Art Stage Singapore 2016

21 01 2016

Southeast Asia’s flagship art fair, Art Stage Singapore, is back for its sixth  edition. The four day event, with an intended focus placed on contemporary Southeast Asian art, is being held at Marina Bay Sands Expo and Convention from 21 to 24 January 2016.

The sin-full creations of Kittisak Thapkoa at Number1Gallery.

A reflection on Qin Chong’s Evolving Ink.

For 2016, Art Stage Singapore brings the Southeast Asia Forum – an extension of the Southeast Asia Platform it introduced in 2014. The forum in its inaugural year is titled Seismograph: Sensing the City – Art in the Urban Age – and has an emphasis on urbanisation and will have both an exhibition and a talk component. The projects of 19 Southeast Asian artists, which relate to issues and sentiments in the wake of rapid urbanisation in their own countries, will be brought into focus. More information on the Southeast Asia Forum can be found here.

Takeshi Haguri’s Tengu, presented by Toki-no-wasuremono.

Entang Wiharso’s Feast Table: Undeclared Perceptions presented by ARNDT.

This year’s fair, the anchor event for Singapore Art Week, features 173 galleries from 34 countries with some 75% or 133 galleries from Asia. Art Stage Singapore 2016 will also see several public artworks being exhibited at public areas, a special exhibition of photographs and oil paintings by Hannes Schmid – best known for his iconic Marlboro Man series in the 1990s, and a return of Video Stage .  The fair runs until Sunday. More information on it can be found at http://www.artstagesingapore.com/.

Yayoi Kusama’s Kei-Chan and Reach up to Heaven ‐ Dotty Pumpkin (Black) presented by Opera Gallery.

Close-up of Pink Collar by Ma Han – a public artwork.

The $170.4 million sale in 2015 of Modigliani’s “Nu Couché” to a Chinese based collector points to the rise of Asia in the International art market according to Art Stage President and founder Lorenzo Rudolf.





The art and science of bringing an ogre to life

15 06 2015

Animation has allowed many a tale to be spun in which the unlikeliest of heroes take centre-stage. This is especially so in the last two decades with the availability of the computing power required to allow CGI animation to give scenes and characters a much greater degree of realism. We now have a chance in Singapore to see what how DreamWorks Animation, one of the studios at the forefront of animation, in bringing endearing characters such as a love struck ogre and a round kung-fu kicking panda to life, at Dreamworks Animation: The Exhibition. The exhibition, which opened at the ArtScience Museum over the weekend, will be a treat not just for animation fans, but also anyone and everyone who has watched any of DreamWorks’ wonderful creations.

Mr Chris Harris of ACMI, the ArtScience Museum's Ms Honor Harger and Mr Doug Cooper of DreamWorks Animation.

Mr Chris Harris of ACMI, the ArtScience Museum’s Ms Honor Harger and Mr Doug Cooper of DreamWorks Animation.

Curated by the Australian Centre for the Moving Image (ACMI), the exhibition, which is divided into three main galleries, also offers the visitor lots of opportunities to have a feel for some of the processes involved in animation for themselves, through its interactive components. One that will certainly be a hit would be the Face Poser interactive station. Here, visitors can play around at manipulating facial features such as furrowing a brow or raising an eyebrow of a character to give different facial expressions and show different emotions.

The Face Poser.

The Face Poser.

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There also is an opportunity to have a feel of the software used by DreamWorks’ animators at another interactive station in the Drawing Room. This will allow visitors to create a short 2D animation sequence with the aid of a tutorial.

Mr Doug Cooper at the Drawing Room.

Mr Doug Cooper at the Drawing Room.

The exhibition proper, which is on its first stop of an intended five-year international tour, takes visitors through the process of how characters are developed and how they evolve from 2D sketches to what we see on the screen in the Character gallery, how the story is developed and sold in the Story gallery, and finally how the magical worlds – the wonderful scenes that give a flavour to the films are woven around the characters and the story, in the World gallery.

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A recreation of a DreamWorks Animation studio real-life workspace.

A recreation of a DreamWorks Animation studio real-life workspace.

In the Character, we are also introduced to how the development of characters have evolved with the advances in computing, with the display of sketches, the marquettes that were used to develop 3D images prior to this being done completely on the computer screen, as well as in-depth interviews that are screened.

The Character Section with its display of marquettes and sketches that depict the evolution of some of the popular characters.

The Character gallery with its display of marquettes and sketches that depict the evolution of some of the popular characters.

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A recreation of another DreamWorks Animation studio real-life workspace.

A recreation of another DreamWorks Animation studio real-life workspace.

The Story gallery is where one finds what I thought was one of the more interesting exhibits – a digital storyboard at which visitors can catch a very animated Conrad Vernon, doing a pitch for the “Interrogating Gingy” scene in Shrek. The filmmaker was apparently so convincing that DreamWorks had him lend voice the gingerbread man his voice.

Catch Conrad Vernon doing his pitch for Interrogating Gingy.

Catch Conrad Vernon doing his pitch for Interrogating Gingy.

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The World gallery, the largest section, is where the work of directors, designers and concept artists converge and where we have a look at some of the thoughts that go into the scenes. It is also where another of the exhibition’s must-dos, Dragon Flight: A Dragon’s-Eye view of Berk, a panoramic ride on the back of Toothless from How to Train Your Dragon over Berk across a 40-foot 180 degree projection, specially made for the exhibition, can be viewed.

Dragon Flight (photo: Marina Bay Sands / Mark Ashkanasy).

Dragon Flight (photo: Marina Bay Sands / Mark Ashkanasy).

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There will be lots of other programmes and activities during the exhibition period, including screenings of some of our favourite DreamWorks’ films. More information on the exhibition, including a full list of programmes and on ticketing can be found at the exhibition page on the ArtScience Museum’s website.

For the kids - an activity that introduces the basics of animation.

For the kids – an activity that introduces the basics of animation.





When the lights go out

10 02 2015

Last evening wasn’t what I would call a typical Monday evening. In some rather untypical company, after the lights went off, I stood waiting for a box containing a 15th century lady to be opened, showing little of the trepidation my irrational fears of the dark would typically have invoked; the promise the evening held was an unveiling of the lady’s exquisite beauty for her debut in Singapore.

A Portrait of a Lady, attributed to Ambrogio de Predis, an associate of Leonardo da Vinci.

A Portrait of a Lady, attributed to Ambrogio de Predis, an associate of Leonardo da Vinci.

Delicate but yet well preserved, the beauty of the lady of nobility, is one that is beautifully captured by an associate of Leonardo da Vinci,  Ambrogio de Predis. The portrait, one of several masterpieces from the da Vinci school that is making an appearance in Marina Bay Sands’ ArtScience Museum, as part of the Da Vinci: Shaping the Future exhibition that runs until May 2015. While the highlight of the exhibition is perhaps the pages out of da Vinci’s Codex Atlanticus from Milan’s Biblioteca Ambrosiana’s collection, the masterpieces the Ambrosiana has brought over, also deserve much attention.

Unscrewing the lid on the outer box in which the painting is packed for shipment. Paintings are packed into two boxes.

Unscrewing the lid on the outer box in which the painting is packed for shipment. Paintings are packed into two boxes.

The rather uninspiringly named “Portrait of a Lady” that had until the 19th century been attributed to da Vinci himself, goes on display for the first time from today. It is part of a changeover of inspiring art work and pages of the Codex at the midway point of the exhibition, made necessary by a three-month limit on exposing the original works, following which they have to be returned to the dark.

Lifting the lid on the inner box.

Lifting the lid on the inner box.

For a opportunity to celebrate beauty as expressed  in oil and to be awed by the genius of da Vinci contained in the pages of the Codex Atlanticus, do visit this wonderful look at what the museum refers to as history’s foremost ArtScientist, Leonardo da Vinci. The exhibition interestingly, also sees models of da Vinci’s innovative ideas on display.  The exhibition ends in May 2015. For more information and ticketing details, do visit the ArtScience Museum’s website.

Removing the artwork, which is wrapped in acid-free paper.

Removing the artwork, which is wrapped in acid-free paper.

Unwrapping the painting.

Unwrapping the painting.

The painting is examined for damage after being unpacked by an expert from Pinacoteca Ambrosiana. A report of an examination prior to packing is used as reference.

The painting is examined for damage after being unpacked by an expert from Biblioteca Ambrosiana. A report of an examination prior to packing is used as reference.

Examining the details.

Examining the details.

Once the expert is satisfied, the art work can be displayed.

Once the expert is satisfied, the art work can be displayed.

The painting, seen with one of the paintings that has been taken down for storage, Saiai's St. John the Baptist.

The painting, seen with one of the paintings that has been taken down for storage, Saiai’s St. John the Baptist.


More on the changeover (Art Science Museum Press Release):

Singapore (11 February 2015) – ArtScience Museum today unveiled its eagerly-anticipated renewal of the original masterpieces showcased at Da Vinci: Shaping the Future, as the exhibition approaches the second half of its run. The refreshed displays include a new collection of 13 original pages of the Codex Atlanticus, da Vinci’s largest notebook, and three new paintings from the School of da Vinci.

As part of the renewed collection, visitors will have the rare opportunity to view a neverbefore-seen original Codex Atlanticus page, Drawings of Two Compasses. This folio features two drawings of intricately decorated compasses, which were important tools employed by da Vinci to determine the proportions of his machines and to mark designs on paper before he applied ink to his drawings.

Another beautifully illustrated page in the renewed collection is the Giant Crossbow, one of da Vinci’s most striking and celebrated folios from the Codex Atlanticus. Drawn with elaborate details and technical skill, the folio includes precise measurements of the machine’s components and a figure atop the machine to provide an indication of the scale.

The Giant Crossbow is a prime example of how da Vinci used his artistic skills to illustrate complex technical concepts.

“More than any other figure in history, Leonardo da Vinci represents the unity of art and science. Therefore, it is a great privilege to be able to bring a new collection of da Vinci’s masterpieces to ArtScience Museum, as part of this groundbreaking exhibition. What is particularly exciting for us is that one of the pages from the Codex Atlanticus, which arrived from Italy this week, is being shown in public for the very first time. We are grateful to have been able to work so closely with Veneranda Biblioteca Ambrosiana to realise an exhibition that vividly illustrates how da Vinci’s genius, creativity, and systems thinking continue to inspire and shape the world we live in now,” said Ms. Honor Harger, executive director of ArtScience Museum.

Dr Irene Lee, co-curator, ArtCORP Pte Ltd, adds, “It has been an honour to be a part of this project and to bring the original works by da Vinci from Milan to Singapore. Singapore, like da Vinci, is very forward-thinking, and it is only fitting to have these masterpieces displayed in this innovative city.”

One of the new original paintings that will be on display is the visually arresting Portrait of a Lady. Donated to the Veneranda Biblioteca Ambrosiana in 1618, the painting was attributed to da Vinci until the 19th century. While the references to da Vinci are evident, such as the knotted golden braid on the lady’s garment, the mesmeric painting remains elusive as both its subject and author have yet to be confirmed despite generations of study by critics and scholars. While some leading scholars firmly attribute the painting to da Vinci and others favour a more prudent attribution, these controversies have never debased the work’s appeal, only increasing its mystery.

Other new paintings from the School of da Vinci that will be showcased are Christ Child with the Lamb by Bernardino Luini, the most famous Milanese painter in the early 16th century, and Adoration of the Child with Saint Roch by Giampietrino.






A glance at Art Stage Singapore 2015

22 01 2015

I love it when Art Stage Singapore comes around every January. Not only does the fair provide the opportunity to get in touch with the contemporary art scene, but it also provides hours of visual stimulation to break the monotony of the start of the year. And, from the glance I had at this year’s fair, it certainly is no different.

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Hwan Kwon Yi, Traffic Jam, Gana Art.

Hwan Kwon Yi, Traffic Jam, Gana Art.

As Southeast Asia’s flagship art fair, Art Stage Singapore, the fifth edition of which opens its doors at Marina Bay Sands Expo and Convention Centre today, lends its support to the regional art scene. This year, a curated Southeast Asia platform has the works of 32 emerging artists from the region featured. In all, over 200 galleries from 29 countries – 75 percent of which are from the Asia-Pacific, are represented at this year’s fair, making it a must-visit exhibition for both the collectors and curious alike.

Kiatanan Iamchan, Oh, My Baby, Number1Gallery.

Kiatanan Iamchan, Oh, My Baby, Number1Gallery.

This year also sees video art, which is fast gaining prominence as a collectible art medium, receive an airing through Video Stage. Intended as a regular feature of the annual fair, Video Stage for Art Stage Singapore 2015 will take a look at the medium over the years, through 73 videos.

Art Stage Singapore 2015.

Art Stage Singapore 2015.

Also to look out for, are programmes being held as part of the fair including ARTnews Talk Series talks with a focus on Southeast Asia. There will also be talks given by various artists from the Southeast Asian platform, as well as performances and tours. More information these programmes can be found in the fair guide. Art Stage Singapore 2015 runs from 22 to 25 January 2015. More information on the fair is available at http://www.artstagesingapore.com.

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A scalp raising experience.

A scalp raising experience.

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An Ocean of Possibilities

4 11 2014

In An Ocean of Possibilities, we may find a sea of change. A photography exhibition brought to Singapore through a collaboration between Singapore International Photography Festival (SIPF) and Noorderlicht International Photo Festival in Groningen, An Ocean of Possibilities features the thought provoking works of 34 internationally acclaimed photographers who find unlikely forces for change in the midst of  the trials and tribulations of tragedy, conflict and upheaval.

Finding out how a camera obscura works in An Ocean of Possibilities.

Hands-on in finding out how a camera obscura works in An Ocean of Possibilities.

It is a theme that SIPF Festival Director, Gwen Lee, says that Singapore is no stranger to, having overcome many obstacles in charting its course through to an improved future. To Ms Lee,  the ocean “signifies a test of our courage, imagination and capabilities to take the path less trodden”, a path that is taken by the subject in the works.

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The exhibition at the ArtScience Museum, which opened on 31 October 2014 and will run until 28 December, sees over 200 works – photographs and videos, on display. Among the photographs are the works of two Singaporeans, Zhao Renhui and Lim Weixiang in the 34 that have been selected from over 1000 submissions.

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The works that I thought were especially provoking are those of Alex Masi, Ana Galan, Matthew O’Brien and Loulou d’Aki. Masi’s Bhopal Second Disaster is particularly so in examining the continuing fallout of the Bhopal disaster, 30 years on, through a series of haunting images. In all this, Masi finds hope in adversity, a hope that a population abandoned by those who should be making wrongs right, have found from within.

Photographs from Alex Mesi's Bhopal Second Disaster.

Photographs from Alex Masi’s Bhopal Second Disaster.

d’Aki also finds hope in the future – through the faces of the youth of the Middle East and in their dreams and ambitions in Make A Wish, while O’Brien finds beauty in the common folk of Colombia in lives where the threat of violence and misery is ever present through a series of Polaroids in No Dar Papaya. In Galan’s In a Quest for Utopia, we are made to take a look at a Myanmar, which in spite of democratic reforms, continues to be dominated by the politics of the past half a century. Galan’s work sees a homage paid to activists who in continuing a fight for freedom put their lives and their own personal freedom at risk.

Ana Galan's portrait of Nay Yee Ba Swe with the words of Article 37 of the Burmese Constitution superimposed.

Ana Galan’s portrait of Nay Yee Ba Swe with the words of Article 37 of the Burmese Constitution superimposed.

Polaroids from Matthew O'Brien's No Dar Papaya.

Polaroids from Matthew O’Brien’s No Dar Papaya.

Loulou d'Aki's Make A Wish - hope for the future seen in the faces of the youth of the post Arab Spring Middle East.

Loulou d’Aki’s Make A Wish – hope for the future seen in the faces of the youth of the post Arab Spring Middle East.

A quite enjoyable part of the exhibition are the interactive activities that Hands On Lenses, curated by artscientist Isabella Desjeux, that visitors can participate in. Participants will be able to make their own magnifier, understand how a camera obscura works and use their smart phones to take photos of magnified objects. Hands On Lenses workshops will be conducted by Isabella Desjuex on 8 and 9 and 22 November, 13 and 20 December. In addition to this, Marina Bay Sands’ resident photographers will be conducting two courses, Photographing Stories on 23 and 30 November and Shooting Travel Photos like a Pro on 13 December.

Hands on Lenses.

Hands on Lenses.

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In addition to this, ArtScience Museum will also be organising a free symposium on 8 November, Digital Frontiers: Exploring the context of Digital Imaging. This will see academic experts in the art and science field, Dr Vasillios Vonikakis from Advanced Digital Sciences Center and Associate Prof Oh Soon-Hwa from Nanyang Technological University exploring how digital photography has changed our perception of images today. The session will also include a discussion on how technological advances have spurred greater progress in key areas within the artistic and scientific domains.

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More information on the exhibition and workshops can be found at the ArtScience Museum’s site and also the SIPF website. A exhibition guide can be downloaded here.

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Strange Horizons: seeing the future

29 05 2014

The future world does seem to have arrived in Singapore. Rising out of what used to be the old harbour is a new world, the seeds of which were really sown at the end of the 1960s. It was in 1967 that Singapore embarked on the State and City Planning Project (SCP) in 1967 with the assistance of the United Nations Development Programme’s special assistance scheme for urban renewal and development for emerging nations. 

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The SCP completed in 1971, identified the need for a coastal highway to divert traffic out of the city, requiring land to be reclaimed for what was to be the East Coast Parkway (ECP) and the Benjamin Sheares Bridge. It was with this that the planners recognised that there was benefit in further reclamation of land to provide land for the city’s expansion south, land on which a new downtown is now, some four decades after the initial reclamation commenced, in the process of being built.

Among the first structures rising in the new world are several that have since become one of the most photographed and recognisable structures in Singapore including the Sky Park topped hotel towers and lotus flower inspired ArtScience Museum of Moshe Safdie’s Marina Bay Sands integrated resort complex (2010) and the Supertrees and cooled conservatories of the Gardens by the Bay  (2012) that is seen in the above photograph, which was taken across what today is a fresh water channel of water at the Bay East garden of the Gardens by the Bay.





Annie Leibovitz at the ArtScience Museum

19 04 2014

On now at the ArtScience Museum is Annie Leibovitz – A Photographer’s Life, 1990 – 2005, a retrospective showcase featuring some 200 works of celebrated photographer Annie Leibovitz. The exhibition, which made its debut in Brooklyn in 2006, offers visitors a glimpse not just at works that will instantly be recognisable, but also right into the personal side of Ms. Leibovitz’s life with many portraits of the people who she had been close to.

Annie Leibovitz, through the crowd of reporters and photographers at the ArtScience Museum.

Annie Leibovitz, through the crowd of reporters and photographers at the ArtScience Museum.

It is the people who are close to you – staying close to home, that Ms Leibovitz advises photographers to do. It was one of several insights provided by her as she brought guests on a preview of her exhibition earlier this week, during which she spoke not only about some of the famous images such as that of the pregnant Demi Moore, but also about what is found in some of her more personal work. It is from this personal side that we were to discover her favourite is from – a photograph she took of her mother, an unsmiling portrait of which her father was initially rather critical of.

Annie Leibovitz on her favourite photograph - an unsmiling portrait that she took of her mother.

Annie Leibovitz on her favourite photograph – an unsmiling portrait that she took of her mother.

A rather interesting story that Ms Leibovitz did share was of  infamous portraits that she took of Queen Elizabeth II in 2007 – a commission she got some 5 years after she had first written to the British monarch’s press secretary for an unrelated shoot. The press secretary had remembered the letter when on the look out for an American photographer to take portraits of the Queen in the lead up to an intended visit to the US – which Ms. Leibovitz does say can be a lesson in perseverance. The shoot during which the Queen wasn’t apparently in the best of moods, did in the eyes of Ms Leibovitz, show the sense of duty that the Queen did have.

Annie Leibovitz on her portrait of the Queen.

Annie Leibovitz on her portrait of the Queen.

Annie Leibovitz – A Photographer’s Life 1990-2005, which has toured the US, Europe, Sydney, Moscow, St. Petersburg, Sydney and Seoul, will be on at the ArtScience Museum from 18 April until 19 October 2014. More information on the exhibition and on ticketing can be found at the ArtScience Museum’s site.

Many instantly recognisable works of Ms. Leibovitz are on display.

Many instantly recognisable works of Ms. Leibovitz are on display.

In conjunction with the exhibition, the ArtScience Museum will be running a series of Portraiture Photography courses starting in June 2014. The courses aim to offer enthusiasts with a keen interest in portraiture photography a better understanding of the techniques and approaches to capturing the portraits. The courses, over seven weekends from June to October 2014, will be conducted by Steven Yee, a trainer with Knowledge Bowl Training and Consultancy and are priced at S$200 per course, booking for which can be made from 23 April 2014 through all Marina Bay Sands ticketing channels:

  • Course 1: Portrait photography using available lighting and artificial lighting [14 and 15 June; 13 and 14 September]
  • Course 2: Candid and formal portrait photography [28 and 29 June; 27 and 28 September]
  • Course 3: On location styling (lighting, make-up, styling, posing) [16 and 17 August]
  • Course 4: Documentary portraiture (informal photography in settings) [12 and 13 July; 18 and 19 October]

 

 

 

Annie Leibovitz at the ArtScience Museum

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A walk 600 million years back in time

24 01 2014

What promises to be huge not just from a perspective of the size of its exhibits, the Dinosaurs: Dawn to Extinction exhibition will open this Saturday 25 January 2014 at the ArtScience Museum. The museum at Marina Bay Sands has once again outdone itself in bringing to Singapore an impressively well curated exhibition that provides not just a visual feast, but also one that provides an immersive and stimulating experience.

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Along the walkway.

Along the walkway.

From a media preview of the exhibition yesterday I was privileged to have been invited to, I was transported back not just to the age of the dinosaurs that the exhibition aims to take the visitor to, but also to my days of fascination as a child with the huge creatures that once dominated the earth. With some than 400 fossils and models, the scale of the exhibition is particularly impressive as is the content it provides the visitor.

Exhibits include coprolites - fossilised 'droppings' that provide insights into diets.

Exhibits include coprolites – fossilised ‘droppings’ that provide insights into diets.

Coprolites exhibited strategically outside the washrooms.

Coprolites exhibited strategically outside the washrooms.

Curated by world renowned paleontologist, Dr. Patricia Vickers-Rich, who did admit to not having that childhood fascination with dinosaurs at yesterday’s preview that most would have assumed she would have had, the ArtScience Museum’s exhibition does actually bring together exhibits from the collections of four different exhibitions. The four collections are from the American Museum of Natural History, San Juan National Science Museum, SCI! Expo at Monash University and artist Peter Trusler.

Dr. Patricia Vickers-Rich at the media preview.

Dr. Patricia Vickers-Rich at the media preview.

The exhibition is spread out over eight galleries in the museum’s basement, occupying a floor area of over 3,700 square metres is the largest exhibition there to date. It takes the visitor back not just to the age of the dinosaurs, but also to the dawn of life some 600 million years ago in the Precambrian age. This however is not before the visitor is first given an impression of the scale of the dinosaurs along the walkway to the exhibition’s entrance and being welcomed, by sound and then sight to dinner – as food for a herd of or rather four of their fossils,  upon entry.

Visitors can appreciate the scale of the larger dinosaurs along the walkway to the entrance.

Visitors can appreciate the scale of the larger dinosaurs along the walkway to the entrance.

One from herd of Herrerasaurus that greets visitors at the exhibition's entrance.

One from herd of Herrerasaurus that greets visitors at the exhibition’s entrance.

The Precambrian gallery.

The Precambrian gallery.

Beside the many imposing recreations of dinosaurs and their skeletons spanning the Triassic, Jurassic and Cretaceous periods, the highlight for me was being able to go up close to real fossils – one of which is a newly discovered fossil of an, uncovered in Argentina as recently as in September 2013. Dr Vickers-Rich was keen to also stress that it is rare that a newly discovered fossil such as this, is allowed to be moved out of its country, and visitors to the exhibition will have the privilege of seeing this (as well several other never exhibited fossils) on display for the first time.

The recently dsicovered fossil of the Adeopapposaurs.

The recently dsicovered fossil of the Adeopapposaurs.

Beside the many imposing recreations of dinosaurs and their skeletons spanning the Triassic, Jurassic and Cretaceous periods, the highlight for me was being able to go up close to real fossils – one of which is a newly discovered fossil of an Adeopapposaurs, uncovered in Argentina as recently as in September 2013. Dr Vickers-Rich was keen to also stress that it is rare that a newly discovered fossil such as this, is allowed to be moved out of its country, and visitors to the exhibition will have the privilege of seeing this (as well several other never exhibited fossils) on display for the first time. Visually, I also enjoyed a diorama in the Chapter 5 gallery, Dinosaurs: Ancient Fossils, of the American Museum of Natural History section – a recreation of the Liaoning forest, which also provides an insight to the various extinction theories.

The Liaoning forest diorama.

The Liaoning forest diorama.

Visitors can also look forward to a host of programmes and activities being held in conjunction with the exhibition including the opportunity to meet and hear from Dr. Patricia Vickers-Rich and other experts over the opening weekend (25-26 January 2014) – see below.

Very small dinosaurs such as this model of the skeleton of a foot long Chaliminia can also be seen.

Very small dinosaurs such as this model of the skeleton of a foot long Chaliminia can also be seen.

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Those intending to visit the exhibition can also download a free mobile application designed by the museum to  deepen the engagement and enhance visitor experience. The ‘Dawn2Extinction’ app is available in English and Simplified Chinese and features augmented reality experiences, animation and interactive games. The app is available for download now on iPhone 4 and 5, iPod touch, and Android phones.

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The exhibition runs from  25 January to 27 July 2014. More information and ticketing details can be found at the ArtScience Museum’s website.

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Opening weekend activities:

Special Guided Tours

(25 and 26 January 2014; 12:30pm, 1.30pm and 4:30pm; beginning at the first gallery of Dinosaurs: Dawn to Extinction)

Embark on a guided tour to explore the living habits of dinosaurs and be introduced to the extraordinary creatures that roamed the earth. Gain insight into how the paintings of dinosaurs and their surroundings displayed at the exhibition were reconstructed through leveraging scientific evidence.

Exhibition Talk – The Paleontological Camera

(25 January 2014; 2.30pm to 4pm; held at Expression Gallery, Level 4 of ArtScience Museum)

Curator Dr. Patricia Vickers-Rich and artist Peter Trusler talk about their collaboration to bring to life visuals from as far back as 600 million years ago through their “paleontological camera”.

Exhibition Talk – The Origins of Dinosaurs

(25 January 2014; 5.30pm to 6.30pm; held at Expression Gallery, Level 4 of ArtScience Museum)

Learn about the fascinating origins of dinosaurs through an illustrated talk presented by Dr. Oscar Alcober, Director of San

Programmes/Workshops:

Shadow Puppets Alive!

Visitors can try their hands at creating their own Bullockornis or Megalania shadow puppet to bring home.

A day in the life of a Paleontologist

Visitors who aspire to be or wish to understand the work of a paleontologist can take part in a hands-on demonstration. During the demonstration, members of the audience will have numerous opportunities to participate, including handling tools and specimens, cleaning fossils, identifying bones and making a plaster cast from a dinosaur’s footprint

Stop Motion Dinosaur Wipe-out!

Film and dinosaur enthusiasts can create their own stop motion animation based on one of the main theories of mass dinosaur extinction: asteroid impact, climate change or volcanic eruptions.

Dinosaur Tale

Presented by local puppet theatre company, Paper Monkey Theatre, visitors will be taken on a journey of how animal life adapted over 600 million years, presented through magical puppetry.

Sketch-a-fossil

A drawing workshop conducted by Isabelle Desjeux, a scientist turned artist, who brings fossils to life by having visitors draw them in detail and placing the art piece in a pre-historic landscape.

Sculpture Fun

Visitors can try their hands at carving their own sculpted fossil, be it a shell or bone, out of soap to bring home.






We Are Asia – Art Stage Singapore 2014

13 01 2014

An annual art fair that is always something that shouldn’t be missed in Art Stage Singapore. A platform for This year’s edition, the fourth, as with the previous editions, is very much that platform the fair has come to be in bringing together artists, galleries, curators and art curators – with that strong Asian focus.

Misdirection.

Art Stage Singapore (a photograph take at the 2012 edition), is always something to be on the look out for.

This years fair sees a format that moves away from that used in previous editions, with eight country/regional platforms: Southeast Asia, India, China, Australia, Taiwan, Japan, Korea, and Central Asia; showcased in a museum like exhibition layout that is curated by respective experts of each regions art scene.

Each year, the annual fair features a very strong Asia-Pacific presence - photographs is of Philippine artist  Geraldine Javier’s “Red fights back” at Art Stage Singapore 2013.

Each year, the annual fair features a very strong Asia-Pacific presence – photographs is of Philippine artist Geraldine Javier’s “Red fights back” at Art Stage Singapore 2013.

The largest Platform will be Southeast Asia, curated by Art Stage Singapore in collaboration with six country advisers. To look out for will be newly commissioned works from Singapore, Malaysia, Indonesia, Cambodia, Laos, The Philippines and Thailand. The fair will also see a strong local presence with 29 Singapore based galleries participating, compared to 22 in 2013. There fair this year also sees a strong representation of galleries from the Asia Pacific with 80% of the participating galleries from the region.

Art Stage 2013 (photo: Art Stage Singapore).

Art Stage 2013 (photo: Art Stage Singapore).

Among the artists who will have feature in the Southeast Asia Platform is Soe Niang (Yone Arts), who will present an installation peice, Intermission on Stage. Soe Niang, who hails from Myanmar, is one of the country’s pioneering abstract  expressionists who had produced some 10,000 “diary sketches” in his vigil throughout Myanmar’s dark days of isolationism during the reign of the military regime. The installation will see him create a series of reverse sketches on the black coated interior walls of a huge box – the size of a shipping container, through the four days of the exhibition.

Soe Niang (photo: Yone Arts).

Soe Niang (photo: Yone Arts).

A feature from Malaysia to look out for will be Justin Lim’s (Richard Koh Fine Art) There is no other paradise, a work that the artist describes as stemming “from an on-going amalgamation of social commentary and contemporary reality within the framework of symbolism and make-believe”. The project will see work in a range of media that addresses social issues in contemporary Malaysian society, touching on the subjects of racial divide, nostalgia, ethnicity and religion including Washing the obsolete in the arms of the absolute. The installation borrows from “Mandi bunga” (flower bath) ritual that was also interestingly what another Malaysian based artist, Sharon Chin, borrowed from in her recent work at the Singapore Biennale 2013.

Washing the obsolete in the arms of the absolute 165x68x70cm Fiberglass bath tub, fabric, video projection 2013

Washing the obsolete in the arms of the absolute 165x68x70cm Fiberglass bath tub, fabric, video projection 2013(photo: Richard Koh Fine Art).

More information on Art Stage Singapore 2014, which runs from 16 to 19 January 2014 at Marina Bay Sands Expo and Convention Centre, is available at the fair’s website, Art Stage Singapore, including a list of exhibitors, a guide to the fair and information on ticketing.


Photographs from previous editions of Art Stage Singapore on this site:






The Feast of Fools

24 12 2013

A scene that is one of several that celebrates the musical Notre Dame de Paris, currently playing at the MBS MasterCard Theatres, is possibly The Feast of Fools. Accompanied by the confused frenzy of movement, it is at this point that sees the introduction of Quasimodo, the well-known character of the tale behind the musical many would be familiar with from their childhoods, who in the scene is crowned the King of Fools.

Belle, one of three scenes presented during a media preview of the musical.

One of three scenes presented during a media preview of the musical, during which the popular song, Belle, was sung. The musical features Matt Laurent as Quasimodo (L) and Alssandra Ferrari (R) as Esmeralda.

It is not the Quasimodo that in the wake of Disney’s retelling of Victor Hugo’s novel that many would recognise. The same can unfortunately be said of the storyline or the lack of it in its musical version. Except for a few popular music numbers such as Belle, it would probably be better remembered for what has to be said, was a impressive display of dance.

Another scene shown during the preview - Refugees - which again was more about the dancing rather than singing.

Another scene shown during the preview – Refugees – which again was more about the dancing rather than singing.

Certainly for me, the musical did not quite live up to the hype that surrounds it. Whatever my impressions are, the musical is still quite a watchable one and certainly one that does provide some entertainment value – that is if you need some extra to distract you this Christmas season. The musical, which opened on 17 December 2013, will see its run in Singapore extended to 11 January 2014. For more information and also for ticketing, do visit the Marina Bay Sand’s page for the musical, or the SISTIC website.

Esmeralda (Alessandra Ferrari) in Live.

Esmeralda (Alessandra Ferrari) in Live.


More on the musical (from a press release from its Singapore opening):

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Singapore – 17 December 2013 – The musical spectacular Notre Dame de Paris, which has become a phenomenon around the world cutting across generations, opens tonight at the MasterCard Theatres, Marina Bay Sands, Grand Theatre. Performed for the first time in Singapore in English this majestical show tells the story of Quasimodo the Hunchback of Notre Dame, and Esmeralda the Gypsy girl, in one of the most powerful love stories in history on par with Romeo and Juliet.

Since premiering in Paris, France in September 1998, the musical has attracted audiences of more than 4 million in France alone and broken box office records in Canada, Russia, Italy, Belgium, Switzerland and South Korea surpassing 10 million spectators while combined sales of soundtrack and cast albums have reached the 10 million mark.

Notre Dame de Paris has been staged over 4000 times in 20 other countries, including Italy, Great Britain and the United States, receiving standing ovations every night.

Faithful to Victor Hugo’s classic novel Notre Dame de Paris, the show tells the emotionally charged story of the unfortunate Notre Dame de Paris Cathedral Bell Ringer, the hunchback Quasimodo, and his hopeless devotion for the beautiful gypsy Esmeralda. Phoebus, the untruthful soldier and Frollo, the priest torn between his faith to God and his desires will compete for Esmeralda’s love. While Clopin, the leader of the refugees or underclass, and Gringoire the poet will try to save Esmeralda.

The musical spectacular is the creation of lyricist Luc Plamondon and composer Richard Cocciante, whom have both won numerous awards for their work and is directed by Gilles Maheu. The English lyrics were written by Will Jennings, Oscar-winner for “My heart Will Go On” from the smash-hit film Titanic.

“It’s a well-known story which stands up on its own and doesn’t need to be explained. That’s why there are at least a dozen films based on the Victor Hugo novel, from the silent era to the recent Disney animation,” said Luc Plamandon.

Reminiscent of The Beauty and the Beast and presaging The Phantom of the Opera, Notre Dame de Paris remains a poignant and powerful myth with some of the interwoven storylines being more relevant today than ever: asylum-seekers, racism, the role of religion, the fear of the unknown and man’s place in an ever-changing world.

Riccardo Cocciante beautiful melodies will leave a long lasting impression on local  audiences. Featuring more than 54 vivid arias of operatic beauty and rock resonance, the characters are brought to life through stunning vocal performances and visual spectacle – courtesy of the show’s seven principal artistes and 24 dancers and acrobats.

The show will feature acrobatic contemporary dance choreography by Martino Muller, renowned modern dance visionary, contrasting with a beautiful love story moments to create an audience experience reminiscent of French cirque. Dancers appear to be flying across the stage under fantastic arcs, freely incorporating gymnastics, contemporary and even break dance moves into their repertoire – at one moment whirling across the floor in a series of pirouettes, and the next tumbling from a bungee rope high above the stage.

The show will be presented on a grand scale at the MasterCard Theatres at Marina Bay Sands. The modern impressionistic stage set features a 12 metre high ‘climbing wall’ representing the façade of the grand cathedral of Notre Dame as well as the famous Bastille prison in Paris. This amazing edifice is also the platform for a series of stunning acrobatic routines that will leave the audience breathless.

Notre Dame de Paris, the musical spectacular, stands out because of the masterful staging and artistic integrity of director Gilles Maheu, who has revived the 170-year old story with contemporary touches and deft inspiration incorporating choreographies by Martino Muller and costumes designed by Fred Sathal and set by Christian Ratz.

The English language album, featuring the main stars of the London production, also features guest star Celine Dion singing “Live for the One I Love”.
Hit musical, rock-show, opera, concept-album or gothic melodrama, Notre-Dame de Paris retains traditional theatrical elements while using modern staging techniques and choreography to present eternal, universal, mythical tales and themes.

About Notre Dame de Paris

  • First opened at ‘Palais des Congres’ theatre in Paris in September 1998
  • Based on the novel ‘Notre Dame de Paris’ written by Victor Hugo in 1831
  • Sell-out tours in France, Canada, England, Switzerland, Russia, Spain, America, Italy, Monaco
  • 4000 performances over 20 countries and seen by more than 10 million people.
  • The most sensational and successful musical in France, Italy, Belgium and Russia
  • Taking Europe by storm, “Notre Dame de Paris’ opened in London at the Dominion Theatre on 23 May 2000, following previews which opened on 15 May 2000.
  • According to the Guinness Book of Records, Notre Dame de Paris still holds the record as the show with the most successful first year of any musical ever produced.

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Free admission to Essential Eames at the ArtScience Museum this weekend!

8 08 2013

Marina Bay Sands celebrates National Day weekend with free admission to Essential Eames

More on the exhibition, Essential Eames: A Herman Miller Exhibition  – Essentially Eames

Fabrics designed by the Eames.

Fabrics designed by the Eames.

Marina Bay Sands will commemorate Singapore’s 48th birthday by offering free admission to its newest exhibition at ArtScience Museum from Friday, 9 August till Sunday, 11 August.  Over this National Day weekend, the admission price for Essential Eames: A Herman Miller Exhibition, will be waived for all visitors.  The daily operating hours for ArtScience Museum are 10am-10pm.

 “We’re pleased to extend this special offer to ring in National Day,” said ArtScience Museum Associate Director Ross Leo.  “Whether it’s the first time visiting our latest exhibition or a return trip to see it again, this is an experience not to be missed – and an opportunity we’re excited to make available.  We look forward to welcoming all visitors to ArtScience Museum this National Day weekend.”

The Essential Eames exhibition brings to life the story of design duo Charles and Ray Eames through over 100 of their works and images culled from the collections of the Eames family, Eames Office, and Herman Miller.  The exhibition showcases a number of rare and never-before-seen works and images. Highlights include a special chair designed for Pope John Paul II; the fun and educational toy House of Cards and groundbreaking films including ‘Glimpses of the USA’ and ‘Powers of Ten’.

Over the long National Day weekend, visitors to Marina Bay Sands can also look forward to an array of entertainment, leisure and dining options on property. All 300 boutiques and restaurants at The Shoppes at Marina Bay Sands will also be operating from 10am until midnight from 7-10 August – perfect for late-night shoppers and party-goers.

The iconic property also offers many great vantage points to view all the action from the National Day Parade on 9 August.

 The Sands SkyPark Observation Deck, located on the 57th storey of the hotel, offers an exceptional view for the public who wish to catch the fighter jets and state flag fly past, complete with fireworks display. One can also simply soak up the festivities at the outdoor Event Plaza, which offers another vantage point to view the fireworks up close while dining along the waterfront promenade.





Reflections on Marina Bay

3 06 2013

For me, the story of Singapore is very a reflection of the way in which what we call Marina Bay today, has been transformed. Once the harbour at the heart of Singapore’s early success, the bay, like it or hate it, is today a magnificent sight to behold – particularly at certain times of the day, and a celebration of the tremendous strides Singapore has taken as a nation since the tumultuous events which surrounded a somewhat reluctantly achieved independence.

Marina Bay seen through the light rain at 6.30 am on 2 June 2013.

Marina Bay seen through the drama of the rain coloured scene at first light (photograph taken at 6.30 am on 2 June 2013).

The so-called bay itself (now a fresh water reservoir) and the developments that have taken root around it, was an afterthought made possible by massive land reclamation works which were started in the early 1970s – initially to provide land for a road which would bypass the already congested city (more information on which can be found in a previous post “The Making of Marina Bay“). While it did result in the disappearance of the old harbour – one of the things which did make Singapore, Singapore, it did provide new land for development. It is perhaps because of this, it became possible to widen the scope for conservation of Singapore’s built heritage, particularly in areas of the old city such as in the Tanjong Pagar / Chinatown area and other areas which had previously been earmarked for redevelopment .





Finding out mummy’s little secrets

26 04 2013

From Saturday 27 April 2013, visitors to Marina Bay Sands’ ArtScience Museum will get to step some three thousand years back in time into the fascinating journey which is somehow filled with much intrigue and mystery that is taken by the ancient Egyptians into the netherworld.

Mummy: Secrets of the Tomb provides visitors with a journey into the Ancient Egyptian netherworld.

A funerary stela at Mummy: Secrets of the Tomb. The exhibition provides visitors with a journey into the Ancient Egyptian netherworld.

The exhibition, for which the ArtScience Museum has partnered with the British Museum which has a long association with the study of Ancient Egypt and the world’s largest collection of objects from the period, is one that not only brings artefacts such as mummies, mummy cases, and funerary objects into a museum setting, but also peels away at the veneers which reveal the many secrets associated with the Egyptian view of the afterlife. A huge bonus is the opportunity the exhibition provides to look right inside a 3,000 year old mummy, that of a high priest of the Temple of Karnak, Nesperennub, through a 21 minute 3D movie which made its debut at a media conference held at the musuem yesterday, to discover the secrets that the well preserved mummy, still tightly wrapped in its elaborately made and decorate cartonnage cage, holds.

Step into the world of Ancient Egypt at  the ArtScience Museum's exhibition Mummy: Secrets of the Tomb.

Step into the world of Ancient Egypt at the ArtScience Museum’s exhibition Mummy: Secrets of the Tomb.

The film which I thought is the highlight of the exhibition, is one that could only be made through state-of-the-art CT scanning technology. This allows a non-intrusive “unwrapping” of the mummy to be made without any damage to the cartonnage or the delicate tissues of the mummy itself and provides a better understanding of the priests life and death. The resulting 6,500 images that were produced during the extensive scanning was combined with computer visualisation techniques and made into the very insightful 3D film narrated by acclaimed actor Patrick Stewart. The film is included with the admission into the exhibition.

The mummy of Nesperennub - the subject of the 3D movie.

The mummy of Nesperennub – the subject of the 3D movie.

Mr Neal Spencer, Keeper of the British Museum; Mr Ross Leo Associate Director of the ArtScience Museum; and Mr John Taylor, Assistant Keeper of the British Museum at the media conference.

Mr Neal Spencer, Keeper of the British Museum; Mr Ross Leo Associate Director of the ArtScience Museum; and Dr John Taylor, Assistant Keeper of the British Museum at the media conference.

With more than 100 artefacts which includes 6 mummies on display, the exhibition is in itself one that will surely captivate. The printed backdrops at the first two of the five galleries, Ancient Egypt and Life in Ancient Egypt, takes the visitor into the world where the journey into the netherworld begins – the world of the living or at least the one which is visible to the living. The artefacts in these two galleries include replicas of the famous Rosetta Stone and the head of a statue of King Amenhotep III, as well as mummies of a cat, an ibis several figurines and a water receptacle and ladle that would have been used for purification rituals by a priest like Nesperennub

The Life in Ancient Egypt Gallery takes you into the world where the journey into the netherworld begins - in the land of the living.

The Life in Ancient Egypt Gallery takes you into the world where the journey into the netherworld begins – in the land of the living.

Another view of the Life in Ancient Egypt Gallery - with its huge backdrops which take you right into Ancient Egypt.

Another view of the Life in Ancient Egypt Gallery – with its huge backdrops which take you right into Ancient Egypt.

A replica of the British Museum's Head of Amenhotep III at Ancient Egypt.

A replica of the British Museum’s Head of Amenhotep III at Ancient Egypt.

A water receptacle.

A water receptacle.

The mummy of a cat.

The mummy of a cat.

And that of an ibis.

And that of an ibis.

The key of life - an ankh.

The key of life – an ankh.

A stela with the depiction of the god Amun-Ra.

A stela with the depiction of the god Amun-Ra.

The gallery which I found most intriguing is the Living Forever gallery – which looks at how the Egyptians send off the dead into the afterlife, what they provided for, and the beliefs and practices involved through the many interesting artefacts that are on display. One that was very interesting is a papyrus which is a page containing the judgement scene from the Book of the Dead – on which the concept of Judgement (a recurring theme in many religions) is seen from the Ancient Egyptian perspective where the heart which was thought to weigh as much as a person’s wrong doings upon death is balanced with a feather of truth.

A papyrus with the Judgement Scene from the Book of the Dead.

A papyrus with the Judgement Scene from the Book of the Dead.

That concept also reveals a little more about some of the objects that would be placed in the mummy such as amulets meant to protect the spirit in afterlife. Mummification which involves the removal of the dead person’s organs and the preservation of them in jars or in the time of Nesperennub, wrapped in linen and placed back in the body cavity, would have left the heart preserved in place –  the heart was thought to be the most important organ (the brain was thought to be insignificant and was drained away). Among the amulets on display are several scarab beetle shaped ones representing the heart which are placed next to the organ, including one inscribed with a verse. These are designed to protect the heart at Judgement – so that it doesn’t reveal the misdeeds of the person.

Heart amulets to protect the person during Judgement.

Heart amulets (in the shape of the scarab beetle – thought to represent the heart) to protect the person during Judgement.

Another important item found in the tomb of those of higher status is that of the Shabti – small figurines which are servants bestowed on the dead person for his afterlife – so that work on the fields could be carried out by them and a coffin in which the figurines are placed in. Interestingly we find out, a total of 401 Shabti would accompany a person into afterlife – one for each day of the year plus additional ones required by the complex system of supervisors the Ancient Egyptians had in place to manage their servants.

Shabti on display.

Shabti on display.

A close-up of the Shabti.

A close-up of the Shabti.

Also on display in Living Forever, are several Stelae, as well as a few mummies including that of the linen wrapped mummy of Shepenmehyt, the mummy of Tjayasetimu in its cartonnage case, the mummy of Padiamenet, and a model of a funerary boat – used to carry the dead of high status down the Nile. An interesting thing I learnt in hearing about the boat was the practice of burying the dead on the western side as the sun sets in the west and it was the belief that it makes a journey through the netherworld

Round-topped funerary stela.

Round-topped funerary stela of a descendant of Takelot III.

Mummy of Padiamenet showing an undecorated extension at the foot of the cartonnage.

Mummy of Padiamenet showing an undecorated extension at the foot of the cartonnage.

The inner coffin of Seni. At the time of Seni, the more well to do would have had their inner coffins encased in a stone outer coffin.

The inner coffin of Seni. At the time of Seni, the more well to do would have had their inner coffins encased in a stone outer coffin.

The mummy of Tjayasetimu in a cartonnage case, with the mummy of Shepenmehyt next to it.

The mummy of Tjayasetimu in a cartonnage case, with the mummy of Shepenmehyt next to it.

The mummy of Shepenmehyt.

The mummy of Shepenmehyt.

The model of a funerary boat with a spell translated from the Book of the Dead.

The model of a funerary boat with a spell translated from the Book of the Dead.

End of a wooden coffin.

End of a wooden coffin.

It is in one or the two remaining galleries where an interactive area – the Embalmer’s Workshop can be found. That is where exhibition-related workshops included in the price of admission, are conducted. One of the workshops, The Secrets of Embalming, provides visitors with a demonstration of the very embalming and preservation process – which together with the very elaborate mummification process can take as long as 70 days to complete.

The Secrets if Embalming Workshop.

The Secrets if Embalming Workshop.

Showing how the brain is drained through the nasal passage using a brass hook like implement.

Showing how the brain is drained through the nasal passage using a brass hook like implement.

The other workshop, Amulets for the Afterlife, is one that would interest many. The hands-on workshop provides an opportunity to make clay-baked amulets – similar to the ones placed in the mummy or in the linen of the mummy as it is wrapped to protect it in its afterlife. The younger visitors might also be interested to know of the Activity Quest – which provides children of three different age ranges with the chance to take a journey through Ancient Egypt through a series of challenges in each of the galleries, armed with quest bags filled with tools for the mission – which families or school-groups can loan during the visit. The bags are aimed at children of three different age groups: those of ages between 3 and 6, primary school children of ages 7 to 12 and secondary school going children of ages 13 to 16.

A peek into the contents of the activity filled quest bag.

A peek into the contents of the activity filled quest bag.

The last gallery, the Mummy of Nesperennub is where the story of his journey into the afterlife comes to its conclusion and where we find his mummy in a beautifully decorated cartonnage case, the coffin in which the mummy was placed in, as well as a reconstructed head of Nesperennub … a head you will find out why from the 3D movie, on which a clay bowl was attached to.

The coffin of Nesperennub.

The coffin of Nesperennub.

Detail on the painted cartonnage case of the mummy of Nesperennub.

Detail on the painted cartonnage case of the mummy of Nesperennub.

A reconstruction of the head of Nesperennub.

A reconstruction of the head of Nesperennub.

Mummy: Secrets of the Tomb exhibition is scheduled to run from 27 April to 4 November 2013 at the ArtScience Museum. For information on the exhibition and admission charges to the exhibition, do visit the ArtScience Museum’s website.  To mark the opening weekend of Mummy: Secrets of the Tomb, the British Museum’s Dr. John Taylor will conduct four guided tours and two lectures on ancient Egypt at ArtScience Museum, all of which is complimentary to exhibition ticket-holders. Through the guided tours, Dr. Taylor will provide exhibition insight and details regarding ancient Egyptians’ beliefs, customs and how they worshipped.  His lectures will include a look into the evolution of modern mummy research and an in-depth presentation on ancient Egyptian rituals.


Opening Weekend Programme:

Saturday, 27 April 2013

Curator’s Guided Tour

(11:30am and 5:30pm; beginning at the first gallery of Mummy: Secrets of the Tomb)

Join Dr. John Taylor from the British Museum as he leads you through the exhibition, revealing fascinating facts about the life and beliefs of ancient Egyptians.

Curator’s Talk

(2:30pm – 3:30pm; held on Level 4 of ArtScience Museum)

Investigating Egyptian Mummies Through Virtual Unwrapping

Dr. John Taylor from the British Museum will trace the development of mummy investigation from its early days to the non-invasive methods of today.

Sunday, 28 April 2013

Curator’s Guided Tour

(11:30am and 5:30pm; beginning at the first gallery of Mummy: Secrets of the Tomb)

Join Dr. John Taylor from the British Museum as he leads you through the exhibition, revealing fascinating facts about the life and beliefs of ancient Egyptians.

Curator’s Talk

(2:30pm – 3:30pm; held on Level 4 of ArtScience Museum)

The Horizon of Eternity: Living and Dying in Ancient Egypt

Dr. John Taylor from the British Museum will describe in detail the importance of rituals and the relationship between men and gods in ancient Egypt.

For a complete listing of dates and times with all ArtScience Museum programming, please visit: www.marinabaysands.com/ArtScienceMuseum.






A sunrise over the new Singapore

8 02 2013

Singapore has, in close to half a century of its existence as an independent nation, seen a dramatic transformation not just as a nation but in the development of the city. There is nowhere, perhaps, where the change is as striking as it is in the new city that has risen from the sea – the Marina City Centre, built on land reclaimed on what had once been the old harbour. The new world is also perhaps where some of the more dramatic sunrises over the city can be observed, particularly against the silhouettes of what has certainly become one of the most photographed places in Singapore, the very iconic Marina Bay Sands complex.

Sunrise over the new world 7.29 am 8 February 2013.

Sunrise over the new world 7.29 am 8 February 2013.





Sacks of rice, a hooded heroine and blond brooms on a Sunday afternoon

31 01 2013

Sunday begun in a pretty hectic way for me. I had what seemed like a full day by the time I welcomed the sunrise. I had woken up at 3.30 in the morning – so that I could make my way down to the Sri Srinivasa Perumal Temple for Thaipusam, an annual ritual observed by Hindus of Southern Indian origin. A spiritual journey which begins well before the day itself, it culminates in an extreme act of faith involving the bearing of a burden or a kavadi on its final leg – and one which I try not to miss. I spent a good hour and a half at the temple, crowded not just with devotees and their families and friends, but also with hundreds of curious observers and photographers, before making my way across town to the Kampong Bahru flyover, not so much for the spectacular sunrise that was always going to be a treat, but more in an attempt to capture the column of 6000 runners on the inaugural Green Corridor Run making their way down the former railway yard. Having done all that, I decided to take the rest of the morning slow and easy – before making my way down to Art Stage 2013 – an annual event which is the largest international art fair here for a calm and slow afternoon – something I was certainly thankful for.

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Art Stage 2013 which brought in over 130 galleries, the majority of which are from the Asia-Pacific, was, reading the post-event news, a huge success – it attracted  some 40 500 visitors over 5 days, and provided a platform for many emerging artists, especially from Singapore and South-East Asia to be introduced into the art world. Joining in a guided tour for bloggers’ of the fair kindly arranged by URA Marina Bay’s place management team, I was also able to get to see and (pretend to) understand the works of some of these emerging artists a little better, artists such as Zulkifli Yusoff from Malaysia whose work Rukunegara was certainly an eye-catching one which provides the artist’s take on the nation-building process.

Rukunegara 2 by Malaysian artist Zulkifli Yusoff.

Rukunegara 2 by Malaysian artist Zulkifli Yusoff.

Another eye-catching piece is an intriguing installation by Geraldine Javier entitled “Red Fights Back”. Javier who is from the Philippines retells a popular fairy tale Little Red Riding Hood through a set of images and a tree, set against a backdrop of dried leaves. Also from the Philippines, is a large mural – that of street artist Vermont Coronel Jr., entitled “High Way” which is his interpretation of the urban landscape he is most familiar with – that of Metro Manila’s major thoroughfare, EDSA (Epifanio de los Santos Avenue), a landscape that is also representative of many other urban spaces. The work involves the artist painstakingly creating stencils which is overlaid and sprayed over.

A visitor takes a close look at Geraldine Javier's "Red fights back".

A visitor takes a close look at Geraldine Javier’s “Red fights back”.

The final scene in "Red fights back".

The final scene in “Red fights back”.

"High Way" by Vermont Coronel Jr.

“High Way” by Vermont Coronel Jr.

Vermont Coronel Jr.'s work involves the use of stencils which he painstakingly creates.

Vermont Coronel Jr.’s work involves the use of stencils which he painstakingly creates.

The tour also introduced us to the work of two Thai artists, that of Anusorn Charoensuk and Maitree Siriboon, both of whom we had a chance to meet. Anusorn Charoensuk’s “World Tour” is interesting in that it involves photographs taken over a period of five years against the backdrop of paintings of popular tourist destinations – in which the subjects – members of his family, express the same joy one would expect in posing in with the actual places that are depicted. It is also interesting that in the last of the photographs that we see the image of an angel, to represent the artist’s father who had passed on when the photograph was taken. Anusorn Charoensuk’s also had an interactive installation at the fair. It was one in which he invites visitors to have a photograph taken against a backdrop of how he saw Orchard Road (without having actually seen the well-known street). Painted on a zinc sheet, the backdrop shows a building what he is able to identify with the street – that of the tower of Tang Plaza.

Anusorn Charoensuk's "World Tour" taken over a period of five years.

Anusorn Charoensuk’s “World Tour” taken over a period of five years.

An interactive part of Anusorn Charoensuk's installation which he invites visitors to have a photo taken against the backdrop - this one of Orchard Road (which he painted without having actually seen the well-known street).

An interactive part of Anusorn Charoensuk’s installation which he invites visitors to have a photo taken against the backdrop – this one of Orchard Road (which he painted without having actually seen the well-known street).

Moving on to compatriot Maitree Siriboon’s installation, open sacks of rice immediately catches the eye. The installation “Rice is Art” involves 450 kg of rice – given by rice farmers in his home village in the rice-growing Issan region of Thailand. The gift, Maitree says, represents a sacrifice made by the community which is dependent on rice harvests for a living in support of his work. The installation also involves a collection of photographs which shows the support of the rice-growing community for the creation of the installation.

Maitree Siriboon and his sacks of rice.

Maitree Siriboon and his sacks of rice.

Photographs showing the support of the community for Siriboon's efforts.

Photographs showing the support of the community for Siriboon’s efforts.

One Singapore artist whose work we were introduced to was that of Ang Sookoon. The series of works at the fair were ones that looks at items in a domestic space. ” The Waves/Waifs” is one that involves brooms made of blond hair and wood – a reference perhaps to the domesticated nature of women in society. Another piece, “Your Love is Like a Chunk of Gold”, sees crystal being grown on another familiar item in a domestic setting, bread. The piece which I most enjoyed, “Weighs Like Mine”, involved a chest of four drawers. The chest is one which encourages the view to interact with it, and in the drawers one will discover what again are familiar scenes in domestic settings.

Ang Sookoon's "Your Love is Like a Chunk of Gold".

Ang Sookoon’s “Your Love is Like a Chunk of Gold”.

Ang Sookoon's "The Wave/Waifs".

Ang Sookoon’s “The Wave/Waifs”.

Ang Sookoon's "Weighs Like Mine".

Ang Sookoon’s “Weighs Like Mine”.

Following the Southeast Asian Art Tour, I also took the opportunity to take a leisurely look around what is the third edition of Singapore’s largest international arts fair with a focus on fostering Southeast Asia artists and galleries, photographing some of what did catch my eye, not just the installations by themselves – but how visitors and gallery staff viewed and interacted with the works on display some of which follows:

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A world I would love to be trapped in

25 01 2013

One current exhibition that is certainly well worth a visit to is one that is devoted entirely to building bricks most of us would have been familiar with from our childhoods. ‘The Art of The Brick’ at the ArtScience Museum which opened on 17 November 2012 and will run until 14 April 2013, takes visitors into the world of 39 year old Nathan Sawaya, whose life-long obsession with Lego building bricks has seen him abandon his job as an attorney to devote himself to the ‘art of the brick’.

Step into the world of Nathan Sawaya at the ArtScience Museum.

Trapped, one of the brick pieces that offers a look into the world of Nathan Sawaya at the ArtScience Museum. Trapped is inspired by the artist’s feelings of being trapped. Speaking of being trapped – Sawaya’s world is one I certainly wouldn’t mind being trapped in.

I was provided with the opportunity to visit the exhibition recently by good people of the ArtScience Museum. The visit provided me not only with the opportunity to see the artist’s work, but also step into the artist’s own world seen through some of his work which includes both representative brick sculptures as well as one which explore surrealist themes in what is some of the more fascinating pieces. Sawaya’s obsession with what is indeed a very popular and timeless toy we were told began at the age of five. Not being able to get that pet dog he had wanted, Sawaya did the next best thing – he dismantled his Lego city brick set and built a dog with it which he named Boxer.

The entrance to the exhibition. The exhitbition runs until 14 April 2013.

The entrance to the exhibition. The exhitbition runs until 14 April 2013.

Sawaya decided to turn what had in his working years become a means to blow off steam. It was when he realised that his sharing of his hobby on his website brickartist.com was receiving quite a fair bit of attention that he decided to dedicate his life to being a ‘brick artist’ first joining Lego before setting up his own art gallery in New York City.

A giant FaceMask.

A giant FaceMask.

The 52 large-scale brick pieces at the exhibition are displayed across eight galleries. In the first gallery, we are introduced to the artist himself, with several pieces through which Sawaya reveals some of his personal take on himself. The gallery includes several ‘iconic’ pieces including ‘Yellow’ and ‘Swimmer’. My personal favourite among the works in the gallery is Yellow which depicts a human torso tearing its chest open. Thousands of toy bricks can be seen to spill out from the gap. The work represents the artist’s personal metamorphosis and transitions and is said to capture his emotional journey in which the artist opened himself up to the world.

Yellow - which represents Sawaya's personal metamorphosis and transitions, and captures his emotional journey.

Yellow – which represents Sawaya’s personal metamorphosis and transitions, and captures his emotional journey.

Another piece in the Introduction Gallery - 'Hands' which depicts a dream Sawaya had in which he loses his hands.

Another piece in the Introduction Gallery – ‘Hands’ which depicts a dream Sawaya had in which he loses his hands.

The seven other galleries are no less interesting. The next one we come to is the Catwalk Gallery where works are displayed on a runway like platform. Works here that caught my eye were Circle, Triangle, Square and Everlasting. Another interesting gallery is the Portrait Gallery, where there are some familiar faces in 2D – all made again from Lego bricks which I thought was rather amazing. Among the portraits are those of Jimi Hendrix, Bob Dylan, and Janis Joplin. What is interesting to learn about is the approach that the artist takes when creating a 2D portrait is that he starts off with the eyes – after which he says everything falls into place. The choice of colour is also important we are told. Sawaya, despite his talent in creating 2D likenesses of famous personalities with Lego bricks, we are also told, does not like to take on commercial commissions for 2D portraits for fear that he may offend clients should the work not come out right.

Circle, Trangle, Square in the Catwalk Gallery.

Circle, Trangle, Square in the Catwalk Gallery.

Everlasting.

Everlasting.

Close-up of a portrait of Janis Joplin.

Close-up of a portrait of Janis Joplin.

Close-up of a portrait of Bob Dylan.

Close-up of a portrait of Bob Dylan.

And one of Jimi Hendrix.

And one of Jimi Hendrix.

Our very able guide Dina, speaking on Courtney Yellow - a portrait of Sawaya's then girlfriend (and now wife) Courtney Simmons.

Our very able guide Dina, speaking on Courtney Yellow – a portrait of Sawaya’s then girlfriend (and now wife) Courtney Simmons.

Another gallery which I did take my time to look at was The Emotion Box which has pieces all of which seemed to have a deeper meaning in them. Stepping into the gallery one encounters works that are mesmerisingly fascinating such as Mask, Ascension, Grasp and Trapped. There certainly are deeper meanings that one will discover in the works. Ascension depicts the artists desire to ascend to a higher place without experiencing death, whereas, Grasp refers to the many people telling the artist ‘no’ – people he would like to rid his life of.

Mask.

Mask.

Ascension.

Ascension.

Grasp.

Grasp.

One work that will certainly impress is a six metre long one – a T-Rex skeleton at the Art of Play. The last gallery is where you will find a brick sculpture of a familiar sight – that of the ArtScience Museum itself. The piece was specially commissioned by the ArtScience Museum and was created without the artist having actually visited the museum, and purely from 2D images.

The six metre long T-Rex skeleton.

The six metre long T-Rex skeleton.

One of the ArtScience Museum.

One of the ArtScience Museum.

Peace.

Peace.

The exhibition also has several areas which allow visitor interaction, including light and sound displays, a photobooth, a Play and Build area and an area where visitors can attempt to recreate Sawaya’s rain. The exhibtion is open from 10 am to 10 pm daily (last entry is at 9 pm). More information on the exhibition and ticket prices can be found at the ArtScience Museum’s website.

Writer in The Drawing Board gallery.

Writer in The Drawing Board gallery.

Interacting with light.

Interacting with light.

Photobooth.

Photobooth.





Marina Bay in the pink

7 10 2012

Three landmarks, the ArtScience Museum, the Helix Bridge, and Marina Bay Sands Hotel, in the Marina Bay area, turned bright pink on Friday evening, coloured in a global effort that has seen some 200 well-known landmarks and monuments across the world such as the Taj Mahal, the Empire State Building and Harrods take on the same pink glow. All this is part of an initiative by Estée Lauder, the Breast Cancer Awareness (BCA) Campaign, intended to promote breast health and early detection in an effort to defeat breast cancer through education and medical research.

The ArtScience Museum awash in pink for the Global Illumination Initiative.

In its 20th year, the BCA Campaign was initiated by the late Mrs. Evelyn H. Lauder of The Estée Lauder Companies in 1992. It aims at creating a global impact to motivate women all around the world to see doctors regularly, perform monthly breast self examinations, and get an annual mammogram if they’re over the age of 40. Together with the Urban Redevelopment Authority (URA) as the official venue partner, the landmarks were illuminated at a ceremony at the ArtScience Museum which was graced by Guest-of-Honour Dr. Amy Khor, Minister of State for Ministry of Health and Manpower, Ms Grace Ban, Managing Director of The Estée Lauder Companies, and Mrs. Noor Quek, President of the Breast Cancer Foundation (Singapore).

The ever lovely Sharon Au was the host for the evening.

Ms Grace Ban, Dr Amy Khor, Mrs Noor Quek with host Sharon Au, launching the illumination.

Watching the illumination of the Helix Bridge.

A toast to the campaign.

Host Sharon Au was her usual animated self.

The ceremony with the ever beautiful Sharon Au as host had guests turning the area under the fingers of the ArtScience Museum into a sea of pink, and saw a fashion show segment in which ten breast cancer survivors including Singapore Woman of the Year 2012, Ms Theresa Tan, take to the catwalk. Also on hand was Japanese artist, Takeshi Sato, wowing the crowd by painting a likeness of Mrs. Evelyn H. Lauder on stage whilst moving in sync to music that was being played, as a tribute to her.

Takeshi Sato at work.

Ms Theresa Tan and daughter down the catwalk.

This year’s message, is Courage, Believe in a world without breast cancer. Know we’re here until its true. It highlights The Estée Lauder Companies’ 20-Year commitment to defeating breast cancer through education and medical research and celebrates the life and legacy of BCA Campaign Founder and Pink Ribbon co-creator, Mrs Evelyn H. Lauder.

The Helix Bridge lit up in pink.

The campaign this year also sees for the very first time, an online charity auction, which was launched on 26 September to raise funds for the Breast Cancer Foundation, Singapore. For the auction, many local celebrities have donated personal items. One is Michelle Chong, who donated a dress her character wore in Already Famous. The items also includes those donated by Andrea de Cruz, socialite Leonika Kei, model Serena Adsit and popular mandarin radio DJ Lim Peifen. Bids for the items can be placed online via The Estēe Lauder Companies’ microsite at www.bca2012auction.com. Bidding will close on 31st October 2012. Apart from celebrity donated items, the auction will also feature various luxury items and services donated to raise more money for the charity.





Step into a world of wizards, spells and strange creatures

3 06 2012

Knowing how fanatical fans of Harry Potter can be, many would have looked forward to yesterday’s opening of Harry Potter: The Exhibition at the ArtScience Museum. The exhibition, making its debut in Asia, is one that gives visitors not just a firsthand look at hundreds of costumes and props that were actually used on set for the series of Harry Potter films, but an experience of Harry Potter’s world – the exhibits are placed in immersive themed settings inspired by Hogwarts locations that transports the visitor right into them. I had a glance at all this – even though I would not say I am a fan, on Friday – before the exhibition actually opened … I was among a group, who were provided with an exclusive tour of it organised by the kind folks of the ArtScience Museum for a select group that included a group of fans and several lifestyle bloggers. That not only allowed me to see the exhibition before the crowds descended on it, I also had the privilege of hearing all about the exhibition straight from the horse’s mouth so to speak – the exhibition’s creator, Mr Eddie Newquist, led the tour – with the enthusiasm of an excited child showing off a prized toy I must say. Accompanying Mr Newquist was the ArtScience Museum’s Executive Director, Mr Nick Dixon.

My introduction to the world of Harry Potter at the ArtScience Museum.

The tour was preceded by a briefing and Q&A session during which we were introduced to Mr Newquist and Mr Dixon. There was also a surprise in store especially for the fans present – two very popular members of the cast, identical twins James and Oliver Phelps, who played the Weasley Twins – Fred and George, made an appearance and were kind enough not only to take questions, but also pose for photographs with the lucky fans present.

The identical twin pair of James and Oliver Phelps who played the Weasley twins in the Harry Potter films are in town for the opening of Harry Potter: The Exhibition at the ArtScience Museum.

Mr Dixon (extreme left) with the Phelps twins and Mr Newquist.

Wizard wannabe, host Dominic Lau, waving an imaginary wand ….

The tour soon followed. We headed down to the B2 level of the museum where the entire floor has been devoted to the exhibition. Stepping through into the exhibition, it is the Sorting Hat that the visitor encounters – that put the few who volunteered in their places (the hat places entrants to Hogwarts – the school of wizardry in which Harry is enrolled in and where his adventures centre around, in one of the school’s four houses). We next walked into a mist. And, as a figure with a lamp beckoned us through, the shape of a locomotive becomes visible – that of the Hogwarts Express. That, signalled the commencement of the journey into a magical fantasy world of wizards, spells and strange creatures … a world that until now, only existed to me on the movie screens.

Harry, Ron and Hermione beckoning the visitor into the passageway that leads to the entrance …

I soon found myself totally absorbed in Harry’s world, surrounded by not just its paraphernalia, but also by the places we would have found them in: the Gryffindor common room, Hogwarts classrooms, the Forbidden Forest and the Great Hall … It would certainly be a thrill for many to get up close to many familiar items which include in the Gryffindor Boys’ Dormitory, Harry Porter’s and Ron Weasley’s bunk beds, their trunks, costumes, wands … Harry’s ‘personal’ items here include his acceptance letter into Hogwarts, the Marauder’s Map and the pair of glasses that he wore …

Harry Potter™ and Ron Weasley™ costumes and artifacts that appeared throughout the Harry Potter films © Warner Bros. Entertainment Inc.

Harry Potter’s eyeglasses, Hogwarts™ acceptance letter, the Marauder’s Map and his wand © Warner Bros. Entertainment Inc.

There are many opportunities along the way for interaction with some of the exhibits – pull a Mandrake from its pot in the Herbology vignette, toss a Quaffle in the Quidditch area, and tour Hagrid’s hut – where one can have a feel of sitting in Hagrid’s armchair. I found Hagrid’s hut particularly enchanting, and in it was easy to imagine that I was in the fantasy world expecting Hagrid to walk through at any moment.

Recreation of Hagrid’s hut © Warner Bros. Entertainment Inc.

Costumes worn during a Quidditch™ match © Warner Bros. Entertainment Inc.

Pull your own Mandrake in the Herbology vignette © Warner Bros. Entertainment Inc.

There is also an opportunity to come face-to-face with many of the magical creatures in the Forbidden Forest like Buckbeak the Hippogriff, a Hungarian Horntail dragon, centaurs, and a giant Acromantula. The Buckbeak prop we were told was a study model that could nod to allow the cast to get acquainted with the creature – most of the footage involving Buckbeak used was generated through computer animation. The study model we were also informed has tens of thousands of feathers that were actually put in by hand.

Buckbeak™ the Hippogriff as seen in Harry Potter and the Prisoner of Azkaban™ © Warner Bros. Entertainment Inc.

A trip to Harry Potter’s world would of course not be complete without a walk on the dark side in the Dark Forces gallery … where Voldemort and his death eaters await … Six of Voldermort’s Horcruxes – including, for the first time in the exhibition, Nagini, his serpent and Tom Riddle’s diary can also be found here. There is also that chance for the visitor to hear Voldemort’s spine-chilling voice calling out to them, if they find themselves in the right spot when in the dark side …


Harry Potter: The Exhibition, is created by Global Experience Specialists, Inc. (GES) in partnership with Warner Bros. Consumer Products, will be displayed at ArtScience Museum at Marina Bay Sands from 2 June 2012 through 30 September 2012. For tickets and more information, visit www.marinabaysands.com/artsciencemuseum. Exhibition specific information can be found at ArtScience Museum’s Harry Potter: The Exhibition webpage.






The Weasley Twins are in town!

2 06 2012

The highly anticipated Harry Potter exhibition will open at the ArtScience Museum today. In town for the opening are James and Oliver Phelps, identical twin actors who played the Weasley twins in the Harry Potter series of films, props from which will be on display at the exhibition. More soon to follow …

The identical twin pair of James and Oliver Phelps who played the Weasley twins in the Harry Potter films are in town for the opening of Harry Potter: The Exhibition at the ArtScience Museum.





Soup, Luncheon Meat, Lychees and a Last Supper at the ArtScience Museum

1 05 2012

Love them or hate them, the works of Andy Warhol are without a doubt some of the most recognisable art pieces produced in second half of the 20th Century. There is also little doubt of the impact that the enigmatic Warhol has had during his lifetime on the visual arts scene. However, beyond the iconic imagery that he is synonymous with, particularly of cans of Campbell’s Soup – there is very little that I myself have of the artist and I took the opportunity to learn more of the artist who would otherwise remain a mystery to me at the Andy Warhol: 15 Minutes Eternal exhibition now on at the ArtScience Museum, to which the good folks at the museum were kind enough to extend an invitation to me.

The Andy Warhol 15 Minutes Eternal exhibition is on until 12 Aug 2012. © 2012 The Andy Warhol Foundation for the Visual Arts, Inc. / Artists Rights Society (ARS), New York and Marina Bay Sands.

Warhol, I was to learn from the expert guide who took the group of us through the exhibition, did have that air of mystery about him – not by accident but by design. Visitors learn of this soon after stepping through the very pink entrance where on a TV screen, a video of an interview Warhol did in his early years is shown. The artist does not say much in his responses – his attempt, I found out, to remain mysterious as a means to achieve fame, having been driven by an obsession Warhol had with the pursuit of fame and fortune.

It is in stepping into the exhibition proper from this first introduction to Warhol that I was to understand more about the man behind the mask Warhol had on, as the visitor is able to walk through the various stages of his life and get to know and understand the artist better through the works that he produced at each stage in Warhol’s career as an artist. The exhibition, held in the year which marks the 25th anniversary of Warhol’s death in 1987, ends on 12 Aug 2012 and has brought in over 260 paintings, drawings, sculptures, film, and video of Warhol’s works – the first time, such an extensive collection of his works is seen in Singapore. The exhibition, the title of which is in fact derived from Warhol’s famous “15 minutes of fame” quote – in which he said “In the future, everybody will be world-famous for fifteen minutes”, is sponsored by BNY Mellon and organized by The Andy Warhol Museum in Warhol’s home town of Pittsburgh.

Gold Leaf Shoe - inspired by gold leaf used in the creation of religious icons of the Byzantine Catholic faith that Warhol's parents practiced. © 2012 The Andy Warhol Foundation for the Visual Arts, Inc. / Artists Rights Society (ARS), New York and Marina Bay Sands.

The first gallery “Early Years” – 1940s to 1950s looks at the early potential that Warhol exhibited as a child and the influences on his artistic development as well as the early years of his career. It is here that I learnt more of Warhol’s background … that the bright pink of the exhibition’s entrance was no accident. The son of working class Slovak immigrants, Warhol born Andrew Warhola, spent long periods of his school-going years at home. He had been afflicted with St. Vitus Dance – a disease that attacks the nervous system, which left large pink blotches on Warhol’s skin fuelling his infatuation with the colour pink.

Although lacking at first in style, Warhol did show enough promise however to prompt his family to support him through the School of Fine Arts at the Carnegie Institute of Technology, following which he was to taste early success as a commercial illustrator. Attracted by his endeavour, a quality he learnt from his hardworking immigrant parents, as well as by the whimsical nature of his work which challenged the norm, Warhol had by the time he was 27 been engaged by several famous brands including Vogue magazine. His endeavour also rewarded him with a job with I. Miller to create advertisements and shop displays for their famous collection of shoes. That earned Warhol the reputation of ‘Shoe Man’. Beyond illustrations, Warhol experimented with print techniques – something which he would later exploit for commercial gain, developing his own blotted line print technique.

Campbell's Soup. © 2012 The Andy Warhol Foundation for the Visual Arts, Inc. / Artists Rights Society (ARS), New York and Marina Bay Sands.

Images of celebrities. © 2012 The Andy Warhol Foundation for the Visual Arts, Inc. / Artists Rights Society (ARS), New York and Marina Bay Sands.

Silver Factory. © 2012 The Andy Warhol Foundation for the Visual Arts, Inc. / Artists Rights Society (ARS), New York and Marina Bay Sands.

The next gallery, “The Factory Years” – 1960s, examines Warhol’s transition from commercial art to business art. It was during the decade that Warhol moved into Pop-Art – an art form in which imagery associated with popular culture such as advertising, comic books, and brand products is reproduced. Here his early pieces – a wallpaper of cows set against a bright yellow background and ‘cardboard’ boxes made from wood stacked to create a scene inside a warehouse are seen which initially received a poor reaction. It was the iconic Campbell’s Soup cans that were to bring Warhol success – an idea that apparently wasn’t Warhol’s but of a female friend who suggested that Warhol, then short of inspiration, should produce images of something he saw everyday which would be recognisable to everyone – “like a can of Campbell’s Soup”.

It was during this time, that Warhol employed the silkscreen printing – a technique he picked up at the start of the 1960s – as a means similar to the blotted line technique that he could use to mass produce images for commercial gain. This also allowed Warhol to extensively use assistants to do the work – freeing him to pursue what was to become an unfulfilled desire to become famous as a fine art artist. Warhol would also extend the use of silkscreen printing to reproductions of photographs – mainly of celebrities with whom he had a fascination for, including Jackie Kennedy, Marilyn Monroe and Elizabeth Taylor.

The gallery is where visitors are introduced to the Silver Factory a reproduction of Warhol’s New York studio in the 1960’s – covered entirely with foil. The Silver factory allows visitors to dress up and be “a star for 15 minutes” with a photo booth to capture the experience. From a reproduction of the couch from the Silver Factory, visitors would be able to watch avant-garde films produced by Warhol.

Time Capsule. © 2012 The Andy Warhol Foundation for the Visual Arts, Inc. / Artists Rights Society (ARS), New York and Marina Bay Sands.

The next gallery, “Exposures” – 1970s takes the visitor through the decade during which Warhol worked extensively on commissioned portraits using Polaroids to photograph celebrities, to fund an interest in experimental film. It is also interesting to learn that Warhol, although not a hoarder, collected various items that represented various periods of his life in the 1970s. Warhol started creating “time-capsules” with the items – creating a total of some 612 capsules which he housed in brown cartons – one of which visitors would be treated to a view of.

The Last Supper. © 2012 The Andy Warhol Foundation for the Visual Arts, Inc. / Artists Rights Society (ARS), New York and Marina Bay Sands.

We move into the final years of Warhol’s life next in “The Last Supper” – 1980s. Having achieved great success, Warhol next ventured into television media as well as dabbled with a diverse range of art. One work which caught my eye was The Last Supper – not that I could comprehend the depiction of religious imagery with symbols of consumerism. The piece, one of his last before an untimely passing from complications after a routine gall bladder operation, was considered to be have made a monumental impact in the industry.

The visit to the exhibition does not end with the last of the artist’s works. There is a little more to be discovered – not of Warhol’s works, but of works in which Warhol might have had an influence on a quarter of a century after his passing. What certainly will catch the attention of the visitor are the series of Ma-Ling Luncheon Meat and Lychee cans, very much in the fashion of the Campbell Soup cans that Warhol popularised – with a little twist. The Pork Luncheon and Lychee series are the works of one of three South East Asian artists, Jahan Loh from Singapore, being featured in a specially curated segment. This segment aims to highlight the influence of Andy Warhol on Southeast Asian modern and contemporary art in the display of over 16 selected works that draw on common themes and techniques made famous by the iconic Pop Artist. The two other artists whose works are featured are Ibrahim Hussein (Malaysia; 1936-2009) and Jirapat Tatsanasomboon (Thailand).

SEA Art Work inspired by Warhol - from Jahan Loh's Pork Luncheon and Lychee series. © MAD, Museum of Art & Design.

As an added treat, visitors to the exhibition can also participate in a Silkscreen Printing Workshop (information is available the tha ArtScience Museum’s website. A session at the workshop was specially arranged for the group I was in as well at which I was able to get to try my hand at the technique that Warhol so successfully employed. With the apron that was definitely a necessity for me, and with a squeegee in hand – I managed to produce a print of a portrait of Warhol, at the same time learning more about the technique – something that definitely completes the experience that the must-see exhibition provides of Andy Warhol and his work.

Visitors can try their hand at silkscreen printing.

The silkscreen.

The finished print.

Andy Warhol: 15 Minutes Eternal will run from 17 March 2012 until 12 August 2012. This exhibition is part of the Asian tour that will travel to five cities over 27 months starting in Singapore. It will then move on to Hong Kong, Shanghai, Beijing and finally Tokyo in 2014. Tickets for the exhibition can be purchased on the ArtScience Museum website and all Marina Bay Sands box offices.