Ancient music in Jackie Chan’s ancient houses

20 10 2016

A most delightful gift to Singapore made by Hong Kong superstar Jackie Chan is the set of four structures that now grace the campus of the Singapore University of Technology and Design (SUTD) at Somapah. Dating back to the Ming and Qing dynasties, the structures were originally from Zhejiang province in China. A chance to have a look at them came with a Nanyin performance by the Siong Leng Musical Association held in the structures that I was invited to recently.

Ancient music in ancient structures. A performance by the Siong Leng Musical Association held in a main hall that was part of a house from Zhejiang.

Ancient music in ancient structures. A performance by the Siong Leng Musical Association held in a main hall that was part of a house from Zhejiang.

Part of a collection of ten ancient structures purchased by martial arts star with the intention that they be dismantled and re-erected as a home for his parents, the structures were put in storage for much longer than was intended. Little was documented on the assembly of the structures, which proved a challenge when the university looked at reassembling them.

The pavilion.

The pavilion.

The structures feature some rather interesting and previously unseen features in Singapore in which many Chinese structures are of the Minnan style. An examples of this is the exquisitely carved oversized wooden corbels seen in one of the structures, a late Qing dynasty pavilion. The pavilion, interestingly, also features a mix of styles seen in the wooden balustrades with a Suzhou flavour.

The Suzhou style is also seen in some of the features of the pavilion.

The Suzhou style is also seen in some of the features of the pavilion.

Close to the pavilion, another of the structures – an opera stage, has an interesting feature on its ceiling – a dome of sorts that acts to enhance the stage acoustics.

A feature on the ceiling of the opera stage that enhances the stage's acoustics.

A feature on the ceiling of the opera stage that enhances the stage’s acoustics.

Hokkien opera on an ancient opera stage.

Hokkien opera on an ancient opera stage.

A close-up.

A close-up.

There are also two structures, complementing parts of a Ming dynasty house and a Qing dynasty house, that have been put together in the setting of a lake. Featuring a mix of old and new in the glass panels that keep the air-conditioning in, the parts which have only a small difference in width, find harmony even if they were from different houses and from different times. The parts are a main hall and an inner hall where bedrooms would have been located. An interesting contrast between the two are the finished wooden columns seen in the main hall where guests would be entertained and the coarser looking (and less costly) unfinished columns in the inner more private area.


In the inner hall.


The two parts of two houses, complementing each other in the setting of a lake.


The opera stage by night.

A carved corbel on the stage.

A carved corbel on the stage.




The long road to Somapah

26 06 2015

Excerpts of an interview with Mr Lim Jiak Kin:

From the late 1950s to the 1970s, I had a relative who lived in Mata Ikan. This was close to Somapah Village where my mother’s best friend lived. Her second son was my second brother’s god-brother.

The approach to Somapah and Mata Ikan was via Somapah Road, lined on the left and right with rows of shophouses. I remember a tailor, as well as a corner shop where my mother’s best friend ran a permanent wave salon. The salon was air-conditioned – a big deal in those days and it was where we always stopped on the way to Mata Ikan.

The idyllic setting of Mata Ikan village as captured by Singapore artist Harold Ong.

The idyllic setting of Mata Ikan village as captured by Singapore artist Harold Ong.

I also remember that there were shophouses opposite the permanent wave shop, in front of which were some very good food stalls. One hawker sold fish porridge and another sold fried oysters. The stalls were relocated to Changi Village when Somapah was resettled. Right next to the permanent wave salon was an open-air cinema.

Somapah Road, at its junction with Jalan Somapah Timor (National Archives online catalogue).

By the side of the cinema there was a little slope where a number of stalls had been set up. This was where the morning market was held and where freshly cooked food and fish were sold. The fish would probably have been brought in from the sea at Mata Ikan, one or two kilometres away. Driving past the market, you would come to a child and maternal clinic. Farther in there were holiday bungalows, corporate as well as private ones.

Mata Ikan 1973

A playground at the Government holiday bungalows at Mata Ikan.

After stopping by the salon, we would head to the end of Somapah Road. That was where we would find the last house by the sea, a house of wood and attap typical of a Malaysian beach hut, standing under a coconut tree.

That was our main destination, a provision shop run by a good friend of my father’s. He was a relative of sorts, having originated from the same ancestral village in Hainan as my father. This man and his Teochew wife lived at the back of the house and kept chickens, reserving the best of them and also their eggs for my father for the Chinese New Year.

Across the path from the provision shop was a small shed. That was where my father’s friend turned crushed cockle shells into a ‘dough-like’ kapor to be sold as whitewash. Packed into wooden crates measuring one foot by one foot and two to three feet high, the kapor would be put on sale in paint shops. Competition from low-end, but superior-quality paints introduced by established paint-makers, had seen the trade gradually dying out.

I remember that the population of the Somapah area was mainly Chinese. Among the various dialect groups was a large Hainanese community and I can recall the Hainanese-run Kwang Boo Kok Suat Thuan. The head of the association was one of the founders of the Long Beach Seafood Restaurant that used to operate in the now long-gone Bedok Rest House.

Kwang Boo Kok Suat Tuan on the Changi 10 Mile Facebook Page.

I have many fond memories of my trips to Somapah and Mata Ikan. It was an outing that to a young boy, seemed almost like an overseas trip. Not many people had the opportunity to travel to the beach by car in those days. We would head there in an Austin A40 with the registration plate SC 644 that my mother would drive. There would be five of us; my parents, my two brothers and me, and we would take the drive on Sundays when my father was free.

Somapah Village was one of the main settlements in the area and served as the gateway to some of the villages that lay along the old coastline.

Somapah Village, in the National Archives online catalogue.

The drive was a long but scenic one. It seemed a long journey even in later years when made on board a lorry that left from the Capitol Cinema, near where the Bata shop was. Sitting on a plank in the back of the lorry about an hour into the journey, I would always look out for the “阿弥陀佛” (a mi tuo fo) temple opposite the Bedok Army Camp, as a sign that we were nearing our destination, the site of the picnic we were attending.

As a city dweller living in a two-storey shophouse with only the very dangerous Odeon car park to run about in, I felt like a caged dog being let loose when we went to the beach. It always meant getting my feet wet, picking up shells and sitting under coconut trees – a real treat that to this day I can still picture in my dreams.

More memories of Somapah Village and Mata Ikan

The site of Somapah Village is now occupied by the campus of the recently erected Singapore University of Technology and Design (SUTD). The heart of the village stood at the meeting of Somapah Road, which has since been realigned, and Upper Changi Road.  Mata Ikan, was a holiday destination for many in days when it was the fashion to take vacations by the sea. Its site would be close to where Changi South Ave 3 is today.

What has happened to the magical Tanah Merah Coastline ...

Approximate locations of some of the missing villages of the Changi / Somapah area.