A reminder of a time and place forgotten

12 01 2016

Masjid Omar Salmah, which stands on an elevation overlooking Jalan Mashhor, is one of only a handful of village style mosques left in Singapore today. The mosque, and its surroundings, remind us simpler times now forgotten. Built in the early 1970s to serve Kampong Jantai, which has since abandoned it – its inhabitants were resettled in the 1980s with a large proportion going to the then developing Ang Mo Kio New Town, the mosque and its surroundings remain relatively undisturbed and hark back to days difficult now to imagine.

JeromeLim-3312During a recent visit to the mosque, I learnt that curious sounding Kampong Jantai, was actually a transliteration of the name of a Chinese village, Gian Thye, which the area had also been home to. The occupants of Kampong Jantai, were apparently largely of Boyanese (or Baweanese) descent, and included a certain Haji Buang Masadin, who was instrumental in obtaining the plot of land to build the mosque.  Haji Buang, who took the name Haji Mashhor after embarking on the Hajj, also lent his name to the road, Jalan Mashhor, which runs by the mosque.

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The building of the mosque was prompted by the large numbers of non-villagers working in the vicinity who descended on the village’s surau (prayer hall) for Friday prayers. It was constructed in 1973-1974, with support coming financially through a prominent member of the Alsagoff family, Syed Ibrahim bin Omar Alsagoff. It was after Syed Ibrahim’s parents, Syed Omar and Salmah, that the mosque was named. The mosque, besides serving the villagers and workers in the vicinity, also served the nearby Kampong Nekat at Onraet RoadJeromeLim-3175

The mosque today, is an expanded version of the original mosque; an expansion that was carried out in the 1980s through the donation of a food caterer, who had used part of its grounds for his business. Today, it is through generous donations and a team of unpaid volunteers that the mosque, which now operates on a Temporary Occupation License, survives.
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The area, which includes Bukit Brown cemetery, is intended for future housing. The signs of this are already upon us. An eight lane road cutting through the cemetery, the plans for which sparked some controversy, is fast taking shape. Along with that, a future Circle Line MRT station, Bukit Brown, is already ready under Jalan Mashhor. Plans are also there for another future MRT station on the soon-to-be-constructed Thomson Line, Mount Pleasant, not far away. It does seems that when the time for that comes, the mosque will have to go and with it a precious piece of a past that we today, already find hard to remember.

Jalan Mashhor - whith structures belonging to the already constructed future Bukit Brown MRT station clearly visible.

Jalan Mashhor – whith structures belonging to the already constructed future Bukit Brown MRT station visible in the distance.





The National Gallery Singapore: a sneak peek

23 11 2015

After five long years, the transformation of two of Singapore most recognisable National Monuments, the former Supreme Court and City Hall into the National Gallery Singapore, is finally complete. The new cultural institution, which oversees the largest collection of modern art in Southeast Asia, will open its doors to the public tomorrow – an event that is being accompanied with a big bash.

Visitors to the gallery can expect to see a display of Singapore and Southeast Asian art drawn from Singapore’s huge National Collection in the permanent exhibitions, Siapa Nama Kamu? – featuring close to 400 works of Singapore art since the 19th Century, and Between Declarations and Dreams, which features close to 400 works of Southeast Asian art from the same period.   There will also be two special exhibitions that can be caught from 26 Nov 2015 to 3 May 2016. One, Beauty Beyond Form, features the donated works of traditional Chinese painter, Wu Guanzhong. The other After the Rain, will see 38 works of one of Singapore’s leading ink painters, Chua Ek Kay on display. Also on display will be the beautifully restored interiors of the two buildings, and the stunning impact the architectural interventions have had on them (see also : The National Gallery, Naked).

More information on the National Museum’s opening celebrations and visitor information can be found on the celebrations brochure (pdf) and also at the National Gallery Singapore’s website. Admission to the National Gallery Singapore will be free for all visitors from 24 November to 6 December 2015.


A Sneak Peek at the National Gallery Singapore

The former Supreme Court, which houses the galleries of the UOB Southeast Asia Gallery

Art in a former courtroom.

Art in a former courtroom.

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The former Courtroom No. 1.

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Manit Sriwanichpoom’s Shocking Pink Collection.

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Reflections on the Rotunda Dome.

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The former Courtroom No. 1.

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The spiral staircase to the main Supreme Court dome.

An art resource centre in the former Rotunda Library.

An art resource centre in the former Rotunda Library.

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Inside the resource centre.

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City Hall, which houses the DBS Singapore Gallery, the Singtel Special Exhibition Gallery, the Wu Guanzhong Gallery and several education centres

The Keppel Centre for Art Education.

The Keppel Centre for Art Education.

Chua Mia Te's Epic Poem of Malaya.

Chua Mia Tee’s Epic Poem of Malaya.

Liu Kang's Life by the River.

Liu Kang’s Life by the River.

The DBS Singapore Gallery.

The DBS Singapore Gallery.

Lots to think about ...

Lots to think about …

City Hall Chamber.

City Hall Chamber.

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The red SG50 Steinway.

The red SG50 Steinway.

Not quite a permanent display.

Not quite a permanent display.


Miscellaneous Views (see also: The National Gallery, naked)

The columns of City Hall.

The columns of City Hall.

Corridors of the former Supreme Court - the original rubber tiles, which contained asbestos, had to be replaced.

Corridors of the former Supreme Court – the original rubber tiles, which contained asbestos, had to be replaced.

Another view.

Another view.

The former City Hall Courtyard.

The former City Hall Courtyard.

Roof terrace bars at City Hall.

The roof terrace bars at City Hall …

... provides stunning views of the cityscape.

… provide stunning views of the cityscape.

The view of the Padang, the Esplanade and Marina Bay Sands from the roof terrace.

The view of the Padang, the Esplanade and Marina Bay Sands from the roof terrace.

 

 





Last(ing) impressions

6 10 2015

Sunday, 4 October 2015, was the day we said our farewells to an old neighbourhood at Blocks 74 to 80 Commonwealth Drive, which will soon be demolished. The farewell to neighbourhood built at a time of great need during the transition from statehood to nationhood and known affectionately as the ‘Chap Lau Chu’, Hokkien for ‘Ten Storey House’ for its 10 storey flats, would have left a last and perhaps lasting impression on the large numbers of people who turned up for Sunday’s farewell party

A last stroll.

A last stroll.

A last hurrah.

A last hurrah.

A last peek.

A last peek.

A last song.

A last song.

The last photographs.

The last photographs.

A last hello.

A last hello.

A last toss.

A last toss.

A last pat.

A last pat.

A last sit down.

A last sit down.

A last reflection.

A last reflection.

A last look (1).

A last look (1).

A last look (2).

A last look (2).

A last look (3).

A last look (3).

A last visit.

A last visit.

The last hydrant.

The last hydrant.

A last ride.

A last ride.

The last tall tree.

The last tall tree.

A last descent.

A last descent.

A last show.

A last show.

A last walk.

A last walk.

The last days.

The last days.

A last boundary (the boundary wall between the former Malayan Railway land and Singapore).

A last boundary (the boundary wall between the former Malayan Railway land and Singapore).

A last look at Block 75.

A last look at Block 75.

A last sunset.

A last sunset.

The last smiles.

The last smiles.

A last glance.

A last glance.

A last gathering.

A last gathering.

A last stop.

A last stop.

A last laugh.

A last laugh.

The last goodbye.

The last goodbye.

A last shot.

A last shot.

The last game.

The last game.





The fire station at the 8th mile

9 06 2015

One of those things almost every young boy dreams of becoming is a fireman. I had myself harboured ambitions of becoming one at different points during my childhood; the inspiration coming from picture books and what I must have caught on the television and perhaps from the constant reminder I had in the form of the rather eye-catching Alexandra Fire Station, which was close to where I lived in Queenstown.

The former Bukit Timah Fire Station, a landmark in my many road journeys.

The fire station at the 8MS, Bukit Timah Fire Station, a landmark in my many road journeys and a fire station of old marked by a distinctive hose-drying tower.

Sadly, that station is long gone. The monster of a building that replaced it, besides housing a fire station, also has a police centre operating from it. Without the distinctive hose-drying tower and red doors, the new building, unlike the stations of old, is no longer one to fuel the aspirations of childhood, and certainly not one in which I am able to reconnect with days that I often wish to return to.

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That connection to my youthful days can fortunately be found in several other fire stations of old. Of these, the pretty red and white Central Fire Station, Singapore’s oldest and now a National Monument is still in operation. That, in the days of my childhood, loomed large at the far end of a street now lost, Hock Lam Street, along which I often found comfort in a bowl of its famous beef ball soup.

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Two others that I regularly set my eyes upon, while still around, are no longer operational. One is the red brick former Serangoon or Kolam Ayer Fire Station, along Upper Serangoon Road. Now reassembled, having been moved due to the construction of a road where it had stood, the station was one that was close to my second home in Toa Payoh.

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The other was Bukit Timah Fire Station. Sited at the 8th milestone Bukit Timah, it was close to the giant Green Spot bottle that stood tall at the Amoy Canning Factory (see: a photograph of the Green Spot bottle  on James Tann’s wonderful Princess Elizabeth Estate blog) and was at the foot of Singapore’s highest hill. The station stood out as a landmark in the many road journeys of my childhood. The pair (the station and the giant replica bottle) seemed then to mark the edge of the urban world and on the long drives to the desolate north and the wild west, the sight of them would represent the start of the adventure on the outward journey, and would signal the return to civilisation on the journey home.

The former station, just after its closure (online at http://m5.i.pbase.com/u41/lhlim/upload/22296575.DSCF0029_02.jpg).

The former Bukit Timah Fire Station has a mention in the National Heritage Board’s Bukit Timah Heritage Trail booklet. This tells us that it was in 1956, the fourth fire station to be built; a fact that I assume is in relation to the stations that were built for the Singapore Fire Brigade, coming after Central Fire Station and the sub-stations at Geylang and Alexandra. Kolam Ayer (Serangoon), built for the volunteer Auxiliary Fire Service in 1954 would have already been standing at the time. That only came under the Singapore Fire Bridage in 1961, following the disbandment of the volunteer force. Another station that would have existed, was the Naval Base Fire Brigade’s Sembawang Fire Station. Built in the 1930s, the station’s building is now conserved.

Signs of very different times.

Signs of very different times.

Bukit Timah sub-station’s appearance, is perhaps one of the strongest clues to its vintage, its clean and understated elegance is typical of the 1950s Modernist style. One of the few adornments on its uncluttered façade, is a coat of arms. That of the Colony of Singapore, it is also is a telltale sign of when the station would have been commissioning – the coat of arms was in use during the days of the Crown Colony from 1948 to 1959.

The coat of arms of the Crown Colony.

The coat of arms of the Crown Colony.

The station is designed in the 1950s Modernist style.

The station is designed in the 1950s Modernist style.

The station’s grounds, also speak of the past. Besides a sign slowing us down to 20 miles per hour, there are many other signs of the times, the most noticeable of which would be the now recoloured low-rise apartment blocks. The blocks provide evidence of days when the various services provided for the accommodation needs of servicemen and their families as well as point to a period in our history when Singapore, even if administered by the colonial masters as a separate entity, was a part of the greater Malaya. It would have been common then to find men in service hailing not just from the Crown Colony but also from parts of the Federation. The seven three-storey blocks, each with six comfortably proportioned apartments, are in the company of a single storey house at the back, which would have been the residence of the station master.

The former firemen's quarters, seen in 2010.

The former firemen’s quarters, seen in 2010.

Some of the apartment blocks today.

Some of the apartment blocks today.

A view through a wall to the former station master's residence.

A view through a wall to the former station master’s residence.

Having been in operation for close to half a century, the station was to close its red doors for good in 2005 when a larger and modern replacement at Bukit Batok Road was built. Missing from the new station was the hose-drying tower that once seemed to be the defining feature of a fire station. The introduction of machines to handle tasks such as the drying of hoses meant that stations built from 1987, starting with the one in Woodlands, would take on a new appearance.

The ladder up the hose-drying tower.

The ladder up the hose-drying tower – something firemen are no longer required to climb.

The entrance to the hose-drying tower.

The entrance to the hose-drying tower.

One of several former stations still standing, only the buildings belonging to Bukit Timah have found interim uses. These were initially leased out by the State for three years in April 2008 to serve as a venue for corporate events, adventure camps, arts, education and sports.

A world recoloured.

A world recoloured.

Letter boxes where hoses were once hung.

Letter boxes where hoses were once hung.

Since then, the premises has seen a second master tenant leasing the property on a 2+2 year term, with whom it was relaunched as a lifestyle and education hub in 2012. Besides the take-up of units in the former quarters by businesses running enrichment activities aimed at the young, there is also a food and beverage outlet that now operates out of the station’s former garage.

The former station's red doors, seen in 2010.

The former station’s red doors, seen in 2010.

A F&B outlet now operates from the former garage.

A F&B outlet now operates from the former garage.

As of today, the buildings do not have conservation status. There is hope however for their future retention, even if the current edition of the Urban Redevelopment Authority (URA) Master Plan seems to suggest otherwise. A Request for Proposal (RFP) for a Concept Master Plan for the Rail Corridor initiated by the URA identifies the former station as one of four activity hubs for which shortlisted teams are required to submit a concept design in which the buildings are retained and “repurposed for uses that complement its function as a gateway into the Rail Corridor(see A new journey through Tanjong Pagar begins).

Now a enrichment hub, will it be a future gateway to the Rail Corridor?

Now a enrichment hub, will it be a future gateway to the Rail Corridor?

It would certainly be a cause for celebration should this happen. The station, as one of the last to survive from an era during which the area developed as a industrial corridor and as a prominent landmark, serves not just as a link to the area’s development and history, but also as a reminder of a Singapore we might otherwise be quick to forget.

The hose-drying tower and one of the blocks of the former quarters.

The hose-drying tower and one of the blocks of the former quarters.

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RAF Seletar’s last barrack block

26 05 2015

A part of Singapore that has seen a transformation in recent times is Seletar. The area was once occupied by the Royal Air Force (RAF) Seletar station or RAF Seletar, which at its establishment in 1928, held the distinction of being its largest station in the Far East. Vacated by the British during the 1971 pullout of forces, the former air base was used by the Singapore Armed Forces (SAF) as Seletar Camp, home to several units including ones that I was most familiar with from my involvement professionally in floating military bridges, such as the Combat Engineers.

A survivor of RAF Seletar.

Block 450, one of the last survivors of RAF Seletar.

Beyond Block 450 and a few other remnants, little is left of the oldest British Far East air station.

Beyond Block 450 and a few other remnants, little is left of the oldest British Far East air station.

The charm the area long had a reputation for and its laid back appeal provided by the  generously spaced clusters of old world military buildings and dwellings, retained even during the days of the SAF military camp, is now fast being lost. The transformation it is now seeing, involves not just an expansion of its now civilian airport, Seletar Airport, but also the development of a 320 ha. industrial Seletar Aerospace Park. These developments has left its scars on Seletar, a Seletar but for a few reminders of the old world, is one now hard to recognise.

The iconic entrance complex over the years.

The iconic entrance complex over the years.

One part of the former RAF station that serves to remind us of the old military installation is the iconic entrance  complex with its gate and guardhouse – although a two-storey building that somehow provided the camp’s entrance with some of its past flavour has since been lost. It is beyond the gate house, past what some may feel is Singapore’s equally famous Piccadilly Circus, down the Piccadilly – the road to the East Camp; even if it deceives at its start in evoking a sense of the old world, that the visitor is confronted by the changing face of Seletar.

The entrance gate in RAF Seletar days.

It was down the same Piccadilly, at least what it had been before the recently introduced confusion of roads, that a group of servicemen past and present, gathered to celebrate the past as well as a survivor of the past, a barrack building, that if not for it, might have made the celebration’s venue – now dominated by new roads and newly turfed spaces, not such an obvious choice.

The barrack building, Block 450.

The barrack building, Block 450.

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RAF Seletar was where life began for 160 Squadron.

RAF Seletar was where life began for 160 Squadron.

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The barrack building, Block 450, more affectionately referred to as “Alpha”, was at the heart of the area that was not only the birthplace of the servicemen’s unit, the Republic of Singapore Air Force (RSAF) 160 Squadron in 1970, but also that of the RSAF’s air defence set-up. Its heritage, that of the RAF air station, and 160 Squadron,  Singapore’s first and longest serving air defence unit, celebrated with a heritage storyboard for which the Urban Redevelopment Authority (URA), the 160 Anti-Aircraft (AA) Alumni and 160 Squadron came together to produce.

The 160 Squadron's 35mm Oerlikon AA gun - the onetime backbone of the AA defence system on display at Block 450.

The 160 Squadron’s 35mm Oerlikon AA gun – the onetime backbone of the AA defence system on display at Block 450.

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The launch of the heritage storyboard, by Mr Chan Chun Sing, Minister in the Prime Minister’s Office, was the highlight of the gathering. It provided an opportunity not just to learn about the unit and its role in the air defence of Singapore – something Minister Chan emphasised in his speech by saying how, put less crudely, our young now have a greater chance of being hit by droppings from airborne beings of an avian kind than ones with more destructive potential; but also to have a more intimate look at the barrack building through the Heritage Walk @ 450 Seletar staged by the 160 AA Alumni.

Mr Chan Chun Seng and President of the 160 AA Alumni MAJ(NS) Jayson Goh launching the heritage storyboard.

Mr Chan Chun Seng and President of the 160 AA Alumni MAJ(NS) Jayson Goh launching the heritage storyboard.

An exhibit tracing the evolution of aids to aircraft recognition in one of the rooms in Block 450.

An exhibit tracing the evolution of aids to aircraft recognition, from the use of the OHP, 35mm slides and printed material, in one of the rooms in Block 450.

An exhibition of photographs.

An exhibition of photographs.

An improvised fire-alarm.

An improvised fire-alarm.

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Typical of barrack blocks built during the Far East military build-up in the 1920s and 1930s, blocks such as Alpha – of which there were at least ten in RAF Seletar, provided shelter not just for the Anti-Aircraft gunners of 160 Squadron – who moved out in 2002, but also to numerous men in the service of His (and later Her) Majesty’s Government. Built in 1930, Block 450 is the only one in Seletar to have survived, having been gazetted for conservation as part of the 2014 Master Plan together with Block 179 – the former Station Headquarters, along with 32 bungalows in the former air base.

The Heritage Walk @ 450 Seletar also offered a peek into the conserved barrack building.

The Heritage Walk @ 450 Seletar also offered a peek into the conserved barrack building.

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Architecturally similar to many other barrack blocks put up in the era – I had the experience of it from my reservist days in Sembawang Camp (the former HMS Terror)  before it was renewed, the block is an example of the tropical military architecture of the age. Those were times forgotten when it was desirable to maximise comfort levels of the buildings’s occupants, without an over-dependence on high levels of energy consumption. Measures typically employed to provide maximum ventilation and shade is seen in the wide verandahs and in the provision of ample openings, is a very noticeable feature of Block 450. Some of this is also described in the URA’s Conservation Portal:

Like the former Station Headquarters, this building was designed in the tropical Art Deco style that was favoured by the British military. The use of traditional timber windows and doors with the then relatively new medium of reinforced concrete demonstrates a combination of traditional and modern design approaches.

As a response to the humid tropical climate, the building has long and continuous covered verandahs complemented by inner facades featuring timber-louvred windows, doors and pre-cast concrete vents to promote cross-ventilation. Other features of the building include moulded Art Deco style motifs at the top of every column which help to adorn this otherwise simple yet functional building.

A view of a sister block, H Block in the West Camp, in its early days (online at http://81squadron.com).

The wooden louvred doors along the generously sized verandah. The moulded Art Deco style motifs can be seen at the top of the pillars.

The wooden louvred doors along the generously sized verandah. The moulded Art Deco style motifs can be seen at the top of the pillars.

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Abandoned by its one-time companions, which I am told in the days of 160 Squadron would have included a parade square in its shadow, as well as building housing the squadron headquaters, the ops room and also hangars where the guns were stored across the Piccadilly, Block 450 now stands alone, out of place against the now vastly altered surroundings. It may be a shame that we are are unable to hold on to spaces such as Seletar with its rich history and its unique and now hard to find charm, but we have to be thankful for the conservation of buildings such as Block 450. While it will not come anywhere close to reminding us of the beautiful space Seletar once was, we will at least have several reminders that tell us of a history that will otherwise be forgotten.

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Further information on Block 450 and conservation within the former RAF Seletar:

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The vermilion bridge in the naval base

19 05 2015

The vermilion bridge, of a style and colour that is distinctively Japanese, stands almost garishly out of place in the expansive garden of an equally generously sized colonial house. Set in an area whose flavour is overwhelmingly one of the days of the empire, the bridge, and the landscaped area it arches across, is said to have been constructed through the efforts of Japanese Prisoners-of-War (POWs). It is one of at least two structures that the POWs built in an area that was at the heart of the huge British naval base, the other being a swimming pool on the grounds of Old Admiralty House.

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The house with the bridge, is one of many in the “black and white” style, commonly employed in the construction of homes for the colony’s senior administrators and military men, to be found in the area. Along with several residences with red-brick faces influenced by the arts and crafts movement, the “black and white” houses, in lush green and spacious surroundings, served as married quarters for the base’s senior officers. The house, the largest in its cluster and located so that it commanded a view of the base’s former stores basin and dockyard, was reserved for the dockyard’s most senior officer, the Commodore Superintendent.

An aerial view of the former Commodore Superintendent's residence.

An aerial view of the former Commodore Superintendent’s residence (posted in the Old Sembawang Naval Base Facebook Group).

The dockyard passed into the hands of the then newly formed Sembawang Shipyard in 1968 and the base saw its last days in 1971 with the British pullout, and the ownership of the house was transferred to the State, but with an arrangement that it, along with several other similar property be made available for use to the United Kingdom and also to Australian and New Zealand Forces deployed in Singapore under the Five Power Defence Arrangement. It perhaps is due to this that the house, which subsequent to the pullout, served as the residence of Commander of New Zealand’s Force SEA, and the brightly coloured bridge, set in an area that the the URA’s 2014 Masterplan tells us is “Subject to Detailed Planning”,  still stands today in a part of Singapore in which the winds of change are now blowing ever stronger.





The National Gallery, naked

7 05 2015

It has been a long four and a half years since two architectural icons of a lost age went into hiding, cloaked for a large part in a dark shroud. That was to permit a huge and costly transformation of the two, the old Supreme Court and the City Hall, to be performed, a transformation that would turn the two  into a jewel that will crown Singapore’s coming of age. The massive 64,000 square metres of floor area that the two buildings share will provide Singapore with the grandest of showcases its huge National collection as the new National Gallery Singapore. The collection numbers some 10,000 works. Composed primarily of the art of Singapore and of Southeast Asia, it is the largest collection of its kind in the world.

The restored historical lobby of the Old Supreme Court.

The restored historical lobby of the Old Supreme Court.

The re-tiled corridors of the Old Supreme Court.

The new shine of the re-tiled corridors of the Old Supreme Court.

The buildings, both National Monuments and ones that for long characterised the city-scape, hark back to the days of the empire. With significant chapters of our history written within their walls, the two are monuments not just of the nation, but also to the nation and what is nice about the transformation, although it may have altered some of the buildings’ characters, is that its does allows an  appreciation of the buildings’s historic and architectural value by providing us and our future generations with access to them and more importantly to their many conserved spaces.

My favourite space in the two buildings, the Rotunda Library, seen in a new light.

My favourite space in the two buildings, the Rotunda Library, seen in a new light.

I had a chance to look at how the transformation has been managed when the buildings made their debut as the National Gallery without the art during the recent series of Naked Museum tours. Having had a look at the two during the open house held just prior to the closure in late 2010, I was especially interested to see how the character of the many conserved spaces within the two have been preserved.

The gathering of local artists and guests at the launch of the National Gallery Open House in 2010 prior to the renovations (National Gallery photo).

The beautifully restored Foyer of the Old Supreme Court.

The beautifully restored Foyer of the Old Supreme Court.

The old stairway that now leads to a new heaven.

The old stairway that now leads to a new heaven.

One of the first things that did catch my eye however, was how the two have been made to become one. A large part of this, is seen in the interface between the two at the former open plaza. Here, we see one of the larger intervention of the architect, Mr Jean François Milou, in the large enclosed space that has been created, encased by glass panels on a framework of steel. The framework is suspended over the two monuments through the use of a rather intriguing looking tree-like support structure. The space is best seen when the sun shines. That is when it takes on an almost magical quality in the soft light that filters through the specially designed screen of perforated aluminium panels.

The atrium between the two buildings.

The atrium between the two buildings.

The moment of inspiration for the screen came on a sun baked afternoon as the architect pondered over how the buildings could be unified sitting on a plastic chair in the Padang. The play of light and shadow through the patchwork of glass and steel, its tree-like support that is also replicated up on the roof of the old Supreme Court, and the sky bridges that allow communication between the two buildings finds meaning as a whole in providing a stunning visual spectacle in which the new is very much in harmony with the old.

A view of the sky bridges between in the atrium created the two buildings.

A view of the sky bridges between in the atrium created the two buildings.

The upper level sky bridge that connects at Level 4.

The upper level sky bridge that connects at Level 4.

The interventions on the roofs of the two buildings, are also best appreciated from the inside. On the previously empty roof of the City Hall, we now see two reflecting pools over the building’s former courtyards. This, found on Level 5, will be lined with F&B outlets. The upper level (Level 6), is where one can now gaze across the Padang to where the generations before once gazed at the lights of the old harbour from a viewing deck that will be opened to the public.

The lower level (Level 5) of City Hall Rooftop will see F&B outlets lining two reflection pools.

The lower level (Level 5) of City Hall Rooftop will see F&B outlets lining two reflection pools.

The view across the reflecting pool of the City Hall Rooftop towards the new Supreme Court.

The view across the reflecting pool of the City Hall Rooftop towards the new Supreme Court.

The City Hall Rooftop viewing deck on Level 6.

The City Hall Rooftop viewing deck on Level 6.

The view through the aluminium panels of the roof.

The view through the aluminium panels of the roof.

It was the roof across the sky bridge that I found especially appealing. Previously an inaccessible are of the old Supreme Court, it is where one finds the minor dome. The skylights on the dome is what casts the delightful glow on the beautifully Rotunda Library below it. The now covered space has a roof similar in construction to the glass enclosure of the atrium between the two buildings, and it is here that in the sunshine, that we also are able to see the gorgeous play of shadow and light it can create.

The Supreme Court Terrace.

The Supreme Court Terrace.

Another view of the terrace with the rotunda dome.

Another view of the terrace with the rotunda dome.

Reflections on the Supreme Court Terrace.

Reflections on the Supreme Court Terrace.

It is under the two domes of the old Supreme Court that one finds the most wonderful of conserved spaces, including what certainly is my favourite of all spaces, the beautiful Rotunda Library. Also conserved and restored are spaces such as Courtroom No. 1, the beautiful corridors on the second level and their skylights, the main staircase, the Historical Lobby and the Grand Foyer.

The Rotunda Library.

The Rotunda Library.

The Rotunda, see from the ground.

The Rotunda, see from a lower angle.

Courtroom No. 1.

Courtroom No. 1.

The beautiful light of the Old Supreme Court main staircase.

The beautiful light of the Old Supreme Court main staircase.

A skylight.

A skylight.

The corridors now feature gleaming marble floor tiles, laid out in a pattern that mimic that of the toxic asbestos filled rubber tiles that had to be replaced. In the area to the left of the staircase one also finds two holding cells, the only ones that have been retained. In the cells, we see a hint of a very necessary sanitary fitting, its opening sealed in cement. When operational, that could only be flushed outside the cells. What would have been nice to see conserved are the narrow caged passageways along which the cells’ occupants could be led, via a trap door, to the courtrooms. These however, were nowhere to be found.

The eight sided foundation stone under which there is a time-capsule that is meant to be opened in the year 3000.

The eight sided foundation stone under which there is a time-capsule that is meant to be opened in the year 3000.

The entrance to the Holding Cells.

The entrance to the Holding Cells.

Inside one ofthe two holding cells that have been retained.

Inside one ofthe two holding cells that have been retained.

Prisoner holding area.

The caged passageway through which a prisoner would be led to the courtroom.

The caged passageway seen with indicted Japanese soldiers being tried for war crimes being led to the courtroom from the holding cells (source: Imperial War Museums © IWM (IND 4999).

The caged passageway seen with indicted Japanese soldiers being tried for war crimes being led to the courtroom from the holding cells during the War Crime trials (source: Imperial War Museums © IWM (IND 4999).

Another caged relic I would have liked to see, was the cage lift that I remember from a visit I accompanied my mother on in my childhood to a verbatim reporter friend she would sometimes have lunch with. This proved once again to be to be elusive, although I am told that the lift is still there and in working condition.

A look up to the underside of the main dome.

A look up to the underside of the main dome.

One part of the court building I did not have a chance to see previously is the underside of the empty main copper clad dome. That I got to see by special arrangement. With the ceiling that previously obscured it now removed, there is no more need to ascend the spiral staircase to have a glance at its bare underneath and the riveted steel beams that provides support. This view will be one of the treats we can look forward to when the new gallery opens its doors in November.

A voew of the distinctive copper dome from City Hall Rooftop. The dome is said to be a smaller scale version of the famous dome of London's St. Paul's Cathedral.

A view of the distinctive copper dome from City Hall Rooftop. The dome is said to be a smaller scale version of the famous dome of London’s St. Paul’s Cathedral.

A view from the balcony towards the pediment. The space left by a missing coat of arms, thought to be removed during the Japanese Occupation, will be left as it is.

A view from the balcony towards the pediment. The space left by a missing coat of arms, thought to be removed during the Japanese Occupation, will be left as it is.

New galleries in the old building. The old Supreme Court wing will be used to house the South-East Asian collection.

New galleries in the old building. The old Supreme Court wing will be used to house the South-East Asian collection.

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The pediment of the old Supreme Court on which Justice is not blind in Singapore.

The pediment of the old Supreme Court on which Justice is not blind in Singapore.

A pigeon's eye view from the balcony of the old Supreme Court.

A pigeon’s eye view from the balcony of the old Supreme Court.

The City Hall also has several conserved spaces of importance, the most important of which is City Hall Chamber. Once said to be the grandest of rooms in all of Singapore, the chamber witnessed several momentous events of our past, one of which was the surrender of Japanese forces in 1945. Another significant event that took place there was the swearing in of our first Prime Minister in 1959. In its refurbished state, the chamber retains much of its character. The entrance to it is now via side doors that previously were windows to the courtyard.

City Hall CHamber, a.k.a. the Surrender Chamber.

City Hall CHamber, a.k.a. the Surrender Chamber.

The courtyard the doors now lead to had been an open-air served car park. It now finds itself under a reflecting pool (the same pool on the roof terrace) and air-conditioned. As the DBS Singapore Courtyard, it will be used for the permanent display of a collection of Singapore art from the 19th century to the present when the gallery opens.

The former courtyard of City Hall.

The former courtyard of City Hall.

The courtyard will be a new exhibition space.

Shadows from the steel framework of the glass roof over the courtyard.

Moving stairways to the new heaven.

Moving stairways to the new heaven.

The Cor­inthian columns of the former City Hall's façade.

The Cor­inthian columns of the former City Hall’s façade.

The central staircase of City Hall.

The central staircase of City Hall.

In a year during which there is much to look forward to in a Singapore that celebrates its 50th year of independence, the gallery’s opening in November is something that will certainly enhance the celebration. The gallery will by itself be a celebration, one not just of art and culture, but also of our nationhood and of our history and heritage.More information on the National Gallery and the history of the buildings can be found at the National Gallery’s website and some of my previous posts, which contain photographs of how some of the spaces looked before the refurbishment.

A last look at the Rotunda Library.

A last look at the Rotunda Library.








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