Losing its fizz: the third milestone without the former National Aerated Water plant

11 12 2016

It seems that time may finally be called on the former National Aerated Water Company’s bottling plant at 1177 Upper Serangoon Road. Long a landmark at the 3rd Milestone, it sits on a valuable freehold site that has just been sold for quite a tidy sum to a Malaysian developer according to on a report in yesterday’s Straits Times. One of a handful of structures left along a stretch of the Kallang River that recall the river and the area’s rich industrial past.

An icon at the 3rd Milestone.

An icon at the 3rd Milestone (Nov 2016).

Those of my vintage will remember the plant with fondness. Built with hints of an Art Deco influence, it will not only be for its unique and “un-industrial” appearance in the context of the industrial buildings of a more recent age, but also for its production of Kickapoo Joy Juice and Sinalco. Kickapoo in its signature green bottle and inspired by the comic strip Li’l Abner – which had a lengthy run in the local newspapers, was an especially popular choice. Sinalco, of German origin,  might have been less so, but had its fans. A third drink that would be introduced by the plant in the 1970s, Royal Crown or RC Cola, had much less of an impact.

A view through the fence to a reminder of the past.

A view through the fence to a reminder of the past (April 2012).

While one could quite easily miss noticing the row of shophouses just up the road with its stone working shops that catered to the demand for headstones and religious statues from Bidadari cemetery just a mile down the road and an oddly located shop hawking Czechoslovakian Petrof pianos; the factory and another iconic structure nearby, the Serangoon Fire Station, would have caught the attention of most who passed through. The rather notorious Woodsville junction or previously roundabout just down the road, where chaos reigned with its confluence of six major roads, brought traffic to a slow enough crawl, allowing for more than just a cursory glance at the plant.

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Locked gates (Nov 2016).

naw-petaling-jaya-2012The factory added its presence in 1954, the same year the National Aerated Water Company had marked its 25th anniversary. The investment, amounting to some S$500,000, gave the company an output to 48,000 bottles a day – more than twice what its previous plant at Hamilton Road could manage (see New $500,000 soft drinks factory opens in Oct, The Straits Times, 23 July 1954). The motivation for the new plant was the exclusive rights the company had won in 1952 to bottle and distribute Sinalco in the region.  Sales of the company’s products grew at a phenomenal rate, increasing 30% year-on-year through the new facility’s first decade. A second plant would built in 1964. Located in Petaling Jaya near the “Rothmans Roundabout”, it catered to the growing demand up north.

A peek inside.

A peek inside (Apr 2012).

Things began however to head south at the end of the 1970s. The death knell for the plant would be sounded in the 1990s when the Kickapoo licensor, Monarch Beverage, cancelled the agreement it had with the company. The company would also face a suit for copyright infringement, which it lost  (see : Infopedia page on the National Aerated Water Company) and the plant ceased production at the end of the 1990s. The site was left abandoned with a clutter of crates and empty bottles at its front yard for what seemed the longest of times.

The front yard cleared of its clutter.

The front yard cleared of its clutter (Apr 2012).

That the buildings are still around has very much to do with the fact that the sale and redevelopment of the site had been prevented by a long standing tussle over shares one of its shareholders, the late Ching Kwong Kuen (see: Ching Chew Weng Paul v Ching Pui Sim and Others [2009] SGHC 277) had placed in trust with one of his brothers and a niece. The Chings, whose roots were in steel work and ship repair business with Kwong Soon Engineering, interests in the bottling company began in 1953. Connected with Kwong Soon Engineering are two other industrial buildings with a non-industrial appearance including a 1933 Art Deco style foundry where it started. Both buildings are still around and found  at Cavan Road, which is just next to Hamilton Road where National Aerated’s first plant had been located.

Kwong Soon Engineering's two buildings at Cavan Road, including its former foundry on the left.

Kwong Soon Engineering’s two buildings at Cavan Road, including its former foundry on the left.

Kwong Soon Engineering, some might remember, made the news in January 1996 when the RV Calypso, the famous mine-sweeper turned research vessel used by the legendary oceanographer Jacques Cousteau, sank at its yard in Tuas. The vessel was hit by a barge that had broken free of its moorings and left under 4.8 metres of water with only part of its superstructure and mast exposed.

Another look at the former foundry.

Another look at the former foundry.

With the privately held site long marked for residential development (with a plot area of 2.8), there seems little chance of anything being kept even if there are renewed calls being made for its conservation.  It will certainly be a shame to lose an icon that has long been part of the area’s identity and representative of a past being too rapidly forgotten to just another towering apartment block the area seems to already have much too much of.

The third milestone is being colonised by towering apartment blocks.

The third milestone is being colonised by towering apartment blocks (Nov 2016).


More photographs:

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Singapore’s oldest Catholic church now looks like its newest

28 11 2016

The beautifully restored Cathedral of the Good Shepherd, Singapore’s oldest Catholic church and a National Monument, re-opened on 20 November 2016 when it held its first mass in over three years. Sitting on a foundation of nothing more than compacted earth, its structure had been quite badly affected by ground disturbance caused by construction work in, around, and under it, which required it to be closed for repair work could be carried out.

As it turned out, the repair effort was quite timely. Columns supporting the pediment at the cathedral’s Victoria Street end gave way as the building was in the late stages of repair on 3 September 2015. Fortunately, the incident – which also saw the pediment come crashing down – happened at night and no one was hurt. The incident also led to the discovery that the supports, on which the weight of the steeple and bell tower also rests, were inadequate and required strengthening and a decision was taken to replace the original brick columns with stronger but lighter steel columns due to weight (which would increase structural load on the base) and time considerations. Another consequence of the collapse would have was in the discovery of the original time-capsule. This was placed beneath the cornerstone when that was laid on 18 June 1843. It was only found due to the work that was needed on the new structure. The time-capsule contained coins, newspapers and a service booklet from the time and its contents are now on display in the Cathedral Heritage Centre.

The entire project, which also involved restoration of the Cathedral and its rectory, as well as the construction of a new three-storey annex block – where the heritage centre is being housed – came at a cost of S$40 million. One of the key areas of repair required was in the underpinning of the cathedral building due to the lack of a suitable foundation. The intervention also allowed service ducts to be run under the building to carry both electrical cables and ducting for air-conditioning – a much welcome addition. The gallery pipe-organ  – Singapore’s oldest pipe-organ – was also restored. This required it to be shipped to the Philippines, which has a rich organ building. The restored pipe-organ also made its debut during the reopening mass when it so wonderfully accompanied the cathedral choir.

The Cathedral Choir making its entry before the opening mass on 20 Nov 2016.

The Cathedral Choir making its entry before the opening mass on 20 Nov 2016.

Standing room only. The opening drew a large crowd and pews were already filled as early as an hour and a half before mass.

Standing room only. The opening drew a large crowd and pews were already filled as early as an hour and a half before mass.

The sanctuary after the reopening.

The sanctuary after the reopening, with a new altar.

In 2013 with a large crack clearly visible on the wall behind it.

In 2013 with a large crack clearly visible on the wall behind it.

The gallery pipe-organ in 2016.

The gallery pipe-organ in 2016.

The gallery pipe-organ in 2013.

The gallery pipe-organ in 2013.

View down the nave, 2016.

View down the nave, 2016.

View down the nave, 2013.

View down the nave, 2013.

The repaired and restored Victoria Street end and the steeple.

The repaired and restored Victoria Street end and the steeple.

The view during the restoration, when steel columns were introduced (to be clad with masonry) for reasons of weight and time when the original structure gave way.

The view during the restoration, when steel columns were introduced (to be clad with masonry) for reasons of weight and time when the original structure gave way.

With its columns braced in 2010.

With its columns braced in 2010.

A close-up.

A close-up.

Archbishop William Goh after unveiling a new Pietà before the opening mass.

Archbishop William Goh after unveiling a new Pietà before the opening mass.

The old Pietà, seen in 2013.

The old Pietà, seen in 2013.

Another view of the new Pietà.

Another view of the new Pietà.

The old Pietà and the staircase to the choir gallery in 2013.

The old Pietà and the staircase to the choir gallery in 2013.

The choir organ in 2013, which has been removed.

The choir organ in 2013, which was in the north transept and has since been removed.

Where the choir organ was located.

Where the choir organ was located.

The cathedral in 2016.

The cathedral in 2016.

The Cathedral in 2013.

The Cathedral in 2013.

The Good Shepherd, 2016.

The Good Shepherd, 2016.

The Good Shepherd, 2013.

The Good Shepherd, 2013.

The annex building and the rectory as seen from Queen Street.

The annex building and the rectory as seen from Queen Street.

The view of the rectory from Queen Street in 2013.

The view of the rectory from Queen Street in 2013.

Balustrades, an original feature, were restored to the second level of the rectory turret.

Balustrades, an original feature, were restored to the second level of the rectory turret.

The turret before restoration.

The turret before restoration.

The old annex building, which was demolished.

The old annex building, which was demolished.

The old annex building, which was demolished.

The old annex building, which was demolished.

The garage, which was also demolished.

The garage, which was also demolished.

The old annex building, which was demolished.

The old annex building, which was demolished.

The restoration was originally scheduled for two years,

The restoration was originally scheduled for two years,

Before the restoration.

Before the restoration.

During the restoration.

During the restoration.

Exposed brickwork of the columns seen during the restoration.

Exposed brickwork of the columns seen during the restoration.


More views of the beautifully restored cathedral

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Ancient music in Jackie Chan’s ancient houses

20 10 2016

A most delightful gift to Singapore made by Hong Kong superstar Jackie Chan is the set of four structures that now grace the campus of the Singapore University of Technology and Design (SUTD) at Somapah. Dating back to the Ming and Qing dynasties, the structures were originally from Zhejiang province in China. A chance to have a look at them came with a Nanyin performance by the Siong Leng Musical Association held in the structures that I was invited to recently.

Ancient music in ancient structures. A performance by the Siong Leng Musical Association held in a main hall that was part of a house from Zhejiang.

Ancient music in ancient structures. A performance by the Siong Leng Musical Association held in a main hall that was part of a house from Zhejiang.

Part of a collection of ten ancient structures purchased by martial arts star with the intention that they be dismantled and re-erected as a home for his parents, the structures were put in storage for much longer than was intended. Little was documented on the assembly of the structures, which proved a challenge when the university looked at reassembling them.

The pavilion.

The pavilion.

The structures feature some rather interesting and previously unseen features in Singapore in which many Chinese structures are of the Minnan style. An examples of this is the exquisitely carved oversized wooden corbels seen in one of the structures, a late Qing dynasty pavilion. The pavilion, interestingly, also features a mix of styles seen in the wooden balustrades with a Suzhou flavour.

The Suzhou style is also seen in some of the features of the pavilion.

The Suzhou style is also seen in some of the features of the pavilion.

Close to the pavilion, another of the structures – an opera stage, has an interesting feature on its ceiling – a dome of sorts that acts to enhance the stage acoustics.

A feature on the ceiling of the opera stage that enhances the stage's acoustics.

A feature on the ceiling of the opera stage that enhances the stage’s acoustics.

Hokkien opera on an ancient opera stage.

Hokkien opera on an ancient opera stage.

A close-up.

A close-up.

There are also two structures, complementing parts of a Ming dynasty house and a Qing dynasty house, that have been put together in the setting of a lake. Featuring a mix of old and new in the glass panels that keep the air-conditioning in, the parts which have only a small difference in width, find harmony even if they were from different houses and from different times. The parts are a main hall and an inner hall where bedrooms would have been located. An interesting contrast between the two are the finished wooden columns seen in the main hall where guests would be entertained and the coarser looking (and less costly) unfinished columns in the inner more private area.

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In the inner hall.

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The two parts of two houses, complementing each other in the setting of a lake.

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The opera stage by night.

A carved corbel on the stage.

A carved corbel on the stage.

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What’s propping a mid 1800s pagoda up on Telok Ayer Street

27 09 2016

A curious sight found at one of Telok Ayer Street’s two beautifully restored mid-19th century Chinese pagodas, the Chung-Wen pagoda or Chong-Wen Ge (崇文阁), are eight figures that are seen propping up the pagoda’stop tier. Referred to rather disparagingly in  colloquial Hokkien as “dim-witted foreigners”, these figures carved from wood have no structural function and are purely decorative features. Similar figures, which are also sometimes made of clay, are apparently, quite commonly used in Minnan architecture and are thought to have their origins in the Tang Dynasty when they may have been used to commemorate the efforts of foreign labourers who were often involved in building projects.

The Chung Wen Pagoda.

The Chung Wen Pagoda.

Support beams for the uppermost tier of the pagoda, which feature carvings of non-Chinese men depicted as lending support to the structure.

Support beams for the uppermost tier of the pagoda, which feature carvings of non-Chinese men depicted as lending support to the structure.

A night-time view of the pagoda.

A night-time view of the pagoda.

The eight wooden cravings are just some of an amazing array of decorative work found in the incredibly beautiful pagoda. Built between 1849 and 1852, the pagoda, besides it features that define a strong Chinese flavour, also has features that speak of the influences present in the 18th century Singapore such as a wrought iron sprial staircase that was put in during a restoration effort in 1880 and encaustic floor tiles, which can also be found in other Chinese buildings in the country.

Decorative details.

Decorative details.

The second tier.

The second tier.

The reverse view.

The reverse view.

The wrought iron staircase.

The wrought iron staircase.

Linked with the Hokkien community, whose spiritual centre was at the next door Thian Hock Keng temple, the Chung-Wen pagoda apparently also had the support of other groups within the wider Chinese community. This is evident in one of three steles found on the site. The stele, which commemorates the pagoda’s construction, sees the names of Teochew leader Seah Eu Chin as well as that of a Hakka, Liew Lok Teck, alongside names associated such as Tan Kim Seng, Ang Choon Seng, Wee Chong Sun and Cheang Sam Teo from the Hokkien community.

The stele commemorating its construction.

The stele commemorating its construction.

A view of the entrance doorway to the Chong-wen Ge from the upper tier of the pagoda.

A view of the entrance doorway to the Chong-wen Ge from the upper tier of the pagoda.

We also see on the stele that a shrine dedicated to Zitong Dijun (梓潼帝君) was placed on the pagoda’s second tier. Zitong Dijun, also known as Wenchang (文昌), is considered to be the Chinese god of culture and literature, and is a patron deity of scholars. This is a clear indication of the Chung-Wen pagoda’s intended purpose as a place given to promoting learning, although not all experts agree on the manner in which it was done. What is clear however, is that the Chong-Wen Ge was where the written word was venerated. This was carried out through the practice of the burning of papers on which words have been written, in honour of the inventor of Chinese characters, Cangjie (倉頡). The installation of a small paper burning pagoda on the site for this purpose is also recorded on the stele.

A view from the pagoda across to the Thain Hock Keng and the former Keng Teck Whay.

Old world gods now surrounded by the gods of the new world  – a view from the pagoda across to the Thain Hock Keng and the former Keng Teck Whay and the financial centre of the city beyond it.

The building which housed the Chong Hock School.

The building which housed the Chong Hock School.

The practice of burning the written word ended in 1910 when the trustees of the Chong-Wen Ge handed control of it over to the Thian Hock Keng temple, although it can be said that the written word was then celebrated in a different manner with the founding of the Chong Hock School for girls in 1915. The school operated in the simple but lovely two storey building adjacent to the pagoda and only moved out in 1985 as Chongfu School.  The school’s building have seen several uses since and now houses the Singapore Musical Box Museum on its upper level. An encaustic tile shop and a Peranakan café is also now found on its ground level.

A view of the Chong Hock School building from the pagoda.

A view of the Chong Hock School building from the pagoda.

The Chong-Wen Ge, which translates as the Institute for the Veneration of Literature, was gazetted as a National Monument in 1973 with the Thian Hock Keng. Its wonderfully restored state is the result of its last major restoration effort which was undertaken between 2001-2003. More information on it and other conserved former school buildings can be found in a URA Heritage Schools Pamphlet.

Decorative detail on a door on the pagoda's second level.

Decorative detail on a door on the pagoda’s second level.

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A view from Telok Ayer Street.

A view from the cafe.

A view from the cafe.


A close-up of the eight “dim-witted foreigners”

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The rainbow connection

16 09 2016

A rainbow appears over the “Rainbow Flats”, as Rochor Centre is sometimes referred to, as if to say goodbye on the morning of 14 September 2016. Built to house residents and business displaced by urban redevelopment in the late 1970s, the Housing and Development Board built podium residential cum commercial development is due to make way very soon for the construction of the North-South Expressway.  For more on the complex and its last days, do visit an earlier post: Parting Glances: Rochor Centre in its last days.





An enlightened reflection

13 09 2016

A sight not to be missed in the Balestier Road area, is that of the large white marble Buddha and its reflection off the polished marble floor the Burmese Buddhist Temple at Tai Gin Road.

Thought to be the largest such Buddha image outside of Myanmar, the 11 feet tall statue dates back to the early twentieth century and was made of a ten ton block of marble obtained from Sagyin Hill near Mandalay – said to be where the best quality Burmese marble is found. The Buddha, which weighed eight tons completed, arrived in Singapore on 10 December 1921 and was placed temporarily at a house at the third milestone of Serangoon Road before being moved into its intended home – the Burmese Buddhist temple at Kinta Road, in 1925.

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The Buddha on the move again on 2 May 1988 when the new temple at Tai Gin Road was being built. A 12 April 1988 article in the Straits Times gives us some idea on the complexity of that move, which required a huge iron cage to be made for it to be lifted.

The temple at Tai Gin Road, laid out in a traditional Burmese style, features a tiered roof that is decorated with woodcarvings made from 19 tonnes of Burmese teak. A golden pagoda typical of Myanmar can also be seen topping the temple. The temple was consecrated in 1991 and serves a community that long has links to Singapore.  More information on the Buddha and the temple can be found at the temple’s website.


More photographs of the temple:

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A pair of lanterns depicting the watermelon playground at Tampines.

The golden pagoda of the temple glowing in the night – as seen from the Wan Qing Yuan.

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The fallen star of MacTaggart Road

6 09 2016

Long a landmark in the area, the Star at the corner of MacTaggart and Burn Roads – the former Khong Guan Biscuit Factory, is sadly, having its insides ripped out. The building, which was constructed in 1952 and given conservation status in December 2005. Sitting now behind hoardings, it seems that its face is all that is being conserved.

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The Star and its delightful front grille gates in April 2013.

Described in a Straits Times report earlier this year as a three-storey modernist structure, the building also provided office space for the family owned business which has long been a household name in Singapore, as well as store spaces, a shopfront and accommodation to members of the family. The architect of the building and Khong Guan’s company architects since the 1950s, Chung Swee Poey & Sons, also had their offices on the second floor of the building.

Seen from MacTaggart Road in January this year.

Seen from MacTaggart Road in January this year.

More on the building can be found at the following links:


Photographs of the former Khong Guan Biscuit Factory

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The former factory as seen from Burn Road in April 2013.

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A display window at the former factory as seen in April 2013.

Entrance to offices along MacTaggart Road, Seen in January 2016.

Entrance to offices along MacTaggart Road, Seen in January 2016.

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The front of the former factory as seen in April 2013.

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The former factory behind hoardings in September 2016.

The former factory behind hoardings in September 2016.

It appears that all that is being conserved is the building's façade.

It appears that all that is being conserved is the building’s façade.









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