51 photographs taken in Singapore that will take you away from Singapore

4 01 2016

Singapore, in its 51st year of independence is sold to the world as an ultra modern metropolis and a shopping and culinary paradise. It is the icons of the new age, such as the futuristic looking Gardens by the Bay and Marina Bay Sands, that now leap out from our tourist brochures and a common perception of Singapore is that it is one huge shopping mall. There is however much more to Singapore that goes practically unnoticed, including these 51 sights of Singapore that one would possibly not associate immediately with Singapore:

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(1) The woods at Upper Peirce Reservoir.

Terumbu Semakau in the moonlight.

(2) Terumbu Semakau, a patch reef off Pulau Semakau, in the moonlight.

Junk Island at low-tide.

(3) Pulau Jong, the last untouched southern island, seen at low-tide.

The beautiful setting in which the 'black and white houses' of Sembawang find themselves in.

(4) The green housing area of the former Naval Base at Sembawang.

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(5) The ‘spinning tops’ off Tampines Road.

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(6) The gateway into a lost world at the former Kampong Tengah in Sembawang.

The former Seng Chew Granite Quarry.

(7) The secret lake at Bukit Gombak (the disused Seng Chew Granite quarry).

The light at the end of the tunnel under Clementi Road.

(8) The light at the end of the tunnel to a lost world under Clementi Road.

A remnant of the western reaches of the line in an area now taken over by nature.

(9) The western reaches of the lost railway.

The intertidal zone at Tanjong Merawang looking out towards Merawang Beacon and Pulau Merambong.

(10) Tanjong Merawang, Tuas, with a view towards Malaysia and Indonesia.

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(11) The pier at Sungei Pandan.

Paddling through the watery forest at Sungei Khatib Bongsu.

(12) The mangrove forest at Sungei Khatib Bongsu.

More views of Beting Bronok at first light.

(13) The flats of Beting Bronok, a designated nature area off Pulau Tekong, seen at first light.

(14) A sandbar at the Terembu Pandan with a view to the container terminal at Pasir Panjang.

(14) A sandbar at the Terembu Pandan with a view to the container terminal at Pasir Panjang.

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(15) A tributary of Sungei Kranji, near the Jalan Gemala nature area.

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(16) A view across Terembu Pempang Laut, a submerged reef four nautical miles from Singapore’s southern coast.

A village house on Pulau Ubin.

(17) The last Malay kampung at Pulau Ubin.

The totems of the new age seen on Pulau Ular, from Beting Pempang, with the silhouettes of trees on Pulau Hantu in the foreground. Pulau Ular is an island that is now part of a larger landmass that has it joined it to Pulau Busing to its west and Pulau Bukom Kechil to its east.

(18) The petrochemical complex on Pulau Ular as seen from Beting Pempang (the silhouettes in the foreground are of trees on Pulau Hantu).

A sense of the space on the flat.

(19) The intertidal flats of Pulau Semakau.

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(20) The greens of the Bukit Course as seen from the western shores of MacRitchie Reservoir.

Masjid Omar Salmah, at Jalan Mashhor which was built in the 1970s and is now long abandoned by Kampong Jantai it was built to serve.

(21) The kampong mosque, Masjid Omar Salmah, at the site of the former Kampong Jantai.

The greenery that now surrounds the area.

(22) The magical (and some say haunted) Jalan Mempurong.

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(23) The western shores of MacRitchie Reservoir.

A very natural looking man made stream close to the area where a village, Kampong Beremban, once was.

(24) A stream at the former Lorong Halus landfill, close to where Kampong Beremban once was.

A stairway.

(25) A pre-war outpost on southern slopes of Pasir Panjang (Kent) Ridge.

The site of the Syonan Jinja where remnants of what was once South-East Asia's leading Japanese Shinto shrine is today an eerie yet peaceful spot. What is seen in the photograph is one of the more visible remnants, a sacred granite water trough for ritual purification.

(26) A trough belonging to the demolished Syonan Jinja Shinto shrine in the MacRithcie forest.

The wooded oasis that is now the grounds of the former Bidadari Muslim Cemetery.

(27) The wooded oasis found at the grounds of the former Bidadari Muslim Cemetery.

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(28) The sand store at the construction aggregates receiving terminal at Pulau Punggol Timor.

Little Guilin is an area of much beauty that some suspect hides several secrets.

(29) A view through the woods at Little Guilin.

Mangroves at Pulau Hantu.

(30) Mangroves at Pulau Hantu.

(31) One sister to another - across the channel between the two Sisters Islands.

(31) One sister to another – across the channel between the two Sisters Islands.

(33) The swimming lagoon on Big Sisters Island.

(32) The swimming lagoon on Big Sisters Island.

The last rural sundry shop, Tee Seng Store.

(33) The last rural sundry shop, Tee Seng Store. It has been in the hands of its proprietor, Mr Ang, for some six decades.

The angry glare of the gods of the new age.

(34) The illuminated towers of the petrochemical complex at Pulau Ular dwarfing the observer at the edge of the fringing reef at Pulau Hantu Besar.

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(35) A newly established Hindu shrine behind the Wei To Temple on Pulau Ubin.

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(36) A Tibetan Buddhist shrine at the Wei To Temple on Pulau Ubin.

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(37) A below ground shelter and storage complex at a 1930s 9.2″ gun battery.

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(38) The view up a deep escape shaft of a pre-war Command Bunker located some 20 metres underground.

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(39) Exposed parts of the Jurong Rock Formation seen on Pulau Jong.

The violin, Pulau Biola a.k.a. Rabbit Island close to the southern reaches of Singapore's territorial waters.

(40) The violin, Pulau Biola a.k.a. Rabbit Island close to the southern reaches of Singapore’s territorial waters.

(40) Tanjong Tajam on Pulau Ubin.

(41) The cliff faces of Tanjong Tajam at the western end of Pulau Ubin.

A sandbar at the Cyrene Reefs.

(42) A sandbar at the Cyrene Reefs.

(43) The calm before the storm - Lower Seletar Reservoir.

(43) The calm before the storm – Lower Seletar Reservoir.

(44) Light and shadow - Sembawang Shipyard and the Beaulieu Jetty.

(44) Light and shadow – Sembawang Shipyard and the Beaulieu Jetty.

(45) Bukit Brown Municipal Cemetery

(45) Bukit Brown Municipal Cemetery

(46) MacRitchie Reservoir near the Syonan Jinja.

(46) MacRitchie Reservoir near the Syonan Jinja.

(47) Remnants of the Jurong Line near Clementi.

(47) Remnants of the Jurong Line near Clementi.

(48) Another of MacRitchie Reservoir.

(48) Another of MacRitchie Reservoir.

(49) The Straits of Johor at Sembawang.

(49) The Straits of Johor at Sembawang.

(50) Masjid Petempatan Melayu at Sembawang and its 6 decade old rubber tree.

(50) Masjid Petempatan Melayu at Sembawang and its 6 decade old rubber tree.

(51) Changi Beach.

(51) Changi Beach.


 





Chinese New Year at Eng Hoon Street

9 02 2016

The best lion dance, dragon dance and giant flag performance on the streets of Singapore during the Chinese New Year takes place every year on the morning of the second day in front of Bao Sheng Trading at Eng Hoon Street. Photographs from this year’s performance follow:

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Spring is in the air

9 02 2016

Every eve of the Lunar New Year, we are reminded of the old Chinatown when the now sanitised streets and the annual festive bazaar that comes up in the lead up to the New Year, comes alive. Chinatown is at its most atmospheric then as crowds throng its streets in search of festive goods being disposed off at a bargain – much like it was in the days of old. The eve also sees Taoist temples getting ready for the crowds – it is customary for Chinese of the Taoist faith to visit the temple in the early hours of the New Year to offer respects to the deities. One temple that gets busy is the oldest Hokkien temple, the Thian Hock Keng, where festivities this year were accompanied by Hokkien marionette puppet shows and stilt walkers – part of a series of events for the Lunar New Year that will also see a getai held on 15 February. The temple is also holding a series of guided tours during the period, more information on which can be found at http://www.thianhockkeng.com.sg/events_2016_cny.html.

Crowds on the streets of Chinatown late on the eve of Chinese New Year in search of a bargain.

Crowds on the streets of Chinatown late on the eve of Chinese New Year in search of a bargain.

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Monkeys were everywhere.

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The Sri Mariamman hindu temple.

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Stilt walkers outside the Thian Hock Keng.

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The Singapore Yu Huang Gong.

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The puppet show stage at the Thian Hock Keng.

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Calligraphy.

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A puppeteer in action.





Moulmein Road journeys

6 02 2016

Moulmein Road, a road that has come to be associated with Tan Tock Seng Hospital, has for me, been a road of many journeys. It was in the area where my journey in education began, as well as one which served as a focal point for bus journeys with my mother in my early childhood.

The entrance gate to Tan Tock Seng that once stood along Moulmein Road.

The entrance gate to Tan Tock Seng that once stood along Moulmein Road at Jalan Tan Tock Seng.

My earliest memories of Moulmein Road are of these bus journeys; journeys taken at the end of the 1960s in days when Moulmein Green was still where bus rides for many started and terminated. It was at Moulmein Road that a journey on the notoriously unreliable STC bus service number 1 to the city would begin and where the journey taken to accompany my mother to the hairdresser would have ended.

Corner of Moulmein Green and Rangoon Road (From the Lee Kip Lin Collection. All rights reserved. Lee Kip Lin and National Library Board, Singapore 2009).

Corner of Moulmein Green and Rangoon Road (From the Lee Kip Lin Collection. All rights reserved. Lee Kip Lin and National Library Board, Singapore 2009).

Sadly for me, little is left of the area to connect me with days now almost forgotten. The green has long since disappeared, as has the end of Rangoon Road that brought traffic out to the green. It was at the same stretch of Rangoon Road that the hairdresser’s shop would have been found, in a row of shophouses set in from the road. All that I now remember of the hairdresser is of the hours spent keeping myself entertained with only the multi-coloured strings of the string chairs, typical of the hair salons of the era, for company.

Moulmein Green was once a starting point or destination for many a bus journey (National Archives photograph).

Another structure that has since gone missing, one that I developed a fascination for, was the rather quaint looking gatehouse (if I may call it that) of Middleton Hospital. Standing prominently across the green from Rangoon Road, it had long been a landmark in the area. It was the hospital’s crest, a black lion displayed over the entrance archway, that lent the area its name in the Hokkien vernacular, “or-sai”, Hokkien for “black lion”.

The entrance to Middleton Hospital at Moulmein Green.

The entrance gatehouse to Middleton Hospital at Moulmein Green (source: https://www.ttsh.com.sg).

The hospital, sans the gatehouse, has since 1985, become Tan Tock Seng Hospital’s Communicable Disease Centre (CDC). For the time being, the cluster of buildings of the facility still serves its intended purpose having been set up as a hospital to isolate patients suffering from highly infectious diseases. The hospital, as the Infectious Disease Hospital, was established in 1907 and move to the site in 1913. It acquired the name Middleton in September 1920 when the Municipal Council  thought it fit to recognise the contributions of Dr W.R.C. Middleton. Dr Middleton’s long years of service as the Municipality’s Health Officer from 1893 to 1920, 27 to be precise, was marked by the huge improvements made in living conditions within the Municipality in the effort to contain the spread of diseases such as cholera.

The black lion - still seen at the entrance of the CDC.

The black lion – still seen at the entrance of the CDC.

The hospital, laid out as hospitals in the days when natural ventilation and separation mattered most in preventing of the spread of infectious diseases, features widely spaced and generously airy wards set in calm and green surroundings. Very much a thing of the past in land scarce Singapore, the CDC is now the last such hospital facility still functioning in Singapore. This may not be for very much longer though. It does seem that the facility will soon fall victim to the modern world that Singapore finds hard to escape from. The site has been earmarked for future residential development and the CDC will have to move out by 2018, by which time its new site adjacent to Tan Tock Seng Hospital should be up. With that, the CDC will become the National Centre for Infectious Diseases and the little that is still left to remind us of the legacy of Dr. Middleton is at threat of being further diluted.

The view down Moulemin Road towards the area of the former Moulmein Green .

Two notable buildings that have thankfully escaped the wreckers’ ball, both of which are associated with the control of tuberculosis, are to be found up Moulmein Road from the CDC. The two rather gorgeous buildings are now used by the Tan Tock Seng Hospital’s Tuberculosis Control Unit. One is the grand looking turreted structure that recently found fame through a Straits Times article at 144 Moulmein Road.

144 Moulmein Road.

144 Moulmein Road.

The house had once been the home of a Chinese towkay, Mr Lim Soo Ban. Mr Lim was the proprietor of a goldsmith’s shop in Hill Street, maintained interests in a pawnshop and was on the board of Chung Khiaw Bank. He was also a prominent member of the Hakka community and contributed to the upkeep of the since exhumed Fong Yun Thai Hakka cemetery at Holland Plain. Mr Lim passed away in December 1952 as a bankrupt. Already ill with diabetes and tuberculosis, Mr Lim’s death came just two days after the bankruptcy adjudication order was delivered. Despite an order from the Official Assignee’s office to have funeral expenses capped at $5,000, Mr Lim was given a rather grand sendoff. The “grand funeral” is one which my mother, who then lived next door, well remembers. The funeral was reported to have cost $12,000 with a procession that was said to have stretched a mile long.

Lim Soo Ban, second from the right, photographed with Tan Kah Kee in May 1949 (National Archives of Singapore photograph).

The house, I am told, was to remain empty for several years. Attempts were made by the Official Assignee to dispose of it before it came into the possession of Tan Tock Seng Hospital. It apparently saw use as a chapel for hospital staff before housing the Department for Tuberculosis Control, later the Tuberculosis Control Unit.

144 and 142 Moulmein Road.

144 and 142 Moulmein Road, both gazetted for conservation in 2014.

The house next door, 142 Moulmein Road, used more recently by the Department of Clinical Epidemiology, has also a rather interesting past. A residence for the Government Pathologist prior to the war and later a convent, it does in fact have a longer connection with the control TB as compared to no. 144. As the Mount Alvernia convent, it was where the journey in Singapore for the nuns of the Franciscan Missionaries of the Divine Motherhood was to begin. The order answering a call to serve at the TB wards at Tan Tock Seng, which was later run by the nuns as the Mandalay Road Hospital, arrived in 1949 and established their first dedicated residence and convent at No. 142.

142 Moulmein Road as Mount Alvernia in 1949.

Buildings of the former Mandalay Hospital.

Buildings of the former Mandalay Road Hospital at Mandalay Road.

The order of English nuns were also to be involved in the care of leprosy sufferers in Singapore. With the help of donations, the order would go on to establish Mount Alvernia Hospital in 1961.  My maternal grandmother had worked for the nuns at no. 142 and had accommodation for the family provided in the servants’ rooms behind the house and it was during this time that my mother witnessed the grand funeral next door.

Another view of 142 Moulmein Road today.

Another view of 142 Moulmein Road today.

Both 142 and 144 Moulmein Road have since been gazetted for conservation as part of the Urban Redevelopment Authority’s 2014 Master Plan. The 2014 Master Plan, a crystal ball into the future, does also predict a journey of transformation for Moulmein Road that may only have just begun.





The 16th century sailor seen wandering at the National Museum

30 01 2016

With all that’s been rumoured about the National Museum, the curious sight of a lost soul dressed in the manner of a 16th century Portuguese sailor wandering around one of its galleries would not be unexpected. Strangely though, rather than stay well away from the sailor – as one might expect, those present in the gallery seemed instead to be drawn to him.

The Level 2 galleries.

The National Museum – where the past comes alive in more ways than one.

There is little that is sinister about the sailor who roams the basement gallery with two muses in tow. On a quest to find what he thinks will offer an escape from the curse of his long but lonely existence – attributed to the consumption of the Elixir of Life, the sailor enlists the help of those around. The sailor, the two muses, and his quest – to find the greatest treasure in the world, is all part of the fun of an experiential play, “The Greatest Treasure in the World”.

A muse and Aesop (as well as several other characters from the past), also help Afonso in his quest.

A pair of muses and several other characters from the past, also help Afonso in his quest.

The experiential play also has the audience take part.

The experiential play also has the audience take part.

The play, created by Peggy Ferroa, has the audience, embark on a rather enjoyable adventure through time with Afonso, the Portuguese sailor – whose full name sounds as long as the life he has had. The search for the treasure takes place in the in the Treasures of the World from the British Museum exhibition –  where Afonso suspects he would, with the help of the audience, find what he seeks.

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Tickets to join Afonso on his quest cost $38 and can be booked through SISTIC. Two sessions of the hour-long experience will be held on the evenings of 30 January, 25, 26 and 27 February, 24, 25, and 26 March and 28, 29 and 30 April 2016. More information on the The Greatest Treasure in the World can be found at the National Museum of Singapore’s website.

The cast with Peggy Ferroa (standing second from right).

The cast with Peggy Ferroa (standing second from right).

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Pole dancing at Hong Lim Park

27 01 2016

Dressed in bright eye-catching costumes, thirteen pairs of pole dancers sent hearts racing at Hong Lim Park over the weekend. The dancers, all of whom demonstrated great skill, strength and coordination, were participating in the 9th International Lion Dance Competition being held over two evenings as part of Chinatown Celebrates Chinese New Year 2016.

The winning lion - from China's Foshan Huang Feihong Memorial Hall, in action.

The winning lion – from China’s Foshan Huang Feihong Memorial Hall, in action.

The competition, which attracted thirteen teams from China, Malaysia, Vietnam, Hong Kong, Singapore, Taiwan, Thailand and Vietnam, required each pair of lion dancers to perform rather dangerous looking stunts atop “plum blossom poles” or meihuazhuang (梅花桩).

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The second placed lion form Taiwan’s Changxing Master Lu’s Lion and Dragon Dance troupe.

China’s Foshan Huang Feihong Memorial Hall (佛山黄飞鸿纪念馆) took first place with a score of 9.4 points, edging out Taiwan’s Changxing Master Lu’s Lion and Dragon Dance troupe (台湾长兴吕师父龍獅团) who scored 9.31 points.


More photographs

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Don’t under-ESTIE-mate this 8-year old

26 01 2016

All eyes will surely be on eight-year old Estie Kung when Man vs Child: Chef Showdown premiers this evening (26 January) on A+E Networks’ Lifetime channel (StarHub TV Channel 514). The cooking competition series, which made its debut in the U.S., has some of America’s young culinary talents taking on professional chefs. The precocious Estie will be the youngest of the five young chefs who will feature in the 13-episode series. Hosted by chef and television personality Adam Gertler, the series also sees Dylan Russett, Emmalee Abrams, Cloyce Martin and Holden Dahlerbruch, who are between 12 and 14, pitted against a different executive-level chef in each week’s episode.

Estie Kung at Ikea Alexandra.

Estie Kung in Singapore at Ikea Alexandra.

Estie was in town recently as part of an Asian promotional tour, making public appearances at two ‘Meet-and-Greet’ sessions. Held at the two IKEA stores, the sessions on 17 January had Estie, who has been in the kitchen since the age of three, exude a confidence well beyond her years in serving up two exclusive recipes – a vegetable ball Banh Mi and Pan Seared Salmon with New England Clam Chowder Sauce – both with IKEA’s products.

Estie, very skillfully dicing onions for the preparation of Bahn Mi.

The series premiere, titled “Don’t Under-ESTIE-mate Her”, will see Estie Kung whipping up a Korean fried chicken dish with kimchi mayonnaise and a gochujang gastrique. More information on the series, which airs every Tuesday at 7pm, can be found at Lifetime Asia.

Estie Kung’s IKEA Veggie Ball Bahn Mi.

Putting the finishing touches on her pan-seared salmon with New England clam chowder sauce.

With Jamie Yeo during the Q&A session.





The full moon of Thai

25 01 2016

Yesterday, the day of the full moon of the Tamil month of Thai, saw the most lively and colourful of festivals, Thaipusam, being celebrated by the Hindu community. A very visible part of the festival is a procession of devotees carrying kavadis. In Singapore, the kavadis, some weighing as much as 40 kilogrammes, are carried along a route from the Sri Srinivasa Perumal Temple in Serangoon Road to the Chettairs’ or Sri Thendayuthapani Temple at Tank Road.

The annual procession remains as one of the most colourful religious and cultural celebrations in Singapore even without the chanting, singing, music and dancing, which would have flavoured it in its pre-1973 days. This year, a total ban on music was lifted, and this saw musical instruments allowed at designated points along the procession route. The festival is one of two occasions during which kavadis are carried, the other being the Panguni Uthiram festival celebrated during the full moon of the month of Panguni. 


Photographs from Thaipusam 2016

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More information on the festival from the Hindu Endowments Board’s website:

Thaipusam which falls in the Tamil month of Thai (usually January/ February) is an annual foot procession by Hindu devotees seeking blessings, fulfilling vows and offering thanks. Thaipusam is celebrated in honour of Lord Subrahmanya (also known as Lord Murugan) who represents virtue, youth and power to Hindus and is the destroyer of evil.

On the day before Thaipusam, a statue of Lord Subrahmanya decorated with jewels and finery and together with his two consorts, Valli and Devayani, is placed on a chariot and brought in procession. In Singapore, the chariot procession begins from the Sri Thendayuthapani Temple to Layan Sithi Vinayagar Temple at Keong Siak Road. The procession symbolizes the blessings sought by Lord Subrahmanya from his elder brother Lord Vinayagar.

Thaipusam ceremony starts in the early hours of the morning when the first batch of devotees of Lord Subrahmanya carrying milk pots and wooden kavadis leave Sri Srinvasa Perumal Temple for Sri Thendayuthapani Temple at Tank Road. The milk in the pots they carry are offered to the deity of Lord Subrahmanya at Sri Thendayuthapani Temple. Some devotees pierce their tongues with skewers and carry a garlanded wooden arch across their shoulders. Others devotees may carry a kavadi (semi circular metal structure decorated with peacock feathers, flowers and plam leaves). The spiked kavadis which require elaborate preparations leave the temple in the later part of the morning and continue till 6pm.

Carrying kavadi is a popular form of devotion for Hindus. It is usually carried in fulfillment of a vow that a devotee would have taken. Placing a kavadi at the end of the foot procession at the altar of Lord Subrahmanya and making an offering of milk symbolizes the cleansing of the mind and soul and seeking of blessings.

In preparation for carrying a kavadi, a devotee has to prepare himself spiritually. For a period of about a month, the devotee must live a life of abstinence whilst maintaining a strict vegetarian diet. It is believed that only when the mind is free of material wants and the body free from physical pleasures that a devotee can undertake the sacred task without feeling any pain.


More information on the kavadi, its origins and some of the various forms it takes from the Thaipusam.sg site:

There are many types of offerings, which the devotee makes to his beloved deity Sri Murugan. A special offering is the carrying of kavadi and there is a Puranic legend behind this practice.

There was once a great saint called Agasthya who rested at Mount Pothikai. Agasthya dispatched one of his students, Idumban, to Mount Kailai Range instructing him to bring back two hills called Sivagiri and Shakthigiri belonging to Lord Murugan.

As instructed, Idumban having arrived at Mount Kailai, picked up both the hills, tied them and swung them across his shoulders.

Lord Murugan had other plans. He wanted the two hills to be placed at Thiruvavinankudi (Palani) and at the same time test the devotion and tenacity of purpose of Idumban.

Idumban who was on his way back with the hills suddenly found himself lost. Lord Murugan appeared as a king, riding a horse led Idumban to Thiruvavinankudi (Palani) and requested Idumban to rest there so that he could continue his journey later.

Having rested, Idumban tried to carry the two hills but strangely found that he could not do so. A perplexed Idumban looked up and saw a child in loincloth standing atop one of the hills. Idumban requested the child to get down, however, the child refused claiming that the hills belonged to him. An angered Idumban attempted to attack the child but found himself falling like an uprooted tree. A scuffle ensued and Idumban was defeated. Only then did Idumban realize that the child was none other than Muruga or Subrahmanya Himself – the ruling deity of the region. Idumban craved the pardon of the divine child and also sought the boon that anyone who comes to the hills to worship Sri Muruga with an object similar to the two hillocks suspended by a load bearing pole, may be granted his heart’s desire. Idumban’s wish was granted. Murugan also said that he would bless those who bring sandal, milk, flowers, etc. in a kavadi to His shrine. Hence, the practice of carrying a kavadi.

At the Sri Thendayuthapani Temple, one can see a small sanctum dedicated to Idumban. Devotees who usually fast for Thaipusam break their fast one day later after offering their prayers to Idumban.

The simplest kavadi consists of a short wooden pole surmounted by a wooden arch. Pictures or statues of Lord Murugan or other deities are fixed onto the arch. The kavadi is decorated with peacock feathers and a small pot of milk is attached to each end of the pole.

There are more elaborate kavadis that devotees carry. The alagu and ratha kavadi are common forms of kavadi carried by devotees during Thaipusam. Kavadis are affixed on a bearer’s body by long sharpened rods or by chains and small hooks. A kavadi bearer not only carries a gift for God but the whole kavadi is seen as a shrine for God Himself.

Devotees who intend to carry kavadis are customarily required to observe strict physical and mental discipline. Purification of the body is a necessity. This includes taking just simple vegetarian meals and observing celibacy. According to orthodox doctrine, rigid fasting and abstinence have to be observed over a 48-day period prior to the offering of the kavadi on Thaipusam Day.

Piercing the skin, tongue or cheeks with vel skewers is also common. This prevents the devotees from speaking and gives them great powers of endurance.


Photographs from previous Thaipusam celebrations:









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