The other side of the moon

15 09 2012

In a fast changing world in which there often are just little reminders of the past to cling on to, it is always good to come across old world traditions that have not been displaced by the new. One area in which we are able to see this is in the making of mooncakes by some of the established mooncake bakeries, one of which is Chop Tai Chong Kok. I was able to visit the bakery very recently just as the making of mooncakes was being ramped-up as the Chinese eight month, in which the Mooncake or Mid-Autumn Festival is celebrated, approaches.

Mooncakes are still made in the traditional way at Chop Tai Chong Kok.

Having been in the business for some 77 years, the shop has long been one of the popular brands in traditional Cantonese style mooncakes, attracting long queues for the sweet delectable treats it produces in the lead-up to the Mid-Autumn festival. It now produces the mooncakes it is well-known for, as well as other Cantonese style pastries and confectionery, in a shop lot in Ubi Avenue 1, having had to move its business in 34 Sago Street when Chinatown was being cleaned-up during the conservation efforts which have given us the sanitised version of Chinatown we see today. The shop has since opened a retail outlet back in the shophouse in which the business started – one that is now rented.

Long queues seen at the original shop at Sago Street in the lead-up to the Mid-Autumn Festival (photo taken off one displayed on the wall of the shop).

Having had to move out of their Sago Street premises during the remaking of Chinatown, the business now rents the same unit and operates a retail outlet there.

Although now made in newer premises, little has changed in the production of Chop Tai Chong Kok mooncakes since the days of the late Mr Tham Kah Chee who arrived from China in 1935 and started his business at Sago Street. The preparation of the dough as well as the lotus and bean paste fillings to the pressing of dough wrapped balls of paste into the round shaped mooncakes in wooden moulds that the late Mr Tham himself would have used is still very much done by hand. I was able to observe part of this process which involved five persons standing around a wooden topped table, very quickly transforming flat pieces of dough and pre-prepared balls of paste into unbaked paler versions of the famous mooncakes. The sounds of wooden moulds on the wooden table top took me back to the days of my youth when I would wander around the old streets of Chinatown to catch a glimpse of shop fronts brightly coloured by cellophane lanterns and for a chance to watch unbaked mooncakes being made on tables lined along the five-foot ways as the Mid-Autumn Festival approached.

Little has changed in the preparation of ingredients and in the way the mooncakes are made even with the mooncake maker operating in newer premises. The mooncakes are still considered to be the best among the best of traditional Cantonese mooncakes in Singapore.

The business is now in the hands of the second and third generations of the late Mr Tham’s family, with a grandson, Weng Seng, now involved in the running of business. Facing many challenges including he arrival of many new players in the market, the introduction of newer variations of the traditional pastry, changing tastes, the small local market, as well as in employing people willing to labour in the bakery, their mooncakes continue to remain popular with Singaporeans due to their commitment to tradition and quality. Being one of a few organic businesses that has reclaimed a place in a Chinatown where many other businesses have found it hard to return to, the desire of the new generation taking over to maintain the relevance of the business in the face of new challenges does spell hope that they will, for some time to come, continue to serve as a reminder of a world that would otherwise have long been forgotten.

The business in now in the hands of the Mr Tham Kah Chee’s children and the next generation. His son Mr Tham Wing Thong seen here is still very much involved in making the pastries.

Fillings (lotus paste with egg yolk seen here) prepared by hand are rolled into a ball and placed on trays ready to be wrapped in a skin of dough.

Trays of fillings for the morning’s mooncake making.

A flat round piece of dough is rolled and used to wrap the pre-prepared fillings. Lotus Paste, Red Bean Paste and Green Bean Paste with lotus seeds are traditional fillings used.

Covering up the filling …

A ball of dough wrapped around the filling ready to be pressed into a mould.

Pressing a dough into a wooden mould – the moulds used are those handed down by the late Mr Tham Kah Chee.

A fully pressed mooncake in the mould.

Knocking out the mooncake from the mould.

Voilà!

The mooncake is then placed in a baking tray destined for the oven.

Trays of unbaked mooncakes.

A close-up.

Mid-way through, the baking mooncakes are taken out to be glazed using egg-yolk.

Glazing the mooncakes.

A tray of freshly baked mooncakes just out of the oven.

Once out of the oven, the freshly baked mooncakes are transferred to wooden paper lined trays to cool down.

And given a light brush over.

Customers can opt to have their mooncakes wrapped in a traditional way.

Traditionally packed mooncakes.

And take them home in traditional brown paper bags – we used to call these chicken paper bags as such bags came in handy in bringing live chickens home.

A stack of paper bags … customers can also opt to have the mooncakes packed in square boxes and brought home in plastic bags or corporate gift paper bags.

A favourite with the kids … ‘piglets’ in baskets …

Similar methods are employed in the making of piglets.

Other traditional pastries are also on sale at the retail outlet.

Almond cookies.

Mooncakes on sale at the Sago Street retail outlet.





Fly me to the moon

9 09 2011

I joined the clay artists of the Thow Kwang Dragon Kiln for an early Mid Autumn celebration at the kiln. The moon that graced the event wasn’t of course as full as it should really be during a Mid Autumn celebration, but provided an opportunity to see the firefiles that can be found in the wooded area around the kiln.

It wasn't anywhere near a full moon, but that did not stop clay artists at Thow Kwang Dragon Kiln from celebrating the Mid Autumn Festival.

The Mooncake Festival as it is known to us in Singapore, is celebrated by ethnic Chinese communities around the world on the fifteenth day of the eight month of the Chinese calendar. Coming immediately after the seventh or hungry ghosts month, the lead up to it is greeted with excitement and anticipation by many children. As a child, it was during the first two weeks of the month when shopfronts were decorated with the colourful display of cellophane lanterns, bakeries do a roaring trade selling mooncakes, and piglets in attractive baskets are snapped up by children eager to sink their teeth into them.

As a child, I would look forward to seeing shopfronts decorated with colourful displays of cellophane lanterns similar to this one seen in Chinatown in the 1980s.

It wasn't just the bakeries that were doing a roaring trade in mooncakes. Mobile vendors selling mooncakes such as this one seen on Smith Street in the 1980s who is selling mooncakes from a trishaw.

The mooncake festival is often accompanied by pomeloes.

What is wonderful to know is that despite the changing patterns of what children play with over the years, the eagerness with which children look forward to the Mooncake Festival hasn’t diminished. Children are still seen all throughout Singapore not just during the festival, but also in the lead up to it, walking with lanterns that glow in the dark of the night. The lanterns which are still very much a must have for children, were for a period of time in the 1990s, threatened to be taken over by noisy inflatable plastic battery operated lookalikes that somehow takes the joy of carrying a lantern that is illuminated by the flickering light of a candle. The most popular lanterns when I was a child were those that I am glad to see, have made their appearance once again, ones that are made of coloured cellophane paper wrapped tightly over a wire or bamboo frame in shapes of animals and cartoon characters. I remember some of my favourites include a goldfish and one that resembled Ultraman.

The glow of a cellophane lantern in the shape of a chicken.

Paper lanterns which are also popular, are a lot more affordable.

This year’s Mid Autumn festival will be on the 12th of September and the start of the last term of school when exams arrive fast and furious will not deter children all over Singapore from coming out in numbers to bring coloured light on a night when the moon will be at its brightest. It is a sight that I enjoyed as a child, one that I still enjoy seeing today, and one that I hope will continue to be seen for many generations to come.

Lightsticks now add to the colours of the celebration.