Kavadis on Keong Saik

8 02 2018

In photographs: the start of the colourful procession of Chettiar kavidis from the Sri Layan Sithi Vinayagar Temple on Keong Saik Road to the Sri Thendayuthapani Temple at Tank Road. The procession, along with a Silver Chariot procession, is held every year as part of Chetty Pusam on the eve of the Hindu festival of Thaipusam.


Thaipusam in Singapore:


 

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Revisiting the Singapore of the Malay film industry’s golden age

7 02 2018

The Malay Film Productions (MFP) at Jalan Ampas was one of a pair of production houses that entertained a generation of Singaporeans and Malayans. Established by the Shaw Brothers’, the MFP is especially well known. It was where the legendary P. Ramlee made his name, excelling not just as an actor but also as a singer, songwriter and director. Lending his range of talents were to a series of films, his popularity has endured to this day, more than four decades after his sudden and premature passing in 1973.

Main gate to No. 8 Jalan Ampas.

The recent run of State of Motion 2018: Sejarah-ku, organised by the Asian Film Archive, renewed a consciousness for Jalan Ampas. P. Ramlee’s career there coincided with the golden age of Malay cinema – a time when the production of Malay movies was at its most prolific. Besides the screening of films of the genre, a guided tour also plotted a return to the MFP, albeit to its closed gates beyond which the buildings of the former studios stand quite forgotten. The tour, one of two – the other an offshore tour – with which locations where outdoor scenes in several MFP productions were visited, permitted a recall not only of the scenes, but of a Singapore forgotten if not for the movies. Site specific art installations were also presented at the sites, expressing the memories that also lay embedded in the locations .

Participants listening to CLOSURE / TUTUP by Wu Jun Han outside the gates of No. 8 Jalan Ampas.

Standing outside gates at Jalan Ampas, I found myself transported to the confrontational scenes that were enacted at that very gateway by Wu Jun Han’s recording, Tutup or Closure. The scenes, captured in the movie Mogok (Strike), although set in the Eveready  factory, were actually inspired by a strike that took place at the studios that same year involving 120 MFP employees.  The spot was also a location for another movie, the hit comedy Seniman Bujang Lapok,  which P. Ramlee directed and played a leading role in. This inspired a second installation along Jalan Ampas, Izzad Radzali Shah’s Wayang Terbiar (The Theatre that was Left Behind). A diorama of a mini threatre with scenes from the movie depicted, it seems almost altar-like in appearance.

Wayang Terbiar.

I was particularly drawn to Mintio’s Penghibur Hati-Lara (Solace for the Heart) installed just off Tanah Merah Besar Road. The work takes its title from a line in a lullaby “Kau penghibur hati-lara” (you are solace for my painful heart) sung in the film Darah Muda by the female protagonist to her baby in the seaside setting provided by the promenade at the end of Tanah Merah Besar Road. Anticipating separation, the line also suggests a sense of yearning that the artist also intends to evoke with her piece and its location between Changi Prison and the Airport – both sites of separation. The seaside promenade is now buried under a Changi Airport runway. Having been part of an area in which some of my most treasured memories of childhood were made, the artwork also evoked a sense of great longing and of loss in me.

Penghibur Hati-Lara at Tanah Merah Besar.

The former Kangkar Fishing Port, the location for scenes in the 1958 movie Sri Menanti, also provided a setting for Boedi Widjaja’s Path. 9, ))) ) ) )). The artwork, separated from the audience by the Serangoon River is bridged by the sounds of the flute, exploring the divide that the main characters in Sri Menanti faced in their attempts to bridge a cross-religious and cross-cultural gap in finding romance.

Once where a scene of Kangkar’s fishing colourful fishing fleet would have greeted the eye.

The mainland tour’s two other sites were at seaside (or former seaside) locations. At Punggol, the sea provided a backdrop for the scenes from Isi Neraka (Sinners to Hell) that inspired Salleh Japar’s Sulh-I-Kull (Universal Tolerance). The Shaws’ former seaside villa was used as a symbol of the individualism brought about by materialism and wealth in P. Ramlee’s Ibu Mertua Ku. P. Ramlee’s character in the movie violently blinds himself after he realises the circumstances in which he regained his sight after a previous spell of blindness. It is this loss of sight that the site’s installation, Tan Peiling’s 0.25 Seconds before an Image is Void, provides a response to.

The former seaside villa of the Shaws at which Liz Taylor was hosted on her visits here.

I was also able to join the offshore tour, which included a visit to Pulau Ubin – off which Pulau Sekudu or Frog Island lies. The rocky islet, a popular spot once for photo shoots, served as locations for Hang Tuah (1956) and Hang Jebat (1961). A central theme in the two movies is loyalty, betrayal and feudal authority. That is played out in the final fight scenes that both movies feature, which pitted 15th century pair of warriors – one-time close companions. The questions of the loyalty, betrayal, brotherly love, rage and desire expressed during the fight are what Akulah Bimbo Sakti’s Cinta Tuah Jebat examines. The artwork, a live performance accompanied by a recorded audio playback takes place on a beach on Ubin and within sight of Sekudu. More on State of Motion 2018: Sejarah-ku, which runs until 11 February 2018 can be found at https://stateofmotion.sg/2018/.

Pulau Sekudu, where the final fight scene in Hang Tuah and Hang Jebat was filmed.

Cinta Tuah Jebat (The Love of Tuah and Jebat).

 





Thaipusam 2018 at The Sri Srinivasa Perumal in photographs

1 02 2018

Thaipusam at the Sri Srinivasa Perumal in photographs:


Posts related to past celebrations of Thaipusam in Singapore:


 





The Silver Chariot through the streets of Chinatown

30 01 2018

The eve of the Hindu festival of Thaipusam sees the Chetty Pusam Silver Chariot procession take place.  The procession is in two parts. The first leg, which takes place in the early morning, sees Lord Murugan (also Sri Thendayuthapani) brought from the Sri Thendayuthapani Temple at Tank Road to the Sri Layan Sithi Vinayagar Temple at Keong Saik Road to spend the day with his brother Ganesh (Sri Vinayagar). A stop is made along this leg at the Sri Mariamman Temple, which is dedicated to Lord Murugan’s and Lord Vinayagar’s mother, Sri Mariamman or Parvati.

The Chariot bearing Lord Murugan makes a stop at the Sri Mariamman Temple along South Bridge Road,

A second part leaves the Sri Layan Sithi Vinayagar Temple in the afternoon and makes its way back to the Sri Thendayuthapani Temple. Due to the early start of the main Thaipusam kavadi procession (brought about by a lunar eclipse occurring just after sundown on Thaipusam), the chariot is scheduled to leave at about 2.30 pm this afternoon. A procession of Chettiar kavadis will also leave the temple for Tank Road at about 1.30 pm.


Photographs taken of the Silver Chariot procession this morning:


Posts related to past celebrations of Thaipusam in Singapore:


 





Colours of the night

19 08 2017

Photographs from Singapore Night Festival 2017

More information on the festival at : http://nightfestival.sg/


Convolutions by EZ3kiel

18 Aug to 26 Aug
7.30 PM – 12.00 AM
National Museum of Singapore, Façade


Phosphene BY PRAXIS +

18 Aug to 26 Aug
7.30 PM – 12.00 AM
National Design Centre, Gallery 1


The Standing Men by AADN (FR)

18 Aug to 26 Aug
7.30 PM – 12.00 AM
SAM


The Tree that Blinked by Karel Bata

18 Aug to 26 Aug
7.30 PM – 12.00 AM
National Museum of Singapore, The Banyan Tree


Nostos – Records of the Self by AESOP

18 Aug to 26
Aug 10am – 12mn (18 – 20 Aug), 10am – 10pm (21 – 24 Aug), 10am – 12mn (25 – 26 Aug)
National Museum of Singapore, Gallery 10


The Flower of Life and the Infinite Self by Starlight Alchemy

18 Aug to 26 Aug
7.30 PM – 12.00 AM
National Museum of Singapore, Stamford Green (Upper deck of escalator to Fort Canning Park)


Secrecy by Ratpack

18 Aug to 26 Aug
7.30 PM – 12.00 AM
Armenian Church


 





Going green – with Slime

14 07 2017

The Nickelodeon Slime Cup is back for the fifth time this weekend, which means it is times for the kids to get all green and gooey. Bigger than ever, it features stage activities, photo-taking sessions with beloved Nickelodeon characters, and game stations to train up Slime Fans, and that chance to be drenched in Nickelodeon’s trademark green Slime. Presented by Singtel TV, the free-entry event will be held at City Square Mall – the event’s venue sponsor – on Saturday, 15 July and Sunday, 16 July 2017, with Saturday’s session exclusively for Singtel’s Mobile, TV and Broadband customers.

Slime Cup goodie bags await kids aged 4-14 (while stocks last) who collect enough stamps on their Training Cards by completing each of the game stations. More at http://www.nick-asia.com/slimecup.





To infinity and beyond with Yayoi Kusama

9 06 2017

Yayoi Kusama: Life is the Heart of a Rainbow opens at the National Gallery Singapore today. The highly anticipated exhibition takes visitors through the preeminent Japanese contemporary artist’s seven decade long career. Even if you are not a big on her artistic expressions – which are attempts to give form to her delusions – the exhibition is worth a visit just for the opportunity to be obliterated by the artist’s mirrored installations. Admission charges apply for exhibition, which runs until 3 Sep 2017. More information, including that on talks, workshops and other exhibition related activities can be obtained at the National Gallery Singapore’s website.

A video installation, Song of a Manhattan Suicide Addict.

A must visit infinity mirrored room: Gleaming Lights of the Souls.

Reflections off a mirrored box installation, I Want to Love on the Festival Night.

A peek into I Want to Love on the Festival Night.

Another peek into I Want to Love on the Festival Night.

Invisible Life.

Another must visit mirrored room: The Spirits of the Pumpkins Descended into the Heavens.

The Spirits of the Pumpkins Descended into the Heavens.

The Spirits of the Pumpkins Descended into the Heavens.

Statue of Venus Obliterated by Infinity Nets.

It takes balls of steel – Narcissus Garden in the City Hall Chamber.

A view across Gallery A. The exhibition is spread across three galleries of the SINGTEL Special Exhibition Gallery on the Level 3 of the City Hall Wing.

Left-over Snow in a Dream, a soft sculpture from 1982. The artist applied sewing skills she picked up working in a parachute factory as a schoolgirl during the Second World War.

Women’s Castle.








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