The last light-box on Keong Saik Road

30 07 2021

Taking a walk around Keong Saik Road recently, I could not help but marvel at its transformation into a hip and happening neighbourhood. It was certainly quite a different place when I caught my first glimpse of it back in the 1980s. A walk that I took with a former schoolmate around his neighbourhood, opened my eyes to what seemed to to illuminate the seemingly dimly lit Keong Saik Road by night. That hastily executed detour from the planned excursion route left a vague impression the well-known side of Keong Saik Road and what each of its many lamps on which unit numbers were marked on, identified. The street’s gentrification in more recent times has seen to the dimming of the old lights of Keong Saik Road to the extent that they have all now been completely extinguished. What does remain to remind us of the street’s colourful past is a now famous tale of it that has been wonderfully told by Charmaine Leung in “17A Keong Saik Road“, and in physical terms, a last light-box at No 8 Keong Saik Road found atop its back door. Housing one of the street’s last brothels to operate, it seems that the sushi restaurant that will soon occupy it, will be keeping the light-box for posterity.

Now hip and happening, the area around Keong Saik Road is a place with quite a past.

The triangular site formed by Keong Saik Road, Jiak Chuan Road and Teck Lim Road, which now features a collection of quite well patronised eating and drinking spots, was where Keong Saik’s was colloquially called Sam Zau Fu (三州府) in Cantonese. This was with reference to the “residences” lining the triangle of streets that made up the main sections of Keong Saik’s red light district. The district did have a long-held reputation as an area to indulge in the vices even before the brothels, as we knew them, came into being when Keong Saik was a haven for courtesans or entertainers who found employment in the area’s tea houses and rich gentlemen’s clubs.

The last light-box. Will it be kept?


The courtesans, many of whom were extremely young and trained in a manner not too dissimilar to but without the rigours of the geisha in Japan, were equipped with skills to perform with the yuetkam (月琴 or yueqin in Mandarin) and/or the peipa (琵琶 or pipa in Mandarin). It was for this reason that the term peipa chai (琵琶仔) or “young pipa player” was used to refer to them. In them the wealthy club-goers and tea-house patrons would find ready mistresses. These mistresses who might have been “bought-off”, were also housed in the area and the common name for Teo Hong and Bukit Pasoh Roads in Cantonese, which is Yi Nai Kai (二奶街) provides an indication of one of the areas in which this occurred. Yi nai, which translates literally from Cantonese into “second milk”, is a euphemism for “mistress”. The tea houses and entertainment venues began to morph into houses of ill-repute and by the end of the 1950s, Keong Saik Road acquired notoriety for being a place in which “high-class” brothels operated. The term pipa chai seemed at the same time to have been extended in its use to describe the brothels’ working ladies.

One of the last “lights” of Keong Saik – seen in March 2014.

While conversations we do seem to frequently have about Keong Saik Road’s past are all too often dominated by what did go on after dark, the street does have many other facets to it. It was only in 1926, that the street was given a name — after a founder of the Straits Steamship Company and a Municipal Commissioner Tan Keong Saik. Host to a number of associations and religious institutions, the street benefitted from the colour that religious festivals and celebrations injected into it. One festival that still enlivens the street is celebrated by the Chettiar community every January or February during Chetty Pusam on the eve of the Hindu festival of Thaipusam. The community’s temple at Keong Saik Road’s junction with Kreta Ayer Road, the Sri Layan Sithi Vinayagar, serves as a point to pause in the journey taken by the silver chariot carrying the image of Lord Murugan from the Sri Thendayuthapani Temple at Tank Road and back to it. The return leg of the chariot’s journey to Tank Road is accompanied by a colourful and lively procession of kavadis or “burdens” that takes a route down Keong Saik Road before making its way along Neil and South Bridge Roads on its way home.

Keong Saik Road and the Sir Layan Sithi Vinayagar Temple during Chetty Pusam.

While the visible traditions of the Hindu temple still plays a big part in adding flavour to Keong Saik Road, the same cannot be said about a number of traditions associated with the Chinese community there, partly because of changing circumstances and demographics of the area’s population. One lively Chinese practice that has gone that way is da siu yan (打小人) —  “petty person beating”. Also translated as “villain hitting”, the rather interesting practice was enacted with great gusto at the site of the Oriental Theatre, which was right across Kreta Ayer Road from the Sri Layan Sithi Vinayagar temple. Out of sight, it has not been put out of mind by those who have witnessed the practice such as Richard Lee. A description of it that he provides is found in a Facebook post, which reads:

There was a perimeter wall of the old Oriental Theatre that served as a “prayer” wall for people to “打小人”.

Villain hitting, da siu yan (Chinese: 打小人), demon exorcising, or petty person beating, is folk sorcery popular in the Guangdong area of China, Hong Kong & Singapore (and is) primarily associated with (the) Cantonese. Its purpose is to curse one’s enemies using magic. Villain hitting is often considered a humble career, and the ceremony is often performed by older ladies, though some shops sell “DIY” kits.

Villain hitting (打小人)
Make use of a varieties of symbolic object such as the shoe of clients or the villain hitter or other religious symbolic weapons like incense sticks to hit or hurt the villain paper. Villain paper can also be replaced by other derivatives such as man paper, woman paper, five ghost paper etc.

Sacrifice to Bái Hǔ (祭白虎)
The hitters have to make sacrifice to Bái Hǔ if they want to hit the villain on Jingzhe. Use a yellow paper tiger to represent Bái Hǔ, there are black stripes on the paper tiger and a pair of tooth shapes in its mouth. During the sacrifice a small piece of pork is soaked with pig blood and then put inside the mouth of the paper tiger (to feed Bái Hǔ). Bái Hǔ won’t hurt others after being fed. Sometimes they will also smear greasy pork (a piece of lard) on Bái Hǔ’s mouth to make its mouth full of oil (so that it is) unable to open its mouth to hurt people. In some regional sacrifice the villain hitter would burn the paper tiger or cut off its head after making sacrifice to it.

Pray for blessings (祈福)
Use a red Gui Ren paper to pray for blessings and help from Gui Ren. The red 貴人紙 were pasted onto the wall nearby. The nearby perimeter wall also served a spot for a series of drying racks for drying pig rind in the sun. The man who did this is my friend’s Ser Huat Ho’s grandfather….. The dried pig rind were then deep fried and sold to food vendors.

– Richard Lee

Another widely observed religious practice on Keong Saik Street — at least for the womenfolk — that has gone in the same direction as villain hitting is the annual observation of the Seven Sisters Festival on the seventh day of the seventh lunar month. Based on accounts in oral history interviews and descriptions provided by the prolific muralist Yip Yew Chong, it was quite a big occasion in Chinatown, especially along Keong Saik Road. The commemoration of the festival, which revolves around a folktale of star-crossed lovers who were permitted to meet across a bridge formed by swallows (or magpies depending on the locality) once a year, is sometimes thought of as a Chinese version of Valentine’s Day. It was especially popular among the unmarried womenfolk, which included the majie, for whom Keong Saik Road’s Cundhi Gong was a religious focal point. During the festival, paper offerings to the feminine half of the lovesick couple — the weaver fairy and the seventh of the seven fairy sisters that the festival is named for, are made. Offerings include ones representing vanity items such as combs and lipstick. Flowers were also made. Before being burnt, the offerings were put on display, some on a bowl fashioned out of paper together with miniature paper dresses, items of embroidery, as well as freshly made cakes and fresh fruits. Participation in the festival started to dwindle in the 1960s and by the 1970s, hardly any of the highly visual displays were seen on the street.

The five-foot-way of the Cundhi Gong.

The last of Keong Saik Road’s vanishing light-boxes:






Pulau Ubin in the merry month of May

25 07 2021

One of the places in Singapore in which the memories of old are still alive is Pulau Ubin. It is where many in Singapore now find an escape from the staid and maddeningly overcrowded world in which Singaporeans have been made to call home.

Pulau Ubin — at least pre-Covid — comes alive every May, when the Fo Shan Teng Tua Pek Kong Temple honours its main deity Tua Pek Kong, around the time of the Buddhist Vesak Day holiday (which has little to do with the local Taoist deity). The manner in which the festival is celebrated, harks back to the days of village life, with the Ubin’s rural settings certainly lending itself to providing the correct atmosphere.

No village temple festival would of course be complete without a Chinese opera performance. Held to entertain the visiting deity more than the crowd, these performances would in the past draw large crowds and be accompanied by a a variety of night-market-like stalls offering anything from food, desserts, drink, masks and toys, and the tikam-tikam man. While the stalls are missing in the modern-day interpretations of village festivals, Chinese opera performances and these days, getai, are still held at selected temples during their main festivals over the course of several days. Such is the case with the festival on Pulau Ubin, which is commemorated with as much gusto as would village festivals of the past, even if it involves a largely non-resident population. What does complete the picture on Pulau Ubin, is its permanent free-standing Chinese opera stage — just one of three left in Singapore — on which both Chinese opera and getai performances are held.


Photographs taken during the Fo Shan Teng Tua Pek Kong Temple’s Tua Pek Kong festival in May 2014





Lost places: the Geylang house in which a 9 million dollar work of art was painted

22 07 2021

One of the unfortunate things about Singapore and its relentless quest to modernise, is the loss of places rich in stories of the past. One such place was the Huang Clan, which was housed in a two-storey bungalow at Lorong 35 Geylang. The house had a strong connection with the “Father of Modern Chinese Painting”, Xu Beihong (徐悲鸿). It was also where some of Xu’s exceptional works of art, several of which featured anti-Japanese themes were executed. Known as Jiangxia Tang (江夏堂), traditionally a name used to denote the Huang clan’s ancestral hall, it served as his place of abode and his studio during his many sojourns in Singapore as a guest of Huang Manshi (黄曼士). Huang, the General Manager of the Nanyang Brothers’ Tobacco Company, was also the General Secretary of the association and an avid collector of art. His association with Xu, came through his Paris-based elder brother Huang Menggui (黄孟圭). The elder Huang, lent support to Xu in Paris when funding for his Chinese government scholarship to the École Nationale Supérieure des Beaux-Arts was cut. It was also on Huang Menggui’s recommendation that Xu first found himself coming to Singapore in 1925 as a guest of Huang Manshi. Xu returned on several occasions until 1942, during which time he painted quite a number of art pieces, including a portrait of Straits Settlements Governor Sir Shenton Thomas in 1939.

The former Huang Clan house at Lorong 35 Geylang.
Xu, with Huang Menggui and Huang Manshi at the Geylang house.

It was also in 1939 at the Jiangxia Tang, as Xu was about to depart for India for an exhibition he was putting up at poet Rabindranath Tagore’s urging, that he executed one of his best known works, “Put Down Your Whip“. The painting, which was bought for a record price for a Chinese art work of US$9.2 million in at an auction in Hong Kong in 2007, was done after Xu Beihong watched a play put up by visiting Chinese actress Wang Yin (王莹) and her theatre troupe in support for the anti-Japanese movement in China. The art work, which depicted Wang and the audience, was completed at the Jiangxia Tang in the same month of the performance. The work was also among a stash of artworks that was hidden on the grounds of Han Wai Toon’s rambutan orchard at Upper Thomson (where Thomson Nature Park today), during the Japanese occupation. Another of Xu’s paintings in the same stash that was also done at Jiangxia Tang, “Silly Old Man Moves a Mountain“, set the previous record of US$4.12 million in 2006.


The bungalow, as well as as neighbouring compound house, were acquired in 2018 and were demolished that same year to make way for an eight-storey residential development which will also house the clan association, Sixteen35 Residences.


The former Jiangxia Tang in 2018.
The neighbouring compound house that was also demolished.
The site of the former Jiangxia Tang in 2019.
Another view of the site of the former Jiangxia Tang in 2019.




Beautiful Ridley Park

18 07 2021

Among my favourite Public Works Department or PWD built houses is one at Ridley Park that I was able to photograph a couple of times (seen in the photographs attached to this post). Set in lush green surroundings, the house is among quite a few others found in an estate that took its name from the Singapore Botanic Gardens first director, Henry Ridley. Due to the fact that it was built adjacent to Tanglin Barracks, Ridley Park has often been mistaken as one that the War Office developed for their senior military officers. It however was one of a number that the PWD developed to house for senior government officers and their families.

Having been constructed from 1923 to 1935, a wide variety of PWD residence styles are on display at Ridley Park, which is a a wonderful showcase of the creativity of the PWD Architects’ Branch during what was their most productive of periods blueprint-wise. While many of these PWD houses are described as “black and white” homes or residences, they technically do not qualify as being “black and white” in style; the term being applied quite loosely as a matter of convenience, being perhaps a reference to the manner in which these houses are now painted. The houses in Ridley Park, which have been in government hands throughout their history, may be available for rent where unoccupied.






The “ruins” by Kallang Airport’s gates

16 07 2021

Right by the old gates of the former Kallang Airport, is a crumbling set of structures that pre-date the construction of Singapore’s first civil airport. With a little imagination, the sight of the rather mysterious looking structures could to transport the travel-starved observer to a place like Siem Reap. A closer inspection of the structures will however reveal that the crumbling walls belong not to an ancient temple … or for that matter anything like a palace or istana as recent suggestions have had it as, but to a raised burial plot.

The raised former burial plot, seen in August 2018.

The plot, which shared a boundary with the former Firestone Factory that was established in the 1920s (some may remember the former factory building on the banks of the Kallang River near Sir Arthur Bridge being used by electrical good and furniture retailer Courts in the 1990s), is marked in a 1930 survey map as a “Mohammedan Cemetery” and in a 1936 plan for the new Civil Aerodrome (i.e. Kallang Airport) quite simply as “graves”. An explanation as to why the graves were placed on a raised plot can be found in a 1939 letter to the Straits Times. The writer, who described its location to a tee in saying that an elevated plot of graves could be “seen just inside the entrance to the civil aerodrome, on the right”, recalled seeing them on small eyots or “patches of higher ground” in the mangrove swamp “before the place was reclaimed”. Reclamation work for the airport, it should be noted, was carried out in the 1930s.

The plot in January 2014, with the old airport gates in the background.

While there are no traces of the graves today — they were exhumed sometime in the late 1980s, there is still an item of physical evidence that still exists, if one looks for it along the base on which the structures rests. There, a tablet with inscriptions in the Tamil script can be found and that does in fact confirm that the site was indeed a burial plot — at least based on a translation provided by a local urban exploration group on Facebook in 2019. This translation dates the tablet to 1854, as a burial site for the “kith and kin” of Chinnakkani” — a descendant of “Hajji Ismail of Thiruvarur”.

The tablet seen in September 2018.
The plot in September 2018.
The plot shown in a 1930 survey map (NAS).
The plot shown in a 1936 plan for the aerodrome (NAS).




Where durians and Chinese opera come together

13 07 2021

Once commonly found across Singapore, permanently erected free-standing Chinese opera (also commonly referred to in Singapore as “wayang”) stages have become quite hard to come by in Singapore. Erected to entertain the gods during their visits down to the mortal realm, the were also put to use in several other ways, doubling up as the clan, temple or village schools, depending on where they were built. Only three such stages are left in Singapore, two on the main island and one more on Pulau Ubin and it is always a treat to catch a Chinese opera performance being staged on one of them, especially if one is able to head backstage where in my opinion, the best “action” takes place.

The Goh Chor Tua Pek Kong temple is a place of devotion for many.

One occasion during which I had the good fortune of doing just this was during the Mid-Autumn Festival celebrations at the Goh Chor Tua Pek Kong Temple at Balestier Road in September 2016 from which the photographs in this post were captured. The temple, having links to Hokkien plantation workers from Joseph Balestier’s venture to grow sugarcane by the Whampoa River, has a history that dates back to 1847. Its stage, which came up in 1906, was built by Tan Boo Liat — the great-grandson of Tan Tock Seng, and who is also well-known for erecting Golden Bell — the Edwardian-style mansion on Mount Faber that is now the Danish Seamen’s Church.

It is also a place where Chinese opera performances take place (at least pre-Covid) on one of Singapore’s last permanently erected free-standing wayang stages.

The temple, besides being a place of devotion and a place to catch a wayang, has also become a place that is synonymous with indulgence in the “king of all fruits” — durians. Durians have been sold in and around the area for, which was also known for its cinemas, for a long time and right by or in front of the temple ever since I can remember. Much of the area has changed, even if there is much that is is familiar physically. The durian stalls of old, are however, still very much a common sight every durian season. Not only do you see them just by temple, but also in the side lanes in the area. Like the temple, and the stage when it comes alive, they are among the last vestiges of the living side of the old Balestier Road, a side that long lives in my memory.

Durians and Chinese opera.
Another view of the temple.
Joss sticks at the temple.

Photographs of the Chinese Opera preparations and performance in September 2016






The Bidwell houses at Gallop Road

6 07 2021

Two beautiful conservation houses, Atbara and Inverturret at No 5 and No 7 Gallop Road, grace the newly opened Singapore Botanic Gardens Gallop Extension. Both wonderfully repurposed, Atbara as the Forest Discovery Centre and Inverturret as the Botanical Art Gallery, they are among the oldest and finest surviving examples of residential properties that English architect Regent Alfred John (R A J) Bidwell designed in Singapore.

Bidwell, who had an eventful but short two-year stint in the Selangor Public Works Department (PWD) as Chief Draughtsman and assistant to Government Architect A C Norman, came across to Singapore in 1895 to join pre-eminent architectural firm Swan and Maclaren. In a matter of four years, he became a partner in the firm; an arrangement that lasted until 1907. Bidwell would continue his association with the firm as an employee until 1912. His 17 years with Swan and Maclaren, was one marked by the string of notable contributions that he made to Singapore’s built landscape. His architectural works include many of Singapore’s landmarks of the early 20th century, which include the Goodwood Park Hotel — built as a clubhouse for the Teutonia Club; Victoria Theatre and Victoria Memorial Hall (the theatre component of the pair was a modification of a previously built Town Hall that also gave it an appearance similar to the 1905 erected Victoria Memorial Hall; and Stamford House — built as Whiteaway and Laidlaw Building in 1905. Also notable among his contributions were several buildings that have since been demolished, one of which was the old Telephone exchange on Hill Street that was designed in the Indo-Saracenic style.

The Indo-Saracenic style was something that Bidwell would have been extremely familiar with, having been heavily involved in the design of the Government Offices in Kuala Lumpur or KL, now the Sultan Abu Samad Building. Hints of the style are also found in one of the first design efforts in Singapore, which is seen in the unique set of piers on which Atbara is supported. The bungalow, along with several others that Bidwell had designed, is thought to have influenced the designs of numerous government, municipal and company residences, the bulk of which were constructed from the 1910s to the 1930s. Many of these are still around and are often erroneously referred to as “black and white houses”, a term that is more descriptive of their appearance — many are painted white with black trimmings — rather than a description of a their style or of a particular architectural style (see also: The Eastern Extension Telegraph Company’s Estate on Mount Faber).

Atbara has in fact earned the distinction of being Singapore oldest “black and white house” even if it does display a variety of architectural influences; influences that are also seen in many of the designs of the various residences. Built in 1898, apparently for lawyer John Burkinshaw, Atbara’s piers, timber floorboards and verandahs are among the features or adaptations applied to the residences of the early 20th century, all of which were intended to provide their occupants with a maximum of comfort in the unbearable heat and humidity of the tropics. Many of these adaptations were ones borrowed from the bungalows of the Indian sub-continent, from plantation style houses, and also the Malay houses found in the region. There was extensive use of pitched-roofs, a feature seen in the then popular Arts and Crafts style that the English architects of the era would have been familiar with. These roofs lent themselves to drainage and the promotion of ventilation through convection when combined with generous openings. Tropical interpretations of the Arts and Crafts style were in fact widely applied to several residences built during the era.

Atbara, which early “to-let” advertisements had as having seven rooms, five bathrooms, with a large compound and with extensive views, came into the possession of Charles MacArthur, Chairman of the Straits Trading Company, in 1903. MacArthur added the neighbouring Inverturret soon after in 1906. Also designed by Bidwell, Inverturret rests on a concrete base and is of a distinctively different style — even if verandahs, ample openings and the pitched roof found in Atbara are in evidence.

The two properties were eventually acquired by the Straits Trading Company in 1923, who held it until 1990, after which both were acquired by the State. The houses had several prominent tenants during this period. Just before the Second World War, Inverturret briefly served the official residence of the Air Officer Commanding (AOC), Royal Air Force Far East, from 1937 to 1939. During these two years, Inverturret saw two AOCs in residence, Air-Vice Marshal Arthur Tedder and Air-Vice Marshal John Babington. Their stay in Inverturret was in anticipation of a much grander residence — the third of a trio that was to have been built to house each of the senior commanders of the three military arms. Two, Flagstaff House (now Command House) to house the General Officer Commanding, Malaya and Navy House (now old Admiralty House) for the Rear Admiral Malaya, were known to have been built.

From 1939 to 1999, both Atbara and Inverturret were leased to the French Foreign Office by the Straits Trading Company up to 1990 and following their acquisition in 1990, by the State up to 1999. Except for the period of the Japanese Occupation (it is known that Inverturret was used as a residence for the Bank of Taiwan’s Manager during the Occupation) and shortly thereafter, Atbara served as the French Consular Office and later the French Embassy, and Inverturret as the French Consul-General’s / French Ambassador’s residence. It was during this period that those like me, who are of an age when travel to France required a visa, may remember visiting Atbara. The process of obtaining a visa involved submitting an application with your passport in the morning, and returning in the afternoon to pick the passport and visa up, a process that was not too dissimilar to obtaining an exit permit at the nearby CMPB!


Atbara


Inverturret


R A J Bidwell and Kuala Lumpur’s Sultan Abu Samad Building



Built as Government Offices for the Selangor Government from 1894 to 1897, the Sultan Abu Samad building – a landmark in Kuala Lumpur was described as the “most impressive building in the Federated Malay States”. Although the architectural work for it has been widely attributed to A C Norman, the Selangor Public Works Department’s Government Architect, it is widely accepted that it was R A J Bidwell who developed the finer architectural details of its eye-catching Indo-Saracenic lines. Bidwell, who was assistant to Norman from 1893 to 1895, developed the plans with input from C E Spooner – the State Engineer, who directed that initial plans for the building be redone in what he termed as the “Mohammedan style”.

Bidwell’s disaffection with his position and salary, saw to him resigning from the Selangor PWD — as is reflected in his correspondence relating to his resignation. The Selangor PWD’s loss would turn into Singapore’s gain, with Bidwell moving to Singapore in 1895 to join Swan and Maclaren .






The Hill Street Outrage and the Chinese Communist Party inspired violence of 1928

4 07 2021

One of the forgotten episodes in Singapore’s history is one involving the Chinese Communist Party (CCP). The CCP, which recently celebrated its one-hundredth anniversary, also took its fight against the Chinese Nationalist government in its early years, to the Nanyang to which it sent five secret envoys to in late 1927 and early 1928. The arrival of these envoys coincided with the formation of the Nanyang Provisional Committee (NPC) of the CCP and heralded a violent phase in the CCP’s operations here. What soon followed in February and March 1928 was an attempt to assassinate three visiting Nationalist leaders, which resulted in a gunshot injury to Dr Lim Boon Keng, and a series of bombings as a means of intimidation during a strike of shoemakers.

The incident involving Dr Lim, which was described in the press as “the most sensational political outrage that has occurred in the colony for many years” and also the “Hill Street Outrage”, played out on the evening of 8 February 1928 at Hill Street and targeted Dr C C Wu (Wu Ch’ao-shu) a visiting Chinese Nationalist party (Kuomintang or KMT) politician. Shots fired from a revolved were fired in the direction of Dr Wu as he was leaving the premises of the Singapore Chinese Chamber of Commerce and Industry (SCCCI) on Hill Street, where he had just met with prominent Chinese residents. Fired by Cheung Yok-kai — one of the five so-called secret envoys, the shots missed their intended target completely. One however grazed the nose of the unfortunate Dr Lim who was just behind Dr Wu. Dr Lim was reported to have fallen with blood streaming from his face, was fortunately not badly hurt. Another local leader, Lim Nee Soon, also fell during commotion and hurt his ankle. Two crude home-made bombs were also thrown during the incident. Packed in thermos flasks with explosives, nails and broken glass, the bombs both exploded but did not cause any further injuries. Cheung, who was arrested after a chase and tried after the incident, was sentenced to penal servitude for life, died at the age of 36 in Changi Prison in December 1940 – 12 years into his sentence. In a statement made to the judge during his sentencing, Cheung said that he had been sent by the CCP to “bring light to the labouring classes in Malaya. Cheung’s other KMT targets were Sun Fo, the son of Dr Sun Yat-sen and Hu Han Min, who were also in Singapore at the time. The incident was also the first to involve an assassination attempt of the life of a rival politician in the fight for control of China.

The old(er) Singapore Chinese Chamber of Commerce and Industry. Housed in one of the so-called “four grand mansions”, the house of Wee Ah Hood, it was the scene of the “Hill Street Outrage”. The incident, which saw an attempt mounted by the Nanyang arm of the Chinese Communist Party on the life of KMT politician Dr C C Wu – who survived unscathed, resulted in a facial gunshot injury to Dr Lim Boon Keng.


Following on the failed assassination attempt, members of the NCP – which could be thought of as the predecessor to the Malayan Communist Party (MCP) – were also involved in instigation of violence during a strike of shoemakers that stretched from the end of February into April 1928. During the strike, bombs of crude constructions similar to the bombs used in the assassination attempt on Dr Wu featured, some packed in thermos flasks and other in containers such as empty milk powder tins were thrown into shoemakers’ shops across Singapore in an attempt to terrorise and intimidate employers as well as non-striking shoemakers. The campaign caused little in terms of injury or damage, except perhaps on two occasions: one which involved an informer beings stabbed an seriously wounded; and another in which a body found in a sack which was thought to have belonged to an injured striker, could be thought of being among the first acts of communist inspired terrorism to occur in Singapore.



The former house of Wee Ah Hood on Hill Street as the SCCCI.
The new SCCCI Building on Hill Street, at its opening in 1964.
The SCCCI in more recent times.




A temporary Kempeitai HQ at Beach Road

23 06 2021

Convicted as a spy and imprisoned in Changi Prison during a stint as a press attaché with the Japanese Consulate in Singapore, Mamoru Shinozaki is also viewed in some circles as the “Oskar Schindler” of Singapore for the role he may have played in bringing the terrible Sook Ching Massacre to an end. While he remains a controversial even after his death in the 1990s, his accounts of the wartime Singapore remains a valuable resource. In oral history interviews contained in “My Wartime Experiences in Singapore” published by the Institute of South East Asian Studies in 1973, we learn that he was brought to Beach Road upon his release from in Changi Prison by the Japanese Army on 16 February 1942 – right after Singapore fell. Describing his arrival at Beach Road, Shinozaki said, “All along Beach Road, all the houses were closed and I did not see even a cat or dog. It was a ghost town.”

Since demolished buildings at the former Beach Road Police Station.

What was would to follow was his meeting with Lt. Col. Yokota, who had been placed in command of several units of the East Branch of the Kempeitai. “At Beach Road, now the temporary Voluntary Headquarters, the chief of the Yokota Kempei unit, Lt. Col. Yokota, was waiting. When I got down from the lorry he greeted me: “you have suffered so long, please take this.”” This very scene is, quite amazing, one that also exists in a visual record. A Japanese newsreel which contains the scenes that followed the Japanese Army’s taking of Singapore captured by Kameyama Matsutarō, Marē senki : shingeki no kiroku (Malaya War Record: A Record of the Onward March). This newsreel also contains a scene that shows Shinozaki being greeted by Yokata outside what can be identified as Beach Road Police Station (rather than the Volunteer Force Headquarters as identified by Shinozaki). The building, a conserved structure, is still around today and is currently being incorporated into Guocoland’s MidTown development.

While the former police station’s building may have been retained, the redevelopment of the plot as MidTown has resulted in the loss of two other buildings to the rear of the main structure that were part and parcel of the larger Beach Road Police Station complex that was completed in 1934. The construction of the station, came as part of a decade-long effort to upgrade the facilities of the Straits Settlements Police Force and bring about greater professionalism in the face of the high rates of crime in Singapore – or “Sin-Galore” as it may then have been known as. The state of disorder in the colony, also dubbed the “cesspool of iniquity”, even prompted comparisons to be made with Chicago! It was the through the same effort, initiated in the mid-1920s, that the Police Training School at Thomson Road – the old Police Academy – was established and Hill Street Police Station, was built along with several other stations.

A Discovering Singapore’s Best Kept Secrets visit to Beach Road Police Station in October 2017.

Built at a cost of $319,743, the Beach Road complex replaced an earlier station that had been located further east along Beach Road at Clyde Terrace. The two demolished buildings at the station’s rear were all built at the same time to serve as modern quarters in an attempt to provide improve policemen’s living standards. A three-storey block accommodated 64 married man and their families, while 80 single men and NCOs were accommodated in another three storey single-men’s block. The latter also contained a mess and recreation room on its ground floor. Along with this, the most senior ranking officers at the station were accommodated in its three-storey main building, which was described as being of a “pretentious type”. The building was laid out to provide quarters for two European and two “Asiatic” Inspectors on the second and third levels, while its ground floor was where the offices of the station, a guard room, an armoury and a number of stores were located. Immediately behind the main block – right behind the guard room, was an annex cell block in which the lock-up was located and “approached from it (the guardroom) by a covered way”.

Besides the episode involving Shinozaki, the station’s played several other wartime roles. A hundred or so Japanese “aliens” were rounded up and held in it following the outbreak of hostilities with Japan on 8 December 1941, before they were moved to Changi Prison. The scene was to repeat itself upon Singapore’s inglorious fall, when civilians from the other side were held with the station serving as a holding facility for civilian internees prior to them being sent to Changi Prison. The civilians rounded up by the Japanese Army included Jews and individuals of various European backgrounds and nationalities, along with members of the Chinese and Indian communities.

Beach Road Police Station also found itself in the thick of action in the tumultuous period that followed the end of the Second World War. During the Maria Hertogh riots in 1950, policemen from the station were amongst paramilitary personnel sent to quell disturbances in nearby Kampong Glam. The policemen involved were however forced into retreat with the station serving as a refuge for them along with scores of civilians seeking safe refuge.

Following independence, the station served as the Police ‘C’ Division headquarters until May 1988 – when the division HQ was moved into new premises at Geylang Police Station. The buildings were then used as Central Police Division headquarters from November 1992 until 2001, after which the division HQ moved into Cantonment Police Complex. The decommissioning of the station led to its use by the Raffles Design Institute for some six years. During this time, two sets of newer quarters that had been added on an adjacent piece of land – two four-storey blocks that were built in the 1950s, and a 12 storey block in erected in 1970, were demolished.

Sitting on a prime 2-hectare reserve site, the former station and barracks was sold for a whopping $1.62 million in 2017 and members of the public got to see it for the last time as it was during a “Discovering Singapore’s Best Kept Secrets” visit in October 2017.


A last look at the former Beach Road Police Station as it was in 2017.






Another glimpse of Singapore in 1941

11 06 2021


More of Singapore in 1941 (and also 1942) – from an album of photographic prints taken Colin Keon-Cohen that was donated to Museums Victoria. All photographs Public Domain (Licensed as Public Domain Mark), Museums Victoria Collections.

See also:

A glimpse of Singapore in 1941

Singapore in 1941 from the Harrison Forman Collection


An album of photographs by Pilot Officer Colin Keon-Cohen or life in Singapore with 205 Sqn RAF, then 77 Sqn RAAF, World War II era.






The last charcoal shop in Singapore?

7 06 2021

Photographs taken in 2018
©Jerome Lim





Days of Wonder

28 05 2021

Films containing familiar sights and sounds of the past have a wonderful effect of evoking feelings of nostalgia and a sense of coming home. Such was the case when I was provided with the opportunity to view a selection digitised 8mm home movies from the 1960s and 1970s that have been deposited in the National Archives of Singapore with a view to putting together segments of them in preparation for last Thursday’s “Archives Invites” online session “Days of Wonder: Fun and Leisure in 1960s and 1970s Singapore“. The session involved the screening of two videos, each containing scenes of the Singapore I was familiar with as a child, with a focus on sites, attractions and leisure activities that were popular among Singaporeans.

Fun for me in the late 1960s.

Among the activities that I put a spotlight on in the videos were those that took place by the coastal areas, which included scenes of Changi Beach – an extremely popular spot for picnics and dips in the sea at high tide – complete with kelongs in the near distance. Changi Beach, a regular destination for picnics right out the boot of the car (we could once drive right up to the beach), was where I first took a dip in the sea. The beach and the long sandy coastline that ran all the way towards Bedok, featured in many weekend outings and holidays through much of my childhood.

Ayer Gemuroh



It was the same for many in my generation. Changi Beach was often the place to chill out at during the weekend, especially when the timing of the high tide was favourable, which a quick check on tide tables published daily in the newspapers, could confirm. A friend of mine recounted how she looked forward to trips to Changi on the back of a borrowed lorry with the extended family whenever the timing of the tide was good. Pots of chicken curry and loafs of the local version of the baguette would also accompany the . If you were fortunate to have come with a car, there was also the option of driving right up to the beach and parking right under a shady tree to have your picnic right out of the car’s boot. Seeing cars with their wheels stuck in the sand was a pretty common sight because of this. And, if the chicken curry ran out or if one had come without food, there were several beachside cafés that one could visit. There was also the option of waiting for the fish and chips van, and the various itinerant food vendors that also visited the beach throughout the day such as the vadai man, the kacang putih man and the ice-cream vendors.

A small part of the segment on the coast, involved a holiday, taken locally by the sea – as was the fashion back in days when most of us could not afford to take a trip abroad. For me holidays involved the various government holiday facilities along the Tanah Merah coast, at long lost places with names like Mata Ikan and Ayer Gemuroh. A question that was put to me during the Q&A session was what do I miss most of those days. Mata Ikan, the Tanah Merah coast, and also how we seemed to have unlimited access to much of the length of Singapore’s coast, is probably what I miss most. Those were wonderful times for me, walking by the beach and along stretches of seawalls, poking my nose into the numerous pillboxes that lined the coast (boy, did they smell!), wading out when the tide went out, often as far as the kelongs were planted. The coastal regions are much more protected these days and in many parts, blocked off from the public.

Beside my interactions with the Tanah Merah coast, there were many other places in SIngapore that left an impression. I remember how places would come alive by night, as the scenes of an Orchard Road and Guillemard Circus illuminated by neon advertising boards seen in the videos show. Singapore had such a wonderful glow by night with the numerous fountains – many planted on the major roundabouts, also illuminated by night, and the occasional float parades and light-ups during National Day, often adding to the night lights. Adding to the lively scene by night were what would be termed as “pop-up” food centres. Several open-air car parks, such as the famous one on Orchard Road where Orchard Central, transformed themselves into places to indulge in some of the best hawker fare that could be found in Singapore.

The car park at Orchard Road that transformed into a hawker fare paradise by night (Paul Piollet Collection, National Archives of Singapore)



The one at Orchard Road, dubbed “Glutton’s Square” to provide it with greater tourism appeal, was an assault (in a pleasant way) on four of the five the senses. Evening time brought with it the disorderly rush of pushcarts, all of which would somehow be lined up in neat rows in double quick time. Lit by kerosene lamps in the dark, each contributed to the smoke that filled the air together with an unimaginable array of aromas. The sounds of the ladles scraping the bottoms of woks added to the atmosphere. Besides Orchard Road, there were also carparks at Prince Edward Road opposite the Singapore Polytechnic and the one in front of the railway station at which hawkers similarly gathered by night.

Among the other scenes were those of Orchard Road, which was in the 1960s, a place to perhaps shop for cars, to visit the western style supermarkets, which were uncommon then, and perhaps C K Tang. C K Tang, a pioneering departmental store on Orchard Road, was then housed in its rather iconic Chinese-roofed building and right nearby was Champion Motors on which Lucky Plaza now stands, Fitzpatrick’s Supermarket and Orchard Motors. The conversion of Orchard Motors into The Orchard – a shopping centre at which the infamous Tivoli Coffee House was located, possibly marked the beginning of the end for Orchard Road’s motoring days. There are perhaps two reminders left of those days, in the form of Liat Towers – built as a Mercedes Benz showroom and headquarters, and the delightful sunburst topped former Malayan Motors 1920s showroom that can be found opposite Dhoby Ghaut MRT Station.

The former Malayan Motors showroom seen in 1984 (courtesy of Henry Cordeiro).

Another of my favourite urban sites was Change Alley, which many locals – my grandmother included – seem to pronounce as something that sounded like “Chin-Charlie”. It was such a joy to wander through the alley, which in the late 1960s was filled with the sounds of the chorus of laughing bags being set off. The alley, which also provided correspondence between Collyer Quay and Raffles Place, was described by the BBC’s Alan Whicker in a 1959 newsreel as being “perhaps the most famous hundred yards in Southeast Asia”, a hundred yards of alley where one risked being “attacked in the pocket book”.

Whicker’s World with the BBC’s Alan Whicker wandering through Change Alley in 1959.

During the rather lively Q&A session at the end of the Archives Invites session, I believe that in view of the limited time we had, a number of questions posed went unanswered. Should you have been in that audience, and did not receive answers to the questions you may have posed, or have questions to which I was not able to adequately answer, you may leave them as comments to this post. I will try answering them as best as I can.





A beautiful campus by the sea

20 04 2021

A peek into the beautiful BNP Paribas Asia-Pacific Campus. Established in 2014, the campus occupies two beautifully restored former barrack blocks of the former (Royal Engineers) Kitchener Barracks in Changi. The two blocks, currently Block 34 and 35 and formerly B an C Blocks, were among the first to be built in the Changi Cantonment that was developed from the end of the 1920s into the late 1930s and provide an excellent example of how such buildings could be restored and repurposed in the light of the recently announced Ideas Competition for Changi Point and old Changi Hospital (see also: Ideas sought to repurpose Old Changi Hospital, enhance surrounding Changi Point area).

The former B-Block, together with the former H-Block (now Block 24, which in 1947 was repurposed as RAF Hospital, Changi), were in fact the first barrack blocks to constructed in Changi and were completed by 1930. The cantonment also included barracks for the Royal Artillery at Roberts Barracks — now within Changi Air Base (West) and for the infantry at Selarang Barracks, as well as smaller camps for various Indian Army units.

In the 1920s, Britain had moved to establish a large naval base in Sembawang to defend its Far East interests in the face of rising Japanese ambition. The setting up of the cantonment followed this decision and was carried out to install, maintain, man and secure coastal artillery being placed around the eastern mouth of the Tebrau or Johor Strait to protect the naval base against naval attack.

The cantonment, which sustained some damage in the lead up to the Fall of Singapore but remain largely intact, was evacuated on 12 February 1942. Singapore fell on 15 February 1942 and with Japanese forces overwhelmed by the sheer numbers of surrendering Allied troops in Singapore, they found a solution to accommodating some of these troops in the emptied barracks in Changi. On 17 February 1942, close to 50,000 British and Australian Prisoners-of-War (POWs) were marched to Changi and placed in the various camps. The troops forming the last line of defence in Singapore, the Singapore Fortress Southern Area troops, which included some volunteer units, were allocated Kitchener Barracks. The Australians were kept separately in Selarang. POW hospitals, which were set up in former field hospitals in Roberts and Selarang, were consolidated at Roberts Barracks — this is where the Changi Murals were painted.

The POWs would initially have little contact with their captors, who got them to wire themselves into the various camps. Discipline was maintained by the officers among the POWs, who also took it upon themselves to keep the morale up. Sports, theatrical performances and even university classes were organised — there were several professional sportsmen amongst the ranks and also lecturers from Raffles College who were with the volunteer units and in Kitchener Barracks, the Southern Area College operated. With the Fortress troops — who were not involved in the retreat down Malaya — being amongst the fittest of the POWs, the men of the camp at Kitchener were among the first to be picked for the Japanese organised work teams, many of which would be sent to provide labour in places like the Thai-Burma ‘Death’ Railway. The numbers in Kitchener dwindled to the point that it could be closed as a POW camp in May 1943, followed by Roberts in September 1943. In May 1944, the POWs, which included those who had survived the Death Railway, were concentrated at Changi Prison, which had previously been used as a civilian internment camp (the civilians were moved to Sime Road Camp).

The two camps would then be occupied by Japanese units involved in the construction of the Japanese airstrip at Changi (operational at the end of 1944), around which the Royal Air Force would establish RAF Air Station Changi (RAF Changi) in 1946. The blocks of the former Kitchener Barracks were then used by the RAF, with RAF Hospital Changi being established in 1947. Among the renumbered blocks, Block 35, housed HQ Far East Air Force (FEAF) Command. The various roads within the former Kitchener Barracks were renamed after RAF Air Stations. Following the British pull-out in October 1971, the barrack buildings (except for Block 24 and 37), were used by the Singapore Armed Forces as Commando Camp. Of the various barrack developments, only the former Kitchener remains largely intact today.





A memory of Changi Chalet Hospital

23 09 2020

A guest post by Edmund Arozoo.

Once of Jalan Hock Chye, Edmund takes us on a walk back in time from Adelaide in South Australia, to his days as a radiographer in the small and little known Changi Chalet Hospital. The hospital, which was set up in 1974 in the former RAF Changi Chalet Club, became part of Changi Hospital in 1976.


Changi Chalet Hospital

It is surprising what you may accidentally uncover (discover) when you are searching for certain specific items, and how you then get distracted from the task at hand. Usually these surprise discoveries are memory joggers, leading you onto different tangents altogether as they remind you of certain memorable (or unpleasant) times of yesteryear.

I was going through some old photographic slides in the hope of finding slides I wanted to use for a particular project, when I came across two slides that I had forgotten about. And that was it –– my focus was disrupted as I started to reflect on these two images that have withstood the passing of time. Both slides have retained their quality in colour and detail thanks to the arid climate of Adelaide.

One of these slides brought me back to the early 1970s when I was working as a Radiographer I/C at Changi Chalet Hospital. I was also the unofficial resident photographer then and captured memories of staff etc.  The slide shows the Nursing staff getting ready for our Christmas Celebration Lunch. The Kodachrome slide processed in Australia was marked as Jan 1975. So I am sure this would be the celebrations of Christmas 1974.

Christmas Staff Party 1974.

On seeing the slide I was then diverted in trying to locate other images of Changi Chalet Hospital. Unfortunately most show the faces of staff members, as such without their permission I am reluctant to share these on the internet.  Nor am I known for posting and sharing images of me on the various social media sites with this guest post being an exception.

>In 2015, I did take a trip down memory lane to try and see what changes had taken place since I last worked at the hospital. My, what changes indeed there has been. A good friend drove me there and I was surprised that I could not get my bearings of the area that I was so familiar with, a long time ago. Trying to fit the missing links in my memory banks, I seem to have lost all my bearings.

As we drove slowly along the leafy roads, memories of the squads of SAF commandoes going through their daily exercise drills along the roads, came back to me. Most of all the tranquillity surrounding the old buildings and tall trees and the greenery was striking then and this was still there.

Fond memories of the Chalet Hospital still remain despite being more than 44 years old. It was a “mini” self-contained hospital with a pharmacy, laboratory and radiology services. Workload was not that heavy and I must confess that on a number of occasions when the tide was right I took a dip in the sea during my lunch break.

I was fortunate to be an owner of a second hand green Ford Anglia and used to drive to work from home which was near the start of Tampines Rd and the journey took me to the end of the road then veering left at the junction of the old Changi Air Force Airport into Upper Changi Road. Then after passing the old Changi Village turn left again on to Netheravon Road then into Turnhouse Road.

It was a long drive but almost halfway I used to pick up the Junior Photographic Assistant (my Darkroom Technician) who lived along Tampines Road on the way to work in the mornings and drop him off after work, so I had company for most of the journey to and fro. It was also a long walk from the bus terminus at the Changi Village to the Hospital, so me and other staff who had cars used  to pick up other hospital staff who were seen walking to work from the bus stop. It did foster a “family” atmosphere and environment.

As I started this blog thanks to the Onemap Singapore website https://hm.onemap.sg/ I was able to take a walk or rather a “drive” down memory lane. The old maps help put pieces together.

My daily commute from home to work and back (Map from the 1975 Map collection of old maps from the OneMap Singapore website).

There were still sand quarries along Tampines Road then and often you would share the narrow road with lorries carting sand. The spillage from the load of these lorries often presented a road hazard especially after a light shower. The mixture of sand and water was a recipe for skidding. Imprinted in my mind is the sight of the lorry I was trailing do a 360 degree spin. Thankfully I had kept my distance from it and was able to ease off without my car going into a spin too.

Another memory along the route was the turnoff to Kampong Loyang. In my early school days the whole family clan used to spend a week of the August School holidays in a holiday kampong shack in Kampong Loyang. Passing this turnoff always reminded me of those carefree days.

1975 Map showing Kampong Loyang turn off from the OneMap Singapore website.

Part of my duties was to provide x-ray services for the newly established Changi Prison Hospital. So with my JPA I used to drive to the prison on allocated days when x-rays of inmates were requested. The workload was not heavy but the challenges were very different to that of a hospital based X-ray Department. One of the benefits however was the ability to access some of the services of the Prison Industries that were organised to assist in the rehabilitation of inmates by teaching them skills they could utilise on their release and be employable. I remember getting my computer notes and books hardbound for a small sum. And these lasted me for the duration of the Computer studies I was undertaking then and beyond. The hard cover binding was of a professional level.

But the proximity of Changi Village shops was a bonus for us Hospital staff with cars. It was place we frequented for lunch and the occasional shopping.  I was just starting into serious photography then and the friendly Photographic shop owner became a great friend. I cannot remember the name of the shop but if my memory serves me well I think his name was Mr Lim. He was a great salesperson and very knowledgeable.  I still having gear bought from those days more than 40 years ago. Those were “film” camera days but most of these are still useable though some lenses do need adapters to be used with today’s digital cameras.

Changi Village – map from the OneMap Singapore website.

Recollection of the old Changi Village Shops.

Another memory that resurfaced was the change of plans of upgrading The International Airport at Paya Lebar to the establishment of the current Changi Airport.  Driving along Tampines Road we did skirt around the perimeter of the existing Paya Lebar Airport and I do remember seeing the row of terrace houses that were acquired to make way for the initial plan to extend the Airport. These were left vacant after the plans were changed. Likewise there was another beachside newly built hotel along Nicoll Drive, Tanah Merah that was never opened because of the switch to Changi. Most of the hospital staff were looking forward to having a meal at the new premises. This never eventuated. More recently after trying to research the name of the hotel and without coming up with any answers I was beginning to doubt my memory, and wondered if it was a figment of my imagination. However during a recent viewing of this Youtube video https://youtu.be/r26M_Lryu6Y, there was a brief mention of the razing of the hotel. It was great to receive this confirmation indeed.

Changi Chalet Hospital

Main Entrance to Hospital.

? Same Tree – 45 years later.

Panorama of the old “Padang” Sports Field.

Chalet Building erased – sigh………

Fond Memories.

Belonging to the various nostalgia-themed facebook groups has been great for me. There members share photos and experiences of places now mostly all gone. One group I am glad to be part of is the “Memories of Changi Village” group. A “wave” is sent to Ms Geraldine Soh, the administrator. Like the present Changi Airport this fb group platform is the crossroads where members from all corners of the world come together to share their precious memories and photos keeping our own flickering memories of Changi alive.






(Book launch) My Father’s Kampung: A History of Aukang and Punggol

17 09 2020

Aukang (or Owkang), as Hougang was called before the adoption of hanyin-pinyin names forced a reset, is one of several previously rural parts of Singapore that is associated with the Teochew community. It is also an area where there is a very noticeable Roman Catholic presence.  It is where rural Singapore’s oldest Catholic building – a gorgeously built one at that in the form of the tropical gothic Church of the Nativity of the Blessed Virgin Mary or “Nativity Church” in short – can be found. It is also where a Catholic seminary was set, along with several Catholic institutions and schools.  The area is also where Kangkar – a fishing port associated with auctions of fish that took place in the wee hours of the morning – was. It also served as a gateway to Punggol – a part of Singapore known for its seafood restaurants (at Punggol Point) and its numerous farms – particularly pig and chicken farms.

Nativity Church.

Hougang today does seem very different. The enforced change of name also coincided with its metamorphosis from a rural district which fed Singapore, into yet another part of the new Singapore. In that maze of Housing and Development Board (HDB) neighbourhoods however, there is still bits of the old Aukang and its much storied past that can be discovered.

There is perhaps no better person to take us on a journey of discovery than a son of the soil – so to speak – such as Shawn Seah. Shawn, who traces his ancestry to the illustrious Teochew pioneer, Seah Eu Chin, explores his Aukang roots in “My Father’s Kampung: A History of Aukang and Punggol” – due to be released later this month.

The book, which Shawn says, “is basically my journey of how I came to appreciate my father’s kampung better”, takes the reader through its early development to 1975 — before it became Hougang, Sengkang, Buangkok and (HDB) Punggol. Along the way, stops are made to look at the influence of the Catholic missions and its schools such as Holy Innocent and Monfort, its multi-ethnic and multi-religious makeup (it wasn’t exclusive Teochew / Catholic), the memories of its rural centres and kampungs, as well as the impact of war and the Japanese occupation.

The book will be launched at a “kopi talk” Zoom event on 19 Sep 2020 at 3pm (details in the infographic above, which is jointly organised by World Scientific and Montfort Alumni. The event will also feature Mr Ng Kok Song and Brother Dominic Yeo Koh, both old boys of Montfort and as Shawn puts it, “essentially the quintessential Aukang nang”.


Written by Shawn Seah and supported by the National Heritage Board, “My Father’s Kampung: A History of Aukang and Punggol, tells the story of historical Aukang and Punggol from the 1850s, before the area’s transformation into Hougang, Sengkang, Buangkok, and Punggol.






Singapore in 1941 from the Harrison Forman Collection

17 04 2020

Singapore in 1941 seems a year that was well documented by the international media. We have seen an extensive set of photographs taken by Carl Mydans’ for LIFE magazine, which show both scenes in Singapore and Malaya, as it was being readied for war. Another extensive collection is that of Mydans’ compatriot, Harrison Forman, whose extensive collection of photographs also include rare photographs taken on colour film. Forman, a photo-journalist with a degree in Oriental Philosophy, wrote for the New York Times and National Geographic. His extensive collection of 50,000 photographs are in the His collection of diaries and fifty thousand photographs are found in the American Geographical Society Library of the University of Wisconsin–Milwaukee.


A selection from the Harrison Forman Collection of Singapore in 1941  

Corner of North Bridge Road and Middle Road.

St Joseph’s Institution (now SAM) with brick blast walls put up.

A view up Cross Street with a trolley bus in view.

A view up Collyer Quay. Buildings from left to right are the Union Building (later Maritime Building), Hongkong and Shanghai Bank Chambers and the GPO (now Fullerton Hotel).

North Bridge Road.

North Bridge Road.

Middle Road – there were quite a number of shoe factories and shoe stores.

The then former Supreme Court (now Old Parliament House / The Arts House).

John Littles at Raffles Place with a pillbox seen in front of it.

Raffles Place towards the Mercantile Bank (Malacca Street end).

North Bridge Road – where the Raffles Hotel extension is today. Note the number of Japanese owned businesses. The pre-war Japanese community, which was centred on Middle Road and several of the streets around numbered several thousand at its peak.

Middle Road, where the Mercure Bugis now stands.

Bencoolen Street.

Bencoolen Street, where Sunshine Plaza now stands.

Capitol.

A drinks vendor on Collyer Quay.

A bullock cart on Collyer Quay.

The Battery Road corner of Raffles Place looking towards Chartered Bank Chambers (Six Battery Road).

Raffles Place / Battery Road.

Connaught Drive.

Connaught Drive.

Cathay / Dhoby Ghaut.

A chandu (opium) shop.

A chandu (opium) shop.

A chandu (opium) shop.

 

China Street.

The meeting of Pickering, Church and Synagogue Streets.

Electra House – Cable and Wireless (and previously the Eastern Extension Telegraph Co’s HQ – now SO Sofitel).

Rex Hotel on Bras Basah Road (were Carlton is today).

Orchard Road Market (Orchard Point today).

Cross Street and Robinson Road.

North Bridge Road.

South Bridge Road.

Whiteaways at Fullerton Square (later Malayan Banking Chambers – where Maybank Tower now stands).

Gian Singh at Bank of China Building.

Battery Road.

Raffles Place.

Corner of Cecil and D’Almeida Street.

Meyer Chambers at Raffles Place.

Japan Street (now Boon Tat Street).

Robinson Road.

Singapore River.

Trade on the river.

Coleman Street and the Adelphi Hotel.

Dhoby Ghaut (Cathay towards Prinsep Street).

The Medical Hall at Battery Road.

Packing Opium.

Rare pre-war colour photo of Amber Mansions on Orchard Road (where Dhoby Ghaut MRT Station is today).

Rare colour photo of the corner of South Bridge and Circular Roads.

Rare colour photo of Battery Road – notice the row of rickshaws, which were withdrawn after the war.

Haw Par Villa – in full colour.

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Reclamation off the Esplanade (what would provide land for Queen Elizabeth Walk).

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Dhoby Ghaut with Cathay.

Construction of an air raid shelter on the Raffles Reclamation at Beach Road.






Memories of ‘Batman’

13 02 2020

A guest post by Edmund Arozoo, who, following a conversation on the COVID-19 coronavirus outbreak, recalls a time when bats were hunted for consumption in Singapore. Edmund who grew up in a kampung in Jalan Hock Chye, now resides in Adelaide, Australia.


After band practice we often have a sit down meal of home cooked dishes at the band leader’s home. It is a great way to chill out and also have a bonding session. Last Sunday the conversation at the dinner table touched on the Coronavirus situation the world is currently facing and the theory of how it may have originated from bats and possibly through the ingestion of bats by humans. Well someone at the table declared that he had eaten bat meat before. Like me, he too was originally from Singapore. Suddenly a “kampong” memory came flashing back. I was reminded of how sometimes at dusk and into the night the “bat man” would appear. He would have with him two long bamboo poles (galahs). Each pole had along its length an edge of fine netting attached. So when the poles were raised and spread apart it was like having a fishing net spread overhead in the air.

The “batman” would survey the area for any bats in flight. Then he would observe their flight paths. And because the flight paths were very often loops and predictable he would position himself after the bat had flown overhead and immediately hoist the galahs up and spread the top ends apart and hold the netting as high as he could. He would then wait in anticipation for the bat to fly back – straight into the netting. Once the bat was entangled in the netting, both poles were lowered and the trapped bat extracted and kept in a container with the others that were caught.

The Batman © Edmund Arozoo.

If my memory serves me correctly, sometimes to attract the bats he would use the simple aid of a match box. A matchstick was removed from the box and jammed in between the top edge of the sliding drawer and the bottom side of the cover sleeve. By using the thumb to press over area where the matchstick came into contact with both parts of the box the matchstick was then forcibly moved inwards and outwards. This created a sound that we were told attracted the bats.

Bat Attractor © Edmund Arozoo.

Once he netted and stored the catches the “Batman” would move on to other parts of the kampong.

I understood that these bats were caught for human consumption.

While some around the dinner table that night expressed horror over the thought of eating bats, I had to remind them that during those days in Singapore people were known to eat flying foxes (fruit bats), iguana and wild boar.

Then I had to confess to the others that I too have been adventurous (game) here in Australia to have eaten Kangaroo meat, Emu meat pies, and when I was in the Northern Territory I had dined on Buffalo steak and stir fried Crocodile.

Prairie Hotel , Parachilna, South Australia © Edmund Arozoo.

Another memory then resurfaced – on our trip to Lake Eyre in 2016 we stopped for lunch at the Prairie Hotel in the country town of Parachilna, north of Adelaide. The menu promoted the ‘FMG’ – Feral Mixed Grill and if I remember correctly for us Aussies it was tongue-in-cheek fondly referred to as “road kill”, with Kangaroo, Camel, Emu, and Goat served as a platter.

Feral Platter © Edmund Arozoo.

In recent years I have tasted escargot, frog legs and often indulge in Blue Vein cheese (I love durians!)

Would I try Bat ….hmmm perhaps not just yet!


© Edmund Arozoo, 2020


Bat and flying fox Consumption in Singapore

The consumption of bats, especially the larger fruit bats, wasn’t just confined to Chinese population, some of whom believed it to be a cure for asthma. It was not unheard of amongst some of the other ethnic groups:

“The preparation of flying fox for consumption was quite an art and required a skilled hand as the glands under the armpit of the bat had to be carefully removed or else the whole dish was unpalatable due to the musky odour characteristic of the mammal. Flying fox was either prepared with herbs of curried. The strong ingredients presumably disguised the strong flavour of the bat. It was also considered to be a remedy for asthmatics.”

– Francesca Eber in “Singapore Eurasians: Memories, Hopes And Dreams”.

A postcard depicting a boy holding a flying fox in Singapore.


 





When the region’s naval ships were being built at Tanjong Rhu

11 01 2020

Tanjong Rhu – the cape of casuarina trees and once known as “Sandy Point“, has had a long association with the boatbuilding and repair trade. Captain William Flint, Raffles’ brother-in-law as Singapore’s first Master Attendant, established a marine yard there as far back as 1822, for the “convenience of the building and repair of boats and vessels”.  That association would come to an end when the last shipyards relocated in the early 1990s, not so long after one of the larger establishments Vosper Pte. Ltd. Singapore, went into voluntary liquidation in 1986.

High and dry. A Point class U.S. Coast Guard WPB (left) used in Vietnam by the U.S. Navy, being repaired at Vosper Thornycroft. A Royal Malaysian Navy Keris class patrol boat is seen on the right (Kim Hocker Collection, 1969).

With links to Vosper Thornycroft (VT) – an established name in naval shipbuilding, Vosper Singapore was a major player in the domestic and regional naval market. It also had a long association with Tanjong Rhu that began with John I. Thornycroft and Company setting up its Singapore shipyard there late in 1926. Among Thornycroft’s successes were the construction of motor launches in 1937 for the Royal Naval Volunteer Reserve, a series that included the very first Panglima, a name that would acquire great meaning with the naval forces of a sovereign Singapore some three decades later.

A 1927 ad for Thornycroft Shipyards at Tanjong Rhu.

Thornycroft morphed into Vosper Thornycroft (VT) in 1967, following a merger the previous year, of Vosper Limited with Thornycroft’s parent company in Britain. VT would also merge with neighbouring United Engineers here, another long-time shipbuilder based at Tanjong Rhu, the same year. The expanded VT would find great success, especially in the regional naval market, obtaining contracts from the Ceylonese Navy, the Bangladeshi Government, and the Royal Brunei Navy – for which it built three Waspada class Fast Attack Craft.

A view towards a bakau laden Bugis pinisi on the Geylang River from Vosper Thornycroft (Kim Hocker Collection, 1969).

Locally, VT also supplied and serviced the Royal Malaysian Navy, as well as the fledging Singapore navy. A contract for six ‘A’ and ‘B’ Class 110 foot Patrol Boats with Singapore’s then Maritime Command in 1968 involved the lead vessel being constructed in the parent company’s yard in Portsmouth. This arrangement set the tone for how large naval procurement would be conducted here, although VT would play little part in the subsequent naval construction for what became the Republic of Singapore Navy, in the years that would follow.

The launch of the ‘A’ Class 110′ Patrol Craft at VT for the Maritime Command in 1969. Interestingly, the main deck of these steel hulled vessels were constructed from aluminium alloy (photo source: National Archives of Singapore).

The yard was also involved in commercial ship construction and repair, and naval repair and upgrading work. The U.S. Navy, which was involved in the conflict in Vietnam, sent several small patrol boats to the yard during this time. One of these boats was brought over from Danang by a Kim Hocker late in the fall of 1969. An officer with the U.S. Coast Guard, Kim was seconded to the US Navy. An extended stay in Singapore permitted Kim to put his camera to good use and his captures included bits of Raffles Place, the Meyer Road and Katong Park area close to where he was putting up, and also ones of the shipyard that are used in this post. One thing that is glaringly clear in Kim’s photographs of the yard is the absence of Personal Protective Equipment (PPE) such as hard hats, safety shoes and safety belts – a requirement in the shipyards of today.

Kim Hocker with the author.

No hard hats or safety shoes! (Kim Hocker Collection, 1969).

VT Singapore became Vosper Pte. Ltd. Singapore in 1977 following the nationalisation of its parent company. Despite contracts from Oman and Kuwait, and an investment in a Glass Reinforced Plastic (GRP) production facility that was partly motivated by a Marine Police Patrol Boat contract,  the next decade would see Vosper Singapore fall on hard times. This saw to its eventual demise as a yard here in 1986.  The closure of the yard came a a time when plans for the redevelopment of the Tanjong Rhu for residential use were being set in motion. The shipyard site was purchased by Lum Chang Holdings the following year for the purpose, and was in turn resold to the Straits Steamship Company (now Keppel Land). Together with DBS Land, the site, an adjoining site as well as land that was reclaimed, were redeveloped into the Pebble Bay condominium complex in the 1990s.

A view towards what would become the Golden Mile area from Vosper. The naval vessel seen here looks like one of the Keris class Royal Malaysian Navy Patrol Boat (Kim Hocker Collection, 1969).

At the time of Vosper’s demise, there were also several shipyards that were still in operation, including privately held ones such as Kwong Soon Engineering and another long time Tanjong Rhu shipyard, Singapore Slipway. Located at the end of the cape since the end of the 1800s, it was by that time owned by Keppel and would come to be part of (Keppel) Singmarine. The last yards moved out in the early 1990s allowing Tanjong Rhu’s redevelopment into what was touted a waterfront residential district, which incidentally, was where the first million dollar condominium units were sold.

More on Tanjong Rhu and its past can be found at “The curious ridge of sand which runs from Katong to Kallang Bay“.


More photographs taken at Vosper Thornycroft from the Kim Hocker Collection:

Painting the old fashioned way (Kim Hocker Collection, 1969).

 

One more … (Kim Hocker Collection, 1969).

 

The security guard or jaga … wearing a Vosper uniform (Kim Hocker Collection, 1969).

 

It was common to see pushcart stalls outside the gates of shipyards and factories in those days (Kim Hocker Collection, 1969).

 

A store? (Kim Hocker Collection, 1969).

 

Shipyard workers – again no hard hats (Kim Hocker Collection, 1969).

 

Welders at work (Kim Hocker Collection, 1969).


 





Celebrating France in Singapore

16 11 2019

The contributions of the French to Singapore cannot be understated. Their connections go back to Raffles’ arrival in 1819. With him on the Indiana were two French nationals, Pierre-Médard Diard and Alfred Duvacel, naturalists whom Raffles met in Calcutta – whose renderings and documentation of the region’s flora and fauna were among the first to be made. The French would bring Catholic missionaries – responsible not just for building churches such as the Cathedral of the Good Shepherd, but also schools that are now well established.

Much later, it was towards the French that Mrs Pamelia Lee of the then Singapore Tourist Promotion Board would turn to for conservation expertise – resulting in the involvement of Chief Architect and Inspector of Historical Monuments in France, Mr Didier Repellin, in the restoration of No 53 Armenian Street – an effort that would extend to conservation projects such as CHIJMES and the structuring of our heritage strategy.  This cooperation was celebrated on Armenian Street this morning – as part of the commemoration of 30 years of conservation in Singapore as part of Architectural Heritage season and in conjunction with the French cultural festival Violah! – for which, a plaque was unveiled by His Excellency, Mr Marc Abensour, the Ambassador of France to Singapore and the Urban Redevelopment Authority’s Ms Hwang Yu-Ning, Chief Planner and Deputy CEO.

Also unveiled today is an exhibition of twenty photographs from Mr Paul Piollet collection of close to 1000 photographs donated to Singapore on the National Museum front lawn. Taken over three decades from the 1970s, the photos are a record of life and a way of life of a Singapore in transition. The many images of wayangs, the life that went on backstage, elaborate Chinese funerals and of life on Singapore’s living streets, boats and maritime exchanges with the Indonesian Archipelago are full of life. Many also show streets filled with children – something we seem to see a lot less of in the Singapore of today. The exhibition runs until 16 December 2019.

Paul Piollet’s images of the maritime trade with Indonesia – in this case showing bakau poles being offloaded – capture a world now lost to us.


Mr Didier Repellin, Mrs Pamelia Lee, His Excellency Mr Marc Abensour, and Ms Hwang Yu-Ning.

Mr Kelvin Ang, Mr Alvin Tan, Mr Didier Repellin, Mrs Pamelia Lee, His Excellency Mr Marc Abensour, Ms Hwang Yu-Ning and Mr Liu Thai Ker.

The plaque unveiled this morning.

Mr Paul Piollet, His Excellency Mr Marc Abensour, and Ms Hwang Yu-Ning on the National Museum Front Lawn.

Mr Paul Piollet with His Excellency Mr Marc Abensour on the National Museum Front Lawn.

Mr Paul Piollet presenting a book of his photographs to His Excellency Mr Marc Abensour.

Exhibition panels for Mr Paul Piollet’s photographs.


Video mapping by French Artist Julien Nonnon – inspired by the work of Diard and Duvacel, “Revisiting Diard and Duvacel” on Armenian Street from 8 to 11 Nov as part of Violah!