Lost beauty

15 07 2016

I can’t help but feel a sense of loss wandering around the former Bukit Timah Railway Station. Set in one of the greener and isolated stretches of the rail corridor in the days of the railway, it was a magical place that had the effect of taking one far away from the madness of a Singapore that had come too far too fast. Now a sorry sight behind an unsightly green fence, its still green settings is an much altered one scarred by the removal of the railway’s tracks and ballast, turfing and maintenance work.

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The station had a special charm. Built in 1932 as part of the railway deviation scheme, it wore the appearance of a rural railway station, especially in surroundings that were most unlike the post-independence Singapore we had come to know. A passenger station in its early days and a point where racehorses transported for races at the nearby turf club were offloaded, the station in its latter days functioned more as a signal box for the exchange of key tokens (the token handed authority to the passing trains for the use of the single track that ran south to Tanjong Pagar and north to Woodlands).

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The world around station is due to be upset further. Work to lay a water pipeline that will supply Singapore’s future needs, will start in the area of the station, is due later this quarter.  It will only be at the end of the 2018 before the area is to be reopened, when it will, without a doubt, bear the scars left by the activity. There is however hope for its restoration, at least as a green space. This future, is now in the hands of the winning design consultants for the Rail Corridor concept plan.

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As part of the concept plan, a detailed design exercise is being carried out for a 4 km signature stretch. This includes the area of the former station. Feedback obtained through engagement efforts with various stakeholders and the public is being taken into consideration for this. What is left to be seen is its outcome, which should be interesting to see. This should be made public in the months ahead. It would of course be impossible to recreate the world that once was, but what would be good to see in the detailed design is that it remains a place in which one can run far from a Singapore we already have too much of.

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Revisiting Commonwealth and Holland Village

30 03 2016

Queenstown, where I spent the earliest days of my life, holds many wonderful memories for me. It is a place I enjoy going back to, which I regularly do in my attempts to rediscover memories the town holds of my childhood, discovering more often than not a fascinating side to Singapore’s first satellite town I had not known of before.

A window into a world in which one will discover the many layers of a rich and varied history.

A window into a world in which one will discover the many layers of a rich and varied history.

A chance to revisit Queenstown and learn more about it came recently when I participated in an introductory My Queenstown heritage tour of Holland Village and Commonwealth. The tour, which started at Chip Bee Gardens, took a path that ended in the unreal world of palatial homes that lies just across the town’s fringes at Ridout Road. Intended to provide participants with a glimpse into the area’s evolution from its gambier and rubber plantation days to the current mix of residential, commercial and industrial sites we see today, it also provided me an opportunity to revisit  the neighbourhood that I had spent my first three years in.

Jalan Merah Saga in Chip Bee Gardens.

Jalan Merah Saga in Chip Bee Gardens.

Adjacent to an ever-evolving Holland Village, Chip Bee Gardens – the starting point, is known today for its eclectic mix of food and beverage outlets and businesses, housed in a rather quaint looking row at Jalan Merah Saga. Many from my generation will remember it for a crêpe restaurant, Better Betters. In combining French inspired crêpes with helpings of local favourites such as rendang, the restaurant married east and west in a fashion that seemed very much in keeping with the way the neighbourhood was developing.

A view over Chip Bee Gardens.

A view over Chip Bee Gardens.

The shop lots, I was to learn, had rather different beginnings. Converted only in 1978, the lots had prior to the 1971 pull-out of British forces, served as messing facilities for the military personnel the estate had been built to accommodate in the 1950s. The growth of Holland Village into what it is today, is in fact tied to this development. Several businesses still found at Holland Village trace their roots back to this era.

Holland Road Shopping Centre, a familiar landmark in Holland Village.

Holland Road Shopping Centre, a familiar landmark in Holland Village.

The Thambi Magazine Store at Lorong Liput is one such business. Having its roots in the 1960s, when the grandfather of its current proprietor, delivered newspapers in the area, the so-called mama-shop, has grown to become a Holland Village institution. It would have been one of two such outlets found along Lorong Liput, previously occupying a space across from its current premises. Its well-stocked magazine racks once drew many from far and wide in search of a hard-to-find weekly and is now the sole survivor in an age where digital media dominates.

Sam, teh current proprietor of the Thambi Magazine Store.

Sam, teh current proprietor of the Thambi Magazine Store.

Magazine racks outside the store.

Magazine racks outside the store.

Lorong Liput would also have been where many of Holland Village’s landmarks of the past were once found. One was the Eng Wah open-air cinema, the site of which the very recently demolished Holland V Shopping Mall with its mock windmill – a more recent icon, had been built on. Lorong Liput was also where the demolished Kampong Holland Mosque once stood at the end of and where the old wet market, since rebuilt, served the area’s residents.

The windmill at Lorong Liput, which recently disappeared.

The windmill at Lorong Liput, which recently disappeared.

The rebuilt market.

The rebuilt market.

The site of the former Eng Wah open-air cinema and the Holland V Shopping Mall.

The site of the former Eng Wah open-air cinema and the since demolished Holland V Shopping Mall.

The Eng Wah open-air cinema (source: National Archives online).

From Lorong Liput, a short walk down Holland Avenue and and Holland Close, takes one to the next stop and back more than a century in time. The sight that greets the eye as one approaches the stop, which is just behind Block 32, is one that is rather strange of neatly ordered rows of uniformly sized grave stones of a 1887 Hakka Chinese cemetery, the Shuang Long Shan, set against a backdrop of blocks of HDB flats and industrial buildings. Visually untypical of an old Chinese cemetery – in which the scattering of burial mounds would seem almost random, the neat rows contain reburied remains from graves exhumed from an area twenty times the 4.5 acre plot that the cemetery once occupied.

A view across the grave stones to the roofs of the Shuang Long Shan Wu Shu ancestral hall.

A view across the grave stones to the roofs of the Shuang Long Shan Wu Shu ancestral hall.

Run by the Ying Fo Fui Kun clan association, Shuang Long Shan was acquired by the HDB in 1962. A concession made to the clan association permitted the current site to be retained on a lease. The site also contains the clan’s ancestral hall, the Shuang Long Shan Wu Shu Ancestral Hall and a newer memorial hall. The ancestral hall, which also goes back to 1887, is now the oldest building in Queenstown.

Offerings placed for the Ching Ming festival.

Offerings placed for the Ching Ming festival.

Ancestral tablets inside the hall.

Ancestral tablets inside the hall.

A close-up of the ancestral hall.

A close-up of the ancestral hall.

My old neighbourhood nearby was up next. Here I discovered how easy it was to be led astray in finding myself popping into Sin Palace – one of the several old shops found in the neighbourhood centre in which time seems to have long stood still.  The shops offer a fascinating glimpse of the world four, maybe five decades past, days when I frequented the centre for my favourite bowl of fishball noodles and the frequent visits to the general practitioner the coughs I seemed to catch would have required. The neighbourhood is where a rarity from a perspective of church buildings can be found in the form of the Queenstown Lutheran Church. It is one of few churches from the era that retains much of its original look.

Commonwealth Crescent Neighbourhood Centre and the Lutheran Church as it looked when I lived there (source: My Community).

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Inside Sin Palace – an old fashioned barber shop.

Another area familiar to me is the chap lak lau chu (16 storey flats) at Commonwealth Close, which we also visited. A friend of my mother’s who we would visit on occasion, lived there at Block 81, a block from which one can look forward to an exhilarating view from its perch atop a hillock. The view was what gave Block 81 the unofficial status of a “VIP block” to which visiting dignitaries would be brought to – much like the block in Toa Payoh to which I moved to. Among the visitors to the block were the likes of Prince Philip, the Duke of Edinburgh and Indian Prime Minister Mrs. Indira Gandhi.

Also at Commonwealth Close, the space between Blocks 85 and 86 where the iconic photograph of Singapore's first Prime Minister, Mr Lee Kuan Yew was taken.

Also at Commonwealth Close, the space between Blocks 85 and 86 where the iconic photograph of Singapore’s first Prime Minister, Mr Lee Kuan Yew was taken.

Before visiting Block 81, a stop was made at Commonwealth Drive, where the MOE Heritage Centre and Singapore’s first flatted factories are found. The flatted factory, an idea borrowed from Hong Kong, allowed space for small manufacturers to be quickly and inexpensively created  during the period of rapid industrialisation and the block at Commonwealth Drive (Block 115A) was the first to be constructed by the Economic Development Board (EDB) as part of a pilot programme launched in 1965 (more on the development of flatted factories in Singapore can be found on this post: The Anatomy of an Industrial Estate). Among the first tenants of the block were Roxy Electric Industries Ltd. The company took up 10,000 square metres on the ground floor for the assembly of Sharp television sets under licence.

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Block 115 A (right) – the first flatted factory building that was erected by the EDB in 1965/66 as part of a pilot programme.

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A resident of Queenstown, Mdm Noorsia Binte Abdul Gani, found work assembling hairdryers at an electrical goods factory, Wing Heng, between 1994 and 2003. Wing Heng was located at Block 115A Commonwealth Drive.

Housed in a school building typical of schools built in the 1960s used previously by Permaisura Primary School, the MOE Heritage Centre was established in 2011. With a total of 15 experiential galleries and heritage and connection zones arranged on the building’s three floors, the centre provides visitors with an appreciation of the development of education and schools in Singapore, from the first vernacular and mission schools to where we are today.

The MOE Heritage Centre.

The MOE Heritage Centre.

A blast from the past - a schoolbag from days when I started attending school at the MOE Heritage Centre.

A blast from the past – a schoolbag from days when I started attending school at the MOE Heritage Centre.

Of particular interest to me were the evolution of school architecture over the years and the post-war period in the early 1950s when many new schools and the Teachers’ Training College were established. The centre is opened to the public on Fridays during term time and on weekdays during school holidays. More information can be found at http://www.moeheritagecentre.sg/public-walk-ins.html.

Inside the MOE Heritage Centre.

Inside the MOE Heritage Centre’s New Nation, New Towns & New Schools gallery.

The Ridout Tea Garden lies across Queensway from the Commonwealth Close area. The garden rose out of the ashes of what many would remember as a Japanese styled garden, the Queenstown Japanese Garden. Opened in 1970, a few years before the Seiwaen in Jurong, the garden would have been the first post-independence Japanese styled public garden (the Alkaff Lake Gardens, which opened in 1930 would have been the first). A fire destroyed the garden in 1978 and the HDB redeveloped it as a garden with a teahouse (hence Tea Garden) tow years later. Well visited today for its McDonalds outlet, it was actually a Kentucky Fried Chicken outlet that first operated at the tea house.

A brick wall, which once belonged to the Japanese Garden.

A brick wall, which once belonged to the Japanese Garden.

The Queenstown Japanese Garden (source: My Community).

The tea garden forms part of the boundary between Queenstown and a world that literally is apart at the Ridout Road/Holland Park conservation area. Home to palatial good class bungalows, 27 of which are conserved, many of the area’s houses have features that place them in the 1920s and the 1930s. This was teh period which coincided with the expansion of the British military presence on the island, and it was during this time that the nearby Tanglin Barracks was built. Several, especially those in the mock Tudor or “Black and White” style – commonly employed by the Public Works Department, would have served to house senior military officers .

A mock Tudor bungalow at 31 Ridout Road.

A mock Tudor bungalow at 31 Ridout Road.

Besides the “Black and White” style, another style that is in evidence in the area is that of the Arts and Crafts movement. Several fine examples of such designs exist on the island, two of which are National Monuments. One is the very grand Command House at Kheam Hock Road, designed by Frank W. Brewer. Brewer was also responsible for the lovely house found at 23 Ridout Road. Distinctly a Brewer design, the house had prior to the war, been the residence of L. W. Geddes. A board member of Wearnes Brothers and a Municipal Commissioner, Mr Geddes left Singapore upon his retirement in late 1941. After the war, the house was used as the Dutch Consul-General’s and later Ambassador’s residence.

Distinctively Frank W. Brewer - an Arts and Crafts design that was once the home of L.W. Geddes at 23 Ridout Road. The house now serves as the residence of the Dutch Ambassador.

Distinctively Frank W. Brewer – an Arts and Crafts design that was once the home of L.W. Geddes at 23 Ridout Road. The house now serves as the residence of the Dutch Ambassador.

A recent addition to the area is the mansion at 2 Peirce Drive. Owned by Dr. Lye Wai Choong, the house is thought to have been modelled after the Soonstead Mansion in Penang. Other notable bungalows in the area include 35 Ridout Road, which sold recently for S$91.69 million and also India House at 2 Peirce Road, thought to have been commissioned by Ong Sam Leong in 1911. Mr Ong, who made his fortune from being the sole supplier of labour to the phosphate mines on Christmas Island, passed away in 1918 and is buried with his wife in the largest grave in Bukit Brown cemetery.

A more recent addition to the area, a mansion owned by Dr. Lye Wai Choong, which is modelled after another one in Penang.

A more recent addition to the area, a mansion owned by Dr. Lye Wai Choong, which is modelled after another one in Penang.

The good-class bungalow at 35 Ridout Road that was sold very recently for S$91.69 million.

The good-class bungalow at 35 Ridout Road that was sold very recently for S$91.69 million.

Ridout Road.

A very green Ridout Road.

The Commonwealth and Holland Village heritage tour runs every third Sunday of the month. Those interested can register for the free guided tour at www.queenstown.evenbrite.sg or via myqueenstown@gmail.com. My Community, which runs the tours is also carrying out a volunteer recruitment exercise to run their tours. Workshops are being held on 24 and 30 April 2016 for this and would be volunteers can email volunteer@mycommunity.org.sg to register.





The ghosts on Forbidden Hill

27 11 2015

Fort Canning Hill, the scene of many a schoolboy adventure, is a place I constantly find myself drawn to. The attraction of the hill, where mortals once feared to tread in its days as Bukit Larangan – the Forbidden Hill, is perhaps the air of mystery that surrounds it. Its slopes were believed to be the abode of the kings of ancient Singapura, in life and in death. Even with the interventions of the ever changing world, it still is where the ghosts of a Singapore well forgotten, are ever present.

Not a typical ghost seen at Fort Canning Green.

Not a typical ghost seen at Fort Canning Green.

The area of the forbidden hill (what Bukit Larangan, its name in Malay, translates into) that I find the greatest fascination for is its north-eastern slope. Here, the opportunities for an encounter with a ghost of the past, are plenty. The slope is where a mysterious a tomb is found, purportedly that of the last of the kings of old Singapura, Iskandar Shah.

The Keramat, which some believe to be the tomb of the last king of Singapura, Iskandar Shah.

The Keramat, which some believe to be the tomb of the last king of Singapura, Iskandar Shah.

This tomb, venerated as a keramat, gained the attention of John Crawfurd on his first visit to the hill, just three years after the East India Company’s settlement was established. Crawfurd, who was later to be appointed Singapore’s second Resident, made a note of his walk around the hill in his diary. The interest he had on the hill was motivated perhaps by the observation that the “only remains of antiquity at Singapore, besides the (Singapore) stone, are contained on the hill”.

On the eastern slopes of Fort Canning Hill.

On the eastern slopes of Fort Canning Hill.

Crawfurd describes the ruins that were observed on “a greater part of the west and northern side of the hill”. Going further , he takes note of “another terrace, on the north declivity of the hill … said to have been the burying place of of Iskandar Shah“, a claim he suggested was apocryphal for good reason.  It should be noted that Crawfurd was mistaken in his assumption that the long axis of the hill ran east-west instead of north-northwest to south-southeast and he would have been referring to the eastern slope of the hill in relation to the location of the tomb.

An artist’s impression of Parameswara, thought to also be Iskandar Shah (source: Wikipedia).

The tomb seemed already a place of veneration even then. Crawfurd also takes note of the “rude structure” raised over the tomb, to which “since the formation of the new Settlement … Mohammedans, Hindoos, and Chinese equally resort to do homage”.  The tomb has certainly added much to the mystery and superstition that has surrounded the hill over the intervening years. One rumour has it that unexplained events that led to occupying Japanese troops abandoning the British Military built barrack blocks on the hill during the war, had be due to the intervention of the tomb’s occupant.

The barrack block at Cox Terrace with the cemetery in the foreground (photo online at http://www.nas.gov.sg/archivesonline/).

The barrack block at Cox Terrace with the old Christian cemetery in the foreground (photo online at http://www.nas.gov.sg/archivesonline/).

One of these barrack blocks, lies just northwest of the tomb at Cox Terrace. A squash centre in my schooldays and and arts centre after, it now masquerades as the fancy sounding Singapore Pinacothèque de Paris, a private art museum. The museum overlooks what is today a most wonderful of space we know as Fort Canning Green. It comes to life occasionally when events such as theatre and musical performances under the stars, are held on it. And when it is kept clear,  it is a place, as it was in the days of my youth, where an escape could be found in.

Fort Canning Green today, well manicured, but still where many ghosts of the past are to be found.

Fort Canning Green today, well manicured, but still where many ghosts of the past are to be found.

A stage set for the spirits of a Shakespearean play, The Tempest, at Fort Canning Green.

A stage set for the spirits of a Shakespearean play, The Tempest, at Fort Canning Green.

There is much on and surrounding the green that will remind us of its previous use. A brick wall that encompasses most of the grounds around much of its perimeter give very clear hints of its days as an old Christian cemetery, as do the two cross adorned Gothic style gates intended as entry points. Information on the cemetery, the second Christian cemetery to be used in Singapore, is mostly contained in a 1912 register compiled by H. A. Stallwood. The register was published in the Journal of the Straits Branch of the Royal Asiatic Society (JSBRAS) and was an attempt to create on as no register of burials for the cemetery could then be found.

A general view of the cemetery in the 1912 JSBRAS paper.

A general view of the cemetery in the included with the 1912 register.

The south east corner of the cemetery in 1921 (The cemetery seen in 1912 (photo online at http://www.nas.gov.sg/archivesonline/).

The south east corner of the cemetery in 1921 (The cemetery seen in 1912 (photo online at http://www.nas.gov.sg/archivesonline/).

We see from the register that the cemetery was divided down its east-west axis by a wall. The cemetery’s Anglican section was located south of this division, with the northern half allocated to the burials of other Christian denominations. The background to the cemetery is also given:

The Cemetery stands on the slope of Fort Canning Hill, and is approached from the South by Fort Canning Road, through a gateway designed partly in the Gothic style of Architecture. It was opened in 1822 to take the place of the first Christian Cemetery which was situated close to where the flag-staff at Fort Canning now stands. It was closed when the Cemetery in Bukit Timah Road was opened in 1865.

One of the two gothic gates that serve as the entrances to the old Christian cemetery at Fort Canning (source: JSBRAS paper). The gates are still standing.

One of the two gothic gates that serve as the entrances to the old Christian cemetery at Fort Canning – also from the 1912 register. The gates are still standing.

Possibly one of the last burials to have taken place, that of young Ada Sutcliffe (year of death incorrectly recorded in the JSBRAS paper as 1865).

Possibly one of the last burials to have taken place, that of young Ada Sutcliffe (year of death incorrectly recorded in the 1912 Regsiter as 1865).

Close-up of a tomb, possibly taken in the late 1940s by Richard Stone (online: http://www.stone-family.info/stone-richard-photos.html).

Close-up of a tomb, possibly taken in the late 1940s by Richard Stone (online: http://www.stone-family.info/stone-richard-photos.html).

The register makes mention of the attraction of the grounds to “those who appreciate quiet, contemplative surroundings“, something that as mentioned above, is the case even today. We are also reminded of the cemetery’s historical value, what perhaps was the main motivation for Stallwood’s effort:

To those who feel an interest in Singapore and its history, few places in the Settlement offer so much of interest.  Many old residents lie buried here, and many tombstones testify to the number of lives sacrificed by members of the Civil Service, who were called to rest at a very early age, whilst taking their share in the administration of this Settlement, of which we are all so proud. The United Services also yield their quota of names, unfortunately, some well-known, if not illustrious, in the annals of their country.

Fort Canning Green is still an attraction for those who appreciate quiet, contemplative surroundings.

Fort Canning Green is still an attraction for those who appreciate quiet, contemplative surroundings.

The layout of the cemetery from the 1912 Register.

The layout of the cemetery from the 1912 Register.

The oldest tomb identified by Stallwood, one from 1821, belongs to a John C. Collingwood of the ship “Susan”. Its presence in the cemetery, which was only opened in 1822, was attributed to it having been relocated from the original cemetery. The last burial was however incorrectly identified as being that of two year old Marie Dominica Scott in 1868. A check against the register’s listing of graves has the child’s death occurring instead in 1858. The 1858 death was also confirmed by the brother of the deceased in a letter published in the Straits Times on 17 July 1912, written to point the error out.

A photograph from the JSBRAS paper. The memorial to the men of HMS Niger mentioned in the paper, is in the centre of the picture.

A photograph from the 1912 Register. A memorial to the men of HMS Niger that is also mentioned in the paper, is in the centre of the picture.

The cemetery seen in 1912 (photo online at http://www.nas.gov.sg/archivesonline/).

The cemetery seen in 1912 (photo online at http://www.nas.gov.sg/archivesonline/).

Within the walls, two noticeable structures that belonged to the cemetery remain. Both are in the southwest corner. The larger of the two, said to have been the largest in the former cemetery, is dedicated to the memory of James Brooke Napier, the infant son of William Napier. It was after William, a lawyer and the founder of the Singapore Free Press, that Napier Road was named.

A photograph of the memorial to James Brooke Napier from the JSBRAS paper.

A photograph of the memorial to James Brooke Napier from the 1912 Register.

The Napier Memorial and a former barrack block turned art museum at the top of Fort Canning Green.

The Napier Memorial and a former barrack block turned art museum at the top of Fort Canning Green.

William Napier was for a short while the Lieutenant-Governor of Labuan. He serve under Governor James Brooke, who is better known to us as the first of the white Rajahs of Sarawak. It was after Brooke that the infant was named. James Brooke Napier died at sea on 17 February 1848 at the age of 5 months and 24 days. His mother was Maria Frances Napier was the widow of the illustrious George D. Coleman, who Napier married not long after Coleman’s death in October 1844.

The memorial today.

The memorial today.

George Coleman, Singapore’s first public works architect, is best known to us as the man behind the beautiful Armenian Church and for lending his name to the street on which he had his house and to a bridge over the Singapore river. There is much of the former cemetery connected to him. The Gothic gates are ones that Coleman designed, along with the second set of the large structures mentioned, the two cupolas. Located just down the slope from the Napier memorial, the cupolas are of ornamental value, intended it is suggested, to provide shelter for rest and for contemplation.

The southwest area of the cemetery with the cuploas clearly visible. Possibly taken in the late 1940s it is from a wonderful online collection of photographs taken in Singapore from 1948 to the mid-1950s by Richard Stone (online: http://www.stone-family.info/stone-richard-photos.html).

The southwest area of the cemetery with the cuploas and the memorial to James Brooke Napier visible. Possibly taken in the late 1940s, it is from a wonderful online collection of photographs taken in Singapore from 1948 to the mid-1950s by Richard Stone (online: http://www.stone-family.info/stone-richard-photos.html).

The cupolas today.

The cupolas today.

Coleman was also laid to rest in the cemetery. An Irishman, he was believed to have been a member of the Church of Ireland. A mausoleum to Coleman, who died in 1844, was located at the non-Anglican section, in the cemetery’s northwest corner. All that remains of that is its memorial tablet, which can be found embedded in the western wall of Fort Canning Green, not far from where his mausoleum was located.

Coleman's cupolas with a view towards the northern Gothic gate.

Coleman’s cupolas with a view towards the northern Gothic gate.

The tablet belonging to the grave of George D. Coleman on the western wall - just below Fort Canning Centre.

The tablet belonging to the tomb of George D. Coleman on the western wall – just below Fort Canning Centre.

George D. Coleman's tomb in the northwest corner seen in 1956. The tomb was one of about 120 graves retained when the cemetery was converted into a 'Garden of Memory' in 1954 (photo online at http://www.nas.gov.sg/archivesonline/).

George D. Coleman’s tomb in the northwest corner seen in 1956. The tomb was one of about 120 graves retained when the cemetery was converted into a ‘Garden of Memory’ in 1954 (photo online at http://www.nas.gov.sg/archivesonline/).

Coleman’s tomb was one of those that stood until the early 1970s. It was one of some 120 tombs identified for preservation by the Committee for the Preservation of Historic Sites when a decision was taken in the 1950s to turn the cemetery into a “garden of memory” in the early 1950s. The decision, prompted by the state of neglect and ruin the historic site was in, resulted in the exhumation of more than four hundred graves. An effort was also made to preserve the memory of those buried in the exhumed graves by embedding the headstones and memorial tablets of the removed graves into the walls of the cemetery. An extension to the existing wall had also to be constructed at then open eastern perimeter to permit this and the work was completed in 1954.

The garden, still with a scattering of graves, in 1974 ( (photo online at http://www.nas.gov.sg/archivesonline/).

The garden, still with a scattering of graves, in 1974 (photo online at http://www.nas.gov.sg/archivesonline/).

Another view of the former cemetery in 1974 (photo online at http://www.nas.gov.sg/archivesonline/).

Another view of the former cemetery in 1974 (photo online at http://www.nas.gov.sg/archivesonline/).

Gravestones embedded into the walls.

Gravestones embedded into the walls.

The writing on the walls now include grave stones from a mid-1970s exercise that saw all remaining graves exhumed and yields a rather interesting mix of stories from the former graves. In it we see many who came from far and wide bringing a diversity to the new settlement. We also see many names of notable personalities from the settlement’s earliest days. Examples of both include names such as Aristake Sarkies, who was Singapore’s first Armenian merchant, and also Jose D’Almeida, who was to be knighted by the Queen of Portugal and who was to become the first Portuguese Consul General to the Straits Settlements. D’Almeida Street is named after him.

The memorial tablets embedded in the walls tell us of many who came from far and wide in the early decades of British Singapore.

The memorial tablets embedded in the walls tell us of many who came from far and wide in the early decades of British Singapore.

A tablet belonging to the grave of Aristake Sarkies.

A tablet belonging to the grave of Aristake Sarkies.

From the grave of Charles Spottiswoode, a merchant after whom Spottiswoode Park is named.

From the grave of Charles Spottiswoode, a merchant after whom Spottiswoode Park is named.

There are also the stories of those who are less recognisable. One name that I could not help but notice on the walls is that of Emily Louisa Ottoson. Ottoson is a name that I am familiar with as that of Singapore’s first Japanese resident, John Matthew, also known as Otokichi Yamamoto. Behind the name is a fascinating tale that begins with Otokichi’s unitended departure from the country of his birth (a previous post on the Japanese Cemetery touches on the story). Emily Louisa it turns out, was John Matthew’s young daughter. She died in November 1852, a few months short of her fifth birthday.

The memorial tablet for Emily Louisa Ottoson, the four year old daughter of John Matthew Ottoson a.k.a. Otokichi. A resident of Japanese origin, Otokichi had a very eventful life out of Japan that started with him being lost at sea fro 14 months (see: https://thelongnwindingroad.wordpress.com/2012/12/18/voices-from-a-forgotten-past/).

The memorial tablet for Emily Louisa Ottoson, the four year old daughter of John Matthew Ottoson a.k.a. Otokichi. A resident of Japanese origin, Otokichi had a very eventful life out of Japan that started with him being lost at sea for 14 months (see: Voices from a Forgotten Past).

The young ages of many who were interred in the cemetery is also hard not to notice. Many names in the walls are those of children and infants. There are also many who passed on in their prime, which the 1912 register touches on, saying: “many tombstones testify to the number of lives sacrificed by members of the Civil Service, who were called to rest at a very early age, whilst taking their share in the administration of this Settlement, of which we are all so proud“.

A tablet from the grave of Edward Presgrave, a civil servant who passed away at the age of 35.

A tablet from the grave of Edward Presgrave, a civil servant who passed away at the age of 35.

One in this category was an Edward Presgrave. A contemporary of John Crawfurd, Presgrave served as the Registrar of Imports and Exports and concurrently as the Deputy Resident of Singapore. He reportedly died from a sudden attack of paralysis in 1830. On the basis of the register, he shared a vault with the Rev. Robert Burn. The Reverend, who died in 1833, was the first Anglican Resident Chaplain in Singapore and his appointment in 1826 is significant from the perspective that it marks the founding of the Anglican Church in Singapore.

A tablet belonging to Rev. Robert Burn, Chaplain of the Settlement, who apparently shared the same vault as Edward Presgrave in the Anglican section at the top of the slope.

A tablet belonging to Rev. Robert Burn, Chaplain of the Settlement, who apparently shared the same vault as Edward Presgrave in the Anglican section at the top of the slope.

There are many more stories that are to be found in the walls. Estimates of the number buried in the cemetery vary greatly. The 1912 register has list of over 550 names, while a Straits Times report in September 1952 has it as more than 700. The vast majority of those buried would have been of those of European descent. There are however a substantial number of Chinese, early converts to Christianity, who were also buried there, evident from the embedded grave stones with Chinese inscriptions. From these we can also see that the tradition was maintained in the manner the graves were inscribed, even with the embrace of a non-traditional faith.

A tablet in Chinese.

A Chinese head stone.

An example of an early Chinese Christian grave in which the Chinese tradition is maintained found another old cemetery in Singapore.

An example of an early Chinese Christian grave in which the Chinese tradition is maintained found another old cemetery in Singapore.

Mixed into the reminders of the old (Christian Cemetery), there are also the reminders of the new (Christian Cemetery). The “New Cemetery” or the Bukit Timah Christian Cemetery, replaced the Fort Canning cemetery as a Christian burial site and it was from the new cemetery that the cluster of gravestones seen in the northeast corner of the grounds had been moved from. The move was made when the graves in the new cemetery, located at what is today Kampong Java Park, were exhumed in 1970. The twelve graves stones that were moved were ones deemed to be of historical value by the then sub-committee on the Preservation of Buildings and Sites of Architectural and Historical Interest.

Gravestones moved from the 'New Cemetery' at the northeastern corner of Fort Canning Green.

Gravestones moved from the ‘New Cemetery’ at the northeastern corner of Fort Canning Green.

The exhumation of the remaining graves, undertaken in the mid 1970s, was part of an exercise to turn turn the hill into a huge park and green lung in the city. Named Central Park, it extended the reach of a previous public park, King George V Park on the west side of the hill, across to the east of the hill and incorporated parts of which had previously been used by the military, as well as the former cemetery site. Plans then included a roller skating rink, which was built, and also a cascading founding. The latter would have occupied the grounds of the cemetery and was fortunately not built, leaving us with a space in which the ghosts of the past are not forgotten.

King George V Park.

King George V Park.

A southward view through the James Brooke Napier memorial.

A southward view through the James Brooke Napier memorial.

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The National Gallery Singapore: a sneak peek

23 11 2015

After five long years, the transformation of two of Singapore most recognisable National Monuments, the former Supreme Court and City Hall into the National Gallery Singapore, is finally complete. The new cultural institution, which oversees the largest collection of modern art in Southeast Asia, will open its doors to the public tomorrow – an event that is being accompanied with a big bash.

Visitors to the gallery can expect to see a display of Singapore and Southeast Asian art drawn from Singapore’s huge National Collection in the permanent exhibitions, Siapa Nama Kamu? – featuring close to 400 works of Singapore art since the 19th Century, and Between Declarations and Dreams, which features close to 400 works of Southeast Asian art from the same period.   There will also be two special exhibitions that can be caught from 26 Nov 2015 to 3 May 2016. One, Beauty Beyond Form, features the donated works of traditional Chinese painter, Wu Guanzhong. The other After the Rain, will see 38 works of one of Singapore’s leading ink painters, Chua Ek Kay on display. Also on display will be the beautifully restored interiors of the two buildings, and the stunning impact the architectural interventions have had on them (see also : The National Gallery, Naked).

More information on the National Museum’s opening celebrations and visitor information can be found on the celebrations brochure (pdf) and also at the National Gallery Singapore’s website. Admission to the National Gallery Singapore will be free for all visitors from 24 November to 6 December 2015.


A Sneak Peek at the National Gallery Singapore

The former Supreme Court, which houses the galleries of the UOB Southeast Asia Gallery

Art in a former courtroom.

Art in a former courtroom.

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The former Courtroom No. 1.

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Manit Sriwanichpoom’s Shocking Pink Collection.

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Reflections on the Rotunda Dome.

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The former Courtroom No. 1.

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The spiral staircase to the main Supreme Court dome.

An art resource centre in the former Rotunda Library.

An art resource centre in the former Rotunda Library.

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Inside the resource centre.

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City Hall, which houses the DBS Singapore Gallery, the Singtel Special Exhibition Gallery, the Wu Guanzhong Gallery and several education centres

The Keppel Centre for Art Education.

The Keppel Centre for Art Education.

Chua Mia Te's Epic Poem of Malaya.

Chua Mia Tee’s Epic Poem of Malaya.

Liu Kang's Life by the River.

Liu Kang’s Life by the River.

The DBS Singapore Gallery.

The DBS Singapore Gallery.

Lots to think about ...

Lots to think about …

City Hall Chamber.

City Hall Chamber.

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The red SG50 Steinway.

The red SG50 Steinway.

Not quite a permanent display.

Not quite a permanent display.


Miscellaneous Views (see also: The National Gallery, naked)

The columns of City Hall.

The columns of City Hall.

Corridors of the former Supreme Court - the original rubber tiles, which contained asbestos, had to be replaced.

Corridors of the former Supreme Court – the original rubber tiles, which contained asbestos, had to be replaced.

Another view.

Another view.

The former City Hall Courtyard.

The former City Hall Courtyard.

Roof terrace bars at City Hall.

The roof terrace bars at City Hall …

... provides stunning views of the cityscape.

… provide stunning views of the cityscape.

The view of the Padang, the Esplanade and Marina Bay Sands from the roof terrace.

The view of the Padang, the Esplanade and Marina Bay Sands from the roof terrace.

 

 





Celebrating SG50 and a heritage gem

14 08 2015

One of the joys of living in Singapore, a melting pot of immigrant cultures for over two centuries, is the diverse influences seen in the architecture on display across the city-state.  One area where a concentration of this can be admired is in and around Telok Ayer Street, a street once fronting the bay after which it was named and a point of landing for many of modern Singapore’s earliest immigrants.  Along the street, stand two gorgeously adorned pagodas, possibly the oldest in Singapore, both of which were erected by Hokkien immigrants, one of which takes one from earth to heaven and houses an altar to the Heavenly Jade Emperor within what was once the home of the Keng Teck Whay.

The former Keng Teck Whay, now the Singapore Yu Huang Gong.

The former Keng Teck Whay, now the Singapore Yu Huang Gong.

A second pagoda - Thian Hock Keng's Chong Wen pagoda, seen across the roofs of the Hokkien temple from the Keng Teck Way's pagoda.

A second pagoda – Thian Hock Keng’s Chong Wen pagoda, seen across the roofs of the Hokkien temple from the Keng Teck Way’s pagoda.

The Keng Teck Whay, a mutual-aid society, was founded in 1831 by 36 Hokkien Peranakan (Straits Chinese) businessmen from Malacca whose origins can be traced back to Chiang Chew (Zhangzhou), China. The association, membership of which passed from father to eldest son, erected what can be said to be a clan complex around the mid 19th century. Being a very exclusive association, the complex and the fine example of southern Chinese architecture found within it, was kept well hidden from the public eye for much of its long existence.

The ancestral hall where a tablet bearing the names of 35 of the 36 founders - one was apparently ejected. 36 places are however set at the table where food offerings to the ancestors are laid out during the sembayang abu or ancestral prayer sessions - a practice that is now continued by the Taoist. Mission

The ancestral hall where a tablet bearing the names of 35 of the 36 founders – one was apparently ejected. 36 places are however set at the table where food offerings to the ancestors are laid out during the sembayang abu or ancestral prayer sessions – a practice that is now continued by the Taoist. Mission

A National Monument since 2009, the former Keng Teck Whay building – the only surviving example of a Straits Chinese clan complex, has since been taken over by the Taoist Mission. The complex, which was in a state of disrepair when the mission took possession in 2010, was painstakingly restored over a two and a half year period by a team of experts appointed by the Taoist Mission at a cost of some $3.8 million. Having first opened its doors to the public as the Singapore Yu Huang Kong or Temple of the Heavenly Jade Emperor early this year, the newly restored complex was officially opened on 9 August, the day independent Singapore celebrated its golden jubilee.

A view of the central door and the door gods.

A view of the central door (reserved for the Deity) and the door gods.

A view through the opened Deity door.

A view through the opened Deity door.

The opening of the former Keng Teck Whay as the Yu Huang Kong, which was officiated by Mr Sam Tan, Minister of State, Prime Minister’s Office and Ministry of Culture, Community and Youth, was a celebration in many ways. Marking the the end of the restoration effort, the ceremony, which also included the commemoration of National Day, was also a celebration of Singapore’s unity in diversity with representatives from Singapore’s many faiths also in the audience.

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There is also much to celebrate about the beauty of the complex and its traditionally constructed structures and decorations. Laid out along a north-south axis, the complex features two courtyards, separated by its rather interesting pagoda. The beautifully constructed pagoda, laid out on a square base with octagonal plan upper tiers, said to represent Earth and Heaven respectively, is thought to have been modelled after the pagoda structures seen in temples to Confucius. It is on the second level of the three tier pagoda that the altar dedicated to the Heavenly Jade Emperor is found. The ancestral hall, housed on the lower level of the rear two storey building, lies across the inner courtyard from the pagoda.

Another view of the pagoda.

Another view of the pagoda.

The entrance building.

The entrance hall.

The altar to the Heavenly Jade Emperor.

The altar to the Heavenly Jade Emperor.

The iron spiral staircase of the pagoda.

The iron spiral staircase of the pagoda.

Doors, frescos and architectural details of the pagoda, beautifully restored.

Doors, frescos and architectural details of the pagoda, beautifully restored.

The ancestral hall, would have been where the main focus of the gathering of members five times a year to conduct ancestral prayers or sembayang abu, was. The hall is where a tablet inscribed with the 35 names of the association’s founding members can be found. While the name of the 36th founder, who was ejected for reasons unknown, is missing from the tablet, 36 places were still somehow set at the sembayang abu food offering table – a practice that the Taoist Mission continues with. More information on the Keng Teck Whay and the sembayang abu food offerings be found at this link:  http://peranakan.s3.amazonaws.com/2005/2005_Issue_2.pdf.

The curved roof ridge of the entrance hall.

The curved roof ridge of the entrance hall.

The upper level of the rear hall.

The upper level of the rear hall.

Further information on the Keng Teck Whay can be also found at the following links:


More photographs of the Opening and SG50 National Day Commemoration ceremony

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More photographs of the beautifully restored Singapore Yu Huang Kong

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Celebrating the Botanics

5 08 2015

In a Singapore caught up in the frenzy of celebrating the abandonment of the past, being given an opportunity to celebrate a piece of our pre-independent history, the Singapore Botanic Gardens (SBG), is a welcome distraction. The 74 hectare green space, recently inscribed as the country’s first UNESCO World Heritage Site, is one that connects the generations as a community space, a constant in a Singapore in which change seems to be the only other constant, for which alone it deserves to be celebrated.

The bandstand and its iconic gazebo, one of several conserved sites within the SBG.

The bandstand and its iconic gazebo, one of several conserved sites within the SBG.

The inscription into the UNESCO list gives us a lot more reason to celebrate. The Gardens has long played a role not just as a community space, but as a centre for botanical research, it has made immense contributions even to Singapore’s (and Malaya’s) early economy. The rise of rubber as an economic crop and the spread of rubber plantations, once dominant across our island’s rural areas, across much of Malaya, owes much to the work carried out in the SBG and Henry Ridley, the SBG’s first scientific director. The rural landscape while now conquered by the sea of concrete, owes much of its green colouring, a product of the efforts to transform Singapore into a Garden City, also to the SBG.

Henry Ridley and his work on rubber is remembered in the SBG Heritage Centre.

Henry Ridley and his work on rubber is remembered in the SBG Heritage Centre.

Green is a colour that paints the Botanics is beautifully. Home to numerous heritage trees, it also is a showcase of more than 10,000 tropical plants. Offers an escape many seek from the insanity and clutter of the urban world, its wide open lawns provide our young with the space necessary to learn that life is not just about virtual play. The same lawns have given great service to society. One, was to provide the space for the first Aneka Ragam Ra’ayat or People’s Variety Show that drew a crowd of 22,000. The shows were an initiative to help unify Singaporeans in the early days of full self-government and started in 1959. 

Space to run free.

Space to run free.

One of several heritage trees.

One of several heritage trees.

My first acquaintance with the Gardens came about in my earliest of years. On the evidence of my childhood albums and the long lasting fascination I had with sundials and black swans, many of my early interactions with the SBG would have taken place in the Tanglin Core, the oldest part of the gardens. This part of the Gardens is where many of its heritage sites are to be found, including Singapore’s the first ornamental body of water, Swan Lake, which was completed in 1866. Several of the Gardens’ icons can be found close to the lake such as the famous tembusu tree that has found its way to the back of our five-dollar note, the Bandstand – a popular spot for wedding photographs to be taken at, and Swan Lake Gazebo. The cast iron gazebo harks back to a forgotten age and is one that graced the Royal Navy’s Commander-in-Chief’s one time residence (at old Admiralty House on Grange Road, which was demolished in the 1960s to allow the 2nd Raffles Institution campus to be built).

My introduction to the sundial at the Botanical Gardens in 1966.

When I first met the acquaintance of the sundial.

The iconic tembusu tree attracts large crowds.

The iconic tembusu tree attracts large crowds.

Dynamic supports developed by ST Kinetics now support the outstretched branch of the tembusu on which many previously posed for photographs.

Dynamic supports developed by ST Kinetics now support the outstretched branch of the tembusu on which many previously posed for photographs.

Swan Lake, Singapore's first ornamental lake.

Swan Lake, Singapore’s first ornamental lake.

One of the tiniest species of bats, the bamboo bat, can be found roosting in the Gardens.

A bamboo clump – one of the tiniest species of bats, the bamboo bat, can be found roosting in the Gardens.

A wider view of Swan Lake.

A wider view of Swan Lake.

The Bandstand is a popular spot for wedding photography.

The Bandstand is a popular spot for wedding photography.

The cast iron Victorian Swan Lake Gazebo, previously of Old Admiralty House at Grange Road.

The cast iron Victorian Swan Lake Gazebo, previously of Old Admiralty House at Grange Road.

Also within the Tanglin Core, is an old building that offers cool relief, especially on a hot day, Holttum Hall. Built in 1920, the two storey bungalow, one of four conserved bungalows found on the site (more information on which can be found at the Urban Redevelopment Authorty (URA) Conservation Portal), now houses the SBG Heritage Museum.  The hall is close to the Botany Centre – one of the visitor gateways into the Gardens and holds a wealth of information in its interactive and multimedia exhibits on the work that went on in the gardens and its role in the proliferation of rubber as a crop.

The SBG Heritage Centre in Holttum Hall.

The SBG Heritage Centre in Holttum Hall.

An exhibit showing the herringbone pattern developed by Ridley to tap rubber.

An exhibit showing the herringbone pattern developed by Ridley to tap rubber.

One of the things I was surprised to learn about the SBG, was that what is thought to be the oldest and largest orchid plant in the world, can be found on its grounds. The plant, a clump of tiger orchid, wears a rather undignified appearance. Measuring some 5 metres in diameter, it is thought to be the one planted in 1861 by Lawrence Niven, the SBG’s first superintendent who is credited with its development, just two years after the Gardens was established.

The oldest orchid?

The oldest orchid?

Flowers belonging to the world's oldest orchid plant.

Flowers belonging to the world’s oldest orchid plant.

Another interesting site is at Plant House. Here, arrows can be found marked into several of the red bricks of its steps, the significance of which only came to light in 1995, when a group of former prisoners of war visiting from Australia told of how the arrows got on the bricks. Apparently the arrows, a symbol then commonly used to mark government property, were marked by the POWs involved, as an act of defiance. More on this story (and also of Lawrence Niven) can be found here.

The steps of plant house.

The steps of plant house.

A close-up of the bricks used to make the steps - with arrows seen on some of them.

A close-up of the bricks used to make the steps – with arrows seen on some of them.

Adjoining the Tanglin Core and to its north is the Central Core. Here, laid out over the highest point of the grounds, one finds the National Orchid Garden. Opened by Singapore’s first prime minister Mr Lee Kuan Yew in 1995, the National Orchid Garden celebrates its 20th anniversary on 20 October.  In it, the visitor will find over 1000 species and 2000 hybrids of orchids on display, making it an especially colourful site. Nestled in the midst all that colour is is another of the SBG’s four conserved bungalows, Burkill Hall. A former plantation owner’s bungalow built in 1886, it now is rented out as an event venue. The National Orchid Garden is also where the most vandalised tree in Botanics can be found. As part of the celebration of its 20th anniversary, SG50 and SBG’s UNESCO World Heritage Site inscription, admission into the National Orchid Garden will be free until the 31st of August for all resident in Singapore (this includes Singapore citizens, permanent residents and others residing in Singapore such as EP, Work Permit and Dependent Pass holders).

Burkill Hall.

Burkill Hall.

The most vandalised tree.

The most vandalised tree.

A close-up of it.

A close-up of it.

The National Orchid Garden is a riot of colour with some 1000 species of orchids on display.

The National Orchid Garden is a riot of colour with some 1000 species of orchids on display.

SBG Director Dr Nigel Taylor with National Orchid Garden nursery manager David Lim.

SBG Director Dr Nigel Taylor with National Orchid Garden nursery manager David Lim.

The National Orchid Garden seen through the porch of Burkill Hall.

The National Orchid Garden seen through the porch of Burkill Hall.

It seems these days that no attraction in Singapore is compelete without something to tempt the palate. The SBG these days certainly isn’t short of this with its range of gastronomical delights found in the abundance of the food and beverage outlets now found in the Gardens. One of these outlets can be found close to the National Orchid Garden, set in the tranquility of the Ginger Garden. This, the ginger themed restaurant Halia at Singapore Botanic Gardens, seems to have been caught up in the celebratory mood and has come up with a special SG50 menu of orchid inspired desserts and beverages. Orchid tea blends from the SBG Gardens Shop feature in the beverages, two cocktails, Yam Seng and 1965, and a mocktail, Singapore Jubilee.

A ginger plant inspired mural at the Ginger Garden.

A ginger plant inspired mural at the Ginger Garden.

Halia at SBG.

Halia at SBG.

Ginger and Gold at Halia.

Ginger and Gold at Halia.

White and Lapis.

White and Lapis.

SG50 Cocktails at Halia.

SG50 Cocktails at Halia.

Nassim Gate Visitor Centre, which lies northeast of the Ginger Garden, are where another two F&B outlets can be found. One, the Casa Verde, which touts itself as a “casual trattoria”, offers casual dining. On its menu over the National Day period (from 3rd to 17th August 2015, served from 12pm to 2.45pm but not on weekends and public holidays), several local favourites curated by its chef Danny Tan, can be selected. The dishes, Singapore Laksa, Mee Siam, Mee Rebus, and Char Kway Teow, are priced reasonably and have a soft drink thrown in. Diners at the tratorria can also look forward to its National Day celebration when its fresh oven baked pizzas come with a 50% discount on 9 August from 11.30 am to 5.45 pm. Casa Verde will also run a Kids Pizza Making workshop on 7 August at 2 pm as part of the celebration.

Offerings at Casa Verde for the National Day period.

Offerings at Casa Verde for the National Day period.

A stone’s throw away from the “green house”, we find Corner House, set in a beautifully restored conserved two-storey bungalow, E J H Corner House. The fine-dining restaurant offers the Gastro-Botanica creations of Chef Jason Tan and to mark the country’s 5oth birthday and the restaurant’s first anniversary, Chef Tan is presenting his Celebratory Discovery Menu (available until 16 August 2015 – for dinner only). The menu takes diners on an eight course journey that traces the various stages in the development of Singapore’s culinary scene. Each course reinterprets the chef’s favourite dishes along that journey, which I must say is pretty impressively on the basis of two items on the menu I got to have a taste of, one of which the Remembering Oyster Omelette. That does have me recall the flavour of the real hawker dish, and one with which I found myself transported back at first bite to that car park opposite Cold Storage that became known as Gluttons’ Square.

Corner House.

Corner House – The Verandah.

The Reading Room.

The Reading Room.

The Claret Corner.

The Claret Corner.

The Claret Corner.

The Claret Corner.

Remembering Oyster Omelette.

Remembering Oyster Omelette.

Chef Jason Tan.

Chef Jason Tan.

My Corner of the World - Durian Bread and Butter Pudding.

My Corner of the World – Durian Bread and Butter Pudding.

Delightful salted egg macarons served after each meal.

Delightful salted egg macarons served after each meal.

For those for whom only the real hawker fare will complete an outing to Botanics, one can, rather surprisingly, find a food court on the grounds of the SBG, Food Canopy. While it may not offer the same fare as the food centre at Taman Serasi many from my generation miss, the food court, tucked away in a quiet corner of the Bukit Timah Core (close to the MOE  Co-Curricular Activities Branch, CCAB), offers a choice of hawker fare with its seven stalls. One of these, is the Di Wei Teo Chew Restaurant, which offers Teochew classics such as cold crab, chye poh kway teow, pan-fried pomfret, yam rings and Teochew yam strips.

Cold crab and chye poh kway teow.

Cold crab and chye poh kway teow.

For the those with a sweet tooth, Teochew yam strips.

For the those with a sweet tooth, Teochew yam strips.

Besides the food on offer, visitors to the SBG over the so-named Jubilee Weekend (7 to 9 August 2015), will find a host of activities to celebrate independent Singapore’s 5oth anniversary, including a carnival at the Bandstand and Orchid Plaza with activities and food offerings that include some that bring back the good old days.  There will also be a reenactment of the People’s Variety Show, movie screenings and concerts to look forward to. The SBG’s Shaw Foundation Symphony Stage will, on the evening of 9 August, provide an alternative site to catch a live-screening of the National Day Parade from. More information on the activities over the weekend can be found at the NParks SBG Jubilee Weekend page.

The Gardens Shop.

Offerings at the Gardens Shop – no visit is complete without dropping by.





The National Gallery, naked

7 05 2015

It has been a long four and a half years since two architectural icons of a lost age went into hiding, cloaked for a large part in a dark shroud. That was to permit a huge and costly transformation of the two, the old Supreme Court and the City Hall, to be performed, a transformation that would turn the two  into a jewel that will crown Singapore’s coming of age. The massive 64,000 square metres of floor area that the two buildings share will provide Singapore with the grandest of showcases its huge National collection as the new National Gallery Singapore. The collection numbers some 10,000 works. Composed primarily of the art of Singapore and of Southeast Asia, it is the largest collection of its kind in the world.

The restored historical lobby of the Old Supreme Court.

The restored historical lobby of the Old Supreme Court.

The re-tiled corridors of the Old Supreme Court.

The new shine of the re-tiled corridors of the Old Supreme Court.

The buildings, both National Monuments and ones that for long characterised the city-scape, hark back to the days of the empire. With significant chapters of our history written within their walls, the two are monuments not just of the nation, but also to the nation and what is nice about the transformation, although it may have altered some of the buildings’ characters, is that its does allows an  appreciation of the buildings’s historic and architectural value by providing us and our future generations with access to them and more importantly to their many conserved spaces.

My favourite space in the two buildings, the Rotunda Library, seen in a new light.

My favourite space in the two buildings, the Rotunda Library, seen in a new light.

I had a chance to look at how the transformation has been managed when the buildings made their debut as the National Gallery without the art during the recent series of Naked Museum tours. Having had a look at the two during the open house held just prior to the closure in late 2010, I was especially interested to see how the character of the many conserved spaces within the two have been preserved.

The gathering of local artists and guests at the launch of the National Gallery Open House in 2010 prior to the renovations (National Gallery photo).

The beautifully restored Foyer of the Old Supreme Court.

The beautifully restored Foyer of the Old Supreme Court.

The old stairway that now leads to a new heaven.

The old stairway that now leads to a new heaven.

One of the first things that did catch my eye however, was how the two have been made to become one. A large part of this, is seen in the interface between the two at the former open plaza. Here, we see one of the larger intervention of the architect, Mr Jean François Milou, in the large enclosed space that has been created, encased by glass panels on a framework of steel. The framework is suspended over the two monuments through the use of a rather intriguing looking tree-like support structure. The space is best seen when the sun shines. That is when it takes on an almost magical quality in the soft light that filters through the specially designed screen of perforated aluminium panels.

The atrium between the two buildings.

The atrium between the two buildings.

The moment of inspiration for the screen came on a sun baked afternoon as the architect pondered over how the buildings could be unified sitting on a plastic chair in the Padang. The play of light and shadow through the patchwork of glass and steel, its tree-like support that is also replicated up on the roof of the old Supreme Court, and the sky bridges that allow communication between the two buildings finds meaning as a whole in providing a stunning visual spectacle in which the new is very much in harmony with the old.

A view of the sky bridges between in the atrium created the two buildings.

A view of the sky bridges between in the atrium created the two buildings.

The upper level sky bridge that connects at Level 4.

The upper level sky bridge that connects at Level 4.

The interventions on the roofs of the two buildings, are also best appreciated from the inside. On the previously empty roof of the City Hall, we now see two reflecting pools over the building’s former courtyards. This, found on Level 5, will be lined with F&B outlets. The upper level (Level 6), is where one can now gaze across the Padang to where the generations before once gazed at the lights of the old harbour from a viewing deck that will be opened to the public.

The lower level (Level 5) of City Hall Rooftop will see F&B outlets lining two reflection pools.

The lower level (Level 5) of City Hall Rooftop will see F&B outlets lining two reflection pools.

The view across the reflecting pool of the City Hall Rooftop towards the new Supreme Court.

The view across the reflecting pool of the City Hall Rooftop towards the new Supreme Court.

The City Hall Rooftop viewing deck on Level 6.

The City Hall Rooftop viewing deck on Level 6.

The view through the aluminium panels of the roof.

The view through the aluminium panels of the roof.

It was the roof across the sky bridge that I found especially appealing. Previously an inaccessible are of the old Supreme Court, it is where one finds the minor dome. The skylights on the dome is what casts the delightful glow on the beautifully Rotunda Library below it. The now covered space has a roof similar in construction to the glass enclosure of the atrium between the two buildings, and it is here that in the sunshine, that we also are able to see the gorgeous play of shadow and light it can create.

The Supreme Court Terrace.

The Supreme Court Terrace.

Another view of the terrace with the rotunda dome.

Another view of the terrace with the rotunda dome.

Reflections on the Supreme Court Terrace.

Reflections on the Supreme Court Terrace.

It is under the two domes of the old Supreme Court that one finds the most wonderful of conserved spaces, including what certainly is my favourite of all spaces, the beautiful Rotunda Library. Also conserved and restored are spaces such as Courtroom No. 1, the beautiful corridors on the second level and their skylights, the main staircase, the Historical Lobby and the Grand Foyer.

The Rotunda Library.

The Rotunda Library.

The Rotunda, see from the ground.

The Rotunda, see from a lower angle.

Courtroom No. 1.

Courtroom No. 1.

The beautiful light of the Old Supreme Court main staircase.

The beautiful light of the Old Supreme Court main staircase.

A skylight.

A skylight.

The corridors now feature gleaming marble floor tiles, laid out in a pattern that mimic that of the toxic asbestos filled rubber tiles that had to be replaced. In the area to the left of the staircase one also finds two holding cells, the only ones that have been retained. In the cells, we see a hint of a very necessary sanitary fitting, its opening sealed in cement. When operational, that could only be flushed outside the cells. What would have been nice to see conserved are the narrow caged passageways along which the cells’ occupants could be led, via a trap door, to the courtrooms. These however, were nowhere to be found.

The eight sided foundation stone under which there is a time-capsule that is meant to be opened in the year 3000.

The eight sided foundation stone under which there is a time-capsule that is meant to be opened in the year 3000.

The entrance to the Holding Cells.

The entrance to the Holding Cells.

Inside one ofthe two holding cells that have been retained.

Inside one ofthe two holding cells that have been retained.

Prisoner holding area.

The caged passageway through which a prisoner would be led to the courtroom.

The caged passageway seen with indicted Japanese soldiers being tried for war crimes being led to the courtroom from the holding cells (source: Imperial War Museums © IWM (IND 4999).

The caged passageway seen with indicted Japanese soldiers being tried for war crimes being led to the courtroom from the holding cells during the War Crime trials (source: Imperial War Museums © IWM (IND 4999).

Another caged relic I would have liked to see, was the cage lift that I remember from a visit I accompanied my mother on in my childhood to a verbatim reporter friend she would sometimes have lunch with. This proved once again to be to be elusive, although I am told that the lift is still there and in working condition.

A look up to the underside of the main dome.

A look up to the underside of the main dome.

One part of the court building I did not have a chance to see previously is the underside of the empty main copper clad dome. That I got to see by special arrangement. With the ceiling that previously obscured it now removed, there is no more need to ascend the spiral staircase to have a glance at its bare underneath and the riveted steel beams that provides support. This view will be one of the treats we can look forward to when the new gallery opens its doors in November.

A voew of the distinctive copper dome from City Hall Rooftop. The dome is said to be a smaller scale version of the famous dome of London's St. Paul's Cathedral.

A view of the distinctive copper dome from City Hall Rooftop. The dome is said to be a smaller scale version of the famous dome of London’s St. Paul’s Cathedral.

A view from the balcony towards the pediment. The space left by a missing coat of arms, thought to be removed during the Japanese Occupation, will be left as it is.

A view from the balcony towards the pediment. The space left by a missing coat of arms, thought to be removed during the Japanese Occupation, will be left as it is.

New galleries in the old building. The old Supreme Court wing will be used to house the South-East Asian collection.

New galleries in the old building. The old Supreme Court wing will be used to house the South-East Asian collection.

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The pediment of the old Supreme Court on which Justice is not blind in Singapore.

The pediment of the old Supreme Court on which Justice is not blind in Singapore.

A pigeon's eye view from the balcony of the old Supreme Court.

A pigeon’s eye view from the balcony of the old Supreme Court.

The City Hall also has several conserved spaces of importance, the most important of which is City Hall Chamber. Once said to be the grandest of rooms in all of Singapore, the chamber witnessed several momentous events of our past, one of which was the surrender of Japanese forces in 1945. Another significant event that took place there was the swearing in of our first Prime Minister in 1959. In its refurbished state, the chamber retains much of its character. The entrance to it is now via side doors that previously were windows to the courtyard.

City Hall CHamber, a.k.a. the Surrender Chamber.

City Hall CHamber, a.k.a. the Surrender Chamber.

The courtyard the doors now lead to had been an open-air served car park. It now finds itself under a reflecting pool (the same pool on the roof terrace) and air-conditioned. As the DBS Singapore Courtyard, it will be used for the permanent display of a collection of Singapore art from the 19th century to the present when the gallery opens.

The former courtyard of City Hall.

The former courtyard of City Hall.

The courtyard will be a new exhibition space.

Shadows from the steel framework of the glass roof over the courtyard.

Moving stairways to the new heaven.

Moving stairways to the new heaven.

The Cor­inthian columns of the former City Hall's façade.

The Cor­inthian columns of the former City Hall’s façade.

The central staircase of City Hall.

The central staircase of City Hall.

In a year during which there is much to look forward to in a Singapore that celebrates its 50th year of independence, the gallery’s opening in November is something that will certainly enhance the celebration. The gallery will by itself be a celebration, one not just of art and culture, but also of our nationhood and of our history and heritage.More information on the National Gallery and the history of the buildings can be found at the National Gallery’s website and some of my previous posts, which contain photographs of how some of the spaces looked before the refurbishment.

A last look at the Rotunda Library.

A last look at the Rotunda Library.








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