The Mah Piu Poh intersection vendors

29 03 2013

It was in the semidarkness that accompanied the evenings, in days long forgotten that we would have heard a once familiar sound. It was of a chorus of youthful voices calling out “Mah Piu Poh“, in almost a musical fashion, heard above the grumble of engines and rattling dashboards of traffic slowing to a standstill. The voices were those of boys who looked no more than nine or ten, who risked life and limb for a handful of loose change in weaving their way through traffic to hawk the evening’s newspapers. Referred commonly to as “Mah Piu Poh“, the papers, the predecessor to today’s Shin Min Daily News (新明日报), were a popular read during the weekends, not so much for the gossip it carried, but for the day’s all-important news (especially so in the pre-internet days), that of the horse racing related 4 digit (4D) lottery results. Hence, the name “Mah Piu Poh” or “马票报” which in Cantonese translates to “Lottery Newspaper”, “Mah Piu ” (马票) being a horse-racing lottery, and “Poh” (报) meaning newspaper.

The Mah Piu Poh boy, once a feature of some road junctions and roundabouts. Where I most remember seeing them at was at Guillemard Circus.

The Mah Piu Poh boy, once a feature of some road junctions and roundabouts. One place I well remember seeing them at was at Guillemard Circus.

The boys would be seen at many of the busy intersections. One intersection I well remember seeing them at was at the rather lively Guillemard Circus in the light of the neon billboards that gave the roundabout a unique character. That would have been in the late 1960s and early 1970s. With a few newspapers in hand, the boys would attempt to sell them to the occupants of cars as they slowed through windows opened out of necessity (it was rare to have a car fitted with air conditioning in those days). While similar road junction vendors are still a fairly common sight in parts of Asia such as in India and in the Philippines, it was something that, by the time the late 1970s arrived, we were to see the last of on the increasing busy streets of a modernising Singapore in which there was little place for unregulated practices such as this.

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