The full moon of Thai

25 01 2016

Yesterday, the day of the full moon of the Tamil month of Thai, saw the most lively and colourful of festivals, Thaipusam, being celebrated by the Hindu community. A very visible part of the festival is a procession of devotees carrying kavadis. In Singapore, the kavadis, some weighing as much as 40 kilogrammes, are carried along a route from the Sri Srinivasa Perumal Temple in Serangoon Road to the Chettairs’ or Sri Thendayuthapani Temple at Tank Road.

The annual procession remains as one of the most colourful religious and cultural celebrations in Singapore even without the chanting, singing, music and dancing, which would have flavoured it in its pre-1973 days. This year, a total ban on music was lifted, and this saw musical instruments allowed at designated points along the procession route. The festival is one of two occasions during which kavadis are carried, the other being the Panguni Uthiram festival celebrated during the full moon of the month of Panguni. 

Photographs from Thaipusam 2016
























More information on the festival from the Hindu Endowments Board’s website:

Thaipusam which falls in the Tamil month of Thai (usually January/ February) is an annual foot procession by Hindu devotees seeking blessings, fulfilling vows and offering thanks. Thaipusam is celebrated in honour of Lord Subrahmanya (also known as Lord Murugan) who represents virtue, youth and power to Hindus and is the destroyer of evil.

On the day before Thaipusam, a statue of Lord Subrahmanya decorated with jewels and finery and together with his two consorts, Valli and Devayani, is placed on a chariot and brought in procession. In Singapore, the chariot procession begins from the Sri Thendayuthapani Temple to Layan Sithi Vinayagar Temple at Keong Siak Road. The procession symbolizes the blessings sought by Lord Subrahmanya from his elder brother Lord Vinayagar.

Thaipusam ceremony starts in the early hours of the morning when the first batch of devotees of Lord Subrahmanya carrying milk pots and wooden kavadis leave Sri Srinvasa Perumal Temple for Sri Thendayuthapani Temple at Tank Road. The milk in the pots they carry are offered to the deity of Lord Subrahmanya at Sri Thendayuthapani Temple. Some devotees pierce their tongues with skewers and carry a garlanded wooden arch across their shoulders. Others devotees may carry a kavadi (semi circular metal structure decorated with peacock feathers, flowers and plam leaves). The spiked kavadis which require elaborate preparations leave the temple in the later part of the morning and continue till 6pm.

Carrying kavadi is a popular form of devotion for Hindus. It is usually carried in fulfillment of a vow that a devotee would have taken. Placing a kavadi at the end of the foot procession at the altar of Lord Subrahmanya and making an offering of milk symbolizes the cleansing of the mind and soul and seeking of blessings.

In preparation for carrying a kavadi, a devotee has to prepare himself spiritually. For a period of about a month, the devotee must live a life of abstinence whilst maintaining a strict vegetarian diet. It is believed that only when the mind is free of material wants and the body free from physical pleasures that a devotee can undertake the sacred task without feeling any pain.

More information on the kavadi, its origins and some of the various forms it takes from the site:

There are many types of offerings, which the devotee makes to his beloved deity Sri Murugan. A special offering is the carrying of kavadi and there is a Puranic legend behind this practice.

There was once a great saint called Agasthya who rested at Mount Pothikai. Agasthya dispatched one of his students, Idumban, to Mount Kailai Range instructing him to bring back two hills called Sivagiri and Shakthigiri belonging to Lord Murugan.

As instructed, Idumban having arrived at Mount Kailai, picked up both the hills, tied them and swung them across his shoulders.

Lord Murugan had other plans. He wanted the two hills to be placed at Thiruvavinankudi (Palani) and at the same time test the devotion and tenacity of purpose of Idumban.

Idumban who was on his way back with the hills suddenly found himself lost. Lord Murugan appeared as a king, riding a horse led Idumban to Thiruvavinankudi (Palani) and requested Idumban to rest there so that he could continue his journey later.

Having rested, Idumban tried to carry the two hills but strangely found that he could not do so. A perplexed Idumban looked up and saw a child in loincloth standing atop one of the hills. Idumban requested the child to get down, however, the child refused claiming that the hills belonged to him. An angered Idumban attempted to attack the child but found himself falling like an uprooted tree. A scuffle ensued and Idumban was defeated. Only then did Idumban realize that the child was none other than Muruga or Subrahmanya Himself – the ruling deity of the region. Idumban craved the pardon of the divine child and also sought the boon that anyone who comes to the hills to worship Sri Muruga with an object similar to the two hillocks suspended by a load bearing pole, may be granted his heart’s desire. Idumban’s wish was granted. Murugan also said that he would bless those who bring sandal, milk, flowers, etc. in a kavadi to His shrine. Hence, the practice of carrying a kavadi.

At the Sri Thendayuthapani Temple, one can see a small sanctum dedicated to Idumban. Devotees who usually fast for Thaipusam break their fast one day later after offering their prayers to Idumban.

The simplest kavadi consists of a short wooden pole surmounted by a wooden arch. Pictures or statues of Lord Murugan or other deities are fixed onto the arch. The kavadi is decorated with peacock feathers and a small pot of milk is attached to each end of the pole.

There are more elaborate kavadis that devotees carry. The alagu and ratha kavadi are common forms of kavadi carried by devotees during Thaipusam. Kavadis are affixed on a bearer’s body by long sharpened rods or by chains and small hooks. A kavadi bearer not only carries a gift for God but the whole kavadi is seen as a shrine for God Himself.

Devotees who intend to carry kavadis are customarily required to observe strict physical and mental discipline. Purification of the body is a necessity. This includes taking just simple vegetarian meals and observing celibacy. According to orthodox doctrine, rigid fasting and abstinence have to be observed over a 48-day period prior to the offering of the kavadi on Thaipusam Day.

Piercing the skin, tongue or cheeks with vel skewers is also common. This prevents the devotees from speaking and gives them great powers of endurance.

Photographs from previous Thaipusam celebrations:

Colours of the harvest

15 01 2016

The Tamil month of Thai brings much celebration to Singapore where a large majority of its Indian population is of Tamil ancestry. One festival that brings colour to the streets of Little India is Pongal, the celebration of the winter harvest over four days. The streets are particularly lively in the lead-up to the festival as decorated clay pots, sweets, flower garlands and sugar-cane (which I am told signifies sweetness and longevity) fill up Campbell Street – where the annual Pongal bazaar is set up.

Sugarcane - signifying sweetness and longevity.

Sugarcane – signifying sweetness and longevity.

More on the festival can be found on my previous posts, as well as on Your Singapore. A description of the festival by Mr Manohar Pillai is also provided on a post on the Facebook Group “On a Little Street in Singapore“:

Pongal is the biggest and most important festival for the Tamilians, since ancient times and transcends all religious barriers since it signifies thanks giving to nature and domestic animals. Cattle, cows, goats, chickens are integral part of a farmer in India. It is celebrated for three days in Tamilnadu starting from 15th to 17th. Jan’, 2016. and strictly vegetarian food will be served only in all Hindu households. Thanks giving prayers will be offered to the Sun, Earth, Wind, Fire, Water and Ether, without these life cannot be sustained on Mother Earth. The celebrations comes on close to the harvest season which just ended and Jan,15, is the beginning of the new Tamil calendar.

Clay Pots are used to cook flavoured rice with traditional fire wood in the open air and facing the early morning Eastern Sun. The Sun’s early morning rays are supposedly to bring benevolence to the household. The cooked rice is distributed to all the members of the household and with it the festivities begins. Everyone wears new clothes and very old and useless clothes are burnt the previous night.

The next day the farmer turns his attention to the animals especially the Cattle and Cows.

The third day all people celebrate it with gaiety and grandly.

Decorated Clay Pots.

Decorated Clay Pots.


Sweets for the sweet.


A bazaar stall doing a roaring trade.


A well stocked shop.


A dairy cow.


Campbell Lane dressed for Pongal.


More sugarcane.


Flower garlands on sale.


The festive atmosphere also spill over to the nearby streets.

The season for wayang

9 09 2015

Public entertainment during the seventh month of the Chinese lunar calendar, while intended for the special visitors of the netherworld, would once have attracted a large audience across Singapore. The crowds at such events, typically a getai in more modern times, or a Chinese opera or puppet performance in the past, have dwindled over the years. Perhaps this is more the case this year with the political hustings coinciding with the celebration of the hungry ghosts festival. It still is nice to come across them as they make not just for a colourful spectacle, but also because they tell us that the traditions of our forefathers, though modified, are very much still alive.

A 7th month Hokkien Opera performance at the Balestier Road Goh Chor Tua Pek Kong Temple's free-standing stage - one of the last such stages left in Singapore.

A 7th month Hokkien Opera performance at the Balestier Road Goh Chor Tua Pek Kong Temple’s free-standing stage – one of the last such stages left in Singapore.

A getai performance at Woodlands.

A getai performance at Woodlands.

Front row seats at such events are reserved for the guests from the netherworld.

Front row seats at such events are reserved for the guests from the netherworld.

The crowd at the getai performance.

The crowd at the getai performance.



Another getai held in Sembawang,

Another getai held in Sembawang.

Which attracted a different kind of special guest.

Which attracted a different kind of special guest.

A performer at  the Sembawang getai.

A performer at the Sembawang getai.

And another.

And another.

Panguni Uthiram 2015 in photos

4 04 2015

Panguni Uthiram, a Hindu festival similar in the way it is celebrated to the better known Thaipusam, is celebrated during the full moon in the Tamil month of Panguni (which falls in March or April). In Singapore, the tradition is observed at the Holy Tree Sri Balasubramaniar temple, a temple now at Yishun Industrial Park A with its origins in the British Naval Base. The original temple was located off Canberra Road and it was there that the festival was first celebrated at the temple in 1967.

The lively festival, which unfortunately music and singing has been disallowed (along the procession route), features both a procession of the Silver Chariot on the eve and a kavadi procession on the day itself. More on the festival and photographs from the previous festivals can be found at these links:











































What colours the full moon of Thai

4 02 2015

Colouring the full moon during the Tamil month of Thai, which fell yesterday,  is the Hindu festival of Thaipusam.

The festival is celebrated with much fervour by the southern Indian communities of Singapore and in the Peninsula and is one of the last religious festivals in Singapore that brings crowds, colour, and what seems very much in evidence these days, a massive police presence and snap happy locals and tourists, to the streets.

More on the festival, including photographs taken at previous Thaipusam celebrations, can be found in the following posts:

Vel, Vel, Vadivel: Thaipusam in Singapore (2010)
Sights Sans Sounds of Thaipusam in Singapore (2011)
Thaipusam at the Sri Srinivasa Perumal Templ (2012)
An Annual Walk of Faith (2013)
Faces of Thaipusam 2014 (2014)

Photographs from the 2015 Thaipusam celebrations at the Sri Srinivasa Perumal Temple






















Light in the darkness

29 05 2014

Light in the darkness after the storm, 6.41 am, Lower Seletar Reservoir, 28 May 2014.


Singapore Landscapes: the tortoise in the early light of day

5 05 2014

It was in the soft light of a storm washed morning on the first of May that I found myself taking in the quiet beauty of less visited part of Singapore, an island, Kusu Island, just 15 minutes away by boat from mainland Singapore. The island is one I have not set eyes on since the days of my youth, the last I did see of it would have been some three decades ago, when reclamation had already expanded it.

Low tide in the swimming lagoon.

Low tide in the northern swimming lagoon.

The island has been one that has been the subject of many tales from the past. Taking on the shape of a tortoise or turtle when the tide came in – it had been a pair of rocky outcrops set on a reef that were separated at high tide, with the smaller of the two outcrops resembling a head, and the larger mound, the body; legend does have it as having been a turtle that turned into an island in the act of rescuing shipwrecked sailors from the sea.

The swimming lagoon at low tide in the light of dawn.

The swimming lagoon at low tide in the light of dawn.

The incoming storm - the approaching Sumatra.

The incoming storm – the approaching Sumatra.

The legend is one connected with a annual pilgrimage that the island hosts during the ninth month of the Chinese lunar calendar when the sleepy island sees hundreds of thousands of Taoist devotees from the mainland who visit to pay homage at the island’s Tua Peh Kong temple (set on the smaller outcrop) and also the island’s three keramats (on the mound). The tradition is thought to go back to the days before Raffles arrived (see: “Before the Days of Raffles” – article on The Singapore Free Press and Mercantile Advertiser (1884-1942), 19 October 1932, Page 7) and draws some 100,000 to 200,000 visitors over the pilgrimage month.

A postcard of Kusu Island at low tide, showing the smaller rocky outcrop on which the Tua Peh Kong Temple is, from the larger side (posted by Yun Xin on the Facebook Group 'On a little street in Singapore').

A postcard of Kusu Island at low tide, showing the smaller rocky outcrop on which the Tua Peh Kong Temple is, from the larger side (posted by Yun Xin on the Facebook Group ‘On a little street in Singapore’).

A view of the temple with Lazarus Island across the channel.

A view of the temple seen today with Lazarus Island across the channel.

The sight of Kusu during the pilgrimage must certainly be an amazing one – especially in days before the reclamation of the early 1970s provided more room for the mass of visitors – the reclamation saw some 270,000 cubic metres of sand filled into the sea and provided Kusu with an additional 7.3 ha. of land area (on top of the original 1.2 ha.) with swimming (two lagoons) and picnicking facilities added.

Conservationists at work.

Conservationists at work.

That sight was, however, not the same one that I did get of Kusu in the early light. I had gone over with a group of Marine Conservationists, who were kind enough to allow Juria and me (we are both attempting to document memories of the coastline and the islands as part of a IrememberSG project, Points of Departure) to tag along. The timing of the journey, which had us embarking a boat at Marina South Pier at 5 in the morning, had been timed to bring the group led by Ria Tan (many will be familiar with her Wild Shores of Singapore site) to the island at low tide. As I was experimenting with capturing sounds of the shoreline after the brief Sumatra squall had passed, the group was threading through the flats and reefs exposed by the shallow water of the western lagoon and beyond the rock bund to document marine life in and around what is a regenerated reef that I never realised was there. You can see what the group did manage to find on Ria’s post “How is Kusu Island doing?“.

Another view of the western lagoon at dawn.

Another view of the northern lagoon at dawn.


Sitting on the bund, I did, for a brief moment, find myself transported faraway in time, to a Singapore I once was familiar with. It didn’t take long however, before the sounds of the sea were punctured by the drone of jets flying above and I noticed the illuminated wheel and adjacent to it the unmistakable paraphernalia of the modern city looming on the horizon. It was then that I heard the chatter of my companions for the morning, busy at work, bringing me back to where I was in time and space.


I have for long, longed to be transported to a childhood sea. And while I do know that sea is one I will never again see, I do at least have moments such as these to look forward to and be thankful for; moments, that in a world I can not longer feel for, is able to bring a sense of peace that might otherwise elude me.



Information on Kusu Island, including newspaper articles with illustrations of what it did once look like can be found in the following links:




Get every new post delivered to your Inbox.

Join 3,121 other followers

%d bloggers like this: