Celebrating Places and Memories – a photo contest by SLA

29 04 2016

The Singapore Land Authority (SLA), the agency that oversees the management of State Land and Property in Singapore will be opening Tanjong Pagar Railway Station to the public on Labour Day, 1 May 2016. In conjunction with this, SLA will also be launching a photo contest themed “Celebrating Places and Memories”.

A celebration of space and memory at Tanjong Pagar Railway Station in its days of glory.

The contest, for which members of the public are encouraged to share their memories of State properties such as the former railway station, will run from 1 May to 12 June 2016. Intended to create greater awareness and appreciation of State buildings, many of which are rich in heritage and character, there will be two contest categories: Open and Instagram.

Light streaming through a former barrack block at the former Tanglin Barracks at Loewen Road.

The Open category will offer top 3 cash prizes of $3,000, $2,000 and $1,000, with 10 merit prizes each worth $250. 10 prizes will be awarded for the Instagram of $200 each.

Windows into a time forgotten.

Windows into the past – Old Admiralty House.

Submissions may involve any State property, and participants will be directed to the Land query service on Onemap to confirm that the property belongs to the State. A caption (of 50 words or less) should accompany each submission, stating why the State land or building holds significant meaning to the participant. Bonus points will also be awarded for Open category submissions that are also uploaded on SLA’s one Historical Map app.

Command House at 17 Kheam Hock Road.

Command House at 17 Kheam Hock Road.

Submissions may be made from 1 May onwards. For the Open category, this should be emailed to slacontest@spoc.com.sg. For Instagram, intended entries should include the hashtag #SLAplacesandmemories. Further details on the contest will be available on the SLA contest microsite.

The last E&O Express train to depart from Tanjong Pagar Railway Station, seen at Bukit Timah Railway Station in June 2011.


Open Houses at State Property:

Note: Other than the open house at Tanjong Pagar Railway Station (another will be held on Vesak Day, 21 May 2016), SLA will hold open houses at two other properties to allow would be participants of the photo contest to photograph them.

These will be at the very grand former Command House , now the UBS Business University campus at 17 Kheam Hock Road on 7 and 8 May from 10 am to 1 pm, and parts of Old Kallang Airport on 15 May from 10 am to 1 pm.  Pre-registration is required.

Do look out for the announcement and further information that will be posted on the SLA’s Facebook Page.

(For information relating to registration for the Command House open house, kindly visit this link)


A non-exhaustive list of State Land and Buildings for which submissions are encouraged:
1 Bukit Timah Railway Station including Truss Bridge
2 Alkaff Mansion (10 Telok Blangah Green)
3 The Grandstand (200 Turf Club Road)
4 Johore Battery (27 Cosford Road)
5 Former Bukit Timah Fire Station (260 Upper Bukit Timah Road)
6 Former Admiralty House (345 Old Nelson Road)
7 Old Kallang Airport (19 Old Airport Road)
8 Red Dot Museum (28 Maxwell Road)
9 Seletar Black & White houses (inside former Seletar airbase)
10 Tanglin Village (Dempsey Road, Loewen and Minden Road)
11 Phoenix Park (within Kay Siang and Tanglin Road)
12 Raintr3 Hotel (33 Hendon Road)
13 Dragon Kilns (85 and 97L Lorong Tawas)
14 Bukit Timah Saddle Club (51 Fairways Drive)
15 Tanjong Pagar Railway Station
16 Former Central Police Station (99 Beach Road)
17 Former British Council Branch Office & Training Centre (362 Holland Road)
18 Former Watch Tower (50 Tanjong Rhu Place)
19 Former Da Qiao Primary School (10 Ang Mo Kio Street 54)
20 Community Use Site @ Junction of Tanjong Rhu View & Rhu Cross (popular community use site)
21 Community Use Site along Tuas South Ave 3 (popular community use site)
22 Viaduct @ Commonwealth Ave West (space for street art)
23 Shop houses at 14-38 Orchard Road
24 Former Station HQ of the Royal Air Force Base and Barracks Blocks for RAF (179 & 450 Piccadilly Road)
25 Ascott centre for excellence (2 Anthony Road)
26 BNP Paribus Training Centre (34 & 35 Hendon Road)
27 AXA University Asia Pacific Campus (3 Ladyhill Road)
28 UBS Business University (17 Kheam Hock Road)
29 La Salle College of Arts Campus (9 Winstedt Road)
30 Alexandra Park ( Winchester Rd & Canterbury Rd)
31 Adam Park (preferably 7, 8 & 11 Adam Park)
32 Goodwood Hill (preferably 4A, 5C/D, 15 Goodwood Hill)
33 Tudor Court (123 – 145 Tanglin Road)

Also at Tanjong Pagar Railway Station:

‘WOMEN: New Portraits’, an exhibition by Annie Leibovitz

Annie Leibovitz, through the crowd of reporters and photographers at the ArtScience Museum.

Annie Leibovitz, seen through the crowd of reporters and photographers in Singapore in 2014.

‘WOMEN: New Portraits’, an exhibition of newly commissioned photographs by renowned photographer Annie Leibovitz feature women of outstanding achievement. Commissioned by UBS, the exhibition will be open to the public from 29 April 2016 to 22 May 2016 at Tanjong Pagar Railway Station’s Main Hall, a stop that is part of a 10-city global tour.  Admission is free. Opening hours for the exhibition, including the day of the Open House, is on Monday to Sunday from 10am – 6pm, except for Fridays when the exhibition hours is extended to 8pm. More information is available at www.ubs.com/annieleibovitz.






The red tongued dog reinterpreted

7 04 2016

Unveiled last night – a limited edition of Ang Ji Gao (红舌狗) as Guinness Foreign Extra Stout has come to be known locally.

Hokkien for “Red Tongued Dog”, Ang Ji Gao is a reference to the wolf mark placed that has been found on Guinness Singapore edition’s labels since the 1880s. On sale for a period of two months or whilst stocks last, the labels for the limited edition’s bottles and cans will feature a reinterpretation of the red tongued wolf mark. Created by local artist Ben Quek, the mark is being decorated with illustrations of what Ben sees as all things Singaporean. Among the illustrations Singaporeans will identify with are those of the red plastic chair now found in many of Singapore’s coffee shops and one of the most commonly used expressions when it comes to good food and drink, “shiok”.

Presenting the limited edition Ang Ji Gao.

Presenting the limited edition Ang Ji Gao.

Interestingly, the wolf mark points to the manner in which Guinness first arrived on our shores; not as Guinness but as Blood’s Brand stout in the 1860s distributed by Blood, Wolfe and Company- a Liverpool based bottler.

Wolf Brand 1922 Advert

Branding for the now famous stout had then have been left to bottlers, who also established the distribution networks that gave the stout a worldwide reach. Blood, Wolfe and Company, who had networks that spread to British controlled Southeast Asia and Oceania, re-branded the stout as Wolf Brand in the 1880s using now well recognised red-tongued wolf’s head as its mark. The use of animals would then have been common in trade marks as they allowed for easy identification and recognition by a then largely illiterate populace. The wolf’s head mark had become so identifiable in Singapore that when Guinness reclaimed the distribution and branding of its Foreign Extra Stout in the 1950s, it decided to keep the mark on its labels.

Blood Wolfe Neck Label 1896 (source: Guinness Singapore Facebook Page).

Blood, Wolfe and Company Guinness Stout Neck Label 1896 (source: Guinness Singapore Facebook Page).

The launch of the limited edition also coincides with the production of a coffee table book, for which Guinness has collaborated with Humans of Singapore. Titled “Men of Singapore”, the book features 25 stories of men who embody the values of generousity, authenticity, innovation, courage and supportiveness. The book, which will be made available in the public libraries, will also be given out during promotions and contests on the Guinness Singapore Facebook Page.

Showing at the Projector last evening.

Showing at the Projector last evening.

Guinness will also be running promotions during the period with up to $60,000 worth of home furnishing vouchers up for grabs. Under three tabs Simply purchase Guinness Foreign Extra Stout bottles in coffeeshops or cans in supermarkets for a chance to win. More information on this can also be found on the Guinness Singapore Facebook Page.
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Revisiting Commonwealth and Holland Village

30 03 2016

Queenstown, where I spent the earliest days of my life, holds many wonderful memories for me. It is a place I enjoy going back to, which I regularly do in my attempts to rediscover memories the town holds of my childhood, discovering more often than not a fascinating side to Singapore’s first satellite town I had not known of before.

A window into a world in which one will discover the many layers of a rich and varied history.

A window into a world in which one will discover the many layers of a rich and varied history.

A chance to revisit Queenstown and learn more about it came recently when I participated in an introductory My Queenstown heritage tour of Holland Village and Commonwealth. The tour, which started at Chip Bee Gardens, took a path that ended in the unreal world of palatial homes that lies just across the town’s fringes at Ridout Road. Intended to provide participants with a glimpse into the area’s evolution from its gambier and rubber plantation days to the current mix of residential, commercial and industrial sites we see today, it also provided me an opportunity to revisit  the neighbourhood that I had spent my first three years in.

Jalan Merah Saga in Chip Bee Gardens.

Jalan Merah Saga in Chip Bee Gardens.

Adjacent to an ever-evolving Holland Village, Chip Bee Gardens – the starting point, is known today for its eclectic mix of food and beverage outlets and businesses, housed in a rather quaint looking row at Jalan Merah Saga. Many from my generation will remember it for a crêpe restaurant, Better Betters. In combining French inspired crêpes with helpings of local favourites such as rendang, the restaurant married east and west in a fashion that seemed very much in keeping with the way the neighbourhood was developing.

A view over Chip Bee Gardens.

A view over Chip Bee Gardens.

The shop lots, I was to learn, had rather different beginnings. Converted only in 1978, the lots had prior to the 1971 pull-out of British forces, served as messing facilities for the military personnel the estate had been built to accommodate in the 1950s. The growth of Holland Village into what it is today, is in fact tied to this development. Several businesses still found at Holland Village trace their roots back to this era.

Holland Road Shopping Centre, a familiar landmark in Holland Village.

Holland Road Shopping Centre, a familiar landmark in Holland Village.

The Thambi Magazine Store at Lorong Liput is one such business. Having its roots in the 1960s, when the grandfather of its current proprietor, delivered newspapers in the area, the so-called mama-shop, has grown to become a Holland Village institution. It would have been one of two such outlets found along Lorong Liput, previously occupying a space across from its current premises. Its well-stocked magazine racks once drew many from far and wide in search of a hard-to-find weekly and is now the sole survivor in an age where digital media dominates.

Sam, teh current proprietor of the Thambi Magazine Store.

Sam, teh current proprietor of the Thambi Magazine Store.

Magazine racks outside the store.

Magazine racks outside the store.

Lorong Liput would also have been where many of Holland Village’s landmarks of the past were once found. One was the Eng Wah open-air cinema, the site of which the very recently demolished Holland V Shopping Mall with its mock windmill – a more recent icon, had been built on. Lorong Liput was also where the demolished Kampong Holland Mosque once stood at the end of and where the old wet market, since rebuilt, served the area’s residents.

The windmill at Lorong Liput, which recently disappeared.

The windmill at Lorong Liput, which recently disappeared.

The rebuilt market.

The rebuilt market.

The site of the former Eng Wah open-air cinema and the Holland V Shopping Mall.

The site of the former Eng Wah open-air cinema and the since demolished Holland V Shopping Mall.

The Eng Wah open-air cinema (source: National Archives online).

From Lorong Liput, a short walk down Holland Avenue and and Holland Close, takes one to the next stop and back more than a century in time. The sight that greets the eye as one approaches the stop, which is just behind Block 32, is one that is rather strange of neatly ordered rows of uniformly sized grave stones of a 1887 Hakka Chinese cemetery, the Shuang Long Shan, set against a backdrop of blocks of HDB flats and industrial buildings. Visually untypical of an old Chinese cemetery – in which the scattering of burial mounds would seem almost random, the neat rows contain reburied remains from graves exhumed from an area twenty times the 4.5 acre plot that the cemetery once occupied.

A view across the grave stones to the roofs of the Shuang Long Shan Wu Shu ancestral hall.

A view across the grave stones to the roofs of the Shuang Long Shan Wu Shu ancestral hall.

Run by the Ying Fo Fui Kun clan association, Shuang Long Shan was acquired by the HDB in 1962. A concession made to the clan association permitted the current site to be retained on a lease. The site also contains the clan’s ancestral hall, the Shuang Long Shan Wu Shu Ancestral Hall and a newer memorial hall. The ancestral hall, which also goes back to 1887, is now the oldest building in Queenstown.

Offerings placed for the Ching Ming festival.

Offerings placed for the Ching Ming festival.

Ancestral tablets inside the hall.

Ancestral tablets inside the hall.

A close-up of the ancestral hall.

A close-up of the ancestral hall.

My old neighbourhood nearby was up next. Here I discovered how easy it was to be led astray in finding myself popping into Sin Palace – one of the several old shops found in the neighbourhood centre in which time seems to have long stood still.  The shops offer a fascinating glimpse of the world four, maybe five decades past, days when I frequented the centre for my favourite bowl of fishball noodles and the frequent visits to the general practitioner the coughs I seemed to catch would have required. The neighbourhood is where a rarity from a perspective of church buildings can be found in the form of the Queenstown Lutheran Church. It is one of few churches from the era that retains much of its original look.

Commonwealth Crescent Neighbourhood Centre and the Lutheran Church as it looked when I lived there (source: My Community).

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Inside Sin Palace – an old fashioned barber shop.

Another area familiar to me is the chap lak lau chu (16 storey flats) at Commonwealth Close, which we also visited. A friend of my mother’s who we would visit on occasion, lived there at Block 81, a block from which one can look forward to an exhilarating view from its perch atop a hillock. The view was what gave Block 81 the unofficial status of a “VIP block” to which visiting dignitaries would be brought to – much like the block in Toa Payoh to which I moved to. Among the visitors to the block were the likes of Prince Philip, the Duke of Edinburgh and Indian Prime Minister Mrs. Indira Gandhi.

Also at Commonwealth Close, the space between Blocks 85 and 86 where the iconic photograph of Singapore's first Prime Minister, Mr Lee Kuan Yew was taken.

Also at Commonwealth Close, the space between Blocks 85 and 86 where the iconic photograph of Singapore’s first Prime Minister, Mr Lee Kuan Yew was taken.

Before visiting Block 81, a stop was made at Commonwealth Drive, where the MOE Heritage Centre and Singapore’s first flatted factories are found. The flatted factory, an idea borrowed from Hong Kong, allowed space for small manufacturers to be quickly and inexpensively created  during the period of rapid industrialisation and the block at Commonwealth Drive (Block 115A) was the first to be constructed by the Economic Development Board (EDB) as part of a pilot programme launched in 1965 (more on the development of flatted factories in Singapore can be found on this post: The Anatomy of an Industrial Estate). Among the first tenants of the block were Roxy Electric Industries Ltd. The company took up 10,000 square metres on the ground floor for the assembly of Sharp television sets under licence.

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Block 115 A (right) – the first flatted factory building that was erected by the EDB in 1965/66 as part of a pilot programme.

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A resident of Queenstown, Mdm Noorsia Binte Abdul Gani, found work assembling hairdryers at an electrical goods factory, Wing Heng, between 1994 and 2003. Wing Heng was located at Block 115A Commonwealth Drive.

Housed in a school building typical of schools built in the 1960s used previously by Permaisura Primary School, the MOE Heritage Centre was established in 2011. With a total of 15 experiential galleries and heritage and connection zones arranged on the building’s three floors, the centre provides visitors with an appreciation of the development of education and schools in Singapore, from the first vernacular and mission schools to where we are today.

The MOE Heritage Centre.

The MOE Heritage Centre.

A blast from the past - a schoolbag from days when I started attending school at the MOE Heritage Centre.

A blast from the past – a schoolbag from days when I started attending school at the MOE Heritage Centre.

Of particular interest to me were the evolution of school architecture over the years and the post-war period in the early 1950s when many new schools and the Teachers’ Training College were established. The centre is opened to the public on Fridays during term time and on weekdays during school holidays. More information can be found at http://www.moeheritagecentre.sg/public-walk-ins.html.

Inside the MOE Heritage Centre.

Inside the MOE Heritage Centre’s New Nation, New Towns & New Schools gallery.

The Ridout Tea Garden lies across Queensway from the Commonwealth Close area. The garden rose out of the ashes of what many would remember as a Japanese styled garden, the Queenstown Japanese Garden. Opened in 1970, a few years before the Seiwaen in Jurong, the garden would have been the first post-independence Japanese styled public garden (the Alkaff Lake Gardens, which opened in 1930 would have been the first). A fire destroyed the garden in 1978 and the HDB redeveloped it as a garden with a teahouse (hence Tea Garden) tow years later. Well visited today for its McDonalds outlet, it was actually a Kentucky Fried Chicken outlet that first operated at the tea house.

A brick wall, which once belonged to the Japanese Garden.

A brick wall, which once belonged to the Japanese Garden.

The Queenstown Japanese Garden (source: My Community).

The tea garden forms part of the boundary between Queenstown and a world that literally is apart at the Ridout Road/Holland Park conservation area. Home to palatial good class bungalows, 27 of which are conserved, many of the area’s houses have features that place them in the 1920s and the 1930s. This was teh period which coincided with the expansion of the British military presence on the island, and it was during this time that the nearby Tanglin Barracks was built. Several, especially those in the mock Tudor or “Black and White” style – commonly employed by the Public Works Department, would have served to house senior military officers .

A mock Tudor bungalow at 31 Ridout Road.

A mock Tudor bungalow at 31 Ridout Road.

Besides the “Black and White” style, another style that is in evidence in the area is that of the Arts and Crafts movement. Several fine examples of such designs exist on the island, two of which are National Monuments. One is the very grand Command House at Kheam Hock Road, designed by Frank W. Brewer. Brewer was also responsible for the lovely house found at 23 Ridout Road. Distinctly a Brewer design, the house had prior to the war, been the residence of L. W. Geddes. A board member of Wearnes Brothers and a Municipal Commissioner, Mr Geddes left Singapore upon his retirement in late 1941. After the war, the house was used as the Dutch Consul-General’s and later Ambassador’s residence.

Distinctively Frank W. Brewer - an Arts and Crafts design that was once the home of L.W. Geddes at 23 Ridout Road. The house now serves as the residence of the Dutch Ambassador.

Distinctively Frank W. Brewer – an Arts and Crafts design that was once the home of L.W. Geddes at 23 Ridout Road. The house now serves as the residence of the Dutch Ambassador.

A recent addition to the area is the mansion at 2 Peirce Drive. Owned by Dr. Lye Wai Choong, the house is thought to have been modelled after the Soonstead Mansion in Penang. Other notable bungalows in the area include 35 Ridout Road, which sold recently for S$91.69 million and also India House at 2 Peirce Road, thought to have been commissioned by Ong Sam Leong in 1911. Mr Ong, who made his fortune from being the sole supplier of labour to the phosphate mines on Christmas Island, passed away in 1918 and is buried with his wife in the largest grave in Bukit Brown cemetery.

A more recent addition to the area, a mansion owned by Dr. Lye Wai Choong, which is modelled after another one in Penang.

A more recent addition to the area, a mansion owned by Dr. Lye Wai Choong, which is modelled after another one in Penang.

The good-class bungalow at 35 Ridout Road that was sold very recently for S$91.69 million.

The good-class bungalow at 35 Ridout Road that was sold very recently for S$91.69 million.

Ridout Road.

A very green Ridout Road.

The Commonwealth and Holland Village heritage tour runs every third Sunday of the month. Those interested can register for the free guided tour at www.queenstown.evenbrite.sg or via myqueenstown@gmail.com. My Community, which runs the tours is also carrying out a volunteer recruitment exercise to run their tours. Workshops are being held on 24 and 30 April 2016 for this and would be volunteers can email volunteer@mycommunity.org.sg to register.





Good Friday at a slice of Portugal in Singapore

26 03 2016

The Portuguese Church, as the Church of St. Joseph’s at Victoria Street is referred to, is where the religious traditions of the Portuguese Eurasian community in Singapore are kept alive. It is every year on Good Friday, a day of fasting, reflection and prayer, that we see the most colourful manifestation of these traditions, in an elaborate service which culminates in procession illuminated by the light of candles carried by the sea of worshippers that crowd the church’s compound.

The sea of candlelight every Good Friday.

The sea of candlelight every Good Friday at the Portuguese Church.

The procession, would in the past, attract worshippers in their thousands, some of whom would crowd the compound just to see the procession pass. Worshippers would also spill out to Queen Street and in more recent times to the lower floors of the podium at Waterloo Centre. It was at Queen Street where many candle vendors would be seen to do a roaring trade, offering candles of all sizes. I remember seeing some on sale that were of such a length that they needed to be propped up by pieces of wood, which we no longer see these days.

The head of the procession with a bier containing a life-sized representation of the body of Christ makes its way through the grounds of the church.

The head of the procession with a bier containing a life-sized representation of the body of Christ makes its way through the grounds of the church.

Worshippers carrying candles follow the procession.

Worshippers carrying candles follow the procession.

While the candle vendors have been chased off the streets, the procession, even with the smaller crowds we see today, still adds much life and colour to the area. In keeping the traditions of a small and rarely mentioned community in Singapore alive, the procession also reminds us that what colours Singapore is not just the influences of the main ethnic groups but also of the smaller groups that have added to the flavour of Singapore’s rich and diverse cultural heritage.

Another view of the procession through the grounds.

Another view of the procession through the grounds.

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A face seen in the clouds as the crowds gathered for the procession.

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More on the procession and the Portuguese Church:

 





The last Green Corridor Run

6 03 2016

The last Green Corridor Run, which attracted some 11,000 runners, took place this morning. The run takes participants over a 10.5 kilometre stretch of the disused railway corridor from Tanjong Pagar Railway Station to Bukit Timah Railway Station.

Held annually since 2013, the run will have to be discontinued after this year’s edition due to the closure of the Rail Corridor from the 2nd quarter of 2016 to allow work on the Murnane Pipeline Project to be carried out. More information on the closure can be found in a previous post: In the pipeline – a partial closure of the Rail Corridor

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More photographs from the 4th Edition of the Green Corridor Run

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A peek at i Light Marina Bay 2016

4 03 2016

The sea of light that descends once every two years on Marina Bay, i Light Marina Bay, is back for a fourth time.

The 2016 edition of i Light Marina Bay, following which the festival will make its return on an annual basis, runs from 4 to 27 March. With 14 out of its 25 installations created locally along the lines of the festival theme ‘In Praise of Shadows’, this edition sees the largest turn out of local artists to date.

As with previous years, the festival invites visitors to take a walk of discovery around the futuristic Marina Bay area around which the installations are scattered. There will also be much to do beyond admiring the artwork with lots of fringe events and activities on offer, including the opportunity to indulge in one of Singapore’s favourite pastimes, eating.

Fringe events to look out for include a craft beer festival, CRAFT Singapore and the Singapore International Jazz Festival – both of which run from 4 to 6 March, PasarBella Goes to Town from 11 March to 3 April, flea markets, activities for kids including a kids fiesta and fairground rides with Uncle Ringo. Workshops and community activities will also be held during the period. More information on all of this can be found on the festival guide which can be downloaded at http://www.ilightmarinabay.sg/-/media/Files/i-Light/Festival-Guide.ashx and also at http://www.ilightmarinabay.sg/Discover/Festival. More information on the festival and installations can also be found at the i Light Marina Bay event website.


Some i Light Highlights

What a Loving, and Beautiful World by team-Lab (Japan)

What a Loving, and Beautiful World - a projection on the ArtScience Museum, which invites viewers to 'swipe' Chinese characters onto the museum's facade using a web application.

‘What a Loving, and Beautiful World’ – a projection on the ArtScience Museum, which invites viewers to ‘swipe’ Chinese characters onto the museum’s facade using their mobile devices through a web application found at http://www.ilight.team-lab.com.

About the installation:

First carved in tortoiseshell, ox and deer bone, and bronzeware, Chinese characters were said to each contain their own world. Projected on the facade of the ArtScience Museum, viewers can participate by ‘swiping’ the Chinese characters onto the facade of the building using a web application. The result is a colourful, multi-sensory experience that continuously evolves as images are released from these Chinese characters, while influencing and changing each other within its own immersive, computer-generated world.

More at : http://www.ilightmarinabay.sg/Discover/Installations/What-a-Loving-Beautiful-World


Lampshade by Snøhetta (Norway)

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About the installation:

Lampshade is made of simple bamboo structures covered in photovoltaic cells to prevent sunlight from entering its interior in the day, while lighting up intensively at night with solar energy enough to power a thousand lamps. The installation challenges the perception of artificial light as an element that is dependent on its energy source, and invites visitors to discover links in harnessing sunlight and the eventual electric light.

Made to be both socially and environmentally friendly, the lamps used in this installation will be donated to off-grid communities after its display while the bamboo structure and its light fixtures will be recycled as construction scaffolding.

More at : http://www.ilightmarinabay.sg/Discover/Installations/Lampshade


Moon Haze by Feng Jiacheng & Huang Yuanbei (China)

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About the installation:

Beyond its delightful representation of the full moon, Moon Haze also functions as a monitoring system for air pollutants, picking up and responding to the ambient air quality – the better the air quality, the brighter the installation. In the same space occupied by the moon, people and the environment, the collective effects of these individual parts on one another are integrated and expressed, showing their close relationship and inseparability.

More at : http://www.ilightmarinabay.sg/Discover/Installations/Moon-Haze


Shadow Bath by Loop.pH (United Kingdom)

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About the installation:

Shadow Bath is a luminous inflated bathhouse with coloured light and air casting spectacular patterns inside and out, bathing visitors in dynamic patterned shades. The pneumatic form is a mathematical toroidal space, signifying the geometry of the universe.

During certain periods, visitors will be able to enter the bathhouse for a unique light show. During normal times, visitors can observe the form from the outside as it casts its patterned moiré shadows far and wide like a huge lantern.

More at : http://www.ilightmarinabay.sg/Discover/Installations/Shadow-Bath


Cycle House by Hafiz Osman (Singapore)

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About the installation:

Cycle House is a mobile workstation combining temporary shelter and cycling. The mobility of this shelter represents a sense of nomadic livelihood of a wanderer, being adaptive to new environments and with a desire to search for new adventures. Two cycle houses have been created: the stationary house invites visitors to cycle to light up the piece while expressing their ideas of exploration by drawing on the canvas wall; the mobile house brings a more energetic, disco-themed performance to the bay.

About the More at : http://www.ilightmarinabay.sg/Discover/Installations/Cycle-House


TORRENT by Brandon Tay (Singapore)

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About the installation:

TORRENT is a site-specific interactive installation that aims to transport users into a dreamlike landscape. As users walk past the screen, they find their movements reflected on a screen against an icy landscape, as if a virtual shadow with a swarm of trailing particles, with their motions mirrored but their forms vague.

More at : http://www.ilightmarinabay.sg/Discover/Installations/Torrent


Bolt by Jun Ong (Malaysia)

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About the installation:

Inspired by the form and behaviour of lightning, the installation comprises an intricate network of LED tubes resting on steel legs that flare up when touched. Bolt not only mimics the ethereal nature of lightning, but also allows people to experience direct visceral connections, creating an emotional ‘spark’ that seems to be diminishing in today’s virtually-connected world.

More at : http://www.ilightmarinabay.sg/Discover/Installations/Bolt


Angels of Freedom by OGE Group, Gaston Zahr & Merav Eitan (Germany & Israel )

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About the installation:

Five sets of giant, colourful wings invite visitors to come close and interact with the symbolic angels. This installation seeks to remind visitors of their true selves and to always remain connected to loved ones and those who matter.

More at : http://www.ilightmarinabay.sg/Discover/Installations/Angels-of-Freedom


Lightscape Pavilion by MisoSoupDesign (Taiwan)

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About the installation:

Inspired by traditional Chinese lanterns, Lightscape Pavilion is made of simple, natural materials. Its bamboo lattice is designed to resemble a traditional lantern and its responsive glow serves to unite people under its canopy. The transparency and subtlety of the pavilion places emphasis and focus on the aesthetical beauty of its surroundings and inhabitants instead of its own self. As visitors move closer to its columns, its glow intensifies, as if to symbolically draw strength from the proximity of a human spirit.

More at : http://www.ilightmarinabay.sg/Discover/Installations/Lightscape-Pavilion


Groove Light by Department of Architecture, School of Design and Environment, National University of Singapore (Singapore)

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About the installation:

Groove Light generates geometric shadow patterns when a point light source is shone through five 3D printed lanterns, creating a carpet of light giving physical dimension – in the complex forms of the lanterns – to virtual projections. The suspended lanterns are positioned with precision to create a continuous lightscape which visitors can modify by moving the lanterns.

More at : http://www.ilightmarinabay.sg/Discover/Installations/Groove-Light


Some other things to look out for:

Pop-up Royal Tea Salon by Häagen-Dazs at the Promontory

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Must try at the Royal Tea Salon are Häagen-Dazs’ Spring collection of flavours including the Royal Milk Tea – a blend of fresh and sweet Darjeeling tea and strong, malty and honey-like Assam tea.


KamPONG

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An initiative by Innoverde that invites passersby to have a game of of ping pong on locally designed and custom fabricated tables. KamPONG is located at Mist Walk, close to where the Uncle Ringo rides are located. More information on KamPONG can be found at http://innoverde.com.sg/kampong/.

 





Carless in the city

29 02 2016

It wasn’t a typical Sunday morning in Singapore’s Civic District. Freed of cars and the normal motorised traffic, claim to the streets was laid instead by hundreds of cyclists, joggers, walkers and roller-bladers for what was Singapore’s first Car-free Sunday.

The first of six car-free Sundays planned for the last Sunday of each month from February, the initiative aims to promote a car-lite culture in Singapore. Organised by the Urban Redevelopment Authority (URA) in partnership with the National Parks Board (NParks), National Arts Council (NAC), Health Promotion Board (HPB) and Sport Singapore (SportSG), the event also saw a buzz come to some of the Civic District’s public spaces.

One public space that came alive was the newly completed Empress Lawn at Empress Place. The lawn, part of a Civic District public space enhancement drive initiated by the URA, was a venue for temporary food stalls  and mass exercise sessions – the food stalls perhaps a reminder of days when good and affordable food – now missing from much of the Civic District, had been one of the draws of the Empress Place area.

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A closed St. Andrew’s Road at first light.

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Representatives from the organisers together with Coordinating Minister for Infrastructure and Minister of Transport, Khaw Boon Wan and Minister for National Development, Lawrence Wong on the steps of City Hall for the flag-off.

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Car-free Anderson Bridge.

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Robinson Road, which was partially closed.

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On Robinson Road. Minister Khaw Boon Wan and Minister Lawrence Wong who both cycled two rounds around a car-free circuit.

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The dogs had their day too.

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The flag-off for the Love Cycling in Singapore group.

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URA CEO Ng Lang and Francis Chu of Love Cycling Singapore at the flag-off.

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Temporary tables and benches set up at Empress Lawn.

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The buzz at Empress Lawn.

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Mass aerobics at Empress Lawn.

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Mr Khaw Boon Wan at Empress Lawn.

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Public art on the lawn – giant saga seeds.

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A roller-blader, a jogger and a cyclist coming down St. Andrew’s Road.








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