When the lights go out

10 02 2015

Last evening wasn’t what I would call a typical Monday evening. In some rather untypical company, after the lights went off, I stood waiting for a box containing a 15th century lady to be opened, showing little of the trepidation my irrational fears of the dark would typically have invoked; the promise the evening held was an unveiling of the lady’s exquisite beauty for her debut in Singapore.

A Portrait of a Lady, attributed to Ambrogio de Predis, an associate of Leonardo da Vinci.

A Portrait of a Lady, attributed to Ambrogio de Predis, an associate of Leonardo da Vinci.

Delicate but yet well preserved, the beauty of the lady of nobility, is one that is beautifully captured by an associate of Leonardo da Vinci,  Ambrogio de Predis. The portrait, one of several masterpieces from the da Vinci school that is making an appearance in Marina Bay Sands’ ArtScience Museum, as part of the Da Vinci: Shaping the Future exhibition that runs until May 2015. While the highlight of the exhibition is perhaps the pages out of da Vinci’s Codex Atlanticus from Milan’s Biblioteca Ambrosiana’s collection, the masterpieces the Ambrosiana has brought over, also deserve much attention.

Unscrewing the lid on the outer box in which the painting is packed for shipment. Paintings are packed into two boxes.

Unscrewing the lid on the outer box in which the painting is packed for shipment. Paintings are packed into two boxes.

The rather uninspiringly named “Portrait of a Lady” that had until the 19th century been attributed to da Vinci himself, goes on display for the first time from today. It is part of a changeover of inspiring art work and pages of the Codex at the midway point of the exhibition, made necessary by a three-month limit on exposing the original works, following which they have to be returned to the dark.

Lifting the lid on the inner box.

Lifting the lid on the inner box.

For a opportunity to celebrate beauty as expressed  in oil and to be awed by the genius of da Vinci contained in the pages of the Codex Atlanticus, do visit this wonderful look at what the museum refers to as history’s foremost ArtScientist, Leonardo da Vinci. The exhibition interestingly, also sees models of da Vinci’s innovative ideas on display.  The exhibition ends in May 2015. For more information and ticketing details, do visit the ArtScience Museum’s website.

Removing the artwork, which is wrapped in acid-free paper.

Removing the artwork, which is wrapped in acid-free paper.

Unwrapping the painting.

Unwrapping the painting.

The painting is examined for damage after being unpacked by an expert from Pinacoteca Ambrosiana. A report of an examination prior to packing is used as reference.

The painting is examined for damage after being unpacked by an expert from Biblioteca Ambrosiana. A report of an examination prior to packing is used as reference.

Examining the details.

Examining the details.

Once the expert is satisfied, the art work can be displayed.

Once the expert is satisfied, the art work can be displayed.

The painting, seen with one of the paintings that has been taken down for storage, Saiai's St. John the Baptist.

The painting, seen with one of the paintings that has been taken down for storage, Saiai’s St. John the Baptist.


More on the changeover (Art Science Museum Press Release):

Singapore (11 February 2015) – ArtScience Museum today unveiled its eagerly-anticipated renewal of the original masterpieces showcased at Da Vinci: Shaping the Future, as the exhibition approaches the second half of its run. The refreshed displays include a new collection of 13 original pages of the Codex Atlanticus, da Vinci’s largest notebook, and three new paintings from the School of da Vinci.

As part of the renewed collection, visitors will have the rare opportunity to view a neverbefore-seen original Codex Atlanticus page, Drawings of Two Compasses. This folio features two drawings of intricately decorated compasses, which were important tools employed by da Vinci to determine the proportions of his machines and to mark designs on paper before he applied ink to his drawings.

Another beautifully illustrated page in the renewed collection is the Giant Crossbow, one of da Vinci’s most striking and celebrated folios from the Codex Atlanticus. Drawn with elaborate details and technical skill, the folio includes precise measurements of the machine’s components and a figure atop the machine to provide an indication of the scale.

The Giant Crossbow is a prime example of how da Vinci used his artistic skills to illustrate complex technical concepts.

“More than any other figure in history, Leonardo da Vinci represents the unity of art and science. Therefore, it is a great privilege to be able to bring a new collection of da Vinci’s masterpieces to ArtScience Museum, as part of this groundbreaking exhibition. What is particularly exciting for us is that one of the pages from the Codex Atlanticus, which arrived from Italy this week, is being shown in public for the very first time. We are grateful to have been able to work so closely with Veneranda Biblioteca Ambrosiana to realise an exhibition that vividly illustrates how da Vinci’s genius, creativity, and systems thinking continue to inspire and shape the world we live in now,” said Ms. Honor Harger, executive director of ArtScience Museum.

Dr Irene Lee, co-curator, ArtCORP Pte Ltd, adds, “It has been an honour to be a part of this project and to bring the original works by da Vinci from Milan to Singapore. Singapore, like da Vinci, is very forward-thinking, and it is only fitting to have these masterpieces displayed in this innovative city.”

One of the new original paintings that will be on display is the visually arresting Portrait of a Lady. Donated to the Veneranda Biblioteca Ambrosiana in 1618, the painting was attributed to da Vinci until the 19th century. While the references to da Vinci are evident, such as the knotted golden braid on the lady’s garment, the mesmeric painting remains elusive as both its subject and author have yet to be confirmed despite generations of study by critics and scholars. While some leading scholars firmly attribute the painting to da Vinci and others favour a more prudent attribution, these controversies have never debased the work’s appeal, only increasing its mystery.

Other new paintings from the School of da Vinci that will be showcased are Christ Child with the Lamb by Bernardino Luini, the most famous Milanese painter in the early 16th century, and Adoration of the Child with Saint Roch by Giampietrino.






A glance at Art Stage Singapore 2015

22 01 2015

I love it when Art Stage Singapore comes around every January. Not only does the fair provide the opportunity to get in touch with the contemporary art scene, but it also provides hours of visual stimulation to break the monotony of the start of the year. And, from the glance I had at this year’s fair, it certainly is no different.

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Hwan Kwon Yi, Traffic Jam, Gana Art.

Hwan Kwon Yi, Traffic Jam, Gana Art.

As Southeast Asia’s flagship art fair, Art Stage Singapore, the fifth edition of which opens its doors at Marina Bay Sands Expo and Convention Centre today, lends its support to the regional art scene. This year, a curated Southeast Asia platform has the works of 32 emerging artists from the region featured. In all, over 200 galleries from 29 countries – 75 percent of which are from the Asia-Pacific, are represented at this year’s fair, making it a must-visit exhibition for both the collectors and curious alike.

Kiatanan Iamchan, Oh, My Baby, Number1Gallery.

Kiatanan Iamchan, Oh, My Baby, Number1Gallery.

This year also sees video art, which is fast gaining prominence as a collectible art medium, receive an airing through Video Stage. Intended as a regular feature of the annual fair, Video Stage for Art Stage Singapore 2015 will take a look at the medium over the years, through 73 videos.

Art Stage Singapore 2015.

Art Stage Singapore 2015.

Also to look out for, are programmes being held as part of the fair including ARTnews Talk Series talks with a focus on Southeast Asia. There will also be talks given by various artists from the Southeast Asian platform, as well as performances and tours. More information these programmes can be found in the fair guide. Art Stage Singapore 2015 runs from 22 to 25 January 2015. More information on the fair is available at http://www.artstagesingapore.com.

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A scalp raising experience.

A scalp raising experience.

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New Year at the old harbour

1 01 2015

An occasion that is celebrated in a big way in Singapore in the New Year, which since 2005, sees fireworks illuminate the night sky against the backdrop of the ultra modern skyline at Marina Bay. The occasion, providing an opportunity not just to usher in the new year, but also to celebrate Singapore’s amazing transformation over the years, especially so this year with Singapore celebrating 50 years of independence.

Fireworks over Marina Bay at the stroke of midnight, 2015.

Fireworks over Marina Bay at the stroke of midnight, 2015.

While the 2015 countdown at Marina Bay, marks the tenth anniversary of the event being held there, the location has in fact been one that has traditionally been associated with the New Year – as the Inner Roads of the old harbour, it was where a New Year’s Day event that could be traced back to 1839 – just 15 years after Raffles founded modern Singapore, the New Year Sea Sports, had been held annually – except for the intervention of war, until the end of the 1960s.

A kolek race held during the New Year Sea Sports, 1951 (National Archives of Singapore).

The sea sports event, held in the waters off Collyer Quay, featured a series of races with traditional boats such as koleks, as well as competitions that ranged from tub-races, greasy poles, swimming, diving and even cock-fighting and attracted participants from the islands not just of Singapore, but also from those in the Riau Archipelago - maintaining a centuries old cultural connection that has in the post-independent years been broken with the tighter enforcement of border controls.

A tub-race during the sea sports event in 1960 (Straits Times).

Tracing its origins to a regatta that was organised in 1834, five years before it became an annual event by European merchants, the sea sports event would draw crowds in the tens of thousands to Collyer Quay. With the introduction of races that featured traditional boats, the event would keep alive Singapore’s coastal inhabitants connections with the sea for well over a century. Sadly, as with many of the traditions that were very much a part of who we were, the new year races have long been abandoned in a Singapore that cares little for its past.

A greasy-pole competition during the New Year Sea Sports in 1929 (National Archives of Singapore).

The tens of thousands that are now drawn to the areas where the Inner Roads were – much of which now forms the western part of the new world that is Marina Bay, are treated to a very different spectacle these days. The especially big celebration  at this year’s countdown event included a concert on The Float @ Marina Bay – a temporary floating stage that was originally intended to stand-in as an event venue in the time it took the National Stadium to be constructed; saw the likes of popular local artistes such as the Dim Sum Dollies, Stefanie Sun and Dick Lee and Kit Chan, as well as popular K-Pop group BIGBANG create a big bang.

K-Pop group BIGBANG - clearly the highlight of the evening's lineup on stage.

K-Pop group BIGBANG – clearly the highlight of the evening’s lineup on stage.

As might have been expected, BIGBANG drew the loudest response of screams from the youthful crowd. It would however have been Kit Chan’s rendition of local favourite “Home” for which she was accompanied by Dick Lee – the song’s composer, on piano just before the turn of the year, that made the event especially memorable for all of Singapore as it prepares to celebrate its jubilee year.

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Stefanie Sun

Stefanie Sun

The city's ultra modern skyline - illuminated in colours selected for the New Year.

The city’s ultra modern skyline – illuminated in colours selected for the New Year.

Dick Lee and Kit Chan gave a stirring performance of Home.

Dick Lee and Kit Chan gave a stirring performance of Home.





An Ocean of Possibilities

4 11 2014

In An Ocean of Possibilities, we may find a sea of change. A photography exhibition brought to Singapore through a collaboration between Singapore International Photography Festival (SIPF) and Noorderlicht International Photo Festival in Groningen, An Ocean of Possibilities features the thought provoking works of 34 internationally acclaimed photographers who find unlikely forces for change in the midst of  the trials and tribulations of tragedy, conflict and upheaval.

Finding out how a camera obscura works in An Ocean of Possibilities.

Hands-on in finding out how a camera obscura works in An Ocean of Possibilities.

It is a theme that SIPF Festival Director, Gwen Lee, says that Singapore is no stranger to, having overcome many obstacles in charting its course through to an improved future. To Ms Lee,  the ocean “signifies a test of our courage, imagination and capabilities to take the path less trodden”, a path that is taken by the subject in the works.

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The exhibition at the ArtScience Museum, which opened on 31 October 2014 and will run until 28 December, sees over 200 works – photographs and videos, on display. Among the photographs are the works of two Singaporeans, Zhao Renhui and Lim Weixiang in the 34 that have been selected from over 1000 submissions.

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The works that I thought were especially provoking are those of Alex Masi, Ana Galan, Matthew O’Brien and Loulou d’Aki. Masi’s Bhopal Second Disaster is particularly so in examining the continuing fallout of the Bhopal disaster, 30 years on, through a series of haunting images. In all this, Masi finds hope in adversity, a hope that a population abandoned by those who should be making wrongs right, have found from within.

Photographs from Alex Mesi's Bhopal Second Disaster.

Photographs from Alex Masi’s Bhopal Second Disaster.

d’Aki also finds hope in the future – through the faces of the youth of the Middle East and in their dreams and ambitions in Make A Wish, while O’Brien finds beauty in the common folk of Colombia in lives where the threat of violence and misery is ever present through a series of Polaroids in No Dar Papaya. In Galan’s In a Quest for Utopia, we are made to take a look at a Myanmar, which in spite of democratic reforms, continues to be dominated by the politics of the past half a century. Galan’s work sees a homage paid to activists who in continuing a fight for freedom put their lives and their own personal freedom at risk.

Ana Galan's portrait of Nay Yee Ba Swe with the words of Article 37 of the Burmese Constitution superimposed.

Ana Galan’s portrait of Nay Yee Ba Swe with the words of Article 37 of the Burmese Constitution superimposed.

Polaroids from Matthew O'Brien's No Dar Papaya.

Polaroids from Matthew O’Brien’s No Dar Papaya.

Loulou d'Aki's Make A Wish - hope for the future seen in the faces of the youth of the post Arab Spring Middle East.

Loulou d’Aki’s Make A Wish – hope for the future seen in the faces of the youth of the post Arab Spring Middle East.

A quite enjoyable part of the exhibition are the interactive activities that Hands On Lenses, curated by artscientist Isabella Desjeux, that visitors can participate in. Participants will be able to make their own magnifier, understand how a camera obscura works and use their smart phones to take photos of magnified objects. Hands On Lenses workshops will be conducted by Isabella Desjuex on 8 and 9 and 22 November, 13 and 20 December. In addition to this, Marina Bay Sands’ resident photographers will be conducting two courses, Photographing Stories on 23 and 30 November and Shooting Travel Photos like a Pro on 13 December.

Hands on Lenses.

Hands on Lenses.

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In addition to this, ArtScience Museum will also be organising a free symposium on 8 November, Digital Frontiers: Exploring the context of Digital Imaging. This will see academic experts in the art and science field, Dr Vasillios Vonikakis from Advanced Digital Sciences Center and Associate Prof Oh Soon-Hwa from Nanyang Technological University exploring how digital photography has changed our perception of images today. The session will also include a discussion on how technological advances have spurred greater progress in key areas within the artistic and scientific domains.

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More information on the exhibition and workshops can be found at the ArtScience Museum’s site and also the SIPF website. A exhibition guide can be downloaded here.

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Artistic Impressions by Shunji Matsuo

3 11 2014

Renowned for his artistic creations in the hair salon, hairstylist Shunji Matsuo unleashes another dimension in his creative genius in Artistic Impressions, an exhibition running until 13 November 2014, which showcases not only his contribution to hairstyles, but also some 40 paintings and over 20 sculptures and headdresses. The exhibition, curated by Steven Lim, a late bloomer in the field of art – interestingly he was a ship designer before he put himself through art school close to the age of 60, is being held at the Japan Creative Centre in Nassim Road.

A model dressed in Shunji Matsuo's happy colours at the opening of the exhibition on Friday.

A model dressed in Shunji Matsuo’s happy colours at the opening of the exhibition on Friday.

I thought that the works, which in most part have a recurring theme centered around women and hairstyles – have also been inspired by contemporary artists such as Yayoi Kusama and subjects such the Amasan in Japan, are rich in colour (yellow is said to be his happy colour) and have a rather intriguing child-like quality.

A work inspired by Yayoi Kusama.

A work inspired by Yayoi Kusama.

Matsuo at the opening.

Matsuo at the opening.

The exhibition is well worth a visit not just for Matsuo’s happy expressions of creativity, but also because it gives you an opportunity to step into the gorgeous old world house that the Japan Creative Centre is housed in. More information is available at http://www.sg.emb-japan.go.jp/JCC/invite_shunji%20matsuo.html.

The gorgeous house the Japan Creative Centre is housed in.

The gorgeous house the Japan Creative Centre is housed in.

Matsuo's contributions to 50 years of fashion evolution.

Matsuo’s contributions to 50 years of fashion evolution.

Curator, Steven Lim.

Curator, Steven Lim.

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Divine faces in the dark

22 08 2014

Take a walk on the dark and somewhat mysterious side of the Bras Basah.Bugis precinct this weekend (and the next), and you might stumble upon a few surprises, all of which, if you are lucky enough, have nothing to do with the time of the year from the perspective of the Chinese calendar.  The precinct plays host to the annual Singapore Night Festival that brings life and colour to the streets and greens of the area along with a wonderful show of light in Night Lights.

Hauntings at the dark and mysterious yard of Singapore's Armenian Church.

Hauntings at the dark and mysterious yard of Singapore’s Armenian Church.

Night Lights is back for the Singapore Night Festival (** Ryf's Insert Caption Please is seen in the foreground).

Night Lights is back for the Singapore Night Festival (Ryf’s **Insert Caption Please is seen in the foreground).

Night Lights this year has installations that range from one inspired by a giant jellyfish inspired to the divine. The enchanting line-up of lights, include some of which I got to have a glimpse at last night. Standing out, not just among the installations, but also among the trees is Clement Briend’s Divine Trees found just east of the National Museum of Singapore. While seeing Briend’s projections, which leave ghostly like faces of divine figures imprinted on the leaves of several of the trees by the National Museum, can be initially a little disconcerting; it would certainly leave the view in awe as to how alive the seemingly three-dimensional projections seem. The installation is an attempt by the artist to “blur the divide between reality and imagination” and “a study of the divine and the spiritual in the world made visible by projection onto objects of nature”.

Divine faces in the dark.

Divine faces in the dark.

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Over at Singapore’s oldest church building, the Armenian Church, we see more ghostly figures, this time set among the gravestones of the exhumed graves of the church’s yard.  The figures, glowing in a ever changing change of colours, are dresses woven from 40 kilometres of fibre optic cable. Dresses of Memory is all the work of Taegon Kim,  the glow-in-the-dark figures are intended to convey the celebration of “being in love” and having “a lover’s silhouette imprinted on the webs of one’s memory”.

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The Armenian Church is also where a rather enjoyable installation, Scenocosme’s Alsos*, can be found. The installation, at first glance seemingly nothing more than a illuminated tangle of twigs, is one that invites the visitor to interact with it. By shinning a light on its flowers, and altering the light’s intensity, the visitor creates his or her own set of sounds with each flower filling the air with a different sound.

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A surprise very different and with a far less mysterious flavour awaited me along a narrow alleyway. That was where a bunch of some rather tough looking characters, ones you wouldn’t really want to mess with, seemed to be spoiling for a fight. The fight the tough dudes were looking for were fortunately not with us, but among themselves – they would be meeting in a wrestling ring that would be set up right on on Armenian Street next weekend (29 and 30 August) in the Singapore Pro Wrestling event as part of the exciting line-up of events for the Singapore Night Festival.

Singapore Pro Wrestling comes to the alleyways ...

Singapore Pro Wrestling comes to as alleyway …

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For more information on how to catch the wrestlers in action, the light installations, and the rest of the excitement at the Singapore Night Festival do visit the festival’s website at www.sgnightfest.sg. The festival’s happenings can also be followed on twitter at @BrasBasahBugis and on Facebook. There is also a festival guide available on instagram @SNFGUIDE. Hashtags for use during the festival are #SGNightFest and #SNFer. Do also refer to a previous post Bold and Beautiful – let’s Harp on it for more photographs and an introduction to this year’s festival.


A second look at WeComeInPeace’s Spirits of Nature at SAM for #SGNightFest

Through once familiar archways ...

Through once familiar archways …

... another look at WeComeInPeace's Spirits of Nature.

… another look at WeComeInPeace’s Spirits of Nature.

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Bold and Beautiful – let’s Harp on it

21 08 2014

Bold and Beautiful – in line with its theme for this year, the ever so magical Singapore Night Festival, is back! This year’s festival, on for two Fridays and Saturdays on 22 and 23 August and 29 and 30 August 2014 across the arts and cultural Bras Basah. Bugis Precinct, sees it being organised around five key zones, that will include for the first time, a Festival Village at Cathay Green – which will not be short of delectable offerings, entertainment and shopping opportunities. Two venues will also feature for the first time at the Night Festival, with the historic Armenian Church seeing two Night Lights installations and the National Design Centre (the former St. Anthony’s Convent), which will see a mini interactive exhibition with a ceiling of white illuminated helium filled balloons as well as two light installations.

The Singapore Night Festival is back - bolder and more beautiful.

The Singapore Night Festival is back – bolder and more beautiful – and sure to pull-in the crowds.

The highlight of this year's Singapore Night Festival has to be The Earth Harp at the National Museum's front lawn.

The highlight of this year’s Singapore Night Festival has to be The Earth Harp at the National Museum’s front lawn.

The highlight of the festival has to be the William Close performing on his Earth Harp at the National Museum’s front lawn – one of several spectacular performances being lined up for the Pretty Arty festival zone based at the museum. The Earth Harp Close creates for the Night Festival, sees the huge harp strung across to the National Museum’s façade – the use of architecture as part of his harp, is inspired by a quote “architecture is frozen music” from Frank Lloyd Wright. Close, who was a second runner-up in the seventh season of America’s Got Talent, will collaborate with several local and international  artists such as Singapore’s drum group ZingO and songstresses in the form of Sound of Sirens as well as the fire and lights of Austrian collective Phoenix over both festival weekends.

Willaim Close and his Earth Harp.

Willaim Close and his Earth Harp.

Close close-up.

Close close-up.

ZingO - a local drum group, who are collaborating with William Close.

ZingO – a local drum group, who are collaborating with William Close.

Pretty Arty also sees half human / half birds of Follies for É Birds by the Arts Fission Company in the former Fashion Gallery.

Pretty Arty also sees half human / half birds of Follies for É Birds by the Arts Fission Company in the former Fashion Gallery.

The festival sees the return of Singapore’s very own Starlight Alchemy, playing not so much with fire this time, but with light and acrobatics beside the Singapore Management University (SMU) School of Information Systems in a zone intended to reach out to Young Hearts around SMU Green. The acts will include AcroYogis – an acrobatic partner yoga presentation in which the audience can participate in, as well as Illuminated Playtime in which participants will be invited to play with LED lights.

AcroYogis by Starlight Alchemy.

AcroYogis by Starlight Alchemy.

Another look at AcroYogis by Starlight Alchemy.

Another look at AcroYogis by Starlight Alchemy.

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Watch 10 local DJs spin together on Stage at the SMU Green in the Young Hearts Zone.

Watch 10 local DJs spin together on Stage at the SMU Green in the Young Hearts Zone.

The 10 DJs on stage.

The 10 DJs on stage.

Always a crowd-pleaser, Night Lights, will also return – this time doubling in scale – with installations spread across the festival’s zones. Night Lights never spares the Singapore Art Museum (SAM), a building I always enjoy seeing bathed in light – like outstretched arms its wings are always welcoming as it had been when I went to school there all those years ago. This year the façade of the SAM will be see a nature inspired multi-media presentation, Spirits of Nature, by WeComeInPeace from France.

Spirits of Nature by WeComeInPeace.

Spirits of Nature by WeComeInPeace.

The two Frenchmen coming in Peace.

The two Frenchmen coming in Peace.

One of the students behind Singapore University of Technology and Design's Night Lights installation at SMU, Stop and Smell the Flowers ...

One of the students behind Singapore University of Technology and Design’s Night Lights installation at SMU, Stop and Smell the Flowers …

... the installation requires one to pause - only by pausing to take a long exposure photograph, can the artwork be appreciated.

… the installation requires one to pause – only by pausing to take a long exposure photograph, can the artwork be appreciated.

Greenhouse Effect - another Night Lights installation by Maro Avrabou and Dimitiri Xenakis from France.

Greenhouse Effect – another Night Lights installation by Maro Avrabou and Dimitiri Xenakis from France.

Other eye-catching Night Lights installations I got to see a preview of include Cyanea, inspired by the Cyanea capillata – one of the largest jellyfish in the world, spread across Cathay Green. The installation, illuminated by a set of colour-changing lights, with smoke and sounds for effect, is being put up by Cumulus Collectif also from France.

Night Lights: Cyanea by Cumulus Collectif.

Night Lights: Cyanea by Cumulus Collectif.

Back to the SAM, where the Roundabout Midnight zone is based around, there are several installations to look out for. These include, The Cloud of Unknowing  by Ho Tzu Nyen in the Chapel on 29 and 30 August, 2014 – a cinematic exploration of the cloud as image, metaphor and carrier for divine illumination; a NOISE Weekend @ SAM on 22 and 23 August at 8Q Plaza, SAM at 8Q that will feature emerging bands and musicians from NOISE Singapore’s Music Programme; Darker Than Wax DJs at SAM on 29 August; and The Local People x SAM Night Market on 30 August, 2014 – where visitors can eat, listen and shop at the art market along Queen Street.

Cyanea from its inside.

Cyanea from its inside.

A view of the Orchard Road Presbyterian Church, through Cyanea.

A view of the Orchard Road Presbyterian Church, through Cyanea.

The last zone, Block Party @ Armenian Street, will see a wild and happening Armenian Street where parties to late will be taking place. The parties will include one that will see much excitement with a ring put up on the second weekend right in the middle of Armenian Street (which will be closed to traffic from 8 pm to 2 am on festival nights). The ring will see wrestling bouts that will pit stars of Singapore Pro Wrestling – another first at the Night Festival.

And Tango makes the Singapore Night Festival.

And Tango makes the Singapore Night Festival.

A performance that might be worth catching at Block Party is How Drama ‘s Fat Kids are Harder to Kidnap, in Something Borrowed, Something New at The Substation Theatre, which will probably have you in stitches – not just because of the speed performance of 31 plays in an hour by the Singapore based improvisational performers, but also for their rather amusing take on current happenings. The performance, which will see the audience determine the sequence, has the audience laughing at the funny side of issues such as the much talked about Singapore Tourism Board’s “Honey, Look!” video advertisement as well as the National Library’s tango with the removal of children’s books from the shelves.

Honey, Look!

Honey, Look!

Admission to the Singapore Night Festival (including to the participating museums) is free. More information, including the festival guide, details of the performances, installations and also the artists, can be found at www.sgnightfest.sg. The festival’s happenings can also be followed on twitter at @BrasBasahBugis and on Facebook. There is also a festival guide available on instagram @SNFGUIDE. Hashtags for use during the festival are #SGNightFest and #SNFer.

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