Time to joget at Kampong Gelam

15 10 2022

It was joget time tinged with quite a fair bit of nostalgia on the front lawn of the Istana Kampong Gelam last evening during the gala opening of the MHC ClosingFest. The event also saw Guest-of-Honour, Minister of State, Ministry of Home Affairs & Ministry of National Development letting his hair down by reciting a pantun and joining in at the end of the joget session.

The opening gala is part of a series of activities being held as part of MHC ClosingFest as the MHC or Malay Heritage Centre winds down (or rather up) towards its closure at the end of October for a revamp (it is scheduled to reopen in 2025). Besides the last night’s event, a series of activities are also being held across weekends in October that will not only celebrate the legacy and milestones of MHC, which the former palace of the descendants of Sultan Hussein houses, but also celebrates of the cultures of the Nusantara, from which some members of the wider Malay community in Singapore trace their roots to.

The Bazaar Nusantara, which is being held this weekend (15/16 Oct 2022 4 to 10 pm) for example, will feature the cuisines and cultural practices of the Baweanese, Bugis and Banjarese. There will be performances of Baweanese silat and Javanese kuda kepang, as well as a keris (dagger) cleansing ritual.

More information on the activities can be found on the MHC’s Peatix page.

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A last Hari Raya open house, Last Kopek Raya

28 05 2022

The MHC’s or Malay Heritage Centre’s Hari Raya Open House, “Last Kopek Raya” — a reference to the last bits of the celebration of Aidilfitri (Eid al-Fitr), which is celebrated over the “Raya month”, Syawal, in this part of the world — opened with a bang last evening (27 May 2022) by Minister for Social and Family Development, Masagos Zulkifli. The launch party featured senior members of Firaqatul Wannazam and Keroncong Jazz Band, Nobat Kota Singapura, providing guests with a nostalgic treat through a wonderful and truly nostalgic keroncong performance.

The open house this last “Raya” weekend (27 to 29 May 2022) will be the last to be held before MHC closes in August for a two-year revamp and sees a series of events, activities and displays that include live performances, art installations, craft workshops, and storytelling sessions. More information on the events for the open house can be found at the MHC’s website and also on the event registration page.

Minister for Social and Family Development, Masagos Zulkifli.
The event launch.





Journeys of faith and devotion from Kampong Gelam

13 10 2018

An insightful exhibition featuring the journeys of faith that Hajj pilgrims take in both body and in spirit, ‘Undangan ke Baitullah: Pilgrims Stories from the Malay World to Makkah’, was launched together with the Malay Culture Fest 2018 yesterday (12 Oct 2018).

 

A performance at the opening, reenacting a pilgrim’s journey of faith.

The exhibition, which runs from 13 October 2018 to 23 June 2019, takes a look at Kampong Gelam’s role in supporting the Hajj. The district, having been an important port town, saw Muslims from across the Nusantara congregate in preparation for the often difficult passage by sea to Mecca in days before air travel (the area around Busorrah Street was also known as ‘Kampong Kaji‘ – ‘kaji’ was apparently the Javanese pronunciation of ‘haji‘).

Mdm Halimah Yacob, President of the Republic of Singapore, launching the exhibition and the Malay Culture Fest.

Many businesses such the popular nasi padang outlet Hjh. Maimunah had its roots in the pilgrimage. The restaurant, which has an outlet at Jalan Pisang, is named after the founder’s mother Hajjah Maimunah, who was Singapore’s first female Hajj broker (or sheikh haji). The enterprising Hajjah Maimunah also ran a food business during the Hajj catering to pilgrims from this part of the world in Mecca.

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The Malay Culture Fest, which was opened together with the exhibition, runs from 12 to 28 October 2018 and will feature lectures and performances over the three weeks. More information can be found at :   https://peatix.com/group/40767/events.

Entrance to one of the exhibition’s galleries.

The hajj passport of a child pilgrim on display at the exhibition.

A trunk and a suitcase used by pilgrims on display.

 





Horses dancing on the Istana’s lawn

5 11 2014

One of the memories that connects me to Tanah Merah, a magical place that I dearly miss by the sea, is of seeing what had first appeared to me to be grown men at play on cardboard horses. Tanah Merah was a wondrous place to me, not just because of that little moment of magic, but also due to its physical landscape. Set along a coast marked by cliffs from which the area derived its name, it a naturally beautiful world into which I could in my childhood, often find an escape in.

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Four decades now separates me that memory. The place has long been discarded by a Singapore that has little sentiment for its natural beauty, but what I remember of it, the horsemen I saw at play,  continues to be a source of fascination for me, play a dance that is surrounded by much mystique.

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The dance, known as Kuda Kepang here in Singapore, is thought to have its origins in the animistic practices of pre-Islamic Java and part of the mystery that surrounds it are the spirits invoked in joining man with the horses they stand astride on. The trance the horsemen fall into provide the ability to do what science cannot explain.

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I revisited these memories of what I had witness as a young child from the safety of the side of the road at the village of Kampong Ayer Gemuroh in Tanah Merah. With the familiar strains of the dizzying gamelan-like accompaniment playing, I watched, enthralled, as men possessed pranced on their two-dimensional horses in the shadows of a former royal palace .

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The palace, once the Istana Kampong Glam, is now a centre to promote the history and culture of the Malay community of which the descendants of the Javanese immigrants in Singapore have largely assimilated into. Known as the Malay Heritage Centre, it was on its now well manicured lawn on which I was able to catch what today is a rare performance of the age-old dance.

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Where it had once been quite commonly seen, especially at happy occasions such as weddings, performances in public have become few and far between as a change in lifestyles, social perceptions, and religious objections, have seen such ritual practices having been all but discarded.

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While I have in fact put up a post on the dance, sitting through an entire performance does mean I have a newer and more photographs of the dance to share in this post. My previous post does however contain a more complete description of my first impressions of Kuda Kepang and on the dance itself, and should you wish to visit it, it can be found at this link.


Before the performance

Prayers offered before the performance.

Prayers offered before the performance.

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Preliminaries

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During the Dance

Smoke from the kemenyan (incense) being breathed in.

Smoke from the kemenyan (incense) being breathed in.

Men becoming one with the horse.

Men becoming one with the horse.

The performers are obviously in a trance-like state.

The performers are obviously in a trance-like state.

Drinking from a bucket of water.

Drinking from a bucket of water.

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The horses are whipped, apparently without any pain being felt.

The horses are whipped, apparently without any pain being felt.

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The Barong

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Performers being brought out of the trance

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The palace of an empire lost

10 01 2014

It was in the disorder of Kampong Glam of the late 1960s that I first became acquainted with the area. It was where I would occasionally find myself heading to on the back of a beca (trishaw) on the shopping trips my maternal grandmother made to the five-foot-ways of the Arab Street area, an area she referred to as Kampong Jawa, for her supply of batik sarongs and bedak sejuk in shops mixed into the colours of the many textile shops that lined the corridors.

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Surviving today as a conservation district, Kampong Glam is today a pale shadow of that Kampong Glam of the 1960s – a sanitised version of what once had been a huge bazaar, a trading place of many who brought goods into Singapore from far and wide. It is amid the order found in the seemingly disordered streets and back lanes that one can now seek a peace that does often seem elusive in the madness of concrete that surrounds the district, accentuated five times a day when the soothing strains of the Azan spreading out from the Sultan’s Mosque, brings about an air of contemplative calm.

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In the shadow of the complex of the grand mosque, is where an oasis from what might have been a disorderly past, once an abode for would be kings, can be found. Set in a beautifully landscaped compound and the building that once was the Istana Kampong Glam, does take on an appearance that hints at its regal beginnings, as the royal home of a prince who became Sultan Ali Iskandar Shah, one who sought to live as a king he would never be.

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The oasis would turn out to be a mirage to the sultan’s descendents. They were to occupy the building for some 12 decades that followed his death in 1877, with the last descendants leaving in 1999. This was when the State, as the successor of the Crown to whom the ownership of the property long had reverted, decided to repossess the property for its conversion into the Malay Heritage Centre.

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The building had by 1999, long lost any hint that there might have been of its regal origins, wearing instead a worn and tired appearance and feeling the strain of its 170 occupants. This perhaps was a reflection of the fortunes of a once proud royal line, a line that descended from the rulers of territories that had stretched across the southern Malay Peninsula to the Riau and Lingga Archipelagos, fortunes that diminished progressively with the passing of each generation.

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Sitting in the quiet of the serene forecourt of the restored and resplendent yellow coated Malay Heritage Centre and bathed in its golden glow, it is the whispers of its many ghosts that I hear. The whispers are ones that remind me of the golden days of my grandmother’s Kampong Jawa, and ones that speak of gold that has for long lost its lustre. While it may seem that the gold is one we find is now best to forget, it is also one in telling us of who we in Singapore are, that we should never be made to forget.


About Istana Kampong Glam and its history:

The two-storey former Istana Kampong Glam was erected in the 1840s, work on it starting some five years after the death in 1835 of Sultan Hussein Shah in Melaka. Built in the Neo-Palladian style, the palace was built on what was said to be a palace of attap used by Sultain Hussein Shah on land that was allotted to him by the British East India Company in 1823 in exchange for the sultan’s ceding of Singapore to the British.

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The istana in 1968 (From the Lee Kip Lin Collection. All rights reserved. Lee Kip Lin and National Library Board, Singapore 2009).

Sultan Hussein’s act would have taken place in only a matter of four years from when the sultan had assumed the throne of the Johor-Singapura Sultanate. It was a manoeuvre that had been orchestrated by the British East India Company in the disarray that followed the death in 1812 of the last sultan of the great Johor-Riau-Lingga empire, Hussein’s father Sultan Mahmud Shah III, to allow them a foothold on the island.

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Another view of the istana in the 1960s (From the Lee Kip Lin Collection. All rights reserved. Lee Kip Lin and National Library Board, Singapore 2009).

Descended from a proud line of rulers of a sultanate that had once stretched across much of the southern Malay Peninsula and the Riau and Lingga Archipelago, Sultan Hussein Shah could only serve as a pawn to one of the European powers that had sought to carve the huge empire his father had left, dying somewhat dispiritedly, a year after he had moved to Melaka.

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The istana in 1967 (From the Lee Kip Lin Collection. All rights reserved. Lee Kip Lin and National Library Board, Singapore 2009).

It was to the promise that was the territory of Johor that Tengku Ali (later Sultan Ali Iskandar Shah), Hussein’s son, probably arrived in Singapore to stake his claim on his late father’s estate. While he was successful in seeking recognition as his father’s successor, the title of Sultan initially proved to be an elusive one on which Tengku Ali was conferred only in 1855. The price Ali did pay for that was huge – he signed away his rights to sovereignty over Johor to the favoured Temenggong Daeng Ibrahim and this would have repercussions on the succession rights of his descendants – cutting them off from ruling a territory that if not for the events of the early 19th century, might still have been in their hands.

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Sultan Gate and the istana, 1968 (From the Lee Kip Lin Collection. All Rights Reserved. Lee Kip Lin and National Library Board Singapore 2009).

It was in 1897 that a court ruling to a succession dispute brought to the courts had it that no one would be able to claim rights they may have had to succession following Sultan Ali’s passing in 1877. That also meant the 56 acres or 23 ha. property on which the istana stood with the ownership of the istana and its grounds reverting back to the Crown.  An ordinance, the Sultan Hussain Ordinance of 1904, was subsequently passed to allow descendants of Sultan Hussein to instead receive a stipend from the Crown. The descendents were also allowed to continue staying at the istana, vacating it only in 1999, when attempts in 1999 by the State (as a successor to the Crown) to repossess the building and its grounds, for conversion into the Malay Heritage Centre, were to be met with resistance.

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The istana in 1971 (National Archives of Singapore online).

While some of its 170 residents, some living in makeshift extensions, were happy to accept the resettlement benefits and move out of the istana’s desperately overcrowded premises, there were also many who objected (see: Letter of Appeal signed by 32 of the istana’s residents – on the Gedung Kuning website).

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The istana in 1982 (National Archives of Singapore online).

There was also much controversy that was to follow when several media organisations in Malaysia decided to weigh in on the issue. Coming at a time when tensions between Malaysia and its former state were at a high with several highly contentious bilateral issues lying unresolved, this was to lead to several angry exchanges. Singapore was accused of attempting to erase a part of its history, and with the istana being referred to as “benteng terakhir Melayu Singapura” or the “last bastion of Malay Singapore” in several instances such as in an Utusan Malaysia report dated 8 July 1999 (see : Main Point of Remarks by Minister S Jayakumar on 6 July 1999 and Speech by Mr Yatiman Yusof  on 6 July 1999).

Other sources of information:

Other posts related to the Johor-Riau-Lingga Sultanate and to Sultan Hussein Shah: