Sunday, 4 October 2015, was the day we said our farewells to an old neighbourhood at Blocks 74 to 80 Commonwealth Drive, which will soon be demolished. The farewell to neighbourhood built at a time of great need during the transition from statehood to nationhood and known affectionately as the ‘Chap Lau Chu’, Hokkien for ‘Ten Storey House’ for its 10 storey flats, would have left a last and perhaps lasting impression on the large numbers of people who turned up for Sunday’s farewell party …
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Tags: Architecture, Changing Landscapes, Chap Lau Chu, Commonwealth Drive, Events, Farewell, Goodbye 74 to 80 Commonwealth Drive, Housing and Development Board, Parting Glances, Photography, Public Housing, Queenstown, Singapore, Tanglin Halt, Urban Redevelopment, Urban Renewal
Categories : Architecture, Architecture, Changing Landscapes, Parting Glances, Photography, Photography Series, Queenstown, Reminders of Yesterday, Singapore
Change has become an inevitable aspect of life in Singapore. Places we cherish go in a flash and are quickly replaced by unfamiliar. For some, the passing of a neighbourhood in which they may have spent most of their lives in can be an traumatic experience. The loss is not just of the familiarity of a place one calls home, but also the break up of the communities in which ties may have been forged over several decades.
One old neigbourhood that has been emptied of life was the one at Commonwealth Drive , an area, at least from a public housing perspective, that goes back half a century. The area, also known as Tanglin Halt, is where some of the earliest planned Housing and Development Board (HDB) blocks of flats are to be found. The cluster of 10-storey blocks of flats also referred to as Chap Lau Chu (10-storey houses in Hokkien), while not aesthetically pleasing in the context of today’s public housing designs, served as the face of the HDB’s public housing efforts and were featured on the backs of the new nation’s very first one dollar currency note.
Sadly, the neighbourhood will soon lose its note-worthy blocks. The now vacant blocks will soon be demolished and all that will be left of them will be dust and some of our memories. We do get to bid farewell to them before that happens though. A carnival to say goodbye is being organised by My Community and the Queenstown Citizens’ Consultative Committee on Saturday (3 October 2015) to say our goodbyes to blocks 74 to 80.
The carnival will not only allow access to an area soon to be hoarded up. One of the blocks (Block 74) will be opened up to the public as well as two of the block’s units on the second level. Visitors can also look forward to a photography exhibition “Forget Me Not” by Nicky Loh and Erwin Tan, which looks at the estate in its glory days, the past and the present. One of the photographers Nicky Loh, lived at block 79 and has fond memories of the Chin Hin Eating House, a kopitiam at Block 75 that closed its doors last year (see a previous post on it: Last Impressions).
Along with the exhibition there will also be performances by local favourites ShiGGa Shay, Tay Kexin and the Switch, as well as a public screening of the highly acclaimed “7 letters”. Three of the seven films, Royston Tan’s “Bunga Sayang,” Boo Jun Feng’s “Parting” and Eric Khoo’s “Cinema” were shot in the neighbourhood.
It will perhaps be a fitting goodbye to an area that was also associated among other things with the railway (the rail corridor runs by it and the name Tanglin Halt came from a train halt or stop located in the area) and the industrial area to its immediate north that was crowned not only with the huge gas holder (the giant blue city gas cylindrical tank similar to the one that used to dominate the Kallang landscape), but was also where Singapore’s homegrown television brand, Setron – once a household name, had its first factory. The mix of light industries and a residential neighbourhood – there also were factories and artisans operating in the ground floor shop lots allowed residents to find work around where they lived in days when folks were less mobile and perhaps when we were less fussy about where we lived.
More on Saturday’s carnival can be found at the My Queenstown Facebook Page.
Goodbye 74 to 80 Commonwealth Drive Programme
Date: Saturday, 3 October 2015
Time: 1100 to 1900 hrs
Venue: Block 74 carpark (next to Tanglin Halt Wet Market)
What to expect:
- Access to Block 74 (1100-1900)
- Screening of “Singapore Dreaming” (1200) “Taxi Taxi” (1430) “7 letters” (1700)
- A photography exhibition by Nicky Loh Photography and Erwin Tan (1100-1900)
- Performances by White Ribbon Live Music (1200) ShiGGa Shay (1500), Tay Kexin (郑可欣) and the Switch (1600)
- Free flow of drinks and ice cream ! (1100-1700)
Note : Times are subject to weather conditions and outdoor events will be cancelled in the event the PSI exceeds 201
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Tags: Singapore, 1960s, Forgotten Places, Old Places, Photography, HDB, Housing and Development Board, Commonwealth Drive, Tanglin Halt, SERS, Selective En-Bloc Redevelopment Scheme, Lost Places, Changing Landscapes, Chin Hin Eating House, Final Days, Goodbye 74 to 80 Commonwealth Drive, Singapore First Currency Notes, SIngapore One Dollar Note, $1
Categories : Singapore, Forgotten Places, Events, Reminders of Yesterday, Queenstown, Photography Series, Changing Landscapes, Parting Glances
The official opening of the revamped permanent galleries of the National Museum of Singapore (see a previous post: The new permanent: a sneak peek at the museum’s revamped galleries) by Emeritus Senior Minister Goh Chok Tong on Saturday 19 September 2015 in photographs:
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Tags: History, Majulah Singapura, National Museum, National Museum of Singapore, Opening Weekend Carnival, Photography, Re-opening of Permanent Galleries, Revamp, Singapore, Singapura, Surrender Table, Syonan-to, Type 95 Ha Go Tank
Categories : Events, Museums, National Museum of Singapore, Photography, Singapore
Much has improved at the National Museum of Singapore since my days as a schoolboy. Then, I thought of it as cold, dark and maybe a little forbidding, a place where, if not for the spiral staircase, the sight of which would induce a spike in the heart rate, one would be utterly bored to death. The museum these days isn’t just much less forbidding. It has gone far beyond telling history through the display of dimly lit and poorly labelled specimens and artefacts to a place where the history is an experience; and, it promises to get even better when the doors to its permanent galleries, closed for the better part of a year for a revamp, re-opens this Saturday (19 September 2015).
The revamp, which sees in particular a huge improvement to the layout of the Singapore History Gallery, is summed up by Ms. Angelita Teo, Director of National Museum of Singapore:
With a refreshed layout and updated narrative, visitors can look forward to a more engaging and immersive experience; a bit like stepping back in time to the different periods of our history. Innovative displays, interactive elements and compelling personal stories make history and the artefacts come to life, and through them, we hope that visitors will form a greater emotional connection to the museum and to Singapore’s history.
A large number of artefacts, more than 1,700, include will be on display in the permanent galleries. Many, from the National Collection, would previously have been seen. One that will catch the attention of the visitor is the so-called Singapore Stone, a surviving portion of a sandstone boulder that had been located at the mouth of the Singapore River. The boulder, which was blasted out by the British, bears inscriptions that have not fully been deciphered and is thought to have originated in the days of Temasek or early Singapura. It has been associated with the legend of Badang, a strong man. A tale told in the Malay Annals or Sejarah Melayu has Badang winning a challenge by hurling the boulder to the mouth of the river.
Several artefacts from recent times, some never seen before, also make their appearance. These include personal objects of national significance that were either donated or are on loan such as a 1959 flexidisc recording of “Majulah Singapura” and a complete Temasek Green National Service uniform set, the very first to be used by our NS enlistees. The flexidisc features the only known recording of Zubir Said’s original 1958 version of the song that was later to be modified for use as Singapore’s National Anthem. The version was one composed for the Singapore City Council and the flexidisc, a souvenir produced to commemorate the attainment of full self-government in May 1959. The flexidisc was donated to the museum by Mr. Low Kam Hoong, a friend and former colleague (see also a post related to the flexidisc on the Facebook Group “On a Little Street in Singapore“).
In the new galleries, the artefacts are given greater meaning through the use of contextual displays, ambient sounds, multimedia platforms as well as interactive platforms, giving a much more immersive experience to visitors. Another dimension is given to the experience in some cases, where scents, a powerful trigger for memories, supplement the displays. Produced and sponsored by Givaudan, one of the scents recreates that hard to forget stench of the once polluted Singapore River!
Many of the historical artefacts will be found in the remodelled Singapore History Gallery. With its entrance now located on Level 1, it has been made a lot more accessible. Its now more linear layout also allows a literal walk-through of 700 years of our history as Singapura / Singapore, which begins with a monsoon storm. The winds, responsible for bringing traders and visitors from far and wide to the region, will in the new Singapore History Gallery blow visitors on a journey through the days of Singapura (1299 to 1818), the years of the Crown Colony (1819–1941), the dark days of Syonan-to (1942–1945), and post-war Singapore (1945 to present).
The passing of the storm, a light and sound show over a 1570 map of the East Indies, brings visitors to Singapura at its beginnings, an period of time described in the Sejarah Melayu. The accounts of a Chinese trader Wang Dayuan, also tell us of the links the island may have had to the Middle Kingdom. This is supported by evidence from archaeological excavations in Singapore that visitors will see on display, which also tell us of the links early Singapura may have had to kingdoms in Siam and in India.
In a year in which we also commemorate 70 years of the end of World War II, the exhibits relating to Syonan-to may be of particular interest. One very significant artefact from the period in the Singapore History Gallery, which is on display during a one-year loan period, is the Surrender Table. The six legged teak table was the one on which the surrender of Singapore to Japan was signed in the boardroom of the Ford Factory at Bukit Timah on 15 February 1942. Donated by the Ford Motor Company of Malaysia to the Australian War Memorial in November 1964, the table is on loan to the National Museum.
Several other exhibits may also be of interest in the Syonan-to section. One recalls Mrs. Elizabeth Choy, a war heroine who was held and tortured by the Kempeitai. The display includes the set of clothes that Mrs. Choy wore during her imprisonment, and also a gold necklace. The necklace was donated by Mrs. Choy’s daughter Bridget and was one given to Mrs. Choy by Lady Daisy Thomas, the wife of Governor Shenton Thomas. A family heirloom, the gift was made by Lady Thomas in gratitude for the help Mrs. Choy had provided Lady Thomas with during the latter’s internment during the occupation.
An exhibit that will certainly catch the eye in the Syonan-to section is a replica of a Type 95 Ha Go Japanese tank. The light, fast and highly manoeuvrable tanks were widely deployed during the Second World War and used in the Battle for Singapore. The replica is one of four constructed for Tom Hanks and Steven Spielberg’s television mini-series, The Pacific (2010).
The war years also feature in one of the four Life in Singapore: The Past 100 Years galleries (previously the Living Galleries) located on Level 2, in a gallery dedicated to Surviving Syonan. The four galleries will allow visitors to immerse themselves in four more important periods of Singapore’s recent history, in part, through the experiences of those who lived through them.
The occupation years are ones in which visitors can see how hope and love could overcome despair and uncertainty. A glimpse is also provided in the three other galleries into life in the 1920s–1930s in the Modern Colony, the turbulent 1950s and 1960s in Growing Up, as well as into the years that shaped the new Singapore and Singapore identity in the 1970s and the 1980s in Voices of Singapore.
A rather interesting display in Voices of Singapore, one many in my generation will identify with is an installation that attempts a recreation of Singapore’s first and only ever drive-in cinema, Remembering the Jurong Drive-in cinema. The installation features a video montage by Singaporean filmmaker Eva Tang, who is inspired by the different film genres and themes popular with Singaporean audiences in the 1970s and 1980s.
The last of the permanent galleries will be found at the Goh Choo Seng Gallery on Level 2. Here, we find Desire and Danger, which aims to show how fine a line sometimes exists between the two in the natural environment. The gallery features a selection of drawings from the William Farquhar Collection of Natural History Drawings, which is combined with scents and specimens that tell us of the complex and often uneasy relationship between man and nature.
If the immersion into history starts to get too heavy this re-opening weekend, there will be distractions on offer at the Opening Weekend Carnival that the museum is also holding. The carnival, from 10 am to 6 pm on 19 and 20 September, will provide some excitement to both the young and the old, including a chance to relive the good old days through once familiar childhood favourites such as kacang puteh, ting ting candy, sng bao and tikam-tikam. Also to look out for are special guided tours of the Singapore History Gallery this weekend. Information on this, the re-opening and more on the carnival can be found at the National Museum of Singapore’s Opening Weekend Page.
Opening and Admission Information:
The permanent galleries will be opened from 10am to 7pm (last admission 6.30pm) daily.
Admission is free for Citizens, Permanent Residents (unless otherwise stated) and visitors aged 6 years and below.
Otherwise, these admission fees apply: Adults $10, Students & Seniors aged 60 above with valid ID $5.
Tickets includes admission to all permanent galleries and exhibitions and are available from the National Museum Visitor Services counter and SISTIC.
Beyond opening weekend, guided tours will commence from 3 October 2015 for which visitors can enquire at the Visitor Services counter for guided tours.
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Tags: 14th Century Singapura, Artefacts, Badang, Elizabeth Choy, Eva Tang, History, Jurong Drive-In, Majulah Singapura, Merger, National Museum, National Museum of Singapore, Opening Weekend Carnival, Photography, Re-opening of Permanent Galleries, Revamp, Separation Story, Singapore, Singapore Stone, Singapura, Sneak Peek, Spiral Staircase, Surrender Table, Syonan-to, Type 95 Ha Go Tank
Categories : Changing Landscapes, Events, Museums, National Museum of Singapore, Photography, Reminders of Yesterday, Singapore
While we in Singapore are being distracted this 11 September by what may be the most closely contested election since independence, the United States and much of the World will be remembering a day 14 years ago that must not be forgotten. 14 years on, the United States and New York City seems to have since assumed a air of normalcy, at least from what I saw of the city in April. Worst hit by the savage act of terrorism, it does seems well on the road to recovery even if the events are indelibly etched into the psyche of every New Yorker. Ground Zero, which is being regenerated, today represents the resilience of the American spirit. Much like a phoenix that has risen from the ashes, a new and taller structure has risen, One World Trade Center, which now stands as the tallest building in the Western Hemisphere.
Rebuilding the World Trade Center
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Tags: 9-11, 9/11, Manhattan, New York City, One World Trade Center, Photography, Remembering 911, September 11, Terrorism, Terrorist Attacks, United States, World Trade Center
Categories : Architecture, Events around the World, New York City, Photography, USA