Nights out during the ghost month

19 08 2016

If you are not being kept indoors by what traditionally is a time of the year during which one hesitates to venture out into the dark, you should take a pause this and next weekend from trying to catch’em all to catch this year’s edition of the Singapore Night Festival. This year’s festival, revolves around the spirit of innovation with its theme of Inventions and Innovation and will be an enlightening experience with light installations and performances inspired by fantasy, and science fiction as it is be invention.

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As with recent editions of the much anticipated festival, this year’s, the ninth, is laid out across five zones, each packed with installations and performances that will certainly light up one’s weekend. Besdies those I  had a chance to have a peek at listed below, there are several rather interesting installations, performances and goings-on during the nights of the festival. Installations and performances to look out for include: Invasion by Close-Act (Netherlands)A Kaleidoscope of Spring by NAFA (Singapore)The Story Box by A Dandypunk (US)Les AquamenS by Machtiern Company (France)Into Pulsar by Ryf Zaini (Singapore), and The Peranakan Museum Variety Show by Main Wayang (Singapore).

Members of Main Wayang.

Members of Main Wayang.

Once again, a party atmosphere will descend on Armenian Street, the difference being that the roar of Harleys will be heard with Rrready to Rrrumble! by Harley Davidson Singapore, Mod Squad and Speedzone (Singapore) – recalling perhaps the roar of the hell riders who once tore down nearby Orchard Road and Penang Road.

There are also no shortage of opportunities to indulge in food and even shopping with Eat @ Festival Village and Shop @ Festival Village. The offerings by Steamhaus (Halal) and The Ugly Duckling, which I had a chance to savour, are particularly yummy. For those who like it sweet, sinful and frozen, do look out for Husk Frozen Coconut.

For the brave, there also is a Night Heritage Tour by National Parks Board. Registration is required for this. As of the time of writing, tours for the first weekend are booked up and only slots for 26 August are available. Along with these, there are also items being put up by the partners of the Bars Basah Bugis precinct such as PoMo, Prinsep Street and Rendezvouse Hotel, including a free Movie Nights at Rendezvous Hotel. There will also be a chance to go behind the scenes with some of the artists and participate in workshops  in Behind the Night.

The festival runs over two weekends on 19 and 20 August and on 26 and 27 August 2016. More information on the festival and programmes on offer can be found at at festival’s website.


JOURNEY, Feat soundtrack by Ed Carter  | NOVAK (United Kingdom)

Front Lawn, Singapore Art Museum
19, 20, 26, 27 August 2016, 7.30pm – 2am | 21 – 25 August 2016, 7.30pm – 11pm

Journey by NOVAK, which is inspired by the world of Jules Verne.

Journey by NOVAK, which is inspired by the world of Jules Verne.

A dynamic projection-mapping performance inspired by the world of Victorian novelist Jules Verne, known for his creation of a world reflecting the future of Victorian invention and fantasy. NOVAK reinterprets seven of his novels to create a unique adventure dynamically projection-mapped to fit the façade of SAM, including an exploration of Singapore’s art and culture. Highlighting the use of invention to enable adventure, the viewer will be taken on a magical adventure through a series of scenes, each depicting a different landscape, relating to the environments that feature so vividly in Verne’s classic novels.

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The Wheel House | Acrojou (United Kingdom)

Mainground (near National Museum of Singapore)
19 and 20 August 2016 | 8pm – 8.25pm, 9.25pm – 9.50pm, 10.50pm – 11.15pm

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A “tender, post-apocalyptic love story”, The Wheel House is a unique, rolling acrobatic theatre show, which unfolds inside and around a stunning circular home as it travels with the audience walking alongside. The enchanting story is set in a gently comic dystopian future at a time where survival depends on sharp eyes, quick hands and, above all, friendship. Join these traveller-gatherers on the road to nowhere: treading lightly, enduring quietly and always moving onwards.


KEYFRAMES | Groupe LAPS (France)

National Museum of Singapore Façade
19, 20, 26, 27 August 2016, 7.30pm – 2am | 21 – 25 August 2016, 7.30pm – 11pm

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Through micro-stories weaved upon the stately National Museum of Singapore facade, KEYFRAMES offers narration in the city – urban stories where bodies and their movements play main roles. Part animation and part moving sculpture, the LED figures and their routine imbue static buildings with energy and excitement. This new installation – part of the KEYFRAMES series – brings glimmers of the past to life.


HOUSE OF CURIOSITIES | Sweet Tooth by CAKE (Singapore)

(Ticketed Performance)

Cathay Green (field opposite The Cathay)
19, 20, 26, 27 August 2016 | 6pm – 8pm, 8.30pm – 10.30pm, 11pm – 1am

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Tickets are available for purchase from 27 July onwards via SISTIC or at the door (while stocks last)
Adults: $16 (inclusive of $1 SISTIC fee) | Concession: $13 (inclusive of $1 SISTIC fee) Students (full time, with valid student pass issued by enrolled institution), senior citizen (60yrs and above, with valid identity pass showing proof of age), NSF (with valid 11B pass)

The House of Curiosities is an event featuring performance, activities and more. Based on the storyline of The Mechanical Heart, it is a story of adventure, curious man-made machines and the wonderful capacity of the human mind and spirit to discover and invent. Professor Chambers is a celebrated explorer and inventor. With his son Christopher, he builds a time machine that takes them on an expedition to find crystal caves in the subterranean depths. On the journey back, a monstrous octopus attacks them, injures Christopher and escapes. The devious octopus is a man-made contraption, but who is behind it? Find out in this exhilarating performance.


:Samara | Max Pagel & Jonathan Hwang

Armenian Church
19, 20, 26 and 27 August 2016, 7.30pm – 2am | 21 – 25 August 2016, 7.30pm – 11pm


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:Samara reflects on the duality of progress and sacrifice. What are we willing to give up in order to advance? Sometimes we regret accepting the cost of progress and try to recreate past experiences that have been lost forever. Inspired by the loss of the artist’s favourite tree, :Samara is an interactive illuminated tree sculpture created to give closure to a lost space. :Samara invites us to reflect on the authenticity of using modern technology to recreate what we lose in our fast-changing environment. At the same time, it gives us the opportunity to acknowledge and let go of these losses.

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The tree, lost to development at Paya Lebar Central, that inspired :Samara. 


Shifting Interactions | LASALLE College of the Arts

Glass Atrium, Level 2, National Museum of Singapore
7.30pm – 2am (dance performance at 8pm – 11pm) 21 – 25 August 2016 | 7.30pm – 10pm

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Tying together electronic media, sculpture and dance, LASALLE College of the Arts presents Shifting Interactions, a performance installation. Dancers will traverse a dynamic performance space dotted with a series of static and animated objects. Conceptualised as a durational and improvised performance piece, participants will shape, change and vitalise the space over time through sound, light and movement.


Singapore Night Festival 2016 ‘Tap to Donate’ | Xylvie Huang (Singapore)

Platform, Level 2, National Museum of Singapore
19, 20, 26, 27 August 2016 | 7pm – 12.30am 21 – 25 August 2016 | 7pm to 10pm

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The Singapore Night Festival is turning ten next year and we would like you to join us in “building” the 10th Singapore Night Festival!

Come by the National Museum at level 2 from 19 to 27 August 2016, make a donation of $2 by tapping your ez-link card and you will be given a LEGO brick to add on to a wall installation of LEGO Bricks by Singapore artist Xylvie Huang. All donations go towards “building” the Singapore Night Festival 2017.

Help build our Singapore Night Festival LEGO Wall Installation (located on Level 2 of the National Museum of Singapore) with four easy steps:

1. Tap your ez-link Card

2. Collect your LEGO brick

3. Build on the wall installation of LEGO Bricks

4. Collect your Candylious candy and watch the wall being built

The first 250 festivalgoers who ‘tap to donate’, gets a generic designed ez-link card (of no loaded value)!

This programme is supported by Ms Xylvie Huang Xinying, Brick Artist, EZ-Link, Wirecard and Candylicious.






The Singapore Garden Festival 2016

28 07 2016

The sixth edition of the Singapore Garden Festival is back! Running from from 23 – 31 July 2016 at the Gardens by the Bay, this year’s event covering an area of some 9.7 hectares, is the largest ever. The highlight of the festival is probably at The Meadow. Here visitors will be treated to eye-catching creations by some of the world’s gardening greats including the nine Landscape Show Gardens, six Fantasy Show Gardens, fourteen Floral Windows to the World and five Balcony Gardens – all of which are crowd favourites.

My favourite landscape show garden - The Treasure Box by Inch Lim of Malaysia.

My favourite landscape show garden – The Treasure Box by Inch Lim of Malaysia.

Modern Day Maui - a Fantasy Show Garden by Adam Shuter of New Zealand.

Modern Day Maui – a Fantasy Show Garden by Adam Shuter of New Zealand.

Another favourite will have to be the burst of colours in the Flower Dome provided by the Orchid Extravaganza. On display are a rich heritage of orchids that will provide an appreciation of what the world’s most diverse botanical family has to offer.

An award winning Rawdon Jester 'Great Bee' at the Orchid Extravaganza at the Flower Dome.

An award winning Rawdon Jester ‘Great Bee’ at the Orchid Extravaganza at the Flower Dome.

More unusual orchids.

More unusual orchids.

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A host of other displays and activities are also lined up for the festival including a Learning Garden, a Landscape Design Challenge featuring teams of students, the World Of Terrariums which sees more than 100 creative displays of terrariums put up by students, hobbyists and community gardeners. There is also a Vibrant Marketplace in the non-ticketed area to look out for. This sees over 100 booths offering both sustenance and items such as plants, gardening and landscape products and services, and arts and crafts.

A pineapple plant, one of the many useful plants - kitchen-wise at the Learning Garden.

A pineapple plant, one of the many useful plants – kitchen-wise at the Learning Garden.

The festival also features a photo and an Instagram contest.  The “Tropical Floral Wonderland” Photography Contest offers prizes such as a Nikon D750 kit set, Nikon D7200 (18 – 105mm) kit set and Nikon D5500 (18 – 55mm) kit set. To enter, photos should be submitted by email to sggardenfest@gmail.com by 1 August 2016. For mobile phone photographers, uploading a photo to Instagram with the hashtag #sggardenfest (post has to be set as public) or via the contest page on the SGF Facebook page during the Festival period, will qualify entrants for a chance to win Nikon COOLPIX S7000 cameras.

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The festival runs until Sunday. More information, including ticketing can be found at the Singapore Garden Festival website.


More photographs from the festival:

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More Fantasy Gardens – Mystical Depths by Hugo Bugg of the UK.

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A Garden in a Flower, a Fantasy Garden by Michael Petrie of the US.

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Dare to Dream, a Fantasy Garden by John Tan and Raymond Toh of Singapore.

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Another crowd favourite – Nature’s Resolution, a Fantasy Garden by Stefano Passerotti of Italy.

Power of the Earth, a Fantasy Garden by Katsuhiko Koga and Kazuhiro Kagae of Japan.

Power of the Earth, a Fantasy Garden by Katsuhiko Koga and Kazuhiro Kagae of Japan.

Another view of Modern Day Maui.

Another view of Modern Day Maui.

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The Sugarcane Maze – a Landscape Garden by Kong Jian Yu of China.

The Sugarcane Maze - a Landscape Garden by Kong Jian Yu of China.

Another view of the Sugarcane Maze – a Landscape Garden by Kong Jian Yu of China.

Back to Nature - a Landscape garden by a South African / New Zealand team.

Back to Nature – a Landscape garden by a South African / New Zealand team.

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Benny’s Sunflower Farm.

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Gary’s Musical Flower Field.

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Another view of Gary’s Musical Flower Field.

Winter Wonderland.

Winter Wonderland.

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A Balcony Garden.

Galaxy Floristic - Floral Windows into the World.

Galaxy Floristic – Floral Windows into the World.

Another Floral Windows into the World display.

Another Floral Windows into the World display.

A Celebration Floral Table.

A Celebration Floral Table.


More photographs from the Orchid Extravaganza:
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Cate Blanchett visits a gem of an exhibition in Singapore

23 04 2016

A gem of an exhibition – literally, Van Cleef & Arpels: The Art and Science of Gems, opens at the ArtScience Museum today.  Brought in by the famed Parisian house of high jewellery, with the participation of the French National Museum of Natural History, the drool-worthy exhibition see over 400 of Van Cleef & Arpels’ exquisite works of love as well as 250 minerals from the Natural History Museum’s extensive collection.

Model of the Varuna Yacht, c. 1907.

Model of the Varuna Yacht, c. 1907.

Founded in 1906, the Maison’s beginnings is in itself a work of love, following on the 1895 marriage of Estelle Arpels – the daughter of a dealer in precious stones to Alfred Van Cleef, the son of a lapidary and diamond broker. Together with Estelle’s brothers, they opened their first boutique at 22 Place Vendôme – an address that the house maintains to this day in serving a clientele that has over the years included the likes of Maharajahs, Queens, Princes and Princesses.

A replica of the crown created by the Maison for the coronation of Empress Farah Pahlavi of Iran.

A replica of the crown created by the Maison for the coronation of Empress Farah Pahlavi of Iran.

The house’s rich history is one of the main themes of the exhibition, an introduction to which is given to visitors as they enter. The entrance is also where one of the Maison’s iconic pieces and one of my favourite pieces at the exhibition, a pendant with a flying bird carrying a huge 96.62 carat yellow diamond once owned by Polish opera singer and socialite, Gianna Walska, is showcased. The piece, commissioned by the then new owner of the diamond in 1971 to celebrate the birth of her son, adorned the cover of the Van Cleef & Arpels catalogue in 1972, where it was seen flying over the Place Vendôme. The piece is also transformable – a feature in many of the house’s pieces with the bird becoming a pair of winged earrings and the diamond worn as a pendant.

An iconic masterpiece, Van Cleef and Arpels' Bird Clip and Pendant, which features a 96.62 carat yellow diamond once owned by Polish opera singer Gianna Walska, greets visitors to the exhibition.

An iconic masterpiece, Van Cleef and Arpels’ Bird Clip and Pendant, which features a 96.62 carat yellow diamond once owned by Polish opera singer Gianna Walska, greets visitors to the exhibition.

Beyond the bird that flew over the Place Vendôme, the exhibition proper is arranged across eight galleries, which are all full of delight and discovery, seven of which have displays of Van Cleef and Arpels’ creations arranged according to seven themes: Couture, Abstractions, Influences, Precious Objects, Nature, Ballerinas and Fairies and Icons.   Each gallery also contains a parallel exhibition relating to the science of precious stones and feature gems and minerals from the French National Museum of Natural History’s renowned collection. These are arranged according to eight themes, representing the Earth and the seven major principles critical to the formation of precious stones: Pressure, Temperature, Transport, Water, Oxygen, Life and Metamorphism.

A 21,560 carat blue topaz crystal from the French National Museum of Natural History's collection.

A 21,560 carat blue topaz crystal from the French National Museum of Natural History’s collection.

One of the largest uncut black diamonds to be found.

Also from the French National Museum of Natural History’s collection – one of the largest uncut black diamonds to be found.

A diamond encrusted in a stone.

A diamond encrusted in a stone.

Amongst the seven galleries, one that I found particularly interesting was Influences in which the fascination Europe had with the orient that started in the 1920s, is seen in the pieces on display – some of which are very recent creations.

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Griffon Clip, 1971 with amethysts, coral, emeralds, diamonds on gold.

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Dragon vanity case, 1923.

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Dragon mystérieux clip, 2013 featuring garnets, emeralds, Mystery set rubies, sapphires and diamonds on gold.

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Carpe Koi bracelet watch, 2014.

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Table Clock, 1957.

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Egyptian Inspiration Bracelet, 1924, which features sapphires, rubies, emeralds, onyx and diamonds on platinum.

An especially delightful gallery is Ballerinas and Fairies, featuring ballerina clips that were born out of Louis Arpels’ passion for dance dating back to the early 1940s. The dainty and exquisitely crafted clips feature gemstone laden tutus  – which have grown shorter with time. The clips also have very fine details in the rose-cut diamond faces crowned with headrests of precious stones and gemstone dancing shoes.

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The dainty Ballerinas and Fairies clips will delight any visitor.

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Another area worth dwelling (not that the others aren’t) has to be the last gallery, Icons. Here is where several the icons  of the twentieth century ranging from royalty and to stars of the silver screen, have icons of the Maison created for them, displayed. This part of the collection includes several pieces made for the Duchess of Windsor, Princess Faiza of Egypt and starlet turned princess, Grace Kelly of Monaco.

A 1929 collaret created for Princess Faiza of Egypt - on display for the very first time.

A 1929 collaret created for Princess Faiza of Egypt – on display for the very first time.

There are also several programmes being held in conjunction with the exhibition to look forward to including a talk at 2pm today on gemology and artistry. Punlic guided tours are also available on 23, 24, 29, 30 April and 2, 6, 8 13, 15, 20 and 27 May, 3, 10 , 17 and 24 June. A workshop on gemstones is also being held. The exhibition runs until 14 August 2016. More information on the exhibition, as well as a downloadable audio app, can be found at: The Art and Science of Gems website.

A surprise visitor to the exhibition - the beautiful Cate Blanchett.

A surprise visitor to the exhibition – the beautiful Cate Blanchett.

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The wild rose minaudière, 1938, inspired by a cigarette box.

The wild rose minaudière, 1938, inspired by a cigarette box.





The red tongued dog reinterpreted

7 04 2016

Unveiled last night – a limited edition of Ang Ji Gao (红舌狗) as Guinness Foreign Extra Stout has come to be known locally.

Hokkien for “Red Tongued Dog”, Ang Ji Gao is a reference to the wolf mark placed that has been found on Guinness Singapore edition’s labels since the 1880s. On sale for a period of two months or whilst stocks last, the labels for the limited edition’s bottles and cans will feature a reinterpretation of the red tongued wolf mark. Created by local artist Ben Quek, the mark is being decorated with illustrations of what Ben sees as all things Singaporean. Among the illustrations Singaporeans will identify with are those of the red plastic chair now found in many of Singapore’s coffee shops and one of the most commonly used expressions when it comes to good food and drink, “shiok”.

Presenting the limited edition Ang Ji Gao.

Presenting the limited edition Ang Ji Gao.

Interestingly, the wolf mark points to the manner in which Guinness first arrived on our shores; not as Guinness but as Blood’s Brand stout in the 1860s distributed by Blood, Wolfe and Company- a Liverpool based bottler.

Wolf Brand 1922 Advert

Branding for the now famous stout had then have been left to bottlers, who also established the distribution networks that gave the stout a worldwide reach. Blood, Wolfe and Company, who had networks that spread to British controlled Southeast Asia and Oceania, re-branded the stout as Wolf Brand in the 1880s using now well recognised red-tongued wolf’s head as its mark. The use of animals would then have been common in trade marks as they allowed for easy identification and recognition by a then largely illiterate populace. The wolf’s head mark had become so identifiable in Singapore that when Guinness reclaimed the distribution and branding of its Foreign Extra Stout in the 1950s, it decided to keep the mark on its labels.

Blood Wolfe Neck Label 1896 (source: Guinness Singapore Facebook Page).

Blood, Wolfe and Company Guinness Stout Neck Label 1896 (source: Guinness Singapore Facebook Page).

The launch of the limited edition also coincides with the production of a coffee table book, for which Guinness has collaborated with Humans of Singapore. Titled “Men of Singapore”, the book features 25 stories of men who embody the values of generousity, authenticity, innovation, courage and supportiveness. The book, which will be made available in the public libraries, will also be given out during promotions and contests on the Guinness Singapore Facebook Page.

Showing at the Projector last evening.

Showing at the Projector last evening.

Guinness will also be running promotions during the period with up to $60,000 worth of home furnishing vouchers up for grabs. Under three tabs Simply purchase Guinness Foreign Extra Stout bottles in coffeeshops or cans in supermarkets for a chance to win. More information on this can also be found on the Guinness Singapore Facebook Page.
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The last Green Corridor Run

6 03 2016

The last Green Corridor Run, which attracted some 11,000 runners, took place this morning. The run takes participants over a 10.5 kilometre stretch of the disused railway corridor from Tanjong Pagar Railway Station to Bukit Timah Railway Station.

Held annually since 2013, the run will have to be discontinued after this year’s edition due to the closure of the Rail Corridor from the 2nd quarter of 2016 to allow work on the Murnane Pipeline Project to be carried out. More information on the closure can be found in a previous post: In the pipeline – a partial closure of the Rail Corridor

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More photographs from the 4th Edition of the Green Corridor Run

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A peek at i Light Marina Bay 2016

4 03 2016

The sea of light that descends once every two years on Marina Bay, i Light Marina Bay, is back for a fourth time.

The 2016 edition of i Light Marina Bay, following which the festival will make its return on an annual basis, runs from 4 to 27 March. With 14 out of its 25 installations created locally along the lines of the festival theme ‘In Praise of Shadows’, this edition sees the largest turn out of local artists to date.

As with previous years, the festival invites visitors to take a walk of discovery around the futuristic Marina Bay area around which the installations are scattered. There will also be much to do beyond admiring the artwork with lots of fringe events and activities on offer, including the opportunity to indulge in one of Singapore’s favourite pastimes, eating.

Fringe events to look out for include a craft beer festival, CRAFT Singapore and the Singapore International Jazz Festival – both of which run from 4 to 6 March, PasarBella Goes to Town from 11 March to 3 April, flea markets, activities for kids including a kids fiesta and fairground rides with Uncle Ringo. Workshops and community activities will also be held during the period. More information on all of this can be found on the festival guide which can be downloaded at http://www.ilightmarinabay.sg/-/media/Files/i-Light/Festival-Guide.ashx and also at http://www.ilightmarinabay.sg/Discover/Festival. More information on the festival and installations can also be found at the i Light Marina Bay event website.


Some i Light Highlights

What a Loving, and Beautiful World by team-Lab (Japan)

What a Loving, and Beautiful World - a projection on the ArtScience Museum, which invites viewers to 'swipe' Chinese characters onto the museum's facade using a web application.

‘What a Loving, and Beautiful World’ – a projection on the ArtScience Museum, which invites viewers to ‘swipe’ Chinese characters onto the museum’s facade using their mobile devices through a web application found at http://www.ilight.team-lab.com.

About the installation:

First carved in tortoiseshell, ox and deer bone, and bronzeware, Chinese characters were said to each contain their own world. Projected on the facade of the ArtScience Museum, viewers can participate by ‘swiping’ the Chinese characters onto the facade of the building using a web application. The result is a colourful, multi-sensory experience that continuously evolves as images are released from these Chinese characters, while influencing and changing each other within its own immersive, computer-generated world.

More at : http://www.ilightmarinabay.sg/Discover/Installations/What-a-Loving-Beautiful-World


Lampshade by Snøhetta (Norway)

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About the installation:

Lampshade is made of simple bamboo structures covered in photovoltaic cells to prevent sunlight from entering its interior in the day, while lighting up intensively at night with solar energy enough to power a thousand lamps. The installation challenges the perception of artificial light as an element that is dependent on its energy source, and invites visitors to discover links in harnessing sunlight and the eventual electric light.

Made to be both socially and environmentally friendly, the lamps used in this installation will be donated to off-grid communities after its display while the bamboo structure and its light fixtures will be recycled as construction scaffolding.

More at : http://www.ilightmarinabay.sg/Discover/Installations/Lampshade


Moon Haze by Feng Jiacheng & Huang Yuanbei (China)

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About the installation:

Beyond its delightful representation of the full moon, Moon Haze also functions as a monitoring system for air pollutants, picking up and responding to the ambient air quality – the better the air quality, the brighter the installation. In the same space occupied by the moon, people and the environment, the collective effects of these individual parts on one another are integrated and expressed, showing their close relationship and inseparability.

More at : http://www.ilightmarinabay.sg/Discover/Installations/Moon-Haze


Shadow Bath by Loop.pH (United Kingdom)

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About the installation:

Shadow Bath is a luminous inflated bathhouse with coloured light and air casting spectacular patterns inside and out, bathing visitors in dynamic patterned shades. The pneumatic form is a mathematical toroidal space, signifying the geometry of the universe.

During certain periods, visitors will be able to enter the bathhouse for a unique light show. During normal times, visitors can observe the form from the outside as it casts its patterned moiré shadows far and wide like a huge lantern.

More at : http://www.ilightmarinabay.sg/Discover/Installations/Shadow-Bath


Cycle House by Hafiz Osman (Singapore)

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About the installation:

Cycle House is a mobile workstation combining temporary shelter and cycling. The mobility of this shelter represents a sense of nomadic livelihood of a wanderer, being adaptive to new environments and with a desire to search for new adventures. Two cycle houses have been created: the stationary house invites visitors to cycle to light up the piece while expressing their ideas of exploration by drawing on the canvas wall; the mobile house brings a more energetic, disco-themed performance to the bay.

About the More at : http://www.ilightmarinabay.sg/Discover/Installations/Cycle-House


TORRENT by Brandon Tay (Singapore)

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About the installation:

TORRENT is a site-specific interactive installation that aims to transport users into a dreamlike landscape. As users walk past the screen, they find their movements reflected on a screen against an icy landscape, as if a virtual shadow with a swarm of trailing particles, with their motions mirrored but their forms vague.

More at : http://www.ilightmarinabay.sg/Discover/Installations/Torrent


Bolt by Jun Ong (Malaysia)

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About the installation:

Inspired by the form and behaviour of lightning, the installation comprises an intricate network of LED tubes resting on steel legs that flare up when touched. Bolt not only mimics the ethereal nature of lightning, but also allows people to experience direct visceral connections, creating an emotional ‘spark’ that seems to be diminishing in today’s virtually-connected world.

More at : http://www.ilightmarinabay.sg/Discover/Installations/Bolt


Angels of Freedom by OGE Group, Gaston Zahr & Merav Eitan (Germany & Israel )

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About the installation:

Five sets of giant, colourful wings invite visitors to come close and interact with the symbolic angels. This installation seeks to remind visitors of their true selves and to always remain connected to loved ones and those who matter.

More at : http://www.ilightmarinabay.sg/Discover/Installations/Angels-of-Freedom


Lightscape Pavilion by MisoSoupDesign (Taiwan)

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About the installation:

Inspired by traditional Chinese lanterns, Lightscape Pavilion is made of simple, natural materials. Its bamboo lattice is designed to resemble a traditional lantern and its responsive glow serves to unite people under its canopy. The transparency and subtlety of the pavilion places emphasis and focus on the aesthetical beauty of its surroundings and inhabitants instead of its own self. As visitors move closer to its columns, its glow intensifies, as if to symbolically draw strength from the proximity of a human spirit.

More at : http://www.ilightmarinabay.sg/Discover/Installations/Lightscape-Pavilion


Groove Light by Department of Architecture, School of Design and Environment, National University of Singapore (Singapore)

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About the installation:

Groove Light generates geometric shadow patterns when a point light source is shone through five 3D printed lanterns, creating a carpet of light giving physical dimension – in the complex forms of the lanterns – to virtual projections. The suspended lanterns are positioned with precision to create a continuous lightscape which visitors can modify by moving the lanterns.

More at : http://www.ilightmarinabay.sg/Discover/Installations/Groove-Light


Some other things to look out for:

Pop-up Royal Tea Salon by Häagen-Dazs at the Promontory

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Must try at the Royal Tea Salon are Häagen-Dazs’ Spring collection of flavours including the Royal Milk Tea – a blend of fresh and sweet Darjeeling tea and strong, malty and honey-like Assam tea.


KamPONG

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An initiative by Innoverde that invites passersby to have a game of of ping pong on locally designed and custom fabricated tables. KamPONG is located at Mist Walk, close to where the Uncle Ringo rides are located. More information on KamPONG can be found at http://innoverde.com.sg/kampong/.

 





Carless in the city

29 02 2016

It wasn’t a typical Sunday morning in Singapore’s Civic District. Freed of cars and the normal motorised traffic, claim to the streets was laid instead by hundreds of cyclists, joggers, walkers and roller-bladers for what was Singapore’s first Car-free Sunday.

The first of six car-free Sundays planned for the last Sunday of each month from February, the initiative aims to promote a car-lite culture in Singapore. Organised by the Urban Redevelopment Authority (URA) in partnership with the National Parks Board (NParks), National Arts Council (NAC), Health Promotion Board (HPB) and Sport Singapore (SportSG), the event also saw a buzz come to some of the Civic District’s public spaces.

One public space that came alive was the newly completed Empress Lawn at Empress Place. The lawn, part of a Civic District public space enhancement drive initiated by the URA, was a venue for temporary food stalls  and mass exercise sessions – the food stalls perhaps a reminder of days when good and affordable food – now missing from much of the Civic District, had been one of the draws of the Empress Place area.

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A closed St. Andrew’s Road at first light.

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Representatives from the organisers together with Coordinating Minister for Infrastructure and Minister of Transport, Khaw Boon Wan and Minister for National Development, Lawrence Wong on the steps of City Hall for the flag-off.

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Car-free Anderson Bridge.

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Robinson Road, which was partially closed.

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On Robinson Road. Minister Khaw Boon Wan and Minister Lawrence Wong who both cycled two rounds around a car-free circuit.

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The dogs had their day too.

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The flag-off for the Love Cycling in Singapore group.

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URA CEO Ng Lang and Francis Chu of Love Cycling Singapore at the flag-off.

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Temporary tables and benches set up at Empress Lawn.

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The buzz at Empress Lawn.

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Mass aerobics at Empress Lawn.

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Mr Khaw Boon Wan at Empress Lawn.

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Public art on the lawn – giant saga seeds.

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A roller-blader, a jogger and a cyclist coming down St. Andrew’s Road.








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