We have lift-off, NASA – A Human Adventure opens today

Space exploration, fuelled by the cold war rivalry between the United States and the Soviet Union, made significant progress in the 1950s and 1960s. As a child of the 1960s, I was caught up in its excitement of it and especially of its most significant outcome – the landing of the first man on the moon in July 1969. The space programmes that led to the landing had itself generated huge interest during the decade. It was a space exploration flavoured decade in many ways and I took great satisfaction in rocket shaped ice-lollies, ice-cream packed in a Mercury spacecraft inspired container and on getting my hands on moon-landing inspired action transfer sets. For a child it seemed a most exciting of times; times that certainly came back to me visiting a preview of NASA – A Human Adventure, which opens today (19 November 2016) at the ArtScience Museum.

A Mercury Spacecraft, the first US manned spacecraft.

The exhibition, which is arranged around five galleries, takes visitors into a fascinating journey through space exploration and starts with the dreams humankind had long had of venturing into the unknown. There is an amazing collection of over 200 artefacts on display, several of which have flown in space, connected with both the Soviet and the NASA efforts. There also is get a chance to get up close to several training modules and full or large scale reconstructions of space craft including one of the Space Shuttle’s front section in which the flight deck and the mid-deck – where the crew eats, sleeps and works, complete with a vacuum toilet.

The first gallery – which tells us all about the Dreamers.

A re-creation of the Space Shuttle’s Flight Deck.

The Space Race, prompted by the Cold War rivalry between the Soviet Union and the US, is well documented in the second gallery, Go Fever. The intense rivalry provided much impetus for the rapid progress made by both countries in  space exploration and resulted in the first manned flights and the eventual moon landing. A model of Sputnik, the first satellite, which started the Space Race in earnest is on display. The early lead that the Soviets took is also seen in several rarely seen Soviet space artefacts and in a remembrance of the first human in space, cosmonaut Yuri Gagarin.

A model of Sputnik – the very first artificial satellite, launched by the Soviet Union. The reflection on it is that of Go Fever, the second gallery.

The Soviet Space programme put the first man in Space – Yuri Gagarin, who is remembered in Go Fever.

Soviet space programme artefacts – including a briefcase carried by Yuri Gagarin into space.

The exhibition has three other galleries, Pioneers, Endurance and Innovation – tracing the evolution of rocket technology, how the challenges of space travel were overcome and how ground breaking technologies have been created through the programme. There is also a rather interesting art installation, The Indonesia Space Science Society by Indonesian artist, Venzha Christ that includes a 3 metre sculpture and invites visitors to listen to space.

A scale-model of the very long Saturn V rocket.

The Jupiter nose cone – launched into space and recovered from the sea – the experimental nose cone was a crucial step in development of re-entry vehicles – necessary for manned space flights.

Titan I LR-87 rocket engine.

The installation by Venzha Christ.

A highlight of the exhibition is the G-Force Astronaut Trainer ride, which simulates the flight of the 1961 Liberty Bell 7 with forces of up to 2G. The ride takes up to four and costs $6 on weekdays (Mondays to Thursdays) and $9 during the weekends.

The G-Force Astronaut Trainer Ride.

In conjunction with the exhibition, the ArtScience Museum is also running the Art and Science of Space season. Several programmes are lined up including an Insights Tour during the opening weekend, given by Jukka Nurminen – an avid aeronautics enthusiast and the producer and curator of the exhibition. Two sessions will be held at 11.30am  lasting an hour on 19 and 20 Nov, which will be complimentary to ticket holders but limited to 25 per session (stickers will be given out 5 minutes before the tour begins). There are also public guided tours on 25 Nov at 3-4pm and on 27 Nov at 11.30am-12.30pm. A series of workshops will also be held. The exhibition runs until 19 March 2017 and more information on it, its programmes and ticketing can be found at the exhibition’s website.

Jukka Nurminen, Producer and Curator of the exhibition.

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More exhibits:

Spacesuits.

A Soviet lunar vehicle.

Apollo Lunar Roving Vehicle.

Moon rock collection case, bags, a glove and a boot.

An Apollo survival kit.

Command compartment of a Gemini Spacecraft.

A command module.

Apollo Command Module.

Space Shuttle front section.

An actual unused leg for the Apollo lunar landing module

Film shot by Apollo astronauts.

A Hasselblad camera of the type used for lunar operations.

TV camera of type used for lunar operations.

Lithium hydroxide canister for removing carbon dioxide. This featured in the Apollo 13 near tragedy that left the Command Module with limited electricity supply. To save power in the Command Module that was crucial for reentry, the Lunar Module was kept attached as a “lifeboat”. The Lunar Module did not have sufficient LiOH canisters and ground engineers very quickly found a way make join the rectangular canisters from the Command Module to the cylindrical canisters of the Lunar Module.

An flight computer – which weighed about 100 kg.

A photograph of the Apollo Lunar Module.

A replica of the module with the triangular window seen in the photograph above.

An actual Command Module parachute for descent back to earth – notice the burns from reentry on it.

A heavily built Command Module front hatch.

Models of Hubble and the ISS.

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9-11 14 years on

While we in Singapore are being distracted this 11 September by what may be the most closely contested election since independence, the United States and much of the World will be remembering a day 14 years ago that must not be forgotten. 14 years on, the United States and New York City seems to have since assumed a air of normalcy, at least from what I saw of the city in April. Worst hit by the savage act of terrorism, it does seems well on the road to recovery even if the events are indelibly etched into the psyche of every New Yorker. Ground Zero, which is being regenerated, today represents the resilience of the American spirit. Much like a phoenix that has risen from the ashes, a new and taller structure has risen, One World Trade Center, which now stands as the tallest building in the Western Hemisphere.

The sun rises on a new Manhattan skyline (seen from Hoboken, New Jersey).

Lower Manhattan in 1989 with the Twin Towers which were brought down by two aircraft on September 11 2001.

Lower Manhattan today with One World Trade Center standing tall.

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Rebuilding the World Trade Center

Ground Zero in April, as seen from the yard of St. Paul’s Chapel.

Work to complete One World Trade Center.

Another look at One WTC.

Cranes working on another structure coming up at Ground Zero.

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Remembering 9-11

A thousand origami paper cranes folded by school children in Japan. The cranes relate to the story of Sadako Sasaki and the 1000 origami paper cranes.

The Bell of Hope by the Archbishop of Canterbury and the Lord Mayor of London on the first anniversary of 9/11. Cast by the same company that made the Liberty Bell, it stands in the yard of St. Paul’s Chapel near Ground Zero.

An altar to the victims inside St. Paul’s Chapel.

Another memorial inside St. Paul’s Chapel.

A cross forged from material found in the rubble.

The interior of St. Paul’s.

One of two reflecting pools each positioned where the North and South Tower once stood as part of the National September 11 Memorial.

 

Drunk and dancing on a Friday morning

Coming from a somewhat sedate Singapore where, despite its rich multi-cultural make-up, religious and cultural celebrations are generally calm and controlled affairs, finding myself caught in one of the many colourful street celebrations that take place in the countries around is always an experience to remember. I was in Macau recently to catch not just one, but two of the larger celebrations that takes place on the streets of the former Portuguese colony around the month of May. The first, perhaps more of a calm and contemplative affair, the Feast of Our Lady of Fatima, takes place on 13 May every year. The second is celebrated with a drunken frenzy on the streets. That, the feast of the Drunken Dragon, takes place every year on the 8th day of the 4th Chinese lunar month which fell on 17 May this year.

The feast of the Drunken Dragon is celebrated with a drunken frenzy on the streets of Macau.

The Drunken Dragon Festival is definitely a spectacle for photographers.

The festival, Tchoi Long Chit (醉龍節 or 醉龙节) – as it is spelled in Cantonese in Macau, would have its roots in neighbouring Zhongshan, Guangdong Province where it is thought to have been celebrated since the Song Dynasty and may have been celebrated in Macau since the reign of Emperor Kangxi during the Qing Dynasty based on information at the website of the Macau Government Tourist Office (MGTO) and is described in the following manner:

… a very strange festival if compared with the other major Chinese festivals. It dates from the misty past from the Kangxi Kingdom of the Qing Dynasty. Praying to the Buddha for help against a disastrous plague, villagers were carrying his statue when suddenly a giant python leaped out of the river on to the bank, blocking the way. A Buddhist monk slashed at the monster, cutting it into three pieces which were tossed into the river. 

The pieces writhed about and then, amid a great wind and thunder, they flew up into the sky. Miraculously, the people recovered from the plague and the turf which has been stained with the creature’s blood proved to be unusually fertile. Believing that they had been saved by a divine dragon, the people carved its image and at the annual festival when the Buddha is bathed they drank wildly and danced with the dragon.

The fishermen associations organize this festival, which start in the morning in the Kuan Tai Temple near S. Domingos Market (near Senado Square), where men perform a drunken dance with wooden heads and tails of a dragon. Then, they go on the direction of the Inner Harbour and pay a visit some shops and piers on the waterfront. At each stop they drink wine until they are not able to go on. All the participants and observers end the day with a great dinner.

Participants arriving at the Sam Kai Vui Kun Temple, the starting point of the street celebration.

Participants gather at the Kuan Tai Temple near Senado Square at around 8 in the morning.

Wooden head and tail sections of dragons lie in wait at the Kuan Tai Temple.

A monk blessing offerings at the Kuan Tai Temple.

The celebration in Macau of the “strange” festival sees participants start with prayers and blessings at the Sam Kai Vui Kun or Kuan Tai Temple – about half an hour before a ceremony proper is held in a tent in Senado Square at 9 am. It is at the temple where participants collect the two dragon pieces in pairs – at which many are already visibly intoxicated, downing cans of beer and blowing mouthfuls of the liquid into the air – making for a spectacle best observed up close as both observers and jostling photographers (and their equipment) risk getting a splashing from the alcohol laden spray and mist that is propelled into the air.

The celebrations are best observed close-up but be prepared to jostle with the frenzy of photographers eager to capture the best shots at the risk of getting their equipment wet and sticky.

Prayers are also offered.

Participants collecting the dragon pieces.

The participants and their dragons seek blessings at the temple.

A participant offering a joss stick.

Participants downing cans of beer outside the Kuan Tai Temple.

And spray mouthfuls of it into the air.

The ceremony in Senado Square is one at which the participants are introduced before lion dance lions have their eyes dotted to bring them to life after which the participants perform a dance ritual in a prelude to the drunken journey through the streets.

Participants being introduced during the ceremony.

An introduction being made.

Red cloth is tied to the dragons.

Lion dance lions await the eye-dotting ceremony which brings them to life.

The eye-dotting ceremony.

A jar of wine and wooden dragons for the ritual dance before the participants set off.

Participants performing a dance ritual …

… before setting off …

At this point, the participants seem to already have difficulty keeping upright – that however does not stop them from getting organised before the journey through the cobblestone streets begins, the younger ones – some boys, lead the procession in a martial art inspired dance, wooden dragons in hand. Even on the move, the action does not stop – the men continue to down jars of wine, spraying some of the contents of the jars into the air. As they make their way, occasionally taking a wrong turn, they stop at shops where offerings placed on stools are left at the entrances, moving the dragons in a way that made it appear that they were greedily devouring what was left on the stools. The dragons enter the shops before continuing on their way – a dancing lion dance takes the place vacated as firecrackers are lit as those in the crowd put their hands over their ears in anticipation.

Even in a state of drunkennesssome organising has to be done.

The participants set off …

A drummer accompanies the participants.

The procession of participants in martial art inspired dance makes its way through the narrow streets off Senado Square.

Stopping along at shops along the way outside which offerings are made.

A lion dance follows the participants.

I follow for a distance, reeking of not just of the sticky alcoholic residue a deposit of which was left on my skin, clothes and equipment but also of the mix of perspiration and rain which fell earlier that I was completely drenched in. After some three quarters of an hour running after the drunken men I decided to break away. Despite the sticky mess my equipment and I were in, I would have most willingly continued if it wasn’t for a gluttony motivated bus ride I wanted to make to Fernando’s in Hac Sa Beach in Coloane – after which the Tam Kong Festival celebrations in Coloane Village beckoned. The very unique way in which the festival is celebrated must count as one of my more memorable experiences and one which I certainly am thankful to have remained sober enough to have been able to observe.

Mixed with the crowd of curious tourists and photographers are many locals who line the streets to observe the procession.

Information on the festival and its origins:

Drunken Dance (about the origins of the festival in Zhongshan)

Feast of Drunken Dragon (China Central Television – CCTV video report)

MGTO Calendar of Events

The Feast of Our Lady of Fatima in Macau

The thirteenth of May marks the Roman Catholic feast of Our Lady of Fatima and is the day in 1917 when the Virgin Mary made the first of her six appearances to three children in a remote village north of Lisbon near Fátima. Widely commemorated especially by churches in the Portuguese tradition, the feast is also one in which we see the rich Portuguese heritage of Macau being celebrated. Although followers of a religion introduced by its former masters number only 5% of the total population in the one-time Portuguese territory, it is very much one which cannot escape the eye in Macau, with not just its many beautiful churches and religious buildings  in clear sight, but also in the many ways in which the faith manifests itself.

The feast of Our Lady of Fatima is one way in which the Portuguese heritage of Macau is celebrated.

The congregation streaming out of St. Dominic’s Church in Senado Square during the Feast of Our Lady of Fatima.

The Bishop of Macau, José Lai, celebrates mass at St. Dominic’s Church before the procession.

The feast in Macau is an important date in the Special Administrative Region’s calendar of religious celebrations. The commemoration of the feast day in Macau involves a huge religious procession in which an image of the Our Lady of Fatima is carried followed by many devotees who are not just from the local community but also many who come from far and wide.

Our Lady of Fatima watches over the faithful in St. Dominic’s Church during mass.

One of the flower girls who lays the path taken by the procession with rose petals.

The procession starts inside St. Dominic’s Church.

The commemoration which starts with the celebration of mass at St. Dominic’s Church in Senado Square, sees the famous square turn into a sea of people and candlelight as thousands of Catholics follow a statue of the Virgin, placed on a bed of roses, as it is carried on a two and a half kilometre route from St. Dominic’s to the Church of Our Lady of Penha. The procession, during which the Rosary is recited and hymns sung, makes its way from the square through narrow streets by the square up to the Cathedral. From the Cathedral, it turns down to the Avenida da Praia Grande on which it makes its way south before turning west to the Avenida da Republica. The final third of the route involves an uphill climb up the steep road to Penha Hill on which Our Lady of Penha chapel is perched.

The start of the procession.

The procession making its way through Senado Square.

The procession is a moving experience for anyone attending and ends with a Benediction which is held at the entrance of the Church of Our Lady of Penha. Following this the congregation streams into the church to receive a rose which comes from the bed of roses the statue of Our Lady is carried on.

The statue being brought into Our Lady of Penha Church.

Benediction takes place outside Our Lady of Penha Church.

The congregation making their way into the church.

Inside the church the members of the congregation are presented with a rose from the bed of roses the image of Our Lady is carried on..

Three children who were selected to represent Lúcia, Jacinta and Francisco, the three children Our Lady appeared to having a photograph taken.

Dances in Macau’s night sky

Fireworks have to be one of the best gifts that the Middle Kingdom has given us. A show does always seem to bring out a celebratory mood on any occasion – even when there is no occasion … the explosive burst of colours is in itself a celebration. I for one have long held a fascination for fireworks since my youthful days watching them from the window of my flat in Toa Payoh. And now in my second childhood (perhaps third or fourth), displays still captivate me and I often chase them whenever the opportunity presents itself.

Fireworks displays never fail to put audiences in a celebratory mood.

I found myself not having to chase one of my more recent encounters … being a participant on a trip to Macau that I had the good fortune of being on. The trip, sponsored and hosted by the Macau Government Tourist Office (MGTO), coincided with the annual celebration of fireworks – the Macau International Fireworks Display Contest, which this year is in its 24th edition. That it was hosted by the MGTO, also meant that the group I was in, were able to watch the pyrotechnic displays from a comfortable position and unobstructed position in a reserved area at the Macau Tower Outdoor Plaza.

The judges for the contest seated at the Outdoor Plaza.

Entertainment at the Outdoor Plaza in between the two displays.

This year’s edition of the Macau International Fireworks Display Contest sees 10 teams attempting to outdo each other in painting the night sky over the Pearl River Estuary between the Macau Peninsula and Taipa Island, each in a choreographed show of pyrotechnic bursts accompanied by music. Taking place over a period of some five weeks from September to early October, the 24th Macau International Fireworks Display Contest sees the displays of two teams on each of the Saturdays in September, and that of the last two on 1 October, China’s National Day, in a contest that sees the participation of teams from Korea; Thailand; Taiwan, China; United States; Portugal; France; Japan; Australia; Italy and Mainland China. This annual contest is supported and sponsored by the MGTO with a subsidy given to the participating teams for fireworks. This year sees the participation of teams from France and Italy for the first time, and boasts several well-established names in pyrotechnic displays including the Australian company which was responsible for the fireworks during the opening and closing of Sydney 2000.

Four of the bloggers in the group: (from L to R) Valyn, Joey, Chun See and Yiwei.

After a short ceremony at the Outdoor Plaza, the contest got underway. Featuring two teams on opening evening, the Korean team represented by Woori Fireworks Inc and the team from Thailand, Thailand Fireworks, the audience which also included guests to a BBQ Dinner Buffet which is served to coincide with fireworks nights, was treated to two wondrous 14 minute long shows which saw the colourful bursts dancing to music the teams had specially selected for their respective shows. The displays by the two teams were certainly well planned and choreographed and despite not having a remote release for it, I decided to attempt using the Lumix DMC-GF5 camera that Panasonic had kindly provided for our use during the trip to capture some stills of the displays using the self-timer, the results of which are seen in the sequences of photographs below. The sequence by the Korean team was a little more dynamic and alternated between large and small bursts and capturing them did prove quite a challenge, whereas the Thai display I thought had prettier and subtler combinations of fireworks with lengthier pauses in between – which presented another set of challenges, particularly in anticipating when the bursts would start.

On the way back to the hotel … the bloggers, and even the bus, were in an exuberant and colourful mood!

Although exhausted from what was a very long day (plus the fact that I only got two hours of sleep due to packing at the very last minute for the trip), I must say that enjoyed watching and trying to photograph the two displays, the likes of which I have only got to see up close and unobstructed on very few occasions before … an occasion that will certainly long be remembered …

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Performance by Woori Fireworks Inc of Korea

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Performance by Thailand Fireworks

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The visit to Macau was made possible by the kind sponsorship of MGTO, flights have been sponsored by Tiger Airways with check-in baggage allowances included. The visit to the Macau Tower for the 24th Macau International Fireworks Display Contest was also made possible by Macau Tower.

All photographs of fireworks in this post were taken using a Panasonic Lumix DMC-GF5 camera.

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Useful links:

Macau Government Tourist Office
Tiger Airways
Macau Tower
24th Macau International Fireworks Display Contest

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Note: this is a repost of my post on the omy.sg My Macau Experience 2012 site which sees 10 bloggers share experiences of their visit to Macau. Readers will get a chance to vote for their favourite My Macau Experience 2012 blogger and stand a chance to win $1000 worth of Macau travel vouchers. Voting starts on 28 September 2012 and details can be found at the My Macau Experience 2012 Voting page.

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Step into a world of wizards, spells and strange creatures

Knowing how fanatical fans of Harry Potter can be, many would have looked forward to yesterday’s opening of Harry Potter: The Exhibition at the ArtScience Museum. The exhibition, making its debut in Asia, is one that gives visitors not just a firsthand look at hundreds of costumes and props that were actually used on set for the series of Harry Potter films, but an experience of Harry Potter’s world – the exhibits are placed in immersive themed settings inspired by Hogwarts locations that transports the visitor right into them. I had a glance at all this – even though I would not say I am a fan, on Friday – before the exhibition actually opened … I was among a group, who were provided with an exclusive tour of it organised by the kind folks of the ArtScience Museum for a select group that included a group of fans and several lifestyle bloggers. That not only allowed me to see the exhibition before the crowds descended on it, I also had the privilege of hearing all about the exhibition straight from the horse’s mouth so to speak – the exhibition’s creator, Mr Eddie Newquist, led the tour – with the enthusiasm of an excited child showing off a prized toy I must say. Accompanying Mr Newquist was the ArtScience Museum’s Executive Director, Mr Nick Dixon.

My introduction to the world of Harry Potter at the ArtScience Museum.

The tour was preceded by a briefing and Q&A session during which we were introduced to Mr Newquist and Mr Dixon. There was also a surprise in store especially for the fans present – two very popular members of the cast, identical twins James and Oliver Phelps, who played the Weasley Twins – Fred and George, made an appearance and were kind enough not only to take questions, but also pose for photographs with the lucky fans present.

The identical twin pair of James and Oliver Phelps who played the Weasley twins in the Harry Potter films are in town for the opening of Harry Potter: The Exhibition at the ArtScience Museum.

Mr Dixon (extreme left) with the Phelps twins and Mr Newquist.

Wizard wannabe, host Dominic Lau, waving an imaginary wand ….

The tour soon followed. We headed down to the B2 level of the museum where the entire floor has been devoted to the exhibition. Stepping through into the exhibition, it is the Sorting Hat that the visitor encounters – that put the few who volunteered in their places (the hat places entrants to Hogwarts – the school of wizardry in which Harry is enrolled in and where his adventures centre around, in one of the school’s four houses). We next walked into a mist. And, as a figure with a lamp beckoned us through, the shape of a locomotive becomes visible – that of the Hogwarts Express. That, signalled the commencement of the journey into a magical fantasy world of wizards, spells and strange creatures … a world that until now, only existed to me on the movie screens.

Harry, Ron and Hermione beckoning the visitor into the passageway that leads to the entrance …

I soon found myself totally absorbed in Harry’s world, surrounded by not just its paraphernalia, but also by the places we would have found them in: the Gryffindor common room, Hogwarts classrooms, the Forbidden Forest and the Great Hall … It would certainly be a thrill for many to get up close to many familiar items which include in the Gryffindor Boys’ Dormitory, Harry Porter’s and Ron Weasley’s bunk beds, their trunks, costumes, wands … Harry’s ‘personal’ items here include his acceptance letter into Hogwarts, the Marauder’s Map and the pair of glasses that he wore …

Harry Potter™ and Ron Weasley™ costumes and artifacts that appeared throughout the Harry Potter films © Warner Bros. Entertainment Inc.

Harry Potter’s eyeglasses, Hogwarts™ acceptance letter, the Marauder’s Map and his wand © Warner Bros. Entertainment Inc.

There are many opportunities along the way for interaction with some of the exhibits – pull a Mandrake from its pot in the Herbology vignette, toss a Quaffle in the Quidditch area, and tour Hagrid’s hut – where one can have a feel of sitting in Hagrid’s armchair. I found Hagrid’s hut particularly enchanting, and in it was easy to imagine that I was in the fantasy world expecting Hagrid to walk through at any moment.

Recreation of Hagrid’s hut © Warner Bros. Entertainment Inc.

Costumes worn during a Quidditch™ match © Warner Bros. Entertainment Inc.

Pull your own Mandrake in the Herbology vignette © Warner Bros. Entertainment Inc.

There is also an opportunity to come face-to-face with many of the magical creatures in the Forbidden Forest like Buckbeak the Hippogriff, a Hungarian Horntail dragon, centaurs, and a giant Acromantula. The Buckbeak prop we were told was a study model that could nod to allow the cast to get acquainted with the creature – most of the footage involving Buckbeak used was generated through computer animation. The study model we were also informed has tens of thousands of feathers that were actually put in by hand.

Buckbeak™ the Hippogriff as seen in Harry Potter and the Prisoner of Azkaban™ © Warner Bros. Entertainment Inc.

A trip to Harry Potter’s world would of course not be complete without a walk on the dark side in the Dark Forces gallery … where Voldemort and his death eaters await … Six of Voldermort’s Horcruxes – including, for the first time in the exhibition, Nagini, his serpent and Tom Riddle’s diary can also be found here. There is also that chance for the visitor to hear Voldemort’s spine-chilling voice calling out to them, if they find themselves in the right spot when in the dark side …

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Harry Potter: The Exhibition, is created by Global Experience Specialists, Inc. (GES) in partnership with Warner Bros. Consumer Products, will be displayed at ArtScience Museum at Marina Bay Sands from 2 June 2012 through 30 September 2012. For tickets and more information, visit www.marinabaysands.com/artsciencemuseum. Exhibition specific information can be found at ArtScience Museum’s Harry Potter: The Exhibition webpage.

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Hundreds of screaming girls and a show of hands

I was at Clarke Quay last evening to catch some wonderful independent acts perform live on stage at the first day of the 3-day Music Matters Live event. It being K-Pop Night Out, hundreds of screaming girls holding placards and iPads coloured the scene around the Main Stage. Among the performances that I caught were indie-folk duo Minor Soul from Hong Kong – who are produced by Eurythmics’ Dave Stewart, Natasha Duarte from Australia who was performing for the first time outside of Australia, and K-Pop’s Rhythm King and seven member BTOB.

Indie-folk duo Minor Soul who are produced by the Eurythmics’ Dave Stewart.

Natasha Duarte from Australia.

Guitarist for Natasha Duarte.

Rhythmking.

Rhythmking Fans.

BTOB.

There were hundreds of screaming girls!

There was a show of hands in more ways than one!

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PRESS RELEASE

Music Matters 2012: A Diverse Live Experience

The show will be kick-started on the main stage by a hip hop showcase from Korea on May 24. Drunken Tiger, a pioneer of the genre, will be performing alongside the ‘Queen of Soul’ t Yoon Mi Rae. They will be accompanied by heavyweights such as the hot idol group M.I.B, rapper and hip hop prince J’Kyun and DJ Clazzi of the experimental genre-defying project Clazziquai. One half of dynamic hip hop duo 2wins, Rhythmking will also be appearing as well as BTOB, an energetic vocal group with seven members and a massive fanbase.

Aussie BBQ will be held at Beer Market on May 25 and will feature some of Australia’s best talents. Epic stadium rockers Pandorum, rising alternative rock band This Sanctuary and the classically trained singer-songwriter Kate Miller Heidke. Canada will also have a strong presence in Music Matters Live. Following last year’s arrival of Simple Plan on Singapore’s shores, Canadian Blast will be held at Cuba Libre featuring soulful singer and acoustic performer Peter Katz, alien surf rockers Hill & The Sky Heroes, rapper Manafest and USS, one of Canada’s top indie rock acts.

Singapore will also be well represented. Inch Chua, who has performed at massive festivals such as SXSW, will be featured. The local line-up also includes The Great Spy Experiment, who quite recently rocked the stage at Singapore Day in New York City and The Auditory Effect, a band whose music is a dynamic fusion of high energy, style and groovy beats.

All performances will be held at the main stage at Clarke Quay, Beer Market, China One, Crazy Elephant, Cuba Libre, Forbidden City by Indochine, Shuffle and The Arena. Gigs start at 7:30pm and end at 2am. For updates on the gig schedule, visit http://www.facebook.com/MusicMattersLive.

This music festival aims to showcase to Singapore and the region many of today’s greatest breakthrough bands, irrespective of national and cultural differences. Access to most acts will be free, encouraging attendees to open their minds to a journey of musical discovery. No one will be left out as all the line-up for the main stage will be broadcast live over Youtube for the first time, making the audience limitless.

Aside from the themed nights on the main stage, expect standout performances from festival favourite Midnight Youth (NZ), indie-folk twosome Minor Soul (HK) who are produced by the Eurythmics’ Dave Stewart, post-punk act Aftermiles (Indonesia) and many, many more.

Music Matters Live is just one segment of All That Matters, a convention and platform for discussion on music, technology and media. The programme is filled with talks by esteemed members of these industries including Bob Ezrin, the legendary producer who has worked with the likes of Pink Floyd on their landmark album ‘The Wall’ and KISS. Further information and the full schedule can be found at WWW.ALLTHATMATTERS.ASIA.

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