Lost in the rising sea at Telok Ayer

12 02 2016

It is hard now to imagine the sea coming right up to Telok Ayer Street where the original shoreline had once been.  The Telok Ayer Reclamation scheme of the 1880s moved the shoreline to where Shenton Way is today, adding some 1,808,028 square feet or 167,971. square metres of land where Telok Ayer Bay had been. A portion of the land, reclaimed at a cost of 51 cents per square foot, was sold initially (in 1896) for an average price of $1.13 per square foot.

One of the earliest structures to be erected in the land where the bay had been is what we now know as Telok Ayer Market or “Lau Pa-Sat” – meaning old market in the Hokkien dialect with pa-sat being a Hokkien loan word from Malay used locally. The “New Town Market” replaced a 1833 market that had been built along the earlier shoreline and would possibly be the only one of the reclamation’s early structures to have stood to this very day (it did disappear over a three year period in the late 1980s when it was dismantled to protect its structure from damage from tunnelling works for the MRT).

A National Monument, the former market and now a food centre, is a showpiece of exquisite Scottish ironwork. Although it still remains very recognisable for its distinctive octagonal plan and its clock tower, the old market has become a lot less noticeable now that it is lost in the new sea at the former Telok Ayer Bay; a sea not of water but of towering skyscrapers that has risen in the last four decades or so.

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Lost in the sea of skyscrapers, the former Telok Ayer Market. This view of it is down Maxwell Link, running in between Robinson Road and Shenton Way, along which newer and taller buildings are now replacing the first generation skyscrapers of 1970s vintage.

The view from Mount Wallich

When the air was much clearer – a view from Mount Wallich, which was soon to be levelled, towards the Telok Ayer Reclamation, possibly in the late 1890s, soon after the “New Town Market”, also seen in the picture, was constructed. The road closest to the viewer would be Cecil Street, with Robinson Road running parallel and what would became Shenton Way just by the sea.

Carnival time on the reclamation – the Manila Carnival during the Malaya-Borneo Exhibition in 1922 where Shenton Way is today. The market can be seen in the background (National Archives of Singapore Photograph).

 





Art Stage Singapore 2016

21 01 2016

Southeast Asia’s flagship art fair, Art Stage Singapore, is back for its sixth  edition. The four day event, with an intended focus placed on contemporary Southeast Asian art, is being held at Marina Bay Sands Expo and Convention from 21 to 24 January 2016.

The sin-full creations of Kittisak Thapkoa at Number1Gallery.

A reflection on Qin Chong’s Evolving Ink.

For 2016, Art Stage Singapore brings the Southeast Asia Forum – an extension of the Southeast Asia Platform it introduced in 2014. The forum in its inaugural year is titled Seismograph: Sensing the City – Art in the Urban Age – and has an emphasis on urbanisation and will have both an exhibition and a talk component. The projects of 19 Southeast Asian artists, which relate to issues and sentiments in the wake of rapid urbanisation in their own countries, will be brought into focus. More information on the Southeast Asia Forum can be found here.

Takeshi Haguri’s Tengu, presented by Toki-no-wasuremono.

Entang Wiharso’s Feast Table: Undeclared Perceptions presented by ARNDT.

This year’s fair, the anchor event for Singapore Art Week, features 173 galleries from 34 countries with some 75% or 133 galleries from Asia. Art Stage Singapore 2016 will also see several public artworks being exhibited at public areas, a special exhibition of photographs and oil paintings by Hannes Schmid – best known for his iconic Marlboro Man series in the 1990s, and a return of Video Stage .  The fair runs until Sunday. More information on it can be found at http://www.artstagesingapore.com/.

Yayoi Kusama’s Kei-Chan and Reach up to Heaven ‐ Dotty Pumpkin (Black) presented by Opera Gallery.

Close-up of Pink Collar by Ma Han – a public artwork.

The $170.4 million sale in 2015 of Modigliani’s “Nu Couché” to a Chinese based collector points to the rise of Asia in the International art market according to Art Stage President and founder Lorenzo Rudolf.





Adam and eve

1 01 2016

As anticipated, Adam stole the show with eve – New Year’s eve that is, bringing Singapore’s jubilee year to a rousing end at Marina Bay Countdown 2016. The event, – Singapore’s largest countdown event, saw the new year welcomed with a huge eight minute display of fireworks – some 4000 shots were fired compared to 2200 the previous year. The intermittent rain, which fell throughout the evening and into the new year, paused not just for the fireworks but also for Adam’s hour long performance, which went on for 30 minutes on each side of the fireworks display.

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An eight minute long fireworks display lit up Marina Bay during the countdown.

The display also featured music composed by music director Julian Wong, with wishing spheres – a feature of the Marina Bay countdown event, lit to have their colours change in sync with the display of fireworks. As part of the celebrations, the façade of the Fullerton Building – Singapore’s latest building to be gazetted as a National Monument, become a canvas for a 3D projection intended to show Singapore’s multi-faceted cultural and architectural identity, the City in a Garden and its modern outlook. The projection was jointly developed by a Canadian-Singaporean team comprising of Aims from Singapore and Canada’s Symmetrica. Involving a total of 32 projectors – each covering a span of 120 metres by 35 metres, the show had been running at regular intervals from the evening of Boxing Day.

The 3D projection on the Fullerton.

The 3D projection on the Fullerton.

The spotlight was very much on Adam Lambert, before ....

The spotlight was very much on Adam Lambert, before ….

... and after the fireworks display.

… and after the fireworks display.

Rain clouds over a Marina Bay dressed up for Countdown 2016.

Rain clouds over a Marina Bay dressed up for Countdown 2016.

Wishing spheres lit for the event.

Wishing spheres were lit to change colours during the event and during the fireworks display.





The National Gallery Singapore: a sneak peek

23 11 2015

After five long years, the transformation of two of Singapore most recognisable National Monuments, the former Supreme Court and City Hall into the National Gallery Singapore, is finally complete. The new cultural institution, which oversees the largest collection of modern art in Southeast Asia, will open its doors to the public tomorrow – an event that is being accompanied with a big bash.

Visitors to the gallery can expect to see a display of Singapore and Southeast Asian art drawn from Singapore’s huge National Collection in the permanent exhibitions, Siapa Nama Kamu? – featuring close to 400 works of Singapore art since the 19th Century, and Between Declarations and Dreams, which features close to 400 works of Southeast Asian art from the same period.   There will also be two special exhibitions that can be caught from 26 Nov 2015 to 3 May 2016. One, Beauty Beyond Form, features the donated works of traditional Chinese painter, Wu Guanzhong. The other After the Rain, will see 38 works of one of Singapore’s leading ink painters, Chua Ek Kay on display. Also on display will be the beautifully restored interiors of the two buildings, and the stunning impact the architectural interventions have had on them (see also : The National Gallery, Naked).

More information on the National Museum’s opening celebrations and visitor information can be found on the celebrations brochure (pdf) and also at the National Gallery Singapore’s website. Admission to the National Gallery Singapore will be free for all visitors from 24 November to 6 December 2015.


A Sneak Peek at the National Gallery Singapore

The former Supreme Court, which houses the galleries of the UOB Southeast Asia Gallery

Art in a former courtroom.

Art in a former courtroom.

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The former Courtroom No. 1.

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Manit Sriwanichpoom’s Shocking Pink Collection.

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Reflections on the Rotunda Dome.

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The former Courtroom No. 1.

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The spiral staircase to the main Supreme Court dome.

An art resource centre in the former Rotunda Library.

An art resource centre in the former Rotunda Library.

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Inside the resource centre.

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City Hall, which houses the DBS Singapore Gallery, the Singtel Special Exhibition Gallery, the Wu Guanzhong Gallery and several education centres

The Keppel Centre for Art Education.

The Keppel Centre for Art Education.

Chua Mia Te's Epic Poem of Malaya.

Chua Mia Tee’s Epic Poem of Malaya.

Liu Kang's Life by the River.

Liu Kang’s Life by the River.

The DBS Singapore Gallery.

The DBS Singapore Gallery.

Lots to think about ...

Lots to think about …

City Hall Chamber.

City Hall Chamber.

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The red SG50 Steinway.

The red SG50 Steinway.

Not quite a permanent display.

Not quite a permanent display.


Miscellaneous Views (see also: The National Gallery, naked)

The columns of City Hall.

The columns of City Hall.

Corridors of the former Supreme Court - the original rubber tiles, which contained asbestos, had to be replaced.

Corridors of the former Supreme Court – the original rubber tiles, which contained asbestos, had to be replaced.

Another view.

Another view.

The former City Hall Courtyard.

The former City Hall Courtyard.

Roof terrace bars at City Hall.

The roof terrace bars at City Hall …

... provides stunning views of the cityscape.

… provide stunning views of the cityscape.

The view of the Padang, the Esplanade and Marina Bay Sands from the roof terrace.

The view of the Padang, the Esplanade and Marina Bay Sands from the roof terrace.

 

 





Inuits will paint the town red this weekend

20 08 2015

The highly anticipated Singapore Night Festival is back!

One of the highlights of this year’s festival has to be the appearance of the world’s smallest and perhaps the most lovable Inuits, Anooki (Anook and Nooki). The Inuits, the creation of David Passegand and Moetu Batlle, have come all the way from France to run riot and paint the town, of rather the façade of the National Museum of Singapore. red, green, purple and blue and put a smile on the faces of the the crowds that will descend on the museum’s front lawn on the weekends of 21/22 and 28/29 August.

Annoki Celebrate Singapore on the façade of the National Museum of Singapore.

The Anooki wreaking havoc on the façade of the National Museum of Singapore.

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David Passegand and Moetu Batlle.

David Passegand and Moetu Batlle.

The Inuits, which are said to have taken the animation world by storm, will feature in one of several performances specially commissioned for the jubilee year edition of the Singapore Night Festival. The fun and energetic projection, Anooki Celebrate Singapore, will anchor the festival’s Night Lights – a popular segment that promises to be bigger and better this year. Night Lights also sees several other light installations colour the night in and around the museum. One, Cédric Le Borgne’s le Desir et la Menace brings the huge banyan tree in front of the museum to life with giant illuminated bird wire sculptures. Another, Drawn in Light by Ralf Westerhof, recreates sights typical of Amsterdam using rotating illuminated wire frames suspended above the ground.

Le Desir et la Menace.

Le Desir et la Menace.

Drawn in Light.

Drawn in Light.

Inside the museum, Night Light offerings include And So They Say and A Little Nonya’s Dreams. The former is a documentary project that features interviews with 25 senior citizens that will also be seen at SOTA, DECK (at Prinsep Street) and the National Design Centre. The latter, sees three animators come together to individually interpret a little’s girls’ dreams.

And So They Say.

And So They Say.

From A Little Nonya's Dreams.

From A Little Nonya’s Dreams.

Playing with fire … and light over at the Singapore Art Museum, will be the Starlight Alchemy, an audience favourite and regular feature at the Singapore Night Festival. This year, sees the locally based group perform a specially commissioned Alchemy that tells of the reconciliation between Apollo from the world of Ethereal Light and Nuri from the world of Ethereal Flame, in another must-catch performance.

Fire ....

Fire ….

... and light meet at the SAM.

… and light meet at the SAM.

Other performances to catch include Goldies, who will take us back into Singapore’s musical world from the 50s to the 80s in a ticketed performance; Fields in Bloom, which sees flowers glowing in a spectrum of colours on the steps of SOTA and the Lorong Boys – 5 award winning Singaporean musicians who perform in both the concert hall and on the streets. Another interesting performance to catch is Lost Vegas, which features the giant puppets of Frank Malachi – an award winning puppeteer based in Singapore.

Meet Christine, who will be seen in Lost Vegas.

Meet Christine, who will be seen in Lost Vegas.

3 of the 5 Lorong Boys.

3 of the 5 Lorong Boys.

Flieds in Bloom.

Fields in Bloom.

Goldies.

Goldies.

The Singapore Night Festival 2015 runs over two weekends (Friday and Saturday nights), on 21 and 22 August and on 28 and 29 August, from 7 pm until 2 am. The festival will be held across 5 zones, the National Museum of Singapore, Armenian Street (which will again be closed for the festival), the House of Glamour (at the field across from the Cathay), the Festival Village at SMU and the Singapore Art Museum and Queen Street (including the National Design Centre, DECK at 120A Prinsep Street), Waterloo Street and SOTA). Besides light and music performances, festival goers can also look forward to lots of food offerings. More information on the festival can be found at the Singapore Night Festival Website at which a Festival Guide can also be downloaded.

Singapore Night Festival creative director Christie Chua.

Singapore Night Festival creative director Christie Chua.

 

 





150 metres above Beach Road

31 07 2015

JeromeLim-7742 DHL Balloon (s)Many will remember the DHL Balloon at Tan Quee Lan Street.

Rising high above the Bugis and Rochor areas of Singapore for a short while in the 2000s, the brightly coloured attraction, added not just a burst of colour to an area painted grey by the march of urban redevelopment, but also offered the hundreds of thousands who were to be carried on its gondola a view then unsurpassed over the area from a height of some 150 metres up in the air.

The balloon, touted as the “world’s largest tethered helium balloon” at its launch in April 2006, required the efforts of 40 people over the 12 hours to fill the 6,500 cubic metres of helium it took to inflate it. Once inflated, the balloon at a diameter of 22 metres, was as high as a six storey building. Carrying a maximum of 29 passengers in a gondola suspended below it, it gave a wonderful view of the developments around that were rapidly changing the face of the Beach Road and Marina Bay areas.

Sadly for us, the end came for the DHL Balloon just a little over two years after it was launched as the land on which it was operated (as well as that of its neighbour – the rather iconic New Seventh Storey Hotel) was required for development of the Downtown MRT line’s Bugis Station.  The popular attraction closed at the end of September 2008, by which time the Singapore Flyer was up and running and the balloon was deflated in early October 2008 in half an hour.


Information on the DHL Balloon previously carried by its operator, Singapore Ducktours:

Launched at a cost of S$2.5 million, the DHL Balloon was a joint venture by Aerophile Balloon Singapore Pte Ltd and Vertical Adventure Pte Ltd, and took one year to plan. The project was sponsored by global courier, freight and logistics company DHL, for which it gets exclusive advertising space on the balloon. The business partners involved in the project worked with the Urban Redevelopment Authority (URA), Singapore Land Authority and Singapore Tourism Board to allow public advertising on the balloon, and arrange for the lease for the site at over S$1 million for two years. S$800,000 was spent priming the ground for the balloon, and another S$60,000 for the helium.

On 19 April 2006, 40 crew members took 12 hours to inflate the French-made balloon, which took its first passengers in May 2006. The DHL Balloon is operated by Singapore Ducktours, a Singapore company which also offers city tours on its amphibious vehicles. As of September 2007, more than 150,000 people have ridden on the DHL Balloon, 70% of whom are tourists. Up to 1,000 people ride the balloon on weekends. Its ridership is the highest among all of Aerophile’s balloons.

The DHL Balloon’s lease on its site on Tan Quee Lan Street will expire on August 2008, and URA has indicated that the lease will not be extended as it has plans for the site. Singapore Ducktours is considering three alternative sites: Beach Road near Park View Hotel, Clarke Quay near Novotel Clarke Quay Hotel, and Gardens by the Bay at Marina Bay. Other plans include relocating the balloon to Kuala Lumpur or Johor Baru in Malaysia. Terminating the venture will cost the company S$1.2 million.

NB: With a capacity of 7,800 cubic metres, Johannesburg and Mexico City are believed to be the largest passenger carrying tethered helium balloons currently in operation.

Ride
Passengers aboard the DHL Balloon can have a bird’s eye view of Singapore’s Central Area, including the central business district, Suntec City, Marina Bay, Orchard Road and Little India, and as far as Indonesia and Malaysia.Standard flights to 150 metres typically lasts between seven to ten minutes, über flights to 180 metres last up to 13 minutes.

Features and specifications

The DHL Balloon measures 22 metres in diameter, and is filled with 6,500 cubic metres of helium. While it is the world’s largest tethered helium balloon, it has been certified as an aircraft. There are only fifteen like it around the world, in cities including Paris and Hongkong.

As the balloon is anchored to the ground with a metal cable, it only ascends and descends vertically. The DHL Balloon was approved by the Civil Aviation Authority of Singapore to ascend to a maximum altitude of 180 metres, or around 48 stories. Flights to either 150 metres or 180 metres are offered. It can accommodate a maximum of 29 passengers in its gondola.

Piloting

The balloon, which flies between two to six times an hour, is operated by a pilot within the gondola. A hydro-electric winch system controls take-off and landing. As a safety measure, the balloon is not flown when there is lightning, rain, or when the wind speed exceeds five knots on the ground, as measured by an anemometer, on location.

Maintenance

A crew of six pilots, who work in rotation with one pilot working at any one time, conduct routine checks daily, weekly and every three months on the balloon and its equipment. The helium is replenished every four to six months, and engineers visit the balloon every year to conduct an inspection.


Another photograph of the balloon at the Aerophile website: DHL Balloon Singapore.






The naval powers collide at Changi

29 06 2015

Every two years in May, the international maritime defence exhibition, IMDEX Asia, comes to town and offers a chance not only to catch up with the going-ons in the region’s naval developments, but also a rare opportunity to take a look at some of the the naval assets of the powers in the Asia Pacific region. This year’s treat must have been the chance to get up-close to the very impressive looking and well-built Chinese stealth frigate, the People’s Liberation Army (PLA) Navy’s 4,000-tonne Type 054A Jiangkai II class CNS Yulin (FFG 569).

The People's Liberation Army Navy's Type 054-A Jiangkai II Class Stealth Frigate, CNS Yulin.

The People’s Liberation Army Navy’s Type 054-A Jiangkai II Class Stealth Frigate, CNS Yulin.

The HQ-16 SAM vertical launcher cells on the fore deck.

The 32 cell HQ-16 SAM vertical launcher system on the fore deck.

There were also the ships of some of the navies whose presence in the region helps maintain a balance, chief among them the United States Navy (USN), which was the foreign navy with the largest number of ships at Changi Naval Base with two surface ships and a submarine. These were the Arleigh Burke Class Destroyer USS Mustin (DDG 89), a Freedom Class Littoral Combat Ship USS Fort Worth (LCS 3), and a Los Angeles Class submarine, the USS Pasadena (SSN 752). Some of the others at berth were a Republic of Korea Navy Incheon Class Frigate ROKS Incheon (FFX 811), a Royal Australian Navy Anzac Class Frigate HMAS Perth (FFH 157), and several ships of the regional and Indian sub-continent navies. More on IMDEX Asia 2015 can be found at the exhibition’s website. The next exhibition is schedule to take place from 16 to 18 May 2017.

The USS Fort Worth Littoral Combat Ship.

The USS Fort Worth, a Freedom class Littoral Combat Ship.

USS Mustin, an Arleigh Burke Class Destroyer.

USS Mustin, an Arleigh Burke class Destroyer.

USS Pasadena, a Los Angeles Class submarine.

USS Pasadena, a Los Angeles Class submarine.

SLNS Sayura, a Sri Lanka Navy Sukanya Class Patrol Vessel.

SLNS Sayura, a Sukanya class Offshore Patrol Vessel and the flagship of the Sri Lanka Navy.

The stern of the ROKS Incheon against the incoming storm.

The stern of the ROKS Incheon against the incoming storm.

The KD Lekir, a TLDM (Royal Malaysian Navy) Kasturi Class Corvette.

The KD Lekir, a TLDM (Royal Malaysian Navy)
Kasturi Class Corvette.

The Indian Navy's INS Satpura, a Shivalik Class Frigate.

The Indian Navy’s INS Satpura, a Shivalik Class Frigate.

The silhouettes of two of the Republic of Singapore Navy's Endurance class LSTs.

The silhouettes of two of the Republic of Singapore Navy’s Endurance class LSTs.


Previous posts on other naval vessels:









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