Exploring emptiness: Kamolpan Chotvichai’s Fragility of the Self

23 09 2016

An interesting exhibition that will open at the Sundaram Tagore Gallery at Gillman Barracks this evening is emerging Thai artist Kamolpan Chotvichai’s “Fragility of the Self“. The solo exhibition features thought provoking works each of which is an image of the artist’s body with parts of her anatomy hand-cut into a ribbon like form. The works explore the concept of emptiness in Buddhism, through the process of stripping away her physical form and challenge  at the same time gender based prohibitions.

Ms. Kamolpan Chotvichai at the Sundaram Tagore Gallery.

Ms. Kamolpan Chotvichai at the Sundaram Tagore Gallery.

The process to create the works is a painstaking one that starts with a sketch and involves a fair bit of detailed planning. The process of slicing parts of the images for which Ms Chotvichai uses an ordinary utility knife, takes two weeks on the average. Ms Chotvichai, who holds a Master of Fine Arts degree, experimented with several techniques to achieve the desired effects prior to settling on her current methods.

Her work has been featured at Saatchi Gallery in London alongside those of renowned Thai artists Rirkrit Tiravanija, Navin Rawanchaikul and Udomsak Krisanamis and was chosen for the cover of the book accompanying the exhibition, Thailand Eye. Ms. Chotvichai was also the youngest artist to participate in Frontiers Reimagined, an exhibition of global art – a Collateral Event of the 56th Venice Biennale.

The exhibition held in association with the 5th edition of the Singapore International Photography Festival, will run until 9 November 2016. Ms. Chotvichai, who is in town for the opening of her exhibition, will be having an Artist Talk on Saturday 24 September 24 at 3 pm for which registration is required through this email address: rsvpsg@sundaramtagore.com. More information on the exhibition can be found at the Sundaram Tagore Gallery’s website.





Mid-autumn at the Siong Lim

15 09 2016

Illuminated by the glow of a one of the more tasteful displays of lanterns I have seen in Singapore, the Siong Lim temple in Toa Payoh (or Lian Shan Shuang Lin Monastery) provides a most beautiful setting in which to celebrate the Mid-Autumn Festival. The display, at what is Singapore’s oldest Buddhist monastery, and celebrations held in conjunction with the festival, have been on since Saturday. It will end this evening, the Mid-Autumn Festival proper, with a dragon dance and a mei hua zhuang display, more information on which can be found at the temple’s website.

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Lanterns outside the Mahavira Hall. The hall, which dates back to 1904, is one of two structures within the monastery complex that has been gazetted as a National Monument.

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The 1905 Tian Wang Dian, the second of two structures within the monastery complex gazetted as a National Monument.

The courtyard of the Tian Wang Dian.

The courtyard of the Tian Wang Dian.

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Vintage Cars at Dempsey Hill

11 09 2016

Motoring Heritage Day, which sees Singapore’s largest display of vintage cars is bacon 11 September 2016 from 10 am to 6 pm.

Held at Dempsey Hill (Carpark at Block 15), this year’s edition will see 30 pre-war vintage and post-war classic cars and motorcycles on display. The event is organised by Malaysia and Singapore Vintage Car Register, which encourages the use and preservation of period cars and bikes.

Besides the vintage car display, visitors can look forward to live music being performed by local bands as well as other fringe activities to entertain the entire family.





Dali at the REDSEA

11 09 2016

The Pierre Argillet Collection, the result of a partnership over a thirty year period between the master of surrealism Salvador Dali and his publisher Pierre Argillet, is being brought to us in Singapore for a second time in just over two years.

A selection of etchings and watercolours, and also Aubusson tapestries and porcelain that has never been seen here, will be available for viewing and acquisition at the REDSEA Gallery from 11 September to 5 October 2016 at an exhibition, “Salvador Dali & Pierre Argillet: Thirty Years of Collection”.

The exhibition will provide an opportunity to hear from Pierre Argillet’s daughter, Christine, whose summers spent in the company of Dali has allowed her to gain an intimate understanding of the artist and the works the collection. This opportunity will come through a Q&A Session on 11 September 2016 at 2 to 3 pm being held at the gallery. The gallery is also providing public guided tours on 17 and 24 September, and on 1 October, at 2 to 3 pm.


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Madame Argillet describing how two copper plates were used to produce the etching Pegasus.

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Another etching with a mythological theme, Saturn.

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Medusa, for which an octopus Dali found on the beach was used to produce the etching on a copper plate.

Women in Waves. The circular patterns were made during a public appearance at which Dali was high on LSD. He rescued the effort by adding the figure of a woman to the etching.

Women in Waves. The circular patterns were made during a public appearance at which Dali was high on LSD. He rescued the effort by adding the figure of a woman to the etching.

Theseus and Minotaurus, a combination of random splashes of acid with finely sketched etchings.

Theseus and Minotaurus, a combination of random splashes of acid with finely sketched etchings.

One from the Hippie Series, Old Hippie.

One from the Hippie Series, The Old Hippie.

Bullfight with Drawer from the Surrealistic Bullfight series, which was inspired by Picasso’s “Tauromachie” series.

Bullfight with Drawer from the Surrealistic Bullfight series, which was inspired by Picasso’s “Tauromachie” series.

Piano under Snow, in which you can see the shape of the hat and also the face of a Matador.

Piano under Snow, in which you can see the shape of the hat and also the face of a Matador.

Seen for the first time in Singapore, limited edition porcelain plates developed in 1973 and made in Limoges.

Seen for the first time in Singapore, limited edition porcelain plates developed in 1973 and made in Limoges.

Each plate is individually numbered.

Each plate is individually numbered.

An Aubusson Tapestry of Argus.

An Aubusson Tapestry based on the etching, Argus.

Two copper plates, on display for the first time ever, can be viewed at the exhibition.

Two copper plates, on display for the first time ever, can be viewed at the exhibition.






Illuminated remembrances at the Wan Qing Yuan

9 09 2016

The terrazzo and mosaic faced playgrounds of yesteryear, symbols today of our longing for a Singapore we have discarded, have come back as lanterns.  Illuminated representations of four of these playgrounds, an elephant, a pelican, the iconic dragon and a watermelon, will decorate the lawn of the Wan Qing Yuan – the Sun Yat Sen Nanyang Memorial Hall (SYSNMH), for the museum’s Mid-Autumn celebrations. The lantern display is show every evening from 7 to 10 pm from 9 to 18 September.

A pair of lanterns depicting the watermelon playground at Tampines.

A pair of lanterns depicting the watermelon playground at Tampines.

The bulk of SYSNMH’s celebrations will be held over the weekend on 10 and 11 September. Activities to look forward to include lantern making and arts and crafts workshops, evening cultural performances, a public talk and shadow puppetry performances. Admission is free. More information on the Wan Qing Yuan’s celebrations and activities, do visit their Facebook Page.

Lanterns depicting the well-loved playgrounds of yesteryear at the Wan Qing Yuan.

Lanterns depicting the well-loved playgrounds of yesteryear at the Wan Qing Yuan.

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Impressions of the Mid-Autumn Festival celebrations at the Wan Qing Yuan.

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A dragon awakens

5 09 2016

The fire dragon of Sar Kong, in a rare reprise of the its smoking performance earlier this year, will come alive once again this September on the occasion of the 150th anniversary celebrations of the temple its lair is found in, the Mun San Fook Tuck Chee (萬山福德祠) . The temple has its origins in Sar Kong (沙崗) or “Sand Ridge, where a community of Cantonese and Hakka coolies had settled in.

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The practice of parading the burning dragon has its origins in Guangdong – the origins of many in the community. Made of straw that has been imported from China, such a dragon would previously have been constructed for the feast day of the temple’s principal deity and sent in flames to the heavens.  In more recent times, such straw dragons would be paraded on an average of once every three years.  This particular dragon, which made for a more recent Chingay Parade, is not burnt but set alight only by the placement of joss sticks on its body.

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More information on the practice, as well as the historic setting for the village and the temple, can be found in the temple’s heritage room. More on the temple and its history can also be found at the post: On Borrowed Time: Mun San Fook Tuck Chee.


Schedule for the Mun San Fook Tuck Chee 150th Anniversary Celebrations

A number of events held in conjunction with the 150th anniversary of the Mun San Fook Tuck Chee: Taoist priests from Ching Chung Koon in HK invited here to conduct rituals over 3 days, a seminar on Dabogong (Tua Pek Kong), a heritage exhibition, a book launch, and the finale – the one and only fire dragon dance in Singapore.

9 Sep 2016 (Fri)
0900-1145 Preparing ritual space
1400-1600 Rituals
1800-1900 Opening of heritage exhibition
1900-2100 Rituals

10 Sep 2016 (Sat)
0900-1145 Rituals
0930-1200 Seminar and discussion on Dabogong
1400-1600 Rituals
1900-2130 Rituals
2000-2100 Crossing the bridge for devotees

11 Sep 2016 (Sun)
0900-1145 Rituals
1000 Lion dance to welcome foreign visitors
1045-1145 Paying of respects by foreign visitors
1100-1400 Mid-autumn event for respecting elders in the community
1400-1600 Rituals
1600-1730 Salvation rituals
1930 Fire dragon performance / Book launch / Exchange of souvenirs with foreign guests


Photographs from the parade of the Fire Dragon in March 2016

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Celebrating Singapore’s Biodiversity

4 09 2016

Great fun awaits visitors to the Festival of Biodiversity 2016 being held at the Singapore Botanic Gardens this weekend. There is much to do and learn about Singapore’s surprisingly impressive biodiversity at the fifth edition of an event held to celebrate of the community’s efforts to conserve Singapore’s natural heritage, as much as it is one to discover the island’s rich biodiversity (Singapore is home to more than 400 species of marine fishes and 250 species of hard corals – almost one third of the diversity found in the world!).

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The focus of this year’s festival is on native species as well as on recovery efforts aimed at the island nation’s rare flora and fauna. 46 species of land based and marine native flora and fauna have been targeted for these efforts, all of which have been identified as under threat in Singapore’s Red Data Book. Species that have been identified include the Raffles’ Banded Langur (also known as the Banded leaf monkey), the Sunda pangolin, the Hawksbill Turtle and the Giant clam. Previous successful recovery efforts include the propagation and introduction of epiphytic native orchids under the Orchid Conservation Programme and an increase in natural populations of the Oriental pied hornbill.

Threatened species such as the Sunda pangolin have been identified for recovery.

Threatened species such as the Sunda pangolin have been identified for recovery.

Held at the Singapore Botanic Gardens, Eco Lake Lawn, the festival features exhibitions on the Species Recovery programmes and the Sisters’ Islands Marine Park. Booths have also been set up by various groups including OtterWatch, The Pangolin Story and Wildlife Reserves Singapore (WRS) – which will has a live reticulated python on display as part of the effort to educate the public on the cruel regional practice of skinning these reptiles alive for their skins.

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Also to look out for are a host of activities and arts and crafts workshops for the kids. More on the Festival of Biodiversity, which runs on 3 and 4 September 2016, can be found at the festival’s website.

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