Colours of the night

19 08 2017

Photographs from Singapore Night Festival 2017

More information on the festival at : http://nightfestival.sg/


Convolutions by EZ3kiel

18 Aug to 26 Aug
7.30 PM – 12.00 AM
National Museum of Singapore, Façade


Phosphene BY PRAXIS +

18 Aug to 26 Aug
7.30 PM – 12.00 AM
National Design Centre, Gallery 1


The Standing Men by AADN (FR)

18 Aug to 26 Aug
7.30 PM – 12.00 AM
SAM


The Tree that Blinked by Karel Bata

18 Aug to 26 Aug
7.30 PM – 12.00 AM
National Museum of Singapore, The Banyan Tree


Nostos – Records of the Self by AESOP

18 Aug to 26
Aug 10am – 12mn (18 – 20 Aug), 10am – 10pm (21 – 24 Aug), 10am – 12mn (25 – 26 Aug)
National Museum of Singapore, Gallery 10


The Flower of Life and the Infinite Self by Starlight Alchemy

18 Aug to 26 Aug
7.30 PM – 12.00 AM
National Museum of Singapore, Stamford Green (Upper deck of escalator to Fort Canning Park)


Secrecy by Ratpack

18 Aug to 26 Aug
7.30 PM – 12.00 AM
Armenian Church


 

Advertisements




Schooldays in Bras Basah

5 06 2017

Sent by a fellow old boy, this video is one that brings back the most wonderful of days – my schooldays at St. Joseph’s Institution when that was in Bras Basah Road. Produced for the school’s 15oth  anniversary in 2002, it is filled with familiar scenes from the old school: the assemblies we had in the courtyard facing the Brothers’Quarters, Anderson Bridge connecting the Anderson Building to the main wing, the fountain in the front yard, the old grandfather’s clock that made the trip east with the first brothers, the Hippo Scout den and the Co-op Society room at the far end of the courtyard, a classroom, the school field across the road …

Now repurposed occupied as the Singapore Art Museum, what remains is the main wing, Anderson Building along Waterloo Street, and the block that housed the chapel on the upper floor and the school hall (now the Glass Hall) on the ground floor.

More on my schooldays in Bras Basah Road and other recollections of the area can be found at:





Good Friday at the Portuguese Church

15 04 2017

Good Friday, which for believers marks the day Jesus Christ was crucified, has been commemorated in a very visible way on the grounds of St. Joseph’s Church for more than a century. Conducted  very much in the fashion of the Iberian peninsula, the elaborate procession takes place at the end of the church’s Good Friday service during which the crucifixion is reenacted using a life-sized image of Christ that is lowered and placed on a bier for the procession.

33911687461_c993f65155_z

The church, known also as the Portuguese Church due to its origin in the Portuguese Mission and it having been a parish of the Diocese of Macau until 1981, is the spiritual home of the Portuguese Eurasian community. The community is one of the oldest migrant linked communities in the region. It is on Good Friday, when the religious traditions of the community are most visible, that we are perhaps reminded of this. The procession, the holding of which goes back more than a century, attracts large numbers of worshippers from all across Singapore and at its height in the 1960s and 1970s, saw thousands packed into the church’s compound with many more spilling onto Queen Street.



More on the procession and the Portuguese Church:






Singapore’s oldest Catholic church now looks like its newest

28 11 2016

The beautifully restored Cathedral of the Good Shepherd, Singapore’s oldest Catholic church and a National Monument, re-opened on 20 November 2016 when it held its first mass in over three years. Sitting on a foundation of nothing more than compacted earth, its structure had been quite badly affected by ground disturbance caused by construction work in, around, and under it, which required it to be closed for repair work could be carried out.

As it turned out, the repair effort was quite timely. Columns supporting the pediment at the cathedral’s Victoria Street end gave way as the building was in the late stages of repair on 3 September 2015. Fortunately, the incident – which also saw the pediment come crashing down – happened at night and no one was hurt. The incident also led to the discovery that the supports, on which the weight of the steeple and bell tower also rests, were inadequate and required strengthening and a decision was taken to replace the original brick columns with stronger but lighter steel columns due to weight (which would increase structural load on the base) and time considerations. Another consequence of the collapse would have was in the discovery of the original time-capsule. This was placed beneath the cornerstone when that was laid on 18 June 1843. It was only found due to the work that was needed on the new structure. The time-capsule contained coins, newspapers and a service booklet from the time and its contents are now on display in the Cathedral Heritage Centre.

The entire project, which also involved restoration of the Cathedral and its rectory, as well as the construction of a new three-storey annex block – where the heritage centre is being housed – came at a cost of S$40 million. One of the key areas of repair required was in the underpinning of the cathedral building due to the lack of a suitable foundation. The intervention also allowed service ducts to be run under the building to carry both electrical cables and ducting for air-conditioning – a much welcome addition. The gallery pipe-organ  – Singapore’s oldest pipe-organ – was also restored. This required it to be shipped to the Philippines, which has a rich organ building. The restored pipe-organ also made its debut during the reopening mass when it so wonderfully accompanied the cathedral choir.

The Cathedral Choir making its entry before the opening mass on 20 Nov 2016.

The Cathedral Choir making its entry before the opening mass on 20 Nov 2016.

Standing room only. The opening drew a large crowd and pews were already filled as early as an hour and a half before mass.

Standing room only. The opening drew a large crowd and pews were already filled as early as an hour and a half before mass.

The sanctuary after the reopening.

The sanctuary after the reopening, with a new altar.

In 2013 with a large crack clearly visible on the wall behind it.

In 2013 with a large crack clearly visible on the wall behind it.

The gallery pipe-organ in 2016.

The gallery pipe-organ in 2016.

The gallery pipe-organ in 2013.

The gallery pipe-organ in 2013.

View down the nave, 2016.

View down the nave, 2016.

View down the nave, 2013.

View down the nave, 2013.

The repaired and restored Victoria Street end and the steeple.

The repaired and restored Victoria Street end and the steeple.

The view during the restoration, when steel columns were introduced (to be clad with masonry) for reasons of weight and time when the original structure gave way.

The view during the restoration, when steel columns were introduced (to be clad with masonry) for reasons of weight and time when the original structure gave way.

With its columns braced in 2010.

With its columns braced in 2010.

A close-up.

A close-up.

Archbishop William Goh after unveiling a new Pietà before the opening mass.

Archbishop William Goh after unveiling a new Pietà before the opening mass.

The old Pietà, seen in 2013.

The old Pietà, seen in 2013.

Another view of the new Pietà.

Another view of the new Pietà.

The old Pietà and the staircase to the choir gallery in 2013.

The old Pietà and the staircase to the choir gallery in 2013.

The choir organ in 2013, which has been removed.

The choir organ in 2013, which was in the north transept and has since been removed.

Where the choir organ was located.

Where the choir organ was located.

The cathedral in 2016.

The cathedral in 2016.

The Cathedral in 2013.

The Cathedral in 2013.

The Good Shepherd, 2016.

The Good Shepherd, 2016.

The Good Shepherd, 2013.

The Good Shepherd, 2013.

The annex building and the rectory as seen from Queen Street.

The annex building and the rectory as seen from Queen Street.

The view of the rectory from Queen Street in 2013.

The view of the rectory from Queen Street in 2013.

Balustrades, an original feature, were restored to the second level of the rectory turret.

Balustrades, an original feature, were restored to the second level of the rectory turret.

The turret before restoration.

The turret before restoration.

The old annex building, which was demolished.

The old annex building, which was demolished.

The old annex building, which was demolished.

The old annex building, which was demolished.

The garage, which was also demolished.

The garage, which was also demolished.

The old annex building, which was demolished.

The old annex building, which was demolished.

The restoration was originally scheduled for two years,

The restoration was originally scheduled for two years,

Before the restoration.

Before the restoration.

During the restoration.

During the restoration.

Exposed brickwork of the columns seen during the restoration.

Exposed brickwork of the columns seen during the restoration.


More views of the beautifully restored cathedral

jeromelim-4123-5

jeromelim-9260-2

jeromelim-9277

jeromelim-9278

jeromelim-9282-3

jeromelim-9290-2

jeromelim-9384-2

jeromelim-9387

jeromelim-9392

jeromelim-9618-2

jeromelim-9621

jeromelim-9627

jeromelim-9632

jeromelim-9635

jeromelim-9652

jeromelim-9653-2

jeromelim-9654





Nights out during the ghost month

19 08 2016

If you are not being kept indoors by what traditionally is a time of the year during which one hesitates to venture out into the dark, you should take a pause this and next weekend from trying to catch’em all to catch this year’s edition of the Singapore Night Festival. This year’s festival, revolves around the spirit of innovation with its theme of Inventions and Innovation and will be an enlightening experience with light installations and performances inspired by fantasy, and science fiction as it is be invention.

JeromeLim-0687

As with recent editions of the much anticipated festival, this year’s, the ninth, is laid out across five zones, each packed with installations and performances that will certainly light up one’s weekend. Besdies those I  had a chance to have a peek at listed below, there are several rather interesting installations, performances and goings-on during the nights of the festival. Installations and performances to look out for include: Invasion by Close-Act (Netherlands)A Kaleidoscope of Spring by NAFA (Singapore)The Story Box by A Dandypunk (US)Les AquamenS by Machtiern Company (France)Into Pulsar by Ryf Zaini (Singapore), and The Peranakan Museum Variety Show by Main Wayang (Singapore).

Members of Main Wayang.

Members of Main Wayang.

Once again, a party atmosphere will descend on Armenian Street, the difference being that the roar of Harleys will be heard with Rrready to Rrrumble! by Harley Davidson Singapore, Mod Squad and Speedzone (Singapore) – recalling perhaps the roar of the hell riders who once tore down nearby Orchard Road and Penang Road.

There are also no shortage of opportunities to indulge in food and even shopping with Eat @ Festival Village and Shop @ Festival Village. The offerings by Steamhaus (Halal) and The Ugly Duckling, which I had a chance to savour, are particularly yummy. For those who like it sweet, sinful and frozen, do look out for Husk Frozen Coconut.

For the brave, there also is a Night Heritage Tour by National Parks Board. Registration is required for this. As of the time of writing, tours for the first weekend are booked up and only slots for 26 August are available. Along with these, there are also items being put up by the partners of the Bars Basah Bugis precinct such as PoMo, Prinsep Street and Rendezvouse Hotel, including a free Movie Nights at Rendezvous Hotel. There will also be a chance to go behind the scenes with some of the artists and participate in workshops  in Behind the Night.

The festival runs over two weekends on 19 and 20 August and on 26 and 27 August 2016. More information on the festival and programmes on offer can be found at at festival’s website.


JOURNEY, Feat soundtrack by Ed Carter  | NOVAK (United Kingdom)

Front Lawn, Singapore Art Museum
19, 20, 26, 27 August 2016, 7.30pm – 2am | 21 – 25 August 2016, 7.30pm – 11pm

Journey by NOVAK, which is inspired by the world of Jules Verne.

Journey by NOVAK, which is inspired by the world of Jules Verne.

A dynamic projection-mapping performance inspired by the world of Victorian novelist Jules Verne, known for his creation of a world reflecting the future of Victorian invention and fantasy. NOVAK reinterprets seven of his novels to create a unique adventure dynamically projection-mapped to fit the façade of SAM, including an exploration of Singapore’s art and culture. Highlighting the use of invention to enable adventure, the viewer will be taken on a magical adventure through a series of scenes, each depicting a different landscape, relating to the environments that feature so vividly in Verne’s classic novels.

JeromeLim-0694


The Wheel House | Acrojou (United Kingdom)

Mainground (near National Museum of Singapore)
19 and 20 August 2016 | 8pm – 8.25pm, 9.25pm – 9.50pm, 10.50pm – 11.15pm

JeromeLim-0673

A “tender, post-apocalyptic love story”, The Wheel House is a unique, rolling acrobatic theatre show, which unfolds inside and around a stunning circular home as it travels with the audience walking alongside. The enchanting story is set in a gently comic dystopian future at a time where survival depends on sharp eyes, quick hands and, above all, friendship. Join these traveller-gatherers on the road to nowhere: treading lightly, enduring quietly and always moving onwards.


KEYFRAMES | Groupe LAPS (France)

National Museum of Singapore Façade
19, 20, 26, 27 August 2016, 7.30pm – 2am | 21 – 25 August 2016, 7.30pm – 11pm

JeromeLim-0777

JeromeLim-0803

JeromeLim-0810-4

Through micro-stories weaved upon the stately National Museum of Singapore facade, KEYFRAMES offers narration in the city – urban stories where bodies and their movements play main roles. Part animation and part moving sculpture, the LED figures and their routine imbue static buildings with energy and excitement. This new installation – part of the KEYFRAMES series – brings glimmers of the past to life.


HOUSE OF CURIOSITIES | Sweet Tooth by CAKE (Singapore)

(Ticketed Performance)

Cathay Green (field opposite The Cathay)
19, 20, 26, 27 August 2016 | 6pm – 8pm, 8.30pm – 10.30pm, 11pm – 1am

JeromeLim-0752

Tickets are available for purchase from 27 July onwards via SISTIC or at the door (while stocks last)
Adults: $16 (inclusive of $1 SISTIC fee) | Concession: $13 (inclusive of $1 SISTIC fee) Students (full time, with valid student pass issued by enrolled institution), senior citizen (60yrs and above, with valid identity pass showing proof of age), NSF (with valid 11B pass)

The House of Curiosities is an event featuring performance, activities and more. Based on the storyline of The Mechanical Heart, it is a story of adventure, curious man-made machines and the wonderful capacity of the human mind and spirit to discover and invent. Professor Chambers is a celebrated explorer and inventor. With his son Christopher, he builds a time machine that takes them on an expedition to find crystal caves in the subterranean depths. On the journey back, a monstrous octopus attacks them, injures Christopher and escapes. The devious octopus is a man-made contraption, but who is behind it? Find out in this exhilarating performance.


:Samara | Max Pagel & Jonathan Hwang

Armenian Church
19, 20, 26 and 27 August 2016, 7.30pm – 2am | 21 – 25 August 2016, 7.30pm – 11pm


JeromeLim-0848

:Samara reflects on the duality of progress and sacrifice. What are we willing to give up in order to advance? Sometimes we regret accepting the cost of progress and try to recreate past experiences that have been lost forever. Inspired by the loss of the artist’s favourite tree, :Samara is an interactive illuminated tree sculpture created to give closure to a lost space. :Samara invites us to reflect on the authenticity of using modern technology to recreate what we lose in our fast-changing environment. At the same time, it gives us the opportunity to acknowledge and let go of these losses.

JeromeLim-0825

JeromeLim-0736

The tree, lost to development at Paya Lebar Central, that inspired :Samara. 


Shifting Interactions | LASALLE College of the Arts

Glass Atrium, Level 2, National Museum of Singapore
7.30pm – 2am (dance performance at 8pm – 11pm) 21 – 25 August 2016 | 7.30pm – 10pm

JeromeLim-0631-2

Tying together electronic media, sculpture and dance, LASALLE College of the Arts presents Shifting Interactions, a performance installation. Dancers will traverse a dynamic performance space dotted with a series of static and animated objects. Conceptualised as a durational and improvised performance piece, participants will shape, change and vitalise the space over time through sound, light and movement.


Singapore Night Festival 2016 ‘Tap to Donate’ | Xylvie Huang (Singapore)

Platform, Level 2, National Museum of Singapore
19, 20, 26, 27 August 2016 | 7pm – 12.30am 21 – 25 August 2016 | 7pm to 10pm

JeromeLim-0616

The Singapore Night Festival is turning ten next year and we would like you to join us in “building” the 10th Singapore Night Festival!

Come by the National Museum at level 2 from 19 to 27 August 2016, make a donation of $2 by tapping your ez-link card and you will be given a LEGO brick to add on to a wall installation of LEGO Bricks by Singapore artist Xylvie Huang. All donations go towards “building” the Singapore Night Festival 2017.

Help build our Singapore Night Festival LEGO Wall Installation (located on Level 2 of the National Museum of Singapore) with four easy steps:

1. Tap your ez-link Card

2. Collect your LEGO brick

3. Build on the wall installation of LEGO Bricks

4. Collect your Candylious candy and watch the wall being built

The first 250 festivalgoers who ‘tap to donate’, gets a generic designed ez-link card (of no loaded value)!

This programme is supported by Ms Xylvie Huang Xinying, Brick Artist, EZ-Link, Wirecard and Candylicious.






A look into the Portuguese Church’s beautiful Parochial House

31 07 2016

In the shadows of clutter of structures that has descended on Victoria Street post 1970s, it is easy to miss the beautiful 104 year old Parochial House that sits just across the street from Bras Basah Complex. Built with a hint of old Portugal, the building speaks of its links to a old Southeast Asian community that has its origins in the days of the Portuguese conquest of Malacca.

Parochial House, seen through an arch of St. Joseph's Church.

Parochial House, seen through an arch of St. Joseph’s Church, was designed by Donald McLeod Craik.

Parochial House was designed by Donald McLeod Craik (who also designed the beautiful Moorish arched Alkaff’s Arcade in Collyer Quay, Wesley Methodist Church, the Masonic Hall and Jinrikisha Station) in the Portuguese Baroque style, and adorned with Gothic accents. Part of a rebuilding programme that involved its more noticeable neighbour, the current St. Joseph’s Church (also known locally as the Portuguese Church), it was completed together with the church in 1912. It replaced an older parish house that was also the headquarters of the Portuguese Mission. That had been given over to the Canossian Sisters in 1899 to allow the expansion of the convent at Middle Road that became known as St. Anthony’s Convent.

Seen in 2014 before it was refurbished.

Seen in 2014 before it was refurbished.

The Mission, which operated under the jurisdiction of the Diocese of Macau, first came to Singapore in 1825. It served a parish of Portuguese and Portuguese Eurasian Catholics until 1981, after which the Portuguese Church was transferred to the Archdiocese of Singapore. Links were however maintained until 1999 when the last Macau appointed parish priest completed his term.

An old letter box and signboard for the church now displayed in Parochial House.

An old letter box and signboard for the church now displayed in Parochial House.

Along with providing a home to priests appointed to the parish, Parochial House also served as the residence of the Bishop of Macau on his visits to Singapore. A reminder of this is found in the still intact spartanly furnished room used by the Bishops on the second floor, last used in 1999. Also intact is the tiny chapel of the Bishop on the third floor. Based on an article in the 24 July 2016 edition of the Catholic News, it seems that bone fragment relics of the 12 apostles are kept in the chapel.

Windows at the end of the second level hallway, which would have a view down Bain Street across Victoria Street.

Windows at the end of the second level hallway, which would have a view down Bain Street across Victoria Street.

The Bishop of Macau's room.

The Bishop of Macau’s room.

An example of a trunk used by missionaries coming over from Europe.

An example of a trunk used by missionaries coming over from Europe, now placed in the Bishop’s room.

The Bishop's chapel.

The Bishop’s chapel.

The approach to the chapel.

The approach to the chapel.

Up until Parochial House was opened for the series of guided visits that were held on the weekend following the announcement of its conservation on 30 June 2016 (coinciding with the church building’s 104th anniversary), not many would have seen its wonderfully preserved upper floors. Many parishioners would however have seen its ground floor, where communal activities were held and where a canteen operates to serve churchgoers on Sundays since 1960. Some evidence of the type of communal activities are found in the room in which the church’s registers are maintained on the second floor across the hallway from the Bishop’s room. Items from the church’s past are displayed on an old wooden table here include film projectors used for the screening movies for the community.

A movie projector.

A movie projector.

A seal press from the days of the Portuguese Mission.

A seal press from the days of the Portuguese Mission.

JeromeLim-4100

The baptism record of the grandfather of Singapore National Swimmer Joseph Schooling.

The communal space on the ground floor.

The communal space on the ground floor.

JeromeLim-4080

Encaustic floor tiles.

Several interesting features are found through the building. One is the grand staircase that takes one up from the ground floor to the upper levels, which is decorated with a carved wooden balustrade. There are also several instances of interesting tile work such as the encaustic floor tiles with patterns rich in religious symbolism. There also are nine sets of decorative tin glazed blue and white Azulejo wall tiles typical of the Iberian peninsula found both in the buildings interior and exterior. More information on the building’s history and architecture can be found on the Urban Redevelopment Authority’s Facebook Page.

The carved wooden balustrades of the grand staircase.

The carved wooden balustrades of the grand staircase.

Azulejo tile work depicting St. Anthony of Padua, a patron saint of Portugal.

Azulejo tile work depicting St. Anthony of Padua, a patron saint of Portugal.

The stairway to heaven.

The stairway to heaven.

The other end of the second floor hallway - the part beyond the brown door would once have led to a walkway to the former St. Anthony's Boys' School next door.

The other end of the second floor hallway – the part beyond the brown door would once have led to a walkway to the former St. Anthony’s Boys’ School next door.

The keystone of the house, a statue of Our Lady of Fatima.

The keystone of the house, a statue of Our Lady of Fatima. Gothic pinnacles decorated with crockets top the roof structure of the building.

Parochial House in 2010.

Parochial House in 2010.

Following its refurbishment this year.

Following its refurbishment this year.

JeromeLim-0600

The PM seen in the roundel along Victoria Street refers to the Portuguese Mission.

Photographs of the Archbishops of Singapore since the handover as well as the last Bishop of Macau the church was under the jurisdiction of.

Photographs of the Archbishops of Singapore since the handover as well as the last Bishop of Macau the church was under the jurisdiction of.

A balustrade along the third floor hallway.

A balustrade along the third floor hallway.

A view down the second floor hallway.

A view down the second floor hallway.

A side stairway down from the second floor to the exterior.

A side stairway down from the second floor to the exterior.

A view out the window to St. Joseph's Church.

A view out the window to St. Joseph’s Church.

 





Good Friday at a slice of Portugal in Singapore

26 03 2016

The Portuguese Church, as the Church of St. Joseph’s at Victoria Street is referred to, is where the religious traditions of the Portuguese Eurasian community in Singapore are kept alive. It is every year on Good Friday, a day of fasting, reflection and prayer, that we see the most colourful manifestation of these traditions, in an elaborate service which culminates in procession illuminated by the light of candles carried by the sea of worshippers that crowd the church’s compound.

The sea of candlelight every Good Friday.

The sea of candlelight every Good Friday at the Portuguese Church.

The procession, would in the past, attract worshippers in their thousands, some of whom would crowd the compound just to see the procession pass. Worshippers would also spill out to Queen Street and in more recent times to the lower floors of the podium at Waterloo Centre. It was at Queen Street where many candle vendors would be seen to do a roaring trade, offering candles of all sizes. I remember seeing some on sale that were of such a length that they needed to be propped up by pieces of wood, which we no longer see these days.

The head of the procession with a bier containing a life-sized representation of the body of Christ makes its way through the grounds of the church.

The head of the procession with a bier containing a life-sized representation of the body of Christ makes its way through the grounds of the church.

Worshippers carrying candles follow the procession.

Worshippers carrying candles follow the procession.

While the candle vendors have been chased off the streets, the procession, even with the smaller crowds we see today, still adds much life and colour to the area. In keeping the traditions of a small and rarely mentioned community in Singapore alive, the procession also reminds us that what colours Singapore is not just the influences of the main ethnic groups but also of the smaller groups that have added to the flavour of Singapore’s rich and diverse cultural heritage.

Another view of the procession through the grounds.

Another view of the procession through the grounds.

JeromeLim-3629

A face seen in the clouds as the crowds gathered for the procession.

JeromeLim-3675


More on the procession and the Portuguese Church:

 








%d bloggers like this: