(Book launch) My Father’s Kampung: A History of Aukang and Punggol

Aukang (or Owkang), as Hougang was called before the adoption of hanyin-pinyin names forced a reset, is one of several previously rural parts of Singapore that is associated with the Teochew community. It is also an area where there is a very noticeable Roman Catholic presence.  It is where rural Singapore’s oldest Catholic building – a gorgeously built one at that in the form of the tropical gothic Church of the Nativity of the Blessed Virgin Mary or “Nativity Church” in short – can be found. It is also where a Catholic seminary was set, along with several Catholic institutions and schools.  The area is also where Kangkar – a fishing port associated with auctions of fish that took place in the wee hours of the morning – was. It also served as a gateway to Punggol – a part of Singapore known for its seafood restaurants (at Punggol Point) and its numerous farms – particularly pig and chicken farms.

Nativity Church.

Hougang today does seem very different. The enforced change of name also coincided with its metamorphosis from a rural district which fed Singapore, into yet another part of the new Singapore. In that maze of Housing and Development Board (HDB) neighbourhoods however, there is still bits of the old Aukang and its much storied past that can be discovered.

There is perhaps no better person to take us on a journey of discovery than a son of the soil – so to speak – such as Shawn Seah. Shawn, who traces his ancestry to the illustrious Teochew pioneer, Seah Eu Chin, explores his Aukang roots in “My Father’s Kampung: A History of Aukang and Punggol” – due to be released later this month.

The book, which Shawn says, “is basically my journey of how I came to appreciate my father’s kampung better”, takes the reader through its early development to 1975 — before it became Hougang, Sengkang, Buangkok and (HDB) Punggol. Along the way, stops are made to look at the influence of the Catholic missions and its schools such as Holy Innocent and Monfort, its multi-ethnic and multi-religious makeup (it wasn’t exclusive Teochew / Catholic), the memories of its rural centres and kampungs, as well as the impact of war and the Japanese occupation.

The book will be launched at a “kopi talk” Zoom event on 19 Sep 2020 at 3pm (details in the infographic above, which is jointly organised by World Scientific and Montfort Alumni. The event will also feature Mr Ng Kok Song and Brother Dominic Yeo Koh, both old boys of Montfort and as Shawn puts it, “essentially the quintessential Aukang nang”.

---

Written by Shawn Seah and supported by the National Heritage Board, “My Father’s Kampung: A History of Aukang and Punggol, tells the story of historical Aukang and Punggol from the 1850s, before the area’s transformation into Hougang, Sengkang, Buangkok, and Punggol.

---

Advertisement

Revisiting the Singapore of the Malay film industry’s golden age

The Malay Film Productions (MFP) at Jalan Ampas was one of a pair of production houses that entertained a generation of Singaporeans and Malayans. Established by the Shaw Brothers’, the MFP is especially well known. It was where the legendary P. Ramlee made his name, excelling not just as an actor but also as a singer, songwriter and director. Lending his range of talents were to a series of films, his popularity has endured to this day, more than four decades after his sudden and premature passing in 1973.

Main gate to No. 8 Jalan Ampas.

The recent run of State of Motion 2018: Sejarah-ku, organised by the Asian Film Archive, renewed a consciousness for Jalan Ampas. P. Ramlee’s career there coincided with the golden age of Malay cinema – a time when the production of Malay movies was at its most prolific. Besides the screening of films of the genre, a guided tour also plotted a return to the MFP, albeit to its closed gates beyond which the buildings of the former studios stand quite forgotten. The tour, one of two – the other an offshore tour – with which locations where outdoor scenes in several MFP productions were visited, permitted a recall not only of the scenes, but of a Singapore forgotten if not for the movies. Site specific art installations were also presented at the sites, expressing the memories that also lay embedded in the locations .

Participants listening to CLOSURE / TUTUP by Wu Jun Han outside the gates of No. 8 Jalan Ampas.

Standing outside gates at Jalan Ampas, I found myself transported to the confrontational scenes that were enacted at that very gateway by Wu Jun Han’s recording, Tutup or Closure. The scenes, captured in the movie Mogok (Strike), although set in the Eveready  factory, were actually inspired by a strike that took place at the studios that same year involving 120 MFP employees.  The spot was also a location for another movie, the hit comedy Seniman Bujang Lapok,  which P. Ramlee directed and played a leading role in. This inspired a second installation along Jalan Ampas, Izzad Radzali Shah’s Wayang Terbiar (The Theatre that was Left Behind). A diorama of a mini threatre with scenes from the movie depicted, it seems almost altar-like in appearance.

Wayang Terbiar.

I was particularly drawn to Mintio’s Penghibur Hati-Lara (Solace for the Heart) installed just off Tanah Merah Besar Road. The work takes its title from a line in a lullaby “Kau penghibur hati-lara” (you are solace for my painful heart) sung in the film Darah Muda by the female protagonist to her baby in the seaside setting provided by the promenade at the end of Tanah Merah Besar Road. Anticipating separation, the line also suggests a sense of yearning that the artist also intends to evoke with her piece and its location between Changi Prison and the Airport – both sites of separation. The seaside promenade is now buried under a Changi Airport runway. Having been part of an area in which some of my most treasured memories of childhood were made, the artwork also evoked a sense of great longing and of loss in me.

Penghibur Hati-Lara at Tanah Merah Besar.

The former Kangkar Fishing Port, the location for scenes in the 1958 movie Sri Menanti, also provided a setting for Boedi Widjaja’s Path. 9, ))) ) ) )). The artwork, separated from the audience by the Serangoon River is bridged by the sounds of the flute, exploring the divide that the main characters in Sri Menanti faced in their attempts to bridge a cross-religious and cross-cultural gap in finding romance.

Once where a scene of Kangkar’s fishing colourful fishing fleet would have greeted the eye.

The mainland tour’s two other sites were at seaside (or former seaside) locations. At Punggol, the sea provided a backdrop for the scenes from Isi Neraka (Sinners to Hell) that inspired Salleh Japar’s Sulh-I-Kull (Universal Tolerance). The Shaws’ former seaside villa was used as a symbol of the individualism brought about by materialism and wealth in P. Ramlee’s Ibu Mertua Ku. P. Ramlee’s character in the movie violently blinds himself after he realises the circumstances in which he regained his sight after a previous spell of blindness. It is this loss of sight that the site’s installation, Tan Peiling’s 0.25 Seconds before an Image is Void, provides a response to.

The former seaside villa of the Shaws at which Liz Taylor was hosted on her visits here.

I was also able to join the offshore tour, which included a visit to Pulau Ubin – off which Pulau Sekudu or Frog Island lies. The rocky islet, a popular spot once for photo shoots, served as locations for Hang Tuah (1956) and Hang Jebat (1961). A central theme in the two movies is loyalty, betrayal and feudal authority. That is played out in the final fight scenes that both movies feature, which pitted 15th century pair of warriors – one-time close companions. The questions of the loyalty, betrayal, brotherly love, rage and desire expressed during the fight are what Akulah Bimbo Sakti’s Cinta Tuah Jebat examines. The artwork, a live performance accompanied by a recorded audio playback takes place on a beach on Ubin and within sight of Sekudu. More on State of Motion 2018: Sejarah-ku, which runs until 11 February 2018 can be found at https://stateofmotion.sg/2018/.

Pulau Sekudu, where the final fight scene in Hang Tuah and Hang Jebat was filmed.

Cinta Tuah Jebat (The Love of Tuah and Jebat).

 

Retracing the “Ice Ball” Trail

A guest post by Edmund Arozoo who takes us on a walk back 50 years in time on the ice-ball trail to his kampung at Jalan Hock Chye

Your whole life flashes in front of you when you experience a near death moment. Memories come flashing back. Memories of all the good times and bad – and times that one had forgotten or chose to forget come back vividly. Having been in that position almost two years ago there is one strange memory that strangely stood out in my mind and often came back to me after that.

It takes me back fifty or more years ago when I was in primary school at the then Holy Innocents School (which later became Montfort School). Those were the days when the Ponggol Bus Company or aka the “Yellow Bus” Company serviced routes in the Serangoon and Ponggol District. My generation of users of this service would remember the wooden louver windows these buses had in those early days!

Well, the average daily “pocket money” for school kids our age then was 30 cents. 10 cents for bus fare to and from school, 10 cents for a plate of Char Kuay Teow or Mee Siam etc, 5 cents for a drink and 5 cents for Kachang Puteh or sweets.

On certain days after our morning school sessions when the urge for a “cool” after-school treat was high a group of us, living close to each other, would decide that if we walked home we could use the 5 cents saved to buy the refreshing “ice ball” – shaved ice shaped into a ball (like a snowball) and sweeten with various coloured sweeteners and a dash of evaporated milk. This was handmade and looking back was pretty unhygienic but it was a special treat for most of us to quench our thirst.

Well the walk from our school, which was next to the Church of the Nativity, back to our homes in Jalan Hock Chye, off Tampines Road, covered a distance of about a mile. We were usually hot, sweaty and thirsty by the time we reach the “kaka” (Muslim Indian) shop that sold iceballs. However walking the last few yards home sucking on an iceball was simply “heavenly” then.

I was in Singapore recently and a strange urge came over me – I wanted to walk the iceball trail again! (I did not think it was the progression of a second childhood coming on).

Well on 10th August 2012 I and my wife caught a bus from Upper Thompson Road to Houggang Central to do the trail. Sadly my old school is no more there but the Church of the Nativity is still there and that was my starting point. With camera in hand I recaptured memories of various roads and lorongs that were landmarks then. Fifty years has seen lots of improvement on what was then on a whole a rural environment. Some lanes like St Joseph’s Lane have gone but it was nostalgic to recap what was and still is present. Very few landmarks of old remain. I knew we were getting close to our destination on approaching Lim Ah Pin Road. By then we were thirsty and welcomed a cool soya bean drink at a shop opposite Lim Ah Pin Road before heading for Kovan MRT station. This station used to be the terminus for the STC bus company that ran services into town and other parts of the island in those days.

Sadly too Jalan Hock Chye is no more around, being replaced by Hougang Avenue 1. However other landmarks are still there to pinpoint precisely where we used to get our iceballs. The Kaka shop used to be directly in front of the start of Jalan Teliti which is still there; and where my old home used to be is where Block 230 now stands and diagonally across there was a small lane that is now the present Jalan Hock Chye.

Well fifty years on I am glad I still could do the ice ball trail again and to all the old Monfortians who did the walk with me then – life was very simple then but very much cherished. However no ice ball for me at the end of the walk this time – had to settle for an ice kachang as a substitute!

---

Words and images by Edmund Arozoo, who now resides in Australia and whom I had the pleasure to meet last December.

---

A look at a dump

Travelling down the Tampines Road of old back in the 1970s and 1980s, it was hard not to miss the convoys of trucks on their eastward journeys down the road.  The trucks, laden with much of what Singapore discarded, were headed to what then became Singapore’s last onshore dumping ground, occupying some 234 hectares of land on the right bank of Sungei Serangoon, which before the conversion to a rubbish dump site in 1970, was a large swamp (mangrove swamps lined much of Singapore’s original coastline, particularly along the northern coast) rich in bird life.

A very natural looking man made stream close to the area where a village, Kampong Beremban, once was.

Taking a look around the former Lorong Halus dumping grounds these days, it is hard to imagine that it as a dump site for close to three decades (it was closed on 31 March 1999 and incinerated refuse has since been dumped offshore at Pulau Semakau). Part of the area today has been remade and is now a man-made wildlife sanctuary, the Lorong Halus Wetland. Despite the obvious signs of human intervention, the area (including that beyond the sanctuary) does have an aesthetic value from a natural environment (albeit man made) perspective, and offers that escape that can be hard to find in an island overgrown with too much concrete.

Another part of the former dump site.

The wetland, is also linked to a bridge across what has since the mouth of the river was dammed, become Singapore’s 17th reservoir, the Serangoon Reservoir. The bridge provides access to what was the left bank of Sungei Serangoon, where the new public housing estate of Punggol has been developed, via the Punggol Promenade Riverside Walk.

Sungei Serangoon today.

For those familiar with the area, the area of Sungei Serangoon upstream from Lorong Halus at the end of Upper Serangoon Road was where old Kangkar Village was. Kangkar Village was a fishing port and once a base for fish traders and also Singapore’s fishing fleet, which numbered some ninety vessels in 1984 when it was closed to be moved to Punggol. The location of Kangkar today would be close to where Buangkok East Drive is.

Punggol and Sengkang public housing estates looming in the background on the left bank of Sungei Serangoon – Sengkang was the area where Kangkar Village was.

Interestingly, Lorong Halus was also where Singapore’s last night soil collection centre was located. The practice of collecting night soil (human waste) using buckets in both urban and rural areas, was carried out from the 1890s up to early 1987 when the last rural outhouses were used. Besides the rufuse that was generated by Singapore, also buried at Lorong Halus is the remains of a false killer whale which was stranded in shallow waters off Tuas in early 1994. The wetland was opened in 2011 and more information can be found at this link.

The bridge across the reservoir.

The view on the bridge.

A resident of the wetland.

Strange Horizons: A mound of sand where the sea once was

A somewhat curious sight that greets a drive or a ride through Pulau Punggol Timor, is the mound that is seen in the photograph. The mound is one of two very obvious one found on a man-made island off the northeastern coast of Singapore, Pulau Punggol Timor. The island is one of two which came out of a huge land reclamation project along the Northeastern coastline of Singapore that took place from 1985 to 1990 to provide land primarily for future public housing, the other island being Pulau Punggol Barat.  The reclamation project which added a land area of some 685 ha. was also supposed to have seen Coney Island or Pulau Serangoon joined to the mainland, but that part of the project was deferred. The islands are located off the coast just north of the area where an old world, that of the former Seletar Camp, had once existed, between the mouths of the Sungei Seletar to the wast and Sungei Punggol to the east (both of which have since been dammed). The camp which came out of the former RAF Seletar was home to several army units including Combat Engineer units is in the midst of being transformed into the Seletar Aerospace Park.

Since 2009, the otherwise undeveloped Pulau Punggol Timor, has played host to a construction aggregates receiving terminal (which moved there from Lorong Halus), as well a storage area for the aggregates. Besides the mound of sand – a mound of granite can also be seen.

A cross at a crossroad

The long and somewhat winding road journeys of my childhood are ones I now look back with much fondness. They are ones that were to put in touch with a Singapore that I grew to love, and a Singapore we have long forgotten. One of these drives which would take place during the Chinese New Year and on the occasions we ventured to one of the “ends of Singapore” to indulge in seafood, was to Punggol. Punggol was then a world away where the livestock population would in all probability have outnumbered the area’s human inhabitants.

A church which was one of two landmark which marked the start of Punggol.

Punggol for me began at the junction where we would have to make a left turn from a busy Upper Serangoon Road even then to Punggol Road. It was at this point that it felt we would leave the built-up world behind and turn-off into what could probably have been considered a countryside we no longer have. It was where coconut trees seem to dominate the landscape (that at least was my impression) – that I noticed them more than anything else was probably because of the curious sight of many of them without their lightning struck tops – a sight that was in fact common throughout rural Singapore.

Coconut trees with their tops struck off by lightning were once a common sight in much of rural Singapore, including in Punggol.

The junction was one which was marked by two structures. One was the St. Francis Xavier Minor Seminary and the other a beautiful church which seemed out of place in the environment around it. And while much of the landscape of the area has been altered beyond recognition – the trees and high-density dwellings of pigs and poultry have now been replaced by towering blocks of high-density human dwellings and the stretch of Punggol Road where the junction is has been renamed as Hougang Avenue 8, the two structures – now looking further out of place in the new environment, are still there to serve as reminders of a time and place we would otherwise have little memories of.

Windows into a world we have forgotten.

The church, the Church of the Nativity of the Blessed Virgin Mary – Nativity Church in short, is one that is hard to miss, with its steeple rising high above the structures around it. One of several beautiful examples of a legacy that the French Catholic Missionaries left behind in South-East Asia, the church is of a form we seem to have forgotten to appreciate. Several examples of the style, commonly used in Catholic houses of worship built by the French missionaries in the 1800s and in early 1900s exhibit, do exist on the island. These include the Church of Sts. Peter and Paul, the de-consecrated CHIJ Chapel (now part of the CHIJMES complex) and the Church of Our Lady of Lourdes, all of which now feature in the growing list of Singapore’s National Monuments.

The Church of the Nativity of the Blessed Virgin Mary is one of several examples of Neo-Gothic church architecture adapted for the tropics. The marble statue of Mary in the foreground is interestingly a gift from Sultan Ibrahim of Johor in 1946.

Built in what can possibly be described as a European inspired Neo-Gothic style adapted for the tropics, the buildings are very similar in appearance. Nativity Church which was completed in 1901, is however, the only one that was placed in a rural setting – pointing not just to a pattern of faith of the community in the area, but also perhaps of a pattern of immigration to and settlement on the island of Singapore.

The transept which was an addition made in 1933 to the original church building illuminated by the soft natural light of the morning.

The area is of course one of several rural areas in which the Teochew community, the second largest group of Chinese immigrants to Singapore, was dominant. The community, many of whom converted to the Catholic faith as well as to other forms of Christianity, were involved in fishing, in farming, as well as in the rubber (and before that pineapple) plantations through much of the countryside along the northern coast of Singapore. With the community and the adoption of faith, missionaries erected several houses of worship – and there are, as a result, several reminders of this in the form of churches, or in the absence of them, parishes which had their origins in these rural Teochew communities. These include the Nativity Church, the Parish of St. Anthony (now in Woodlands) which was previously based off Stephen Lee Road in Mandai, and also a church with a very distinct Teochew flavour in its architecture, St. Joseph’s Church at Upper Bukit Timah Road.

Seeing the light – the soft light illuminating the nave – part of the original structure.

The background to the parish community, the church, as well as on the architecture of the beautiful building is well documented. Much of this information is available on the church’s website, as well as on the Preservation of Monuments Board’s page on the building. Being a Catholic myself, buildings such as these represent a time when architecture and much of what when on around the church, was dedicated to the greater glory of the maker. On a personal level, my interactions with the parish and church are limited, coming to the church only on occasion – the last time I did spend some time in it was on the occasion of my sister’s wedding at the church some years ago. The opportunity to step in to the church again came recently when I found myself nearby with some time to spare.

A holy water font at the entrance of the church.

The nave of the church.

Churches are always places where I find a great sense of peace in and in the quiet of the Saturday morning I was there, it was just that I found in stepping through the huge doors at the entrance, finding the interior bathed in the soft natural light of the morning streaming through the generous openings typically found in the tropically adapted Neo-Gothic church design. The church both internally and externally is a visual treat. On the insides, its high vaulted ceiling is accompanied by the rows of arches which would typically line the nave. Focus is drawn towards the Sanctuary bathed in the coloured light of stained glass a building such as this would look bare without.

Some of the church’s stained glass windows.

The interior with its adornments and furnishings, is a wonderful reminder of how Catholic churches used to be. The dark stained carved wooden pews is a rare find now with most churches around having been built in more modern times. The walls of the transept are where the statues representing the various saints are placed. These are typical of most Catholic churches and in the older ones it would be in purpose built niches as the ones found in this church in which the statues are placed. The windows, which can be opened, provide not just natural ventilation, but also light – typical of architecture adapted for the tropically environment which we do not see in modern buildings built to be air-conditioned.

A view down the aisle.

A statue of St. John Vianney placed in a niche at the transept.

There is a lot as well that is interesting about the church’s history, including that a statue of Mary was donated by Sultan Ibrahim of Johor (the great grandfather of the current Sultan of Johor). Placed in a prominent position in front of the church, that is a reminder of the close ties bewteen the southern sultanate and colony which was once a part of it. The church today, while serving the needs of the parish community – which is still predominently Teochew, has also reached out to newer migrants – since the end of last year, it is also where the Korean Catholic community has been based at.

Coloured glass windows which can be opened allow the church to be naturally illuminated and ventilated.

The church in continuing to serve the spiritual needs of the evolving community does stand as a reminder of the purpose it was built to serve. Gazetted as a National Monument since 2005, it is one that will also stand as a reminder of the area’s past, a past which with the spread of the urban world to the area, is one which is increasing hard to remember.

A new face to a once familiar place

Some might remember a time when Punggol Point lay at the end of a somewhat long and winding road – the old Punggol Road that meandered through a countryside that we have since lost. The road, which started at its junction with Upper Serangoon Road where the St. Francis Xavier Minor Seminary served as a landmark, took one past some five miles of the many tracks of Punggol, villages and farms with attap and zinc roofed houses and a lot of which I don’t quite remember. What I did remember was the unmistakeable pong that hung in the air – one that was fed by the numerous poultry and pig farms that had thrived in the area, and perhaps the evening’s chorus of squeals – that of pigs calling for their dinner.

The beach at Punggol Point - now cleaned up and freed of the boatels and boats that added colour to the landscape.

The end of the road offered a lot to those who did brave the journey. There was first and foremost the cluster of seafood restaurants that drew many with the reward of reputedly some of the best and freshest seafood dishes on the menu in which service always seemed to begin with the customary basin in which one found the table’s utensils and teacups, cleansed in the water that the basin held. There was also the weekend crowd that came: those armed with rods to fish at the jetty, or board a boat to attempt to reel in a bigger catch offshore – which invariably included a lot of Ikan Sembilang; and those who sought to satisfy a need for speed planing over the water on waterskis – either off Punggol Point or at nearby Coney Island. For some, Punggol Point also offered a quiet escape from the fast moving concrete world that was taking over much of the rest of Singapore – the fishing village it hosted by the sea adding to the rustic charm that the area already held.

Punggol Point before the big change that took place at the end of the 1980s and in the early 1990s (source: http://picas.nhb.gov.sg).

The last I saw of that Punggol Point and of Punggol Road was at a time when I was still in my youth, and with the distractions of a decade when I made the transition from being a curious child to adulthood, a decade that probably saw the most significant change in Singapore’s rural landscape – the 1980s, the clearing of Punggol as it was at the end of the 1980s seemed to have passed me by. Some business at Punggol Point like the seafood restaurants and boatels did have an extended lease of life, but they too went in the early 1990s, and Punggol, as with much of Singapore, was to be changed forever.

Looking west today towards what was the area close to the mouth of Sungei Punggol.

I was to discover how much has changed as I made my way over the weekend for the first time in over two decades to Punggol Point for the official opening of Punggol Point Walk and Punggol Point Park. The journey was there of course now made a lot easier by the Tampines Expressway (TPE) which runs below an elevated stretch of Punggol Road, no longer was there a need to make one’s way over Upper Serangoon Road to the start of that long and narrow Punggol Road. There wasn’t much that I had expected to see that would have reminded me of the old Punggol Road and Punggol Point, as I tirelessly drove along what is now a wide dual carriageway, flanked not by attap and zince roofed houses and greenery, but by the new HDB estate that has risen out of the ashes of the old Punggol. A surprise awaited at the last stretch of the road – the dual carriageway merged, after a wide junction into a stretch on which for a moment, gave me a feeling that I was on my way to that old Punggol Point. Flanked by a line of trees which provided cover to the short but winding stretch of road, it did look as if I was heading down the old Punggol Road – which this stretch was a part of, kept almost as it might have been as a heritage road. Althought the ‘Tracks’ of Punggol Road were gone, there is still a couple of familar streets – one Ponggol Seventeenth Avenue brings with it memories I have of campfires and walks by a narrow beach that led to the mouth of Sungei Punggol. It is after the next familiar name, Ponggol Twenty-Fourth Avenue, that the realisation sinks in that it is not to that old Punggol Point that I was heading to, as the break in the cover of trees reveals the brand new world which will attempt to retain some of that rustic charm that the old Punggol Point had been known for.

The tree lined stretch of road that leads to the end - reminiscent of the Punggol Road of the days gone by.

Past the Outward Bound School, I soon arrived at the end of the road. Desperate to see what Punggol Point has become, I quickly make my way up a viewing deck, which I was to find out later, shaped like a ship. The viewing deck offered a wonderful panorama of the Straits of Johor and Pasir Gudang beyond the jetty which it overlooked, where stakes used to moor boats and the boats tied to them would have once greeted the eye. On both sides, a beach that looked a lot cleaner than the one I remembered ran up and down the coastline, cleared of the boatels and the stilted houses of a Malay kampung that once stood close to the water’s edge. The beach, and perhaps the jetty are perhaps what can connect us with the past, and a reminder in the form of a National Heritage Board sign of an unfortunate and tragic episode in our history that took place on the beach – the Sook Ching Massacre.

The jetty today.

The lookout that I stepped on to, is part of what is a 1.2 km promenade and park, the Punggol Point Walk and Punggol Point Park, which is one of three thematic zones of the $16.7 million 4.9 km long Punggol Promenade project undertaken by the Urban Redevelopment Authority (URA) that was officially opened by Deputy Prime Minister Teo Chee Hean on 20 Nov 2011. This is a component of its Parks and Waterbodies and Identities Plans which aims to open up and introduce new recreational activities and amenities to coastal areas, and also preserve the laid-back and village-like appeal that the areas are known for. Punggol Promenade will link up two recreational clusters at Punggol Point and Punggol East, as well as link to the park connectors along Punggol Reservoir and Serangoon Reservoir. This will form a continuous 17 km loop around the north-eastern part of Singapore. The two other thematic zones are the 1.3 km Riverside Walk which anchors a growing recreational cluster at Punggol East which opened in March this year and a 2.5 km Nature Walk, scheduled to be completed next year.

Punggol Point Walk and Punggol Point Walk was officially opened by Deputy Prime Minister Teo Chee Hean on 20 Nov 2011.

Ms Penny Low, Member of Parliament for Pasir Ris-Punggol GRC, speaking at the opening.

Location Plan of Punggol Promenade and Punggol Point Walk and Punggol Point Park. © Urban Redevelopment Authority. All rights reserved.

A dragon who's eyes were painted by DPM Teo used in a dragon dance performance at the opening.

Dragon dance performance by Pasir Ris-Punggol GRC residents.

The Punggol Point Park offers a lot more besides the viewing deck and the beach, there are also the calm of Lily Ponds, a 81 metre by 10 metre Event Plaza and a Children’s Playground to draw families to enjoy the newly opened park. There is certainly more to look forward to – a reserve site has been released by the URA for sale by tender for food and beverage development – which will perhaps see the return of seafood to the area, and a horse-riding school will also soon open. The Promenade at Punggol Point Walk will feature both a 3 metre wide cycling track for use by cyclists and roller skaters and a parallel 3 metre wide footpath constructed of simulated timber. A sustainable approach is in fact adopted in the selection of materials for use in the project that also involves the use of permeable Tegula pavers on hard scaped area which eliminate the need for drainage systems, the use of bio-swales to filter surface run-offs and the use of Laterite earth.

The Lily Pond.

Besides the mobile ice-cream vendor - there is now a lot more to attract those with children to visit the park and promenade.

The Children's Playground. © Urban Redevelopment Authority. All rights reserved.

Footpaths and cycling paths at the waterfront promenade. © Urban Redevelopment Authority. All rights reserved.

I must say that although I didn’t really find much of the old Punggol Point that I might have hoped for, I am grateful to have taken the opportunity to visit the area. The drive through the heritage road did help trigger a few memories that I have stored away, as did my walk around the new park. While much of the old world rustic charm has inevitably been lost, there is still some of that charm that is left to draw vistors to the area and to also draw me back not just for the chance to escape from the urban world, but also for the opportunity it offers me to rediscover and reconnect with a part of Singapore I have might have almost forgotten about.