Where time stands very still in Macau

11 06 2013

One of the many life experiences that I am glad to have had is the opportunity provided to discover a world which might otherwise have remained hidden to me – that of the magical world of Coloane Village in Macau. The village is one I first got a glimpse of, on a stopover during a whirlwind trip to Macau with nine other bloggers, sponsored by the Macau Government Tourist Office (MGTO), as a prize for last year’s edition of the Singapore Blog Awards. The visit was brief, but enough to give me a yearning to return to the sleepy village and its labyrinth of narrow passageways and discover it in full.

Coloane on a sleepy afternoon.

Time seems to stand very still in Coloane Village on a sleepy afternoon.

The labyrinth of narrow lanes provides many opportunities for little discoveries.

The labyrinth of narrow lanes provides many opportunities for little discoveries.

The opportunity for a quick return came with the prize I got for winning the blogging contest for the first trip, which again was sponsored by the MGTO. This allowed me not just to make a second trip, but also to time it to include two of the former Portuguese colony’s more colourful festivals and plan my own itinerary around it, such that I could have the experience of two of the faces that the normally sleepy village of Coloane wears.

Eduardo Marques Square.

Eduardo Marques Square.

Coloane is now perhaps more of a tourist destination as a stopover for the sweet and irresistible treat which the famous Lord Stow’s Bakery provides and at the same time to see Eduardo Marques Square (Largo da Eduardo Marques) and its little chapel, which is a popular spot for wedding photography. There is however certainly much more of Coloane, both the island as well as the village, for any visitor to discover.

Life in Coloane, like the village itself, seems to come very much to a standstill.

Life in Coloane, like the village itself, seems to come very much to a standstill.

Villagers watching the world go by.

Villagers watching the world go by.

Just a short bus ride from the glitz of the Las Vegas like Cotai Strip, Coloane Village, tucked away in the rolling hills of the west of the island of the same name, does seem a world apart from the strip, and where time does seem long to have stood still. Much of the village is bathed in that old world charm that Macau seems to be slowly but surely losing, wearing the look of that the blending of east and west most of the first half of the  century that has passed – when most of the village’s development did take place.

There is very much an air of the old world, just a stone's throw away from the glitz of the Cotai Strip.

There is very much an air of the old world, just a stone’s throw away from the glitz of the Cotai Strip.

A house in Coloane.

A house in Coloane.

Laid out along the shoreline which looks across a narrow channel to the Zhuhai area of China – seemingly an arm’s length away, the village’s many narrow passages reveal quaint rows of pastel shaded houses, making it a photographer’s dream. In all of this, one stumbles on Eduardo Marques Square (Largo da Eduardo Marques) where a lovely little chapel, St. Francis Xavier’s (see a previous post), can be found. The chapel once housed the relics of the Catholic saint it is named after, a saint who is very much revered throughout Asia for his pioneering ministry to an area of the world which has largely resisted the many attempts at its Christian conversion.

The view across the channel to Zhuhai.

The view across the channel to Zhuhai.

The Chapel of St. Francis Xavier at one end of  Eduardo Marques Square with a monument erected to commemorate the victory of the Portuguese over pirates in 1910.

The Chapel of St. Francis Xavier at one end of Eduardo Marques Square with a monument erected to commemorate the victory of the Portuguese over pirates in 1910.

Shutters of a shop.

Shutters of a shop.

Besides the Portuguese influence being very much in evidence, there is much that is also to be found of Coloane’s origins as a village. A walk along the northern reaches of the seaside promenade takes one along zinc walled shelters built on stilts – shelters used by the village’s folk who lived off the harvest from the sea.  Their descendants of the village’s fishermen, are the ones perhaps who sit by the shelters, keeping watch on a world which may soon pass them by.

The Portuguese influence is very much in evidence.

The Portuguese influence is very much in evidence.

A passage through the village.

A passage through the village.

Zinc shelters on stilts can be found along the water's edge at the northern reaches of the village.

Zinc shelters on stilts can be found along the water’s edge at the northern reaches of the village.

Across the road there is more evidence of the once thriving trade. The tiniest of temples – the Sam Seng or Kam Fa temple which is dedicated to the goddess Kam Fa can be found. The temple traces its origins to a time some two hundred years ago, when a statue of the deity brought to the village by its fisher-folk.

Smoke trails from incense coils at the Sma Seng Temple.

Smoke trails from incense coils at the Sam Seng Temple.

A window into the past.

A window into the past.

Just up from the temple lies Coloane Pier (Ponte Cais de Coloane) around which several other reminders of the village’s past awaits. One is a coal tar coated anchor mounted on a circular pedestal close to the pier’s front. It is more however, the sight of salted fish on sale, which provides that link to the past which does sum the origins of the village up. Originally known as “Salt Stove Bay”, it was also where sea salt was farmed, as well as being a fishing village.

An anchor mounted on a pedestal near the Coloane Pier provides a link to the village's maritime past.

An anchor mounted on a pedestal near the Coloane Pier provides a link to the village’s maritime past.

Salted fish on sale also provides a link to Coloane's origins - the village was where sea salt was farmed as well as a fishing village.

Salted fish on sale also provides a link to Coloane’s origins – the village was where sea salt was farmed as well as a fishing village.

Turning right past the pier, I hear the sound of animated voices which punctures the calm and quiet on what was a sleepy afternoon. The voices are ones which come from a small crowd gathered in front of a building which has retained much of the flavour it must have had under the Portuguese. The women each bore loads of detergent and liquid soap, providing a clue as to why they had congregated by the building – one used by the Customs (Alfândega).  The loads they bore were typical of mainland Chinese headed home, as the women must surely have been and were probably standing in queue to purchase tickets for the ferry across to Zhuhai.

Benches line the wall of the Customs building which transports one straight into the colonial era.

Benches line the wall of the Customs building which transports one straight into the colonial era.

Coloane in the mid 20th century - taken off an exhibition of old photographs at the village square.

Coloane in the mid 20th century – taken off an exhibition of old photographs at the village square.

The road by the Customs building narrows running up an steep enough incline to have me huffing and puffing. It was an effort that was rewarded by the sight of rather a sad looking shack of wood and zinc.  It is under this structure, one of several which dot the coastline as it runs north-east, where the sheltered slips and berths of an abandoned boat yard can clearly be seen along with chains and blocks dangling seemingly precariously from age worn wooden beams. This again, provides a reminder another side of the village’s past. The village had once had the proud distinction of being one of the main centres in the Pearl River Delta area for traditional wooden boat and junk building.

The sheltered slip of a abandoned boat yard. The village was a main centre for traditional wooden boat building in the Pearl River delta.

The sheltered slip of a abandoned boat yard. The village was a main centre for traditional wooden boat building in the Pearl River delta.

While there is of course much more to Coloane – I got to see a gaier and festive side of it during the Tam Kung Festival (of which I will devote another post to), it is this side I was able to discover that does appeal most to me. Coming from a part of the world where there is little left to remind me of a beautiful world that did once exist there, it is always nice for me to find a place such as this which does show how progress and the gentler side of life is able to co-exist.

The Tam Kung Temple.

The Tam Kung Temple.

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Moustaches, Lollipops and Camembert

9 06 2013

Thinking about what or who from the 1960s did serve as an inspiration as part of the themed challenge for this year’s Singapore Blog Awards, it dawned upon me that for some reason, many of the figures I have looked up to at some point in my life who featured in the 1960s either wore masks or moustaches (sometimes both). There were times when I would probably have wanted very much to imitate their appearances, but it wouldn’t have been just my inhibitions that would have prevented me from doing so – a lack of facial hair does prevent me cultivating some of the more exotic moustaches that my heroes seemed to wear. Plus, that more recent attempt by a certain cabinet minister to dress like that rapier wielding masked hero, Zorro, I did look up to as a child in public, does make me feel a lot less inclined to do an imitation.

The Hallucinogenic Toreador (1969 - 1970), Salvador Dalí Museum, St. Petersburg, Florida (Source: http://upload.wikimedia.org/wikipedia/en/b/bb/The_Hallucinogenic_Toreador.jpg).

The Hallucinogenic Toreador, Salvador Dalí Museum.

Imitation of appearances aside, one particular mustachioed figure who I often find myself wishing to imitate (his depictions of flies aside), is one for whom the swinging sixties went much further than marking Z rapier cuts on defeated villains and represented a particularly creative period in his life. The figure – with his flamboyant wisp of facial hair which is said to be styled after that of a Spanish artist Diego Velázquez and an artist in his own right, is the somewhat eccentric Salvador Dalí.

Take a peek into the inner workings of the great surrealist artist Salvador Dalí at the ArtScience Musuem in Marina Bay Sands.

A projection of surrealist artist Salvador Dalí seen at an exhibition at the ArtScience Musuem in Singapore.

Known for the somewhat bizarre surrealist expressions of his inner workings, it wasn’t the surreal or peculiar side of him I would have got to know early on in life. Dalí is of course the man being the logo for a brand of lollipops, Chupa Chups, which was to take Singapore by storm in the 1970s – which might have explained the frequent visits I had to make to Pegu Road dental clinic as a schoolboy.

The famous Chupa Chups logo that I did encounter in my childhood was perhaps one of Dalí's less bizarre works.

The famous Chupa Chups logo that I did encounter in my childhood was perhaps one of Dalí’s less bizarre works.

It is however in Dalí’s more bizarre expressions that I have held a fascination for since my encounters with them later in life. It is through them that I see Dalí very much as an artistic genius and a source of creative inspiration (which perhaps explains my bizarre behavioural tendencies), for whom that fine line that is said to lie between genius and insanity doesn’t exist.

Dalí is known for his bizarre interpretation of the world around him which is expressed by depictions of everyday objects in a ways that seem beyond human comprehension.

Dalí is known for his bizarre interpretation of the world around him which is expressed by depictions of everyday objects in a ways that seem beyond human comprehension.

It is in one particular work that was executed at the end of the 1960s, The Hallucinogenic Toreador, where I did find much of that insane genius. A large scale and somewhat mystical piece I had the pleasure of viewing during a visit I just had to make when I found myself in the U.S. to the Salvador Dalí Museum in St. Petersburg, Florida in the summer of 1989, The Hallucinogenic Toreador is one where we see many of the images which he seems to constantly replicate in his work. The images are ones which are depicted with great symbolism, offer insights into the artist’s life and his experience of life, his inner thoughts, as well as his obsessions and fears – presented in a way that could only have come out of that hallucinogenic state of mind he is often said to go deep into.

One of the images we do often see repeated is a somewhat insignificant figure of a little boy. The boy is one Dalí uses to represent himself in his youth and is one who bears witness to much of his work and his journey. It is that image that I often find myself relating to – I do have that little boy in me who bears witness to much of my own life’s journey.

A nice touch added by the curators - a reflection of clocks distorted by their reflection on convex and concave mirrors at the exit from the exhibition.

A reflection of myself and timepieces distorted perhaps in a Dalí-esque melting timepiece fashion by a reflection on convex and concave mirrors at Dalí exhibition held at the ArtSceince Museum.

The seemingly incomprehensible world we do see in much of Dalí does often have me attempting to see the world as how the artist’s might see it. The world is after all an incomprehensible place made comprehensible by only how society would have us see it. What Dalí does somehow tell me is to look beyond all that and to see what is around me and all else as he did see time through a melted piece of cheese. Looking a piece of Camembert has certainly never been the same for me – I stop to take a second look before gobbling down what is one of my favourite cheeses. While it is not the bizarre I seek to show in capturing the experiences which make up my life, through words and photographs – I do stop to ask myself if that is indeed a melted timepiece that I am able to see somewhere in it.


This post is written as a submission for the themed challenge for the Singapore Blog Awards 2013 for which I am a finalist in the Panasonic Best Photography Blog category. If as a reader you do feel that the blog is deserving of the award, I would be most grateful for your kind voting support – reader’s votes do count for 30% of the scoring. To vote, registration (and account activation via an email you will receive upon registration) would required. Voters do stand a chance to win some prizes. Following activation, you may vote for finalists of your choice for each of the ten main categories, seven special categories and two celebrity categories, once a day (calendar day based on Singapore time). For more on what the use of photography means to me, do visit a previous post “Come Walk with Me …“.






Come walk with me …

8 06 2013

I started this blog back in January 2008, intending it as a means for me to take a walk back through my life’s journey. That was some two months into a working stint in Penang which in reminding me of a Singapore I had long forgotten, triggered a deluge of memories of my younger days in a gentler Singapore I had a most wonderful time growing up in which were locked up in me.

Come walk with me ...

Come walk with me …

It was then that I decided on trying to capture my experiences in life, moments not just of my happy childhood, but also the many stops I made on life’s long journey – a blog seemed a good enough way of doing this, allowing me to capture the many impressions made on me of both past and present. A collection of posts related to the early chapters of my life can be found on “The Singapore of My Younger Days”.

277A1152The “bright lights” of Singapore after dark I often seek to capture.

November's a busy time in and around Kyoto when many from far and wide flock to the former imperial capital just to catch koyo - the autumn leaves. Colouring my life with a pause along life’s journey taking in Kyoto’s autumn colours.

The winter landscape at the top of Mount Balwang Chilling out in winter at the top of Mount Balwang on another pause along life’s journey.

The blog has evolved over the years, and has very much been associated with the use of photography, twice being named as the Best Photography Blog at the Singapore Blog Awards and being shortlisted as a finalist for the award at this year’s edition. Photography was never intended as the focus of the blog, nor do I describe myself as a photographer, although photography is a medium I used to help in telling my story. Photographs are to me not just about capturing beautiful or perfect images, but are also a powerful visual means that can be used to convey mood and emotion, a sense of time and place, and a wonderful way to capture the moment and the passing of time.

277A0277bAfter dinner conversations, Chonburi, Thailand.

277A0277bA representation of architectural conservation in Singapore.

It is the consequence of the passage of time I am constantly confronted with in my attempt to connect with my memories, in particular, the rapidly changing landscapes in an island nation which has not stopped to pause in its race to modernise. It is perhaps a regret that I have that I did not think of harnessing this means – which I did have at my disposal, to previously do this, and I set out to also capture the present not just to connect with the past, but also as it will inadvertently become the past.

Capturing time, place and the moment on my journeys out of Singapore.

It is in doing just this, that I am also able to celebrate the wonderful experience I have of living in a Singapore that for me, has more to offer than its bright lights, glossy new icons, busy shopping malls, and eating places that the good folks in our tourism board seem to want to sell above all else. It is however far beyond the tourist view of Singapore, where the real Singapore is to be found, a gentler world in which the rich diversity of cultures and traditions which made Singapore what it was before the modern city took over can still be discovered. A collection of post in which I celebrate Singapore can be found at “Celebrating Singapore”.

Celebrating the arts and entertainment scene in Singapore.

The journey taken with this blog, has been one that is a very enriching one, and one in which I have learned a lot more about myself and my roots in Singapore. The blog has also provided many opportunities for me to broaden my view of and experience of life, including the many new and valuable friendships made with the many I have met along the way.  I am also grateful that it has given me the opportunity to share my impressions and memories through various channels. One is the Singapore Memory Project, a project which aims to collect the many memories we as Singaporeans have of living in Singapore.

Capturing the many facets of Singapore.

I have also been provided with the rare opportunity to exhibit some of my photographs at two recent National Heritage Board (NHB) exhibitions. The first, was a small photo exhibition I was able to curate on the last days of the railway through Singapore, “First Journeys, Last Goodbyes“. This was held as part of the Motoring Heritage Weekend at Tanjong Pagar Railway Station in September 2012 and involved a collection of photographs contributed by the community, including some of my own.

The other contribution I made was to an exhibition that is currently being held at the National Museum of Singapore, “Trading Stories: Conversations with Six Tradesmen“. For this I put together a series of photographs which offers my impressions of how spaces in which some of the early traders thrived have been transformed.

One thing that I hope that the blog can help in doing is in raising awareness on the lesser publicised issues which in celebrating Singapore, I am often put in touch with. One issue in which the blog did help in raising awareness on was on the proposal to preserve the rail corridor as a green corridor in 2011. More recently, posts relating to two religious National Monuments which are badly in need of funds for repairs, did help bring the plight of the monuments to the attention of the mainstream media. The two posts relate to the Cathedral of the Good Shepherd and the Church of Sts Peter and Paul, the two oldest Catholic churches in Singapore, on which reports in the mainstream media soon followed.

This year’s edition of the Singapore Blog Awards sees some excellent photography blogs. However, if as a reader you do feel that the blog does match up  or exceed the standards of the blogs it is up against at this years award, I would be most grateful for your kind voting support – reader’s votes do count for 30% of the scoring. To vote, registration (and account activation via an email you will receive upon registration) would required. Voters do stand a chance to win some prizes. Following activation, you may vote for finalists of your choice for each of the ten main categories, seven special categories and two celebrity categories, once a day (calendar day based on Singapore time).

This post wouldn’t be complete without me giving a shout-out to some the very good bloggers with who I have become friends with or who have been loyal supporters. These are:





The Singapore Blog Awards 2012 Interview

28 05 2012

How do you feel about being one of finalists in Singapore Blog Awards 2012?

I am smiling from ear to ear! What I actually am feeling is a mix of emotions that include being excited and extremely ecstatic, at the same time, I am also deeply honoured to be picked as one of the finalists in the Photography Category!

When did you start blogging and what drew you to it? Where do you get inspiration for your blog content?

I started blogging in 2008 as an attempt to document my life. At that time, I was doing a stint in Penang, and in wandering around the streets which were very reminiscent of the Singapore of old, I was transported back to that Singapore. It was then I started to realise how different life for me was, and how much Singapore had changed, and I thought of documenting that part of my life as well as what went on around me, partly to help me reminisce and partly to keep a record of what the world around me was seen through my eyes – what essentially had left an impression on me along life’s long and winding road (hence the blog name). The blog has over time evolved to much more than that and I have included photographs that I have taken as a means to help the reader connect with my writing. In the process of that I have developed a strong interest in photography.

What has inspired my blog content has very much been my readers and it is through the generous feedback I have received that I realise that it is more than nostalgia that draws readers to my blog, but also the snippets of history and heritage, the interest the blog has generated on the passing of the railway and the Green Corridor, the mix of the old and the new and the cultural aspects of Singapore, as well as my use of images that I am told speak to the audience. This inspires me to seek new experiences as well as look back at older ones. The interest and attention the blog has received has also benefited me in offering opportunities to further my experiences in the areas I am interested in and document them in my blog.

How do you feel about the other Finalists in your category this year? How do you think you will fare compared to them?

As with the previous year, I have found myself amongst some very accomplished photographers in the category. These include another previous winner, and several who ply the trade. Going through their stunning and mouth-watering sites, the level of competition provided is certainly very high and it will certainly be very hard for me to repeat my feat last year of winning in this category.

Give a reason why readers should visit your blog and vote for you?

If there was to be one reason why readers should visit and vote for The Long and Winding Road – it will have to be for the images that I’ve used on my blog that I hope has been able to paint a thousand words, images such as the few that I have included in this post.





Support The Long and Winding Road for the Singapore Blog Awards

23 05 2012

The Singapore Blog Awards is back – for a fifth year with the finalists in each of the fifteen categories announced on Monday. Once again, The Long and Winding Road is in the running in the Best Photography Blog (PANASONIC ECO BEST PHOTOGRAPHY BLOG) Category.

It is a great honour to be selected, having already had the good fortune of being picked as the winner in the same category at last year’s awards – for which I am greatly indebted to the readers of this blog and to the many friends I have made on the journey along the Long and Winding Road who have cast their votes for the blog. Repeating the feat this year will certainly be difficult – as with the last, there are exceptional blogs in the category which are all more than worthy of winning and once more. I would be most grateful for your votes, if you do think the blog is worthy of the accolade, to help in nudging the blog in the right direction – once a day up until the 30th of June. The voting page can be found at the PANASONIC ECO BEST PHOTOGRAPHY BLOG page.

To be able to vote, you would need to first register by clicking on the “REGISTER NOW” text at the top left of the page – you may fill up with any ID number if you do not have an NRIC/FIN Number required to register.

At the same time, I would also like to give a shout-out to some finalists in other categories – some of whom I have become great friends with, whom I think deserve a mention:

  • Fellow Singapore Memory Corp member Lam Chun See, the man behind Good Morning Yesterday (Best Individual Blog). Chun See’s tireless efforts in documenting a Singapore that once was is the benchmark for many nostalgia bloggers – including myself.
  • Self-professed ex-City gal turned expat housewife Karen Lim, whose wonderfully refreshing blog, Story of Bing (Best Lifestyle Blog) takes us on an adventure to South Africa.
  • Wildlife and conservation enthusiast Ivan Kwan, whose morbid fascination with dead animals in the form of updates on Monday Morgue (Best WTH Blog) every Monday certainly has me exclaiming “What The Hell”.
  • Father of four (yes, four!) Andy Lee, who introduces us to his adventures with his kids on Sengkang Babies (Best Family Blog) and is a really nice and down to earth guy.
  • Travel writer Rosemarie John, who takes us on her travels and beyond on Travel and Beyond (Best Travel Blog).

Photography on The Long and Winding Road

I wouldn’t call myself a photographer, but I do use photography as a means to express myself. Photographs to me are a wonderful way to capture that story, an impression or to keep as a record of events, the beauty around us and also the passing of time. Photographs certainly can paint that thousand words, helping a reader to connect with a body of text – a wonderful way to help me keep account of my wanderings along life’s Long and Winding Road. Below are some more recent examples of the stories I try to tell, the impressions and moments in time I try to capture in this blog through the lens. Feel free to browse through them and let me know what you think. 🙂