A final dance with the lights

1 04 2012

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After what has been a wonderful three weeks of fun in glow of the light art installations at Marina Bay, here for Asia’s first and only sustainable light art festival – i Light Marina Bay 2012, it is time to say goodbye. With it being the last day of the event today, there is still that chance for those who have not yet been down to bathe in the glow of lights as well as the many I am sure who have not had their fill of the festival to have a last dance with the light art installations – many of which do certainly make one want to dance with.

A child is seen dancing in the light of Parmendies I. Have a last dance this evening with the installations at i Light Marina Bay 2012..

There is little doubt about the buzz the festival has generated. The numbers thronging the waterfront promenade around Marina Bay where most of the 31 installations have been sited, even during the weekdays has been clear to see. The festival attracted both visitors from Singapore, as well as many from further afield, including the “overly caffeinated, full time travel photographer & Monkey to blame for a BlameTheMonkey.com“, Elia Locardi who hails from the Florida Keys. I had an opportunity to meet and and also speak at length with Elia, who had linked-up with a newly formed group of landscape photography enthusiasts Landscape Hunters Asia to conduct (cup of coffee in hand of course) a well attended photo-walk and a Q&A session for the group. I will be posting on the interview I did with Elia little later.

A stick-figure from Groupe LAPS installation, Key Frames, seems to use the Singapore Flyer as a running wheel.

It is probably the large-scale installations and those that permit some level of interaction that have perhaps gone down the best with the many visitors to the festival. One can’t help but be enthralled by the 3D sound and light project on the ArtScience Museum Garden of Light – best viewed from the look-out platforms of the Helix, and be drawn to the flicker and the music of the 30 stick figures of Key Frames that seem to dance at the seating gallery of the Float @ Marina Bay. It is probably however what has been described as the “Rainbow Merlion” that is the crowd’s favourite – an installation that certainly encourages interaction – one that nobody, young or old can resist wanting to have a hand in. This installation entitled Light of The Merlion is one that a visitor can influence the colours that are projected on the much loved 40 year old icon of the new Singapore through a touch-screen LCD panel which sees large numbers queuing up each evening.

Light of the Merlion.

Besides the installations mentioned, each of the other 28 installations are ones that offer differing experiences and each definitely is worth a visit – each as I have mentioned an observer as saying, offering “small delights”. There are about four clusters of installations around the bay, the largest cluster of which is under and around the seating gallery of the Float which includes Key Frames, Immersion and enLIGHTenment on the outside. Under the gallery, are several installations – my favourites of which are Parmendies I and White Rain.

Immersion by the Float.

Dancing in the light and reflection of Edwin Tan's enLIGHTenment on a wet evening.

Along the waterfront promenade of Marina Bay Sands is another cluster which includes Garden of Light and MEGAPOV – interesting a vertical line of light which in panning one’s head or a camera, one is able to see subliminal images. Further down at the Marina Bay City Gallery is the red beams of The Gate. Close to the Marina Bay City Gallery are the installations of the Promontory as well as where the festival village is located. The festival village is where one can find many of the fringe activities – a few of which, including Light Painting by LUMIX are still available on the last evening and are definitely not to be missed. If you do feel like there is that urge to head down to have that final dance with the lights this evening at one of the four clusters or at the Light of The Merlion at Merlion Park, do also make it a point to pass by Esplanade Park. That might hold a reward of seeing one or two who are not dancing with the lights, but talking to the few forgotten trees there. That is this one little delight that somewhat off the beaten path, is one that awaits discovery – Angela Chong’s Tree Stories which compels the visitor to interact with the trees. The installations will on this last evening, as with the other evenings, be turned on from 7.30 to 11 pm. More information on the activities and the event can be found on the i Light Marina Bay 2012 Activity Chart or at the event’s website: www.ilightmarinabay.sg.

Subliminal messages given by a vertical strip of light.

Another subliminal image.

No Emergency Exit is offered by The Gate.

Beams of light draw one into a portal that cannot be passed through - portraying Enlightenment as an unattainable goal.

After Light - an installation that involves 26 shipping containers at the Promontory which also incorporates two installations by Singapore based art college students.


All photographs in this post have been taken with a LUMIX GF-3.


Related posts:

Media Preview and an Overview of some of the installations

Opening Ceremony and the Light of The Merlion

Light Painting by LUMIX and other Fringe Activities

The View from Sands SkyPark and the Garden of Light

Lighting Up for Sustainability


About i Light Marina Bay 2012:

i Light Marina Bay 2012, the second edition of Asia’s first and only sustainable light art festival, will be held from 9 March to 1 April 2012. Themed “Light Meets Asia”, i Light Marina Bay 2012 features innovative and environmentally sustainable light art installations by 31 multi-disciplinary artists, with a strong focus on works from Asia. The festival is organised by the Urban Redevelopment Authority (URA) in collaboration with Smart Light Singapore. i Light Marina Bay will be on nightly from 7.30pm to 11.00pm from 9 March to 1 April 2012. For more information, please visit www.ilightmarinabay.sg. In conjunction with the festival, LUMIX is running a photography competition for which participants who can capture the magical atmosphere created by the light art installations around Marina Bay stand to win attractive prizes. More information can be found at the festival website.





Lighting-up for sustainability

27 03 2012

Observation of Earth Hour
i Light Marina Bay 2012 Installations will be turned off for an hour at 8.30 pm on Saturday 31 March 2012 to observe Earth Hour.


Lighting and colouring up the gorgeously beautiful world that is Marina Bay over a three-week period, are thirty-one light art installations making their appearance at i Light Marina Bay 2012. The biennial festival is the second edition of Asia’s first and only sustainable light art festival. In bringing us the festival, the organisers also hope to send across a key message that advocates sustainability, particularly in the use of energy-efficient lighting technology for the future.

A close-up of Bibigloo by BIBI - one of 31 light art installations for i Light Marina Bay 2012 supplementing the sea of lights that the gorgeously beautiful Marina Bay is until 1 April 2010. Many of the installations feature the reuse or recycling of material - in this case Jerry Cans, to help send out the festival's key message of sustainability.

To send out the message of sustainability, criteria used in the selection of the 31 works out of 100 applications were the artists’ use of energy-efficient LED lights and the incorporation of sustainable, recycled / re-usable materials in their work. Some of the works do in fact feature the use of renewable or alternative sources of energy such as solar and wind energy or kinetic energy to provide the necessary power. The festival in promoting sustainability, has also enlisted the support of a number of the owners of buildings not just around the Marina Bay precinct, but also in other parts of Singapore to participate in the “Switch Off, Turn Up” campaign. The campaign will see some 42 buildings involved in a conscious effort to switch non-essential indoor/outdoor lighting and office equipment off whenever possible and turn up air-conditioning temperatures to 24 to 25° C during office hours. As with the festival, the campaign is in its second edition with the first edition featuring some 16 properties, which saw more than 41,000 kWh of electricity saved collectively. The buildings participating in the campaign include Marina Bay Sands, Marina Bay Financial Centre and The Fullerton Heritage in the Marina Bay area as well as Wisma Atria, New Tech Park and Tampines Concourse outside of the area.

Shinya Okuda's BioShell which visualises invisible but closely interconnected relationships between humans and nature.

The Sustainability Sponsor for the festival, The PowerSeraya Group, a Singapore based integrated energy company, is a strong advocate of energy conservation. The Group is a Merit Winner of the Singapore Environmental Achievement Award in 2011. The company hopes to highlight the importance of environmental awareness as well as energy conservation through their participation – part of a broader outreach programme that the company has embarked on to encourage power consumers to use energy and resources responsibly.

Receptacle by Marine Ky - a work that is supported by Philips.

A close-up of Receptacle.

Besides the participation of the organisers’, the building owners, and the main sponsors in promoting the message of sustainability, the festival also sees the strong support of companies behind the development of energy-efficient lighting solutions. One such company is Philips, which hopes to drive a revolution in the use of energy-efficient LED. As part of their participation in the festival, Philips has lent their support to powering a number of the light art installations which are The River, Coral Garden, Tree Stories, Sweet Home, enLIGHTenment, BioShell, 5QU1D, Receptacle, and Planting Shadows. The LED lighting solutions being used for the festival’s installations use as little as one-tenth of the power required by an incandescent bulb and last for up to 20 years of normal use.

Olivia d'Aboville's Coral Garden is one installation supported by Philips. The installation encourages people to interact with the light installation made from cocktail stirrers much like an actual coral reef attracts marine life to it.

Through its participation and support, Philips aims to also bring across a message that light has the ability to enhance life, beautify the urban landscape, and bring out the unique personality of each city. The company feels that driven by the LED lighting revolution, sustainable lighting solutions now available offer limitless possibilities of what light can do for urban spaces and rethink the way cities are lighted up, allowing urban planners and architects great leeway in exercising their creativity. The company also hopes to see government regulation aimed at reducing energy consumption and protecting the environment and the phasing out of incandescent bulbs through a switch to LED lights.

The Philips picnic under a Breeze Shelter which featured some of their gorgeous LED light illuminated home products. Philips arranged for several local artists to share on their installations.

It was during a picnic organised by Philips held under the cool comfort of the Breeze Shelters at the Promontory @ Marina Bay I attended that I learnt more of Philips aims in supporting artists for i Light Marina Bay 2012. Philips was also kind enough to arrange for an opportunity to meet with a few of the local artists they are supporting. On hand to speak about their motivations in the creation of their respective installations was Ryf Zaini (5QU1D); the very enlightened Edwin Tan (enLIGHTenment); and Joshua Yang, Fiona Koh and Justin Loke of Vertical Submarine (Planting Shadows).

Edwin Tan (L) in the glow of enLIGHTenment.

It was interesting to hear what the artists had to say about their creations. First to speak was the Vertical Submarine team whose work, Planting Shadows is an adaptation from the one created for an exhibition at the Singapore Botanic Gardens in 2009. The installation features a sense provoking field of grey sunflowers. The inspiration for the work is a poem by local writer Chien Swee-Teng. The poem tells a tale of a sunflower plantation owner’s pact with an imp who lived in an empty bottle of sunflower oil. In exchange for success in his trade, the farmer becomes blind to the colour of his trade. In presenting sunflowers in the grey of their shadows, the team tries not just to recreate the story, but also aims to direct the viewers’ attention to the form of the sunflower.

In the colour of their shadows, attention is drawn to the form of the sunflowers. Planting Shadows by local group Vertical Submarine draws inspiration from a poem by local writer Chien Swee-Teng in which a sunflower plantation owner’s becomes blind to the colour of his trade in exchange for success in a pact with an imp.

Another sense provoking work is that of Ryf Zaini’s 5QUID. An engineering graduate of Temasek Polytechnic, the artist’s interest saw him completing a diploma in interactive media at the LASALLE College of the Arts where he graduated with first class honours in media art. An engineering graduate from Temasek Polytechnic, Ryf Zaini’s interest in the arts led him to LASALLE College of the Arts, where he completed a diploma in interactive media and graduated with first class honours in media arts. Combining both fields, Ryf Zaini creates hybrids of technologically informed art like his installation 5QU1D which represents a squid that emerges from the sea and takes on a hybrid form to merge itself with the surroundings. 5QU1D is embedded with blinking lights and uses recycled and used electronic parts, and LED lighting systems.

Ryf Zaini's 5QU1D is another sense provoking piece. It represents a squid which takes a hybrid form to blend with rapidly changing surroundings - a reference to the rapid changes in the modernising world and the effects they have on the natural environment.

The other artist who made an appearance was Edwin Tan, the founder of local design studio Bravo Company. His installation, enLIGHTenment involves a video wall of multi-coloured light tubes. In an idle state, an animated screen saver is displayed and when activated through an interactive console facing the light display, the installation starts “thinking”, finding an answer to a question asked through the console. After a pause of a few seconds, the display literally enlightens the audience with a YES or NO answer. Interestingly, Edwin mentioned that how he arrived at the work and its name was that he had only five days to work on his proposal. Seeking inspiration – it crossed his mind that he required some “enlightenment” which also contained the word “light” which is how he hit on the idea. The installation is cheekily placed at the Helix (bridge) that takes one to Marina Bay Sands and its casino and is aimed perhaps at those who contemplating a visit to the casino.

Yes, No, and sometimes Maybe?

Should the answer to that question be a negative one, one could instead have a last look at the installations before the festival ends on 1 April 2012. Besides the 31 installations, there are also lots of fringe activities being held during the last weekend. One activity certainly to catch is the Nescafe Passion Movie Night on Saturday 31 March 2012 during which there would be a free screening of KungFu Panda 2 at the Lawn from 8 to 10 pm. Another interesting event on the same day is the 8DAYS’ Pets and the City event at the Promontory between 4 and 8 pm during which pet owners can glam their pets up and take them for a walk. There will also be a mass Light Catcher creation workshop that will be held from 5 pm in conjunction with the movie screening, as well as Junk Jam which features percussion performances using household junk as instruments on both Saturday and Sunday from 9 pm to 10 pm along the Waterfront Promenade. Visitors to the area can also turn their eyes upward to watch the Singapore Sky Dancers lighting up the sky with lighted kites on Saturday from 7 to 11 pm. More information on the activities can be found on the i Light Marina Bay 2012 Activity Chart or at the event’s website: www.ilightmarinabay.sg.


All photographs in this post have been taken with a LUMIX GF-3.


Related posts:

Media Preview and an Overview of some of the installations

Opening Ceremony and the Light of The Merlion

Light Painting by LUMIX and other Fringe Activities

The View from Sands SkyPark and the Garden of Light


About i Light Marina Bay 2012:

i Light Marina Bay 2012, the second edition of Asia’s first and only sustainable light art festival, will be held from 9 March to 1 April 2012. Themed “Light Meets Asia”, i Light Marina Bay 2012 features innovative and environmentally sustainable light art installations by 31 multi-disciplinary artists, with a strong focus on works from Asia. The festival is organised by the Urban Redevelopment Authority (URA) in collaboration with Smart Light Singapore. i Light Marina Bay will be on nightly from 7.30pm to 11.00pm from 9 March to 1 April 2012. For more information, please visit www.ilightmarinabay.sg. In conjunction with the festival, LUMIX is running a photography competition for which participants who can capture the magical atmosphere created by the light art installations around Marina Bay stand to win attractive prizes. More information can be found at the festival website.


URA Press Release on Earth Hour 2012

Singapore, 28 March 2012 – i Light Marina Bay 2012, the sophomore edition of Asia’s first and only sustainable light art festival, is going the extra mile in its commitment to the sustainability message with the Festival’s participation in this year’s Earth Hour.

Come 31 March 2012, all 31 featured artworks will be switched off for an hour between 8.30pm and 9.30pm. The public are invited to participate in a Mass Light Catcher Creation workshop at The Lawn commencing from 6.00pm, followed by a commemorative light-up. There will also be a free movie screening at the NESCAFE® PAssion Movie Night later that evening.

Besides participating in Earth Hour, the “Switch Off, Turn Up” campaign – an energy efficiency effort initiated by the festival to encourage properties in and around Marina Bay to switch off non-essential lights and turn up air-conditioning temperatures – is projected to achieve energy savings of at least 200,000 kWh (kilowatt hours), triple the energy saved during the inaugural edition in 2010. This equates to saving 100 tonnes of CO2 equivalent, which is enough to generate electricity for 762 4-room HDB flats for the same period.

The “Switch Off, Turn Up” campaign, with the support of Sustainability Sponsor PowerSeraya, has to date received the commitment of 47 properties to drive energy efficiency, which is close to a three-fold increase from the 16 buildings that took part two years ago. Participating partners include Marina Bay Sands, Prime Sponsor of the festival, as well as other developments around Marina Bay and beyond.

For more information about the festival, visit www.marina-bay.sg/ilightmarinabay.

About Urban Redevelopment Authority (URA)

The Urban Redevelopment Authority (URA) is Singapore’s national land use planning and conservation agency. URA’s mission is “to make Singapore a great city to live, work and play in”. We strive to create a vibrant and sustainable city of distinction by planning and facilitating Singapore’s physical development in partnership with the community. As the main land sales agent for the state, our multifaceted engagement strategy includes the sale of state land to attract and channel private capital investment to develop sites for meeting our land use needs. As the place manager for Marina Bay, we promote exciting activities within Marina Bay in collaboration with other government agencies and private stakeholders. To create an exciting cityscape, the URA also actively promotes architecture and urban design excellence. For more information, please visit us at www.ura.gov.sg.

About Smart Light Singapore

Smart Light Singapore (SLS) was established in 2010 as a not-for-profit entity to develop urban lighting festivals that would set new international standards for energy efficiency and provide family-friendly, outdoor celebrations by illuminating public spaces through art sculptures and other smart light activities.

Through these events and activities, SLS aims to increase awareness in the reduction of energy usage, engage public and professional participation in best practices in lighting design, promote dark city skies and improve on energy-efficient lighting performances.






Delights around Marina Bay

22 03 2012

One of the wonderful things I was able to do as an official blogger for i Light Marina Bay 2012, was to spend part of an evening right on top of the world. That world that I write of is Marina Bay – a showpiece of modern Singapore, which when viewed 57 floors up from the Sands SkyPark, is a world that is certain to take one’s breath away. The view around Marina Bay from SkyPark is stunning to say the least and has to be the highlight of a visit to the roof of Marina Bay Sands – a view that for a little more than 3 weeks is being enhanced by some of the more visible of the 31 light art installations scattered around the body of water for what is Asia’s first and only sustainable light art festival.

The view of the showpiece of the new Singapore - Marina Bay, 57 floors up from the Sands SkyPark.

Being 57 floors up does provide a very different experience of the installations around Marina Bay that can been clearly seen. The Light of The Merlion that lies across the bay is certainly one that is to be noticed, as is the red-orange glow of the illuminated plastic igloo that is Bibigloo located at the Promontory @ Marina Bay. Surveying the scene around the incomplete circle of light that is Immersion at the far end of the Float @ Marina Bay would also be seen. It is however, with one’s feet firmly on the ground, that offers one the best multi-sensory experience of most of the installations. This is especially so for the festival’s largest projection – the light and sound show that is the Garden of Light.

Garden of Light - an animated projection on three fingers of the ArtScience Museum using 3D digital mapping techniques by Hexogon Solution.

The Garden of Light is an animated projection on three of the fingers of the ArtScience Museum. The projection, created using 3D digital mapping technology, is on the evidence of the interest created, one of the more popular installations. Best viewed (and photographed) from the viewing platforms on the Helix (bridge), it has been one that never fails to catch my attention, despite having watched the show several times from both the Helix and also below the ArtScience Museum. The show is the work of Singapore based Hexogon Solution and was conceived by its founder, Adrian Goh. Having moved into the field of video mapping projections in 2009, Hexogon has been involved in several large-scale projections that includes one on a commercial airliner and also one on the Asian Civilisations Museum in Singapore. The eight-minute show uses a combination of light and sound effects intended to send out a message of environmental sustainability that highlights the beauty of the natural world. The light and sound show is one I have to say is one of the most spectacular and one that greatly enhances the visual experience of the ArtScience Museum. It would be nice to see the installation being there on a permanent basis to allow future visitors to the area, and those like me who never tire of it to have an opportunity to take-in what has to be said celebrates the ArtScience Museum’s unique architecture – something that perhaps Marina Bay Sands may want to consider.

Another 'scene' from the Garden of Light.

The installation along with the Light of The Merlion has to be one of the most photographed installations at i Light Marina Bay 2012.

Martin Bevz and Kathryn Clifton's Immersion as seen from Sands SkyPark.

BIBI's Bibigloo seen from Sands SkyPark.

OCUBO's Light of The Merlion seen from above.

The location of the Garden of Light, is close enough to a cluster of 8 installations in and around the seating gallery of the Float @ Marina Bay to include a visit to the eight installations – one that has gone down very well is Key Frames from Groupe LAPS. The are also several under the seating gallery. A few of these I have already made a mention of such as Aleksandra Stratimirovic’s well received and rather successful attempt at making an ugly space beautiful, Sweet Home, Dev Harlan’s Parmenides I, and Andrew Daly and Katherine Fife’s Crystallised. Besides those already mentioned, there are two other installations under the seating gallery, one is Light Collective’s Urban Makyoh and the other – one that absolutely delighted me, is Takahiro Matsuo’s White Rain

Key Frames.

And what made me think Parmenides I was an installation one couldn't interact with?

Urban Makyoh involves light reflections projected from mirrored stencils.

White Rain – takes a little bit of effort in finding – an effort that was certainly worth it. The description I received describes it is an installation of white light which focuses on the sense of infinity produced by the behaviour and the beauty of light in which participants experience the poetry and beauty of light which falls like rain around them. What makes the installation a joy to take-in is that the rain of light that seems to fall as natural rain does, falls as one moves through it, intensifying and easing off depending on how one moves through it. It is one that I enjoyed observing especially standing away from the installation. As I stood and stared in the silence and the darkness, it seemed that I could almost hear the sound of the falling rain.

Takahiro Matsuo's White Rain.

There are just two weekends left before the festival ends on 1 April 2012 to take in each of the 31 installations. 31 “small delights” as one I met would have it. It is a festival that has certainly delighted me greatly, and one which I will continue visiting for the small delights that the interaction with each of the installations does bring. More information on the installations and on the festival and fringe activities can be found at www.ilightmarinabay.sg.


All photographs in this post have been taken with a LUMIX GF-3.


Related posts:

Media Preview and an Overview of some of the installations

Opening Ceremony and the Light of The Merlion

Light Painting by LUMIX and other Fringe Activities

Lighting up for Sustainability and Philips Supported Installations


About i Light Marina Bay 2012:

i Light Marina Bay 2012, the second edition of Asia’s first and only sustainable light art festival, will be held from 9 March to 1 April 2012. Themed “Light Meets Asia”, i Light Marina Bay 2012 features innovative and environmentally sustainable light art installations by 31 multi-disciplinary artists, with a strong focus on works from Asia. The festival is organised by the Urban Redevelopment Authority (URA) in collaboration with Smart Light Singapore. i Light Marina Bay will be on nightly from 7.30pm to 11.00pm from 9 March to 1 April 2012. For more information, please visit www.ilightmarinabay.sg. In conjunction with the festival, LUMIX is running a photography competition for which participants who can capture the magical atmosphere created by the light art installations around Marina Bay stand to win attractive prizes. More information can be found at the festival website.





Love is very much in the air at i Light Marina Bay 2012

19 03 2012

Love is literally very much in the air around Marina Bay. Visitors to the i Light Marina Bay 2012′s Night Carnival on the Waterfront Promenade just by the Promontory @ Marina Bay would have chanced upon many creating light messages and sketches next to the activity marquee – painted in the air. The activity is one of the more popular ones at the Night Carnival which involves “light painting” – moving hand-held lights through the air to spell words or sketch symbols which is captured using a long enough exposure setting on a camera. Subjects being “light painted” range from expressions of love and smiley faces to birthday greetings and on the evidence of what I observed – expressions of love seem to be the most frequently chosen subject.

LOVE is very much in the air at i Light Marina Bay 2012! Free Light Painting by LUMIX allows participants to paint light messages and sketches which are captured by a camera and emailed to participants.

The activity, Light Painting by LUMIX, is one of several festival fringe activities and events that the weekend crowd can participate in around Marina Bay – images will be sent by email to participants. Visitors to the festival can also catch LED light performers along the Waterfront Promenade, free movie screenings, a Night Carnival at the Promontory, as well as participate in various workshops that are suitable for both the young and the old.

Activity guide for i Light Marina Bay 2012 (click to enlarge).

Performers that roam the Waterfront Promenade include LED Twirlers who colour the night with performances best captured by a camera on a long exposure. In addition to the LED Twirlers, there are also LED Stilt Walkers, junk percussion jammers, story-telling sessions and synchronous lighted kite flying displays to catch on the two more weekends left to do so!

A 30 second exposure of LED Twirlers in action at the Promontory @ Marina Bay over the weekend.

More long exposures of LED Twirlers.

The cluster of marquees by the Promontory where the free light painting activity by LUMIX is held – the location of the festival’s Night Carnival, is also where free coffee by Nescafe is available (given out on a first-come-first-served basis). Two workshops which are held in the area would appeal especially to the kids. One, the Light Catcher Creation Workshop, involves transforming commonly used materials into simple to make, yet gorgeous light catchers. This workshop which is held in the comfortable environment of a Breeze Shelter, takes approximately 45 minutes to complete and costs $6 per participant. The second workshop, “Switch-It” Painting Workshop and Competition, involves the painting of light switches in which one’s creativity can be rewarded – participants are asked to paint the switches with a sustainability message which can be entered into a competition in which the top 3 designs stand to win fabulous prizes (entries should be submitted by 27 March 2012). Do allow for 30 minutes to complete the switch painting which costs $5 per participant. The workshops are held on Saturdays and Sundays from 7 to 9 pm.

The night carnival during the weekends feature activity marquees at which participants can sign-up for free light painting by LUMIX and also the Light Catcher Creation Workshop and the "Switch-It" light switch Painting Workshop and Competition.

The workshops are conducted under the very comfortable Breeze Shelters along the Waterfront Promenade by the Promontory @ Marina Bay.

Materials used everyday go into the making of light catchers. Participate in a Light Catcher Creation Workshop - fun especially for the young, on Saturdays and Sundays from 7.30pm to 9 pm up until 1 April 2012.

Arranging the reflectors.

Finishing up ...

And voilà! A beautiful light catcher that can be easily re-created at home.

Another light catcher.

Besides light catchers, the public can also participate in other activities, including a "Switch-It" light switch painting workshop and competition. The competition offers attractive prizes - submissions should be made by 27 Mar 2012.

Some of the painted light switches on the competition wall.

During the festival, visitors are also able to get on free guided tours which take place on Fridays to Sundays at 7.30pm, 8.30pm, and 9.30pm. Registration is required and closes one day prior to the event on the festival’s website or 30 minutes prior to the specific tour at the festival’s information kiosk. Visitors will have two routes to choose from: Tour 1 starts at Event Square and Tour 2 starts at the Info Kiosk at the ArtScience Museum. For a full list of and a calendar of activities and events, do refer to the activity guide (click here).

More expressions of love ...

A smiley face ...


All photographs in this post have been taken with a LUMIX GF-3.


About i Light Marina Bay 2012:

i Light Marina Bay 2012, the second edition of Asia’s first and only sustainable light art festival, will be held from 9 March to 1 April 2012. Themed “Light Meets Asia”, i Light Marina Bay 2012 features innovative and environmentally sustainable light art installations by 31 multi-disciplinary artists, with a strong focus on works from Asia. The festival is organised by the Urban Redevelopment Authority (URA) in collaboration with Smart Light Singapore. i Light Marina Bay will be on nightly from 7.30pm to 11.00pm from 9 March to 1 April 2012. For more information, please visit www.ilightmarinabay.sg. In conjunction with the festival, LUMIX is running a photography competition for which participants who can capture the magical atmosphere created by the light art installations around Marina Bay stand to win attractive prizes. More information can be found at the festival website.





Rediscovering a 40 year old icon in a new sea of light

12 03 2012

I’ve often wandered down Collyer Quay in the evening in the days when the smell of the sea filled the air to catch the evening’s breeze. Glancing out to where the sky met the sea, the view in the dark was one of the flicker of the sea of lights of the numerous ships that lay at anchor, interrupted by the sweep of the beam that shone from Fullerton Light – the lighthouse that stood atop the Fullerton Building – then the General Post Office (GPO). It was always a fascinating sight for me – one that I was always thrilled to take-in. That was years ago and the world as I had known it then, has been transformed to the glow of lights that seemed to have grown out of the seeds planted by of the lights of the old harbour. The glow is the new world that is Marina Bay, a world that glitters with the gold that the old harbour it grew out of has given. The new glow – brighter than the old, makes Marina Bay a world that is one to marvel at and one that for three weeks will glow even brighter with the colours and the lights that i Light Marina Bay 2012 brings to it.

Coming of age - one of the older icons in the brand new Marina Bay will be bathed in a sea of light during i Light Marina Bay 2012.

The highly anticipated festival, the second edition of i Light Marina Bay, was opened officially by Mr Tharman Shanmugaratnam, Deputy Prime Minster and Minster for Finance and Minister for Manpower on Friday. At the ceremony at the Promontory @ Marina Bay, Mr Shanmugaratnam spoke of his pleasure to be at Marina Bay, which he said attracted a record 23 million visitors last year, “to be immersed in the energy of a new downtown which has been evolving” and observed that the many developments in the area have transformed the skyline, and “imbued our city with more excitement, colour and vibrancy”. Mr Shanmugaratnam in his speech, spoke of the ‘software’ that was required to make and sustain a place – such as the festival, which serves to bring the community together to enjoy the place, and also help in defining an identity for the Bay. The Deputy Prime Minister also observed that “do so through a display of beautiful light art installations is creative, fun and delightful”.

Mr Tharman Shanmugaratnam speaking at the opening ceremony of i Light Marina Bay 2012.

Launching the festival.

After Light, an installation involving projections on shipping containers, is seen behind the stage at the opening.

Street performers - who were present at the opening, will also feature in the area during the period of the festival (top photo taken with LUMIX GF-3).

Fun and delightful the festival certainly has, in the first few days of the opening, proved to be. The festival’s 31 installations drew large crowds to the bay area over the weekend and judging from the number of visitors – one of the crowd favourites must be the Light of The Merlion – the brainchild of Nuno Maya and Carole Purnelle of OCUBO. OCUBO translates into “The Cube” in Portuguese, a name which reflects the geometric nature of the team’s projection work which for the work commissioned for i Light Marina Bay involves the projection of a combination of colours on the surface of the Merlion that are determined purely by members of the public through an interactive screen at the site. It is through this interactivity – a feature of all the group’s work, that the colours of the 40-year-old much-loved icon are changed through the evening – something which is designed to create a memorable experience with which the Merlion can be rediscovered with members of the public placed in the role of the creator. Based in Sintra, a delightful hilltop town in Portugal which boasts of the magical Sintra National Palace, OCUBO – an art and multimedia studio dedicated to light projects has presented light, multimedia and interactive art works in countries such as Japan, Australia, Singapore, Israel, Germany, the Netherlands, Slovenia, the Czech Republic and Poland and also conceived, produced and directs Portugal’s only light festival, the LUMINA Light Festival.

Light of The Merlion allows members of the public to play the role of the creator through an interactive panel which lets the public choose the colours to be projected on the much-loved 40-year-old icon (photo taken with LUMIX GF-3).

Nuno Maya (left), one half of OCUBO, at the opening ceremony (photo taken with LUMIX GF-3).

The many colours of the Light of The Merlion ... (photo taken with LUMIX GF-3)

After the opening ceremony, Mr Shanmugaratnam and guests were also able to take a tour of the bay by boat – a wonderful way of not just taking-in the sights around the bay, but also to have an excellent view of The Light of the Merlion and other installations that are around the bay’s waterfront including the festival’s largest projection Garden of Light, and the unmistakable red glow in the dark – BIBI’s Bibigloo at the Promontory @ Marina Bay. The eye-catching installation is an igloo made of 250 plastic jerry cans and is a replacement igloo intended to spread awareness of global warming and melting glaciers. BIBI has since 1992, attempted to explore man’s relationship to the environment, as well as the capacity to confront the contradictions with regard to waste production, through the use of everyday objects made from materials such as plastic using light to give life to his installations.

The eye-catching red glow in the dark - Bibigloo made out of 250 plastic jerry cans aims to raise awareness of rising temperatures and melting glaciers with a replacement plastic igloo (photo taken with LUMIX GF-3).

BIBI (right), the creator of Bibigloo.

The Festival Director, Ms Mary-Anne Kyriakou (centre) with artists present at the opening and Mr Mark Goh of URA.

The trial of light that I followed after the boat ride, somehow compelled me to take a walk towards the ArtScience Museum and onwards to the seating gallery at the Float @ Marina Bay, under which there are several other interesting installations. One – Sweet Home, which a mention of was made in my previous post, is an attempt by Swedish based Aleksandra Stratimirovic to make ugly places pretty. Ms Stratimirovic’s attempt to create a homely atmosphere through the use of lanterns must have been a very good one as the artists had used the installation to hold an opening night celebration late into the night.

Sweet Home an installation by Swedish based Aleksandra Stratimirovic under the seating gallery of the Float @ Marina Bay, aims to make an ugly place pretty - colourful forms of lanterns used in the installation are designed to spread warmth and homeliness in the urban environment (photo taken with LUMIX GF-3).

The artists certainly gave their thumbs-up! They found Sweet Home homely enough to spontaneously hold a party there on opening night (photo taken with LUMIX GF-3).

i Light Marina Bay 2012 is on until 1 April 2012 and several fringe activities and events will be held during the weekends – for a listing, do visit the events page on the i Light Marina Bay 2012 website. Information on Boat Taxis which provide an excellent way to see the installations on the waterfront also operate during the weekends, departing every 15 minutes between 7.30pm to 10.00pm from Fridays to Sundays from 10 March to 1 April and cost $4 per trip – more information is also available on the website’s events page.





The coming of light at Marina Bay

8 03 2012

Come Friday (9 March 2012), Marina Bay will be aglow, bathed in the colours of lights that will transform the area into a greater spectacle than it already is. Friday sees the opening of the sequel to the highly successful first edition of Asia’s only sustainable light art event of two years ago, i Light Marina Bay 2012, which on the evidence of a media preview of the event – Asia’s first and only sustainable Light Art Festival held last evening, is one that will be a feast for the senses.

i Light Marina Bay 2012 brings a spectacle of colour and light to the already spectacular Marina Bay.

Organised by the Urban Redevelopment Authority (URA) and with festival direction provided by Smart Light, this year’s edition will feature 22 works which will be by Asian based artists and designers. This is in line with the festival’s theme of “Light Meets Asia”. Beyond the theme, the festival aims to also promote sustainability and the use of energy-efficient technology – a message that the 31 works selected for the festival will carry. A total of 17 countries are represented in the 31 works, which were selected from some 100 submissions. 21 of the works are festival commissions.

Ms Mary-Anne Kyriakou, the Festival Director and Mr Mark Goh, Deputy Director of URA’s Place Management Department, speaking at the media preview.

As the area around which the 31 installations is large, the media preview, led by Festival Director Ms Mary-Anne Kyriakou, covered some of the highlights of the festival. One of the highlights Key Frames – a delightful installation set by the Float @ Marina Bay which has not just 30 light stick figures in various poses seemingly dancing in a routine choreographed to the music, it makes the viewer want to also dance with them. The installation is by French light artists, Groupe LAPS, which hails from the World’s largest light festival, Lyon’s Fête des Lumières.

Lighted stick figures are brought to life in a choreographed display by the Float @ Marina Bay. The light and sound show, Key Frames, is the work of Groupe LAPS from the World's largest light festival, the Fête des Lumières, Lyon.

A full exposure of Key Frames.

The highlights also included some of the more eye-catching installations – those that involved projections on two of the new icons of Singapore that are hard to miss. One is that of the interactive projection on the Merlion, Light of the Merlion – the work of Portuguese projection artists, OCUBO, which I did not have an opportunity yet to photograph. With Light of the Merlion, visitors are able to control light projections on the surface of the Merlion through an interactive touch-screen at Merlion Park. The other installation that certainly cannot be missed is the animated projection on three fingers of the ArtScience Museum, which uses 3D digital mapping technology – best viewed from The Helix (bridge), which is the work of local projection artists Hexogon Solution. The work, entitled Garden of Light, is also the largest projection at the festival. Hexogon Solution is one of eleven Singaporean artists whose works would be seen at the festival.

A close of the animated projection on the ArtScience Musuem.

Three interesting works can also be found in a rather unconventional space – under the seating gallery of seating gallery of The Float @ Marina Bay. The first, Sweet Home, is a site-specific work by Swedish based Serbian artist Aleksandra Stratimirovic is an adaptation of an original work created for Belgrade of Light 2011. The work aims to make ugly places pretty – the original work in Belgrade was an attempt to bring warmth and a homely atmosphere to one of the most polluted, busiest and exciting streets in Belgrade. For i Light Marina Bay 2012, Sweet Home, supported by Philips Lighting, attempts to use the colourful forms of the lanterns used in the installation to spread warmth and homeliness in the urban environment. The second installation here is American artist Dev Harlan’s Parmenides I. This is a large-scale geometric sculpture which incorporates a 360 degree projection mapped video which was previously exhibited at the New Museum’s New Ideas for the New City Festival in New York. The work features hypnotic 3D projections of swirling abstract patterns that gives a sense of movement, colour and form. The third, Crystallised by Andrew Daly and Katherine Fife from Australia, is one to look up to. The work which is an abstraction of the starry night sky, is an installation of five thousand hollowed-out and edge-lit acrylic rods which attempts to create a glowing internal landscape like a ceiling of a cave with glittering stalactites. It is under this that visitors walk and reflect on the impact of poorly considered lighting on city life.

Dev Harlan's Parmenides I.

The glowing internal landscape under which visitors walk and reflect on the impact of poorly considered lighting on city life - Crystallised by Andrew Daly and Katherine Fife.

Several installations are also located across the bay at the Promontory and the Waterfront Promenade. This includes After Light – which makes use of shipping containers the ends of which projections are made on which will examine the significance of light in New Zealand, from where the group behind the installation, StoryBox hails, and across cultures to Asia. The containers will also incorporate two site specific installations inside the containers that feature the work of budding talents from Singapore’s La Salle College of the Arts and School of the Arts. The area will also feature the glow of cocktail stirrers that have been transformed by French/Filipino artist Olivia d’Aboville into a glowing reef of coral-like sculptures that encourages visitors to interact with, much as a coral reef attracts life under the sea to do so, entitled Coral Garden. Other works in the area include Planting Shadows by Singapore’s Vertical Submarine; Thai sculptor Be Takerng Pattanopas’ Gap the Mind; the orange-red glow of France’s BIBI’s Bibigloo; Receptacle by Cambodia’s Marine Ky; Uh by the Propeller Group from Vietnam and one that is definitely should not be missed – Classification Pending by Craig Walsh from Australia which has 3D animated projections of artificial marine life forms on the waters of the bay.

Installation being carried out for After Light, by Story Box from New Zealand.

The coral garden at the Promontory - Coral Garden by French/Filipino artist Olivia d’Aboville.

Over the Marina Bay City Gallery, The Gate promises to be a huge attraction with its red beams of light. The work of Li Hui, which uses a powerful symbol of a portal which the red beams lead to – a passage perhaps to enlightenment, is one that we are not able to pass through. It suggests that enlightenment is a goal that cannot be attained.

The Festival Director Ms Mary-Anne Kyriakou speaks through the red beams of light of Li Hui's The Gate.

Li Hui, whose silhouette is seen at the right, speaking about his work.

An exit it is not. The Gate which can be seen to look at enlightenment as a goal that can never be achieved, is one that we are not able to go through.

Along the waterfront promenade leading to Marina Bay Sands and in front of Marina Bay Sands are a series of 9 other installations, which include two works by Singaporean artist we were introduced to – a squid like creature 5QU1D by Ryf Zaini and the work of Zulkifle Mahmod named Deck Journey. The series of 31 installations are spread around the bay and would definitely take much more than an evening to fully appreciate. One, the work of another Singaporean artist Angela Chong, Tree Stories, is found somewhat off the beaten track over at Esplanade Park. Tree Stories involves illuminated text on tree trunks which encourages interaction in the form of dialogue between the reader and the tree. Besides Tree Stories and Light on the Merlion, there are also several other installations that invite interaction – something that would appeal especially to the kids. These include several located in and around the seating gallery at The Float @ Marina Bay – White Rain by Japan’s Takahiro Matsuo, Urban Makyoh by UK based “lighting guerillas” Light Collective and Immersion by Martin Bevz and Kathryn Clifton from Australia. Several are also located over at the waterfront in front of Marina Bay Sands – The Light Dam by Taiwan’s Uno Lai, Illumination Disorders II by Singapore’s Tay Swee Siong and Bio Shell by Shinya Okuda of Japan. Installations can all be visited free of charge and will be on from 7.30pm to 11pm nightly.

Ryf Ziani and 5QU1D.

Zulkifle Mahmod's Deck Journey.

A series of activities and events has also been arranged during the festival which include free guided tours, workshops and also a photography competition in which participants will have a chance to win prizes worth up to $10,000 sponsored by LUMIX (who have also kindly lent LUMIX cameras for the Photo AmBayssadors and Official Bloggers to use during the period of the festival. More information can be found at the i Light Marina Bay 2012 website.


All photographs in this post have been taken with a LUMIX GF-3.








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