The view from what is Esplanade Park today, 8 decades and more than a world apart. What the photos have visibly in common is the Fullerton Building, then the General Post Office, and today the Fullerton Hotel.
The older photo shows the desolate scene on the morning of 16 February 1942, the morning after Singapore’s fall to Japan. Taken on what seems to be part of the unfinished reclamation ground in way of the Esplanade (on which Queen Elizabeth Walk would eventually be built), the scene in one that is in stark contrast to the view of the same area today, taken from a somewhat different position but showing the same general view of what is today the CBD. The modern scene is of course one that many across the world would be familiar with, being one that receives a fair amount of coverage around the world during Singapore’s F1 night race weekends each year and one that is a great showcase of the Singapore success story.
The story behind the 1942 photo, or rather the photographer behind the first photo is perhaps not talked about enough in Singapore. It was one captured by an Australian POW by the name of George Aspinall, who was behind a series of very bravely taken photographs that documented among other things, the cruelty of a part of Aspinall’s time as a POW. During part of his captivity, Aspinall was able to conceal a camera that an uncle had given him prior to his departure for Singapore. Remarkably, Aspinall also managed to conceal a stash of x-ray negatives and processing chemicals that he had discovered, taking them with him to captured the horrors that POWs were subjected to working along the so-called Death Railway. With the chemicals, he was able to process the x-ray negatives that he had used in his camera. While he may have disposed of his camera before his return from the death railway for fear of it being discovered, Aspinall managed to hold on to the precious processed negatives, some of which survived being buried in a latrine bore hole in Changi prison.
Among the photographs that Aspinall captured as a POW in Singapore were those that were taken during the Selarang Barracks (Parade Square) Incident, during which more than 15,000 POWs were squeezed into the the Selarang Barracks parade square to persuade the men to sign a non-escape statement. More on George Aspinall and his photographs can be found at https://www.awm.gov.au/collection/C340159.
Singapore seems to have had quite a number of burial sites laid out across swampy grounds. Examples include the since drained old Malay cemetery at Kampong Gelam on the banks of the Rochor River, the burial grounds that were found at Kallang, and the long exhumed burial grounds at former Kampong Batu Puteh. One swampy burial site, perhaps the last in Singapore, can be found off Kranji Road. More recently referred to as the Wak Selat cemetery, it occupies a site that was close to the old Malayan Railway (MR or KTM) line and just by the MR’s old Kranji Gate hut, taking this name from a village, Kampong Wak Selat, that also seems to have acquired the name in fairly recent times.
While the name “Wak Selat” may suggest a village founded by Javanese settlers, the use of the name in this case can be attributed to a headman of non-Javanese origins. The so-called Kampong Wak Selat, was really part of a larger Kampong Kranji — that is until at least the late 1970s and early 1980s, when the clearance of much of the larger village left the part of the village close to the road named “Jalan Wak Selat” isolated.
An explanation for the name of the road can be found in an account provided by a former village headman, Mydeen Kutty Mydeen. In the account, Mr Mydeen described how five roads in Kampong Kranji were named by him in the late 1950s during the days of the Lim Yew Hock administration. In the case of Jalan Wak Selat, it was a reference to an elderly man who was known to reside in the area of the road, whom Mr Mydeen had never seen but had heard about and whom I guess we can call the “old uncle of the strait” (“Wak” is a term used in Java for an uncle who is an older than one’s father, whereas “Selat” means strait in Malay).
Mr Mydeen also named Jalan Lam Huat and Jalan Chuan Seng both of which were names of pineapple canning factories served by the respective roads, Jalan Jambatan Lama after an old bridge, and Jalan Surau after a surau (Muslim prayer hall). The pineapple factories, which had been a feature in the area since the 1930s (Lam Huat was already well established in Kranji when Chuan Soon moved from Upper Serangoon Road in 1936), also meant that the village attracted Chinese settlers. A Chinese school, Tao Khoon School, operated in the area from the 1950s until 1979. The local pineapple canners, along with several others in the trade, were also responsible for establishing the Metal Box factory to support their canning needs. The factory was a well-known landmark at the end of Woodlands Road from the 1950s until 1992 and something that those who travelled up Woodlands Road upcountry during the period would not have missed.
The cemetery, much like the pineapple factories, also seems to have been in existence since the 1930s as maps from the time show. One part of this cemetery, was cleared during an exhumation exercise in 1993 to allow for road widening. This has left behind less than 40 graves out of more than a hundred. With development in the area picking up pace, it will not be long before what remains of the old cemetery, much like the village that it once served, becomes a distant memory.
A pair of tickets to be given away for The Complete Hosaywood Football Shorts, 2005-2020
(screening on Sunday 21 May 2023 at 5 to 7 pm at Oldham Theatre, National Archives of Singapore)
Simply provide the correct answer to the question below as a comment on this blog post during the qualifying period from Thursday 11 May 2023, 5 pm, to Sunday 14 May 2023, 5 pm (Singapore Time).
The giveaway is open only to Singapore residents and first ten correct entries qualify for the final draw. The winner of the pair of tickets will be picked out of a hat.
Question for Giveaway: Name any one of the goal scorers for Singapore during the 2007 AFF Cup Final over two legs.
Photo: Hosaywood
Singapore’s first National Stadium, which opened in 1973 and was demolished in 2010, was a place that touched the lives of a generation or two of Singaporeans. The stadium’s terraces brought people from all walks of life together. It was where we as Singaporeans stood as one, whether in celebration of national pride on National Day, or to cheer our sporting heroes as the strived to do us proud.
It was also on the terraces that the once feared Kallang Roar was born. The thunderous cheer, accentuated by the stamping of more than 50,000 pairs of feet, intimidated the opposition as much as it provided great encouragement to Singapore’s football team in the days when Singapore was part of the Malaysia Cup set up. It was this encouragement that also spurred the Singapore team to unlikely success in the regional Asean Football Federation (AFF) competition, especially in the last football match played in the National Stadium that saw a sell-out crowd on 31 January 2007, the AFF Cup Final (first leg).
Get to a chance to soak in the atmosphere and to relive that last match during the Singapore Heritage Festival through a rarely screened documentary produced by Jacen Tan and his collective Hosaywood, Kwa Giu – Tribute to the National Stadium. The documentary is part of a series of short films produced by Jacen that is being screened as part of the programme Cinema Reclaimed: DRIVING, KICKING & PUNCHING! curated with support and collaboration from the Asian Film Archive. The films include Tak Giu, a video which was released in 2005 – just before YouTube launched. The video, which went viral, hilariously depicted the life of local football fans sneaking around to play in public spaces, evading authorities, placing bets and arguing over S-League.
Photo: Hosaywood
Tak Giu and Kwa Giu, are just two of several documentaries produced by Jacen that captures the passion for football and the struggle to find space for the game in Singapore and for the first time, these football films will be shown together.
Directed by Jacen Tan In Mandarin, Malay, English & Singlish Colour, 75 mins
Venue: Oldham Theatre, National Archives of Singapore Sun, 21 May | 5pm – 7pm
Films included: Tak Giu (2005), Lions All The Way (2013), Homeground (2015), Ultramen Johor (2014), Table Football Fanatics of Singapore (2020), Kwa Giu – Tribute to the National Stadium (2011).
Nineteenth century Singapore had its fair share of interesting personalities. One was a certain Mr Charles Burton Buckley, who had what might be thought as Singapore’s very first mile of railway built at Bukit Timah.
Buckley in Singapore’s first motorcar
Buckley first arrived in Singapore as a young man of twenty in 1864 and was a well established lawyer by the time he had the line in 1892. Better known these days as the author of “An Anecdotal History of Old Times in Singapore” and the owner of Singapore’s very first motorcar, Buckley’s legal career took him to Rodyk & Davidson, where remained until his retirement. During his time with the law firm Buckley became acquainted with Sultan Abu Bakar — modern Johor’s first sultan, for whom the firm acted as legal adviser.
It was with the support of the Sultan that Buckley made the rather ambitious effort in laying what was to have been the first section of a railway line from Singapore to Kranji. The journey to Singapore’s north was a one that many took during the weekends by horse-drawn coaches to get to the gambling farms in Johor Bahru — yes, JB was a weekend destination even then! In 1891, Buckley, who saw the potential of halving the time that would be taken for the half day journey with a light electric railway line, conducted an experiment at his own expense running a crudely built tram-like carriage along 180 feet supply trolley track by the docks at New Harbour on 16 September 1891. This was of course during a time when the use of electricity was in its infancy and New Harbour was where a small quantity of electricity was being generated for lighting purposes and Buckley had wooden poles constructed to carry an overhead electrical supply to the tram.
Abu Bakar, the grandson of Temenggong Abdul Rahman, who became Maharaja and then Sultan of Johor.
Although the press was not particularly impressed, with the initial trail being described as a “waste of power”, the experiment was successful enough for the Sultan, who was a guest at the experiment, to lend support to the ambitious project. What Buckley had in mind was to run the line alongside Bukit Timah Road from Kandang Kerbau to Kranji with five stops. Following the experiment, he went about the business of laying the first mile of the line between 5½ and 6½ milestones Bukit Timah Road. This section was chosen as Sultan Abu Bakar owned property close by, the stables of which could accommodate a generator.
With the mile long section of the line complete, a trial was conducted in the first week of September 1892 — approximately a year after the initial experiments at New Harbour. Among the guests was Tunku Mahkota Ibrahim, Abu Bakar’s heir and eventual successor as sultan and to whom Buckley would serve as financial advisor to. Although rather clumsily built, the trial, which involved the running of three carriages over seven days over the mile long line, was pronounced as “more successful than expected”. News of the successful trials even reached the United States, where it was picked up by the Chicago based “Street Railway Review”. Despite making the observation that while they “did not admire the graceful outline of trolley stand and pole”, they did “suppose that they were for the benefit of our Simian ancestors, who may wish to travel on top”, the Review reported on the trials rather favourably in its January 1893 edition.
Charles Burton Buckley’s Electric Railway (1892) Source: Street Railway Review, Vol III, January 1893
Nothing much more would however be heard of Buckley’s endeavour and with the Government taking steps to build a railway of its own — a detailed proposal for a non-electrified railway was brought up for consideration to the Legislative Council in 1898 and although the proposal was rejected initially, the proposal was passed the following year with work on it starting in early 1900. The first section of the Singapore Government Railway, also known as the Singapore and Kranji Railway, began operations on New Year’s Day 1903 with the first train departing at 6 am from Singapore Station built on the former Police parade ground off Tank Road, running to Bukit Timah. The connection to Kranji would be completed in April the same year and with that Buckley’s efforts were forgotten.
Singapore Station, Singapore and Kranji Railway, 1903
Toa Payoh, the first satellite town that the Housing and Development Board planned in full, was recently in the news, having been the subject of a refreshed National Heritage Board (NHB) heritage trail. As part of the NHB’s efforts to update the trial, two markers have been added: one is sited at Toa Payoh’s now famous dragon playground, and the other at the so-called VIP block, Block 53.
The dragon playground from the since demolished Block 28.
Block 53 is a block that I have had an association with, having moved to it when it was newly completed in 1967 at the age of three and spending nine of my formative years in it before moving out at the end of 1976. As an early Housing and Development Board (HDB) Toa Payoh and Block 53 resident, I got to witness many of Toa Payoh’s many milestones as the town grew and matured. The Toa Payoh that I moved into, felt very much an extension of the villages that many of its early residents had been moved out of. Doors were kept open, neighbours popped in and out or said hello as they walked past; common spaces came alive, especially in the evenings. Even if it may have been against HDB rules, many reared chickens and chickens running around was a rather common sight. Chilli, pandan, lime and pomegranate, planted in pots or in the common spaces behind ground floor flats were also commonly seen. Many residents lived as if they were still living in the kampungs that they had moved away from.
When Toa Payoh was a “flowery” place. Before the roads became Lorongs, they were named Jalan Bunga XXXX.
While Toa Payoh in its reincarnation as a HDB town, was beginning to shed its long-held reputation as the “Chicago of Singapore”, criminal activity continued to plague the town. An incident that I clearly remember, involved one of Singapore’s most wanted persons who went by the nickname “Hun Cher”, who was being hunted down by the police for a series of daring armed robberies. Having been tricked into renting a flat at Lorong 5 — not far from where I lived, Hun Cher chose to take his own life during his stand-off with the police.
Block 64, where Hun Cher took his own life early one July morning in 1970.
Toa Payoh’s high profile crime cases, did little to get in the way of the becoming the HDB’s model town and a showpiece for Singapore’s public housing success story. Visiting dignitaries were often brought to Toa Payoh to be impressed at how well Singapore had done on its own in its public housing programme; to be shown that Singapore could do it. A purpose-built VIP block, Block 53, had been put up. Uniquely designed with a “Y” shaped planform, the block featured an open-air viewing deck on its roof that offered a panoramic view of Toa Payoh and its surroundings.
The Queen at the Viewing Gallery on the roof of Block 53 Toa Payoh
The marvellous playground at Block 53 with Lorong 4, the Lorong 4 market, and Lorong 3 in the background. This offered much greater fun than the rather static and compact dragons that now seem to used as a reference point for the playgrounds of yesteryears (scan of a postcard courtesy of David Jess James – On a Little Street in Singapore).
A string of visiting and local dignitaries were treated to that panoramic view, including the late Queen Elizabeth II during her first visit to Singapore in 1972, several visiting Prime Ministers and President Benjamin Sheares of Singapore. Dignitaries were also taken on pre-arranged visits to flats in the block. Living on the top floor of Block 53 had its privileges when it came to this and the humble three room flat that I lived in with my parents and younger sister was graced by the Queen with Prince Philip and Princess Anne), President and Mrs Sheares and also John Gorton, PM of Australia and Sir William Goode — the last British governor of Singapore and Singapore’s very first Yang di-pertuan Negara (see: Psst … guess who dropped in today?).
A photograph taken during the visit of the Queen to my flat in 1972.
Toa Payoh, a town of many firsts, was where the very first international mass sporting event held in Singapore, the 7th SEAP Games in 1973, had its games village and aquatic sports centre — something that many early residents of Toa Payoh were extremely proud of. The seven national contingents participating in the 7th SEAP Games were housed in 346 four-room flats in four newly constructed point blocks in Toa Payoh Central. The flats would be sold through a ballot fully furnished — the first HDB flats to be sold in this manner. There were also other buildings within the games village that would be repurposed. These included the Games Secretariat offices, which is now Toa Payoh Community Library, and a dining hall, which now houses a supermarket and restaurant.
Did you know … that the “World’s Greatest Footballer” conducted a football workshop at Toa Payoh Stadium in 1974?
Another Toa Payoh milestone, would be the opening of the then Toa Payoh Town Garden (now Toa Payoh Town Park), which featured a lookout tower — the first in a HDB town garden, the prototype dragon playground (which had a metal face) and weeping willow trees lining a pond that could be crossed on stone bridges. The pond, weeping willows and stone bridges, which made Toa Payoh Town Garden a popular destination for outdoor wedding shoots, are still there today, along with the lookout tower (to which access is now restricted). The dragon, has long been removed and is now recalled by what may be thought of as its offspring, some 900 metres down Lorong 6.
The view from the top of the lookout tower.
Climbing the dragon at Toa Payoh Town Garden, 1975.
The prototype dragon playground.
From SIT Toa Payoh to HDB Toa Payoh
While Toa Payoh can be thought of as the HDB’s first planned satellite town, it was actually the Singapore Improvement Trust (SIT) that cast the die that set off Toa Payoh’s development in the 1950s. The SIT, which was set up initially to carry out town planning and improvement, also took on the task of providing public housing. Among its early public housing projects was the one at Tiong Bahru, which was carried out in the pre-Second World War era. The task that the SIT faced post-Second World War was however much greater when it faced with rapid population growth. It was about this time that SIT began first of all to assert its rights over land ownership. It also embarked on the then rather difficult task of acquiring land for public housing for large scale public housing developments.
What the SIT had in mind for Toa Payoh was an estate to house 65,000 people. SIT did in fact build flats in the Kim Keat Road area (Temple Estate) which were completed in 1954. The SIT’s project however made slow progress for several reasons, chief of which was the reluctance of villagers and squatters to vacate land that was earmarked for the future estate. In 1955, an estimated 21,000 people were still occupying uncleared parts of the intended estate, living in scattering of attap and zinc-roofed houses. The area’s cottage industries, chicken and pig farms and vegetable farms, a source of employment for pre-HDB Toa Payoh’s residents, were still operating. The were also other sources of blue-collar work in and around Toa Payoh, and also in chicken and pig rearing and other forms of farming. The SIT was quite toothless when it came to exerting authority. This, coupled with villagers and squatters refusing to budge, made the task of land acquisition slow and rather painful. Hardly any progress was made by the time the SIT had firmed its plans up for Toa Payoh in 1958 and by 1960, flats housing only 4,000 were built — far short of the 65,000 figure that the SIT had in mind.
1960 was of course quite a significant year in Singapore’s public housing journey. It was the year when the SIT was disbanded and the HDB came into being. The HDB made even more ambitious plans for Toa Payoh and in 1961, announced that it intended to tackle Singapore’s housing crisis with an estate in Toa Payoh that was to cover over 600 acres (243 ha) and house 200,000 — a tenth of Singapore’s population! Like the SIT, the HDB faced resistance from villagers and squatters. It noted in its 1961 Annual Report that “organised resistance” played a part, which prevented the commencement of clearance and development work on the new town. The HDB was however given greater authority to overcome very similar difficulties that its predecessor had faced. Offers of monetary compensation were more generous, and it also went further by the provision of temporary housing for displaced villagers. Harder methods were also employed where necessary to counter the intimidation that its officers faced from gangsters and various communist influenced groups that were behind the organised opposition to land acquisition. By 1962, most villagers had agreed to take the HDB’s offers up, paving the way for the clearance of land in 1963. Construction on the estate started in 1964 and by October 1966, Toa Payoh’s first 720 flats were put up for balloting.
The HDB spared no effort in making Toa Payoh a planning success story, and a model for future HDB towns. There were also some interesting concepts that the HDB adopted for the new town such as a rather unique traffic system that carried traffic into and out of the new town via flyovers. Roundabouts or road circuses rather than traffic-light controlled junctions were used to manage vehicular flow at the entry points, a system that was actually borrowed from SIT’s plans, which had featured British new town planning ideas. Similar to SIT designed Queenstown, Toa Payoh also featured a neighbourhood system built around neighbourhood centres with a concentration of markets, shops and other amenities, with a main town centre to serve the entire town. Population density would be where Toa Payoh differed from Queenstown, which was built to contain an average of 200 persons per acre. HDB applied the squeeze in Toa Payoh, increasing the planned population density by 2.5 times to 500 persons per acre.
One of the things that the HDB did in Toa Payoh, is retain some key religious sites such as the Seu Teck Sean Tong. The town and its roads were laid out and aligned around these sites. See also “The sunken temple of Toa Payoh“.
Now rarely encountered, puppet performances were once a common sight here in Singapore. Much like street opera performances, the appearance of puppet stages more often than not, coincided with festivals celebrated at Chinese Taoist temples. While such performances may have provided entertainment to the common folk in days before television invaded our homes, they were often put up for religious purposes, with puppets also playing a part in performing rituals and in performances conducted for the pleasure of visiting gods.
Carried over by the Chinese emigrant community, various forms of Chinese puppetry have been seen in Singapore. String (marionette), rod, or glove puppets are mostly used. String puppets, which can best replicate human-like movement and gestures, carry the highest status and are thought to be most sacred amongst the various types of puppets. Belief was that puppets of deities used in rituals were brought to life by the deities they represented and the skills that the puppeteer demonstrated was imparted by the god of string puppets, also the god of theatre — a deity that is most often represented by a marionette. For this reason, string puppeteers were initially Taoist priests, due to their ability to communicate with the gods.
Over time, puppet troupes have taken over the role played by priests, with the eventual secularisation of the practice as a theatre form. Music used in puppetry has also changed, with a move from the use of nanyin music in Hokkien puppetry towards the more folk-like gezai music form that is associated with opera.
These days, all but a handful of puppet troupes keep the tradition alive. One, a Hokkien string puppet troupe known as Geyi, was founded in 2001 by Doreen Tan. Madam Tan, rather interestingly, was English educated and had no background in the traditional Hokkien theatre. Geyi is currently staging performances at the beautifully restored Temple on Phoenix Hill, Hong San See, during the elaborate commemoration of the feast day of its main deity, Guang Ze Zun Wang (广泽尊王) or Kong Teik Chun Ong (in Hokkien). The deity is widely worshipped in Lam Ann, the origins of the temple’s founders. The festival celebrations run until 16 March 2023.
The troupe during the banxian (impersonating the immortals) ritual.
More photographs taken during the Guang Ze Zun Wang festival at Hong San See:
The fire of the dragon of Sar Kong was seen again last evening, making a reappearance on the streets around its lair at the Mun San Fook Tuck Chee temple. The temple introduced the fire dragon dance in the 1980s, importing a tradition from Tai Hang Village in Hong Kong that has its origins in 1880. Mun San Fook Tuck Chee’s dance of the fire dragon, which usually makes an appearance once every three years, now seems a significant cultural event in Singapore and draws crowds of observers as well as many photographers.
The temple, Mun San Fook Tuck Chee (萬山福德祠), is thought to have its origins in the 1860s, serving a community of Cantonese and Hakka migrant workers employed by the area’s brick kilns, sawmills and sago making factories. The temple moved twice and came to its present site in 1901.
The dance of the fire dragon that is associated with the temple, although long a practice in its place of origin in Hong Kong, only came to the temple in the 1980s. The dragon used for the dance is the result of a painstaking process that involves the making of a core using rattan and the plaiting of straw over three months to make the dragon’s body. Lit joss sticks are placed on the body prior to the dance and traditionally, the dragon would be left to burn to allow it to ascend to the heavens.
More information on the temple, its origins and its practices can be found in the following posts:
The opening of the heavens over Jurong late on Tuesday (3 January 2023), just as Jurong Bird Park was an hour or so short of shutting its doors for a final time was a poignant reminder of the sadness that was attached to the event. The deluge that its brought seemed very much like a torrent of tears that was being shed from up above. The park, which opened on the very day 52 years to the day it was to close for good, seemed to have a life to celebrate cut short, a life during which it left an impression on many young and old, gained a worldwide reputation and became the face to an otherwise grey and unfashionable Jurong.
The brainchild of the visionary Dr Goh Keng Swee, Singapore’s first post-independence wildlife attraction, seemed an unlikely attraction when it first opened in 1971. Located on the fringes of the heavily industrial west of Singapore, the bird park was like the industrial estate whose image it was to soften, a resounding success story. Boasting what was then the world’s largest walk-in aviary, the Waterfall Aviary, within which one also found the world’s tallest man-made waterfall, there was much to draw the visitor. It soon became a popular spot for family outings, school excursions and an attraction that put Singapore on the tourist map.
The bird park, which drew 41 million visitors throughout its 52 years of operation, attracted more than 30,000 in its last five days of operation, with 2,600 guests taking in the sights, sounds and shows on its final day. While the closure does spell the end for Jurong Bird Park as we have known it, it is not the end of the road for the staff and the park’s feather residents as the attraction is being reincarnated as Mandai Bird Paradise. The Bird Paradise is scheduled to begin operations in the second quarter of 2023.
A flamboyance of flamingoes takes one of its final flights in Jurong.
Mr Clarence Saw at the last of Jurong Bird Park’s show — just before the downpour.
A last look at Penguin Coast.
Staff of Jurong Bird Park taking a last photograph.
A last look at the great pied hornbill in its enclosure.
Tears from the heavens.
A last photograph in the rain on the suspension bridge.
The last High Flyers show.
A last look at the quite lush and verdant Waterfall Aviary.
Hornbill viewing.
A last look at what was once the world’s tallest manmade waterfall.
A view of the waterfall from the suspension bridge.
A last climb to a look out point in the Waterfall Aviary.
Last gifts for last day guests.
A last look at the entrance to the Waterfall Aviary.
A last dance with the birds at the Pools Amphitheatre.
The crowd at the last King of the Skies show and very last show at Jurong Bird Park.
A last opportunity to “mingle” with the avian residents at the Pools Amphitheatre.
Last chance to get up close at the African Treetops.
A hornbill wows the crowd at the last High Flyers show,
The foraging Raoul, a southern-crested caracara at the King of the Skies show.
A greater flamingo.
A migratory stork in the greater flamingo enclosure. While the storks are non-residents at the bird park, they were regular visitors who came for food and were fed along with the other birds.
A giant pied hornbill.
A violet back starling feeding at African Treetops aviary.
A bearded barbet at African Treetops.
A sun conure at the last High Flyers show on an enrichment device.
The photographs of the remains of Connaught Battery contained in this post were taken during a recent recce accompanied by a member of Sentosa’s staff. Do note that the area in which the remains are found is out of bounds. It contains a number of hazards and it is not only not advisable not to visit the area without the necessary permissions and supervision, you would also be trespassing if you do so.
The remains of Connaught’s No 3 Gun emplacement.
Hidden in the vegetation of Sentosa’s two easternmost elevations just a stone’s throw away from one of Singapore most luxurious residential quarters, are the remains of its guns from the era of the Second World War. The better known of the two elevations, is of course Mount Serapong, which has been made accessible through public tours. A second set of guns, three 9.2 inch guns, were placed on the neighbouring elevation. These went into action during the Second World War, and were turned north and north-west to fire towards advancing Imperial Japanese Army troops in the direction of the Causeway, Jurong and Bukit Timah. All available ammunition, a large proportion of which were armour piercing and therefore ineffective against the advancing foot soldiers, was used before the guns were spiked and destroyed on 14 February 1942 — a day before Singapore capitulated. What remains of Connaught Battery include the badly damaged No 3 gun emplacement, a Battery Observation Post and an underground magazine, a retaining wall of the underground structure and several ventilation and other openings.
Another view of the No 3 Gun Emplacement (inside – the shaft and opening for the ammunition hoist can be seen)
A Battery Observation Post
Fittings for railings and a hinge on the emplacement
Inside the BOP
Inside an underground magazine (note the red brick cavity wall)
The cavity wall arrangement, which was possibly installed for moisture control
A view up the ammunition hoist
Background to the development of Sentosa’s Coastal Defence Positions and Connaught Battery
For large parts of its history, Sentosa was not as tranquil an island as its name would suggest. The so-called isle of tranquility, was previously called Blakang Mati, a name that carries with it a suggestion of death or even violence, even if little seems to be known about the origins of a name that it was known by since at least the early 17th century.1 Blakang Mati was also an island that has long had a reputation of being a pirates’ lair. This seemed to be the case as far as the 14th century, with the accounts of Yuan dynasty Chinese voyager, Wang Dayuan, describing what is now thought to be the waters in the area of the island as being infested with pirates2.
While an air of tranquility may have descended on the island following the Honourable East India Company’s (EIC) entry into Singapore with its second Resident, Dr John Crawfurd, describing it as a “beautiful and romantic spot”3, the spectre of death seem to still hang over Blakang Mati. Outbreaks of “Blakang Mati Fever” occurred. These were “of so deadly a character as to carry off three quarters of those attacked”, prompting some of those who settled on the island to flee in “fear and horror”.
The threat posed by “Blakang Mati Fever” however, did little to stop the one square mile island from being turned into one of Singapore’s most heavily armed and fortified square miles. Suggestion were in fact made as early as 1843, for an infantry garrison to be placed on the island as part of a plan to defend Singapore. While little came out of this plan in relation to Blakang Mati, the threat posed by Imperial Russia through it establishing a base in 1872 at Vladivostok on land it acquired from China, and the fact that advances in naval shipbuilding had greatly improved the speed, range, armour, and armament carrying capability of warships, prompted the building up of a coastal defence system to protect the Singapore and New Harbour. Measures taken included the placement of coastal artillery batteries on Blakang Mati. By 1878-79, batteries with fortifications were established at Fort Blakang Mati East (renamed Fort Connaught in 1890 to commemorate the visit of the Duke of Connaught to Singapore) and Fort Siloso. This effort also saw an infantry redoubt built at Mount Serapong.
Blakang Mati’s coastal defence positions and armaments on Sentosa would see overhauls over the years. Among the upgrades was the setting up of a battery at Mount Serapong following a review undertaken in 1885 with Singapore’s growing importance as a coaling station ii mind. Another upgrade, made from 1907 to 1911, came in the wake of Japanese successes in the Russo-Japanese War. This saw the battery at Mount Imbiah added, which was completed in 1912 with Fort Connaught’s battery being decommissioned as a result of it. Imbiah Battery would itself be decommissioned in 1937, when a rebuilt Connaught Battery came into play. The battery, along with a battery at Mount Serapong, remained in service up to the time of the Second World War. The rebuilding of Connaught Battery resulted in the removal of all traces of the 19th century fortifications of Fort Connaught.
While the guns at Serapong seemed to have been damaged during Japanese air raids in January 1942, the three guns at Connaught Battery were turned northwards and were fired in the direction of the Causeway and later at advancing Japanese troops at Jurong on 11 Feb 1942 and Bukit Timah on 12 Feb 1942, expanding all the available ammunition, before being spiked and destroyed on 14 Feb 1942.
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1 The first instance of the island being positively identified as Blakang Mati was through a map made by the Malacca-based Manual Godinho de Erédia. This was published in 1604 to aid in the discovery of the legendary islands of gold. In the map, the island is identified as “Blacan Mati” with the “c” being pronounced as a hard c.
2 In Wang Dayuan’s accounts contained Daoyi zhilüe (島夷誌略) or “Description of Barbarians of the Islands”, he provides a description of a pirate infested “Longyamen” (龍牙門) or Dragon-Teeth Gate, which is now believed to have been a reference to the pair of rocky outcrops at Tanjong Rimau at the western end of Blakang Mati and across the waters at Tanjong Berlayer. Known as “Lots Wife” to the British, they were removed to widen the entrance to New Harbour (Keppel Harbour) in 1848.
3 Among the early uses of the island in the early days of EIC Singapore was the installation of a flagstaff on the island’s highest peak, Mount Serapong, in 1833. The island would also find use for the cultivation of pineapple, jackfruit, guava and chempedak with three villages being established. One was Kampong Ayer Bendera, which was named after the flagstaff. This was located at the foot of Mount Serapong and inhabited primarily by Bugis. There was also a Malay village in the area known as Kampong Serapong, while the third village was Kampong Blakang Mati, another Bugis village. A few Chinese also found their way to the island.
Another set of photographs from the Harrison Forman collection offering a peak into Singapore’s past is one that contains views, in complete colour, of a famous but long demolished mansion and its curious garden in 1941. Both were objects of much fascination, and its even had the likes of Carl Mydans also photographing it for LIFE Magazine that same year, for a feature on Singapore published in July 1941.
Perched on an elevation that was described as “probably one of the best” for a mansion in Singapore and one that commanded a “striking view” of a great part of the island, the lavish and gilt-domed residence of the Aw’s in Pasir Panjang, Haw Par Villa, must have been a magnificent sight for the one thousand guests who were invited for its housewarming party in March 1937. No expense had been spared in the construction and the fit out of the rather lavish interiors of the mansion, which was topped by seven gilded domes. Such was the amount of gold that was used that Singapore’s entire stock of gold was reportedly depleted because of it!
Haw Par Villa in full colour, Harrison Forman, 1941.
Designed by pioneering Singapore architect Ho Kwong Yew, Haw Par Villa sat on a plan that was rather uniquely a series of circles centred on a central hall that was surrounded by circular rooms. Entering the house, one would have encountered its reception hall, and beyond that the central hall. There was also a drawing room, a dining room, four bedrooms with dressing rooms and attached bathrooms, all of which were furnished in a rather ostentatious manner with furnishings and decorative items that were handpicked by Mr Aw Boon Haw from the “best furnishing houses and decorators” during his travels to America and Europe. Even the coloured cement walls inside the house were expensively decorated — with mother of pearl inlays. There were also specially made bronze panels which had been brought in from Europe featuring tigers in various poses, lining the doorways inside the house. The opulent interiors would also have been brought quite literally to light by day and by night, having been illuminated by the generous amount of light filtering through stained-glass laylights fitted on the domes, and through the house’s curved steel-framed windows in the daytime, and by coloured lighting after nightfall.
A much photographed pagoda, Harrison Forman, 1941.
Almost as soon as it was completed, the villa, and the fantastical and extravagantly laid out and publicly accessible garden that was created to complement it, became an instant hit with visitors to Singapore, as well as with the local population. Open to the public, the garden was laid out over several terraces of the elevation that the villa stood on, and although it was meant to complement the mansion rather than take centrestage, much attention was drawn to it by curious press reporters and photographers. Its decorative structures, such as the rockeries and grottoes of artificial rocks, a pagoda, miniature buildings and figurines depicting animals such as cranes and storks, drew a fair bit of interest as did its 50 feet by 25 feet swimming pool.
A garden that was created to complement the villa, Harrison Forman, 1941.
The garden soon became synonymous with Singapore and a must-visit visitor attraction. Among its early visitors were Hollywood couple, William Keighley and Genevieve Tobin during part of their honeymoon in Singapore in May 1939, 39 Australian schoolboys visiting Singapore with the Young Australia League in January 1939. The garden also took centrestage for a pahit party (cocktail party) that was thrown for a visiting Republic of China military delegation in May 1941, which was attended by the British military’s top brass based in Singapore. Such was Haw Par Villa’s draw that it seemed to be the first out-of-town destination to which “all newcomers to Singapore” were brought to — as was the case with a batch of Australian nurses with the Australian Army Nursing Service who were sent to Singapore in September 1941.1
AANS nurses visiting Haw Par Villa (with the villa seen in the background) in September 1941 (source: Australian War Memorial, public domain, copyright expired).
The villa was itself was a draw. Public access to it was permitted during open houses held on festive occasions such as the Chinese New Year. Sadly, the villa did not survive very long. It was taken over for use as a residence during the Japanese Occupation and reportedly housed both Japanese and German officers.2 Poorly maintained, it was left in a poor state by the end of the war. Looting had also stripped the house of all its furnishings and many of the statues from its garden.
By early 1951, Mr Aw Boon Haw, who had lost his younger brother during the war (Boon Par died in Rangoon in 1944), had Haw Par Villa demolished in the hope that he could have a mansion modelled after a Chinese-styled palace put up in its place. Later, a 200 ft high pagoda was proposed. The ongoing austerity drive, which limited spending on private home to a mere $50,000, put paid to Mr Aw’s plans and he turned his attention instead to expanding the set of displays. In doing so, he placed focus on using displays to provide moral guidance to visiting members of the public through the depiction of scenes from Chinese folklore, the Chinese classics, and Buddhist and Taoist teaching which contained messaging on moral values such as filial piety.
Both Taoist and Buddhist themes feature in Haw Par Villa’s displays, Harrison Forman, 1941.
Mr Aw passed away in September 1954 without being able to fulfil a desire to have the demolished villa replaced. The garden, which took on the name “Haw Par Villa” from its association with the missing villa, continued to be a popular spot for visitors to the island. Its collection of figurines and tableaux would have appeared to have been quite bizarre to those not schooled in traditional Chinese teachings and was at the very minimum, a source of amusement and fascination. Among those who graced the garden was the very first Miss Universe, Armi Kuufcla, who visited in April 1953. Another famous personality to visit was teenage idol, Frankie Avalon, late in 1965.
Harrison Forman, 1941.
The garden was also popular for fashion shoots, and as a filming location. Among the movies with scenes shot at Haw Par Villa was a joint Bollywood-Malayan production, “Singapore” in 1959, which contained a scene that saw the popular Maria Menado dance with Bollywood heartthrob Shammi Kapoor. The film was released in 1960. A 1966 Hollywood production, Kommisar X, aka Operation Far East, aka So Darling, So Deadly, had a scene that featured a chase through the garden, and a 1967 British production, Pretty Polly (also A Matter of Innocence) included an evening scene that was filmed at Haw Par Villa.
Harrison Forman, 1941.
Following Aw Boon Haw’s death, Boon Par’s son, Aw Cheng Chye, introduced displays that broke with the garden’s theme, and its Chinese flavour. An avid traveller, Cheng Chye put up International Corners to mark his overseas trips. While this may have contributed to the garden’s quirkiness, it did much to alter its character. Much, much more has happened since. An attempt to convert the garden into a theme park in 1990, failed rather miserably. That saw a ride through an all too prominent dragon. This some believe, brought negative energy on the garden due to the incompatibility of the dragon and the tiger (the “Haw” in Boon Haw’s name, translates into tiger). Most recently, the garden seems to have gone the way of hell, with the current operator intent on Hell’s Museum becoming Haw Par Villa’s draw even if hell, especially the non-Chinese interpretations of life after death, was never intended as the garden’s dominant theme.
The dragon that swallowed hell up – during its theme park days.
1A number from the group were among a second batch of evacuees who would depart on board the SS Vyner Brooke on 12 February 1942, which was attacked and sunk by the Japanese forces on 14 February 1942 in the Bangka Strait. Out of a group of 65 nurses on board the Vyner Brooke, only 24 survived the war, with 21 losing their lives during a massacre on Radji Beach on Bangka Island.
2There was a German U-Boat repair and supply facility maintained at Pulau Damar Darat, which included a graving dock. Among the residences that German naval personnel were known to have used were ones in Pasir Panjang and also at Gilstead Road.
Photographs freeze moments in time, moments that may never again be seen, or even ones with a tale or two to tell. A photograph with a tale to tell is one that belongs to a collection of photographs taken by American photographer Harrison Forman. Taken in While it has been dated to the 1950s, it does appear to be one of a multitude of photographs that Forman captured of pre-World Singapore in 1941, which also includes several taken on 35mm colour slide.
The photograph, taken with Amber Mansions along Orchard Road (where Dhoby Ghaut MRT Station is today) in it, also shows W J Garcia’s piano showroom. Garcia, who was a piano and organ dealer, and is now probably best known as the person behind the installation of what is now Singapore’s oldest pipe organ at the Cathedral of the Good Shepherd in 1912.
Garcia, was a well known personality, having been a pioneering Singapore piano maker. He ventured into the business of piano making in the 1920s, challenging the commonly-held belief that pianos could not be made in the tropics. Garcia’s motivation for venturing the piano making business had been the difficulties that existed in the postwar (First World War) period in obtaining good pianos at reasonable prices. Prior to setting the factory up in 1926, Garcia had his son W H Garcia learn the trade in London. Within Garcia’s teak piano cabinets, were sounding boards made of Romanian pine, imported iron frames, actions, keys and hammers.
Garcia’s factory, which was at Holland Road, had a machine shop measuring approximately 20 by10 metres in which teak was prepared and cut, a room 15 by 10 metres in which the teak was seasoned, and another 20 by10 metre room for assembly. The Second World War would bring Garcia’s venture to a tragic end, with Garcia, who was interned as a civilian during the Japanese Occupation, passing away at the age of 66 on 26 April 1942.
The 66 ha Rifle Range Nature Park, which opened on Saturday, adds to Singapore’s growing list of wonderful publicly accessible parks that, placed on fringes of Singapore’s nature reserves, act as buffers to protect the forest reserves. These nature parks offer a chance for all of us in Singapore to do some forest bathing and take in some of Singapore’s natural beauty without adding to the pressures on our fragile forests.
The former Sin Seng Quarry turned freshwater wetland.
Singapore’s latest nature park takes its name from Rifle Range Road, which served as the access road to Bukit Timah Rifle Range. The range was built in 1924 by the Public Works Department, primarily to serve the Singapore’s volunteer forces. By 1930, the road was named after the rifle range, which later became the home of the Singapore Gun Club.
The former quarry and the viewing deck 31 metres above the freshwater wetland.
Rifle Range Nature Park, which is home to a wealth of biodiversity with more than 400 species of flora and 300 species of fauna (including the critically endangered Sunda Pangolin and Leopard Cat), features 7 km of boardwalks and hiking trails — the longest amongst all the nature parks. Some of its highlights is the former Sin Seng Quarry turned freshwater wetland, and, best of all, a wonderful viewing deck (Colugo Deck) that provides a breathtaking view of the wetland and beyond from 31 metres above!
Rifle Range Nature Park offers 7km of boardwalks and hiking trails
The visitor pavilion, which takes inspiration from the baffles of a rifle range.
The roof deck of the Visitor Pavilion.
The rain garden.
On the Gliders Boardwalk.
A Malay Viscount.
A shelter — made of mass engineered timber.
Cleverly designed lightning conductors line the boardwalks, featuring the fauna of the park.
A Malayan Colugo, seen in the vicinity in October 2018. The species, which is known for its distinctive skin membrane — which inspired the design of the Colugo Deck, has a near-threatened conservation status.
Where would the “most haunted” place in Singapore have been when you were growing up? In the days before the myths about a certain set of buildings in Singapore’s east acquired that reputation with little foundation, there were many other places or buildings that were thought of as being the creepiest. The list ranged from the old and derelict, houses with ghostly tales, to places such as the old YMCA at which the Kempeitai carried out verified acts of torture.
One that I was especially terrified of, was the so-called haunted house at Peirce Road. This was back in the 1970s and 1980s when many old bungalows whose glory days had long deserted them, could still be found and even accessed. The house at Peirce Road, was a large two-storey mansion (where Peirce Villas now stands) that was particularly popular for youthful thrill seekers seeking a nocturnal adventure. It was the place to head to for a dare, to show-off, or quite simply, to have the hell scared out of you. Reputedly Singapore’s most haunted house, the stories of those who dared venture into it were of instances of spirit possession, poltergeist-type activity and almost anything that made one’s hair stand on ends. By the end of the 1970s, the house had already become quite derelict, and even if the stories — true or false — did not put fear into you, there was the need to approach the house with some caution as there was the chance you could injure yourself if you were not careful.
Despite its reputation, the house played a starring role as the Soong family mansion in the 1989 TV mini-series, Tanamera – The Lion of Singapore, which was based on Noel Barber’s novel, Tanamera, set in 1930s Singapore. It was one of two buildings that were then in poor state that were used in the series, having to have repairs and a new coat of paint splashed on to look presentable enough; the other being the old Blakang Mati officers’ mess on Sentosa. While the old officers mess has since been refurbished as the rather resplendent Capella Hotel (the venue of the farcical 2018 Trump-Kim Summit), the Peirce Road mansion was demolished, not long after filming was completed in 1989.
Among American photo-journalist Harrison Forman’s vast collection of some 50,000 photographs, found in the American Geographical Society Library of the University of Wisconsin–Milwaukee are the wonderfully captured scenes of a Singapore in 1941. The photographs, which include a number of rare colour captures, provide a glimpse of the bustling colony that Singapore was, just as preparations were being made for a war that many felt would not come to its shores.
A view of Hong Lim Green and the so-called “Suicide Flats” built in the early 1950s by the SIT (photo: Harrison Forman Collection, University of Wisconsin-Milwaukee)
The collection also contains a number of photographs taken in the 1950s and 1960s that show a Singapore in transition, as Singapore went from colony to state, and eventually towards merger with Malaya and independence. One of these photographs, taken in the mid-1950s, is seen here. It captures the then newly erected 9-storey blocks of flats at Upper Pickering Street / Upper Hokkien Street (a plot now occupied by Parkroyal Collection Pickering) that was put up by the Singapore Improvement Trust or SIT (the block in the middle was in fact built to house the SIT’s HQ).
Completed in 1952, the blocks were Singapore’s tallest public housing blocks and the tallest buildings in Chinatown. As with many tall public housing blocks over the years, they had an unfortunate association with suicides and became known as the “suicide flats” almost as soon as it came up. The blocks of flats, also acquired a reputation for being haunted. This was not without reason as there were a number of reports of hauntings. An ex-resident — a former colleague of mine, who lived on the top floor of one of the blocks, described how he had resisted a compulsion to jump from the balcony at the urging of “a group of children” who were calling to him from the ground. He told his parents about the encounter and was never allowed out on the balcony again.
The SIT, which was established to carry out town planning and later took on the role of providing public housing, built Tiong Bahru Estate and also put up estates such as Princess Elizabeth Estate and Old Kallang Airport Estate (where Dakota Crescent is) and set what then was the largest public housing programme at Queenstown in motion. They were also responsible for putting up several smaller clusters or individual public housing blocks such as the Princess Elizabeth flats at Farrer Park, blocks in the Bugis area and in Kampong Kapor. SIT made initial plans and carried out the early land acquisition for Toa Payoh and built the old Kim Keat Estate as a prelude to Toa Payoh before being disbanded in 1960 — when the Housing and Development Board (HDB) was formed. The rest, as they say, is history. HDB became one of Singapore’s great success stories and built twice the number of public housing units that SIT had managed to put up in its three decades of existence in a matter of just three years.
SIT built Tiong Bahru
While the blocks at Upper Pickering Street have been demolished, the legacy of the SIT can however still be found. The SIT built portion of Tiong Bahru has largely been conserved. There are also several blocks around Dakota Crescent that are being conserved following calls to keep the surviving part of the old estate. Beyond public housing, the back lanes behind shophouses, and the spiral staircases found behind them, could be thought of as another legacy of the SIT with the trust having been responsible for executing the scheme following their formation. There are also the estates that the SIT built and maintained that housed their senior staff. These are still very much with us and can be found at Adam Park and at Kay Siang Road.
It is sad to think that Jurong will soon be without Jurong Bird Park. The attraction, which brought many into the heart of what might have been an unattractive industrial estate if not for its presence, will welcome its last guests on 3 January 2023 — exactly 52 years after its 1971 opening. Its closure is in anticipation of its move to Mandai, where it reopen as Bird Paradise as part of the larger Mandai Wildlife Reserve. When the bird park does close, Jurong will certainly be a poorer place without it. What will become of the lush green space that the bird park occupies, one that has taken half a century to grow, is not known. I would certainly love to see that it is retained as a green oasis in the midst of the industrial sprawl that surrounds it. It will be quite a shame if we were to also lose it once after the bird park closes.
The old and very industrial looking entrance to the bird park. The park would have been in operation for 52 years when it closes its doors for the last time on 3 Jan 2023. (Photo: Mandai Wildlife Reserve).
For those like me who grew up with the bird park, Jurong will not be Jurong without it. Developed as part of the effort to provide the then newly minted industrial town a greener and softer face and a space to also live and play in — some 12% of the Jurong’s land area was set aside for parks and gardens, the bird park and the plan to make Jurong a “garden industrial town”, was the brainchild of Dr Goh Keng Swee. A trip that Dr Goh made to Rio de Janeiro for a World Bank meeting as Finance Minister in 1968, during which he visited the city’s zoo, provided the inspiration for the bird park. The zoo’s aviary caught Dr Goh’s eye and he hit on the idea of the bird park. When asked why not build a zoo instead, Dr Goh reportedly quipped, “birdseeds cost less than meat”.
Among the bird park’s visitors in its early days was HM Queen Elizabeth II in 1972. (Photo: Ministry of Information and Arts Collection, courtesy of National Archives of Singapore)
Like Jurong Industrial Estate, the new bird park’s host, the bird park was a huge success story. Given the “wow” factor through what was at 100 feet high, the world’s tallest man-made waterfall, which was set in the world’s largest walk-in aviary, the bird park captured the imagination of many of us in Singapore in the early years of nationhood and very quickly became a favourite destination for many. In a matter of less than twenty months of its opening, the bird park welcomed its one-millionth visitor in August 1972. It was especially popular as a destination for school excursions, as learning journeys were then known as. Besides the many family outings to the bird park, I also remember numerous long and usually uneventful journeys to it on the school bus. Getting that whiff of cocoa in the air, as the bus carried us down the grand avenue-like Jalan Boon Lay and past the Van Houten chocolate factory, was always something to look forward to. That meant always increased that sense of anticipation as it meant that the bird park was close by.
Once the pride and joy of Singapore. At 100 feet or 30 metres in height, Jurong Bird Park’s waterfall was once the tallest man-made waterfall in the world. See it for the last time before it closes its doors for good at the end of 3 January 2023.
To celebrate its legacy ahead of its closure, Jurong Bird Park is inviting all of us in Singapore to embark on A Flight To Remember. The four-month long last hurrah of sorts for the park, being held from 3 September 2022 till 3 January 2023, will see a series of activities held at the bird park. During this time, visitors will be able to recall some of the park’s more memorable moments as well as their past experiences through a self-guided heritage trail, mock-ups of the park’s features over the years such as its one-time cuckoo clock tower and the panorail (which operated from 1992 to 2012), and, a memory wall at the Penguin Coast to which visitors can add their own memories of the park. An opportunity will also be provided for visitors to see Jurong Bird Park through the eyes of its dedicated team of staff through a staff-curated Insider’s Guide.
The iconic cuckoo clock tower that once graced the park’s entrance. (Photo: Mandai Wildlife Reserve)
Come November 2022, visitors will also be able to join the bird park’s Nostalgic Signature Tour, which will be conducted by seasoned guides and will delve into the park’s much storied past. Bookings can be made for this tour from 19 October 2022. Adding to the sense of nostalgia, the bird park will launch a nostalgic dining experience in November, when traditional pushcarts offering local hawker fare make an appearance. More information on A Flight to Remember can be found on the Jurong Bird Park’s website.
A mock-up of the cuckoo clock for A Flight to Remember with a count down timer.
Jurong Bird Park, opens from 8.30 am to 6 pm (last entry is at 5.00pm) from Thursdays to Sundays, and on the eve of public holidays, on public holidays, and during selected school holidays.
A mock-up of the 1992 panorail at which visitors can take photographs.
“Old Birds” of Jurong Bird Park
Maggie Ang, Deputy Vice President, Jurong Bird Park, dressed as Doctor Squawk. Maggie Ang as Doctor Squawk as part of the Bird Park Goes to School programme that she helped launch (photo: Mandai Wildlife Group).Roslee Mustaffa, Manager, Facilities Management, who joined as a Penguin Technician and who met his future wife at the bird park.Mohammad Saad Bin Yahya, Assistant Manager, Animal Presentation, High Flyers Show.Sadali Bin Mohamed Tali, Senior Keeper, who contributed to the programme that saw the successful reintroduction of the Oriental Pied Hornbill to Singapore.Daisy Ling, Vice President of Corporate Services, who joined the park as an Education Officer.Clarence Saw, Senior Manager, Animal Presentation, Kings of the Skies Show, a former Military Policeman who works with raptors.Clarence Saw in his younger days (photo: Clarence Saw).Chandra Mohan, Manager, Animal Presentation, Kings of the Skies Show
Fort Canning Hill, aka Bukit Larangan or Forbidden Hill, the place of many a schoolboy adventure for me, has always been a place of discovery and rediscovery for me, as well as a space that provides an escape from the urban world. An abode of the ancient kings of Singapura — the spirits of whom are said to still roam the hill, the hill is one steeped as much in history, as it is surrounded by mystery.
Fort Canning Hill, the Forbidden Hill is a place that has long been cloaked with an air of mystery.
The mystery of the place, was quite evident when the British first established their presence in Singapore in 1819. Col William Farquhar’s attempt to ascend the strategically positioned elevation, which commanded a view of the plain across which the settlement and Singapore River, was met with resistance by the followers of Temenggong Abdul Rahman who claimed that the sounds of gongs and drums and the shouts of hundreds of men could be heard, even if all that was present then on the hill were only the reminders of a long lost 14th century kingdom. The claim did not deter Farquhar from making his ascent, nor his colleagues in the East India Company, who would exploit the hill to place the seat of colonial rule in Singapore, as an experimental botanical garden, for the first Christian spaces for the dead, and as an artillery fort and barracks, for fresh water supply to the fast developing municipality and as a strategic military command bunker.
It has long been a place of escape for me.
Much of that history, and mystery, is now wonderfully captured in the new Fort Canning Heritage Gallery — and in a book “Fort Canning Park: Heritage and Gardens” that was launched in conjunction with the gallery’s opening yesterday on 26 August 2022. The gallery is housed in a 1920s barrack block now known as Fort Canning Centre, that has seen use most recently as a staging point for the Bicentennial Experience and as the short-lived private museum, Singapore Pinacothèque de Paris. The centre, which also housed the “world’s largest squash centre” from the 1977 to 1987 during the height of the squash rackets craze in Singapore, sits quite grandly atop the slope we know today as Fort Canning Green and forms a magnificent backdrop to the many events that the former cemetery grounds now plays host to.
Fort Canning Centre, a 1920s barrack block in which the newly opened Fort Canning Heritage Gallery is housed.
Divided into five zones, the gallery provides an introduction to the hill, and through four themed zones, places focus on a particular aspect of the role that the hill has played through its own and also more broadly, Singapore’s history. The stories, told succinctly through information panels, archaeological artefacts excavated from the hill and interactive digital stations, provide just enough information to the visitor to provide an appreciation of the hill history and its heritage. There is also a condensed version of the “From Singapore to Singaporean: The Bicentennial Experience” video that plays in a mini-theatrette within the gallery.
Minister of National Development, Mr Desmond Lee, opening the new Fort Canning Heritage Gallery.
Also opened with the new gallery was an enhanced Spice Garden, which now extends to the 2019 pedestrianised section of Fort Canning Rise and a pedestrian ramp and underpass (that once led to the former car park at the rear of the old National Library). The pedestrian ramp and underpass now features the new Spice Gallery, which I thought was a wonderful and meaningful way to use a space that serves little other practical use today. The Spice Gallery, made possible by the generous support of Nomanbhoy and Sons Pte Ltd — a spice trader with over a hundred years of history, provides an appreciation of the significance of the spice trade to modern Singapore’s early development as a trading hub and also the role that Fort Canning Hill played in Singapore’s early spice plantations.
The newly opened Spice Gallery at the enhanced Spice Garden occupies a former pedestrian ramp and underpass.
A book, “Fort Canning Park: Heritage and Gardens”, authored by Dr Chng Mun Whye and Ms Sara-Ann Ang, which highlights the park’s rich heritage, was also launched together with the opening. This is available for sale Gardens Shop at various locations around the Singapore Botanic Gardens or online at https://botanicgardensshop.sg at SGD 29.90.
A book, “Fort Canning Park: Heritage and Gardens” was launched together with the opening.
Along with the permanent exhibition two galleries, there is also a “Kaleidoscope in Clay (I)” exhibition that features exhibits showcasing 5,000 years of Chinese ceramic history from 26 August to 11 September 2022 at The Gallery@L3, Fort Canning Centre. Also running is the 3rd edition of Festival at the Fort being held in conjunction with the opening and Singapore Night Festival, the programmes of which include movie screenings at Fort Canning Green, guided tours and children’s activities. The festival runs from 26 August to 4 September 2022 and more information can be found at https://www.nparks.gov.sg/activities/events-and-workshops/2022/8/festival-at-the-fort-2022.
Kaleidoscope in Clay (I) at Gallery@L3, Fort Canning Centre.
Fort Canning Heritage Gallery is opened daily from 10 am to 6 pm (expect for the last Monday of each month), while the Spice Gallery is opened from 7 am to 7 pm daily. Entry to both galleries is free to the public.
Photographs of Fort Canning Heritage Gallery during the opening on 26 August 2022.
Fort Canning Centre, various views
Fort Canning Spice Gallery / enhanced Spice Garden
There’s no better time to have a look at the newly restored St Joseph Church than during the Singapore Night Festival. Beautifully illuminated for the festival, the church, which in my opinion is one of the most beautiful churches in Singapore, is quite a sight to behold. What is especially wonderful during the night festival is that the church has been opened to the public for heritage tours and performances featuring the beautiful voice of Corrinne May and also the church’s Sacred Heart Choir.
To appreciate the beauty of the wonderfully restored interior of the church, it is also best to make a daytime visit on a sunny afternoon. That is when the church’s beautiful set of stained glass is best appreciated. The church, which closed for extensive repairs and renovation in August 2017, was reopened in time to celebrate its 110th anniversary. The second church to stand on the site, the current building was consecrated by the Bishop of Macau, Dom João Paulino Azevedo e Castro on the 30th of June 1912.
Established by the Portuguese Mission, the church catered to the Portuguese and Portuguese Eurasian community and continues to the the spiritual home of the Portuguese Eurasian community. The Portuguese Mission’s presence in Singapore can be traced back to 1825 and followed the arrival of Jose D’Almeida to Singapore on a permanent basis. Mass was initially held at Dr D’Almeida’s Beach Road house before a chapel was set up on Bras Basah Road in 1933. The mission then built a church on the current site in the 1850s. The church was for much of its history, administered by the Portuguese Diocese of Macau (and the Diocese of Goa before that). It was only in 1981, that it came under the Archdiocese of Singapore. The Bishop of Macau however, continued to appoint priests to the church until 1999.
The winds of change that are blowing through the area around the area of Bah Soon Pah Road seem to be gathering pace. Long an area in which the march of urbanisation was resisted, it has started to take on the appearance of a site being prepared for the inevitable spread of public housing in Singapore’s relentless quest to overpopulate and overbuild an already overcrowded and overly concretised island nation.
The former Bukit Sembawang assistant plantation manager’s residence near the entrance to Bah Soon Pah Road in 2021.
I am thankful that I had the opportunity to have known the area in its previous form. Located off a section of Sembawang Road that I first set eyes on in the early 1970s, it was set for much of the time that I knew it across a green and rolling landscape that in spite of several changes over the course of half a century, has long had that feel of the countryside. Seeing it The many drives that I was taken on and have myself taken over the years brought great joy to me, as did the escapes that I found in the space whenever I took a long walk through it.
A recent view from Lorong Chencharu towards the bungalow, with clearance work in the foreground.
As frequent and necessary as change may be in Singapore, it is hard to grow accustomed to it. When change does come, it can often be swift and cruel. Not only does change erase that sense of familiarity one has with a space in the blink of an eye, it can break a bond that one may have developed with the space over a course of several decades. This seems to also be the case with the Bah Soon Pah Road area in the sense of the rather abrupt manner that change is taking place as it is being readied for its next chapter as a residential area.
Bah Soon Pah Road no more, August 2022.
Named after the illustrious Lim Nee Soon and originally constructed to serve as a access road to a government holiday bungalow, there have been several iterations in Bah Soon Pah Road’s transformation over the years. Besides being closely associated with the Bukit Sembawang estate by virtue of the prominent placed bungalow that served as its assistant plantation manager’s residence, the area also played host to Malaysian military establishments, a field experimental station, rubber plantations and more recently, farms and plant nurseries.
Nurseries along Bah Soon Pah Road, August 2021.
The spread of what will presumably be an extension to Yishun town, extends to the area now occupied by Orto leisure park and Kampung Kampus and several tropical fish farms in the area south of Bah Soon Pah Road by Lorong Chencharu. Based on a Straits Times report published on 7 August 2022, both Orto and Kampung Kampus will have until June 2023 to operate at their current premises. Judging from reactions amongst members of the public to the news, it seems quite clear that spaces such as these are of great value to many. They provide a much needed and location friendly alternative to the cramped, confined, very concrete and rather infuriating leisure and recreational spaces found in malls and integrated complexes in which one can’t seem to escape from the madness that Singapore has become.
Kampung Kampus at Lorong Chencharu, which will closed by June 2023.
Orto is not only a welcome place of escape, the sight commuters on the MRT line from and to Khatib MRT Station catch of it, breaks the monotony of the journey.
Another change that is already altering the face of the area is the construction of the North-South Corridor, a new expressway that will carry traffic from Singapore’s north to the city centre, the northern part of which will be carried on a viaduct up to the Marymount area after which it will run underground. The widening of roads over which the viaduct will run is already being taking place. This is in order to divert traffic onto whilst the viaduct is being built. Preparations for this are well underway along the stretch of Sembawang Road by Bah Soon Pah Road, where the viaduct will run over before it turns toward Lentor Avenue and before long, a road that I knew for half a century will be quite unrecognisable.
A harbinger of change: hoardings being erected along Sembawang Road in November 2021 in preparation for the widening of the road to allow the North South Corridor viaduct to be built.
One consolation is all of this is that the area to Sembawang Road’s west, the site of Sembawang Air Base, will remain relatively uncluttered. Interestingly, evidence of the air base’s links with the Admiralty, having been develop to serve the fleet air arm, can be found in a few Admiralty land boundary markers placed along Sembawang Road. Hopefully these will survive the construction of the viaduct along Sembawang Road and remain in situ to at least tell the story. The story is part of a greater and more important story of the huge naval base that provided employment and made a significant contribution to the pre-Independence Singapore economy that to this very day has left a mark on the Sembawang area.
An Admiralty land boundary marker.
Lorong Chencharu
URA Master Plan 2019 identifies the area as a future residential site subject to detailed planning.
Views around Bah Soon Pah Road, mostly from August 2021:
Views around Lorong Chencharu, Orto, Kampung Kampus and Sembawang Road, in August 2022:
The rapid pace of change in Singapore’s robs many of places dear to them. These places, ones Singaporeans may have grown up with and made memories in, provides a connection to the country in a way that can never be replaced, and is what anchors people to a place and to a large extent is what makes home, home.
Farrer Park Swimming Complex
One place where memories for many in my generation were made, was Farrer Park, at which the last laps were swum at its 65-year-old swimming pool yesterday on 9 August 2022. From attending school sporting meets, to catching childhood football heroes “in action” and watching sports on a Sunday afternoon for free, Farrer Park seemed the go-to place for anything connected with sports. Its small (by the standards of today) swimming complex was also a popular spot to spend an especially warm day, being a lot more accessible than Singapore’s first public pool up on Mount Emily.
A swimming pool that played a big part in establishing the foundation on which the swimming career of Ang Peng Siong, once the “world’s fastest swimmer”.
Like Mount Emily, Farrer Park Swimming Pool was showing the signs of its age by the time I got to use it. Nevertheless, it was one of my favourites. It had that homely feel that seemed missing from the newer public swimming complexes, such as the one at Toa Payoh at which I would learn to swim.
Designed by City Architect, M E Crocker, Farrer Park’s swimming pool was built as Singapore’s third public pool (see: A Short History of Public Swimming Pools in Singapore) at the cost of $460,000. Officially opened on 22 February 1957 by the then Chief Minister Lim Yew Hock, it drew a huge crowd following day — when it was opened to the public. A thousand pool users were reported to have used the pool that first day alone, with queues forming some two hours before its 7.30 am opening time.
A last look at Farrer Park Swimming Pool
Farrer Park would go on to become the “grounds” on which a one-time “world’s fastest swimmer”, Ang Peng Siong, was groomed. It was at the pool that Ang’s father, a supervisor at the pool, taught him to swim and provided him with his early training. In 1982, Ang became the “world’s fastest swimmer” when he recorded the world’s fastest time in the 50 metres freestyle. Ang would return to Farrer Park following its closure as a public pool in 2003, when the APS Swimming School which Ang founded in 1995, moved in 2004. The school has used the swimming complex since then until its closure this August.
The sun goes down on Farrer Park Swimming Pool
While a proposal was made to retain the swimming complex and refurbish it for future use in an area on which some 1,600 flats will be added, an announcement was made earlier this year that it would not be feasible to do so. The pool is now set to be demolished … to be replaced by a modern new-age integrated sporting complex in which new swimming facilities would be added, breaking yet another link that Farrer Park has to Singapore’s sporting history.
Seemingly uninteresting and rather unexciting, the cluster of buildings that were used by the Police Coast Guard (PCG) to house their headquarters from 1970 to 2006, now hide an interesting secret. Repurposed as the National Youth Sports Institute (NYSI), the buildings have not only found a new life, but have been repurposed with a minimum of intervention and have retained much of the fabric of its past.
NYSI at Kallang, occupies a space that was used as a flying boat reception and maintenance facility and later by the PCG as its headquarters.
The former base, which was carved out of the former Kallang Airport’s flying boat reception and maintenance facilities (its ramp/slipway is still there, except it is part of the National Cadet Corp (Sea) facility next to NYSI), was turned into a base for what was then the Marine Police in 1970 at the cost of S$1 million. Having been based at the congested Singapore River by what is now the Asian Civilisations Museum, a new base with a maintenance facility was much needed to permit enable a swifter repair turnaround time for its boats, improve response and also accommodate the Marine Police’s expanding fleet.
A piece from its days as the flying boat facility.
Amongst the structures that were put up during the development of the Kallang Marine Poilce HQ, was a two storey building that served as its nerve centre, which is the same building that NYSI has operated out of since November 2015. The building and an annex, which once housed offices, interrogation rooms, an armoury and even a lock-up, is now home to gyms, sports laboratories, accommodation, recovery rooms counselling rooms, and even chill out spaces. While that may have been expected, what is unexpected is the manner in which the building has been redone in a way that not only allows it to keep many of its reminders of its days as a Marine Police base, but also with little need for light and ventilation other than that which occurs naturally. This rather intelligent, sustainable, no-frills and rather affordable approach is a breath of fresh air and should really be a model for many of our developments in which old spaces and building are repurposed. Most projects, quite unfortunately, have gone down the path of being flamboyant and gimmicky.
Decently exposed.
The Marine Police, morphed into the Police Coast Guard in 1993 and vacated the base in 2006 due to the intended closing up of Marina Bay through the construction of the Marina Barrage. It is now based in Pulau Brani.
A walk around NYSI Kallang
Chin-up bars – a reminder of the past.
Inside the old electrical distribution box.
The former arms clearing station.
Recalling the armoury.
Exposing the dividing line between the main building and an annex.
A breath of fresh air, the non-air-conditioned gym.
Notice the manhole in the gym flooring (previously a wet space).
A performance lab.
Heaters to simulate hot dry conditions.
An “Endless Pool” for swimmers.
Another reminder of the past.
Maximising natural ventilation.
Dorms – a curtain separates the male and female sections.
