Singapore seems to have had quite a number of burial sites laid out across swampy grounds. Examples include the since drained old Malay cemetery at Kampong Gelam on the banks of the Rochor River, the burial grounds that were found at Kallang, and the long exhumed burial grounds at former Kampong Batu Puteh. One swampy burial site, perhaps the last in Singapore, can be found off Kranji Road. More recently referred to as the Wak Selat cemetery, it occupies a site that was close to the old Malayan Railway (MR or KTM) line and just by the MR’s old Kranji Gate hut, taking this name from a village, Kampong Wak Selat, that also seems to have acquired the name in fairly recent times.
While the name “Wak Selat” may suggest a village founded by Javanese settlers, the use of the name in this case can be attributed to a headman of non-Javanese origins. The so-called Kampong Wak Selat, was really part of a larger Kampong Kranji — that is until at least the late 1970s and early 1980s, when the clearance of much of the larger village left the part of the village close to the road named “Jalan Wak Selat” isolated.
An explanation for the name of the road can be found in an account provided by a former village headman, Mydeen Kutty Mydeen. In the account, Mr Mydeen described how five roads in Kampong Kranji were named by him in the late 1950s during the days of the Lim Yew Hock administration. In the case of Jalan Wak Selat, it was a reference to an elderly man who was known to reside in the area of the road, whom Mr Mydeen had never seen but had heard about and whom I guess we can call the “old uncle of the strait” (“Wak” is a term used in Java for an uncle who is an older than one’s father, whereas “Selat” means strait in Malay).
Mr Mydeen also named Jalan Lam Huat and Jalan Chuan Seng both of which were names of pineapple canning factories served by the respective roads, Jalan Jambatan Lama after an old bridge, and Jalan Surau after a surau (Muslim prayer hall). The pineapple factories, which had been a feature in the area since the 1930s (Lam Huat was already well established in Kranji when Chuan Soon moved from Upper Serangoon Road in 1936), also meant that the village attracted Chinese settlers. A Chinese school, Tao Khoon School, operated in the area from the 1950s until 1979. The local pineapple canners, along with several others in the trade, were also responsible for establishing the Metal Box factory to support their canning needs. The factory was a well-known landmark at the end of Woodlands Road from the 1950s until 1992 and something that those who travelled up Woodlands Road upcountry during the period would not have missed.
The cemetery, much like the pineapple factories, also seems to have been in existence since the 1930s as maps from the time show. One part of this cemetery, was cleared during an exhumation exercise in 1993 to allow for road widening. This has left behind less than 40 graves out of more than a hundred. With development in the area picking up pace, it will not be long before what remains of the old cemetery, much like the village that it once served, becomes a distant memory.
The fire of the dragon of Sar Kong was seen again last evening, making a reappearance on the streets around its lair at the Mun San Fook Tuck Chee temple. The temple introduced the fire dragon dance in the 1980s, importing a tradition from Tai Hang Village in Hong Kong that has its origins in 1880. Mun San Fook Tuck Chee’s dance of the fire dragon, which usually makes an appearance once every three years, now seems a significant cultural event in Singapore and draws crowds of observers as well as many photographers.
The temple, Mun San Fook Tuck Chee (萬山福德祠), is thought to have its origins in the 1860s, serving a community of Cantonese and Hakka migrant workers employed by the area’s brick kilns, sawmills and sago making factories. The temple moved twice and came to its present site in 1901.
The dance of the fire dragon that is associated with the temple, although long a practice in its place of origin in Hong Kong, only came to the temple in the 1980s. The dragon used for the dance is the result of a painstaking process that involves the making of a core using rattan and the plaiting of straw over three months to make the dragon’s body. Lit joss sticks are placed on the body prior to the dance and traditionally, the dragon would be left to burn to allow it to ascend to the heavens.
More information on the temple, its origins and its practices can be found in the following posts:
The photographs of the remains of Connaught Battery contained in this post were taken during a recent recce accompanied by a member of Sentosa’s staff. Do note that the area in which the remains are found is out of bounds. It contains a number of hazards and it is not only not advisable not to visit the area without the necessary permissions and supervision, you would also be trespassing if you do so.
The remains of Connaught’s No 3 Gun emplacement.
Hidden in the vegetation of Sentosa’s two easternmost elevations just a stone’s throw away from one of Singapore most luxurious residential quarters, are the remains of its guns from the era of the Second World War. The better known of the two elevations, is of course Mount Serapong, which has been made accessible through public tours. A second set of guns, three 9.2 inch guns, were placed on the neighbouring elevation. These went into action during the Second World War, and were turned north and north-west to fire towards advancing Imperial Japanese Army troops in the direction of the Causeway, Jurong and Bukit Timah. All available ammunition, a large proportion of which were armour piercing and therefore ineffective against the advancing foot soldiers, was used before the guns were spiked and destroyed on 14 February 1942 — a day before Singapore capitulated. What remains of Connaught Battery include the badly damaged No 3 gun emplacement, a Battery Observation Post and an underground magazine, a retaining wall of the underground structure and several ventilation and other openings.
Another view of the No 3 Gun Emplacement (inside – the shaft and opening for the ammunition hoist can be seen)
A Battery Observation Post
Fittings for railings and a hinge on the emplacement
Inside the BOP
Inside an underground magazine (note the red brick cavity wall)
The cavity wall arrangement, which was possibly installed for moisture control
A view up the ammunition hoist
Background to the development of Sentosa’s Coastal Defence Positions and Connaught Battery
For large parts of its history, Sentosa was not as tranquil an island as its name would suggest. The so-called isle of tranquility, was previously called Blakang Mati, a name that carries with it a suggestion of death or even violence, even if little seems to be known about the origins of a name that it was known by since at least the early 17th century.1 Blakang Mati was also an island that has long had a reputation of being a pirates’ lair. This seemed to be the case as far as the 14th century, with the accounts of Yuan dynasty Chinese voyager, Wang Dayuan, describing what is now thought to be the waters in the area of the island as being infested with pirates2.
While an air of tranquility may have descended on the island following the Honourable East India Company’s (EIC) entry into Singapore with its second Resident, Dr John Crawfurd, describing it as a “beautiful and romantic spot”3, the spectre of death seem to still hang over Blakang Mati. Outbreaks of “Blakang Mati Fever” occurred. These were “of so deadly a character as to carry off three quarters of those attacked”, prompting some of those who settled on the island to flee in “fear and horror”.
The threat posed by “Blakang Mati Fever” however, did little to stop the one square mile island from being turned into one of Singapore’s most heavily armed and fortified square miles. Suggestion were in fact made as early as 1843, for an infantry garrison to be placed on the island as part of a plan to defend Singapore. While little came out of this plan in relation to Blakang Mati, the threat posed by Imperial Russia through it establishing a base in 1872 at Vladivostok on land it acquired from China, and the fact that advances in naval shipbuilding had greatly improved the speed, range, armour, and armament carrying capability of warships, prompted the building up of a coastal defence system to protect the Singapore and New Harbour. Measures taken included the placement of coastal artillery batteries on Blakang Mati. By 1878-79, batteries with fortifications were established at Fort Blakang Mati East (renamed Fort Connaught in 1890 to commemorate the visit of the Duke of Connaught to Singapore) and Fort Siloso. This effort also saw an infantry redoubt built at Mount Serapong.
Blakang Mati’s coastal defence positions and armaments on Sentosa would see overhauls over the years. Among the upgrades was the setting up of a battery at Mount Serapong following a review undertaken in 1885 with Singapore’s growing importance as a coaling station ii mind. Another upgrade, made from 1907 to 1911, came in the wake of Japanese successes in the Russo-Japanese War. This saw the battery at Mount Imbiah added, which was completed in 1912 with Fort Connaught’s battery being decommissioned as a result of it. Imbiah Battery would itself be decommissioned in 1937, when a rebuilt Connaught Battery came into play. The battery, along with a battery at Mount Serapong, remained in service up to the time of the Second World War. The rebuilding of Connaught Battery resulted in the removal of all traces of the 19th century fortifications of Fort Connaught.
While the guns at Serapong seemed to have been damaged during Japanese air raids in January 1942, the three guns at Connaught Battery were turned northwards and were fired in the direction of the Causeway and later at advancing Japanese troops at Jurong on 11 Feb 1942 and Bukit Timah on 12 Feb 1942, expanding all the available ammunition, before being spiked and destroyed on 14 Feb 1942.
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1 The first instance of the island being positively identified as Blakang Mati was through a map made by the Malacca-based Manual Godinho de Erédia. This was published in 1604 to aid in the discovery of the legendary islands of gold. In the map, the island is identified as “Blacan Mati” with the “c” being pronounced as a hard c.
2 In Wang Dayuan’s accounts contained Daoyi zhilüe (島夷誌略) or “Description of Barbarians of the Islands”, he provides a description of a pirate infested “Longyamen” (龍牙門) or Dragon-Teeth Gate, which is now believed to have been a reference to the pair of rocky outcrops at Tanjong Rimau at the western end of Blakang Mati and across the waters at Tanjong Berlayer. Known as “Lots Wife” to the British, they were removed to widen the entrance to New Harbour (Keppel Harbour) in 1848.
3 Among the early uses of the island in the early days of EIC Singapore was the installation of a flagstaff on the island’s highest peak, Mount Serapong, in 1833. The island would also find use for the cultivation of pineapple, jackfruit, guava and chempedak with three villages being established. One was Kampong Ayer Bendera, which was named after the flagstaff. This was located at the foot of Mount Serapong and inhabited primarily by Bugis. There was also a Malay village in the area known as Kampong Serapong, while the third village was Kampong Blakang Mati, another Bugis village. A few Chinese also found their way to the island.
Another set of photographs from the Harrison Forman collection offering a peak into Singapore’s past is one that contains views, in complete colour, of a famous but long demolished mansion and its curious garden in 1941. Both were objects of much fascination, and its even had the likes of Carl Mydans also photographing it for LIFE Magazine that same year, for a feature on Singapore published in July 1941.
Perched on an elevation that was described as “probably one of the best” for a mansion in Singapore and one that commanded a “striking view” of a great part of the island, the lavish and gilt-domed residence of the Aw’s in Pasir Panjang, Haw Par Villa, must have been a magnificent sight for the one thousand guests who were invited for its housewarming party in March 1937. No expense had been spared in the construction and the fit out of the rather lavish interiors of the mansion, which was topped by seven gilded domes. Such was the amount of gold that was used that Singapore’s entire stock of gold was reportedly depleted because of it!
Haw Par Villa in full colour, Harrison Forman, 1941.
Designed by pioneering Singapore architect Ho Kwong Yew, Haw Par Villa sat on a plan that was rather uniquely a series of circles centred on a central hall that was surrounded by circular rooms. Entering the house, one would have encountered its reception hall, and beyond that the central hall. There was also a drawing room, a dining room, four bedrooms with dressing rooms and attached bathrooms, all of which were furnished in a rather ostentatious manner with furnishings and decorative items that were handpicked by Mr Aw Boon Haw from the “best furnishing houses and decorators” during his travels to America and Europe. Even the coloured cement walls inside the house were expensively decorated — with mother of pearl inlays. There were also specially made bronze panels which had been brought in from Europe featuring tigers in various poses, lining the doorways inside the house. The opulent interiors would also have been brought quite literally to light by day and by night, having been illuminated by the generous amount of light filtering through stained-glass laylights fitted on the domes, and through the house’s curved steel-framed windows in the daytime, and by coloured lighting after nightfall.
A much photographed pagoda, Harrison Forman, 1941.
Almost as soon as it was completed, the villa, and the fantastical and extravagantly laid out and publicly accessible garden that was created to complement it, became an instant hit with visitors to Singapore, as well as with the local population. Open to the public, the garden was laid out over several terraces of the elevation that the villa stood on, and although it was meant to complement the mansion rather than take centrestage, much attention was drawn to it by curious press reporters and photographers. Its decorative structures, such as the rockeries and grottoes of artificial rocks, a pagoda, miniature buildings and figurines depicting animals such as cranes and storks, drew a fair bit of interest as did its 50 feet by 25 feet swimming pool.
A garden that was created to complement the villa, Harrison Forman, 1941.
The garden soon became synonymous with Singapore and a must-visit visitor attraction. Among its early visitors were Hollywood couple, William Keighley and Genevieve Tobin during part of their honeymoon in Singapore in May 1939, 39 Australian schoolboys visiting Singapore with the Young Australia League in January 1939. The garden also took centrestage for a pahit party (cocktail party) that was thrown for a visiting Republic of China military delegation in May 1941, which was attended by the British military’s top brass based in Singapore. Such was Haw Par Villa’s draw that it seemed to be the first out-of-town destination to which “all newcomers to Singapore” were brought to — as was the case with a batch of Australian nurses with the Australian Army Nursing Service who were sent to Singapore in September 1941.1
AANS nurses visiting Haw Par Villa (with the villa seen in the background) in September 1941 (source: Australian War Memorial, public domain, copyright expired).
The villa was itself was a draw. Public access to it was permitted during open houses held on festive occasions such as the Chinese New Year. Sadly, the villa did not survive very long. It was taken over for use as a residence during the Japanese Occupation and reportedly housed both Japanese and German officers.2 Poorly maintained, it was left in a poor state by the end of the war. Looting had also stripped the house of all its furnishings and many of the statues from its garden.
By early 1951, Mr Aw Boon Haw, who had lost his younger brother during the war (Boon Par died in Rangoon in 1944), had Haw Par Villa demolished in the hope that he could have a mansion modelled after a Chinese-styled palace put up in its place. Later, a 200 ft high pagoda was proposed. The ongoing austerity drive, which limited spending on private home to a mere $50,000, put paid to Mr Aw’s plans and he turned his attention instead to expanding the set of displays. In doing so, he placed focus on using displays to provide moral guidance to visiting members of the public through the depiction of scenes from Chinese folklore, the Chinese classics, and Buddhist and Taoist teaching which contained messaging on moral values such as filial piety.
Both Taoist and Buddhist themes feature in Haw Par Villa’s displays, Harrison Forman, 1941.
Mr Aw passed away in September 1954 without being able to fulfil a desire to have the demolished villa replaced. The garden, which took on the name “Haw Par Villa” from its association with the missing villa, continued to be a popular spot for visitors to the island. Its collection of figurines and tableaux would have appeared to have been quite bizarre to those not schooled in traditional Chinese teachings and was at the very minimum, a source of amusement and fascination. Among those who graced the garden was the very first Miss Universe, Armi Kuufcla, who visited in April 1953. Another famous personality to visit was teenage idol, Frankie Avalon, late in 1965.
Harrison Forman, 1941.
The garden was also popular for fashion shoots, and as a filming location. Among the movies with scenes shot at Haw Par Villa was a joint Bollywood-Malayan production, “Singapore” in 1959, which contained a scene that saw the popular Maria Menado dance with Bollywood heartthrob Shammi Kapoor. The film was released in 1960. A 1966 Hollywood production, Kommisar X, aka Operation Far East, aka So Darling, So Deadly, had a scene that featured a chase through the garden, and a 1967 British production, Pretty Polly (also A Matter of Innocence) included an evening scene that was filmed at Haw Par Villa.
Harrison Forman, 1941.
Following Aw Boon Haw’s death, Boon Par’s son, Aw Cheng Chye, introduced displays that broke with the garden’s theme, and its Chinese flavour. An avid traveller, Cheng Chye put up International Corners to mark his overseas trips. While this may have contributed to the garden’s quirkiness, it did much to alter its character. Much, much more has happened since. An attempt to convert the garden into a theme park in 1990, failed rather miserably. That saw a ride through an all too prominent dragon. This some believe, brought negative energy on the garden due to the incompatibility of the dragon and the tiger (the “Haw” in Boon Haw’s name, translates into tiger). Most recently, the garden seems to have gone the way of hell, with the current operator intent on Hell’s Museum becoming Haw Par Villa’s draw even if hell, especially the non-Chinese interpretations of life after death, was never intended as the garden’s dominant theme.
The dragon that swallowed hell up – during its theme park days.
1A number from the group were among a second batch of evacuees who would depart on board the SS Vyner Brooke on 12 February 1942, which was attacked and sunk by the Japanese forces on 14 February 1942 in the Bangka Strait. Out of a group of 65 nurses on board the Vyner Brooke, only 24 survived the war, with 21 losing their lives during a massacre on Radji Beach on Bangka Island.
2There was a German U-Boat repair and supply facility maintained at Pulau Damar Darat, which included a graving dock. Among the residences that German naval personnel were known to have used were ones in Pasir Panjang and also at Gilstead Road.
Photographs freeze moments in time, moments that may never again be seen, or even ones with a tale or two to tell. A photograph with a tale to tell is one that belongs to a collection of photographs taken by American photographer Harrison Forman. Taken in While it has been dated to the 1950s, it does appear to be one of a multitude of photographs that Forman captured of pre-World Singapore in 1941, which also includes several taken on 35mm colour slide.
The photograph, taken with Amber Mansions along Orchard Road (where Dhoby Ghaut MRT Station is today) in it, also shows W J Garcia’s piano showroom. Garcia, who was a piano and organ dealer, and is now probably best known as the person behind the installation of what is now Singapore’s oldest pipe organ at the Cathedral of the Good Shepherd in 1912.
Garcia, was a well known personality, having been a pioneering Singapore piano maker. He ventured into the business of piano making in the 1920s, challenging the commonly-held belief that pianos could not be made in the tropics. Garcia’s motivation for venturing the piano making business had been the difficulties that existed in the postwar (First World War) period in obtaining good pianos at reasonable prices. Prior to setting the factory up in 1926, Garcia had his son W H Garcia learn the trade in London. Within Garcia’s teak piano cabinets, were sounding boards made of Romanian pine, imported iron frames, actions, keys and hammers.
Garcia’s factory, which was at Holland Road, had a machine shop measuring approximately 20 by10 metres in which teak was prepared and cut, a room 15 by 10 metres in which the teak was seasoned, and another 20 by10 metre room for assembly. The Second World War would bring Garcia’s venture to a tragic end, with Garcia, who was interned as a civilian during the Japanese Occupation, passing away at the age of 66 on 26 April 1942.
Where would the “most haunted” place in Singapore have been when you were growing up? In the days before the myths about a certain set of buildings in Singapore’s east acquired that reputation with little foundation, there were many other places or buildings that were thought of as being the creepiest. The list ranged from the old and derelict, houses with ghostly tales, to places such as the old YMCA at which the Kempeitai carried out verified acts of torture.
One that I was especially terrified of, was the so-called haunted house at Peirce Road. This was back in the 1970s and 1980s when many old bungalows whose glory days had long deserted them, could still be found and even accessed. The house at Peirce Road, was a large two-storey mansion (where Peirce Villas now stands) that was particularly popular for youthful thrill seekers seeking a nocturnal adventure. It was the place to head to for a dare, to show-off, or quite simply, to have the hell scared out of you. Reputedly Singapore’s most haunted house, the stories of those who dared venture into it were of instances of spirit possession, poltergeist-type activity and almost anything that made one’s hair stand on ends. By the end of the 1970s, the house had already become quite derelict, and even if the stories — true or false — did not put fear into you, there was the need to approach the house with some caution as there was the chance you could injure yourself if you were not careful.
Despite its reputation, the house played a starring role as the Soong family mansion in the 1989 TV mini-series, Tanamera – The Lion of Singapore, which was based on Noel Barber’s novel, Tanamera, set in 1930s Singapore. It was one of two buildings that were then in poor state that were used in the series, having to have repairs and a new coat of paint splashed on to look presentable enough; the other being the old Blakang Mati officers’ mess on Sentosa. While the old officers mess has since been refurbished as the rather resplendent Capella Hotel (the venue of the farcical 2018 Trump-Kim Summit), the Peirce Road mansion was demolished, not long after filming was completed in 1989.
Fort Canning Hill, aka Bukit Larangan or Forbidden Hill, the place of many a schoolboy adventure for me, has always been a place of discovery and rediscovery for me, as well as a space that provides an escape from the urban world. An abode of the ancient kings of Singapura — the spirits of whom are said to still roam the hill, the hill is one steeped as much in history, as it is surrounded by mystery.
Fort Canning Hill, the Forbidden Hill is a place that has long been cloaked with an air of mystery.
The mystery of the place, was quite evident when the British first established their presence in Singapore in 1819. Col William Farquhar’s attempt to ascend the strategically positioned elevation, which commanded a view of the plain across which the settlement and Singapore River, was met with resistance by the followers of Temenggong Abdul Rahman who claimed that the sounds of gongs and drums and the shouts of hundreds of men could be heard, even if all that was present then on the hill were only the reminders of a long lost 14th century kingdom. The claim did not deter Farquhar from making his ascent, nor his colleagues in the East India Company, who would exploit the hill to place the seat of colonial rule in Singapore, as an experimental botanical garden, for the first Christian spaces for the dead, and as an artillery fort and barracks, for fresh water supply to the fast developing municipality and as a strategic military command bunker.
It has long been a place of escape for me.
Much of that history, and mystery, is now wonderfully captured in the new Fort Canning Heritage Gallery — and in a book “Fort Canning Park: Heritage and Gardens” that was launched in conjunction with the gallery’s opening yesterday on 26 August 2022. The gallery is housed in a 1920s barrack block now known as Fort Canning Centre, that has seen use most recently as a staging point for the Bicentennial Experience and as the short-lived private museum, Singapore Pinacothèque de Paris. The centre, which also housed the “world’s largest squash centre” from the 1977 to 1987 during the height of the squash rackets craze in Singapore, sits quite grandly atop the slope we know today as Fort Canning Green and forms a magnificent backdrop to the many events that the former cemetery grounds now plays host to.
Fort Canning Centre, a 1920s barrack block in which the newly opened Fort Canning Heritage Gallery is housed.
Divided into five zones, the gallery provides an introduction to the hill, and through four themed zones, places focus on a particular aspect of the role that the hill has played through its own and also more broadly, Singapore’s history. The stories, told succinctly through information panels, archaeological artefacts excavated from the hill and interactive digital stations, provide just enough information to the visitor to provide an appreciation of the hill history and its heritage. There is also a condensed version of the “From Singapore to Singaporean: The Bicentennial Experience” video that plays in a mini-theatrette within the gallery.
Minister of National Development, Mr Desmond Lee, opening the new Fort Canning Heritage Gallery.
Also opened with the new gallery was an enhanced Spice Garden, which now extends to the 2019 pedestrianised section of Fort Canning Rise and a pedestrian ramp and underpass (that once led to the former car park at the rear of the old National Library). The pedestrian ramp and underpass now features the new Spice Gallery, which I thought was a wonderful and meaningful way to use a space that serves little other practical use today. The Spice Gallery, made possible by the generous support of Nomanbhoy and Sons Pte Ltd — a spice trader with over a hundred years of history, provides an appreciation of the significance of the spice trade to modern Singapore’s early development as a trading hub and also the role that Fort Canning Hill played in Singapore’s early spice plantations.
The newly opened Spice Gallery at the enhanced Spice Garden occupies a former pedestrian ramp and underpass.
A book, “Fort Canning Park: Heritage and Gardens”, authored by Dr Chng Mun Whye and Ms Sara-Ann Ang, which highlights the park’s rich heritage, was also launched together with the opening. This is available for sale Gardens Shop at various locations around the Singapore Botanic Gardens or online at https://botanicgardensshop.sg at SGD 29.90.
A book, “Fort Canning Park: Heritage and Gardens” was launched together with the opening.
Along with the permanent exhibition two galleries, there is also a “Kaleidoscope in Clay (I)” exhibition that features exhibits showcasing 5,000 years of Chinese ceramic history from 26 August to 11 September 2022 at The Gallery@L3, Fort Canning Centre. Also running is the 3rd edition of Festival at the Fort being held in conjunction with the opening and Singapore Night Festival, the programmes of which include movie screenings at Fort Canning Green, guided tours and children’s activities. The festival runs from 26 August to 4 September 2022 and more information can be found at https://www.nparks.gov.sg/activities/events-and-workshops/2022/8/festival-at-the-fort-2022.
Kaleidoscope in Clay (I) at Gallery@L3, Fort Canning Centre.
Fort Canning Heritage Gallery is opened daily from 10 am to 6 pm (expect for the last Monday of each month), while the Spice Gallery is opened from 7 am to 7 pm daily. Entry to both galleries is free to the public.
Photographs of Fort Canning Heritage Gallery during the opening on 26 August 2022.
Fort Canning Centre, various views
Fort Canning Spice Gallery / enhanced Spice Garden
The rapid pace of change in Singapore’s robs many of places dear to them. These places, ones Singaporeans may have grown up with and made memories in, provides a connection to the country in a way that can never be replaced, and is what anchors people to a place and to a large extent is what makes home, home.
Farrer Park Swimming Complex
One place where memories for many in my generation were made, was Farrer Park, at which the last laps were swum at its 65-year-old swimming pool yesterday on 9 August 2022. From attending school sporting meets, to catching childhood football heroes “in action” and watching sports on a Sunday afternoon for free, Farrer Park seemed the go-to place for anything connected with sports. Its small (by the standards of today) swimming complex was also a popular spot to spend an especially warm day, being a lot more accessible than Singapore’s first public pool up on Mount Emily.
A swimming pool that played a big part in establishing the foundation on which the swimming career of Ang Peng Siong, once the “world’s fastest swimmer”.
Like Mount Emily, Farrer Park Swimming Pool was showing the signs of its age by the time I got to use it. Nevertheless, it was one of my favourites. It had that homely feel that seemed missing from the newer public swimming complexes, such as the one at Toa Payoh at which I would learn to swim.
Designed by City Architect, M E Crocker, Farrer Park’s swimming pool was built as Singapore’s third public pool (see: A Short History of Public Swimming Pools in Singapore) at the cost of $460,000. Officially opened on 22 February 1957 by the then Chief Minister Lim Yew Hock, it drew a huge crowd following day — when it was opened to the public. A thousand pool users were reported to have used the pool that first day alone, with queues forming some two hours before its 7.30 am opening time.
A last look at Farrer Park Swimming Pool
Farrer Park would go on to become the “grounds” on which a one-time “world’s fastest swimmer”, Ang Peng Siong, was groomed. It was at the pool that Ang’s father, a supervisor at the pool, taught him to swim and provided him with his early training. In 1982, Ang became the “world’s fastest swimmer” when he recorded the world’s fastest time in the 50 metres freestyle. Ang would return to Farrer Park following its closure as a public pool in 2003, when the APS Swimming School which Ang founded in 1995, moved in 2004. The school has used the swimming complex since then until its closure this August.
The sun goes down on Farrer Park Swimming Pool
While a proposal was made to retain the swimming complex and refurbish it for future use in an area on which some 1,600 flats will be added, an announcement was made earlier this year that it would not be feasible to do so. The pool is now set to be demolished … to be replaced by a modern new-age integrated sporting complex in which new swimming facilities would be added, breaking yet another link that Farrer Park has to Singapore’s sporting history.
Brimming with life and already one of the world’s leading port cities, early 20th century Singapore received quite a fair bit of attention from the world’s press. Numerous news features and press reports were published and beyond that many images were also captured, images that are a visual record of a Singapore that is now difficult to imagine.
Singapore in 1941, a year during which the dark clouds of war were looming over the Far East, was especially well documented. For many here for much of 1941, the threat of war seemed a distant possibility, even if there were very visible preparations being made for the eventuality. Singapore was after all the bastion of British imperial power in the Far East, a great naval base, and if Britain were to be believed, an “impregnable” fortress.
Among the photographic records of Singapore from 1941, are the wonderful archives of unpublished photographs of Harrison Forman and Carl Mydans, which were captured for National Geographic magazine and LIFE magazine respectively. What can be seen in many of these photographs, some of which have already been featured in the linked articles, are preparations for war, street scenes, the legal processing, sale, and consumption of chandu (processed opium, and various aspects of the tin and rubber industry.
Many of the images, such as those of Carl Mydans that have been presented below, also offer a window into how life was like for both the common folk and the colonial elite and the contrast that is seen between the two is pretty stark.
A dark and overcrowded coolie-keng (coolie quarter)An itinerant food vendor making a sales stop at a tea shopCorridor of trade, a food vendor sharing a space with a five-foot-way library.Gambling on a five-foot-wayA kacang putih vendorThe marketplaceHaving a meal at a hawker stallAn opium pipe maker / repairerA raid on an opium denA jaga (guard) on a charpoy (rope bed), once a common sight along out five-foot-waysMat and basket weavers working along a five-foot-wayA gathering of hawkers at Boat Quay — the origins of Boat Quay Food CentreA barefooted child hawker’s assistant clearing dishes along a busy five-foot-way A charcoal stove shopA market stallUnloading rubber bales. Rubber was a mainstay of the Malayan and Singapore economyBath time along the Singapore RiverFresh produceTwakows at Boat QuayA bullock cart along South Bridge RoadThe ever busy wharvesLive chickens bound for the marketWood for charcoal?A happy street vendorA bullock cartBasket weaver’s stall at the marketA Chinese medicine shopAt a hole-in-the-wall shopA satay vendorA busy marketplaceA man on a charpoy smoking a hookah by the riverMother and young children along a five-foot-wayA woman along North Boat QuayA rickshaw along South Bridge Road. he introduction of the trishaw during the Japanese Occupation would lead to the eventual ban on the use of rickshaws on Singapore’s streets after the war.A coolie “walking the plank”Another coolie by the riverFood vendors along a busy five-foot-wayToddy jars?A familyA harvest of coconutsA satay vendor on the moveCoolies unloading a gun at the wharvesA Teochew kueh vendorWaterside diningA wider view of the “kitchen appliance” shop dealing in charcoaL stovesA coffin maker’s shop / dwellingWining and dining at the Raffles Hotel ballroomAnd the band played on … at what looks like the Cathay’s roof café and ballroom
Seemingly uninteresting and rather unexciting, the cluster of buildings that were used by the Police Coast Guard (PCG) to house their headquarters from 1970 to 2006, now hide an interesting secret. Repurposed as the National Youth Sports Institute (NYSI), the buildings have not only found a new life, but have been repurposed with a minimum of intervention and have retained much of the fabric of its past.
NYSI at Kallang, occupies a space that was used as a flying boat reception and maintenance facility and later by the PCG as its headquarters.
The former base, which was carved out of the former Kallang Airport’s flying boat reception and maintenance facilities (its ramp/slipway is still there, except it is part of the National Cadet Corp (Sea) facility next to NYSI), was turned into a base for what was then the Marine Police in 1970 at the cost of S$1 million. Having been based at the congested Singapore River by what is now the Asian Civilisations Museum, a new base with a maintenance facility was much needed to permit enable a swifter repair turnaround time for its boats, improve response and also accommodate the Marine Police’s expanding fleet.
A piece from its days as the flying boat facility.
Amongst the structures that were put up during the development of the Kallang Marine Poilce HQ, was a two storey building that served as its nerve centre, which is the same building that NYSI has operated out of since November 2015. The building and an annex, which once housed offices, interrogation rooms, an armoury and even a lock-up, is now home to gyms, sports laboratories, accommodation, recovery rooms counselling rooms, and even chill out spaces. While that may have been expected, what is unexpected is the manner in which the building has been redone in a way that not only allows it to keep many of its reminders of its days as a Marine Police base, but also with little need for light and ventilation other than that which occurs naturally. This rather intelligent, sustainable, no-frills and rather affordable approach is a breath of fresh air and should really be a model for many of our developments in which old spaces and building are repurposed. Most projects, quite unfortunately, have gone down the path of being flamboyant and gimmicky.
Decently exposed.
The Marine Police, morphed into the Police Coast Guard in 1993 and vacated the base in 2006 due to the intended closing up of Marina Bay through the construction of the Marina Barrage. It is now based in Pulau Brani.
A walk around NYSI Kallang
Chin-up bars – a reminder of the past.
Inside the old electrical distribution box.
The former arms clearing station.
Recalling the armoury.
Exposing the dividing line between the main building and an annex.
A breath of fresh air, the non-air-conditioned gym.
Notice the manhole in the gym flooring (previously a wet space).
A performance lab.
Heaters to simulate hot dry conditions.
An “Endless Pool” for swimmers.
Another reminder of the past.
Maximising natural ventilation.
Dorms – a curtain separates the male and female sections.
Deprived of the long beach that it took its name from, and with its one-time star attraction Haw Par Villa having been set on a course for hell, there seems little to draw the visitor to Pasir Panjang — that is except for the vegetable wholesale centre that has become synonymous with it, Pasir Panjang Wholesale Centre. The huge centre, which is spread over a 15.2 ha site that was reclaimed from the sea, comes alive in the dark of night and draws vegetable, fruits and dried goods traders to it, along with others in search of a bargain.
Pasir Panjang Wholesale Centre is Singapore’s main vegetable, fruit and dried goods distribution centre.
Developed by the Housing and Development Board (HDB) and opened in 1983, Pasir Panjang Wholesale Centre was built to consolidate vegetable, fruits and dried goods wholesalers from the urban centre who were being displaced by urban redevelopment and the river clean-up effort, the centre was initially populated by 90 wholesalers from Clyde Terrace and Maxwell Road markets, plus over 350 from the Upper Circular Road / Carpenter Street and the Tew Chew Street / Chin Hin Street area. The centre features four sections with 9 out of its 26 blocks dedicated to fruits, another 8 blocks in its vegetable section, 4 blocks housing cold rooms and another 5 blocks for dried goods. With several hundred cold and chilled stores, it is quite literally a cool place to chill out at!
Tew Chew Street, which was one of the wholesale centres around Singapore. It was one of the places where imported vegetables from Cameron Highlands found buyers until 1983/84.
An opportunity not just to chill out, but also learn more about the centre and some of the people whose nocturnal existence puts fresh fruits and vegetables on the shelves now presents itself with the My Community Festival 2022. Among its offerings is a tour of Pasir Panjang Wholesale Centre that is led by guide Ms Pamela Loh, who takes participants on an interesting walk through cold stores, a fruit distributor and through the especially large vegetable section — a hive of activity at the midnight hour six days a week, whether it is the seventh month or not. Besides an “insider” view of the wholesale centre, the opportunity to meet and learn about the lives of some of the people who run businesses at the centre, is a wonderful bonus.
Ms Pamela Loh leading a group at the cold room section.
Organised by My Community, My Community Festival runs from 5 to 21 August 2022. On offer is a host of unique experiences including this tour to Pasir Panjang Wholesale Centre. There are also after dark tours to seafood wholesale centres at Jurong and Senoko Fishery Ports. For more information on the festival, please visit https://mycommunityfestival.sg/.
Chilling out at the cold room section where temperatures are maintained at 4 degrees C for vegetables.
The inside of a cold room.
At the fruits section, where a treat awaits …
Huge and juicy chilled US cherries being offered for sale at KSY, a fruit distributor – a must buy!
Mrs Fong, who runs a vegetable wholesale stall with her husband.
Fresh winter bamboo shoots!
Giant cauliflower.
Giant pandan leaves.
The centre’s vegetable section comes alive at night.
Believe it or not, the northern coast of Singapore once played host to a large fleet of fishing vessels. The fleet’s port of call was at old Kangkar Villlage down the Serangoon River, located right at the end of Upper Serangoon Road. The fleet was moved to Punggol Fishery Port when that was set up in the 1980s to move the fleet and consolidate the fish wholesalers of Kangkar and also Bedok. At the point of its move in 1984, Kangkar accommodated a fleet of 90 fishing boats and 16 fish wholesalers. Another move was made in 1997 to Senoko Fishery Port, which will itself close in 2023, after which all fish wholesale activity will be consolidated at Jurong Fishery Port. The move, which in tiny Singapore terms seems to a place a world away, will bring to a close the northern coast’s longtime connection with the fishing and the fish wholesale business.
The entrance to the port.
The floor of the wholesale market at Senoko Fishery Port.
The link that it has with old Kangkar does mean that Senoko has become home to a tightly-knit community of fish wholesalers who are of Teochew origin. Several of Senoko’s businesses have their roots in Kangkar’s fishing fleet operators whose boats would spent 3 to 4 days fishing in the waters close to Horsburgh Lighthouse (on the island of Pedra Branca). Over the years, close ties have been forged between the businesses which span several generations and what that does mean is that in Senoko there is a spirit of cooperation rather than competition. The closure of Senoko will thus not only bring a huge dose of sadness to its business operators but surely bring to the end that sense of community and that “kampung spirit” that is quite clearly evident in Senoko.
While the atmosphere in Senoko, which supplies a small portion (some 4% in 2020) of Singapore’s chilled seafood imports, certainly does come anywhere close to Tokyo’s Tsukiji Market — with which it has often been compared to, visiting it is a must due to its impending closure. As with Tsukiji, visits have to be made at an ungodly hour, in the wee hours of the morning. That is when its offerings, which are now imported mainly from Malaysia and other parts of Asia, come in and when the regular buyers come to obtain their supplies. There may also an opportunity to purchase seafood at wholesale prices, although one has to be prepared to buy in larger quantities with some exceptions, and be armed with an ice-box. While the port may be accessible to the public (you will need you NRIC and it is opened from 2 to 6 am except for Monday mornings), getting to Senoko may proof difficult. There is however an opportunity that presents itself for a guided visit during the My Community Festival. Organised by My Community, the annual festival runs from 5 to 21 August 2022 and offers programmes that provide a host of unique experiences — including visits to both Jurong and Senoko Fishery Ports and also Pasir Panjang Wholesale Centre (for vegetables).
Lian Yak Fish Merchant, is the oldest of the businesses. It started business way back in 1955 and operated a fleet of fishing vessels out of Kangkar Village.
Developments around Singapore General Hospital in the last five years or so, have altered the complexion of its much storied surroundings. With that, a number of markers, which linked the area to its much storied past were permanently lost. Future developments threaten to do the same with old Alexandra Hospital, with plans to redevelop a part of its grounds as a nursing home for dementia patients recently announced. While it may seem to involve only a small part of the grounds, what it signals is the beginning of the end for the hospital campus and some of its historically significant sites as part of what will eventually be the “Alexandra Health Campus”.
Alexandra Military Hospital
It is good that three of the hospital’s existing buildings, ones that serve as the face of the hospital, are already protected for conservation. There is however a question of context in keeping older structures, especially when they are drowned or find themselves minimised by the scale that new developments are often given. Given the history of the hospital and the significance of many of its structures and spaces, there must be more of the campus that deserves to be considered for conservation.
The spacious, green and quiet grounds of the hospital could be overtaken by the mess of concrete in the near future as there are plans to turn it into the Alexandra Health Campus.
Alexandra Hospital’s roots lie in its construction as Singapore’s main military hospital. This came at the tail end of an effort to turn Singapore into the “Gibraltar of the East”, and a naval outpost to which the British fleet could be sent to in event that its assets in the Far East could be defended. This brought new garrisons of troops to the island. With only the aging and glaringly inadequate Tanglin Military Hospital to serve the huge contingent of European soldiers on the island, there was a need for a large enough hospital. In July 1940, Alexandra opened as the British military establishment’s most modern hospital this side of the Suez and counted among the largest medical facilities that were built for the British army.
In Alexandra Hospital’s campus, there is a mix of pre and post World War II buildings.
Tragedy was to befall the hospital within a year and a half of its opening when on the eve of the Fall of Singapore, the hospital became the scene of a most horrendous of atrocities. In spite of the hospital being clearly marked and identified as a medical facility, Japanese troops entered the hospital late in the morning of 14 February 1942, allegedly in pursuit of British Indian Army soldiers who had fired on them. What followed was the wanton killing of staff and patients over the course of two days. Estimates of those killed in the course of the two days of savagery go as high as 300. More information on the massacre can be found in this link.
One of the hospital’s ward blocks not protected for conservation. This houses the auditorium, which was a chapel during the war and one of the points of entry of Japanese troops.
Two buildings, Blocks 18 and 19, are threatened by the development of the nursing home. Even if the signs seem to point to the buildings’ retention, how that will work could involve the buildings being incorporated as parts of larger structures. Block 19, also known as Elizabeth House, is the newer of the two blocks and is particularly unique. Having been constructed in two parts to house female nursing staff in 1949 and in 1958, what distinguishes the modernist blocks are exterior ventilation blocks that serve as privacy screens.
The former Elizabeth House, Block 19, with its older and newer sections and its privacy screens.
The construction of Elizabeth House came at a time when Britain was involved in the counter insurgency efforts against the communists in Malaya in a campaign known as the Malayan Emergency. With Alexandra Hospital, also known then as British Military Hospital Singapore, being Britain’s principal military facility in the Far East, it played a crucial role in supporting the effort. New buildings were built on the campus including Elizabeth House in support of the large amount of military personnel sent by Britain to Singapore and Malaya. Elizabeth House was closely associated with nurses with the then exclusively female Queen Alexandra Royal Army Nursing Corps or QARANC in short and known as tyhe “Garden Billet” to what were known as the QAs or nurses. Among the stories that have been told of the block was how its residents would sunbathe at the badminton court behind it.
Alexandra Hospital is a historical site with a plaque to recall its history placed in its gerden,
Based on what the Ministry of Health (MOH) has announced, as reported by the Straits Times on 26 June 2022, it is hard to see Elizabeth House surviving without substantial change or even demolition. While the sounds are for keeping the structure, there seems ample leeway given to the the successful tenderer (for consultancy services in regard to the nursing home development). What will be required of the tenderer is an assessment as to what opportunities there are to design the nursing home with respect to the heritage value of Blocks 18 and 19 — whatever that means. It seems quite possible that the option or a “documentation and heritage interpretation” route, with “elements of the blocks incorporated in the nursing home’s design” could be possible given the site’s constraints. If that is the case, Blocks 18 and 19 may just be a reinterpreted illusion. Without an actual form, and certainly without substance, we could just be left with a mirage that we in Singapore seem so fond of creating.
Block 18, built as the Commanding Officers’ residence.
Corridors of Block 19 – the former Elizabeth House.
There is little doubt that Singapore’s port has been a key driver of its success. The roots of the port as we know of it today were really laid by commercial dock companies established in the mid-1800s, chief amongst which were the Tanjong Pagar Dock Company and the Patent Slip and Dock Company (later the New Harbour Dock Company). Their possession of wharfage originally put up to support repair and resupply activities in the decade that preceded the opening of the Suez Canal, placed Singapore in an excellent position to meet the growth in shipping that followed and the advances in ship technology that had already been taking place.
Singapore Harbour Board Map, c. 1920s, showing location of Keppel House
Through consolidation, a duopoly was formed between the two dock companies before collaboration, first through a somewhat monopolistic joint-purse arrangement and eventually, through a merger saw to the Tanjong Pagar Dock Company emerging as a single big player in the provision of port and ship repair services in the final years of the nineteenth century. A direct result of this was the Straits Settlements government expropriation of the Tanjong Pagar Dock Company and the formation of Tanjong Pagar Dock Board . As a state-controlled body run with the interests of Singapore in mind, the board which morphed into the Singapore Harbour Board (SHB) and from 1964, the Port of Singapore Authority (PSA), was able to develop the port in a structured manner that was necessary to meet the challenges that were to follow.
Stairway to place of much mystery, 11 Keppel Hill was built to house a manager of the New Harbour Dock Company and is thought to have been completed around 1899. The house, which has invited much interest, has more than a tale or two to tell.
Today, all that seems left to tell the story of the port’s origins are a handful of historical assets and former graving docks that now enhance residential developments around Keppel Bay as water features. Among the artefacts are those that came into the possession of Mapletree during the corporatisation of PSA. These include a steam crane that can now be found outside the revamped and somewhat unfriendly former St James’ Power Station, now the Singapore headquarters of Dyson. What could be thought of as another piece in the jigsaw would the former residence of the Chairman of SHB. This sits somewhat forlornly in isolation, in a quiet corner on the southern slope of Mount Faber. What I find especially interesting about the mansion is that it stands to recall the original players in the port’s operations having been completed just as the ball on the eventual formation of the Tanjong Pagar Dock Board was set in motion and is thus a marker of a significant point in the port’s history.
Perched on the southern slope of Mount Faber, the house would have offered an wonderful view of Keppel Harbour when it was first built.
The house in question, lies close to the reservoir that was (allegedly) rediscovered in 2014, at 11 Keppel Hill. Completed in the final years of the 1800s and on land that was owned by the New Harbour Dock Company, it would have been erected to house the company’s most senior manager, being the largest of a cluster of new residences designed by Lermit and Westerhout that company had been in the process of erecting around and after 1897. While I have not come across plans for the house at 11 Keppel Hill, there seems to be several similarities in the plans developed by the architects for the other bungalows. This includes a central air and light well (if I can call it that) that is topped by a jack roof. A mention of what appears to be the house in question can also be found in a 1899 newspaper article. That describes a climb made by a party from the dock company from a reservoir it was constructing on the slopes of Mount Faber to the site of its “new house”. A description of its location of the house was also provided, with the house being “overlooked by the Mount Faber flagstaff”, and that it commanded a “splendid view of New Harbour and its surroundings.” The house, is the only one of the cluster of residences, one of which was Keppel Bungalow, that has been left standing.
An interesting feature of the house is a set of cast iron columns mounted on a concrete base. The rather incongruous overhang that the columns support would probably have been an upper floor verandah that someone saw fit to enclose.
With the amalgamation of the two dock companies, the house was named “Keppel House” and housed the Tanjong Pagar Dock Company’s Resident Civil Engineer, a position that was created in 1901 with the extensive construction works that the company had embarked on in mind. The first to hold the position was a Mr J Llewelyn Holmes, who left the position in June 1903. Holmes’ replacement, Mr Alan Railton, was known to have taken up residence at Keppel House.
Close up of the base of an iron column.
Having been left vacant following the expropriation, Keppel House was then put up for rent before becoming the official residence of the Chairman of the SHB some time around 1918. It was then already occupied by Mr Stanley Arthur Lane. Lane’s move into the house occured sometime around 1916. A civil engineer, once of Sir John Jackson and Company, Lane came to Singapore late in 1907 to take up the role of Assistant Manager with the Tanjong Pagar Dock Board. Often acting as the Chairman of the Singapore Harbour Board in the absence of his predecessor John Rumney Nicholson, Lane’s appointment as Chairman came in 1918.
Stanley Lane, a resident of 11 Keppel Hill from around 1916 to 1923.
Keppel House most eventful years would come with the appointment of Mr George Trimmer — Sir George Trimmer from 1937, as Chairman upon Lane’s retirement in 1923. Trimmer retired in 1938, having overseen a massive port expansion programme that added almost a kilometre of new wharfage to accommodate large ocean-going vessels and added a number of new transit godowns. Trimmer was known to be an excellent host. It was also during Trimmer’s tenure at Keppel House that the nearby reservoir doubled up as a private swimming pool for the house’s residents and its guests.
Sir George Trimmer, a long time resident of Keppel House.
An especially interesting event that took place during Trimmer’s stay in Keppel House was the successful transmission of both live and recorded music from it to a shortwave transmitter several miles away and then over the air. The experiment was conducted by an amateur radio broadcaster, who was also an employee of SHB, Robert Earle. Earle ran a radio station, V1SAB, with his wife for several years in the 1930s, broadcasting late in the evening twice a week.
The garage and the servants’ quarters. The house would have had stables originally.
Trimmer’s successor was Mr H K Rodgers, whose confirmation as Chairman and General Manager of the SHB was confirmed in August 1939 just as the dark clouds of war gathered over Europe. Rodgers would soon find himself caught up in the SHB’s own preparations for war. Keppel House would itself become a venue for events connect with the war in Europe and later, with the war’s arrival to Singapore’s shores. The performance of Dutch choir at a 1941 Christmas party thrown by Rodgers, saw guests, which reported numbered a hundred, join in the singing of Silent Night, Holy Night and Noel. Rodgers, would soon find himself organising an evacuation of SHB’s European staff, many of whom left Singapore on board the Bagan — a Penang ferry — on 11 February 1942 with Singapore’s fall seemingly imminent. Rodgers, who saw to the organisation of the evacuation from his residence, would himself leave Singapore early on 14 February 1942 — a day before Singapore’s inglorious fall — on the Tenggaroh, a launch that belonged to the Sultan of Johor. Rodgers eventually found his way to Australia, having made his way to Sumatra on the Tenggaroh. He returned to Singapore in 1946 to take up the role of the Managing Director of United Engineers Limited, a firm which operated a shipyard at Tanjong Rhu.
Iron balustrades on the rear verandah.
The Japanese Occupation, saw the operation of SHB’s repair facilities as the Syonan Shipyard by Mitsubishi Heavy Industries (MHI) with staff from MHI’s Kobe yard. The first batch of MHI employees arrived in Singapore in March 1942 and immediately set about the task of restoring the damaged facilities. The working conditions at the yard took their toll on the MHI staff. At the end of 1944, some 15% of MHI employees sent to Singapore had either perished or return home due to illness. Among those who died was an engineer whose tomb can be found near Keppel House. It is quite probably that the engineer, as well as other members of MHI’s Syonan Shipyard’s senior staff, were in residence at Keppel House during this time.
A view of the rear of the house.
After the war, the house reverted to being a residence for the SHB Chairman with Mr H B Basten being its first post-occupation resident. The arrangement would end in 1964 with the formation of PSA. The house found several uses over the years, becoming the PSA Central Training School in the 1970s, following which it was leased out as offices. Its tenants included a management consulting firm and an architectural firm who maintained flats on the upper floor for its staff. The house, which is currently vacant, was part of a group of houses on the southern ridges that were given conservation status in 2005.
This visit to Keppel House was carried out with the kind permission of the Singapore Land Authority.
Old spaces made new often lose a certain level of their charm in the effort to refresh them in the way that the modern world demands. More often than not, their age-old fabric is discarded, and out with it goes the stories that the years and users of the space may have been woven into it. It was therefore with great delight that in rather quaint old space by the name of Baroque House, which has retained its fabric even with renewal, and along with it, a certain charm and mystery. Housed in a century-old shophouse, its name was inspired by the term “Chinese Baroque”, which is applied in Singapore to describe very ornately adorned shophouses. In Baroque House, one finds quite an unlikely setting for what it has become: a private kitchen, an event space, and most of all, a place to discover.
Ventilation blocks from the past inside Baroque House.
My journey of discovery began almost from the off, when I received an invitation from Sonia Ong, the proprietress of Baroque House. The invitation, laced with a tinge of mystery, promised a “secret garden” tour, and more importantly, the irresistible company of good “spirits” through Baroque House’s Bourbon Tasting Omakase dinner menu, which did not take any persuasion for me to agree to. So, armed with only a hint of what to expect and an address, I made my way down Rowell Road one Monday afternoon. Rowell Road is of course a street that is better known for the wrong reasons and I was just as curious as to what Baroque House was all about, as I was about why Rowell Road?
Inside Baroque House.
It wasn’t hard to identify the house in question, its closed pink timber doors and windows and its floral decor setting it apart from the other shophouses along the same row. The exterior was just about all about Baroque House that matched what I had imagined it would be. With the parting of the doors — which did not creak when they were opened as I might have expected them to, I was greeted by Sonia herself who on stepping aside, brought the somewhat oddly and somewhat spartanly furnished space into view. A large chandelier made the space all the more curious, as did the hall’s well worn decorative floor tiles. The cement tiles had age written all over them and that added to mysterious quality of the place. Written in the tiles was not just age but also faded-glory, as it was safe to say that they were laid for an occupant or owner who was rather well off. This set the tone for the visit and I found myself eager to discover more! Joyfully, through Sonia’s Baroque House Secret Garden Tour, I was very soon able to learn much more.
Doors that are apparently a century old, beyond which lies the rather intriguing old world that is Baroque House.
Sonia would reveal was that the house was one of a pair (Nos. 29 and 31), both of which were constructed circa 1919 for a Fong Sien Long. Fong, as it turns out, was a member of the nearby Kampong Kapor Methodist Church. A seemingly wealthy property owner, Fong’s portfolio extended to sites around MacKenzie Road, Jalan Besar, Queen Street and Koek Road. The Rowell Road houses were, quite interestingly, designed by well-known Eurasian architect J B Westerhout. Architectural works in Westerhout’s name include what is known today as the Temasek Shophouse, and the Stamford Arts Centre.
No 29 and 31 Rowell Road, which were a pair built for Mr Fong Sien Leong that were designed by J B W
From what I have dug out on my own, it would appear that the house may have exchanged hands in 1931 when N B Westerhout — J B’s elder brother and a lawyer was reported to have purchased 29 Rowell Road at a mortgagee’s tender. What Sonia has found out was that more recently, the house — built originally as a residential shophouse and used as a low-cost residential unit at some point in time, was used as a commercial space by Cheng Fong Signcraft. After the sign craft shop moved out, the unit remained unoccupied for a period of about five years before Sonia chanced upon it. It would seem that it is their stories that have been “etched” in patterns of wear on the floor tiles. What seems remarkable to me is that the tiles have not only survived all these years, but were also — save for the wear, very much intact and that Sonia made a conscious effort to retain the character of the shophouse by keeping them.
Worn decorative floor tiles.
For Sonia, creating Baroque House has been a labour of love. It was in a quest to fulfil a life-long dream of owning a shophouse that she stumbled upon this well-worn house in Little India — or as I prefer to call it, the Village of Lime (Soonambu Kambam). Drawn by its character and the stories of past glory that the shophouse’s well worn fabric seemed to tell, it was love at first sight for Sonia. She set about purchasing the house and as she puts it, “nursed it back” to its current condition. Intent to keep the sense of use and history of the house, Sonia ignored suggestions to have much of the shophouse’s fabric replaced, renewing and replacing only what was needed such as termite infested timbers. She was thus able to keep the character of the house as she first saw it and retain it as a veritable treasure trove of past memories.
The reception hall.
Necessary repairs, carried out on the roof, would reveal what has become one of the highlights of Sonia’s secret garden tour, a hidden secret that the shophouse must have held through the course of its one-hundred and more years! The secret, a decorated party wall that appears to have served as an end gable wall, had been kept well hidden behind the house’s ceiling boards. In the motifs of the plasterwork there is also much mystery and begged the question of what it represented or why it was put there. What Sonia speculates is that the decorative plasterwork, and perhaps the floor tiles on the ground floor, may be an indication that what would have been a vacant plot of land before 29 and 31 Rowell Road was built was some kind of yard for the house next door — which rather curiously is numbered No 21.
Mysterious plasterwork that remained hidden for a hundred years.
Sonia’s choices in decorating the house is in keeping with the baroque in its name. Beside the chandelier, ornate furniture pieces that include an exquisite antique Chinese conjugal bed, artwork by local artist Jeremy Hiah, an antique baby grand piano, and somewhat out-of-place but yet in-place skateboard decks decorated with the likeness of Paul Gauguin’s art are some of items that Sonia has brought in, giving the house a quirky and curious quality.
The dining room with the best table.
With the discovery of the house’s interior complete (I did not have enough and actually had a second look later), it was time for an equally intriguing dining experience, and not to forget of course, some bourbon! This was served in the dining room (at the best table) with dessert served in the hall and was experience in itself! The ornately decorated dining room does put one in the mood for food and conversation and that started with the serving of the first course, with which foie gras and pumpkin soup served with fig cracker was paired with a Wild Turkey Rare Breed. Next was a Maker’s Mark 46 — which I instantly took to, served with a meaty but tender and delicious main course of wood-fired Wagyu brisket, pulled pork, spare ribs and smoked chicken. Dessert was interestingly a banana and marshmallow pudding, which I could douse with a bit of Angel’s Envy bourbon before doing a DIY flambé of the assembly.
The first course of the Bourbon Tasting Omakase dinner menu.
The main course with Makers’ Mark 46.
DIY time.
In all, the experience was really quite unique and one that, especially if you are looking for something quite unique and laced with discovery, I highly recommend. The experiences are not confined to the Secret Garden Tour, or to private dining and Baroque House offers an array of other activities such as Bourbon Tasting, Murder of a Millionnaire Mystery Night (a live-action game along the lines of jubensha) which comes with props, facilitators, 3-course dinner and a glass of Prosecco, Scones at Baroque House (for tea), Wine and Cheese Club, Special Rum Tasting, Sake Tasting, Champagne Tasting, Little India Marketing and Cooking Tour, Chinese Heritage Kueh cooking class, Tea Tasting sessions (and I am told unique tasting sessions such as Indian Mango tasting during the season). The house is also available for rent. For more information, please visit www.baroquehaus.com.
The area around the fifth milestone of Aukang / Serangoon was once described as a “little garden suburb”. That was back in the 1930s, around the time when the area gained a degree of prominence as a rural centre with the opening of RAF Seletar just three miles up Yio Chu Kang Road. The period was indeed a busy period in terms of the development of the area with the construction of several of the area’s landmarks. This included the building of a new police station, which replaced an older station, a Municipal market at Lim Tua Tow Road which could be thought of as being the predecessor of the 1950s built market that many in my generation would know, and the older Paya Lebar Methodist Church (and the girls school).
Paya Lebar Police Station, 1958 (Charles Ralph Saunders, posted by Stewart Saunders on On a Little Street in Singapore)
The police station traced its history back to the 1870s, having been set up along what was essentially on of the first cross-island roads that led to Serangoon Harbour (Kangkar). The station building that most will remember was a replacement that was built around 1929; its construction comings as part of a decade-long modernisation effort that was initiated by Inspector General Harold Fairburn to bring greater professionalism the Straits Settlements Police Force. That station was also one built as a police division headquarters or HQ (Paya Lebar Division was initially named “G” Division before becoming “F” Division), and thus bore the characteristics of many of the some of the larger out-of-town stations of the era and also several buildings within the Old Police Academy. As with the main stations coming up back then, Paya Lebar’s was provided with low-rise barrack blocks to house the rank and file. Over the yeats, a nursery and orchard were added, along with a fish pond and an aviary. Prior to the station’s decommissioning, the practice of housing police officers and their families was stopped and the barracks were converted for use as police offices.
The fifth mile area in 1967. The police station can be seen top centre on the left and the older Paya Lebar Methodist Church top centre on the right of Upper Serangoon Road (photo: National Archives of Singapore)
What was interesting about the “F” Division was that it was the second largest in Singapore, covering an area of some 139 square kilometres. This extended to a part of Singapore that included two airports (Paya Lebar International Airport and Seletar Air Base), the area of the former Naval Base where the UNHCR maintained a refugee camp, and the notorious Tai Seng, Ang Mo Kio and Chong Pang areas, which were hotbed of secret society activity and the officers at the station certainly had their hands full.
The area before the Forest Woods development came up, dominated by the Upper Serangoon Viaduct (the former barracks can be seen on the left)
The division also served a population of almost 450,000 by the time the station was decommissioned in August 1987 following its move to Ang Mo Kio. This coincided with the completion of a new division HQ station and Paya Lebar Division morphing into the current Ang Mo Kio Police Division. Rapid urbanisation and redevelopment, including the development of the huge Ang Mo Kio New Town, and the need for modern infrastructure, made the move necessary. The former station’s buildings were then used by the 3rd Division SCDF from 1988 until a new Divisional HQ and fire station was completed in 2005 at Yishun Industrial Park A.
The widening of Upper Serangoon Road in way of its junction with Upper Paya Lebar and Boundary Roads to accommodate a flyover, saw to the demolition of the former station. The other reminders of the station, in the form of its former accommodation blocks, used in the interim as educational premises, were only demolished in late 2016 following the sale of the plot in late 2015 through a tender exercise for private residential development. The site, which was bought for some SGD321 million is now where Forest Woods, a condominium complex, now stands.
Harold Fairburn
Modernising the Straits Settlements Police Force (SSPF)
The effort to modernise the police force was an initiative of Harold Fairburn, Inspector General of the Straits Settlements Police Force (SSPF) from 1925 to 1935. It came during a period of time when the SSPF faced great challenges in dealing with a wave of criminal activity. Singapore, then also known as “Sin-galore”, had the reputation of being the “Chicago of the East”. An improvement in policing methods, in recruitment of personnel, and in the methods of training was sorely needed. A massive building programme was also initiated to improve facilities, and living conditions of police personnel and their families and out of this programme, came the Police Training Depot (old Police Academy), stations such as the “Police Skyscraper” or Hill Street Police Station, Maxwell Road Police Station and Beach Road Police Station, were built. Stations also featured barrack accommodation. Accommodation facilities for also provided for the Sikh contingent at Pearls Hill.
The pace of development in the north of Singapore, a part of the island of which I have some wonderful childhood memories of, seems to be quickening. The recent demolition of all but one of the blocks of KD Malaya and the loss of its parade square has left the section of the old naval base closest to the causeway almost unrecognisable. Nearby, former residents of another marker of memory, the former “Torpedo Lines” at Khalsa Crescent — most recently a prison, returned to say goodbye and have their memories collected ahead of its probable eventual demolition in an event organised by the Urban Redevelopment Authority (URA) last week. A little further east, it has already been some time since the loss of part of the elevation that played host to a UNHCR refugee camp for “Boat People” fleeing South Vietnam. The same elevation was also home to the former View Road Hospital, a branch of Woodbridge Hospital (now Institute of Mental Health), which stood at its top. The building that housed it, which dates back to 1941 and is still standing, is a longtime marker that if the URA Master Plan for the area is to be realised, may also soon disappear from sight.
The observation tower at View Road.
Although the former View Road Hospital, once also a home to Asian Naval Base Policemen and their families may be of little architectural value and of little significance in the whole scheme of buildings within the former naval base, it has, since I started conducting tours in collaboration with the Singapore Land Authority (SLA) in 2017, has become one of my favourite places. Why that is so is for the views one is able to get from its lookout tower, one that now provides an idea of the scale of redevelopment that is taking place in and around it. An example of the development work that is now in evidence, is the Rail Transit System link that will connect Woodlands North to Bukit Chagar in Johor Bahru via a 25 metre high bridge. Scheduled to open by the end of 2026, it will transform the area into a major entry point for cross border human traffic with its peak capacity of 10,000 passengers per hour.
Among the other developments that is already taking place in the area, is that of the future Woodlands North Coast, a component the overall Woodland Regional Centre. Based on the URA Master Plane, that does appear to spell the end for the former hospital.
Once home to a huge naval base that stretched from the Causeway to Sembawang Road, Singapore’s rather sleepy northern coast seems set for a huge transformation. Work to build a much-anticipated rail transit system link to Johor Bahru is already underway and the signs are that the ground is already being prepared for a role as key component of the future Woodlands Regional Centre. The demolition of much of the former KD Malaya complex is now already complete, and all that is left of the longtime landmark, sited in an area close to Woodlands North MRT Station is gone, save for the conserved administration building. One set of structures that may likely disappear is the former quarters at Khalsa Crescent, which many of us would only know as Khalsa Crescent Prison.
The former Khalsa Crescent Prison, which has a much storied past. Block 6 (Prison Block F) was used as accommodation for policemen and featured a recreational space below where lectures and police parties during Sikh religious festivals were held. The space also functioned as a games room.
The watchtowers of the former prison are what draws notice to the complex.
Built in 1950 on the site of the Torpedo Depot “coolie lines”, Khalsa Crescent (Asian) quarters provided Asian members of the naval base workforce and their families, with a roof over their heads. Among those who were housed on the site were members of the Naval Base Police Force and the Naval Base Fire Service, for whom the set of quarters was affectionately known as “Torpedo”, having been know initially as “Torpedo Depot Lines”. When built, the quarters comprised seven two-storey blocks cont laid out with some 170 rooms that could accommodate up to 180 families. Among the blocks were ones housing bachelors with common spaces such as rest and mess rooms and recreational spaces found on the ground floors. Flag Officer (Malaya), Rear Admiral Clifford Caslon, who opened the estate on 10 January 1950, described the construction of new housing units as evidence that interest to the welfare and comfort of the base’s civilian staff was being shown by the Admiralty.
The newly built accommodation blocks in 1950, with Blocks 1 and 2 (far end) on the left, and Blocks 3 (far end) and 4 on the right.
The scene today.
During its first years, the quarters accommodated a fair number of Sikhs families, who men served in the Naval Base Police Force. As a result of this, a gurdwara was established in the eastern section of the ground floor of Block 5. Due to this association with the Sikh members of the force, the road through the estate was named “Khalsa”, which means “pure” in Punjabi. Khalsa, which also describes the guiding principle of the Sikh religion community, is often used as a reference to the Sikh community. The gurdwara moved to View Road (Rimau), where an Asian Naval Base Police Barracks was established, together with the Sikh policemen and their families in 1959. Some naval base policemen continued to stay in Khalsa Crescent while there were others who also relocated to Cochrane Crescent at about the same time. In the 1960s, a surau for Muslim policemen and their families was established at Block 5.
The section of Block 5 where I am told the gurdwara was.
The British military pullout, which took place at the end of October 1971, also saw to the eventual disbandment of the various services associated with the naval base and while the quarters continued in their use as accommodation units, the winds of change would eventually blow through the estate. In late 1974, some three years after the pullout, several of the accommodation blocks at Khalsa Crescent were converted for use as a remand centre and the forerunner of the Drug Rehabilitation Centre (DRC) — the DRC system was apparently formalised in 1977, although the term was already in use – as part of a broader scheme to segregate drug inmates (also according to the number of times they were hauled in). But while this may have been the intention, one of the centre’s first uses was for the detention of illegal immigrants, more specifically a group of 56 who had fled South Vietnam as the situation deteriorated in the lead up to the Fall of Saigon in April 1975. The group of 56, with 18 women and 10 children among them, arrived on a stolen military plane on 3 April 1975. Having come without the necessary visas, they were detained as illegal immigrants and were held at Khalsa Crescent where they spent 3 weeks, after which they were sent on to Guam.
A view of the former prison.
This drug rehabilitation scheme saw further changes to it and by 1995, drug addicts would first be sent to Sembawang DRC, where they would be observed and further processing was carried out. They would then be placed based on their previous records. Khalsa Crescent DRC was where third time offenders were sent to. Khalsa Crescent’s capacity was increased from 500 to 1050 during a renovation exercise that was carried out in anticipation of this new arrangement. In June 2005, Khalsa Crescent DRC became simply Khalsa Crescent Prison.
Members of the Khalsa Crescent Sikh Community.
The modernisation and expansion of the Changi Prison complex in 2009, saw to the move of some 5000 inmates from prisons like Khalsa Crescent Prison, which was described as the “largest transfer of prisoners in local history”. What that also meant was that older facilities such as Khalsa Crescent Prison were made redundant and surplus to requirements. Decommissioned, the former prison lay hidden behind its tall green security fence — that is until 21 May 2022 when former residents of the one-time Asian quarters were allowed to take a short but sweet walk back in time in anticipation of the complex’s eventual demolition.
Memories of Khalsa Crescent.
Vietnamese Refugees in Singapore Following the incident involving the 56 refugees arriving by plane, the opium treatment centre at St John’s Island was temporarily set aside for refugees. Addicts under treatment on the island displaced by the arrangements were then moved to Khalsa Crescent Remand Centre, where the 56 had been held. The island refugee camp would be closed in October 1975 and subsequent to that, Singapore took a strong stand against refugees who began to leave the former South Vietnam by boat. A policy of restocking refugee boats before towing the boats back out to sea was initially put in place. It would only be in 1978 at a time when the refugee crisis reached its peak that Singapore permitted refugees to land on the condition that a guarantee was made of resettlement in a third country within three months by the United Nations High Commissioner for Refugees (UNHCR). The UNHCR was also allowed to set up and run a refugee camp at Hawkins Road, not far from Khalsa Crescent.
The evolution of the area through maps and aerials
Maps of the Torpedo Depot area showing the former coolie lines in 1945 and the blocks of the Asian quarters in 1968.
Plans of the site before and after the quarters were built.
Aerial views of the site during the time of the coolie lines and after the barracks were built (Maps from National Archives of Singapore)
What the crystal ball that is the URA Master Plan says that the Khalsa Crescent will be – a future residential development.
A walk around the former prison
The caged passageway built for the prison along the former Block 5, which became the prison’s Admin Block.
An Interview Room in the Admin Block.
A passageway between the Admin Block and the Workshop section of the prison.
A view towards the former RMN Sports Grounds, where the Rail Transit System link from Woodlands North to Bukit Chagar in Johor Bahru is being built.
Inside Workshop 2, one of two prison workshops that were added during the prison days.
Inside a second workshop.
Staircase at Block 7, which was apparently a bachelors’ block.
Block 7, which had bachelors’ accommodation on the top. A Sikh cook prepared meals for the bachelors according to one former resident.
The Kitchen at Block 7.
Potential weapons have to be kept safe.
The Housing Unit – the roof was added to allow the space between the former accommodation and service blocks to be usable.
