Except perhaps for the haze and the heavy downpour, the scene at the Chee Chung Temple at MacPherson Road last evening would have been one typical of any of the temple’s festival evenings with a stage erected to provide entertainment for the evening’s heavenly guest. It was however the last time the evening’s performers, the Sin Sai Poh Hong (新赛宝丰) puppet troupe, will be seen on stage. One of only two Teochew rod puppet troupes in Singapore, the Sin Sai Poh Hong has now gone into retirement having played out their final act at last evening’s birthday celebrations for the Monkey King (or Monkey God).
Acts such as these put on by street opera and puppet troupes, while intended for the deities, served also to provide entertainment for the masses. They were a means by which cultural and social values were transmitted from one generation to the next in the days of low literacy levels and before television invaded our living rooms.
Teochew rod puppetry, which has very elaborately made puppets skillfully manipulated by iron rods, are a more recent introduction (early 20th century) to the street theatre scene in Singapore. The tradition is however thought to go back several centuries in southern China. Sadly, it along with other genres of street theatre once common in Singapore, seem now to have little place in a Singapore that wants to know little of its past and it may only be a matter of time, before the last curtain falls on a form of entertainment that once brought entire communities out onto the streets.