Thaipusam 2020

9 02 2020

Photographs of Thaipusam, taken in and around the Sri Srinvasa Perumal Temple. The colourful annual festival, celebrated by the South Indian Hindu community, sees a procession of kavadis carried along a 4 kilometre route from the Sri Srinvasa Temple on Serangoon Road to the Sri Thendayuthapani Temple (Chettiars Temple) on Tank Road.



Posts related to past celebrations of Thaipusam in Singapore:





Preparing for the harvest festival

12 01 2020

One of the great joys of living in multi-ethnic and multi-religious Singapore, is the array of festivals wonderful festivals that bring life and colour to the streets. Just as Chinatown prepares to welcome the Chinese New Year this January, we see Little India come to life for the Tamil harvest festival Pongal. Besides the annual light-ups, the two ethnic precincts also feature crowded street bazaars with the festival essentials on offer.

In Little India, the Pongal is especially colourful with displays of pongal clay pots, produce representing the harvest such as sugarcane – adding much flavour the area around Campbell Lane – where the street bazaar is set up in the days leading up to the festival. There is also a chance to see livestock in the form of cattle and goats, which are brought in for the celebrations each year.

The celebration of the festival proper, begins with the eve – the last day of the Tamil month of Margazhi, which falls on 14 January of the western calendar and carries on for three more days. A description of the festival is  provided by Mr Manohar Pillai in a post on the Facebook Group “On a Little Street in Singapore“:

Pongal is the biggest and most important festival for the Tamilians, since ancient times and transcends all religious barriers since it signifies thanks giving to nature and domestic animals. Cattle, cows, goats, chickens are integral part of a farmer in India. It is celebrated for three days in Tamilnadu starting from 15th to 17th January. Vegetarian food will be served only in Hindu households. Thanksgiving prayers will be offered to the Sun, Earth, Wind, Fire, Water and Ether, without these life cannot be sustained on Mother Earth. The celebrations comes on close to the harvest season which just ended and Jan 15 is the beginning of the new Tamil calendar.

Clay Pots are used to cook flavoured rice with traditional fire wood in the open air and facing the early morning Eastern Sun. The Sun’s early morning rays are supposedly to bring benevolence to the household. The cooked rice is distributed to all the members of the household and with it the festivities begins. Everyone wears new clothes and very old and useless clothes are burnt the previous night.

The next day the farmer turns his attention to the animals especially the Cattle and Cows.

The third day all people celebrate it with gaiety and grandly.

More on the festival and how it is celebrated in Little India can be found in these posts:


More photographs taken this year:


 





Rats, on the streets of Singapore!

10 01 2020

The arrival of spring, celebrated as the Chinese New Year, brings colour to the streets of Singapore’s Chinatown. Marked these days by a street light up, the anticipation of the festival also sees a host of events and activities as well as the crowd pulling Chinatown Chinese New Year Street Bazaar offering new year delicacies and must-haves, and an invasion of rats this year for the Year of the Rat.

Trengganu Street last weekend.

Anticipating the arrival of spring in Chinatown.

Rats have invaded for the Year of the Rat.

 


Heritage & Food Trail

Always a hit, the nightly stage shows run from 8 to 10.30 pm from 4 to 24 January 2020 at Kreta Ayer Square, opened each night with a lion dance performance. Another well received activity is the Heritage & Food Trail, which takes participants on a historical and cultural tour through the streets of Chinatown, culminating with a feast of Cantonese delights at Singapore’s largest hawker centre, Chinatown Complex Food Centre. Tickets for the trail, which run on 11, 12, 18 and 19 January, can be purchased at Kreta Ayer  Community Club at $15/- per participant or online (with a 10% discount) at:

11 Jan : https://go.gov.sg/heritagefoodtrail11012020

12 Jan : https://go.gov.sg/heritagefoodtrail12012020

18 Jan : https://go.gov.sg/heritagefoodtrail18012020

19 Jan : https://go.gov.sg/heritagefoodtrail19012020

Food, glorious Cantonese food from some of the 200 food stalls in Chinatown Complex Food Centre.

Yes 933 deejays on the heritage and food trail.

Mural hunting during the heritage and food trial.

The “disneyfication” of Chinatown is complete.


A Walk through Temple Street

Photos of the always Colourful Street Bazaar

 

 

 

 

 

 

 

 

 

 





Bearing a burden through the streets of Singapore

22 01 2019

Chetty (or Punar) Pusam / Thaipusam

With a greater proportion of folks in Chinatown preoccupied its dressing-up for the Chinese New Year on Sunday, a deeply-rooted Singaporean tradition that took place in the same neighbourhood, “Chetty Pusam”, seemed to have gone on almost unnoticed.

Involving the Chettiar community, “Chetty Pusam” is held as a prelude to the Hindu festival of Thaipusam. It sees an especially colourful procession of Chettiar kavidi bearers who carry the burden from the Sri Layan Sithi Vinayagar Temple on Keong Saik Road through some streets of Chinatown to the Sri Mariamman Temple and then the Central Business District before ending at the Sri Thendayuthapani Temple on Tank Road.

The procession coincides with the return leg of the Silver Chariot‘s journey. The chariot, bears Lord Murugan or Sri Thendayuthapani (in whose honour the festival of Thaipusam is held) to visit his brother Sri Vinayagar (or Ganesh) in the early morning of the eve of Thaipusam and makes its return in the same evening.


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More Photographs of Thaipusam in Singapore:






Panguni Uthiram and a sugarcane kavadi

31 03 2018

Besides being Good Friday, the 30 of March 2018 – being the day of the full moon – also saw several other religious festivals being celebrated. One, Panguni Uthiram, is celebrated by the Hindus on the full moon day of the Tamil month of Panguni. The celebration of the festival is an especially colourful one at the Holy Tree Sri Balasubramaniar Temple and involves a kavadi procession that goes back to the latter days of the Naval Base when the temple was located off Canberra Road. This year’s celebration was also of special significance – being the first to be held at its newly consecrated rebuilt temple building.

The rebuilt Holy Tree Balasubramaniar Temple. It was consecrated in February this year.


The sugarcane kavadi

Seen at yesterday’s procession: a sugarcane kavadi. The kavadi is less commonly seen and is one with a baby slung from stalks of sugarcane that have been tied together, carried by the baby’s parents. The kavadi is used by couples to offer gratitude to Lord Murugan for the blessing of a baby.


More photographs from the procession:


Panguni Uthiram in previous years:


 





Kavadis on Keong Saik

8 02 2018

In photographs: the start of the colourful procession of Chettiar kavidis from the Sri Layan Sithi Vinayagar Temple on Keong Saik Road to the Sri Thendayuthapani Temple at Tank Road. The procession, along with a Silver Chariot procession, is held every year as part of Chetty Pusam on the eve of the Hindu festival of Thaipusam.


Thaipusam in Singapore:


 





Thaipusam 2018 at The Sri Srinivasa Perumal in photographs

1 02 2018

Thaipusam at the Sri Srinivasa Perumal in photographs:


Posts related to past celebrations of Thaipusam in Singapore:


 





The Silver Chariot through the streets of Chinatown

30 01 2018

The eve of the Hindu festival of Thaipusam sees the Chetty Pusam Silver Chariot procession take place.  The procession is in two parts. The first leg, which takes place in the early morning, sees Lord Murugan (also Sri Thendayuthapani) brought from the Sri Thendayuthapani Temple at Tank Road to the Sri Layan Sithi Vinayagar Temple at Keong Saik Road to spend the day with his brother Ganesh (Sri Vinayagar). A stop is made along this leg at the Sri Mariamman Temple, which is dedicated to Lord Murugan’s and Lord Vinayagar’s mother, Sri Mariamman or Parvati.

The Chariot bearing Lord Murugan makes a stop at the Sri Mariamman Temple along South Bridge Road,

A second part leaves the Sri Layan Sithi Vinayagar Temple in the afternoon and makes its way back to the Sri Thendayuthapani Temple. Due to the early start of the main Thaipusam kavadi procession (brought about by a lunar eclipse occurring just after sundown on Thaipusam), the chariot is scheduled to leave at about 2.30 pm this afternoon. A procession of Chettiar kavadis will also leave the temple for Tank Road at about 1.30 pm.


Photographs taken of the Silver Chariot procession this morning:


Posts related to past celebrations of Thaipusam in Singapore:


 





Good Friday at the Portuguese Church

15 04 2017

Good Friday, which for believers marks the day Jesus Christ was crucified, has been commemorated in a very visible way on the grounds of St. Joseph’s Church for more than a century. Conducted  very much in the fashion of the Iberian peninsula, the elaborate procession takes place at the end of the church’s Good Friday service during which the crucifixion is reenacted using a life-sized image of Christ that is lowered and placed on a bier for the procession.

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The church, known also as the Portuguese Church due to its origin in the Portuguese Mission and it having been a parish of the Diocese of Macau until 1981, is the spiritual home of the Portuguese Eurasian community. The community is one of the oldest migrant linked communities in the region. It is on Good Friday, when the religious traditions of the community are most visible, that we are perhaps reminded of this. The procession, the holding of which goes back more than a century, attracts large numbers of worshippers from all across Singapore and at its height in the 1960s and 1970s, saw thousands packed into the church’s compound with many more spilling onto Queen Street.



More on the procession and the Portuguese Church:






Photographs of Thaipusam 2017

9 02 2017

Today’s Thaipusam, an annual Hindu festival celebrated in Singapore that being a most colourful of spectacles, is perhaps also a most photographed. The festival sees a procession of kavadis – burdens carried by devotees of Lord Murugan – from the Sri Srinivas Perumal Temple at Serangoon Road to the Sri Thendayuthapani (Chettiars) Temple in Tank Road.

More information on the festival can be found at: http://sttemple.com/pages/16~thaipusam and at the following links:


Photographs taken at the Sri Srinivasa Perumal Temple this morning:

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The Thaipusam Chariot Procession

8 02 2017

One of Singapore’s more colourful religious festivals, Thaipusam, will be celebrated tomorrow, primarily by the Hindus of the Southern Indian community. As always, the festival is preceded by a procession of a silver chariot carrying Lord Murugan, whom the festival honours.

There are two parts to the procession here in Singapore. The first part, which takes place in the morning, sees Lord Murugan transported from the Sri Thendayuthapani Temple at Tank Road to the Sri Layan Sithi Vinayagar Temple at Keong Saik Road. Lord Murugan (also known as Sri Thendayuthapani) then spends the day with his brother Sri Vinayagar (or Ganesh) before making the return journey in the evening. On the first leg of the procession, a stop is made at the Sri Mariamman Temple, which is dedicated to Lord Murugan’s and Lord Vinayagar’s mother, Sri Mariamman or Parvati.


Posts related to past celebrations of Thaipusam in Singapore:

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The Chariot Route (2017).


Photographs from the first leg of the procession this morning:

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The Silver Chariot passes the Buddha Tooth Relic Temple along South Bridge Road.

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At the junction of Kreta Ayer Road and Keong Saik Road.

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Arriving at the Sri Layan Sithi Vinayagar Temple.

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Preparing to carry the image of Lord Murugan into the temple.

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Lowering Lord Murugan.

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Moving into the Sri Layan Sithi Vinayagar Temple.


 





What’s crowing this Chinese New Year

6 01 2017

The highly anticipated annual Chinatown Street Light-up will be launched on Saturday 7 January 2016, kicking-off a seven-week long celebration in the precinct aimed at ushering in and celebrating the Chinese Year of the Rooster. This year’s light-up features the largest number of lanterns made for a Chinatown celebration – some 5,500 in all – including a centrepiece giant rooster that crows across the road on the divider between Eu Tong Sen Street and New Bridge Road at the streets’  meeting with Upper Cross Street.

The 13 metre tall rooster lantern with a 100 metre long tail.

The 13 metre tall rooster lantern with long tail feathers that crows every now and then.

Designed by students from the SUTD, the LED lit lanterns along the centre divider illustrate the stages in the life of the rooster and impart life’s values through the 55 roosters, 64 hens, 134 chicks and 56 golden eggs on display. In addition to this there are also 1000 peony flower lanterns along New Bridge Road and Eu Tong Sen Street and 4,100 peach blossom lanterns, 21 peach blossom trees and 90 lanterns along South Bridge Road. The crowing rooster, the centrepiece, measures 13 metres tall, 7 metres wide and with the inclusion of its tail feathers, 100 metres in length.

Lessons from the life of the rooster - on the centre divider between Eu Tong Sen Street and New Bridge Road.

Lessons from the life of the rooster – along the centre divider between Eu Tong Sen Street and New Bridge Road.

Peonies over New Bridge Road.

Peonies over New Bridge Road.

Peach Blossoms over South Bridge Road.

Peach Blossoms over South Bridge Road.

In addition to the light-up, the Chinatown Chinese New Year Celebrations also feature the popular annual street bazaar, which will run from 6 to 27 January 2017. The bazaar will feature some 440 stalls, which will line Pagoda, Smith, Sago Temple and Trengganu Streets, offering festive goodies and decorations among other items and brings great atmosphere to the streets of Chinatown.

The giant rooster - seen at street level.

The giant rooster – seen at street level.

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Chickens, chickens everywhere.

There is also a youthful theme being introduced to this year’s event with YouthEats @ Temple Street and YHFlea: Come Lepark edition. YouthEats will see 12 entrepreneurs with unique food offerings, while YHFlea, being held on 14 and 15 January, is a flea market that will feature 100 local brands and independent designer. Other activities to look out for are Walking Trails being held on 8, 14, 15, 21 and 22 January at 3.30 to 5.00 pm for which pre-registration is required at www.chinatownfestivals.sg, the Official Light-up and Opening Ceremony on 7 January, Nightly Stage Shows, the International Lion Dance Competition – for which more information can be found at http://chinatownfestivals.sg/chinatown-chinese-new-year-celebrations-2017/.





Welcoming the stars of the Big Dipper

30 09 2016

The coming of the Chinese ninth month brings two widely celebrated Taoist celebrations to Singapore, both of which  have a connection with water. One, the pilgrimage to the island of Kusu, is held over an entire month. This sees thousands of pilgrims flocking to the island, where a Tua Pek Kong temple and several hill top shrines are located. The other celebration, held over the first nine days of the month, is the Nine Emperor Gods Festival or Kew Ong Yah or Jiu Wang Ye (九王爷).

Devotees from the Kim San Temple at East Coast Beach.

Devotees from the Kim San Temple at East Coast Beach.

The Nine Emperor Gods festival is especially interesting. The celebration proper begins with an invitation to the gods – nine stars of the Big Dipper, to descend to earth for an annual sojourn. The often very elaborate invitation ceremony is  traditionally held on the eve of the 1st day of the month. Taking place by the sea or a river, it involves the carriage of the gods on a sedan or a palanquin that is always violently rocked as a sign of a divine presence.

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This year sees the invitation spread out over several days, with a few being held on the eve itself, which falls on Friday 30 September. One that I managed to catch over at East Coast Park was that of the Kim San temple from Jalan Ulu Siglap on 29 September, the photographs of which accompany this post. The festival ends with an equally grand send off, with the gods ascending to the heavens on a burning boat. More on this and the festivalcan be found in a previous post: The Burning Boat.

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Mid-autumn at the Siong Lim

15 09 2016

Illuminated by the glow of a one of the more tasteful displays of lanterns I have seen in Singapore, the Siong Lim temple in Toa Payoh (or Lian Shan Shuang Lin Monastery) provides a most beautiful setting in which to celebrate the Mid-Autumn Festival. The display, at what is Singapore’s oldest Buddhist monastery, and celebrations held in conjunction with the festival, have been on since Saturday. It will end this evening, the Mid-Autumn Festival proper, with a dragon dance and a mei hua zhuang display, more information on which can be found at the temple’s website.

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Lanterns outside the Mahavira Hall. The hall, which dates back to 1904, is one of two structures within the monastery complex that has been gazetted as a National Monument.

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The 1905 Tian Wang Dian, the second of two structures within the monastery complex gazetted as a National Monument.

The courtyard of the Tian Wang Dian.

The courtyard of the Tian Wang Dian.

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A fiery September’s evening

12 09 2016

The fire dragon of Sar Kong came to life last night, making its way in a dizzying dance around the area of its lair at the Mun San Fook Tuck Chee temple.

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Last night’s dance of the fire dragon.

The dance of the dragon has its origins in Guangdong, from where many came from to work in the area’s brick kilns in the mid-1800s. The dance, rarely seen in a Singapore in which tradition has become an inconvenience, came at the close of the temple’s 150th Anniversary celebrations. The celebrations, held over a three day period, also saw a book on the temple’s history being launched. An exhibition on the history of the area is also being held in conjunction with this, which will run until 14 September 2016.

A book on the temple and the community's history was launched.

A book on the temple and the community’s history, A Kampong and its Temple, was launched.

Minister, Prime Minister's Office, Chan Chun Sing - a former resident of the area, being shown a model of the Sar Kong village area at the exhibition.

Minister, Prime Minister’s Office, Chan Chun Sing – a former resident of the area, being shown a model of the Sar Kong village area at the exhibition.

The parade of the straw dragon through the streets, is also thought to help dissipate anger caused by the disturbance of the land in the area of the temple being felt by the temple’s deities. The area, is once again in the midst of change – with a huge condominium development, Urban Oasis, just next door. The site of the development, incidentally, is linked to the current outbreak of the mosquito borne Zika virus in Singapore.

Lit joss sticks being placed on the straw dragon's body prior to the dance.

Lit joss sticks being placed on the straw dragon’s body prior to the dance.

There may perhaps be anger felt at the uncertainty for the future that temple itself faces. The land on which it sits on has long since been acquired for redevelopment by the Housing and Development Board (HDB) and the temple operates on it only through a Temporary Occupation License. The parcel of land it sits on is one shared with HDB flats that were taken back by the HDB under the Selective En-bloc Redevelopment Scheme (SERS) in the second half of the 2000s and it is left to be seen if the temple will be allowed to continue on the site when the area is eventually redeveloped.

The dragon offering respects to the altar prior to its dance.

The dragon offering respects to the altar prior to its dance.


The temple, Mun San Fook Tuck Chee (萬山福德祠), is thought to have its origins in the 1860s, serving a community of Cantonese and Hakka migrant workers employed by the area’s brick kilns, sawmills and sago making factories. The temple moved twice and came to its present site in 1901.

The dance of the fire dragon that is associated with the temple, although long a practice in its place of origin, only came to the temple in the 1980s. The dragon used for the dance is the result of a painstaking process that involves the making of a core using rattan and the plaiting of straw over three months to make the dragon’s body. Lit joss sticks are placed on the body prior to the dance and traditionally, the dragon would be left to burn to allow it to ascend to the heavens.

More information on the temple, its origins and its practices can be found in the following posts:


More photographs:

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Illuminated remembrances at the Wan Qing Yuan

9 09 2016

The terrazzo and mosaic faced playgrounds of yesteryear, symbols today of our longing for a Singapore we have discarded, have come back as lanterns.  Illuminated representations of four of these playgrounds, an elephant, a pelican, the iconic dragon and a watermelon, will decorate the lawn of the Wan Qing Yuan – the Sun Yat Sen Nanyang Memorial Hall (SYSNMH), for the museum’s Mid-Autumn celebrations. The lantern display is show every evening from 7 to 10 pm from 9 to 18 September.

A pair of lanterns depicting the watermelon playground at Tampines.

A pair of lanterns depicting the watermelon playground at Tampines.

The bulk of SYSNMH’s celebrations will be held over the weekend on 10 and 11 September. Activities to look forward to include lantern making and arts and crafts workshops, evening cultural performances, a public talk and shadow puppetry performances. Admission is free. More information on the Wan Qing Yuan’s celebrations and activities, do visit their Facebook Page.

Lanterns depicting the well-loved playgrounds of yesteryear at the Wan Qing Yuan.

Lanterns depicting the well-loved playgrounds of yesteryear at the Wan Qing Yuan.

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Impressions of the Mid-Autumn Festival celebrations at the Wan Qing Yuan.

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A dragon awakens

5 09 2016

The fire dragon of Sar Kong, in a rare reprise of the its smoking performance earlier this year, will come alive once again this September on the occasion of the 150th anniversary celebrations of the temple its lair is found in, the Mun San Fook Tuck Chee (萬山福德祠) . The temple has its origins in Sar Kong (沙崗) or “Sand Ridge, where a community of Cantonese and Hakka coolies had settled in.

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The practice of parading the burning dragon has its origins in Guangdong – the origins of many in the community. Made of straw that has been imported from China, such a dragon would previously have been constructed for the feast day of the temple’s principal deity and sent in flames to the heavens.  In more recent times, such straw dragons would be paraded on an average of once every three years.  This particular dragon, which made for a more recent Chingay Parade, is not burnt but set alight only by the placement of joss sticks on its body.

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More information on the practice, as well as the historic setting for the village and the temple, can be found in the temple’s heritage room. More on the temple and its history can also be found at the post: On Borrowed Time: Mun San Fook Tuck Chee.


Schedule for the Mun San Fook Tuck Chee 150th Anniversary Celebrations

A number of events held in conjunction with the 150th anniversary of the Mun San Fook Tuck Chee: Taoist priests from Ching Chung Koon in HK invited here to conduct rituals over 3 days, a seminar on Dabogong (Tua Pek Kong), a heritage exhibition, a book launch, and the finale – the one and only fire dragon dance in Singapore.

9 Sep 2016 (Fri)
0900-1145 Preparing ritual space
1400-1600 Rituals
1800-1900 Opening of heritage exhibition
1900-2100 Rituals

10 Sep 2016 (Sat)
0900-1145 Rituals
0930-1200 Seminar and discussion on Dabogong
1400-1600 Rituals
1900-2130 Rituals
2000-2100 Crossing the bridge for devotees

11 Sep 2016 (Sun)
0900-1145 Rituals
1000 Lion dance to welcome foreign visitors
1045-1145 Paying of respects by foreign visitors
1100-1400 Mid-autumn event for respecting elders in the community
1400-1600 Rituals
1600-1730 Salvation rituals
1930 Fire dragon performance / Book launch / Exchange of souvenirs with foreign guests


Photographs from the parade of the Fire Dragon in March 2016

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The Moon Goddess descends to colour Chinatown

2 09 2016

One of my favourite times of the year as a child was the Mooncake Festival, as the Mid-Autumn Festival is commonly referred to in Singapore.  It is a time for mooncake shopping, running down to the bakery or sundry shop to buy pig-shaped pastries packed in plastic baskets resembling those commonly used then to transport live pigs, and the excitement that came with picking out a cellophane lantern from one of the colourful displays that seemed to decorate the fronts of just about every sundry shop there was found in the neighbourhood.

The Moon Goddess, Chang'e, will descend on Chinatown this Mid-Autumn Festival.

The Moon Goddess, Chang’e, will descend on Chinatown this Mid-Autumn Festival (played by a dancer who will perform at the opening ceremony on 3 September).

The festival is one I still look forward to with much anticipation. The celebration is one that at a community level seems to be celebrated on a much grander scale these days and one thing in more recent times to look out for is the colourful displays of lanterns at several events being held across Singapore. One event that always seems to draw the crowds is the Kreta Ayer-Kim Seng Citizens Consultative Community’s (KA-KS CCC) Chinatown Mid-Autumn Festival and its colourful street light-up. The event this year returns on Saturday 3 September 2016 and will certainly not disappoint with its display of 900 hand crafted lanterns as well as a host of activities that will take visitors on a journey back to the stories at the very origins of the Mid-Autumn Festival.

The Mid-Autumn Festival in Chinatown and its annual light-up is always something to look forward to.

The Mid-Autumn Festival in Chinatown and its annual light-up is always something to look forward to.

Light clouds over Chinatown this Mid-Autumn.

Magical light clouds will be seen over Chinatown this Mid-Autumn.

The centrepiece of this year’s light-up is a 12 metre high sculptured lantern. Located on the divider at the junction of Upper Cross Street with Eu Tong Sen Street and New Bridge Road, it depicts the moon deity Chang’e. It is in honour of the goddess that the festival is commemorated. The moon goddess is accompanied by three other large scale lanterns, two of which are also characters central to the folktale that serves as the basis for the festival, Hou Yi and the Jade Rabbit. The other large scale lantern is of the Moon Palace in which Chang’e resides. These can also be found along the divider between Eu Tong Sen Street and New Bridge Road.

The 12m high Chang'e lantern.

The 12m high Chang’e lantern.

The large-scale moon palace lantern.

The large-scale moon palace lantern.

And the jade rabbit with the elixir of immortality.

And the jade rabbit with the elixir of immortality.

The characters and the Moon Palace, are also represented in a smaller scale over South Bridge Road, nestled in magical looking coloured clouds. Hou Yi, the archer, is depicted taking aim at the nine suns that folklore tells us he brought down. The act, which left us with one sun, saved the Earth from a fate that we now seem again to be threatened with.  The Jade Rabbit, is seen pounding away in the clouds. A resident of the moon, it is the rabbit who prepares the elixir of immortality, a dose of which Hou Yi was rewarded. A popular version of the tale has it that in a bid to prevent it from falling into the hands of a would be thief, Chang’e swallowed her husband’s elixir. As an immortal, she could no longer live on earth and was sent to the moon, the celestial body closest to her husband. Clouds are also seen above Eu Tong Sen Street and New Bridge Road and altogether there are about 900 lanterns, the result of a collaboration between the Nanyang Academy of Fine Arts (NAFA) and expert craftsmen from China, on display.  LED lighting is being employed for the first time, saving some 70% in energy usage. The illuminations will colour Chinatown for about a month from 3 to 30 September 2016.

Hou Yi, Chang'e's husband and the archer who shot nine or ten suns scorching the earth, also features.

Hou Yi, Chang’e’s husband and the archer who shot nine or ten suns scorching the earth, also features.

As does the moon palace and the jade rabbit.

As does the moon palace and the jade rabbit preparing the elixir of immortality.

Clouds over New Bridge Road.

Clouds over New Bridge Road.

One thing that also draws the crowds to Chinatown are the festive bazaars. For the event, the ever popular Mid-Autumn bazaar is being held. Lining Pagoda Street, Trengganu Street, Sago Street, Smith Street and the open space in front of People’s Park Complex, the bazaar is always one to soak in the festive atmosphere and crowds are expected to throng streets that will be filled with stalls that offer a range of festive goodies such as traditional mooncakes and delicacies, as well  as decorations, lanterns and much, much more. The bazaar start a day earlier on Friday 2 September, and will be held until the night of the festival proper, which falls on Thursday 15 September 2016,

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There are also many other activities to look out for, such as the popular Chinatown Mid-Autumn Walking Trail. The trail, now into its third year, is free. Registration is however required as each trail session is limited to 10 persons. Sessions will be conducted at 3.30 pm on 4, 10 and 11 September 2016 and lasts about an hour and a half. Registration, on a first-come-first-served basis, can be made at this link.

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Another popular activity is the Mass  Lantern Walk at which 3000 participants are expected. This will be held on Sunday 11 September 2016 and will follow a route around Chinatown. The walk commences at Kreta Ayer Square at 7 pm and will end at the Main Stage in front of Lucky Chinatown at New Bridge Road.

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For the first time, the event will feature a Learning Journey. This closed activity is being conducted for a group of 200 students on 10 September in an effort to have the younger ones better appreciate Chinatown and the story behind the festival. Other activities during the festive period include nightly stage shows that feature performers from Singapore and also from China and Celebrating the Moon at Chinatown Heritage Centre (normal admission charges apply). More information can be found at http://chinatownfestivals.sg/.

 

 





Getai night on Pulau Ubin

26 05 2016

A large crowd, one not normally associated with Pulau Ubin on a Wednesday, turned up on the island last evening for the final night of the annual Tua Pek Kong festival. The last night, has in more recent times been marked with a getai (歌台) performance. Crude and somewhat kitsch, Getai (歌台) draws much more interest these days than the traditional street operas and puppet shows once used to provide the deities with a grand send-off.

This year’s getai, with forty dinner tables sold (as opposed to about twenty last year), seems to have attracted a much larger interest. This could be seen in the especially crowded village square (if I may call it that), where Ubin’s free-standing wayang stage – used by the Pulau Ubin Fo Shan Teng Tua Pek Kong Temple (乌敏岛佛山亭大伯公庙) to hold street opera and getai performancesis found.

The getai also saw a special guest, Dr Mohamad Maliki Osman. The Senior Minister of State, Ministry of Defence & Ministry of Foreign Affairs and Mayor, South East District also took to the stage, not to sing, but was able to impress the crowd nonetheless, with a few words in Mandarin and also in Hokkien.


Photographs from the final night of the Tua Pek Kong Festival

A boat load of devotees heading to Pulau Ubin.

A boat load of devotees heading to Pulau Ubin.

Lion dancers welcoming visitors.

Lion dancers welcoming visitors.

A larger crowd than ones previously seen turned up to watch the Getai performance held to send the popular deity off.

A larger crowd than ones previously seen turned up to watch the Getai performance held to send the popular deity off.

The lower temple saw a steady stream of devotees making offerings.

The lower temple saw a steady stream of devotees making offerings.

Lighting joss sticks at the temple.

Lighting joss sticks at the temple.

The wayang stage set for the evening's performances.

The wayang stage set for the evening’s performances.

A performer and a dancer.

Perfromers.

The silhouette of a dancer.

The silhouette of a dancer.

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A special guest, Dr Mohamad Maliki Osman, Senior Minister of State, Ministry of Defence & Ministry of Foreign Affairs and Mayor, South East District. He didn't sing but managed to wow the crowd with a few words of Hokkien.

A special guest, Dr Mohamad Maliki Osman, Senior Minister of State, Ministry of Defence & Ministry of Foreign Affairs and Mayor, South East District. He didn’t sing but managed to wow the crowd with a few words of Hokkien.

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Homeward bound.

Homeward bound.






Ubin comes alive

21 05 2016

Photographs taken mainly of the Teochew opera performance held on the first day of festivities this year (20 May 2016). The main festivities of the annual celebration take place today, the day of the full moon. The event lasts until Wednesday and will see nightly Teochew Opera performances on one of the last free-standing Chinese opera stages left in Singapore, except for the final night when a Getai will be held. More on the schedule of this year’s festival can be found in this post: The full moon on the fourth month on Ubin.

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