The hunt for eggs this Easter

16 04 2017

The hunt for eggs this Easter should start at the Singapore Philatelic Museum. The museum, despite its name, is not just about stamps but has quite an interesting mix of exhibitions that will delight the visitor and to celebrate Easter, as well as the arrival of Spring and also the (Chinese) year of the rooster, the museum has brought in 148 eggs flown in from one of Europe’s smallest countries, Lichtenstein.

A silver egg with an image of St. George and the Dragon (the patron saint of Russia and Moscow).

A perforated chicken egg with a decorated egg yolk.

Like the museum, Lichtenstein despite its tiny size, has quite a surprise in store. The eggs, which are quite extraordinary, are part of a precious collection from the vaults of the Lichtenstein National Museum that will be seen for the first time outside of Europe. Drawn from the Adulf Peter Goop collection, the eggs are a mix of finely decorated quail, ostrich, goose, duck, swan and chicken eggs, as well as ones made from precious metals, glass, porcelain, wax, crystal, marble, stone, wood , reindeer horn, cardboard and papier-mâché. The exhibition, “Precious Eggs: Of Art, Beauty and Culture”, also sees commissioned egg sculptures created by Liechtenstein’s leading artists, including Dr George Malin, Arno Oehri and Sunhild Wollwage on display. It will run until 8 October 2017.

Goose egg – with the Madonna and Child made with paper and dried flowers.

Egg mail!

In conjunction with the exhibition and specially for Easter Sunday, the museum will hold a series of activities for kids and the family. One that is particularly interesting, the Pysanka Egg Demonstration, takes place from 1 to 4 pm. Lovely ladies from the 300 strong Ukrainian community in Singapore will be on hand to show how Pysanka – traditional Ukrainian Easter eggs – are decorated. The unique decorations, include geometric patterns from the mountainous areas of the country and also other motifs that are typical of the cities and visitors will not only get to learn about Ukraine’s unique Easter celebrations, they will also get to try their hand at decorating the eggs. Other activities include a “Green Eggs and Ham” storytelling session, Easter Craft and a fun quiz.

Ladies from the Ukrainian community will demonstrate ‘pysanka’ .

Pysanka – traditional Ukrainian decorated Easter eggs.


The Adulf Peter Goop Collection:

Born in Liechtenstein, Mr Adulf Peter Goop (1921-2011) started to collect Easter eggs in 1985. He was inspired by his experiences as a boy giving painted eggs on Easter morning to Russian soldiers seeking asylum at the end of World War II, who were touched by the gesture of friendship. Numbering about 4,000 eggs, his impressive collection hails from all over the world – some from the Russian Imperial Family. In 2010, Mr Goop donated his comprehensive art collection to the Principality of Liechtenstein.


 





Back to school at Armenian Street

10 03 2017

Detention class, tuck shop, science lab, literature class and PE – names that evoke an instant recall of the best (or worst) days of our lives – will haunt Armenian Street this weekend when just like the good old days, scores of kids dressed in school uniforms that probably no longer fit, make a return to the area for the Armenian Street Party.

The former Tao Nan School – now Peranakan Museum, in party colours.

Put together by the Peranakan Museum, which is itself housed in a former school building,  the party being held this Friday and Saturday evening, offers lots of opportunities, especially for those of my generation, to feel that youthful vibe of one’s schooldays. If being naughty and ending up in The Substation’s Detention (an interactive space that celebrates creativity and playfulness) isn’t for you, there are lots of other things to do including showcasing one’s talents on stage through the Timbre Group’s Open Mic Night to relive the glitzy days of Talentime, tucking into some delectable and quite un-school canteen like treats brought the Tuckshop by True Blue Cuisine, and take part in Upside Motion’s Xtend the Night PE lessons – for which sign-ups ( are required at http://asp-xtendthenight-80s.peatix.com/ (Fri) and http://asp-xtendthenight-90s.peatix.com/ (Sat).

More information on the party and how to have fun at it can be found at the Peranakan Museum‘s and Singapore Philatelic Museum‘s websites.

Detention Class by The Substation (Friday and Saturday, 10 and 11 March 2017 7.30pm – 11pm).

Glee Club by Sing’theatre Academy (Friday, 10 March 2017 6.45pm, 7.45pm and 8.45pm).

Old School Swinging by Act 3 International (Friday, 10 March 2017, at 6pm and Saturday, 11 March 2017, at 6pm and 8pm).

 





The ruins on Sentosa and a rare chance to visit

3 02 2017

Sentosa, or the island of peace and tranquility and now also of posh homes, fancy boats and overpriced hotels, was once the rather sinister sounding Pulau Blakang Mati – the island of death at the back. No one seems quite sure of the origins of the name, although there have been several suggestions including one that is tied to the legend that Pulau Tekukor to Blakang Mati’s south had once seen duels to the death pitting Bugis warriors against ones from the Malay world.

Ruins on Mount Serapong.

It was in putting up a deference to violent confrontation that was to be Blakang Mati’s purpose for a large part of British rule. Strategically positioned, it served not only as a natural breakwater for the new harbour. Endowed with high points, it was only a matter of time before guns to protect the harbour from seaward attack were positioned on the island. The idea was in fact already mooted by William Farquhar, Singapore’s first resident, as early as 1820 – a year after the British arrived.

The first military installations would however only come up in the late 1800s. Undeterred by outbreaks of malaria and “Blakang Mati fever”, fortifications requiring extensive use of concrete – then newly introduced to Singapore, were constructed at the end of the 1870s on Mount Serapong – Blakang Mati’s highest point. It would only be in 1885 that work started on the installation of coastal artillery on Serapong. Two 8 inch guns were installed with supporting infrastructure such as casemates built into the terrain, which contained magazines, accommodation and other working spaces.

By 1912/13, the guns at Serapong Battery would be upgraded to 9.2 inch calibre guns and a separate Spur Battery, also equipped with a 9.2 inch gun added. These guns would be decommissioned in the later half of the 1930s when 9.2 inch guns at Fort Connaught were installed. Two 6 inch guns would however be placed on the spur (renamed Serapong Battery) after a review in 1936 and this was operational up to the final days before the fall of Singapore. Both guns were spiked and destroyed, No. 2 on 14th and and No. 1 on 15th February 1942.

With the development of Sentosa today, it may perhaps be surprising that extensive remnants of the installations scattered over Mount Serapong – just a stone’s throw away from the luxury developments at Sentosa Cove – can still be found today. The remnants include a underground magazine built for the 9.2 inch spur battery that was converted for use for Serapong Battery’s 6 inch No. 1 Gun, the battery’s gun emplacements, as well as several other support structures built in the 1930s for the battery. What may be more surprising are casemates, thought to have been built around 1885 can be found along with mountings for the 9.2 inch guns and best of all, a bunker 20 metres under the casemates that served as the Blakang Mati Command Centre. The bunker, with several chambers is in a damaged condition and has a vertical escape shaft at the top of which is a hatch.

The National Heritage Board, through a series of guided tours to mark the 75th Anniversary of the Fall of Singapore, offers an excellent opportunity to learn more about and see these remnants. One tour, Fort Serapong @ Fort Siloso, for which 3 sessions on the 25 February, 4 and 11 March (from 9.30 am to 12 noon) will be held. Places are limited. More  on the tours and other programmes can be found below.

For more on the guns at Serapong, on Sentosa and also across Singapore, do visit Peter Stubbs excellent FortSiloso.com site.


Photographs of the ruins on Mount Serapong

On the spur, the Gun No. 1 Gun duty personnel rooms and gunners’ shelter.

On the spur, the Gun No. 1 Gun duty personnel rooms and gunners’ shelter.

The collapsed structure of the 6 inch Gun No. 1 emplacement on the spur.

The collapsed structure of the 6 inch Gun No. 1 emplacement on the spur.

The underground 6-inch Gun No. 1 magazine on the spur, converted from that for the 9.2 inch spur battery.

The underground 6-inch Gun No. 1 magazine on the spur, converted from that for the 9.2 inch spur battery.

Inside the Other Ranks shelter in the magazine.

Inside the Other Ranks shelter in the magazine.

In the 'courtyard' of the magazine.

In the ‘courtyard’ of the magazine.

Inside the magazine.

Inside the magazine.

The 1936 kitchen complex.

The 1936 kitchen complex.

More of the kitchen complex.

More of the kitchen complex.

Another view.

Another view.

The 1936 bathroom.

The 1936 bathroom.

Fort Connaught's Battery Command Post (BCP), positioned on the highest point.

Fort Connaught’s Battery Command Post (BCP), positioned on the highest point.

Another view.

Another view.

9.2 inch gun mounting studs.

9.2 inch gun mounting studs.

A close-up.

A close-up.

The 9.2 inch shell hoist.

The 9.2 inch shell hoist.

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Nature reclaiming the space.

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Stairs at the casemate.

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Space inside the casemate.

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Part of the casemate.

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Inside a casemate space.

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Another collapsed structure.

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A underground reservoir.

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Magazine inside the casemate.

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Another view.

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The Blakang Mati Command Centre.

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Another view.

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The view up the escape shaft.

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The hatch at the end of the escape shaft.



Commemoration of the 75th Anniversary of the Fall of Singapore

This 15 February will mark 75 years since the Fall of Singapore, an event that brought about 3½ years of occupation by the Japanese and a period of immense hardship.  The National Heritage Board is commemorating the anniversary with  “Battle for Singapore – Years under the Sun Empire: Tales of Resilience” that will see guided tours, talks and activities organised by various Museum Roundtable museums from 16 February to 12 March.

There would be 12 different tours with a total of 49 tour runs to look out for. These will cover 11 World War II related sites and structures, including some rarely opened places such as the former Fort Serapong and the former Command House. There is an opportunity to also hear accounts of battle and survival and learn about the contributions and courage of the local population to the effort to defend Singapore.

Also to look forward to is the re-opening of the Former Ford Factory, which has been closed for a year-long revamp. This will reopen to the public on 16 February 2017 and see a new exhibition gallery with never-been-seen-before archival materials, There is also an interactive component offering a more immersive account of the days of war and suffering. Special exhibitions and programmes are also being put up by the Army Museum, Battlebox, the Singapore Discovery Centre. the Eurasian Heritage Centre, and Reflections at Bukit Chandu. More information is available at  www.museums.com.sg. Sign-ups for the Battle for Singapore 2017 programmes can be made at this link: https://www.eventbrite.sg/o/national-heritage-board-9384989257 (available from 6 February 2017 at 10.00am onwards). Slots are limited and will be allocated on a first-come first-served basis.






The William Farquhar collection comes alive

7 12 2016

Two years in the making, Story of the Forest – an interactive digital installation that brings 69 drawings of the William Farquhar Collection of Natural History Drawings alive, makes it public debut on Saturday 10 December 2016. The work was commissioned as part of the revamp of the permanent galleries of the National Museum of Singapore for the Glass Rotunda. The scale and curvature of the venue presented huge challenges to the Japanese digital art collective behind it, teamLab and required team of 30 to be assembled. Much of the task, including pre-production, was carried out at teamLab’s base in Japan and this included the construction of a full scale mockup. A large enough warehouse – there apparently was the only one in Tokyo that the mock-up could fit into – was used for the mockup.

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Story of the Forest, by teamLab.

Cascading flowers of Story of the Forest's first segment.

Cascading flowers of Story of the Forest’s first segment.

The interactive second segment that takes visitors down a 170m walkway to the lower rotunda.

The interactive second segment that takes visitors down a 170m walkway to the lower rotunda.

More of the second segment.

More of the second segment.

Deeply inspired by the set of drawings on which the installation draws on for its images, teamLab’s has come up with one of the most amazing of installations that takes visitors on a journey of rediscovery through the rich assembly of flora and fauna that the Farquhar collection so beautifully captures. The Glass Rotunda, an architectural response of the Neo-Palladian rotunda of the museum’s main building, is a huge space to fill. It has a 15 metre high ceiling and a spiral walkway that requires the installation to be stretched across some 170 metres. teamLab response to this is a three segment installation. Cascading flora greets the visitors at the entrance, before the journey begins down the walkway with animals serving as a guide. A mobile app is available to enhance this experience. The app allows the “capture” of animals through the phone’s camera. The climax of the installation is a very dynamic one that takes place at the lower rotunda. Running animals, blooming trees, shooting stars and falling fruits make the experience especially immersive.

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The lower rotunda is also where a second installation can be viewed – that of Robert Zhao’s Singapore, Very Old Tree. 17 photographs of the 30 photographs in the collection are one display. The photographs explore the nation’s identity and uncovers the personal relationships between people and trees.

Singapore, A Very Old Tree.

Singapore, A Very Old Tree.

Admission to the Glass Rotunda (and Permanent Galleries) will be free to all visitors during the opening weekend on 10 and 11 December 2016 (it is also free on a permanent basis for Singaporeans and PRs). A host of activities for the family is also being lined up, more information on which can be found at www.nationalmuseum.sg.

A Patek Phillippe 'Farquhar Collection' Dome table clock donated by Hour Glass. Proceeds from an auction have gone to the revamp of the Glass Rotunda.

A Patek Phillippe ‘Farquhar Collection’ Dome table clock donated by Hour Glass. Proceeds from an auction have gone to the revamp of the Glass Rotunda.

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Second Nature, an interactive and immersive “secret garden” exhibit that features elements from the William Farquhar Collection of Natural History Drawings and reacts to your movements! Visitors are encouraged to participate and engage with the exhibit, as well as contribute to the installation by folding origami flowers and attaching them to a flowering board

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Wings of a Rich Manoeuvre. A permanent installation by Suzann Victor for Swarovski, which was unveiled on 30 Nov 2016.

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We have lift-off, NASA – A Human Adventure opens today

19 11 2016

Space exploration, fuelled by the cold war rivalry between the United States and the Soviet Union, made significant progress in the 1950s and 1960s. As a child of the 1960s, I was caught up in its excitement of it and especially of its most significant outcome – the landing of the first man on the moon in July 1969. The space programmes that led to the landing had itself generated huge interest during the decade. It was a space exploration flavoured decade in many ways and I took great satisfaction in rocket shaped ice-lollies, ice-cream packed in a Mercury spacecraft inspired container and on getting my hands on moon-landing inspired action transfer sets. For a child it seemed a most exciting of times; times that certainly came back to me visiting a preview of NASA – A Human Adventure, which opens today (19 November 2016) at the ArtScience Museum.

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A Mercury Spacecraft, the first US manned spacecraft.

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The exhibition, which is arranged around five galleries, takes visitors into a fascinating journey through space exploration and starts with the dreams humankind had long had of venturing into the unknown. There is an amazing collection of over 200 artefacts on display, several of which have flown in space, connected with both the Soviet and the NASA efforts. There also is get a chance to get up close to several training modules and full or large scale reconstructions of space craft including one of the Space Shuttle’s front section in which the flight deck and the mid-deck – where the crew eats, sleeps and works, complete with a vacuum toilet.

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The first gallery – which tells us all about the Dreamers.

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A re-creation of the Space Shuttle’s Flight Deck.

The Space Race, prompted by the Cold War rivalry between the Soviet Union and the US, is well documented in the second gallery, Go Fever. The intense rivalry provided much impetus for the rapid progress made by both countries in  space exploration and resulted in the first manned flights and the eventual moon landing. A model of Sputnik, the first satellite, which started the Space Race in earnest is on display. The early lead that the Soviets took is also seen in several rarely seen Soviet space artefacts and in a remembrance of the first human in space, cosmonaut Yuri Gagarin.

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A model of Sputnik – the very first artificial satellite, launched by the Soviet Union. The reflection on it is that of Go Fever, the second gallery.

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The Soviet Space programme put the first man in Space – Yuri Gagarin, who is remembered in Go Fever.

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Soviet space programme artefacts – including a briefcase carried by Yuri Gagarin into space.

The exhibition has three other galleries, Pioneers, Endurance and Innovation – tracing the evolution of rocket technology, how the challenges of space travel were overcome and how ground breaking technologies have been created through the programme. There is also a rather interesting art installation, The Indonesia Space Science Society by Indonesian artist, Venzha Christ that includes a 3 metre sculpture and invites visitors to listen to space.

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A scale-model of the very long Saturn V rocket.

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The Jupiter nose cone – launched into space and recovered from the sea – the experimental nose cone was a crucial step in development of re-entry vehicles – necessary for manned space flights.

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Titan I LR-87 rocket engine.

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The installation by Venzha Christ.

A highlight of the exhibition is the G-Force Astronaut Trainer ride, which simulates the flight of the 1961 Liberty Bell 7 with forces of up to 2G. The ride takes up to four and costs $6 on weekdays (Mondays to Thursdays) and $9 during the weekends.

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The G-Force Astronaut Trainer Ride.

In conjunction with the exhibition, the ArtScience Museum is also running the Art and Science of Space season. Several programmes are lined up including an Insights Tour during the opening weekend, given by Jukka Nurminen – an avid aeronautics enthusiast and the producer and curator of the exhibition. Two sessions will be held at 11.30am  lasting an hour on 19 and 20 Nov, which will be complimentary to ticket holders but limited to 25 per session (stickers will be given out 5 minutes before the tour begins). There are also public guided tours on 25 Nov at 3-4pm and on 27 Nov at 11.30am-12.30pm. A series of workshops will also be held. The exhibition runs until 19 March 2017 and more information on it, its programmes and ticketing can be found at the exhibition’s website.

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Jukka Nurminen, Producer and Curator of the exhibition.


More exhibits:

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Spacesuits.

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A Soviet lunar vehicle.

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Apollo Lunar Roving Vehicle.

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Moon rock collection case, bags, a glove and a boot.

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An Apollo survival kit.

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Command compartment of a Gemini Spacecraft.

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A command module.

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Apollo Command Module.

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Space Shuttle front section.

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An actual unused leg for the Apollo lunar landing module

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Film shot by Apollo astronauts.

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A Hasselblad camera of the type used for lunar operations.

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TV camera of type used for lunar operations.

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Lithium hydroxide canister for removing carbon dioxide. This featured in the Apollo 13 near tragedy that left the Command Module with limited electricity supply. To save power in the Command Module that was crucial for reentry, the Lunar Module was kept attached as a “lifeboat”. The Lunar Module did not have sufficient LiOH canisters and ground engineers very quickly found a way make join the rectangular canisters from the Command Module to the cylindrical canisters of the Lunar Module.

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An flight computer – which weighed about 100 kg.

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A photograph of the Apollo Lunar Module.

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A replica of the module with the triangular window seen in the photograph above.

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An actual Command Module parachute for descent back to earth – notice the burns from reentry on it.

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A heavily built Command Module front hatch.

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Models of Hubble and the ISS.





The Singapore Biennale 2016

2 11 2016

The 5th edition of the Singapore Biennale,”An Atlas of Mirrors”,  opened last week. Running until 26 February 2017, this year’s edition features works by 63 artists and art collectives from 19 countries and territories across Southeast Asia, East and South Asia that have a strong element of history in them. Curated around nine sub-themes the works are being displayed across eight locations with the Singapore Art Museum and SAM at 8Q as anchor venues. More information on the programmes, venues, artwork and ticketing can be found at the Singapore Biennale 2016’s website.

The Great East Indiaman by David Chan on the National Museum of Singapore's front lawn.

The Great East Indiaman by David Chan on the National Museum of Singapore’s front lawn.

Giving art a finger - Lim Soo Ngee's Inscription of the Island.

Giving art a finger – Lim Soo Ngee’s Inscription of the Island.


A selection of installations

Titarubi - History Repeats Itself at SAM. Featuring robes of gold coated nutmegs, it recalls the legacy of colonial conquest. to facilitate the control of the valuable trade in a spice said to have been worth its weight in gold.

Titarubi – History Repeats Itself at SAM. Featuring robes of gold coated nutmegs, it recalls the legacy of colonial conquest. to facilitate the control of the valuable trade in a spice said to have been worth its weight in gold.

The dreams of a Shaman's wife. Tcheu Siong, a Hmong shaman's wife has her dreams reinterpreted as 'story' clothes in which one finds the spirits she sees in her dreams, represented by the lanky figures alongside representations of mountains, humans and animals.

At SAM, the dreams of a Shaman’s wife. Tcheu Siong, a Hmong shaman’s wife has her dreams reinterpreted as ‘story’ clothes in which one finds the spirits she sees in her dreams, represented by the lanky figures alongside representations of mountains, humans and animals.

Also presented alongside are the works of Tcheu Siong's husband, Phasao Lao.

Also presented alongside are History, the works of Tcheu Siong’s husband, Phasao Lao.

Paracosmos by Harumi Yukutake at the SAM.

Paracosmos by Harumi Yukutake at the SAM.

Rubbish by Kentaro Hiroki, which features recreated items of rubbish picked by the artist.. On display at both SAM and 8Q.

Rubbish by Kentaro Hiroki, which features recreated items of rubbish picked by the artist.. On display at both SAM and 8Q.

Rubbish attrracting a crowd at SAM.

Rubbish attrracting a crowd at SAM.

Another view of Inscription of the Island, by Lim Soo Ngee.

Another view of Inscription of the Island, by Lim Soo Ngee.

Freakily leeky - Chia Chuyia's Knitting the Future at 8Q. The artist knits leeks to create a body length garment over a five week period. Leeks, as a food item, hold significance to the Teochew community to which the artist belongs.

Freakily leeky – Chia Chuyia’s Knitting the Future at 8Q. The artist knits leeks to create a body length garment over a five week period. Leeks, as a food item, hold significance to the Teochew community to which the artist belongs.

Knitting the Future.

Knitting the Future.

Rathin Barman's Home, and a Home, inspired by the experiences of the migrant Bangladeshi community in Singapore.

Rathin Barman’s Home, and a Home, inspired by the experiences of the migrant Bangladeshi community in Singapore.

Melissa Tan and her If you can dream a better world you can make a better world or perhaps travel between them.

Melissa Tan and her If you can dream a better world you can make a better world or perhaps travel between them.

Music boxes - which feature impressions made by physical features are part of teh installation.

Music boxes – which feature impressions made by physical features are part of the installation.

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The Great East Indiaman features a recreation of the whale skeleton that once hung inside the National Museum of Singapore in wood.

The Great East Indiaman features a recreation of the whale skeleton that once hung inside the National Museum of Singapore in wood.





Nights out during the ghost month

19 08 2016

If you are not being kept indoors by what traditionally is a time of the year during which one hesitates to venture out into the dark, you should take a pause this and next weekend from trying to catch’em all to catch this year’s edition of the Singapore Night Festival. This year’s festival, revolves around the spirit of innovation with its theme of Inventions and Innovation and will be an enlightening experience with light installations and performances inspired by fantasy, and science fiction as it is be invention.

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As with recent editions of the much anticipated festival, this year’s, the ninth, is laid out across five zones, each packed with installations and performances that will certainly light up one’s weekend. Besdies those I  had a chance to have a peek at listed below, there are several rather interesting installations, performances and goings-on during the nights of the festival. Installations and performances to look out for include: Invasion by Close-Act (Netherlands)A Kaleidoscope of Spring by NAFA (Singapore)The Story Box by A Dandypunk (US)Les AquamenS by Machtiern Company (France)Into Pulsar by Ryf Zaini (Singapore), and The Peranakan Museum Variety Show by Main Wayang (Singapore).

Members of Main Wayang.

Members of Main Wayang.

Once again, a party atmosphere will descend on Armenian Street, the difference being that the roar of Harleys will be heard with Rrready to Rrrumble! by Harley Davidson Singapore, Mod Squad and Speedzone (Singapore) – recalling perhaps the roar of the hell riders who once tore down nearby Orchard Road and Penang Road.

There are also no shortage of opportunities to indulge in food and even shopping with Eat @ Festival Village and Shop @ Festival Village. The offerings by Steamhaus (Halal) and The Ugly Duckling, which I had a chance to savour, are particularly yummy. For those who like it sweet, sinful and frozen, do look out for Husk Frozen Coconut.

For the brave, there also is a Night Heritage Tour by National Parks Board. Registration is required for this. As of the time of writing, tours for the first weekend are booked up and only slots for 26 August are available. Along with these, there are also items being put up by the partners of the Bars Basah Bugis precinct such as PoMo, Prinsep Street and Rendezvouse Hotel, including a free Movie Nights at Rendezvous Hotel. There will also be a chance to go behind the scenes with some of the artists and participate in workshops  in Behind the Night.

The festival runs over two weekends on 19 and 20 August and on 26 and 27 August 2016. More information on the festival and programmes on offer can be found at at festival’s website.


JOURNEY, Feat soundtrack by Ed Carter  | NOVAK (United Kingdom)

Front Lawn, Singapore Art Museum
19, 20, 26, 27 August 2016, 7.30pm – 2am | 21 – 25 August 2016, 7.30pm – 11pm

Journey by NOVAK, which is inspired by the world of Jules Verne.

Journey by NOVAK, which is inspired by the world of Jules Verne.

A dynamic projection-mapping performance inspired by the world of Victorian novelist Jules Verne, known for his creation of a world reflecting the future of Victorian invention and fantasy. NOVAK reinterprets seven of his novels to create a unique adventure dynamically projection-mapped to fit the façade of SAM, including an exploration of Singapore’s art and culture. Highlighting the use of invention to enable adventure, the viewer will be taken on a magical adventure through a series of scenes, each depicting a different landscape, relating to the environments that feature so vividly in Verne’s classic novels.

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The Wheel House | Acrojou (United Kingdom)

Mainground (near National Museum of Singapore)
19 and 20 August 2016 | 8pm – 8.25pm, 9.25pm – 9.50pm, 10.50pm – 11.15pm

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A “tender, post-apocalyptic love story”, The Wheel House is a unique, rolling acrobatic theatre show, which unfolds inside and around a stunning circular home as it travels with the audience walking alongside. The enchanting story is set in a gently comic dystopian future at a time where survival depends on sharp eyes, quick hands and, above all, friendship. Join these traveller-gatherers on the road to nowhere: treading lightly, enduring quietly and always moving onwards.


KEYFRAMES | Groupe LAPS (France)

National Museum of Singapore Façade
19, 20, 26, 27 August 2016, 7.30pm – 2am | 21 – 25 August 2016, 7.30pm – 11pm

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Through micro-stories weaved upon the stately National Museum of Singapore facade, KEYFRAMES offers narration in the city – urban stories where bodies and their movements play main roles. Part animation and part moving sculpture, the LED figures and their routine imbue static buildings with energy and excitement. This new installation – part of the KEYFRAMES series – brings glimmers of the past to life.


HOUSE OF CURIOSITIES | Sweet Tooth by CAKE (Singapore)

(Ticketed Performance)

Cathay Green (field opposite The Cathay)
19, 20, 26, 27 August 2016 | 6pm – 8pm, 8.30pm – 10.30pm, 11pm – 1am

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Tickets are available for purchase from 27 July onwards via SISTIC or at the door (while stocks last)
Adults: $16 (inclusive of $1 SISTIC fee) | Concession: $13 (inclusive of $1 SISTIC fee) Students (full time, with valid student pass issued by enrolled institution), senior citizen (60yrs and above, with valid identity pass showing proof of age), NSF (with valid 11B pass)

The House of Curiosities is an event featuring performance, activities and more. Based on the storyline of The Mechanical Heart, it is a story of adventure, curious man-made machines and the wonderful capacity of the human mind and spirit to discover and invent. Professor Chambers is a celebrated explorer and inventor. With his son Christopher, he builds a time machine that takes them on an expedition to find crystal caves in the subterranean depths. On the journey back, a monstrous octopus attacks them, injures Christopher and escapes. The devious octopus is a man-made contraption, but who is behind it? Find out in this exhilarating performance.


:Samara | Max Pagel & Jonathan Hwang

Armenian Church
19, 20, 26 and 27 August 2016, 7.30pm – 2am | 21 – 25 August 2016, 7.30pm – 11pm


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:Samara reflects on the duality of progress and sacrifice. What are we willing to give up in order to advance? Sometimes we regret accepting the cost of progress and try to recreate past experiences that have been lost forever. Inspired by the loss of the artist’s favourite tree, :Samara is an interactive illuminated tree sculpture created to give closure to a lost space. :Samara invites us to reflect on the authenticity of using modern technology to recreate what we lose in our fast-changing environment. At the same time, it gives us the opportunity to acknowledge and let go of these losses.

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The tree, lost to development at Paya Lebar Central, that inspired :Samara. 


Shifting Interactions | LASALLE College of the Arts

Glass Atrium, Level 2, National Museum of Singapore
7.30pm – 2am (dance performance at 8pm – 11pm) 21 – 25 August 2016 | 7.30pm – 10pm

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Tying together electronic media, sculpture and dance, LASALLE College of the Arts presents Shifting Interactions, a performance installation. Dancers will traverse a dynamic performance space dotted with a series of static and animated objects. Conceptualised as a durational and improvised performance piece, participants will shape, change and vitalise the space over time through sound, light and movement.


Singapore Night Festival 2016 ‘Tap to Donate’ | Xylvie Huang (Singapore)

Platform, Level 2, National Museum of Singapore
19, 20, 26, 27 August 2016 | 7pm – 12.30am 21 – 25 August 2016 | 7pm to 10pm

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The Singapore Night Festival is turning ten next year and we would like you to join us in “building” the 10th Singapore Night Festival!

Come by the National Museum at level 2 from 19 to 27 August 2016, make a donation of $2 by tapping your ez-link card and you will be given a LEGO brick to add on to a wall installation of LEGO Bricks by Singapore artist Xylvie Huang. All donations go towards “building” the Singapore Night Festival 2017.

Help build our Singapore Night Festival LEGO Wall Installation (located on Level 2 of the National Museum of Singapore) with four easy steps:

1. Tap your ez-link Card

2. Collect your LEGO brick

3. Build on the wall installation of LEGO Bricks

4. Collect your Candylious candy and watch the wall being built

The first 250 festivalgoers who ‘tap to donate’, gets a generic designed ez-link card (of no loaded value)!

This programme is supported by Ms Xylvie Huang Xinying, Brick Artist, EZ-Link, Wirecard and Candylicious.









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