Tanjong Pagar after dark

27 08 2015

It has been a little more than four years since the lights went out on Tanjong Pagar Railway Station. Left to the ghosts that are said to haunt it, the former station sees the occasional return of the living, as it did on Tuesday evening, when I got to see it again after dark with its ghosts scared off by the lights, sounds and action of the first of a series of this year’s Singapore International Festival of Arts’ (SIFA) Dance Marathon nights being held at the station.

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The evening, which had Japanese Ambassador Haruhisa Takeuchi hosting a small reception and introduce Archivist-Choreographer Mikuni Yaniahara as a Japan Cultural Envoy, saw two dance performances, starting with Yaniahara’s Real Reality at the main hall and followed by Yukio Suzuki’s Lay/ered on the tracks. The double-bill was the first of four dance evenings that are being held at the station. The three other evenings are on 28 August31 August and on 4 September.

The Ambassador of Japan, His Excellency Haruhisa Takeuchi.

The Ambassador of Japan, His Excellency Haruhisa Takeuchi.

Mikuni Yanaihara.

Mikuni Yanaihara.

The former station, intended as a grand terminal and a gateway to oceans, was built in 1932 and is thought to have been modelled after Helsinki’s Central Station. Gazetted as a National Monument in April 2011, it has been left empty since the Malayan Railway’s moved its southern terminal to Woodlands in July of the same year. The building, once the property of the Malaysian government through the Malayan Railway or Keretapi Tanah Melayu (KTM) in more recent times, bears many reminders of the links Singapore had to Malaya throughout much of its history.

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The future of the well-loved monument, at least for an interim twenty year period before the port nearby begins a journey to the west (port operations are being moved to Pasir Panjang and eventually to Tuas), is now on the drawing board. As one of two special interest areas, for which a concept design proposal is being sought under Stage 2A of a Request for Proposal (RFP) for the Rail Corridor, the five teams shortlisted are required to suggest an interim re-purposing of the former station. The former station is seen as a gateway to the Rail Corridor, and it is a requirement of the RFP that any proposed reuse will allow the public to have “unfettered access so that they can appreciate the heritage of this building and its surroundings”.

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Submissions for the stage should have already been made. We should have some inkling of what the teams have in mind with a public exhibition of shortlisted submissions scheduled for October this year. More information on this can be found at the Rail Corridor RFP information site.

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A public bath on the museum’s front lawn

28 10 2013

In what is probably a first in Singapore, some 100 people were seen to be taking a very public bath together at the National Museum of Singapore’s (NMS) front lawn on Saturday evening. The public display of cleansing was actually carried out as part of the Singapore Biennale 2013 on its opening weekend – a public performance put up by Malaysian artist Sharon Chin named Mandi Bunga, which literally means Flower Bath.

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Taking a flower bath, although not necessarily a public one in a crowd, is actually a ritual practiced across much of east Asia – as a means to cleanse body and soul of evil and ill luck, or as I was told in my younger days, to “buang suay” or throw out bad luck. The idea for the performance did in fact come from a call to cleanse, one which the Bersih movement in Sharon’s country of origin calls for, with the artist dreaming it up in 2012 after her experience of two Bersih street rallies – hence the yellow that is prominent throughout the display that is seen in the basins used as well as in the sarongs which the participants wore.

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While what most of us got to see was the public display, the 100 or so participants did actually attend workshops which were carried out on several weekends preceding during which participants got to design their sarongs for the event. The performance also involved the participants gathering at another Singapore Biennale venue, the Singapore Art Museum (SAM) – assembling at the courtyard where school assemblies (when the buildings were used by the original occupants, St. Joseph’s Institution) had once been held. The participants then walked in their sarongs over to the NMS.

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While the performance – at which all involved seemed to have tremendous fun at, is a one evening event, the project’s process and outcomes have been documented and will be installed at SAM for the Singapore Biennale which runs until 16 February 2014. More information on the Singapore Biennale 2013 can be found at the event’s website.

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Cross cultural cross dressing

14 08 2012

Spotted last week at a void deck in one of Singapore’s housing estates – an ang mo man in a nonya kebaya. And, if you are as puzzled as the little girl in the photograph is as to what this is all about, do stay tuned … all will soon be revealed …