Yishun and its links to a 1847 secret society attack off Batam

21 12 2021

Yishun is a satellite town in modern Singapore with a reputation for being in the news for the wrong reasons. It does seem that this may also have been the case in its earliest days — at least as the settlement that the town traces its roots to. The settlement would eventually to be known as “Nee Soon”, Yishun’s name in Teochew and the name of a since-erased village that through its association with the illustrious Lim Nee Soon in the early 20th century, was named after him.

Yishun, on the left bank of what is today Lower Seletar Reservoir. The reservoir was created through the construction of a dam across the mouth of Sungei Seletar.

Located on what could be thought of as the left bank of Sungei Seletar — now Lower Seletar Reservoir, Yishun occupies one of several riverine areas of Singapore that attracted pioneering pepper and gambier planters in Singapore’s earliest days as a East India Company factory (or some say even before). The early planters were almost exclusively from the Teochew dialect group, and had links to the secret societies whose assistance and protection were essential to survival in the early days. The secret societies were however, also a constant source of trouble, with violence often being used as a means towards resolving disputes.

A beautiful sight along the Springleaf Park Connector, this now spruced up upper section of the Sungei Seletar permitted the area to be accessed and provided for its development for gambier and pepper cultivation.

In 1847, the discovery of six boats armed with cannons along with a huge cache of arms in a plantation by Sungei Seletar by a police party, led to them to the arrest of Neo Yang Kwan (Neo Liang Quan). Neo, who was described to have been of “doubtful character”, had come over from the Riau islands and was affiliated with Ngee Heng Kongsi, a Teochew secret society. It was also discovered that he had been behind a well planned and brutal attack on plantations on Galang Island south Batam from Singapore just prior to the discovery, which resulted in the destruction of twenty-eight plantations and the violent deaths of over a hundred.

Still waters do run deep.
It was in a plantation by the river that a cache of arms and cannon-armed boats belonging to a Secret Society affiliated Teochew planter were discovered by the police in 1847. The weapons and boats were apparently used in a brutal reprisal attack on an island off Batam.

Neo’s exit from the plantation scene, possibly after he was taken into custody, nor the issue of land titles that J T Thomson’s 1846 survey of Singapore’s interior provided for, did little to end the disputes that were often over control of land. The first land title that was taken up was in fact related to the area in which Neo had his plantation. Allocated to another Teochew man by the name of Chan Ah Lak in 1850, the settlement came to be known as Chan Chu Kang (曾厝港) [chu kangs (厝港) were river clan settlements that were established up several rivers in Singapore].

Locations of Kangkars (riverside landing areas) and Bangsals (plantation plots) related to chu kangs in Singapore in 1885 (source: Chinese Agricultural Pioneering in Singapore and Johore)

Chan, who seemed well connected and of apparently good standing, was another who was affiliated with Ngee Heng Kongsi. Among the contributions he made was a sum of money that went towards the construction of the temple of literature, Chong Wen Ge, at Telok Ayer Street. As with his predecessor, Neo, Chan cultivated gambier and pepper, on his land allocation, which amounted to some 44 acres (17.8 ha).

A gambier plantation, c. 1900.

Despite the legitimacy of land occupation that the land title offered, secret society activities continued and continued to be a source of trouble. The anti-Catholic disturbances in 1851, during which Catholic owned plantation were targeted, was an example of this. Although not directly affecting Chan Chu Kang, an outcome of this would be the erection of a police thannah (a station or outpost) in Chan Chu Kang that same year. The presence of the thannah however, did little to prevent Chan Chu Kang from being drawn into an even more serious disturbance in 1854 that would leave some four to five hundred dead across Singapore and over three hundred houses destroyed. Remote areas, including Chan Chu Kang, were especially badly affected, and reports had a number of ”wholesale murders” along with the burning of homes taking place at Chan Chu Kang.

An 1865 Map of Singapore showing locations of settlements such as Chan Chu Kang.

While the apparent trigger for the riots may have been a dispute over the price of rice between a Teochew buyer and a Hokkien shopkeeper, tensions between the two dominant Chinese communities had been brewing for some time. Reasons for the rift were wide ranging and included control of gambier and pepper plantations, into which the Hokkiens were making inroads. An influx of an unusually large number of Chinese fleeing China in the wake of the Small Sword Society’s uprising in 1853 together with the disputes that arose over contributions between the two communities to the effort to oust the Qing emperor could also be added to this mix.

A poster depicting the Small Sword Society’s uprising in Shanghai (source: https://chineseposters.net/posters/e37-374)

The troubles in Chan Chu Kang, did not end with the quelling of the riots. On the basis of newspaper articles throughout much of the 1800s and early 1900s, murders, riots, instances of arson, fights between members of rival secret societies or communities and break-ins kept the police thannah very especially busy. Chan Chu Kang’s transformation into Nee Soon Village, which followed Lim Nee Soon’s establishing a rubber processing plant in the village around 1912 and his subsequent purchase of the estate, did little to stop news of murder and crime being reported with regularity.

Besides rubber, Lim Nee Soon’s ventures in the area also included pineapple cultivation and canning. This, together with its location at a three-way junction, made Nee Soon village a significant rural centre for the agricultural north of Singapore. Its position would be further augmented with the development of Singapore as a military garrison from the late 1920s. Not only was huge naval base built at the end of Chan Chu Kang / Seletar Road, which passed through Nee Soon, the village would also benefit from the construction of Nee Soon Barracks late in the 1930s. At the same time, a fully equipped post office was also added to the village late in 1939.

Not long after the construction of the barracks was completed, it became the scene of a murder. In March 1941, an Indian soldier with the Royal Artillery quartered in the camp’s H-Block was brutally killed with a machete. A suspect, a fellow soldier, was charged for the murder but was acquitted. War and occupation was on the horizon, during which time Nee Soon Camp become a POW camp for British Indian Army soldiers.

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A view down Transit Road towards Nee Soon Village in the 1960s (David Ayres on Flickr).

The end of the war in 1945, saw Nee Soon Barracks turned into a holding camp for Dutch and Javanese refugees, and as No.1 British Transit Camp transit camp for demobolised military personnel being sent home. Its role as a transit camp would continue, serving for personnel and their families arriving from Britain (hence the name Transit Road). Just before the British pullout in 1971, it became a camp for the Royal New Zealand Army. Australian units, were housed in it as part of the ANZUK force deployed in Singapore post-British-pull-out, after which it became the Singapore Armed Forces’ School of Basic Military Training (SBMT) from 1975. All through this post-war period, murders, gangland activities, and violent crime, continued to make the news — even as the village was being vacated in the early 1980s.

Today, little is left to remind us of a place whose very colourful and eventful modern chapter in its history goes back to the early 1800s. The much altered camp is still around, as its the former post office. The building that house the post office, could be thought of as quite literally having gone to the dogs, having been repurposed as a veterinary clinic. At least it is still there. Also in the area is Springleaf Nature Park. The beautifully spruced-up waterway that is a feature of the park and of the Springleaf Park Connector, could be thought of as a reminder of the waterway that first brought settlement to the area. The use of the former village’s name for the new town does also provide a connection to the past, although this comes through a difficult to relate to and rather different sounding “Yishun”. The physical displacement of the place name by several kilometres, and the subsequent use of the name “Springleaf” to describe the area of the former village, does however, minimise that link that the area has with its colourful and somewhat eventful past.

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(Book launch) My Father’s Kampung: A History of Aukang and Punggol

17 09 2020

Aukang (or Owkang), as Hougang was called before the adoption of hanyin-pinyin names forced a reset, is one of several previously rural parts of Singapore that is associated with the Teochew community. It is also an area where there is a very noticeable Roman Catholic presence.  It is where rural Singapore’s oldest Catholic building – a gorgeously built one at that in the form of the tropical gothic Church of the Nativity of the Blessed Virgin Mary or “Nativity Church” in short – can be found. It is also where a Catholic seminary was set, along with several Catholic institutions and schools.  The area is also where Kangkar – a fishing port associated with auctions of fish that took place in the wee hours of the morning – was. It also served as a gateway to Punggol – a part of Singapore known for its seafood restaurants (at Punggol Point) and its numerous farms – particularly pig and chicken farms.

Nativity Church.

Hougang today does seem very different. The enforced change of name also coincided with its metamorphosis from a rural district which fed Singapore, into yet another part of the new Singapore. In that maze of Housing and Development Board (HDB) neighbourhoods however, there is still bits of the old Aukang and its much storied past that can be discovered.

There is perhaps no better person to take us on a journey of discovery than a son of the soil – so to speak – such as Shawn Seah. Shawn, who traces his ancestry to the illustrious Teochew pioneer, Seah Eu Chin, explores his Aukang roots in “My Father’s Kampung: A History of Aukang and Punggol” – due to be released later this month.

The book, which Shawn says, “is basically my journey of how I came to appreciate my father’s kampung better”, takes the reader through its early development to 1975 — before it became Hougang, Sengkang, Buangkok and (HDB) Punggol. Along the way, stops are made to look at the influence of the Catholic missions and its schools such as Holy Innocent and Monfort, its multi-ethnic and multi-religious makeup (it wasn’t exclusive Teochew / Catholic), the memories of its rural centres and kampungs, as well as the impact of war and the Japanese occupation.

The book will be launched at a “kopi talk” Zoom event on 19 Sep 2020 at 3pm (details in the infographic above, which is jointly organised by World Scientific and Montfort Alumni. The event will also feature Mr Ng Kok Song and Brother Dominic Yeo Koh, both old boys of Montfort and as Shawn puts it, “essentially the quintessential Aukang nang”.


Written by Shawn Seah and supported by the National Heritage Board, “My Father’s Kampung: A History of Aukang and Punggol, tells the story of historical Aukang and Punggol from the 1850s, before the area’s transformation into Hougang, Sengkang, Buangkok, and Punggol.






Revisiting the Singapore of the Malay film industry’s golden age

7 02 2018

The Malay Film Productions (MFP) at Jalan Ampas was one of a pair of production houses that entertained a generation of Singaporeans and Malayans. Established by the Shaw Brothers’, the MFP is especially well known. It was where the legendary P. Ramlee made his name, excelling not just as an actor but also as a singer, songwriter and director. Lending his range of talents were to a series of films, his popularity has endured to this day, more than four decades after his sudden and premature passing in 1973.

Main gate to No. 8 Jalan Ampas.

The recent run of State of Motion 2018: Sejarah-ku, organised by the Asian Film Archive, renewed a consciousness for Jalan Ampas. P. Ramlee’s career there coincided with the golden age of Malay cinema – a time when the production of Malay movies was at its most prolific. Besides the screening of films of the genre, a guided tour also plotted a return to the MFP, albeit to its closed gates beyond which the buildings of the former studios stand quite forgotten. The tour, one of two – the other an offshore tour – with which locations where outdoor scenes in several MFP productions were visited, permitted a recall not only of the scenes, but of a Singapore forgotten if not for the movies. Site specific art installations were also presented at the sites, expressing the memories that also lay embedded in the locations .

Participants listening to CLOSURE / TUTUP by Wu Jun Han outside the gates of No. 8 Jalan Ampas.

Standing outside gates at Jalan Ampas, I found myself transported to the confrontational scenes that were enacted at that very gateway by Wu Jun Han’s recording, Tutup or Closure. The scenes, captured in the movie Mogok (Strike), although set in the Eveready  factory, were actually inspired by a strike that took place at the studios that same year involving 120 MFP employees.  The spot was also a location for another movie, the hit comedy Seniman Bujang Lapok,  which P. Ramlee directed and played a leading role in. This inspired a second installation along Jalan Ampas, Izzad Radzali Shah’s Wayang Terbiar (The Theatre that was Left Behind). A diorama of a mini threatre with scenes from the movie depicted, it seems almost altar-like in appearance.

Wayang Terbiar.

I was particularly drawn to Mintio’s Penghibur Hati-Lara (Solace for the Heart) installed just off Tanah Merah Besar Road. The work takes its title from a line in a lullaby “Kau penghibur hati-lara” (you are solace for my painful heart) sung in the film Darah Muda by the female protagonist to her baby in the seaside setting provided by the promenade at the end of Tanah Merah Besar Road. Anticipating separation, the line also suggests a sense of yearning that the artist also intends to evoke with her piece and its location between Changi Prison and the Airport – both sites of separation. The seaside promenade is now buried under a Changi Airport runway. Having been part of an area in which some of my most treasured memories of childhood were made, the artwork also evoked a sense of great longing and of loss in me.

Penghibur Hati-Lara at Tanah Merah Besar.

The former Kangkar Fishing Port, the location for scenes in the 1958 movie Sri Menanti, also provided a setting for Boedi Widjaja’s Path. 9, ))) ) ) )). The artwork, separated from the audience by the Serangoon River is bridged by the sounds of the flute, exploring the divide that the main characters in Sri Menanti faced in their attempts to bridge a cross-religious and cross-cultural gap in finding romance.

Once where a scene of Kangkar’s fishing colourful fishing fleet would have greeted the eye.

The mainland tour’s two other sites were at seaside (or former seaside) locations. At Punggol, the sea provided a backdrop for the scenes from Isi Neraka (Sinners to Hell) that inspired Salleh Japar’s Sulh-I-Kull (Universal Tolerance). The Shaws’ former seaside villa was used as a symbol of the individualism brought about by materialism and wealth in P. Ramlee’s Ibu Mertua Ku. P. Ramlee’s character in the movie violently blinds himself after he realises the circumstances in which he regained his sight after a previous spell of blindness. It is this loss of sight that the site’s installation, Tan Peiling’s 0.25 Seconds before an Image is Void, provides a response to.

The former seaside villa of the Shaws at which Liz Taylor was hosted on her visits here.

I was also able to join the offshore tour, which included a visit to Pulau Ubin – off which Pulau Sekudu or Frog Island lies. The rocky islet, a popular spot once for photo shoots, served as locations for Hang Tuah (1956) and Hang Jebat (1961). A central theme in the two movies is loyalty, betrayal and feudal authority. That is played out in the final fight scenes that both movies feature, which pitted 15th century pair of warriors – one-time close companions. The questions of the loyalty, betrayal, brotherly love, rage and desire expressed during the fight are what Akulah Bimbo Sakti’s Cinta Tuah Jebat examines. The artwork, a live performance accompanied by a recorded audio playback takes place on a beach on Ubin and within sight of Sekudu. More on State of Motion 2018: Sejarah-ku, which runs until 11 February 2018 can be found at https://stateofmotion.sg/2018/.

Pulau Sekudu, where the final fight scene in Hang Tuah and Hang Jebat was filmed.

Cinta Tuah Jebat (The Love of Tuah and Jebat).

 





A paddle through the Jalan Gemala Nature Area

15 12 2014

The Jalan Gemala area at Lim Chu Kang is as remote and wild as it can possibly get on the island of Singapore. Set along the banks of the upper reaches of the Sungei Kranji, once a tidal river lined with rich mangrove forests up to the extent of the tidal influence,  it finds itself at the edge of a reservoir of freshwater, created by the damming of the mouth of the Kranji River.JeromeLim-0667 2

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The river itself had in the past been one that served as a communication link, bringing in settlement to an area where early gambler plantations had been established. An area of mangroves – the river was lined with the watery forests up to the limits of the tidal influence, it now supports an area of freshwater marshes, wet grasslands and secondary woodland that is teeming with bird, plant and insect life – it is thought to support a colony of fireflies.

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The area was one of two identified in the 2013 Land Use Plan and subsequently the URA Master Plan for conservation as Nature Areas – the other being Pulau Unum and Beting Bronok.  The Land Use Plan has this to say about the area:

Jalan Gemala at Lim Chu Kang has varied habitats such as wet grassland, freshwater marshes as well as tall secondary woodland and freshwater reservoir that are near the area. Its addition as a nature area is significant given its rich wet grassland, with two rare plants (Leea angulata and Cayratia trifolia) being sighted. The inclusion of Jalan Gemala will also help secure the sustainability of the existing Kranji Marshes site at Neo Tiew Lane. The Pink-necked Green Pigeons and Mallotus paniculatus, a quick growing shrub that provides food for small birds are some wildlife species that can be found here.

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Based on information provided by the Nature Society (Singapore) the Jalan Gemala Nature Area is spread along a length of 4 to 5 kilometres and includes secondary forest, grassland and wetland running along the Kangkar inlet into Kranji Reservoir and is adjacent to Kranji Marsh.

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A blue-tailed bee eater in flight

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A rare blue-eared kingfisher


Works being currently bing carried out by NParks

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A look at a dump

30 10 2013

Travelling down the Tampines Road of old back in the 1970s and 1980s, it was hard not to miss the convoys of trucks on their eastward journeys down the road.  The trucks, laden with much of what Singapore discarded, were headed to what then became Singapore’s last onshore dumping ground, occupying some 234 hectares of land on the right bank of Sungei Serangoon, which before the conversion to a rubbish dump site in 1970, was a large swamp (mangrove swamps lined much of Singapore’s original coastline, particularly along the northern coast) rich in bird life.

A very natural looking man made stream close to the area where a village, Kampong Beremban, once was.

A very natural looking man made stream close to the area where a village, Kampong Beremban, once was.

Taking a look around the former Lorong Halus dumping grounds these days, it is hard to imagine that it as a dump site for close to three decades (it was closed on 31 March 1999 and incinerated refuse has since been dumped offshore at Pulau Semakau). Part of the area today has been remade and is now a man-made wildlife sanctuary, the Lorong Halus Wetland. Despite the obvious signs of human intervention, the area (including that beyond the sanctuary) does have an aesthetic value from a natural environment (albeit man made) perspective, and offers that escape that can be hard to find in an island overgrown with too much concrete.

Another part of the former dump site.

Another part of the former dump site.

The wetland, is also linked to a bridge across what has since the mouth of the river was dammed, become Singapore’s 17th reservoir, the Serangoon Reservoir. The bridge provides access to what was the left bank of Sungei Serangoon, where the new public housing estate of Punggol has been developed, via the Punggol Promenade Riverside Walk.

Sungei Serangoon today.

Sungei Serangoon today.

For those familiar with the area, the area of Sungei Serangoon upstream from Lorong Halus at the end of Upper Serangoon Road was where old Kangkar Village was. Kangkar Village was a fishing port and once a base for fish traders and also Singapore’s fishing fleet, which numbered some ninety vessels in 1984 when it was closed to be moved to Punggol. The location of Kangkar today would be close to where Buangkok East Drive is.

Punggol Estate looming in the background on the left bank of Sungei Sernagoon.

Punggol and Sengkang public housing estates looming in the background on the left bank of Sungei Serangoon – Sengkang was the area where Kangkar Village was.

Interestingly, Lorong Halus was also where Singapore’s last night soil collection centre was located. The practice of collecting night soil (human waste) using buckets in both urban and rural areas, was carried out from the 1890s up to early 1987 when the last rural outhouses were used. Besides the rufuse that was generated by Singapore, also buried at Lorong Halus is the remains of a false killer whale which was stranded in shallow waters off Tuas in early 1994. The wetland was opened in 2011 and more information can be found at this link.

The bridge across the reservoir.

The bridge across the reservoir.

The view on the bridge.

The view on the bridge.

A resident of the wetland.

A resident of the wetland.

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