina Bay City Gallery (A9 on the map)

The work, which features giant teddy-bear heads and intended to revisit childhood memories in which the soft toy would be a feature of , encourages the visitor not only to give the installation a hug, but also, judging to the response take lots of photographs with it.

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Uno Lai


#WeHeartLight

Light Collective (UK)

Marina Bay City Gallery (A8 on the map)

An installation made up of individual and personalised light boxes – the work of students from different schools in Singapore that emphasises the role of education in guiding the future generation towards a sustainable future.

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Beat

Arup (Singapore)

In front of Marina Bay Sands (A1 on the map)

An installation that appeals to the instinct to  touch, simulating a response from lighted globes that then adopt a human heart beat light pulse – another favourite with the kids.

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iSwarm

SUTD (Singapore)

In Marina Bay, near Bayfront Taxi Stop (A3 on the map)

A luminous swarm of “sea creatures” that interact with passer-by through light sensors.

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Floating Hearts

Travesias de Luz (Spain)

Marina Bay waterfront promenade, near Marina Bay Link Mall pop-up structure (A10 on the map)

A wall of illuminated hearts that invites passers-by to play with them.

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The Guardian Angels

Maro Avrabou and Dimitri Xenakis (Greece and France)

Marina Bay waterfront promenade near Breeze Shelter (A12 on the map)

Echoes the preservation of the garden and plants, and by extension, nature – a tribute to gardeners and artificially created gardens.

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**Insert Caption Please

Ryf Zaini (Singapore)

Marina Bay waterfront promenade (A11 on the map)

Giant speech bubbles that displays thoughts and messages akin to comic strips – a humourous reference to the shift in the way we interact socially in the digital age towards screen-based forms of communication.

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Fool’s Gold

Vertical Submarine (Singapore)

The Promontory (A13 on the map)

A work that alludes to a Chinese idiom about a fool who hides his gold but gives it away by erecting a sign to disclaim its existence. 

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1.26 Singapore

Janet Echelman (USA)

The Float @ Marina Bay (B10 on the map)

A huge illuminated net that depicts the force of nature that uses space-age Honeywell Spectra fibre. Suspended over the floating platform, the work is a 3D representation of the force of a tsunami created by the 2010 Chile earthquake and draws on laboratory research done by NASA and NOAA on the earthquake. The earthquake resulted in a shift in the axis of the earth’s rotation, which shortened the day by 1.26 microseconds – hence the installation’s name.

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1.26 Singapore

Justin Lee and Dornier Asia Pte Ltd (Singapore and Switzerland)

ArtScience Museum (B14 on the map)

Celebration of Life is a large-scale projection by local artist Justin Lee on the ArtScience Museum – the first time he has taken on such a challenge. The projection takes viewers through a commentary on the role and value of traditional culture on contemporary society, blending traditional Eastern icons with modern day symbols.

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Digital Wattle 

Out of the Dark (New Zealand)

Near The Float @ Marina Bay (B11 on the map)

Based on the Golden Wattle, the installation explores the interplay between individual ethnic groups that co-exist within a city – the change of colours of the flowers swaying in the breeze representing the new mix of cultures.

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i Light Marina Bay 2014 related:


 





Colouring the new world

6 03 2014

The Marina Bay area will be brought to life this month of March as i Light Marina Bay returns from the 7th to 30th. The latest edition of the biennial light art festival, Asia’s only sustainable light art festival, sees 28 installations spread across what is already a visually stunning new world, a large part of which, rose from the sea.

1.26 by Janet Echelman, seen in Amsterdam (Photo-Courtesy-of-Janusvanden-Eijnden)

Highlights of the festival will include seven installations, each of which is being put up by an invited artist, one of whom is the internationally renowned Janet Echelman. Known for her sculpture environments that respond to the forces of nature, Ms Echelman will illuminate The Float @ Marina Bay with ‘1.26 Singapore’, a large floating fluid installation that uses space-age Honeywell Spectra fibre. Suspended over the floating platform, the work is a 3D representation of the force of a tsunami created by the 2010 Chile earthquake and draws on laboratory research done by NASA and NOAA on the earthquake. The earthquake resulted in a shift in the axis of the earth’s rotation, which shortened the day by 1.26 microseconds – hence the  installation’s name.

Mimosa by Jason Burges

Celebration of Life by Justin Lee

Another of the festival’s highlights to look forward to will be ‘Celebration of Life’, a large-scale projection by local artist Justin Lee on the ArtScience Museum that sees a commentary on the role and value of traditional culture on contemporary society. There are also several interactive installations, one of which is ‘Mimosa’ by UK based Jason Bruges Studio at the Marina Bay City Gallery. The work mimics the behaviour of responsive plant systems such as the mimosa and uses organic light-emitting diodes (OLED) arranged to open and close in response to hand movements.

CLOUD by Caitlind Brown and Wayne Garrett (Photo Courtesy of Doug Wong)

Another interactive work that will surely be a hit is ‘CLOUD’ by Caitlind Brown and Wayne Garrett, who are from Canada. Located at The Float @ Marina Bay, ‘CLOUD’ features 5,000 new and recycled lightbulbs (of which some 200 are functioning) on an installation that resembles a rain cloud, extending an invitation to strangers to come together under it and play. Visitors will be able to pull on switches, triggering a shift in the aesthetics – intended to demonstrate how an individual has the power to impact progress and achieve change. The real magic, we are told, does however happen when multiple visitors work as one towards a unified response.

The Pool by Jen Lewin

iSwarm by SUTD, Suranga Nanayakkara and Thomas Schroepfer

Other highlights are ‘JouJou-Ours’ by Uno Lai of Taiwan, which revisits childhood memories beside the Marina Bay City Gallery; the very colourful ‘The Pool’ by Jen Lewin Studio of the US, which is at the Promontory @ Marina Bay; and iSwarm by a team from the Singapore University of Technology and Design (SUTD) – swarming the water near the Bayfront water taxi stop  with light that is reminiscent of naturally occurring phenomena such as bio-luminescent algae.

JouJou Ours by Uno Lai

Besides the invited artists, the remaining installations in i Light Marina Bay 2014 were selected through an open call, 13 of which are the creations of locally based artists. The three-week festival will also see several fringe activities and offerings that will include opportunities for fun with the family, to complement the installations – with food never far away. More information on the host of activities and culinary offerings is available at the festival’s website.

Giant Dandelion by Olivia D’Aboville

Along with the festival and fringe events, there will also be the i Light Symposium 2014, which will see three sessions held, the last of which will feature Janet Echelman. More information on the symposium and how to register can be found on the events listing page on the festival’s website.


i Light Marina Bay 2014 related:





A magical final weekend at the Singapore Night Festival

30 08 2013

To look out for on this, the second weekend of this year’s edition of the Singapore Night Festival, has to be two death-defying mega stunts that will be attempted by “the sexiest woman in magic” – Singapore magician, Magic Babe Ning. The stunts which will take place in front of the National Museum of Singapore will see Ning attempt two Houdini-like escapes – one submerged in water and the second, one that involves escaping from a strait-jacket whilst suspended in mid-air by a burning rope together with the other half of a pairing The Straits Times had referred to as “Asia’s most famous illusionists” J C Sum.

In the spotlight during the second weekend will be "the sexiest woman in magic" Magic Babe Ning, seen here contemplating her acts at the National Museum of Singapore.

In the spotlight during the second weekend will be “the sexiest woman in magic” Magic Babe Ning, seen here contemplating her acts at the National Museum of Singapore.

The first stunt The Water Vault, which will take place on Friday (today), 30 August 2013, at 10 pm in front of the National Museum of Singapore. For this, shackled at the neck, wrists and wasit, Ning will be submerged in a locked and chained steel vault which will be filled to the brim with water – and all she has is two minutes with which she can hold her breath, to escape from all that!

J C Sum and Magic Babe Ning with the locked and chained steel vault filled with water which she will attempted to escape from whilst shackled at the neck, wrists and waist.

J C Sum and Magic Babe Ning with the locked and chained steel vault filled with water which she will attempted to escape from whilst shackled at the neck, wrists and waist.

The second stunt, is definitely one that is going to be a lot more spectacular – and visible! Also taking place in front of the National Museum of Singapore, this time at 10 pm on Saturday 31 August 2013, the stunt, Ultimate Inversion, will be a huge first and one for the record books – if successful, it will the first time a tandem upside down strait jacket escape will be done! The stunt will see both, trying to escape from regulation strait-jackets, suspended by ankle boots from a bar attached to a single burning rope over the museum’s dome … a stunt which does carry huge risks – there are many factors which can impede the escape – including the hot and humid conditions which does make the strait-jacket stick to skins a lot more! Plus, there will not be any safety nets! The stunt will also be witnessed by the International Brotherhood of Magicians and the Singapore Book of Records. Speaking to Magic Babe Ning  last evening – I realised that how risky the manoeuvre would be – seeing that the only preparations the pair were able to do is to practice escaping from a strait-jacket upside down!

5 Streams.

5 Streams.

Besides the magic of the two stunts – there were two other magical installations that I got a sneak peek of last evening. One is 5 Streams – which will see three different dance sequences by Ibrahim Quraishi of BamBam Projects – all to a haunting and as the festival guide describes, hypnotic mix of video streaming, live percussion and base guitars.

The people behind 5 Streams.

The people behind 5 Streams.

The other installation I did get to see is what should be a delightful animated projection onto the façade of the National Museum of Singapore by local company OICsingapore – accompanied by original music. The projection, MoonGrazing is described as a surrealistic abstract animation that playfully explores the moon and its stories through the eyes of the illustrators from OICsingapore.

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The Water Vault (Magic Babe Ning)

Friday 30 Aug 2013

10 pm

National Museum of Singapore façade

Asia’s female Houdini and “the sexiest woman in magic” (Magicseen Magazine), ‘Magic Babe’ Ning will attempt a spectacular underwater escape from The Water Vault. Shackled with chains and locks around her wrists, waist and neck, Ning will be completely submerged in a steel vault filled to the brim with water that is, in turn, locked and chained tightly on the outside. Ning will have less than two minutes to free herself from The Water Vault before she runs out of breath.

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Ultimate Inversion (J C Sum and Magic Babe Ning)

Saturday 31 Aug 2013

10 pm

National Museum of Singapore façade

Witness history being made as “Asia’s most famous illusionists” (The Straits Times), J C Sum & ‘Magic Babe’ Ning, attempt the world’s first ever tandem upside down strait jacket escape! They will both be strapped up in two regulation strait jackets each and suspended upside down by their ankles, one person below the other, high up in the air from a single burning rope. If the rope burns through or if they make one small mistake, they will plummet to the ground 50ft below.

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5 Streams (Ibrahim Quraishi / BamBam Projects)

Friday 30 and Saturday 31 Aug 2013

8.45 pm, 9.45 pm & 10.45pm

MAIN Ground

Explosive sounds, vocals, intense dance sequences, video streaming, live percussion and base guitars are combined to create a hypnotic performance where dancers appear as installation: space transforms into living architectural symbols, video projection immersed in nature and the abstraction of geometry. Sound trembles through the body before it’s heard and the audience is invited to wander and meditate in an interactive installation of a synthetic forest with each its own interactive sonic mix: this cross media performance / installation includes an extraordinary international team of artists (Ibrahim Quraishi, Norsq, Marc Perroud aka Tzed, Gabriel Smeets, Katrin Blantar, Walid Breidi, Jule Flierl, Martin B. Hansen, Olivier Hüe, Nicolas Lelièvre, Ligia Manuela Lewis, Naseem Abbas Malik, Ewan A.S and Aziz Bekkaoui. Nico Van Der Vegte and Kieu Voung)

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Moongrazing (OICSingapore)

Friday 30 Aug 2013 and Saturday 31 Aug 2013

7 pm to 2 am (OIC live music & drawing: 7.30 pm, 8 pm, 11 pm & 11.30 pm)

National Museum of Singapore façade

Set to an original piece of music- MoonGrazing is a surrealistic abstract animation that playfully explores the moon and its stories through the eyes of the illustrators from OICsingapore. Throughout the two nights, the façade of the National Museum of Singapore will be transformed into a canvas for local artists to showcase their playful creativity. To add to the spontaneity of the moment, for twice each night, illustrators and indie musicians will jam together live. Each performance is unique as lines of music and drawing meet and improvisations happen on the most random note.

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The Singapore Night Festival final weekend is on 30 and 31 August 2013. More information can be obtained at the following links:






A final dance with the lights

1 04 2012

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After what has been a wonderful three weeks of fun in glow of the light art installations at Marina Bay, here for Asia’s first and only sustainable light art festival – i Light Marina Bay 2012, it is time to say goodbye. With it being the last day of the event today, there is still that chance for those who have not yet been down to bathe in the glow of lights as well as the many I am sure who have not had their fill of the festival to have a last dance with the light art installations – many of which do certainly make one want to dance with.

A child is seen dancing in the light of Parmendies I. Have a last dance this evening with the installations at i Light Marina Bay 2012..

There is little doubt about the buzz the festival has generated. The numbers thronging the waterfront promenade around Marina Bay where most of the 31 installations have been sited, even during the weekdays has been clear to see. The festival attracted both visitors from Singapore, as well as many from further afield, including the “overly caffeinated, full time travel photographer & Monkey to blame for a BlameTheMonkey.com“, Elia Locardi who hails from the Florida Keys. I had an opportunity to meet and and also speak at length with Elia, who had linked-up with a newly formed group of landscape photography enthusiasts Landscape Hunters Asia to conduct (cup of coffee in hand of course) a well attended photo-walk and a Q&A session for the group. I will be posting on the interview I did with Elia little later.

A stick-figure from Groupe LAPS installation, Key Frames, seems to use the Singapore Flyer as a running wheel.

It is probably the large-scale installations and those that permit some level of interaction that have perhaps gone down the best with the many visitors to the festival. One can’t help but be enthralled by the 3D sound and light project on the ArtScience Museum Garden of Light – best viewed from the look-out platforms of the Helix, and be drawn to the flicker and the music of the 30 stick figures of Key Frames that seem to dance at the seating gallery of the Float @ Marina Bay. It is probably however what has been described as the “Rainbow Merlion” that is the crowd’s favourite – an installation that certainly encourages interaction – one that nobody, young or old can resist wanting to have a hand in. This installation entitled Light of The Merlion is one that a visitor can influence the colours that are projected on the much loved 40 year old icon of the new Singapore through a touch-screen LCD panel which sees large numbers queuing up each evening.

Light of the Merlion.

Besides the installations mentioned, each of the other 28 installations are ones that offer differing experiences and each definitely is worth a visit – each as I have mentioned an observer as saying, offering “small delights”. There are about four clusters of installations around the bay, the largest cluster of which is under and around the seating gallery of the Float which includes Key Frames, Immersion and enLIGHTenment on the outside. Under the gallery, are several installations – my favourites of which are Parmendies I and White Rain.

Immersion by the Float.

Dancing in the light and reflection of Edwin Tan's enLIGHTenment on a wet evening.

Along the waterfront promenade of Marina Bay Sands is another cluster which includes Garden of Light and MEGAPOV – interesting a vertical line of light which in panning one’s head or a camera, one is able to see subliminal images. Further down at the Marina Bay City Gallery is the red beams of The Gate. Close to the Marina Bay City Gallery are the installations of the Promontory as well as where the festival village is located. The festival village is where one can find many of the fringe activities – a few of which, including Light Painting by LUMIX are still available on the last evening and are definitely not to be missed. If you do feel like there is that urge to head down to have that final dance with the lights this evening at one of the four clusters or at the Light of The Merlion at Merlion Park, do also make it a point to pass by Esplanade Park. That might hold a reward of seeing one or two who are not dancing with the lights, but talking to the few forgotten trees there. That is this one little delight that somewhat off the beaten path, is one that awaits discovery – Angela Chong’s Tree Stories which compels the visitor to interact with the trees. The installations will on this last evening, as with the other evenings, be turned on from 7.30 to 11 pm. More information on the activities and the event can be found on the i Light Marina Bay 2012 Activity Chart or at the event’s website: www.ilightmarinabay.sg.

Subliminal messages given by a vertical strip of light.

Another subliminal image.

No Emergency Exit is offered by The Gate.

Beams of light draw one into a portal that cannot be passed through - portraying Enlightenment as an unattainable goal.

After Light - an installation that involves 26 shipping containers at the Promontory which also incorporates two installations by Singapore based art college students.


All photographs in this post have been taken with a LUMIX GF-3.


Related posts:

Media Preview and an Overview of some of the installations

Opening Ceremony and the Light of The Merlion

Light Painting by LUMIX and other Fringe Activities

The View from Sands SkyPark and the Garden of Light

Lighting Up for Sustainability


About i Light Marina Bay 2012:

i Light Marina Bay 2012, the second edition of Asia’s first and only sustainable light art festival, will be held from 9 March to 1 April 2012. Themed “Light Meets Asia”, i Light Marina Bay 2012 features innovative and environmentally sustainable light art installations by 31 multi-disciplinary artists, with a strong focus on works from Asia. The festival is organised by the Urban Redevelopment Authority (URA) in collaboration with Smart Light Singapore. i Light Marina Bay will be on nightly from 7.30pm to 11.00pm from 9 March to 1 April 2012. For more information, please visit www.ilightmarinabay.sg. In conjunction with the festival, LUMIX is running a photography competition for which participants who can capture the magical atmosphere created by the light art installations around Marina Bay stand to win attractive prizes. More information can be found at the festival website.





75 feet above the harbour

30 03 2012

From a vantage point 75 feet (about 23 metres) over Singapore’s former harbour, officers with the Harbour Division of the Preventive Branch of the Department of Customs and Excise (which later became Singapore Customs), stood watch over the Inner Roads of the harbour for more than three decades. The vantage point, a panoramic lookout tower that we still today, was part of the Customs Harbour Branch Building built over an L-shaped pier along the waterfront at the end of Collyer Quay. The building and pier, built at a cost of S$1.8 million, was completed in October 1969. The complex housed the 300 strong force of the then Harbour Division, as well as provided berths and maintenance facilities (which included a slipway) for some 35 launches and speedboats of the Division when it first opened. The building also provided cargo examination facilities and its construction allowed the Division to move from its somewhat makeshift premises in a godown in Telok Ayer Basin.

What is today a posh dining destination, Customs House, with its very distinct 75 foot lookout tower, was formerly the Customs Harbour Branch Building. It was completed in October 1969 and housed the Harbour Division of the Customs Preventive Branch.

The Customs Harbour Branch Building in 2006 (source: URA site on Conservation Matters).

Collyer Quay in July 1974 seen beyond the Detached Mole, a breakwater that sheltered the Inner Roads from the opened Outer Roads. The Customs Harbour Branch Building and its distinct 75 foot tower is seen on the extreme left of the photograph (Photo courtesy of Peter Chan).

While 75 feet in the context of what now surrounds the former Customs complex, the tower allowed customs officers to keep a round-the-clock watch over the harbour for small boats attempting to sneak dutiable goods into Singapore. The octagonal shaped and fully air-conditioned watch tower which is supported by a cylindrical base provided a panoramic view which extended beyond the Inner Roads to the mouth of the Singapore River, the Geylang River and Tanjong Rhu. Officers spotting a suspicious boat could then alert their colleagues manning the speedboats which were on standby by the pier who would then head out to intercept the suspicious boat.

A side elevation of the former Customs Harbour Branch Building with its very distinct lookout tower (source: URA site on Conservation Matters).

At the bottom of the 75 feet climb up a spiral staircase to the lookout tower - reminiscent of climbs up several lighthouses I've visited.

In between heavy panting, I managed to appreciate the view halfway up.

At the end of the 75 feet climb - a view of the lookout tower's ceiling.

Looking down at the cause of my heavy breathing.

Use for the building and the pier in its intended role ended with the construction of the Marina Barrage which cut what were the Inner Roads of the old harbour off from the sea and the building then under the Maritime and Port Authority’s charge was passed over to the Singapore Land Authority in 2006. Customs House was given conservation status in 2007 and was reopened as a dining destination under the management of Fullerton Heritage, which also manages the former Clifford Pier and the Fullerton Hotel. The tower itself is however disused and remains inaccessible to the general public.

At the top of the lookout tower.

The lookout tower no longer commands a view of a harbour littered with bumboats, twakows and tongkangs, but of the new world that is Marina Bay.

Show me the money! An interpretation perhaps of the new view - as seen in the reflection of a window of the lookout tower offered by one of the installations for i Light Marina Bay 2012 - Teddy Lo's MEGAPOV.

Seeing double - BIBI's Bibigloo and a reflection of it as viewed from the lookout tower.





Lighting-up for sustainability

27 03 2012

Observation of Earth Hour
i Light Marina Bay 2012 Installations will be turned off for an hour at 8.30 pm on Saturday 31 March 2012 to observe Earth Hour.


Lighting and colouring up the gorgeously beautiful world that is Marina Bay over a three-week period, are thirty-one light art installations making their appearance at i Light Marina Bay 2012. The biennial festival is the second edition of Asia’s first and only sustainable light art festival. In bringing us the festival, the organisers also hope to send across a key message that advocates sustainability, particularly in the use of energy-efficient lighting technology for the future.

A close-up of Bibigloo by BIBI - one of 31 light art installations for i Light Marina Bay 2012 supplementing the sea of lights that the gorgeously beautiful Marina Bay is until 1 April 2010. Many of the installations feature the reuse or recycling of material - in this case Jerry Cans, to help send out the festival's key message of sustainability.

To send out the message of sustainability, criteria used in the selection of the 31 works out of 100 applications were the artists’ use of energy-efficient LED lights and the incorporation of sustainable, recycled / re-usable materials in their work. Some of the works do in fact feature the use of renewable or alternative sources of energy such as solar and wind energy or kinetic energy to provide the necessary power. The festival in promoting sustainability, has also enlisted the support of a number of the owners of buildings not just around the Marina Bay precinct, but also in other parts of Singapore to participate in the “Switch Off, Turn Up” campaign. The campaign will see some 42 buildings involved in a conscious effort to switch non-essential indoor/outdoor lighting and office equipment off whenever possible and turn up air-conditioning temperatures to 24 to 25° C during office hours. As with the festival, the campaign is in its second edition with the first edition featuring some 16 properties, which saw more than 41,000 kWh of electricity saved collectively. The buildings participating in the campaign include Marina Bay Sands, Marina Bay Financial Centre and The Fullerton Heritage in the Marina Bay area as well as Wisma Atria, New Tech Park and Tampines Concourse outside of the area.

Shinya Okuda's BioShell which visualises invisible but closely interconnected relationships between humans and nature.

The Sustainability Sponsor for the festival, The PowerSeraya Group, a Singapore based integrated energy company, is a strong advocate of energy conservation. The Group is a Merit Winner of the Singapore Environmental Achievement Award in 2011. The company hopes to highlight the importance of environmental awareness as well as energy conservation through their participation – part of a broader outreach programme that the company has embarked on to encourage power consumers to use energy and resources responsibly.

Receptacle by Marine Ky - a work that is supported by Philips.

A close-up of Receptacle.

Besides the participation of the organisers’, the building owners, and the main sponsors in promoting the message of sustainability, the festival also sees the strong support of companies behind the development of energy-efficient lighting solutions. One such company is Philips, which hopes to drive a revolution in the use of energy-efficient LED. As part of their participation in the festival, Philips has lent their support to powering a number of the light art installations which are The River, Coral Garden, Tree Stories, Sweet Home, enLIGHTenment, BioShell, 5QU1D, Receptacle, and Planting Shadows. The LED lighting solutions being used for the festival’s installations use as little as one-tenth of the power required by an incandescent bulb and last for up to 20 years of normal use.

Olivia d'Aboville's Coral Garden is one installation supported by Philips. The installation encourages people to interact with the light installation made from cocktail stirrers much like an actual coral reef attracts marine life to it.

Through its participation and support, Philips aims to also bring across a message that light has the ability to enhance life, beautify the urban landscape, and bring out the unique personality of each city. The company feels that driven by the LED lighting revolution, sustainable lighting solutions now available offer limitless possibilities of what light can do for urban spaces and rethink the way cities are lighted up, allowing urban planners and architects great leeway in exercising their creativity. The company also hopes to see government regulation aimed at reducing energy consumption and protecting the environment and the phasing out of incandescent bulbs through a switch to LED lights.

The Philips picnic under a Breeze Shelter which featured some of their gorgeous LED light illuminated home products. Philips arranged for several local artists to share on their installations.

It was during a picnic organised by Philips held under the cool comfort of the Breeze Shelters at the Promontory @ Marina Bay I attended that I learnt more of Philips aims in supporting artists for i Light Marina Bay 2012. Philips was also kind enough to arrange for an opportunity to meet with a few of the local artists they are supporting. On hand to speak about their motivations in the creation of their respective installations was Ryf Zaini (5QU1D); the very enlightened Edwin Tan (enLIGHTenment); and Joshua Yang, Fiona Koh and Justin Loke of Vertical Submarine (Planting Shadows).

Edwin Tan (L) in the glow of enLIGHTenment.

It was interesting to hear what the artists had to say about their creations. First to speak was the Vertical Submarine team whose work, Planting Shadows is an adaptation from the one created for an exhibition at the Singapore Botanic Gardens in 2009. The installation features a sense provoking field of grey sunflowers. The inspiration for the work is a poem by local writer Chien Swee-Teng. The poem tells a tale of a sunflower plantation owner’s pact with an imp who lived in an empty bottle of sunflower oil. In exchange for success in his trade, the farmer becomes blind to the colour of his trade. In presenting sunflowers in the grey of their shadows, the team tries not just to recreate the story, but also aims to direct the viewers’ attention to the form of the sunflower.

In the colour of their shadows, attention is drawn to the form of the sunflowers. Planting Shadows by local group Vertical Submarine draws inspiration from a poem by local writer Chien Swee-Teng in which a sunflower plantation owner’s becomes blind to the colour of his trade in exchange for success in a pact with an imp.

Another sense provoking work is that of Ryf Zaini’s 5QUID. An engineering graduate of Temasek Polytechnic, the artist’s interest saw him completing a diploma in interactive media at the LASALLE College of the Arts where he graduated with first class honours in media art. An engineering graduate from Temasek Polytechnic, Ryf Zaini’s interest in the arts led him to LASALLE College of the Arts, where he completed a diploma in interactive media and graduated with first class honours in media arts. Combining both fields, Ryf Zaini creates hybrids of technologically informed art like his installation 5QU1D which represents a squid that emerges from the sea and takes on a hybrid form to merge itself with the surroundings. 5QU1D is embedded with blinking lights and uses recycled and used electronic parts, and LED lighting systems.

Ryf Zaini's 5QU1D is another sense provoking piece. It represents a squid which takes a hybrid form to blend with rapidly changing surroundings - a reference to the rapid changes in the modernising world and the effects they have on the natural environment.

The other artist who made an appearance was Edwin Tan, the founder of local design studio Bravo Company. His installation, enLIGHTenment involves a video wall of multi-coloured light tubes. In an idle state, an animated screen saver is displayed and when activated through an interactive console facing the light display, the installation starts “thinking”, finding an answer to a question asked through the console. After a pause of a few seconds, the display literally enlightens the audience with a YES or NO answer. Interestingly, Edwin mentioned that how he arrived at the work and its name was that he had only five days to work on his proposal. Seeking inspiration – it crossed his mind that he required some “enlightenment” which also contained the word “light” which is how he hit on the idea. The installation is cheekily placed at the Helix (bridge) that takes one to Marina Bay Sands and its casino and is aimed perhaps at those who contemplating a visit to the casino.

Yes, No, and sometimes Maybe?

Should the answer to that question be a negative one, one could instead have a last look at the installations before the festival ends on 1 April 2012. Besides the 31 installations, there are also lots of fringe activities being held during the last weekend. One activity certainly to catch is the Nescafe Passion Movie Night on Saturday 31 March 2012 during which there would be a free screening of KungFu Panda 2 at the Lawn from 8 to 10 pm. Another interesting event on the same day is the 8DAYS’ Pets and the City event at the Promontory between 4 and 8 pm during which pet owners can glam their pets up and take them for a walk. There will also be a mass Light Catcher creation workshop that will be held from 5 pm in conjunction with the movie screening, as well as Junk Jam which features percussion performances using household junk as instruments on both Saturday and Sunday from 9 pm to 10 pm along the Waterfront Promenade. Visitors to the area can also turn their eyes upward to watch the Singapore Sky Dancers lighting up the sky with lighted kites on Saturday from 7 to 11 pm. More information on the activities can be found on the i Light Marina Bay 2012 Activity Chart or at the event’s website: www.ilightmarinabay.sg.


All photographs in this post have been taken with a LUMIX GF-3.


Related posts:

Media Preview and an Overview of some of the installations

Opening Ceremony and the Light of The Merlion

Light Painting by LUMIX and other Fringe Activities

The View from Sands SkyPark and the Garden of Light


About i Light Marina Bay 2012:

i Light Marina Bay 2012, the second edition of Asia’s first and only sustainable light art festival, will be held from 9 March to 1 April 2012. Themed “Light Meets Asia”, i Light Marina Bay 2012 features innovative and environmentally sustainable light art installations by 31 multi-disciplinary artists, with a strong focus on works from Asia. The festival is organised by the Urban Redevelopment Authority (URA) in collaboration with Smart Light Singapore. i Light Marina Bay will be on nightly from 7.30pm to 11.00pm from 9 March to 1 April 2012. For more information, please visit www.ilightmarinabay.sg. In conjunction with the festival, LUMIX is running a photography competition for which participants who can capture the magical atmosphere created by the light art installations around Marina Bay stand to win attractive prizes. More information can be found at the festival website.


URA Press Release on Earth Hour 2012

Singapore, 28 March 2012 – i Light Marina Bay 2012, the sophomore edition of Asia’s first and only sustainable light art festival, is going the extra mile in its commitment to the sustainability message with the Festival’s participation in this year’s Earth Hour.

Come 31 March 2012, all 31 featured artworks will be switched off for an hour between 8.30pm and 9.30pm. The public are invited to participate in a Mass Light Catcher Creation workshop at The Lawn commencing from 6.00pm, followed by a commemorative light-up. There will also be a free movie screening at the NESCAFE® PAssion Movie Night later that evening.

Besides participating in Earth Hour, the “Switch Off, Turn Up” campaign – an energy efficiency effort initiated by the festival to encourage properties in and around Marina Bay to switch off non-essential lights and turn up air-conditioning temperatures – is projected to achieve energy savings of at least 200,000 kWh (kilowatt hours), triple the energy saved during the inaugural edition in 2010. This equates to saving 100 tonnes of CO2 equivalent, which is enough to generate electricity for 762 4-room HDB flats for the same period.

The “Switch Off, Turn Up” campaign, with the support of Sustainability Sponsor PowerSeraya, has to date received the commitment of 47 properties to drive energy efficiency, which is close to a three-fold increase from the 16 buildings that took part two years ago. Participating partners include Marina Bay Sands, Prime Sponsor of the festival, as well as other developments around Marina Bay and beyond.

For more information about the festival, visit www.marina-bay.sg/ilightmarinabay.

About Urban Redevelopment Authority (URA)

The Urban Redevelopment Authority (URA) is Singapore’s national land use planning and conservation agency. URA’s mission is “to make Singapore a great city to live, work and play in”. We strive to create a vibrant and sustainable city of distinction by planning and facilitating Singapore’s physical development in partnership with the community. As the main land sales agent for the state, our multifaceted engagement strategy includes the sale of state land to attract and channel private capital investment to develop sites for meeting our land use needs. As the place manager for Marina Bay, we promote exciting activities within Marina Bay in collaboration with other government agencies and private stakeholders. To create an exciting cityscape, the URA also actively promotes architecture and urban design excellence. For more information, please visit us at www.ura.gov.sg.

About Smart Light Singapore

Smart Light Singapore (SLS) was established in 2010 as a not-for-profit entity to develop urban lighting festivals that would set new international standards for energy efficiency and provide family-friendly, outdoor celebrations by illuminating public spaces through art sculptures and other smart light activities.

Through these events and activities, SLS aims to increase awareness in the reduction of energy usage, engage public and professional participation in best practices in lighting design, promote dark city skies and improve on energy-efficient lighting performances.






Delights around Marina Bay

22 03 2012

One of the wonderful things I was able to do as an official blogger for i Light Marina Bay 2012, was to spend part of an evening right on top of the world. That world that I write of is Marina Bay – a showpiece of modern Singapore, which when viewed 57 floors up from the Sands SkyPark, is a world that is certain to take one’s breath away. The view around Marina Bay from SkyPark is stunning to say the least and has to be the highlight of a visit to the roof of Marina Bay Sands – a view that for a little more than 3 weeks is being enhanced by some of the more visible of the 31 light art installations scattered around the body of water for what is Asia’s first and only sustainable light art festival.

The view of the showpiece of the new Singapore - Marina Bay, 57 floors up from the Sands SkyPark.

Being 57 floors up does provide a very different experience of the installations around Marina Bay that can been clearly seen. The Light of The Merlion that lies across the bay is certainly one that is to be noticed, as is the red-orange glow of the illuminated plastic igloo that is Bibigloo located at the Promontory @ Marina Bay. Surveying the scene around the incomplete circle of light that is Immersion at the far end of the Float @ Marina Bay would also be seen. It is however, with one’s feet firmly on the ground, that offers one the best multi-sensory experience of most of the installations. This is especially so for the festival’s largest projection – the light and sound show that is the Garden of Light.

Garden of Light - an animated projection on three fingers of the ArtScience Museum using 3D digital mapping techniques by Hexogon Solution.

The Garden of Light is an animated projection on three of the fingers of the ArtScience Museum. The projection, created using 3D digital mapping technology, is on the evidence of the interest created, one of the more popular installations. Best viewed (and photographed) from the viewing platforms on the Helix (bridge), it has been one that never fails to catch my attention, despite having watched the show several times from both the Helix and also below the ArtScience Museum. The show is the work of Singapore based Hexogon Solution and was conceived by its founder, Adrian Goh. Having moved into the field of video mapping projections in 2009, Hexogon has been involved in several large-scale projections that includes one on a commercial airliner and also one on the Asian Civilisations Museum in Singapore. The eight-minute show uses a combination of light and sound effects intended to send out a message of environmental sustainability that highlights the beauty of the natural world. The light and sound show is one I have to say is one of the most spectacular and one that greatly enhances the visual experience of the ArtScience Museum. It would be nice to see the installation being there on a permanent basis to allow future visitors to the area, and those like me who never tire of it to have an opportunity to take-in what has to be said celebrates the ArtScience Museum’s unique architecture – something that perhaps Marina Bay Sands may want to consider.

Another 'scene' from the Garden of Light.

The installation along with the Light of The Merlion has to be one of the most photographed installations at i Light Marina Bay 2012.

Martin Bevz and Kathryn Clifton's Immersion as seen from Sands SkyPark.

BIBI's Bibigloo seen from Sands SkyPark.

OCUBO's Light of The Merlion seen from above.

The location of the Garden of Light, is close enough to a cluster of 8 installations in and around the seating gallery of the Float @ Marina Bay to include a visit to the eight installations – one that has gone down very well is Key Frames from Groupe LAPS. The are also several under the seating gallery. A few of these I have already made a mention of such as Aleksandra Stratimirovic’s well received and rather successful attempt at making an ugly space beautiful, Sweet Home, Dev Harlan’s Parmenides I, and Andrew Daly and Katherine Fife’s Crystallised. Besides those already mentioned, there are two other installations under the seating gallery, one is Light Collective’s Urban Makyoh and the other – one that absolutely delighted me, is Takahiro Matsuo’s White Rain

Key Frames.

And what made me think Parmenides I was an installation one couldn't interact with?

Urban Makyoh involves light reflections projected from mirrored stencils.

White Rain – takes a little bit of effort in finding – an effort that was certainly worth it. The description I received describes it is an installation of white light which focuses on the sense of infinity produced by the behaviour and the beauty of light in which participants experience the poetry and beauty of light which falls like rain around them. What makes the installation a joy to take-in is that the rain of light that seems to fall as natural rain does, falls as one moves through it, intensifying and easing off depending on how one moves through it. It is one that I enjoyed observing especially standing away from the installation. As I stood and stared in the silence and the darkness, it seemed that I could almost hear the sound of the falling rain.

Takahiro Matsuo's White Rain.

There are just two weekends left before the festival ends on 1 April 2012 to take in each of the 31 installations. 31 “small delights” as one I met would have it. It is a festival that has certainly delighted me greatly, and one which I will continue visiting for the small delights that the interaction with each of the installations does bring. More information on the installations and on the festival and fringe activities can be found at www.ilightmarinabay.sg.


All photographs in this post have been taken with a LUMIX GF-3.


Related posts:

Media Preview and an Overview of some of the installations

Opening Ceremony and the Light of The Merlion

Light Painting by LUMIX and other Fringe Activities

Lighting up for Sustainability and Philips Supported Installations


About i Light Marina Bay 2012:

i Light Marina Bay 2012, the second edition of Asia’s first and only sustainable light art festival, will be held from 9 March to 1 April 2012. Themed “Light Meets Asia”, i Light Marina Bay 2012 features innovative and environmentally sustainable light art installations by 31 multi-disciplinary artists, with a strong focus on works from Asia. The festival is organised by the Urban Redevelopment Authority (URA) in collaboration with Smart Light Singapore. i Light Marina Bay will be on nightly from 7.30pm to 11.00pm from 9 March to 1 April 2012. For more information, please visit www.ilightmarinabay.sg. In conjunction with the festival, LUMIX is running a photography competition for which participants who can capture the magical atmosphere created by the light art installations around Marina Bay stand to win attractive prizes. More information can be found at the festival website.





Love is very much in the air at i Light Marina Bay 2012

19 03 2012

Love is literally very much in the air around Marina Bay. Visitors to the i Light Marina Bay 2012’s Night Carnival on the Waterfront Promenade just by the Promontory @ Marina Bay would have chanced upon many creating light messages and sketches next to the activity marquee – painted in the air. The activity is one of the more popular ones at the Night Carnival which involves “light painting” – moving hand-held lights through the air to spell words or sketch symbols which is captured using a long enough exposure setting on a camera. Subjects being “light painted” range from expressions of love and smiley faces to birthday greetings and on the evidence of what I observed – expressions of love seem to be the most frequently chosen subject.

LOVE is very much in the air at i Light Marina Bay 2012! Free Light Painting by LUMIX allows participants to paint light messages and sketches which are captured by a camera and emailed to participants.

The activity, Light Painting by LUMIX, is one of several festival fringe activities and events that the weekend crowd can participate in around Marina Bay – images will be sent by email to participants. Visitors to the festival can also catch LED light performers along the Waterfront Promenade, free movie screenings, a Night Carnival at the Promontory, as well as participate in various workshops that are suitable for both the young and the old.

Activity guide for i Light Marina Bay 2012 (click to enlarge).

Performers that roam the Waterfront Promenade include LED Twirlers who colour the night with performances best captured by a camera on a long exposure. In addition to the LED Twirlers, there are also LED Stilt Walkers, junk percussion jammers, story-telling sessions and synchronous lighted kite flying displays to catch on the two more weekends left to do so!

A 30 second exposure of LED Twirlers in action at the Promontory @ Marina Bay over the weekend.

More long exposures of LED Twirlers.

The cluster of marquees by the Promontory where the free light painting activity by LUMIX is held – the location of the festival’s Night Carnival, is also where free coffee by Nescafe is available (given out on a first-come-first-served basis). Two workshops which are held in the area would appeal especially to the kids. One, the Light Catcher Creation Workshop, involves transforming commonly used materials into simple to make, yet gorgeous light catchers. This workshop which is held in the comfortable environment of a Breeze Shelter, takes approximately 45 minutes to complete and costs $6 per participant. The second workshop, “Switch-It” Painting Workshop and Competition, involves the painting of light switches in which one’s creativity can be rewarded – participants are asked to paint the switches with a sustainability message which can be entered into a competition in which the top 3 designs stand to win fabulous prizes (entries should be submitted by 27 March 2012). Do allow for 30 minutes to complete the switch painting which costs $5 per participant. The workshops are held on Saturdays and Sundays from 7 to 9 pm.

The night carnival during the weekends feature activity marquees at which participants can sign-up for free light painting by LUMIX and also the Light Catcher Creation Workshop and the "Switch-It" light switch Painting Workshop and Competition.

The workshops are conducted under the very comfortable Breeze Shelters along the Waterfront Promenade by the Promontory @ Marina Bay.

Materials used everyday go into the making of light catchers. Participate in a Light Catcher Creation Workshop - fun especially for the young, on Saturdays and Sundays from 7.30pm to 9 pm up until 1 April 2012.

Arranging the reflectors.

Finishing up ...

And voilà! A beautiful light catcher that can be easily re-created at home.

Another light catcher.

Besides light catchers, the public can also participate in other activities, including a "Switch-It" light switch painting workshop and competition. The competition offers attractive prizes - submissions should be made by 27 Mar 2012.

Some of the painted light switches on the competition wall.

During the festival, visitors are also able to get on free guided tours which take place on Fridays to Sundays at 7.30pm, 8.30pm, and 9.30pm. Registration is required and closes one day prior to the event on the festival’s website or 30 minutes prior to the specific tour at the festival’s information kiosk. Visitors will have two routes to choose from: Tour 1 starts at Event Square and Tour 2 starts at the Info Kiosk at the ArtScience Museum. For a full list of and a calendar of activities and events, do refer to the activity guide (click here).

More expressions of love ...

A smiley face ...


All photographs in this post have been taken with a LUMIX GF-3.


About i Light Marina Bay 2012:

i Light Marina Bay 2012, the second edition of Asia’s first and only sustainable light art festival, will be held from 9 March to 1 April 2012. Themed “Light Meets Asia”, i Light Marina Bay 2012 features innovative and environmentally sustainable light art installations by 31 multi-disciplinary artists, with a strong focus on works from Asia. The festival is organised by the Urban Redevelopment Authority (URA) in collaboration with Smart Light Singapore. i Light Marina Bay will be on nightly from 7.30pm to 11.00pm from 9 March to 1 April 2012. For more information, please visit www.ilightmarinabay.sg. In conjunction with the festival, LUMIX is running a photography competition for which participants who can capture the magical atmosphere created by the light art installations around Marina Bay stand to win attractive prizes. More information can be found at the festival website.





Rediscovering a 40 year old icon in a new sea of light

12 03 2012

I’ve often wandered down Collyer Quay in the evening in the days when the smell of the sea filled the air to catch the evening’s breeze. Glancing out to where the sky met the sea, the view in the dark was one of the flicker of the sea of lights of the numerous ships that lay at anchor, interrupted by the sweep of the beam that shone from Fullerton Light – the lighthouse that stood atop the Fullerton Building – then the General Post Office (GPO). It was always a fascinating sight for me – one that I was always thrilled to take-in. That was years ago and the world as I had known it then, has been transformed to the glow of lights that seemed to have grown out of the seeds planted by of the lights of the old harbour. The glow is the new world that is Marina Bay, a world that glitters with the gold that the old harbour it grew out of has given. The new glow – brighter than the old, makes Marina Bay a world that is one to marvel at and one that for three weeks will glow even brighter with the colours and the lights that i Light Marina Bay 2012 brings to it.

Coming of age - one of the older icons in the brand new Marina Bay will be bathed in a sea of light during i Light Marina Bay 2012.

The highly anticipated festival, the second edition of i Light Marina Bay, was opened officially by Mr Tharman Shanmugaratnam, Deputy Prime Minster and Minster for Finance and Minister for Manpower on Friday. At the ceremony at the Promontory @ Marina Bay, Mr Shanmugaratnam spoke of his pleasure to be at Marina Bay, which he said attracted a record 23 million visitors last year, “to be immersed in the energy of a new downtown which has been evolving” and observed that the many developments in the area have transformed the skyline, and “imbued our city with more excitement, colour and vibrancy”. Mr Shanmugaratnam in his speech, spoke of the ‘software’ that was required to make and sustain a place – such as the festival, which serves to bring the community together to enjoy the place, and also help in defining an identity for the Bay. The Deputy Prime Minister also observed that “do so through a display of beautiful light art installations is creative, fun and delightful”.

Mr Tharman Shanmugaratnam speaking at the opening ceremony of i Light Marina Bay 2012.

Launching the festival.

After Light, an installation involving projections on shipping containers, is seen behind the stage at the opening.

Street performers - who were present at the opening, will also feature in the area during the period of the festival (top photo taken with LUMIX GF-3).

Fun and delightful the festival certainly has, in the first few days of the opening, proved to be. The festival’s 31 installations drew large crowds to the bay area over the weekend and judging from the number of visitors – one of the crowd favourites must be the Light of The Merlion – the brainchild of Nuno Maya and Carole Purnelle of OCUBO. OCUBO translates into “The Cube” in Portuguese, a name which reflects the geometric nature of the team’s projection work which for the work commissioned for i Light Marina Bay involves the projection of a combination of colours on the surface of the Merlion that are determined purely by members of the public through an interactive screen at the site. It is through this interactivity – a feature of all the group’s work, that the colours of the 40-year-old much-loved icon are changed through the evening – something which is designed to create a memorable experience with which the Merlion can be rediscovered with members of the public placed in the role of the creator. Based in Sintra, a delightful hilltop town in Portugal which boasts of the magical Sintra National Palace, OCUBO – an art and multimedia studio dedicated to light projects has presented light, multimedia and interactive art works in countries such as Japan, Australia, Singapore, Israel, Germany, the Netherlands, Slovenia, the Czech Republic and Poland and also conceived, produced and directs Portugal’s only light festival, the LUMINA Light Festival.

Light of The Merlion allows members of the public to play the role of the creator through an interactive panel which lets the public choose the colours to be projected on the much-loved 40-year-old icon (photo taken with LUMIX GF-3).

Nuno Maya (left), one half of OCUBO, at the opening ceremony (photo taken with LUMIX GF-3).

The many colours of the Light of The Merlion ... (photo taken with LUMIX GF-3)

After the opening ceremony, Mr Shanmugaratnam and guests were also able to take a tour of the bay by boat – a wonderful way of not just taking-in the sights around the bay, but also to have an excellent view of The Light of the Merlion and other installations that are around the bay’s waterfront including the festival’s largest projection Garden of Light, and the unmistakable red glow in the dark – BIBI’s Bibigloo at the Promontory @ Marina Bay. The eye-catching installation is an igloo made of 250 plastic jerry cans and is a replacement igloo intended to spread awareness of global warming and melting glaciers. BIBI has since 1992, attempted to explore man’s relationship to the environment, as well as the capacity to confront the contradictions with regard to waste production, through the use of everyday objects made from materials such as plastic using light to give life to his installations.

The eye-catching red glow in the dark - Bibigloo made out of 250 plastic jerry cans aims to raise awareness of rising temperatures and melting glaciers with a replacement plastic igloo (photo taken with LUMIX GF-3).

BIBI (right), the creator of Bibigloo.

The Festival Director, Ms Mary-Anne Kyriakou (centre) with artists present at the opening and Mr Mark Goh of URA.

The trial of light that I followed after the boat ride, somehow compelled me to take a walk towards the ArtScience Museum and onwards to the seating gallery at the Float @ Marina Bay, under which there are several other interesting installations. One – Sweet Home, which a mention of was made in my previous post, is an attempt by Swedish based Aleksandra Stratimirovic to make ugly places pretty. Ms Stratimirovic’s attempt to create a homely atmosphere through the use of lanterns must have been a very good one as the artists had used the installation to hold an opening night celebration late into the night.

Sweet Home an installation by Swedish based Aleksandra Stratimirovic under the seating gallery of the Float @ Marina Bay, aims to make an ugly place pretty - colourful forms of lanterns used in the installation are designed to spread warmth and homeliness in the urban environment (photo taken with LUMIX GF-3).

The artists certainly gave their thumbs-up! They found Sweet Home homely enough to spontaneously hold a party there on opening night (photo taken with LUMIX GF-3).

i Light Marina Bay 2012 is on until 1 April 2012 and several fringe activities and events will be held during the weekends – for a listing, do visit the events page on the i Light Marina Bay 2012 website. Information on Boat Taxis which provide an excellent way to see the installations on the waterfront also operate during the weekends, departing every 15 minutes between 7.30pm to 10.00pm from Fridays to Sundays from 10 March to 1 April and cost $4 per trip – more information is also available on the website’s events page.