The 16th century sailor seen wandering at the National Museum

30 01 2016

With all that’s been rumoured about the National Museum, the curious sight of a lost soul dressed in the manner of a 16th century Portuguese sailor wandering around one of its galleries would not be unexpected. Strangely though, rather than stay well away from the sailor – as one might expect, those present in the gallery seemed instead to be drawn to him.

The Level 2 galleries.

The National Museum – where the past comes alive in more ways than one.

There is little that is sinister about the sailor who roams the basement gallery with two muses in tow. On a quest to find what he thinks will offer an escape from the curse of his long but lonely existence – attributed to the consumption of the Elixir of Life, the sailor enlists the help of those around. The sailor, the two muses, and his quest – to find the greatest treasure in the world, is all part of the fun of an experiential play, “The Greatest Treasure in the World”.

A muse and Aesop (as well as several other characters from the past), also help Afonso in his quest.

A pair of muses and several other characters from the past, also help Afonso in his quest.

The experiential play also has the audience take part.

The experiential play also has the audience take part.

The play, created by Peggy Ferroa, has the audience, embark on a rather enjoyable adventure through time with Afonso, the Portuguese sailor – whose full name sounds as long as the life he has had. The search for the treasure takes place in the in the Treasures of the World from the British Museum exhibition –  where Afonso suspects he would, with the help of the audience, find what he seeks.

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Tickets to join Afonso on his quest cost $38 and can be booked through SISTIC. Two sessions of the hour-long experience will be held on the evenings of 30 January, 25, 26 and 27 February, 24, 25, and 26 March and 28, 29 and 30 April 2016. More information on the The Greatest Treasure in the World can be found at the National Museum of Singapore’s website.

The cast with Peggy Ferroa (standing second from right).

The cast with Peggy Ferroa (standing second from right).

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Don’t under-ESTIE-mate this 8-year old

26 01 2016

All eyes will surely be on eight-year old Estie Kung when Man vs Child: Chef Showdown premiers this evening (26 January) on A+E Networks’ Lifetime channel (StarHub TV Channel 514). The cooking competition series, which made its debut in the U.S., has some of America’s young culinary talents taking on professional chefs. The precocious Estie will be the youngest of the five young chefs who will feature in the 13-episode series. Hosted by chef and television personality Adam Gertler, the series also sees Dylan Russett, Emmalee Abrams, Cloyce Martin and Holden Dahlerbruch, who are between 12 and 14, pitted against a different executive-level chef in each week’s episode.

Estie Kung at Ikea Alexandra.

Estie Kung in Singapore at Ikea Alexandra.

Estie was in town recently as part of an Asian promotional tour, making public appearances at two ‘Meet-and-Greet’ sessions. Held at the two IKEA stores, the sessions on 17 January had Estie, who has been in the kitchen since the age of three, exude a confidence well beyond her years in serving up two exclusive recipes – a vegetable ball Banh Mi and Pan Seared Salmon with New England Clam Chowder Sauce – both with IKEA’s products.

Estie, very skillfully dicing onions for the preparation of Bahn Mi.

The series premiere, titled “Don’t Under-ESTIE-mate Her”, will see Estie Kung whipping up a Korean fried chicken dish with kimchi mayonnaise and a gochujang gastrique. More information on the series, which airs every Tuesday at 7pm, can be found at Lifetime Asia.

Estie Kung’s IKEA Veggie Ball Bahn Mi.

Putting the finishing touches on her pan-seared salmon with New England clam chowder sauce.

With Jamie Yeo during the Q&A session.





The Gardens by the Bay turns one

30 06 2013

The Gardens by the Bay turned one yesterday. To celebrate the anniversary, a huge party, the Gardens Party One, was thrown, with the thousands of visitors and guests who attended, treated to a live concert in the cool evening breeze whilst having a picnic under the stars at The Meadow. The party was organised by the Gardens by the Bay as well as the West Coast GRC and Pioneer Constituency CCCs and was hosted by Minister for National Development, Mr Khaw Boon Wan with the Guest-of-Honour, Minister for Trade and Industry, Mr Lim Hng Kiang also attending.

Visitors to the Gardens by the Bay and guests to the Gardens Party One were treated to a concert under the stars.

Visitors to the Gardens by the Bay and guests to the Gardens Party One were treated to a concert under the stars.

The early birds at the Gardens One Party.

The early birds at the Gardens One Party.

Besides the first birthday, the Gardens by the Bay had another reason to celebrate. It recently saw its fifth millionth visitor, Singapore student, Harlynna Bte Rahmat who received a gift from Minister Khaw at the party. The concert saw the likes of Li Feihui, Jack & Rai, and the contestants of “The Final 1” on stage as well as two huge local favourites, Taufik Batisah who showed some rather cool dance moves as well as Kit Chan, who ended the concert very aptly with a beautiful rendition of the very popular “Home” to which the crowd sang along – a great way to bring a wonderful first birthday party to a close.

The crowd on the lawn at The Meadow.

The crowd on the lawn at The Meadow.

Minister Lim Hng Kiang greeting those who attended.

Minister Lim Hng Kiang greeting those who attended.

Guests were treated to a host of fringe activities ...

Guests were treated to a host of fringe activities …

... including learning to juggle.

… including learning to juggle.

Jack and Rai on stage.

Jack and Rai on stage.

Li Feihui.

Li Feihui.

Peering through a crystal ball.

Peering through a crystal ball.

A "The Final 1" contestant.

A “The Final 1” contestant.

Blowing out the symbolic candle.

Blowing out the symbolic candle.

Taufik show off some of his dance moves.

Taufik show off some of his dance moves.

Another of Taufik.

Another of Taufik.

Kit Chan on stage.

Kit Chan on stage.

Another of Kit Chan.

Another of Kit Chan.





Getting kicks on KIX

28 04 2013

Making its premiere this evening on KIX, the ultimate channel for action entertainment in Asia, is ladies (American) football. Featuring games from the United States (US) Legends Football League (LFL) touted as the ‘fastest growing pro sports league in the United States’ by NBC Sports, drawing record television ratings for its U.S. broadcaster, the 7 on 7 full contact ladies football games will be shown on Starhub Cable TV Channel 518 at 10.30 pm. The games will also be shown on KIX HD which will be available on SingTel MioTV Channel 308 from May.

Three professional LFL players were in Singapore to promote the launch of the LFL on KIX.

Three professional LFL players were in Singapore to promote the launch of the LFL on KIX.

Liz Gorman, a Wide Receiver from LA Temptation.

Liz Gorman, a Wide Receiver from LA Temptation.

Natalie Jahnke, a Linebacker from LA Temptation.

Natalie Jahnke, a Linebacker from LA Temptation.

Angela Rypien, a Quarterback from Baltimore Charm.

Angela Rypien, a Quarterback from Baltimore Charm.

Three professional American football star players, Liz Gorman (LA Temptation), Angela Rypien (Baltimore Charm) and Natalie Jahnke (LA Temptation), were in Singapore, as part of a tour of various Asian cities, to celebrate the launch of LFL on KIX. The lovely ladies made an appearance yesterday afternoon at Bugis Junction, showing off some of their positions and moves, as well as engaging members of would-be fan who had braved the afternoon’s downpour to catch the three in action.

Three FHM models were taught the various positions used by the three LFL players and were also asked to show some of their own touchdown celebrations.

Three FHM models were taught the various positions used by the three LFL players and were also asked to show some of their own touchdown celebrations.

A member of the audience showing off his touchdown move.

A member of the audience showing off his touchdown move.

And off came his shirt.

And off came his shirt.


About the Legends Football League

Since its premiere in 2009, LFL has been touted as the ‘fastest growing pro sports league in the United States’ by NBC Sports and has drawn record television ratings for its U.S. broadcaster. The athletes, dressed in their lingerie-inspired uniform tops and bottoms, along with customised helmet and shoulder pads, have played to sold-out crowds across America. The 12 US franchises include teams such as the three-time champion, Los Angeles Temptation and the, Las Vegas Sin and Atlanta Steam, all of whom have built an incredible international fan base.

 “We are excited to bring America’s fastest growing sports league to Asia. The LFL is not about models attempting to play football. The LFL presents tough, sexy, and talented female athletes playing full-contact, American football. At KIX, we promise our viewers the hottest action from around the world, and action does not get any hotter than this,” said Betty Tsui, Vice President, Programme, KIX and Thrill, Celestial Tiger Entertainment.

LFL (Legends Football League) USA will be shown exclusively every Sunday at 10.30pm on action channel KIX (StarHub Cable TV Channel 518) starting from April 28, and on KIX HD On Demand (SingTel mioTV Channel 308) from May.

 

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Wet in the City of Dreams

26 09 2012

My recent four day sojourn in Macau was one that provided me with a deeper appreciation of the very compact territory, and what it has to offer the visitor, which certainly is a lot more than I had imagined. I was fascinated by every bit of the territory that I got to experience, a territory which is a world not just where east and west have blended well together, but also where the new world and the old seem have found an equilibrium. Among the different experiences that I did have over the four days, one certainly stands out from an entertainment perspective. It is also one which perhaps showcases how east and west, as well as old and new, have managed to come together to provide not only a harmonious outcome – but one that will surely mesmerise. It was one that I must say captured my imagination, and one found not on the absorbing streets, but off them in the new world in which dreams must surely made in – the very aptly named City of Dreams.

What surely must be a dream in the City of Dreams.

The House of Dancing Water blends influences from East and West with 80 performers representing some 25 countries.

It is at the City of Dreams, Melco Crown Entertainment’s integrated entertainment resort on the Cotai Strip, that one of the most stunning theatre productions I have been fortunate to witness, takes to the stage. The production is Franco Dragone’s The House of Dancing Water, which goes beyond the description of the word ‘stunning’ and possible synonyms in a sentence. In fact, the production provides audiences with an experience which words can not sufficiently describe. That it plays to packed houses show after show since it made its debut two years ago on 16 September 2010, with some 1.5 million having watched the show during the period, is testament to how well it has been received and continues to be received.

Shanghai born ballerina Faye Leung takes on the leading role of the Princess.

The show has played to packed audiences since it opened in September 2010. More than 1.5 million have watched the spectacular show since then.

The House of Dancing Water is a production that is certainly like no other that I have watched. It combines on a water stage, 270 degrees around which the audience is seated, an explosion of dance, theatre, music, swimming, diving and acrobatics, part of which goes into some very daring stunts that go beyond simple circus acts. That, together with the stunningly dramatic visual effects that is provided by projections, movement, elaborate costumes, lighting and props, as well as some 239 water fountains (some of which go as high up as 18 metres), makes it a show that has to be not just watched but also to marvel at, even with a storyline which can be said to be rather clichéd. The storyline is intended to take the audience on a roller-coaster ride of human emotions, culminating in the triumph of good over evil. It is perhaps the manner in which that storyline is delivered that renders it secondary.

239 fountains are used to propel jets of water as high up as 18 metres in the air (photograph taken with a Panasonic LUMIX DMC-GF5).

Dance and water combine to provide a dramatic effect.

The storyline revolves around the well told story of the triumph of good over evil. One of the ‘evil’ characters takes the form of the Dark Queen, played by Ana Arroyo.

Very elaborate costumes are used – up to 400 in total. Some like the ones seen here weight up to 2 kilogrammes.

The performance combines dance, theatre, music, swimming, diving and acrobatics with effects provided by water, movement, lighting and and daring stunts that go beyond simple circus acts.

East and West meet on water.

The efforts of the performers in going through their routines on stage is certainly one that is challenging both technically as well as being physically demanding, and that alone justified the generous applause that they received at the end of the show. The roles require the artists, 80 in total from 25 different countries, not just to be dancers, but also swimmers, divers, acrobats and stuntmen in constant motion. The stunts that are performed are spectacular and certainly not without peril, and has some fly through the air, seemingly with the greatest of ease, which the loudest ‘oohs and aahs’ from the audience seemed to be reserved for. One scene has performers launched into somersaults from swings, while another performers hurtle through the air Evel Knievel style on motorcycles (motorcycle which we were to learn that are changed every six months) 15 metres above stage. All of this does make for an extremely dynamic show, one that left me breathless in my seat trying to keep up with all that was happening on stage.

The performers go through technically challenging and physically demanding routines. Many stunts are also performed at height.

One of the scenes has performers hurtling through the air, launched by giant swings.

Another highlight is a scene which see motorcycle jumps Evel Knievel style.

The motorcycles go as high up as 15 metres in the air.

Special motorcycles are used which are replaced every six months.

Having been completely enthralled by what I witnessed on stage, there was a treat that awaited the group of bloggers I was in – a tour backstage scheduled for the morning after we watched the show. It was through the backstage tour from which I received a much better appreciation of what does go behind the scenes to make the show what it is. The production must be one that has to be appreciated not just for what we see on stage, but also in what does go on behind the scenes. The coordination effort alone is a monumental one that involves not just the 80 performers, but also another 160 crew members from 35 different nationalities working behind the scenes. That everything does seem to go according to clockwork show after show must surely be a marvellous achievement.

The male leading role of the Stranger is played by Jesko von den Steinen.


The grace of Faye Leung as the Princess.

The clown in the show – Lago the Dark Queen’s Fenelon Minister.

The performer who plays Wabo the Wiseman is also a contortionist.

An expression of joy at the moment that love triumphs over hate.

The theatre as seen during the ‘backstage’ tour (photograph taken with a Panasonic LUMIX DMC-GF5).

At the centre of the purpose-built theatre is the huge pool. The pool, which contains some 3.7 million gallons or 17 million litres of very clean water (we were told it is kept a lot cleaner than any other commercial pools), or that contained by more than 5 Olympic sized swimming pools, serves as the stage. In the pool 11 hydraulically operated ten-ton elevators are moved up a metre and down 7 metres, allowing it to be converted from an aquatic stage to a dry one – a perforated non-slip metal floor allows water to rapidly be drained away. Some 36 scuba divers are deployed to assist with underwater work with 20 providing support (and assistance to the performers) during the show, including during a seemingly perilous scene where a cage containing one of the main characters, The Princess, is lowered into the pool. In this case, divers assist no only to open the cage to help the performer out, but are also on standby with a spare breathing apparatus should anything untoward happen.

Looking into the depths of the 3.7 million gallon pool – which has a depth of some 8 metres – some 36 scuba divers work in the depths with up to 20 deployed to provide support during the show (photograph taken with a Panasonic LUMIX DMC-GF5).

The entry and exit point for divers and performers below the seating – different colour lighting is used to identify each quadrant to allow cast and crew to know where they are (photograph taken with a Panasonic LUMIX DMC-GF5).

The red quadrant (photograph taken with a Panasonic LUMIX DMC-GF5).

Divers provide assistance to performers in circumstances such as this where a performer is lowered into the depths inside a cage.

The stage as seen ‘backstage’ (photograph taken with a Panasonic LUMIX DMC-GF5).

The flooring of the stage at the top of hydraulic elevators is perforated to allow water to drain quickly (photograph taken with a Panasonic LUMIX DMC-GF5).

From the depths of the pool, we were taken to the heights above the stage, first to the fourth level, some 17 metres above. It is from a 360 degree catwalk at this level that the scenery props and the artists are lowered from and raised to, an effort that requires the use of the 40 rigging winches found on the catwalk. Just looking down from the catwalk to the pool level is enough to give the same effect that standing on the glass floor at the top of Macau Tower gave, and that was only level four … there was still level 8 to go up to, but not before a look at the dressing rooms. In the dressing rooms we could have a closer look at some of the 400 costumes that are used including one that weighs 2 kilogrammes. It is no wonder that the artists have such well toned bodies! An amazing fact we learned was that over 15,000 pieces of Swarovski crystals are used in the costumes! We also had an appreciation of the effort made in the selection of textiles for the costumes – neoprene is used to keep its shape and withstand the effects of the water.

A view of the stage, pool and seating from the catwalk 17 metres up (photograph taken with a Panasonic LUMIX DMC-GF5).

A scene during which the cage is hoisted up to the catwalk level – a retractable platform allows performers to get in and out of such props safely.

The cage being raised.

A close examination of a mask in the dressing room.

The view from level 8 provides an appreciation of the scale of the 2000 seat theatre and the efforts that have gone into setting up the USD 250 million production. The purpose-built theatre was designed by the Pei Partnership in collaboration with Franco Dragone’s team. At level 8, 40 metres above the stage, we see the world that the performer sees descending and more … a foldable platform below us – some 24.5 metres above the stage can be seen. That is where another highlight of the show – a high dive that takes place close to the end of it, is made from. It certainly does take nerves of steel to take a dive from that high! Level 8 is also where the bungee cords are suspended from and stored under lock and key – safety certainly is paramount in production where much can possibly go wrong.

The view from 40 metres above the stage from level 8 (photograph taken with a Panasonic LUMIX DMC-GF5).

One interesting fact that was shared on the elevator ride down to the last stop, the Control Booth, was that the elevators were equipped with mirrors and did not have cameras in them as they served as changing rooms for the artists as they moved from one routine to the next. The Control Booth is certainly an amazing place, and it is through the mess of the computers which control just about everything mechanical, the cables that run to them and the numerous monitors, and the technicians and crew, that the stage director, a lady we were told, sees that everything is as well executed and coordinated as can be. The director who is often required to make on the spot decisions and has the authority to call a performance off if need to has to remain in her seat throughout the length of entire 85 minute performance during which it is impossible even to have a comfort break.

Inside the Control Booth.

The view through the window of the huge Control Booth where operations are coordinated (photograph taken with a Panasonic LUMIX DMC-GF5).

The view that the director sees.

One of the observations I did make during the backstage tour was that was picked up by the omy reporter, Rui Long (see Exclusive: To the backstage of a breathtaking water-based show! was that there were so many things that could have gone wrong during the performance which made me appreciate how well-coordinated and executed everything was. I also noted the physically demands that each performance placed on the artists and was surprised to learn that the roles are each played by a single performer for every one of the shows (under most circumstances). The show does usually play 5 days a week and twice a day on most days (the performers do get a two week break every two months), which makes the effort of the performance and the performers a truly remarkable one in a remarkable show that when in Macau, should not be missed! More information on the show can be found at the show’s website.

The show requires its cast members to be multi-disciplined.


The opportunity to watch the amazing show and also go on the backstage tour was made possible by the City of Dreams for which I am eternally grateful, as I am to the Macau Government Tourist Office (MGTO) for the sponsorship of the trip which included the 3 night stay at the Grand Lapa Macau, and to Tiger Airways for the sponsorship of flights, an on-board meal and check-in baggage allowances.


About The House of Dancing Water:

A dramatic scene from the show (photograph taken with a Panasonic LUMIX DMC-GF5).

‘The House of Dancing Water’, the centerpiece of City of Dreams envisioned by Mr. Lawrence Ho, Co-Chairman and Chief Executive Officer of Melco Crown Entertainment Limited, is a production by Franco Dragone Entertainment Group at City of Dreams, personally created and directed by Mr. Franco Dragone. This over HKD 2 billion (over USD250 million) breathtaking water-based show which draws creative inspiration from Chinese culture particularly on the ‘seven emotions’ principle derived from the classical Confucian beliefs, is destined to be the most extravagant live production ever seen in Asia.

Mr. Franco Dragone toured China exploring the country’s cultural and artistic history as inspiration for The House of Dancing Water, the world’s largest water show, and was drawn to China’s deep story-telling heritage within its art and particularly the ‘seven emotions’ principle derived from the classical Confucian beliefs before deciding on an epic spectacular love story that transcends time and space.

The show, set at City of Dreams’ awe-inspiring ‘Dancing Water Theater’, begins in the coast of Coloane, a Fisherman travelling with his boat enjoys his journey. Suddenly, a mysterious energy from the water creates a terrible whirlpool, grabs the fisherman and pulls him to a place and a time of legends…He cannot realize what is happening at this very moment within a lengthy time. He observes, lost and intrigued… when a storm brings a survivor from a shipwreck, a Stranger to this magical kingdom. The young brave Stranger encounters and falls in love with a beautiful Princess who was thrown into a cage by her evil stepmother, the Dark Queen. Without hesitating, the Fisherman decides to help the Stranger to fight against to the Dark Queen and rescue the Princess. With his help, the Stranger & the Princess defeat the Dark Queen and the Fisherman obtains an unexpected reward.

‘The House of Dancing Water’ will take audiences on an awe-inspiring journey through the heights and depths of human emotions from the abyss of Sadness and Anger, to the heights of Desire and the summit of Joy, between the cliffs of Fear to a glorious resolution where Love triumphs over Hate and its sinister forces.

This spectacular water-based show takes physical performance to its ultimate limits through combat, wit, creativity, incredible expertise and agility. Experience a magical journey, that transcends even time, as Mr. Franco Dragone transports us on a theatrical masterpiece of incredible artistry, outstanding physical performance and special effects in the most spectacular show that Asia has ever seen.

Another scene from the show.


Links to getting wet:

Getting there:

Macau Government Tourist Office
Tiger Airways

Dreaming:

The House of Dancing Water
City of Dreams

Interpreting Dreams:

The Cast
About Franco Dragone
About Franco Dragone Entertainment
About City of Dreams


Note: this is a repost of my post on the omy.sg My Macau Experience 2012 site which sees 10 bloggers share experiences of their visit to Macau. Readers will get a chance to vote for their favourite My Macau Experience 2012 blogger and stand a chance to win $1000 worth of Macau travel vouchers. Voting starts on 28 September 2012 and details can be found at the My Macau Experience 2012 Voting page.