Together with a group of yesterday.sg fans, I had another look around Tanjong Pagar Railway Station, on a 45 minute tour run by the Preservation of Monuments Board (PMB), to provide participants with a better appreciation of Singapore’s latest National Monument, before operations end on the 1st of July this year. Besides meeting with yesterday.sg’s Shaun Wong, from whom I learnt that the inspiration for the name of the website was the Beatles song “Yesterday”, I also had the pleasure of meeting fellow blogger P.Y. of Oceanskies, who incidentally has provided a comprehensive account of the tour, and Belinda Tan who I am grateful to for stirring up quite a fair bit of interest in my blog by posting links to my set of railway memories. The short but informative tour was led by a PMB volunteer, Rosanne, who provided a fair bit of information on the background to the station, the reasons for its establishment and the choice of location. What interested me in particular, was the information that related to the station’s architecture, which provided me with a better appreciation of the station.
I had the opportunity to join a PMB tour of Tanjong Pagar Railway Station courtesy of yesterday.sg.
The station we were told by Rosanne, was built to provide a grand station that was to be the terminal of what the British had envisaged as a intercontinental transport network that was to span from Singapore at the southern tip of the Asian continent to the British Isles. The choice of the location close to the docks at Tanjong Pagar signaled the ambitious extent of the British Empire’s intent in expanding transport and communication links between the British Isles with Asia and further afield, with Singapore’s strategic location being seen as the gateway (by sea) to the Pacific and Indian Oceans. Designed by Swan and MacLaren, the station is thought to have been designed after Helsinki’s Central Station and sharing elements with Washington D. C.’s Union Station. The style of architecture, Art Deco, that was selected was one that it was felt combined both Western and Eastern elements and influences. Art Deco is in fact very much in evidence around the station – geometric patterns in the details of the ceiling and arches of the portico an example. Another example of the Art Deco style that is evident is use of triumphal figures in the form of the four Angelo Vannetti sculptures at the façade that represent the four pillars of the Malayan economy, being Agriculture, Commerce, Transport and Industry. Our attention was also drawn to portions of the roof which featured a green tile structure inspired by the roofs of Chinese Temples.
Transport, one of the four pillars of the Malayan economy is seen carrying a stone block, with a wheel behind, stepping on a bow of a ship. The use of triumphal figures is common in Art Deco architecture
The Chinese temple inspired green tiled part of the station's roof.
Lions on the window details at the station's side are meant to represent Singapore.
Inside the hall, our attention was drawn to the six sets of batik style mosaic mural panels which feature some 9000 tiles that represent the economies of the Federated Malay States (FMS), as well as to the two crests – one being the crest of the Federated Malay States – which comprised of the four British protected states of Selangor, Perak, Negeri Sembilan and Pahang, and the Straits Settlements. Closer inspection of the coat of arms reveals a shield that is coloured with a colour from each of the four state flags in the case of the FMS, and in the case of the Straits Settlements, the shield is made up of four quadrants each representative of the three settlements, Penang, Malacca and Singapore, and also Christmas Island which was annexed to the Straits Settlements in 1889. The station when it was built was designed to maximise the comfort, particularly of first and second class passengers embarking on what was to be a long journey (Rosanne mentioned it took something like 29 hours to reach the Siamese border by train from Tanjong Pagar and the Japanese during the occupation, improved the speed of the passenger trains to 60 km/h and goods trains to 50 km/h, cutting the journey time by some 5 hours), equipped with amenities such as passenger waiting rooms, refreshment rooms, dining rooms, a hairdresser’s shop, dressing rooms and lavatories. Based on news reports of the opening of the station, we are also told that there were other rooms such as a telegraph office, parcel room, offices for the necessary station staff and included a few bedrooms.
Batik painting style mosaic mural panels in the main hall depict the economies of the FMS.
The coat-of-arms of the Federated Malay States - the shield features colours of the four protected states of the FMS.
The coat-of-arms of the Straits Settlements with each quadrant of the shield representing the each of the Straits Settlements which then also included the Indian Ocean territory of Christmas Island.
The 45 minute tour ended at the start of the departure platform which now features immigration counters introduced after the separation of Singapore from Malaysia, when travel across the Johor Straits required a passport. When I first started taking the trains in the 1990s, we would have to pass through the Singapore Immigration counters at the near end before going through Malaysian Immigration and Customs further down the platform … this practice was discontinued from mid 1998 when Singapore shifted its immigration to the CIQ Complex in Woodlands, insisting that the Malaysian authorities do the same. This has been resisted right up until today – and up to the 30th of June, one of the things you can still do is to enter Malaysia before leaving Singapore (for a more detailed explanation on this please read my previous post “A final journey from Tanjong Pagar: into Malaysia before leaving Singapore“. The platforms we were also told were some 1,200 feet long, built to cater to the longest of mail trains. We were also shown some of the features around the platform of historical value that would be retained – this included the hydraulic buffer stops at the end which apparently are the only ones found in the stations operated by the Malaysn Railway. The tour ended with a little excitement – first from the animated voiced coming from Malaysian immigration officers who tried to tell us we had strayed a little too far along the platform. It was then time for a quick catch up over some teh-tarik at the cafeteria with my fellow participants and new found friends ….
What used to be immigration counters used by the Singapore authorities ... and apparently reclaimed by Malaysia since mid 1998 ...
A train on the departure platform - the platforms are 1,200 feet in length to accommodate the longest of the mail trains. We were also told that 3rd Class passengers had to use a side access to the platforms.
One of the two hydraulic buffers.
The roof over the platforms also show art deco features in the geometric patterns found on them.
For a comprehensive account of the tour, do drop by PY’s post “The Tanjong Pagar Railway Station Tour on 21 May 2011“. And if any of you are keen to hop onto the last train into Singapore and have a party … do drop by Notabilia’s post “All Aboard? Party on the Last Train Through Singapore” and indicate your interest there. I also have a collection of experiences and memories of the railway in Singapore and of my journeys through the grand old station and if you care to read about them, do drop by my page “Journeys through Tanjong Pagar“. Lastly, if you are keen to find out and support the Nature Society’s (Singapore) proposal to retain the green areas that have been preserved by the existence of the railway through Singapore and maintain it as a Green Corridor, do drop by the Green Corridor’s website and show your support by liking the Green Corridor’s Facebook page … I do also have a series of posts on the Green Corridor if that is of interest – please visit them at “Support the Green Corridor“.
Rosanne, the volunteer guide with the PMD who led the tour.
A last look at the station ....
Capturing memories and the station's last days of the station seems to be very much fashion these days.