(Re)Discovering Old Changi Hospital

14 09 2018

Registration is closed as all slots have been taken up

Look out for next visit in the series to the Garrison Churches of Tanglin on 3 Nov 2018.


Pre-registration is necessary – no walk-ins will be permitted. As a condition for the visit, the Singapore Land Authority (SLA) requires a unique registration (with a unique name and particulars) for each participant, who should be of age 18 and above.


“Discovering Singapore’s Best Kept Secrets” makes a return to Old Changi Hospital on 29 September 2018 (9.30 to 11 am). The visit, aimed at those who missed the one last year, will provide participants with a rare opportunity to take a peek inside the former hospital and also learn about its much misunderstood past (sorry to disappoint you, but contrary to popular belief. nothing really much happened here during the Japanese Occupation – the hospital, when the Changi Garrison was used as an extended POW camp was set up at Roberts Barracks).

The former hospital, well regarded by RAF personnel and their families, traces its history back to 1947 when the RAF set it up in the newly established Air Station, RAF Changi. Two blocks built in the 1930s for the Royal Engineers’ Kitchener Barracks, were used. A new building was added in the 1960s. One of the things that the hospital was then well known for was its very busy maternity section.

The pull-out of the British forces in late 1971, saw it come under the command of the ANZUK Forces as the ANZUK Military Hospital. It briefly became the UK Military Hospital in 1975 with the withdrawal of the Australian ANZUK contingent. The Singapore Armed Forces then ran the hospital in 1975/76 before it was handed over to the Ministry of Health. It was operated as Changi Hospital from 1 July 1976 until it closed in January 1997.


Visit details
(All spaces have been taken up and registration is closed)


More on its history : A wander through old Changi Hospital

Photographs from last year’s visit: A visit to Old Changi Hospital


“Discovering Singapore’s Best Kept Secrets” guided State Property visits are organised by Jerome Lim, The Long and Winding Road, with the support of the Singapore Land Authority (SLA).

More on the series:


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Lighting the Mid-Autumn up

6 09 2018

Lighting this year’s Mid-Autumn Festival is the story of Chinatown, as is interpreted by the Kreta Ayer-Kim Seng Citizens’ Consultative Committee – the organisers of the annual Chinatown Mid-Autumn Festival. Centred around the theme of “Our Chinatown, Our Mid-Autumn” the celebrations this year aims to recapture images of Singapore’s Ngau Cheh Sui / Gu Chia Chwee in the 1950s and 1960s as well as the lives of the Chinese immigrants in the area.

Central to the celebrations is the OfficiaL Street Light-up, which will brighten the streets of the “Greater Town” – as Chinatown was also referred to in the past in the various Chinese languages – from 8 September to 8 October 2018. The light-up features more than a thousand lanterns including a 10-metre tall centrepiece, a Chinese junk, at the meeting of New Bridge Road / Eu Tong Sen Street with Upper Cross Street. There are also some 168 sculptured lanterns depicting some of the more visible trades-people of Chinatown’s past such as Samsui women, coolies, street hawkers and rickshaw-men; as well as 1288 lanterns made to resemble paper accordion lanterns over New Bridge Road, Eu Tong Sen Street and South Bridge Road. An additional 180 hand-painted lanterns with orchids, peonies and hydrangeas will also decorate South Bridge Road.

As usual, there will also be a host of activities during the month long celebrations, the highlights of which are an attempt to set a new Singapore record for the number of oriental masks worn at the same time, the regular street bazaar, nightly stage shows – with dragon dances during the weekends, and a Mass Lantern Walk. There is also a new night event this year – the Singapore Culture and Heritage Trail – Cantonese Chapter: “Reliving the Yesteryears Once More”. Over two nights, on 21 and 22 September, participants are taken back in time to the colourful night markets of the Chinatown of old. There is a particular focus on the Cantonese, whose presence was in Chinatown and there is an opportunity to taste lost-in-time Cantonese cuisine as well as a getai.

More information at : http://chinatownfestivals.sg/.


A sneak peek at this year’s Official Street Light-up:


 





Expect an electrifying finale to the Singapore Night Festival this weekend

22 08 2018

The Singapore Night Festival draws to a close this weekend with several not-to-be-missed performances, including one that is quite literally electrifying. That, The Duel by the Lords of Lightning, takes place on Cathay Green and sees a high voltage battle fought with bolts generated with century old technology that takes the form of a Tesla coil.

The Duel by Lords of Lightning.

Other performances to look out for are the enchanting FierS à Cheval by the Compagnie des Quidams, Automatarium by David Berga and Elements – Water by a local Urban Dance company Six.5.

FierS à Cheval by the Compagnie des Quidams.

Automatarium by David Berga.

The performances take place on the evenings of 23, 24 and 25 August. Do note that 100% bag checks will be carried out at the Festival Village and Cathay Green and festival-goers are advised to head over to the festival bag-lite.

Elements – Water By Six.5.

More information on the performances can be found at :

https://www.nightfestival.sg/programmes

See also : Night Lights.


Performance Highlights


Automatarium By David Berga
23 Aug to 25 Aug
8:00 PM – 9:00 PM, 10:00 PM – 11:00 PM
Queen Street

     


FierS à Cheval By Compagnie des Quidams
23 Aug to 25 Aug
7:45 PM – 8:15 PM (Capitol)
9:15 PM – 9:45 PM (NMS/SMU Sch of Economics & Social Sciences)
10:30 PM – 11:00 PM (SMU Sch of Infosystems/Queen Street)

 


 

The Duel By Lords Of Lightning (UK)
23 Aug to 25 Aug
7:45 PM – 7:51 PM, 9:15 PM – 9:21 PM, 10:30 PM – 10:36 PM

 


 

Elements – Water By Six.5
23 Aug to 25 Aug
8:00 PM – 8:10 PM, 10:15 PM – 10:25 PM (23rd Aug);
7:30 PM – 7:40 PM, 8:40 PM – 8:50 PM, 10:00 PM- 10:10 PM (24th Aug);
7:20 PM – 7:30 PM, 9:45 PM – 9:55 PM (25th Aug)





Night Lights at the Singapore Night Festival 2018

16 08 2018

A sneak peek at some of the Night Lights installations for the Singapore Night Festival, the 11th edition of which starts properly on Friday 17 August.

Running until 25 August, the festival features light installations (switched on over the festival period) and performances that will take place from 23, 24 and 25 August across 5 zones.

Some of the eye-catching installations, which are featured below, are Pulse at Armenian Church (the model will only be at the display on the 23, 24 and 25 Aug), Aquatic Dream at the National Museum Lawn, The Search and World of Wearableart at the National Design Centre and Before the Word at Chijmes.

More on the festival can be found at www.nightfestival.sg.


AQUATIC DREAM

BY AUDITOIRE & LEKKER ARCHITECTS, CO-PRESENTED BY PUB, SINGAPORE’S NATIONAL WATER AGENCY

National Museum Lawn

https://www.nightfestival.sg/nightlights/detail/aquatic-dream-by-auditoire-and-lekker-architects

 


PULSE

BY GALINA MIHALEVA, HEDREN SUM, PAT PATARANUTAPORN, KATHRIN ALBERS, AUDREY NG

Armenian Church

https://www.nightfestival.sg/nightlights/detail/pulse


THE SEARCH

BY THE SEARCH PARTY

&

WORLD OF WEARABLEART™

(NZ)

both at the National Design Centre

https://www.nightfestival.sg/nightlights/detail/the-search-by-the-search-party

https://www.nightfestival.sg/nightlights/detail/world–of–wearableart-nz

A WOW piece entered by Maria Tsopanaki and Dimitri Mavinis, who now design for the likes of Lady Gaga.


BEFORE THE WORD

BY PIERRE RANZINI & CRISTINA DI PASQUALI (FR)

CHIJMES

https://www.nightfestival.sg/nightlights/detail/before-the-word-by-pierre-ranzini-and-christina-di-pasquali-fr


 





Singapore Garden Festival 2018

22 07 2018

The Singapore Garden Festival, always a stunningly visual spectacle, is back from 21 July to 3 August 2018. This year’s festival, the seventh to be held, includes exhibits from some 40 local and international garden and floral designers as well as a display of orchids in the Flower Dome – the Orchid Extravaganza – displayed in a Peranakan flavoured setting created under the direction of filmmaker Royston Tan. The Orchid Extravaganza, which runs until 22 August, features a huge display of 14,000 orchids of 120 varieties.

African Thunder – Fantasy Gardens Best of Show by Leon Kluge.

Highlights of the festival include 13 Fantasy and Landscape Show Gardens, 13 Floral Windows to the World, 1 non-competitive Floral Windows to the World Installation featuring a kaleidoscopic display of blooms created by Natasha Lisitsa and Daniel Schultz, 8 Balcony Gardens, a Learning Garden and an ASEAN Garden.

1 of 8 Balcony Gardens.

More information:

Information on ticketing:

A Landscape Show Garden.

Another Landscape Show Garden.

A Floral Windows to the World display.

Another Floral Windows to the World display.

Another Floral Windows to the World display.


Orchids Galore at the Peranakan Themed Orchid Extravaganza

(and SOGA Orchid Show 21 – 29 Jul)


 





Revisiting the Singapore of the Malay film industry’s golden age

7 02 2018

The Malay Film Productions (MFP) at Jalan Ampas was one of a pair of production houses that entertained a generation of Singaporeans and Malayans. Established by the Shaw Brothers’, the MFP is especially well known. It was where the legendary P. Ramlee made his name, excelling not just as an actor but also as a singer, songwriter and director. Lending his range of talents were to a series of films, his popularity has endured to this day, more than four decades after his sudden and premature passing in 1973.

Main gate to No. 8 Jalan Ampas.

The recent run of State of Motion 2018: Sejarah-ku, organised by the Asian Film Archive, renewed a consciousness for Jalan Ampas. P. Ramlee’s career there coincided with the golden age of Malay cinema – a time when the production of Malay movies was at its most prolific. Besides the screening of films of the genre, a guided tour also plotted a return to the MFP, albeit to its closed gates beyond which the buildings of the former studios stand quite forgotten. The tour, one of two – the other an offshore tour – with which locations where outdoor scenes in several MFP productions were visited, permitted a recall not only of the scenes, but of a Singapore forgotten if not for the movies. Site specific art installations were also presented at the sites, expressing the memories that also lay embedded in the locations .

Participants listening to CLOSURE / TUTUP by Wu Jun Han outside the gates of No. 8 Jalan Ampas.

Standing outside gates at Jalan Ampas, I found myself transported to the confrontational scenes that were enacted at that very gateway by Wu Jun Han’s recording, Tutup or Closure. The scenes, captured in the movie Mogok (Strike), although set in the Eveready  factory, were actually inspired by a strike that took place at the studios that same year involving 120 MFP employees.  The spot was also a location for another movie, the hit comedy Seniman Bujang Lapok,  which P. Ramlee directed and played a leading role in. This inspired a second installation along Jalan Ampas, Izzad Radzali Shah’s Wayang Terbiar (The Theatre that was Left Behind). A diorama of a mini threatre with scenes from the movie depicted, it seems almost altar-like in appearance.

Wayang Terbiar.

I was particularly drawn to Mintio’s Penghibur Hati-Lara (Solace for the Heart) installed just off Tanah Merah Besar Road. The work takes its title from a line in a lullaby “Kau penghibur hati-lara” (you are solace for my painful heart) sung in the film Darah Muda by the female protagonist to her baby in the seaside setting provided by the promenade at the end of Tanah Merah Besar Road. Anticipating separation, the line also suggests a sense of yearning that the artist also intends to evoke with her piece and its location between Changi Prison and the Airport – both sites of separation. The seaside promenade is now buried under a Changi Airport runway. Having been part of an area in which some of my most treasured memories of childhood were made, the artwork also evoked a sense of great longing and of loss in me.

Penghibur Hati-Lara at Tanah Merah Besar.

The former Kangkar Fishing Port, the location for scenes in the 1958 movie Sri Menanti, also provided a setting for Boedi Widjaja’s Path. 9, ))) ) ) )). The artwork, separated from the audience by the Serangoon River is bridged by the sounds of the flute, exploring the divide that the main characters in Sri Menanti faced in their attempts to bridge a cross-religious and cross-cultural gap in finding romance.

Once where a scene of Kangkar’s fishing colourful fishing fleet would have greeted the eye.

The mainland tour’s two other sites were at seaside (or former seaside) locations. At Punggol, the sea provided a backdrop for the scenes from Isi Neraka (Sinners to Hell) that inspired Salleh Japar’s Sulh-I-Kull (Universal Tolerance). The Shaws’ former seaside villa was used as a symbol of the individualism brought about by materialism and wealth in P. Ramlee’s Ibu Mertua Ku. P. Ramlee’s character in the movie violently blinds himself after he realises the circumstances in which he regained his sight after a previous spell of blindness. It is this loss of sight that the site’s installation, Tan Peiling’s 0.25 Seconds before an Image is Void, provides a response to.

The former seaside villa of the Shaws at which Liz Taylor was hosted on her visits here.

I was also able to join the offshore tour, which included a visit to Pulau Ubin – off which Pulau Sekudu or Frog Island lies. The rocky islet, a popular spot once for photo shoots, served as locations for Hang Tuah (1956) and Hang Jebat (1961). A central theme in the two movies is loyalty, betrayal and feudal authority. That is played out in the final fight scenes that both movies feature, which pitted 15th century pair of warriors – one-time close companions. The questions of the loyalty, betrayal, brotherly love, rage and desire expressed during the fight are what Akulah Bimbo Sakti’s Cinta Tuah Jebat examines. The artwork, a live performance accompanied by a recorded audio playback takes place on a beach on Ubin and within sight of Sekudu. More on State of Motion 2018: Sejarah-ku, which runs until 11 February 2018 can be found at https://stateofmotion.sg/2018/.

Pulau Sekudu, where the final fight scene in Hang Tuah and Hang Jebat was filmed.

Cinta Tuah Jebat (The Love of Tuah and Jebat).

 





Discovering Singapore’s Best Kept Secrets: The house on Admiral’s Hill

1 09 2017

Update
1 September 2017 4.25 pm

Registration for the event has been closed as of 1621 hours, 1 September 2017. All slots have been taken up.

Do look out for the next visit in the series, which will be to the former Central Police Station (Beach Road Police Station) scheduled for 7 October 2017 at 10 am to 12 noon. More details will be released two weeks before the visit.


The fifth visit in the Discovering Singapore’s Best Kept Secrets State Property Visits at takes us to the only tenanted property in the series, Old Admiralty House, at 345 Old Nelson Road, Singapore 758692. This visit is supported by Furen International School (FIS), the property’s occupant, and the Singapore Land Authority (SLA).

Visit details
Date: Saturday 16 September 2017
Time: Session 1: 9 to 9.45 am; Session 2: 10 to 10.45 am
Address: 345 Old Nelson Road, Singapore 758692
Participants should be of ages 12 and above.

Registration link for Session 1, 9 to 9.45 am:
https://goo.gl/forms/9Iom36FbbYfsLSFb2

Registration link for Session 2, 10 to 10.45 am:
https://goo.gl/forms/3TGG1oy2ppyyNUMh1

Registrations are on a first-come-first-served basis and will close for each session when all spaces are taken up.


JeromeLim-9465s

Old Admiralty House, perched atop the last forested hill in Sembawang.


Background to Old Admiralty House

JeromeLim-1568

The façade of the lovely Arts and Crafts Movement inspired house.

Conceived at the end of the 1930s as one of three intended residences for the most senior commanders of the British military’s three arms, the lovely Arts and Crafts styled house sits atop a hill situated at the edge of the Admiralty’s massive Naval Base. Meant to house the Commander of His Majesty’s Naval Establishments in Singapore, it only saw one as resident before the war broke out. It became the residence of the Flag Officer, Malayan Area as ‘Nelson House’ in September 1948 and then the residence of the Commander-in-Chief (C in C), Far East Station, as ‘Admiralty House’ in 1958 until the pullout of British forces in 1971.

Admiralty House become the residence of the Commander of the ANZUK Force post pullout. As part of a visit to ANZUK forces, Queen Elizabeth II and the Duke of Edinburgh had lunch at the house during a visit to Singapore in 1972.  As the official residence of the ANZUK forces commander (only two were resident), it became known as ANZUK House. Following the withdrawal of the Australian forces from the ANZUK arrangements in 1975 saw the keys to the house passed to the Singapore government.

Much has happened since the house left the service of the military. It opened as restaurant and guest house in 1978. In 1988, plans were announced to turn the building and its grounds into a country club with a caravan park. This use was however rejected and it was relaunched in mid 1989 as the Admiralty Country House. The house and its grounds would eventually play host to a country club, Yishun Country Club, in 1991. From 2001 to 2006, it became the Karimun Admiralty Country Club, during which time the building was gazetted as a National Monument (in 2002). It is slated to become part of the planned Sembawang Integrated Sports and Community Hub after FIS vacates it in 2020.

More on the history of the house can be found at: An ‘English Country manor’ in Singapore’s north once visited by the Queen.

(See also: Abodes of Singapore’s military history, The Straits Times, 6 October 2016)

JeromeLim-2163

Windows into the past.