The SGF Orchid Show

21 04 2018

President Halimah Yacob was treated to colourful displays of orchids at the Singapore Garden Festival (SGF) Orchid Show, which opened at the National Orchid Garden today. The show, one of three flower and horticultural shows being held for the first time as part of the SGF – now in its seventh edition, sees NParks partnering the Orchid Society of South East Asia (OSSEA) in anticipation of Singapore hosting the Asia Pacific Orchid Conference in 2022. Running from 21 to 29 April, it sees over 100 varieties of orchids on display. One of the show’s highlights is the 17 landscape displays found at the Orchid Plaza, 13 of which are competitive.

President Halimah Yacob viewing an orchid display at the show.

An interesting development that was announced by Mr. Lawrence Wong, Minister for National Development and Second Minister for Finance in his address at the opening was of the Botanic Gardens’ Seed Bank. Expected to be completed in 2019, it will occupy the largest of five colonial houses – House 4 – within Raffles College. Singapore’s first seed bank, it will play an important role in the conservation of plant species from Southeast Asia that are under threat and will have the capacity to hold seeds from some 25,000 species of plants. The facility, which besides laboratories, processing rooms and storage freezers, will also have interpretative galleries for visitors. The efforts are supported by HSBC, who madea donation of $103,000 through the NParks Garden City Fund.

Mr Lawrence Wong at the Opening.

More on the SGF Orchid Show, which opens from 8.30 am to 7.00 pm daily until 29 April and is free for all Singapore residents, can be found at the NParks website.

President Halimah Yacob and Mr Lawrence Wong viewing a landscape display at Orchid Plaza.

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Saving Haw Par Villa from (certain) Death

16 11 2017

The unique, quirky and once immensely popular Singaporean attraction, Haw Par Villa, is probably best remembered for the journey it offers its visitors into hell. Its representation of the path to rebirth imagined by the Chinese in its Ten Courts of Hell is gory and uninhibited. With a full suite of the gruesome range of punishments that is thought to be meted out for earthly misdeeds, the experience is certainly one that is not easily forgotten.

Haw Par Villa in its heyday. It drew visitors from all walks of life and of all races. It was especially popular as a destination for an outing during Chinese New Year.

Hell aside, Haw Par Villa is a garden of many delights, which quite sadly seems to have well been forgotten in an age in which attention has shifted to air-conditioned malls and modern attractions. The crowds that Haw Par Villa once drew has reduced to a trickle; a trickle in which inquisitive tourists, and migrant workers who lack welcoming spaces in which to spend to their days off, far outnumber the locals.

The garden attracts hardly a crowd these days.

Haw Par Villa seems to have embarked on its own journey to damnation. Death, it appears, will soon arrive at hell’s doorstep. A museum, a showcase of rituals associated with death in various cultures, now threatens to swallow hell up. Visitors, for the price of a ticket, can come face to face with death and even have the experience of being put in a coffin. The Ten Courts of Hell, it seems, will become a part of that paid death experience.

Death comes to Haw Par Villa.

I had a peek at an exhibition put up of what is to be expected, sans the coffin that was promised. On the basis of what has been put up, it is hard to see how death could aid Haw Par Villa’s cause. Death, as we know, is quite a taboo subject in this part of the world. It is bad enough that Haw Par is already remembered more for its garish version of hell, an added association with death, serves not just to distract from its value and purpose, but may further erode the already negative image many have of Haw Par Villa.

Wielding justice without his hand, Qinguang the god of the underworld at the first court of hell.

Developed by Mr Aw Boon Haw and spread over the sprawling grounds of a magnificent seven-domed villa by the sea he had built in 1937 for his younger brother Boon Par, it was not Mr Aw’s intention to have hell or for that matter, death, celebrated in the garden. Mr Aw had the grounds decorated with figurines and tableaux with scenes from Chinese folklore and the Chinese classics. Displays also contained messages related to traditional values and moral standards and had Buddhist or Taoist themes. Even if it was a private garden, this was done with the public in mind as Mr Aw had planned to have the garden opened to the public to whom the illustrations could provide moral guidance. Mr Aw made a huge effort to ensure the illustrations were accurate in their depiction, personally supervising artisans involved. This also required Mr Aw to retell the stories associated with the scenes being created to his artisans.

The villa’s swimming pool and changing room, 1941 (source: Private George Aspinall via Australian War Memorial, public domain, copyright expired).

The changing room of the swimming pool c.1950 (Harrison Forman Collection).

The changing room displaced.

There have been several deviations from Mr Aw’s original garden. Boon Par had passed on in 1944 in Rangoon and with the house damaged, Mr Aw had it demolished in the early 1950s. With his initial plan to replace the villa with a “grand palace”, modelled along the lines of the Beijing’s Imperial Palace, as well as a subsequent proposal for a 200 feet high pagoda, rejected by local authorities, Mr Aw set out instead to expand the range of tableaux. It was also in the 1950s, that a purge against “yellow culture”, resulted in the modification and dressing up of several nude figurines.

The gardens, which was opened to the public, was popular with both locals and visitors alike. Here, Australian nurses are seen visiting it in September 1941 (source: Australian War Memorial, public domain, copyright expired).

Australian nurses visiting Haw Par Villa (with the villa seen in the background) in September 1941 (source: Australian War Memorial, public domain, copyright expired).

Boon Par’s son Cheng Chye introduced several displays that broke with the garden’s theme and its Chinese flavour after his uncle’s death in 1954. An avid traveller, Cheng Chye put up International Corners to mark his overseas trips, which contributed to the garden’s quirkiness, even if it altered its character. Judging from the numerous photographs found online, the figurines Cheng Chye introduced, were popular spots to have photographs taken at.

Yours truly mimicking the tiki at the New Zealand (International) corner in 1976. The tiki was removed during the remaking of the gardens into a theme park in the late 1980s.

The biggest change came to the garden in the late 1980s. Haw Par Villa, which had lost its lustre by this time, had come into the hands of the Singapore Tourist Promotion Board, STPB (the current day Singapore Tourism Board, STB). At a cost of some S$80 million, a partnership formed by F&N and Times Publishing, turned the garden into the Haw Par Villa Dragon World. The theme park featured a water ride into a Ten Courts Of Hell that was swallowed by a dragon. The conversion resulted in several of the garden’s displays removed, including several of the International Corners. Haw Par Villa Dragon World, which opened in 1990, ran at a loss for most of its operational period and closed 11 years later in 2001.

The dragon that swallowed hell up – during its theme park days.

It would seem that Haw Par Villa has not recovered since, even the attempt to revive interest with a relaunch of it in 2014 as part of STB’s Tourism50 initiative. That promised much, but very little seems to have been delivered thus far. A contract, that if my memory serves me right was worth something to the order of $7 million, was awarded to a local operator in August 2015 for the running of the park and its rejuvenation. This, based  on a 15 October 2015 op-ed by Melody Zaccheus in the Straits Times, should have included the opening of five dining outlets and the transformation of the park into a place for art exhibitions, performances, flea markets, and yoga, taiji and wushu sessions. More than two years into this, little except that is for sketchy mentions of intent and promises for an application for UNESCO Heritage listing to be submitted, seems to have been done.

A view of the “Signature Pond” c.1950 (Harrison Forman Collection).

Drowning in sorrow – thin crowds and a now submerged Signature Pond .

Describing the garden as a “unique Chinese cultural resource”, “the only one of its kind left in the world”, the writer opined that urgent attention was needed with regards to its conservation. Little also seems to have moved in this respect since then. A heritage survey would have been conducted based on what was also mentioned. It would be interesting to see what, if anything, that could tell us about the park’s potential for conservation.

A display that has since been censored. A depiction of the Spider Spirits who attempted to impede the progress of the Monk Xuanzang in the story Journey to the West by trying to entice him through their transformation into beautiful maidens (source: G. Bertschinger on Flickr, Creative Commons License CC BY-SA 2.0).

The spider spirits were modified to appear less provocative and clothed in response to a movement against “yellow culture” in the 1950s.

The urgency to have Haw Par Villa conserved is certainly there with the development of the Greater Southern Waterfront looming over the horizon. That may not be due for some time yet, but this being Singapore, the planning effort for that would surely be carried out well in advance. Haw Par Villa, if it isn’t already in it, has to be part of that plan.

A Datuk Kong, who has quite clearly been resettled.

The park’s value from a heritage perspective, is not just in the lessons in Chinese values and culture it offers, but also for it as a showcase of a well forgotten side Chinese culture. Brought in by our less refined Chinese immigrant forefathers, it serves to remind us as well as tie us to a less refined side of a culture than isn’t necessary the same as the Chinese culture that is pervasive today. The garden is also a monument to the legacy of Mr Aw Boon Haw, who besides putting Singapore on the map with Tiger Balm, made significant contributions to society and was well regarded as a philanthropist. The park, built at a time when the municipality lacked public recreational spaces, is a reminder of this.

An ad for UTA French Airlines in 1965 suggesting a stopover in Singapore for its attractions, one of which was the “fantastic presentation of Chinese mythology at Haw Par Villa”.

The challenge in preserving Haw Par Villa for our future generations is in the revival and the subsequent maintenance of interest and relevance. In a letter written to the press on 31 Oct 2017, Mr Toh Cheng Seong expressed concern on the Death Museum and at the same time, provided several useful ideas. Rather than going on their own, STB and its operator will do well to seek input from the likes of Mr Toh, members of the wider community – young and old alike, and subject experts. For the attraction’s dying ambers to be rekindled, it has to be in the hearts and minds of all of us in Singapore. Any attempt to move ahead with none of us in mind will surely see the last of the 20,000 lights that Haw Par Villa once had a reputation for, extinguished.





The sun rises in Singapore’s north

9 08 2016

A collection of 51 photographs taken at sunrise that show that the north may have some of the best spots in Singapore to greet the new day.


Sunrise, Selat Tebrau (Straits of Johor), 6.54 am, 16 April 2016.

Sunrise over Beaulieu Jetty, 6.41am, 7 May 2016.

Gambas Avenue, 7.08 am, 18 February 2012.

Through the trees at Gambas Avenue, 7.08 am, 18 February 2012.

Greeting the new day, Sembawang Park, 17 April 2016.

Kampong Wak Hassan, 6.35 am, 25 May 2014.

Silhouettes at Kampong Wak Hassan, 6.35 am, 25 May 2014.

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The angry sky over Beaulieu Jetty, 6.55 am, 16 April 2016.

Sunrise, through the incoming Sumatras, 6.30 am, 28 May 2016.

The forgotten shore, 6.47 am, 24 July 2013.

Colours of the forgotten shore, 6.47 am, 24 July 2013.

Through the storm, 7.09 am, 9 June 2013.

A sunrise through the storm, 7.09 am, 9 June 2013.

Kampong Wak Hassan, 22 May 2013.

Solitude, Kampong Wak Hassan, 22 May 2013.

The rising sun over the strait, 7.11 am, 30 March 2013.

Over the strait, 6.41am, Christmas Day 2014.

Over the strait, 6.41am, Christmas Day 2014.

Lower Seletar Reservoir, 6.34 am, 18 December 2013.

Colours of the morning, Lower Seletar Reservoir, 6.34 am, 18 December 2013.

Colours, 6.55 am 30 March 2013.

Colours of the morning, Kampong Tengah, 6.55 am 30 March 2013.

The straits, 7.00 am, 31 May 2013.

Rising of the sun, the straits, 7.00 am, 31 May 2013.

After the storm, 6.43 am, 9 October 2013.

Colours after the storm, 6.43 am, 9 October 2013.

Light through the darkness, 7.03 am, 18 August 2013.

Light through the darkness, 7.03 am, 18 August 2013.

The early harvest, 6.34 am, 2 May 2013.

The early harvest, 6.47 am, 2 May 2013.

The fence, 7.02 am, 2 February 2013.

The seawall, 7.02 am, 2 February 2013.

The view towards Pasir Gudang, 6.58 am, 21 November 2013.

The rising sun over Pasir Gudang, 6.58 am, 21 November 2013.

6.50 am, 24 June 2012.

Light rays, 6.50 am, 24 June 2012.

6.45 am, 7 June 2014.

Dark and light, 6.45 am, 7 June 2014.

Walking on water, 6.44 am, 14 June 2014.

Walking on water, 6.44 am, 14 June 2014.

The forgotten shore, 6.25 am, 15 June 2014.

First light, the forgotten shore, 6.25 am, 15 June 2014.

6.55 am, 22 June 2012.

Red clouds over the straits, 6.55 am, 22 June 2012.

Through the haze, 7.09am, 21 June 2016.

The rising sun through the haze, 7.09am, 21 June 2012.

7.19 am, 22 December 2012.

Morning glow, 7.19 am, 22 December 2012.

Sunrise over Mandai, 6.51 am, 3 October 2013

Sunrise over Mandai, 6.51 am, 3 October 2013.

6.54 am, 5 June 2014.

Colours of the new day, 6.54 am, 5 June 2014.

The seawall, 6.45 am, 7 June 2014.

The bench, 6.45 am, 7 June 2014.

The seawall, 6.31 am, 8 June 2014.

The bench, 6.31 am, 8 June 2014.

The incoming tide, 7.14 am, 14 June 2014.

The incoming tide, 7.14 am, 14 June 2014.

Happy campers at sunrise, 6.45 am, 19 June 2014.

Happy campers at sunrise, 6.45 am, 19 June 2014.

6.22 am, 31 May 2014.

A pastel shaded morning, 6.22 am, 31 May 2014.

The cyclist, 6.38 am, 30 May 2015.

The cyclist, 6.38 am, 30 May 2015.

The fisherman, 6.36 am, 5 June 2015.

The fisherman, 6.36 am, 5 June 2015.

The finger pier, Sembawang Shipyard, 6.41am, 9 June 2015.

The finger pier, Sembawang Shipyard, 6.41am, 9 June 2015.

Pretty in pink, 6.22am, 1 June 2015.

Pretty in pink, 6.22am, 1 June 2015.

On the jetty, 6.52 am, 28 February 2015.

On the jetty, 6.52 am, 28 February 2015.

The beach, 6.22 am, 28 March 2015.

The beach, 6.22 am, 28 March 2015.

Tossing the crab trap, 7.02 am, 1 March 2015.

Tossing the trap, 7.02 am, 1 March 2015.

The last trees of the Sungei Seletar mangrove forest, 7.06 am, 26 May 2016.

The last trees of the Sungei Seletar mangrove forest, 7.06 am, 26 May 2016.

Dreamy, 6.39 am, 24 November 2016.

Dreamy morning, 6.39 am, 24 November 2014.

Three's company, 6.36 am, 13 November 2014.

Three’s company, 6.36 am, 13 November 2014.

Where once there were trees, 6.52 am, 30 October 2014.

The sun rises on a changing landscape, 6.52 am, 30 October 2014.

The new world, 6.55 am, 21 November 2014.

The new world, 6.55 am, 21 November 2014.

Bubu man, 6.49 am, 13 November 2014.

Bubu man, 6.49 am, 13 November 2014.

The rising sun, 6.50 am, 24 November 2014.

The rising sun, 6.50 am, 24 November 2014.

Play, 6.53 am, 24 November 2014.

Play, 6.53 am, 24 November 2014.

Through the storm.

Under the clouds, 22 November 2013.

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Over the last forested hill, 9 July 2016, 6.24 am.






The Singapore Garden Festival 2016

28 07 2016

The sixth edition of the Singapore Garden Festival is back! Running from from 23 – 31 July 2016 at the Gardens by the Bay, this year’s event covering an area of some 9.7 hectares, is the largest ever. The highlight of the festival is probably at The Meadow. Here visitors will be treated to eye-catching creations by some of the world’s gardening greats including the nine Landscape Show Gardens, six Fantasy Show Gardens, fourteen Floral Windows to the World and five Balcony Gardens – all of which are crowd favourites.

My favourite landscape show garden - The Treasure Box by Inch Lim of Malaysia.

My favourite landscape show garden – The Treasure Box by Inch Lim of Malaysia.

Modern Day Maui - a Fantasy Show Garden by Adam Shuter of New Zealand.

Modern Day Maui – a Fantasy Show Garden by Adam Shuter of New Zealand.

Another favourite will have to be the burst of colours in the Flower Dome provided by the Orchid Extravaganza. On display are a rich heritage of orchids that will provide an appreciation of what the world’s most diverse botanical family has to offer.

An award winning Rawdon Jester 'Great Bee' at the Orchid Extravaganza at the Flower Dome.

An award winning Rawdon Jester ‘Great Bee’ at the Orchid Extravaganza at the Flower Dome.

More unusual orchids.

More unusual orchids.

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A host of other displays and activities are also lined up for the festival including a Learning Garden, a Landscape Design Challenge featuring teams of students, the World Of Terrariums which sees more than 100 creative displays of terrariums put up by students, hobbyists and community gardeners. There is also a Vibrant Marketplace in the non-ticketed area to look out for. This sees over 100 booths offering both sustenance and items such as plants, gardening and landscape products and services, and arts and crafts.

A pineapple plant, one of the many useful plants - kitchen-wise at the Learning Garden.

A pineapple plant, one of the many useful plants – kitchen-wise at the Learning Garden.

The festival also features a photo and an Instagram contest.  The “Tropical Floral Wonderland” Photography Contest offers prizes such as a Nikon D750 kit set, Nikon D7200 (18 – 105mm) kit set and Nikon D5500 (18 – 55mm) kit set. To enter, photos should be submitted by email to sggardenfest@gmail.com by 1 August 2016. For mobile phone photographers, uploading a photo to Instagram with the hashtag #sggardenfest (post has to be set as public) or via the contest page on the SGF Facebook page during the Festival period, will qualify entrants for a chance to win Nikon COOLPIX S7000 cameras.

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The festival runs until Sunday. More information, including ticketing can be found at the Singapore Garden Festival website.


More photographs from the festival:

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More Fantasy Gardens – Mystical Depths by Hugo Bugg of the UK.

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A Garden in a Flower, a Fantasy Garden by Michael Petrie of the US.

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Dare to Dream, a Fantasy Garden by John Tan and Raymond Toh of Singapore.

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Another crowd favourite – Nature’s Resolution, a Fantasy Garden by Stefano Passerotti of Italy.

Power of the Earth, a Fantasy Garden by Katsuhiko Koga and Kazuhiro Kagae of Japan.

Power of the Earth, a Fantasy Garden by Katsuhiko Koga and Kazuhiro Kagae of Japan.

Another view of Modern Day Maui.

Another view of Modern Day Maui.

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The Sugarcane Maze – a Landscape Garden by Kong Jian Yu of China.

The Sugarcane Maze - a Landscape Garden by Kong Jian Yu of China.

Another view of the Sugarcane Maze – a Landscape Garden by Kong Jian Yu of China.

Back to Nature - a Landscape garden by a South African / New Zealand team.

Back to Nature – a Landscape garden by a South African / New Zealand team.

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Benny’s Sunflower Farm.

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Gary’s Musical Flower Field.

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Another view of Gary’s Musical Flower Field.

Winter Wonderland.

Winter Wonderland.

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A Balcony Garden.

Galaxy Floristic - Floral Windows into the World.

Galaxy Floristic – Floral Windows into the World.

Another Floral Windows into the World display.

Another Floral Windows into the World display.

A Celebration Floral Table.

A Celebration Floral Table.


More photographs from the Orchid Extravaganza:
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The last forested hill in Sembawang

11 07 2016

Sitting in relative isolation and surrounded by a lush forest of greenery for much of the 77 years of its existence, Old Admiralty House may soon find itself in less than familiar settings. The National Monument, built as a home away from home for the officer in command of the British Admiralty’s largest naval base this side of the Suez, will soon find itself become part of Sembawang’s sports and community hub.

Dawn over a world on which the sun will soon set on. Old Admiralty House in its current isolation on top of a hill, with the fast invading sea of concrete in the background.

The hub, it seems from what’s been said about it, will feature swimming pools, multi-play courts, a hawker centre, a polyclinic and a senior care centre; quite a fair bit of intervention in a quiet, isolated and of late, a welcome patch of green in the area’s fast spreading sea of concrete. Plans for this surfaced during the release of what became the 2014 Master Plan, which saw a revision on the intended location of Sembawang’s sports and recreation complex from the corner of Sembawang Avenue and Sembawang Road to the parcel of land on which the monument stands.

The original intended location of the sports and recreation complex in Sembawang (area shaded in light green) [URA Master Plan 2008].

The original intended location of the sports and recreation complex in Sembawang (area shaded in light green) [URA Master Plan 2008].

The monument, a beautifully designed Arts and Crafts movement inspired house, is without a doubt the grandest of the former base’s senior officers’ residences built across the naval base.  Set apart from the other residences, it occupies well selected position placed atop a hill in the base’s southwestern corner, providing it with an elevation fitting of it,  a necessary degree of isolation and privacy, and the most pleasing of surroundings – all of which will certainly be altered by the hub, notwithstanding the desire to “incorporate the natural environment and heritage of the area”.

A day time view.

A day time view.

The revised location of the sports and recreation complex in Sembawang (area shaded in light green) [URA Master Plan 2014]

The revised location of the sports and recreation complex in Sembawang (area shaded in light green) [URA Master Plan 2014].

The naval base that Old Admiralty House recalls is one to which colonial and post-colonial Singapore owes much economically. With the last working remnants of the base are being dismantled, the area is slowly losing its links to a past that is very much a part of it and Singapore’s history and whatever change the creation of the sports and community hub brings to Old Admiralty House and its settings, it must be done in a way that the monument at the very least maintains its dignity, and not in a way in which it is absorbed into a mess of interventions that will have us forget its worth.

Detail of a 1945 Map of the Naval Base showing the area where ‘Admiralty House’ is. The house is identified as the ‘Admiral Superintendent’s Residence’ in the map.


More on Old Admiralty House: An ‘English country manor’ in Singapore’s north once visited by the Queen


Around Old Admiralty House

The former Admiralty House, likened by some to an English country manor.

The former Admiralty House, likened by some to an English country manor.

The swimming pool said to have been constructed by Japanese POWs.

A swimming pool said to have been constructed by Japanese POWs.

Evidence of the through road seen in an old lamp post. The post is one of three that can be found on the premises.

An old concrete lamp post on the grounds.

What remains of a flagstaff moved in May 1970 from Kranji Wireless Station.

What remains of a flagstaff moved in May 1970 from Kranji Wireless Station.

Inside the bomb shelter.

An air-raid shelter found on the grounds.





Another Ubin celebration

24 05 2016

Just as the festivities in honour of the Taoist deity Tua Pek Kong are taking place at Pulau Ubin, a celebration of a different kind was being held in another part of the island at the Ubin Living Lab. Graced by Senior Minister of State (Home Affairs and National Development) Desmond Lee, the event, held in conjunction with the International Day of Biological Diversity on 22nd May, was marked by the planting of mangrove saplings by volunteers of all ages at  the lab’s rather muddy mangrove arboretum.

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The former Celestial Resort, now used as the Ubin Living Lab.

The mangrove arboretum.

The mangrove arboretum.

Those present for the event also learnt of several important and timely initiatives – all part of the Ubin Project, to enhance the island’s biodiversity and to protect its badly eroded northern shoreline from further damage. These include species recovery efforts aimed at increasing the diversity of insect eating bats on the island and the Oriental Small-clawed Otters. Native to Pulau Ubin and Pulau Tekong, this species of otters are less commonly seen than the Smooth-coated Otters that have been making waves across Singapore and are critically endangered.

Senior Minister of State (Home Affairs and National Development) Desmond Lee speaking.

Senior Minister of State (Home Affairs and National Development) Desmond Lee speaking.

The effort to rehabilitate the northern shoreline, which includes the badly eroded Noordin Beach – once a popular camping spot, will also see a 500 metre coastal boardwalk being built (see photographs below). Work on this will commence in 2017 and more information on this and on the species recovery efforts can be found at the NParks website.

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Volunteers planting trees at the mangrove arboretum at the Ubin Living Lab.

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The younger ones got involved too.

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Posters on display at the event with information on the initiatives

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Ubin’s biodiversity.

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Species recovery efforts on Pulau Ubin.

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Restoration of the shoreline.

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Restoration of the shoreline.

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The proposed boardwalk off Noordin Beach.


 





More northern light

19 04 2016

Another dramatic show of light captured along Singapore’s northern coast, this one after sunset at 7.18 pm on the 15th of June 2014. The view is towards the Shell Woodlands jetty and across the Straits of Johor over to Johor Bahru. The point at which this was captured is in the are of Woodland Waterfront where the Royal Malaysian Navy maintained their main naval base, KD Malaya, until 1979.








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