Losing its fizz: the third milestone without the former National Aerated Water plant

11 12 2016

It seems that time may finally be called on the former National Aerated Water Company’s bottling plant at 1177 Upper Serangoon Road. Long a landmark at the 3rd Milestone, it sits on a valuable freehold site that has just been sold for quite a tidy sum to a Malaysian developer according to on a report in yesterday’s Straits Times. One of a handful of structures left along a stretch of the Kallang River that recall the river and the area’s rich industrial past.

An icon at the 3rd Milestone.

An icon at the 3rd Milestone (Nov 2016).

Those of my vintage will remember the plant with fondness. Built with hints of an Art Deco influence, it will not only be for its unique and “un-industrial” appearance in the context of the industrial buildings of a more recent age, but also for its production of Kickapoo Joy Juice and Sinalco. Kickapoo in its signature green bottle and inspired by the comic strip Li’l Abner – which had a lengthy run in the local newspapers, was an especially popular choice. Sinalco, of German origin,  might have been less so, but had its fans. A third drink that would be introduced by the plant in the 1970s, Royal Crown or RC Cola, had much less of an impact.

A view through the fence to a reminder of the past.

A view through the fence to a reminder of the past (April 2012).

While one could quite easily miss noticing the row of shophouses just up the road with its stone working shops that catered to the demand for headstones and religious statues from Bidadari cemetery just a mile down the road and an oddly located shop hawking Czechoslovakian Petrof pianos; the factory and another iconic structure nearby, the Serangoon Fire Station, would have caught the attention of most who passed through. The rather notorious Woodsville junction or previously roundabout just down the road, where chaos reigned with its confluence of six major roads, brought traffic to a slow enough crawl, allowing for more than just a cursory glance at the plant.

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Locked gates (Nov 2016).

naw-petaling-jaya-2012The factory added its presence in 1954, the same year the National Aerated Water Company had marked its 25th anniversary. The investment, amounting to some S$500,000, gave the company an output to 48,000 bottles a day – more than twice what its previous plant at Hamilton Road could manage (see New $500,000 soft drinks factory opens in Oct, The Straits Times, 23 July 1954). The motivation for the new plant was the exclusive rights the company had won in 1952 to bottle and distribute Sinalco in the region.  Sales of the company’s products grew at a phenomenal rate, increasing 30% year-on-year through the new facility’s first decade. A second plant would built in 1964. Located in Petaling Jaya near the “Rothmans Roundabout”, it catered to the growing demand up north.

A peek inside.

A peek inside (Apr 2012).

Things began however to head south at the end of the 1970s. The death knell for the plant would be sounded in the 1990s when the Kickapoo licensor, Monarch Beverage, cancelled the agreement it had with the company. The company would also face a suit for copyright infringement, which it lost  (see : Infopedia page on the National Aerated Water Company) and the plant ceased production at the end of the 1990s. The site was left abandoned with a clutter of crates and empty bottles at its front yard for what seemed the longest of times.

The front yard cleared of its clutter.

The front yard cleared of its clutter (Apr 2012).

That the buildings are still around has very much to do with the fact that the sale and redevelopment of the site had been prevented by a long standing tussle over shares one of its shareholders, the late Ching Kwong Kuen (see: Ching Chew Weng Paul v Ching Pui Sim and Others [2009] SGHC 277) had placed in trust with one of his brothers and a niece. The Chings, whose roots were in steel work and ship repair business with Kwong Soon Engineering, interests in the bottling company began in 1953. Connected with Kwong Soon Engineering are two other industrial buildings with a non-industrial appearance including a 1933 Art Deco style foundry where it started. Both buildings are still around and found  at Cavan Road, which is just next to Hamilton Road where National Aerated’s first plant had been located.

Kwong Soon Engineering's two buildings at Cavan Road, including its former foundry on the left.

Kwong Soon Engineering’s two buildings at Cavan Road, including its former foundry on the left.

Kwong Soon Engineering, some might remember, made the news in January 1996 when the RV Calypso, the famous mine-sweeper turned research vessel used by the legendary oceanographer Jacques Cousteau, sank at its yard in Tuas. The vessel was hit by a barge that had broken free of its moorings and left under 4.8 metres of water with only part of its superstructure and mast exposed.

Another look at the former foundry.

Another look at the former foundry.

With the privately held site long marked for residential development (with a plot area of 2.8), there seems little chance of anything being kept even if there are renewed calls being made for its conservation.  It will certainly be a shame to lose an icon that has long been part of the area’s identity and representative of a past being too rapidly forgotten to just another towering apartment block the area seems to already have much too much of.

The third milestone is being colonised by towering apartment blocks.

The third milestone is being colonised by towering apartment blocks (Nov 2016).


More photographs:

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The William Farquhar collection comes alive

7 12 2016

Two years in the making, Story of the Forest – an interactive digital installation that brings 69 drawings of the William Farquhar Collection of Natural History Drawings alive, makes it public debut on Saturday 10 December 2016. The work was commissioned as part of the revamp of the permanent galleries of the National Museum of Singapore for the Glass Rotunda. The scale and curvature of the venue presented huge challenges to the Japanese digital art collective behind it, teamLab and required team of 30 to be assembled. Much of the task, including pre-production, was carried out at teamLab’s base in Japan and this included the construction of a full scale mockup. A large enough warehouse – there apparently was the only one in Tokyo that the mock-up could fit into – was used for the mockup.

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Story of the Forest, by teamLab.

Cascading flowers of Story of the Forest's first segment.

Cascading flowers of Story of the Forest’s first segment.

The interactive second segment that takes visitors down a 170m walkway to the lower rotunda.

The interactive second segment that takes visitors down a 170m walkway to the lower rotunda.

More of the second segment.

More of the second segment.

Deeply inspired by the set of drawings on which the installation draws on for its images, teamLab’s has come up with one of the most amazing of installations that takes visitors on a journey of rediscovery through the rich assembly of flora and fauna that the Farquhar collection so beautifully captures. The Glass Rotunda, an architectural response of the Neo-Palladian rotunda of the museum’s main building, is a huge space to fill. It has a 15 metre high ceiling and a spiral walkway that requires the installation to be stretched across some 170 metres. teamLab response to this is a three segment installation. Cascading flora greets the visitors at the entrance, before the journey begins down the walkway with animals serving as a guide. A mobile app is available to enhance this experience. The app allows the “capture” of animals through the phone’s camera. The climax of the installation is a very dynamic one that takes place at the lower rotunda. Running animals, blooming trees, shooting stars and falling fruits make the experience especially immersive.

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The lower rotunda is also where a second installation can be viewed – that of Robert Zhao’s Singapore, Very Old Tree. 17 photographs of the 30 photographs in the collection are one display. The photographs explore the nation’s identity and uncovers the personal relationships between people and trees.

Singapore, A Very Old Tree.

Singapore, A Very Old Tree.

Admission to the Glass Rotunda (and Permanent Galleries) will be free to all visitors during the opening weekend on 10 and 11 December 2016 (it is also free on a permanent basis for Singaporeans and PRs). A host of activities for the family is also being lined up, more information on which can be found at www.nationalmuseum.sg.

A Patek Phillippe 'Farquhar Collection' Dome table clock donated by Hour Glass. Proceeds from an auction have gone to the revamp of the Glass Rotunda.

A Patek Phillippe ‘Farquhar Collection’ Dome table clock donated by Hour Glass. Proceeds from an auction have gone to the revamp of the Glass Rotunda.

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Second Nature, an interactive and immersive “secret garden” exhibit that features elements from the William Farquhar Collection of Natural History Drawings and reacts to your movements! Visitors are encouraged to participate and engage with the exhibit, as well as contribute to the installation by folding origami flowers and attaching them to a flowering board

Wings

Wings of a Rich Manoeuvre. A permanent installation by Suzann Victor for Swarovski, which was unveiled on 30 Nov 2016.

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Tigers, elephants, rambutans and Xu Beihong in a garden of foolish indulgences

2 12 2016

Hidden in the thick vegetation in the swathe of land between Old Upper Thomson and Upper Thomson Roads are the remains of a forgotten community for whom the area was home. Interestingly, there is a lot more that lies hidden. Interwoven with the story of the lost community are also names, personalities and events that provided the area with a surprising amount of colour.

The remnants of a lost village are found in the forested area between Old Upper Thomson and Upper Thomson Roads.

The remnants of a lost village are found in the forested area between Old Upper Thomson and Upper Thomson Roads.

The stretch of Old Upper Thomson and Upper Thomson Roads is quite famously associated with the Singapore Grand Prix; not the current incarnation of the motoring race, but one that reflected humbler times. While that may be another subject altogether, the are the inevitable links the area and its community has to the event, and one of it is the references to the village at the now lost Jalan Belang as the “Grand Prix kampong”.

A concrete structure in the former “Grand Prix kampong”.

The “belang” in Jalan Belang, which translates in Malay to “stripes” is said to have been a reference to the stripes of a tiger and speculation has it that it may have been due to a tiger having been sighted there. One of two privately built roads in the area, it provided access into the narrow strip from the area of Old Upper Thomson known as the snakes. Another road, the Lorong Pelita (“pelita” is Malay for “oil lamp”) lay further north. Lorong Pelita, it would appear, was quite a fitting name as electricity supply only reached the area in the late 1960s.

A kerosene lamp at Lorong Pelita.

A kerosene lamp at Lorong Pelita.

While the remains of the village do not reveal much of their composition of its residents, it can be seen in the proportions of the concrete and brick structures that have survived, some would have been doing quite well. Interestingly there are also numerous concrete receptacles, large and small – seemingly for collection of rain water – and the conspicuous absence of wells.

A fallen electricity pole at the area where Jalan Belang was.

A fallen electricity pole at the area where Jalan Belang was.

There are lots of water receptacles.

There are lots of water receptacles.

What is perhaps most interesting is the links the land has with a certain Han Wai Toon. Han, a Hainanese immigrant who arrived at our shores in 1915, purchased 2 1/2 acres in 1936 for some $700 and embarked on a quest to cultivate trees that would yield the perfect rambutan – as research by various individuals including architectural historian, Dr. Lai Chee Kien reveals. A 1960 article in the Singapore Free Press, “The Long Search for Better Rambutans” also provides information on this. The orchard, which Han named “Silly Fun Garden”, or as a graphic novel set in the garden written by Oh Yong Hwee and illustrated by Koh Hong Teng, describes it in more poetic language as  “The Garden of Foolish Indulgences”.

There are lost of fruit trees in the area besides the remnants of the Han Rambutan Garden.

There are lost of fruit trees in the area besides the remnants of the Han Rambutan Orhcard.

A sketch of the 'Han Rambutan Orchard' by Lim Mu Hue (Singapore in Global History p. 164).

A sketch of the ‘Han Rambutan Orchard’ by Lim Mu Hue (Singapore in Global History p. 164).

Despite its frivolous sounding name, the garden attracted also serious cultural and artistic exchanges. Amongst its visitors was Xu Beihong, a famous Chinese artist with whom Han shared an interest in Chinese ceramics. One of the artistic works Xu executed during a stay in 1939 was “Put Down Your Whip”, which  fetched a record price for a Chinese art work of US$9.2 million in 2007. The painting, which has a strong anti-Japanese theme, was one of several that were Han had hidden on the grounds of his garden during the Japanese occupation. Another of Xu’s paintings in the stash, “Silly Old Man Moves a Mountain“, sold for US$4.12 million in 2006.

Put Down Your Whip by Xu Beihong.

Put Down Your Whip by Xu Beihong, which sold for a record US$9.2 million in 2007 (source: Wikipedia).

The garden of foolish indulgences?

The garden of foolish indulgences?

Han, who would make a name for himself in the study of art, ceramics and archaeology and was the author of 55 scholarly articles, made a permanent return to China in 1962 before passing away in 1970. Rather interestingly, a discovery attributed to Han during his time at Upper Thomson, was that of a Ming Dynasty Chinese tomb in the area in 1949. The tomb of a certain Chen Chow Guan, provided evidence that Chinese settlement in Singapore and the region went as far back as the 15th century. In addition to the tomb, a cluster of five Teochew graves from the early 19th century was also found by a group of archaeologists that included Han close by. It is not known what has become of the graves.

An edible flower, bunga kantan or torch ginger flower, better known here as rojak flower (its bud is used in the rojak dish).

An edible flower, bunga kantan or torch ginger flower, better known here as rojak flower (its bud is used in the rojak dish).

Yesterday no more.

Yesterday no more.

Those of my generation will probably remember Thai Handicraft, which was on the fringes of the area at Upper Thomson Road, and the family who were associated with it. It was hard to miss its showroom passing in the bus or a car with the attention the huge wooden cravings of elephants standing guard drew to the showroom. The shop, set in from the side of the road, dealt with imports of wooden cravings from Thailand and was owned by the Looi family whose links to the area also extended to the races.

There's pineapple too!

There’s pineapple too!

The location of the shop, which was right by the start and finish point of the Grand Prix circuit, was also where the Loois had operated a motorcycle shop, Looi Motors. The Loois also had racing in their blood and produced two generations of motorcycle racers. One member of the family, Gerry Looi, would become a household name in the motorcycle racing circuit in the 1970s and participated in the latter races of the Singapore Grand Prix with brother Fabian until its last race in 1973. Sadly, Gerry would meet a tragic end doing what he loved most and passed away at the age of 33 in October 1981 –  just a few days after a crash at the Shah Alam circuit had left him in a coma.

A red brick structure in the forest.

A red brick structure in the forest.

The privately held area was last inhabited in the mid-1980s when it was cleared out after its acquisition by the Housing and Development Board. While this would suggest that the intention then had been to give it to public housing, the site – now a wonderful oasis of green having been reclaimed by nature, will be where the future Thomson Nature Park will be. Work on the park will commence next year and is expected to be completed at the end of 2018.Part of the plan for the park involves the preservation of the site’s mature trees and the incorporation of the village ruins with the trails that will run through it and that will hopefully keep both the lush greenery and the rich history of the area alive.

Further information:

Online:

NParks announces plans for Upcoming Thomson Nature Park

NParks Factsheet (Thomson Nature Park)

History and nature meet at upcoming Thomson Nature Park, The Straits Times, 8 Oct 2016

The long search for better rambutans, The Singapore Free Press, 4 March 1960

Ming tomb claim in Singapore, The Singapore Free Press, 15 December 1949

‘Oldest Chinese cemetery’ find, The Straits Times, 11 January 1950

Han, 69 studies history from old China, The Singapore Free Press, 5 January 1961

Loois will make motor racing fans feel proud,The Straits Times, 15 April 1973

Daring racer was scared of the dark, New Nation, 24 October 1981

Offline:

Lai, Chee Kien 2011. “Rambutans in the Picture: Han Wai Toon and the Articulation of Space by the Overseas Chinese in Singapore”,  in Singapore in Global History,  edited by Heng, Derek and Aljunied, Syed Muhd Khairudin, 151-172, Amsterdam University Press.

Wong, Sharon 2009. “Negotiating Identities, Affiliations and Interests: The Many Lives of Han Wai Toon, an Overseas Chinese”,  in Reframing Singapore in Global History,  edited by Heng, Derek and Aljunied, Syed Muhd Khairudin, 155-174, Amsterdam University Press.


More photographs:

The remnants of quite a large house.

The remnants of quite a large house.

A room in the house.

A room in the house.

And the washroom.

And the washroom.

A forest stream.

A forest stream.

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Singapore’s oldest Catholic church now looks like its newest

28 11 2016

The beautifully restored Cathedral of the Good Shepherd, Singapore’s oldest Catholic church and a National Monument, re-opened on 20 November 2016 when it held its first mass in over three years. Sitting on a foundation of nothing more than compacted earth, its structure had been quite badly affected by ground disturbance caused by construction work in, around, and under it, which required it to be closed for repair work could be carried out.

As it turned out, the repair effort was quite timely. Columns supporting the pediment at the cathedral’s Victoria Street end gave way as the building was in the late stages of repair on 3 September 2015. Fortunately, the incident – which also saw the pediment come crashing down – happened at night and no one was hurt. The incident also led to the discovery that the supports, on which the weight of the steeple and bell tower also rests, were inadequate and required strengthening and a decision was taken to replace the original brick columns with stronger but lighter steel columns due to weight (which would increase structural load on the base) and time considerations. Another consequence of the collapse would have was in the discovery of the original time-capsule. This was placed beneath the cornerstone when that was laid on 18 June 1843. It was only found due to the work that was needed on the new structure. The time-capsule contained coins, newspapers and a service booklet from the time and its contents are now on display in the Cathedral Heritage Centre.

The entire project, which also involved restoration of the Cathedral and its rectory, as well as the construction of a new three-storey annex block – where the heritage centre is being housed – came at a cost of S$40 million. One of the key areas of repair required was in the underpinning of the cathedral building due to the lack of a suitable foundation. The intervention also allowed service ducts to be run under the building to carry both electrical cables and ducting for air-conditioning – a much welcome addition. The gallery pipe-organ  – Singapore’s oldest pipe-organ – was also restored. This required it to be shipped to the Philippines, which has a rich organ building. The restored pipe-organ also made its debut during the reopening mass when it so wonderfully accompanied the cathedral choir.

The Cathedral Choir making its entry before the opening mass on 20 Nov 2016.

The Cathedral Choir making its entry before the opening mass on 20 Nov 2016.

Standing room only. The opening drew a large crowd and pews were already filled as early as an hour and a half before mass.

Standing room only. The opening drew a large crowd and pews were already filled as early as an hour and a half before mass.

The sanctuary after the reopening.

The sanctuary after the reopening, with a new altar.

In 2013 with a large crack clearly visible on the wall behind it.

In 2013 with a large crack clearly visible on the wall behind it.

The gallery pipe-organ in 2016.

The gallery pipe-organ in 2016.

The gallery pipe-organ in 2013.

The gallery pipe-organ in 2013.

View down the nave, 2016.

View down the nave, 2016.

View down the nave, 2013.

View down the nave, 2013.

The repaired and restored Victoria Street end and the steeple.

The repaired and restored Victoria Street end and the steeple.

The view during the restoration, when steel columns were introduced (to be clad with masonry) for reasons of weight and time when the original structure gave way.

The view during the restoration, when steel columns were introduced (to be clad with masonry) for reasons of weight and time when the original structure gave way.

With its columns braced in 2010.

With its columns braced in 2010.

A close-up.

A close-up.

Archbishop William Goh after unveiling a new Pietà before the opening mass.

Archbishop William Goh after unveiling a new Pietà before the opening mass.

The old Pietà, seen in 2013.

The old Pietà, seen in 2013.

Another view of the new Pietà.

Another view of the new Pietà.

The old Pietà and the staircase to the choir gallery in 2013.

The old Pietà and the staircase to the choir gallery in 2013.

The choir organ in 2013, which has been removed.

The choir organ in 2013, which was in the north transept and has since been removed.

Where the choir organ was located.

Where the choir organ was located.

The cathedral in 2016.

The cathedral in 2016.

The Cathedral in 2013.

The Cathedral in 2013.

The Good Shepherd, 2016.

The Good Shepherd, 2016.

The Good Shepherd, 2013.

The Good Shepherd, 2013.

The annex building and the rectory as seen from Queen Street.

The annex building and the rectory as seen from Queen Street.

The view of the rectory from Queen Street in 2013.

The view of the rectory from Queen Street in 2013.

Balustrades, an original feature, were restored to the second level of the rectory turret.

Balustrades, an original feature, were restored to the second level of the rectory turret.

The turret before restoration.

The turret before restoration.

The old annex building, which was demolished.

The old annex building, which was demolished.

The old annex building, which was demolished.

The old annex building, which was demolished.

The garage, which was also demolished.

The garage, which was also demolished.

The old annex building, which was demolished.

The old annex building, which was demolished.

The restoration was originally scheduled for two years,

The restoration was originally scheduled for two years,

Before the restoration.

Before the restoration.

During the restoration.

During the restoration.

Exposed brickwork of the columns seen during the restoration.

Exposed brickwork of the columns seen during the restoration.


More views of the beautifully restored cathedral

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A Merry Medley at the Flower Dome

21 11 2016

Coloured by poinsettias, amaryllis and Christmas roses and conifer trees, as well as several Christmas themed decorations and giant snow globes, the Christmas display at the Gardens by the Bay’s Flower Dome is especially pretty this year. The display, Merry Medley, runs until 5 January 2017 and is best view when illuminated at night.

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Fireworks tonight at the Singapore Discovery Centre

19 11 2016

A carnival-like atmosphere awaits visitors to the Singapore Discovery Centre (SDC) today as it celebrates its 20th anniversary with a big birthday bash that will culminate with a burst of fireworks at 8 pm this evening at the close of the party. As part of its celebrations, a special exhibition, the 20/20 Play @ SDC – that celebrates 20 years of National Education – was also launched earlier this afternoon by Dr Teo Ho Pin, Mayor of North West District. The exhibition features a play area that gets visitors to visit games the older folks may have played and provides a feel of the playgrounds of the late 1970s and 1980s.

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Dr Teo, Lowrence Chua, Executive Director of SDC, members of SDC’s staff and a new mascot, SingaPaw, at the launch of 20/20 Play.

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Dr Teo viewing exhibits.

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Dr Teo viewing a recreation of the iconic Toa Payoh Dragon Playground.

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Great music too!





We have lift-off, NASA – A Human Adventure opens today

19 11 2016

Space exploration, fuelled by the cold war rivalry between the United States and the Soviet Union, made significant progress in the 1950s and 1960s. As a child of the 1960s, I was caught up in its excitement of it and especially of its most significant outcome – the landing of the first man on the moon in July 1969. The space programmes that led to the landing had itself generated huge interest during the decade. It was a space exploration flavoured decade in many ways and I took great satisfaction in rocket shaped ice-lollies, ice-cream packed in a Mercury spacecraft inspired container and on getting my hands on moon-landing inspired action transfer sets. For a child it seemed a most exciting of times; times that certainly came back to me visiting a preview of NASA – A Human Adventure, which opens today (19 November 2016) at the ArtScience Museum.

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A Mercury Spacecraft, the first US manned spacecraft.

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The exhibition, which is arranged around five galleries, takes visitors into a fascinating journey through space exploration and starts with the dreams humankind had long had of venturing into the unknown. There is an amazing collection of over 200 artefacts on display, several of which have flown in space, connected with both the Soviet and the NASA efforts. There also is get a chance to get up close to several training modules and full or large scale reconstructions of space craft including one of the Space Shuttle’s front section in which the flight deck and the mid-deck – where the crew eats, sleeps and works, complete with a vacuum toilet.

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The first gallery – which tells us all about the Dreamers.

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A re-creation of the Space Shuttle’s Flight Deck.

The Space Race, prompted by the Cold War rivalry between the Soviet Union and the US, is well documented in the second gallery, Go Fever. The intense rivalry provided much impetus for the rapid progress made by both countries in  space exploration and resulted in the first manned flights and the eventual moon landing. A model of Sputnik, the first satellite, which started the Space Race in earnest is on display. The early lead that the Soviets took is also seen in several rarely seen Soviet space artefacts and in a remembrance of the first human in space, cosmonaut Yuri Gagarin.

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A model of Sputnik – the very first artificial satellite, launched by the Soviet Union. The reflection on it is that of Go Fever, the second gallery.

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The Soviet Space programme put the first man in Space – Yuri Gagarin, who is remembered in Go Fever.

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Soviet space programme artefacts – including a briefcase carried by Yuri Gagarin into space.

The exhibition has three other galleries, Pioneers, Endurance and Innovation – tracing the evolution of rocket technology, how the challenges of space travel were overcome and how ground breaking technologies have been created through the programme. There is also a rather interesting art installation, The Indonesia Space Science Society by Indonesian artist, Venzha Christ that includes a 3 metre sculpture and invites visitors to listen to space.

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A scale-model of the very long Saturn V rocket.

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The Jupiter nose cone – launched into space and recovered from the sea – the experimental nose cone was a crucial step in development of re-entry vehicles – necessary for manned space flights.

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Titan I LR-87 rocket engine.

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The installation by Venzha Christ.

A highlight of the exhibition is the G-Force Astronaut Trainer ride, which simulates the flight of the 1961 Liberty Bell 7 with forces of up to 2G. The ride takes up to four and costs $6 on weekdays (Mondays to Thursdays) and $9 during the weekends.

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The G-Force Astronaut Trainer Ride.

In conjunction with the exhibition, the ArtScience Museum is also running the Art and Science of Space season. Several programmes are lined up including an Insights Tour during the opening weekend, given by Jukka Nurminen – an avid aeronautics enthusiast and the producer and curator of the exhibition. Two sessions will be held at 11.30am  lasting an hour on 19 and 20 Nov, which will be complimentary to ticket holders but limited to 25 per session (stickers will be given out 5 minutes before the tour begins). There are also public guided tours on 25 Nov at 3-4pm and on 27 Nov at 11.30am-12.30pm. A series of workshops will also be held. The exhibition runs until 19 March 2017 and more information on it, its programmes and ticketing can be found at the exhibition’s website.

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Jukka Nurminen, Producer and Curator of the exhibition.


More exhibits:

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Spacesuits.

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A Soviet lunar vehicle.

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Apollo Lunar Roving Vehicle.

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Moon rock collection case, bags, a glove and a boot.

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An Apollo survival kit.

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Command compartment of a Gemini Spacecraft.

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A command module.

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Apollo Command Module.

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Space Shuttle front section.

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An actual unused leg for the Apollo lunar landing module

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Film shot by Apollo astronauts.

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A Hasselblad camera of the type used for lunar operations.

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TV camera of type used for lunar operations.

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Lithium hydroxide canister for removing carbon dioxide. This featured in the Apollo 13 near tragedy that left the Command Module with limited electricity supply. To save power in the Command Module that was crucial for reentry, the Lunar Module was kept attached as a “lifeboat”. The Lunar Module did not have sufficient LiOH canisters and ground engineers very quickly found a way make join the rectangular canisters from the Command Module to the cylindrical canisters of the Lunar Module.

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An flight computer – which weighed about 100 kg.

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A photograph of the Apollo Lunar Module.

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A replica of the module with the triangular window seen in the photograph above.

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An actual Command Module parachute for descent back to earth – notice the burns from reentry on it.

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A heavily built Command Module front hatch.

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Models of Hubble and the ISS.








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