Lost Places: the Killiney Road railway bridge

18 10 2021

Wouldn’t it be cool to have paraphernalia related to a conventional railway line in the Orchard Road area, such as the now well-known girder bridge that ran over Orchard Road, still in existence today? It may come as a surprise but the bridge was actually one of two bridges that were in very close proximity to one another, with a similar girder bridge running across Killiney Road following on the Orchard Road bridge in the direction of the Singapore and from 1907, Tank Road Station.

The railway bridge at Killiney Road.

From the Killiney Road bridge, the line – part of the 1903 Singapore Government Railway or Singapore to Kranji Railway, took ran down an incline towards the Oxley Road and then curving towards Tank Road level crossing and then towards Singapore Station. The line was extended towards the port and Pasir Panjang in 1907 forcing the shift of the station at the triangular clearing where the National Theatre once stood to Tank Road proper. The line would be absorbed into the Federated Malay States Railway (FMSR) in 1913. In 1932, a deviation turned the line from the Bukit Timah area towards Tanjong Pagar Railway Station.

The road bridge at Neil Road – a remnant from the 1907 extension of the Singapore Government Railway.


Speaking of the extension, there is in fact a remnant of this extension – a road bridge at Neil Road that was built to carry the road over the railway which ran through what is today Duxton Plain Park and some of this, as well as the stations along the old Singapore and Kranji Railway is discussed here in this History’s Mysteries episode: https://www.youtube.com/watch?v=r1HStrNMxxE.





The soon to reopen Reflections at Bukit Chandu

3 09 2021

Among the places in which the echoes of a battle fought eight decades ago can still be heard is a point on Pasir Panjang Ridge that has since been named Bukit Chandu. It was where the final acts of heroism and sacrifice were enacted early in the afternoon of Valentine’s Day 1942 – at the culmination of a fierce two-day battle across the ridge we know today as Kent Ridge. The site today, is right next to where an interpretive centre “Reflections at Bukit Chandu” (RBC) can be found. Housed in a colonial bungalow of 1930s vintage, the centre recalls the battle and the acts of bravery of those defending the ridge. Having been closed for a revamp since October 2018, the centre is due to reopen at the end of next week.

Set up in 2002, the focus of RBC has been the retelling the story of the Malay Regiment and the stout but vain defence it put up on Pasir Panjang Ridge in what was one of the last major battles to be fought before Singapore’s fall during the Second World War. The regiment, formed in Port Dickson as an “experimental regiment”, played a key role in holding off the vastly superior and battle hardened Imperial Japanese Army troops as part of the 1st Malaya Infantry Brigade over two days; with its survivors taking a last stand at Point 226, as Bukit Chandu was identified as. A name now well known to us, Lieutenant Adnan Saidi, a war hero in both Malaysia and in Singapore, was also associated with the battle. Lt Adnan led a platoon of 42 of the regiment’s men and was among those who made that last stand. He would pay the ultimate price for refusing to remove his uniform after the Japanese overran his position in the cruelest of fashions. Hung upside down from a tree, Lt Adnan was bayonetted to death.

A view of the unique segmented arches that are a feature of the bungalow’s architecture.

The revamp sees little change to the central thrust of the centre, which is in remembering the Malay Regiment and the heroics of men such as Lt Adnan. Where change is seen, is in the way the story is told. An immersive 5-minute video projection now sees the battle is relived as part of the “Bukit Chandu: Battle Point 226” exhibition that sees the ground floor the the RBC now dedicated to. Along with this, the revamp also adds another dimension to the centre in providing greater context to the bungalow in which RBC is housed in, which was apparently built as part of a cluster of residences for senior members of staff of an opium or chandu packing plant established at the foot of the hill (after which the hill was named). To provide a more complete picture of the area’s rich history, exhibits found in the house and on its grounds have been added to tell the story of Pasir Panjang.

The headdress of the Malay Regiment with the badge.

For those familiar with the RBC prior to its revamp, one change that will be quite glaring as one enters its grounds, is the missing “mural”. In place of the “mural” – a replica of an oil painting by Malaysian artist Hoessein Enas that depicted the Battle of Pasir Panjang that was suspended across a segmented arch – is the revamped centre’s main entrance. Also noticeable will be the re-sited bronze sculpture dedicated to the Malay Regiment, which now has a more prominent position on the grounds, across from the entrance. Heading inside, the entrance lobby beckons, beyond which the “Bukit Chandu: Battle Point 226” exhibition begins. First up is an introduction to the Malay Regiment and its formation, presented in the exhibition’s first section “The Malay Regiment”. Rare footage of the Malay Regiment and of Lt Adnan undergoing training drills can be viewed here, as well as the regiment’s specially designed uniforms, weapons and kit items (which we are told were very well maintained by the regiment’s soldiers).

The (new) entrance to the centre.

The next section “Into Battle” is where the immersion into the battle takes place through a 5-minute video projection. Here a map on the floor traces the advance of the Japanese across the ridge over the course of the 13th and 14th of February 1942. Also on display in this section are items that were carried by both the Malay regiment’s soldiers as well as the Japanese. Spent rounds from the battle, dug up around the ridge by a resident in the 1970s, are also on display.

In the next section “Aftermath”, a bronze bust of Lt Adnan and a tin cup that belonged to Lt Ibrahim Sidek that was donated by his widow, are on display together with the names of those who fell in the battle. Lt Ibrahim is among the names on the wall, having also been killed by the Japanese for refusing to remove his uniform. His tin cup sits on display at a stand fitted with a speaker through which an excerpt of an interview with his widow in Malay can be played back.

The bronze bust of Lt Adnan and the tin cup that belonged to Lt Ibrahim Sidek.

Up the stairs on the bungalow’s second level, one comes to a verandah. Turning left along this is where the room containing an exhibition “Packing Chandu” can be found. It is one of several sections of the centre in which the bungalow’s and the area’s past can be rediscovered. In this section, an attempt is made to re-create the machinery of the chandu packing plant. Tin tubes, in which two-hoons of opium were sealed in as part of an effort to stem the “illegal” distribution of opium (on which the colonial government maintained a monopoly), along with scales are found next to the “machinery”. Paraphernalia connected to the packing and use of opium, photographs and leaflets connected to the opposition by prominent members of the community to the sale of opium, are also on display.

Packing Chandu.

At the centre of the verandah, “The Lounge” can be found. This recalls how the bungalow was used and lived in. The house, which is similar in design to many pre-war colonial bungalows built by the Public Works Department, features generous openings for ventilation and light, as well as verandahs. The lounge, an extension of the verandah, would have had great views of sea at Pasir Panjang. It would also have served as a living room and was where the house’s occupants would have chilled-out in during cool sea-breeze ventilated evenings. On display in “The Lounge”, are objects found during archeological digs around the house. These include a broken piece of Marseilles roof tile, as well as several other objects unrelated to the house. Cards from which the history of Bukit Chandu and Pasir Panjang is told through archival photographs, will also be on display.

The verandah and “The Lounge”.

The history of Pasir Panjang will also be discovered “On The Lawn”, through two installations laid out on the grounds of RBC. The first takes the form of a bronze replica of a boat used by the Orang Laut (who once inhabited the Singapore Strait), and this relates to Longyamen or Dragon’s Teeth Gate – the rocky outcrop that marked the entrance to what is now Keppel Harbour and appears in Chinese navigational maps of the 14th century. The second installation is a bronze pineapple cart, which recalls a more recent past when the ridge was home to Tan Kim Seng’s vast pineapple plantation. The plantation was well known for the superior quality of pineapples that it produced.

An installation on The Lawn – a replica of a Orang Laut boat.
Recalling Tan Kim Seng’s pineapple plantation.

The refreshing revamp now places the RBC back on the map of must-visit locations that will help us develop a better appreciation of the past, and more specifically, the sacrifice made by the men of the Malay Regiment (along with the others who fought alongside them including members of the 2nd Loyal Regiment, the 44th Indian Brigade and machine gunners from the 2/4th Machine Gun Battalion of the Australian Imperial Force). A visit to the centre will not be complete without a walk along at least part of the ridge. Across Pepys Road from the RBC lies the entrance to the canopy walk leading to Kent Ridge Park, which provides some wonderful views of the Alexandra Park area and provide an appreciation of the difficult terrain across which the battle was fought and the conditions that the troops defending the ridge must have faced.

The bronze sculpture dedicated to the Malay Regiment.

Reflections at Bukit Chandu reopens on 9 September 2021. It will be open from Tuesdays to Sundays from 9.30am to 5.30pm (last admission is 4.30 pm). Admission is free for all Singaporeans and Permanent Residents. Admission charges do apply to tourists and information on this is available at the centre’s website.


Opening and Opening Weekend Information

To commemorate the reopening of RBC, all visitors will enjoy free admission from 9 to 26 September 2021. Singapore Citizens and Permanent Residents will continue to enjoy complimentary admission beyond this period. 

The opening weekend for RBC will take place from 11 to 12 September, which also coincides with the anniversary of the surrender of the Japanese on 12 September 1945. Visitors can look forward to a self-guided scavenger hunt through the RBC galleries and complimentary live-streamed tours by the curators of RBC and Changi Chapel and Museum on Facebook Live.

(See also: https://www.nhb.gov.sg/bukitchandu/whats-on/programmes).

Visitors are encouraged to pre-book their museum admission tickets and sign up for the opening weekend programmes ahead of their visit. Please visit www.bukitchandu.gov.sg for the latest updates on the museum. 


More photographs of RBC








Jurong’s “imposing shopping complex”

16 08 2021

It had been a while since I’d headed into Taman Jurong and I decided to drop by the area on National Day this year, having found myself in the vicinity. An area of Singapore in which I had my first experiences of watching a movies from a car and also, of skating on ice back in the 1970s, I only got to know it a little better in the early 1990s when I started working in the Jurong area. The estate became an occasional lunch destination and a place to get some banking done. Since I stopped working in Jurong in 2007, I had only been back once. That was in 2014 when I managed to get a few photographs of the estate’s now well-known “diamond block”. One of few constants in an area across which much has changed, the block was in the news last year when it was used during the height of the spread of Covid-19 through Singapore’s foreign worker dormitories, as temporary housing for non-infected dormitory residents.

A view from the inside of the diamond.

Even before 2020, the “diamond block”, or a set of four residential blocks (numbered 63 to 66) at Yung Kuang Road and so called due to the fact that they are arranged to form the four sides of the diamond shape in plan view, had a connection with Singapore’s transient workforce. A number of flats were used as quarters under the “Dormitory Housing Scheme” from the late 1970s — just a matter of years after they were built, which permitted approved companies to rent public flats to house members of their foreign workforce. A report in 1978, revealed that one-third of the blocks’ residents were not Singapore citizens or permanent residents, over half of whom were Malaysians.

Another view with the supermarket block.

Among the last structures of 1970s Taman Jurong left standing, the blocks offer us a glimpse of a time when the Jurong Town Corporation (JTC) took on the task of building homes for Jurong’s then fast growing workforce. Completed in early 1974, the oddly designed but immediately identifiable set of blocks were described as an “imposing 21-Storey shopping complex cum flats” by the JTC, with the agency envisioning it as “an attraction in Jurong”. As the tallest buildings in Jurong, they were intended to provide the estate with a focal point, much like what the ‘Y’-shaped block of flats that I grew up in was intended as in Housing and Development Board (HDB) Toa Payoh. Residents of the diamond block’s 456 3-room rental units also had the benefit of having an unobstructed view of the fast developing industrial west of the island. A “shopping centre” was also found at the blocks’ two lowest levels, the first tenants of which included a coffee house, a noodle shop, a textile shop, bookshops, and a barbershop. There were also banks and clinics found among the shopping centre’s 38 shop units.

The Taman Jurong radio taxi service cabin. Many working in Jurong at odd hours had to rely on the service as it was extremely difficult to get a taxi willing to come to the Jurong area.

The jewel in the crown of the shopping centre, was perhaps a two storey building found in its courtyard. Arranged right smack in in the centre of the diamond-shaped internal yard formed by the four blocks, which interestingly had their common corridors face it, it was where the Pioneer Industries’ Employees Union (PIEU) Multi-Purpose Cooperative Society’s opened its very first supermarket and emporium in December 1974. The supermarket was set up along similar lines as other supermarkets run by the cooperative societies of the National Trade Union Congress (NTUC) — NTUC Welcome — and the Singapore Industrial Labour Organisation (SILO), with the aim of countering profiteering in the wake of the 1973 Oil Crisis. A merger of these labour union run supermarkets in 1983, saw to the creation of NTUC Fairprice, now a household name in local supermarkets.

A view of the since demolished Jurong Stadium from the diamond block in 2014.

Built as the first residential area for Jurong Industrial Estate with its first blocks constructed in the 1960s, the task of developing Taman Jurong fell initially to the Housing and Development Board (HDB). This arrangement changed with the establishment of Jurong Town Corporation (JTC) in 1968, who then took over the task of housing the Jurong workforce. From this point on, the estate began to take on quite a unique quality in terms of its architecture. A commercial and recreational hub for the residents of Jurong, a host of amenities were also built in and around the estate, with the aim of improving the liveability of Jurong residents. Stand-alone bank buildings and cinemas soon appeared as did facilities for leisure. Some came up nearby along the banks of Jurong lake on the opposite side of Yuan Ching Road. The lake, formed by the construction of a dam to close off the upper stretches of the Jurong River in 1971, was among the generous set of green and blue spaces that Jurong was provided with to make it an attractive place to live in. Among the attractions were Singapore’s first and only drive-in cinema and a water adventure park in the form of Mitsukoshi Garden. Singapore’s first ice-skating rink was also established at Jurong Family Sports Centre and eventually in the 1990s the area would see a short-lived Chinese-style theme park and movie set, Tang Dynasty City. The lakeside attractions, have all since closed and the area that they were in has morphed into the wonderful Jurong Lake Gardens.

The former cinema at Taman Jurong.

The “diamond block”, which by the time I got to know Taman Jurong better in the 1990s, had quite a run down appearance. A New Paper report in 2003, described the blocks as a “ghost town” with just six units being occupied. The same report cited the 1997 Asian Financial Crisis as being the point at which the blocks began emptying of residents, with companies hit by the crisis sending many of the members of their foreign workforce back home. In 2001, the HDB (which took on the running of residential estates from JTC in 1982) began moving existing residents out with the six families still living in the blocks in 2003, resisting the move. The blocks were subsequently used to house flat-buyers under a interim housing scheme and were refurbished in 2014 for use under the HDB’s Parenthood Provisional Housing Scheme, before being used to temporary house healthy foreign workerslast year. While the blocks are still standing, it is not known what the future holds for the unfashionable and roughly cut, but yet unique diamond of Taman Jurong.


Views of the diamond block taken in 2014






Pulau Ubin in the merry month of May

25 07 2021

One of the places in Singapore in which the memories of old are still alive is Pulau Ubin. It is where many in Singapore now find an escape from the staid and maddeningly overcrowded world in which Singaporeans have been made to call home.

Pulau Ubin — at least pre-Covid — comes alive every May, when the Fo Shan Teng Tua Pek Kong Temple honours its main deity Tua Pek Kong, around the time of the Buddhist Vesak Day holiday (which has little to do with the local Taoist deity). The manner in which the festival is celebrated, harks back to the days of village life, with the Ubin’s rural settings certainly lending itself to providing the correct atmosphere.

No village temple festival would of course be complete without a Chinese opera performance. Held to entertain the visiting deity more than the crowd, these performances would in the past draw large crowds and be accompanied by a a variety of night-market-like stalls offering anything from food, desserts, drink, masks and toys, and the tikam-tikam man. While the stalls are missing in the modern-day interpretations of village festivals, Chinese opera performances and these days, getai, are still held at selected temples during their main festivals over the course of several days. Such is the case with the festival on Pulau Ubin, which is commemorated with as much gusto as would village festivals of the past, even if it involves a largely non-resident population. What does complete the picture on Pulau Ubin, is its permanent free-standing Chinese opera stage — just one of three left in Singapore — on which both Chinese opera and getai performances are held.


Photographs taken during the Fo Shan Teng Tua Pek Kong Temple’s Tua Pek Kong festival in May 2014





Lost places: the Geylang house in which a 9 million dollar work of art was painted

22 07 2021

One of the unfortunate things about Singapore and its relentless quest to modernise, is the loss of places rich in stories of the past. One such place was the Huang Clan, which was housed in a two-storey bungalow at Lorong 35 Geylang. The house had a strong connection with the “Father of Modern Chinese Painting”, Xu Beihong (徐悲鸿). It was also where some of Xu’s exceptional works of art, several of which featured anti-Japanese themes were executed. Known as Jiangxia Tang (江夏堂), traditionally a name used to denote the Huang clan’s ancestral hall, it served as his place of abode and his studio during his many sojourns in Singapore as a guest of Huang Manshi (黄曼士). Huang, the General Manager of the Nanyang Brothers’ Tobacco Company, was also the General Secretary of the association and an avid collector of art. His association with Xu, came through his Paris-based elder brother Huang Menggui (黄孟圭). The elder Huang, lent support to Xu in Paris when funding for his Chinese government scholarship to the École Nationale Supérieure des Beaux-Arts was cut. It was also on Huang Menggui’s recommendation that Xu first found himself coming to Singapore in 1925 as a guest of Huang Manshi. Xu returned on several occasions until 1942, during which time he painted quite a number of art pieces, including a portrait of Straits Settlements Governor Sir Shenton Thomas in 1939.

The former Huang Clan house at Lorong 35 Geylang.
Xu, with Huang Menggui and Huang Manshi at the Geylang house.

It was also in 1939 at the Jiangxia Tang, as Xu was about to depart for India for an exhibition he was putting up at poet Rabindranath Tagore’s urging, that he executed one of his best known works, “Put Down Your Whip“. The painting, which was bought for a record price for a Chinese art work of US$9.2 million in at an auction in Hong Kong in 2007, was done after Xu Beihong watched a play put up by visiting Chinese actress Wang Yin (王莹) and her theatre troupe in support for the anti-Japanese movement in China. The art work, which depicted Wang and the audience, was completed at the Jiangxia Tang in the same month of the performance. The work was also among a stash of artworks that was hidden on the grounds of Han Wai Toon’s rambutan orchard at Upper Thomson (where Thomson Nature Park today), during the Japanese occupation. Another of Xu’s paintings in the same stash that was also done at Jiangxia Tang, “Silly Old Man Moves a Mountain“, set the previous record of US$4.12 million in 2006.


The bungalow, as well as as neighbouring compound house, were acquired in 2018 and were demolished that same year to make way for an eight-storey residential development which will also house the clan association, Sixteen35 Residences.


The former Jiangxia Tang in 2018.
The neighbouring compound house that was also demolished.
The site of the former Jiangxia Tang in 2019.
Another view of the site of the former Jiangxia Tang in 2019.




A memory of the JTC flats at Kampong Java Teban

21 07 2021

Initially set aside for the resettlement of villagers displaced by the industrialisation of Singapore’s south-western coastline and its islands, Kampong Java Teban became the site of a Jurong Town Corporation or JTC developed housing estate that took on the name “Teban Gardens” in the course of this redevelopment. It was one of several major residential developments that the JTC undertook following its spin-off from the Economic Development Board or EDB in 1968 together with DBS Bank and Intraco. The JTC was given the task of real estate management and development, not just for industrial property, but also for housing in industrial estates; a task which had hitherto fallen to the Housing and Development Board (HDB), who constructed housing on behalf of EDB. This was before the management of JTC estates and their flats came under HDB’s purview on 1 May 1982, following the passing of the 1982 amendments to the Housing and Development Act.

Development work on Teban Gardens, Jurong Town’s third residential neighbourhood, commenced in 1973. By the third quarter of 1976, the estate’s first 625 three-room flats were put on sale through a ballot, with the bulk of the estate’s first 3776 units coming up for balloting through much of 1977. While the development was initially aimed at the industrial estate’s workforce, the anticipated demand fell short of expectations due to a slowdown in industrial expansion with the weak economic climate in the mid-1970s. This led to the sale of the flats in Teban Gardens being extended to the general public from June 1977.

The bulk of the flats in Teban Gardens being put on sale during this period were three-room flats. Comparable in size to HDB built three-room flats, the estate featured three-room flats that were quite unique in that they did not open to a common corridor unlike their HDB counterparts. The 10-storey slab-blocks with these flats had common corridors on the third, sixth and ninth levels, along which four-room flats were arranged. With a floor area of 766 sq. ft, the three room units were sold for $15,000, while the 866 sq. ft. four-room common corridor units went for $21,500. Along with the three and four-room units, there were also a number of slab blocks and point blocks with five-room units, measuring between 1147 and 1400 sq. ft. in floor area, which were sold between $30,000 and $35,000.

Among the flats from this first wave of Teban Gardens’ development, were a set of blocks that I last caught a glimpse of in the mid-2010s when they were already emptied of life, having come under HDB’s Selective En-bloc Redevelopment Scheme (SERS) in 2007. The flats, which numbered 2 to 11 and of which I had a passing familiarity with from my working days in Jurong and in the Pandan area from 1991 to 2008 and from my adventures along the former Jurong Railway line, are no more. All that I have to remember them by are these few photographs, which I captured in 2013.





The “ruins” by Kallang Airport’s gates

16 07 2021

Right by the old gates of the former Kallang Airport, is a crumbling set of structures that pre-date the construction of Singapore’s first civil airport. With a little imagination, the sight of the rather mysterious looking structures could to transport the travel-starved observer to a place like Siem Reap. A closer inspection of the structures will however reveal that the crumbling walls belong not to an ancient temple … or for that matter anything like a palace or istana as recent suggestions have had it as, but to a raised burial plot.

The raised former burial plot, seen in August 2018.

The plot, which shared a boundary with the former Firestone Factory that was established in the 1920s (some may remember the former factory building on the banks of the Kallang River near Sir Arthur Bridge being used by electrical good and furniture retailer Courts in the 1990s), is marked in a 1930 survey map as a “Mohammedan Cemetery” and in a 1936 plan for the new Civil Aerodrome (i.e. Kallang Airport) quite simply as “graves”. An explanation as to why the graves were placed on a raised plot can be found in a 1939 letter to the Straits Times. The writer, who described its location to a tee in saying that an elevated plot of graves could be “seen just inside the entrance to the civil aerodrome, on the right”, recalled seeing them on small eyots or “patches of higher ground” in the mangrove swamp “before the place was reclaimed”. Reclamation work for the airport, it should be noted, was carried out in the 1930s.

The plot in January 2014, with the old airport gates in the background.

While there are no traces of the graves today — they were exhumed sometime in the late 1980s, there is still an item of physical evidence that still exists, if one looks for it along the base on which the structures rests. There, a tablet with inscriptions in the Tamil script can be found and that does in fact confirm that the site was indeed a burial plot — at least based on a translation provided by a local urban exploration group on Facebook in 2019. This translation dates the tablet to 1854, as a burial site for the “kith and kin” of Chinnakkani” — a descendant of “Hajji Ismail of Thiruvarur”.

The tablet seen in September 2018.
The plot in September 2018.
The plot shown in a 1930 survey map (NAS).
The plot shown in a 1936 plan for the aerodrome (NAS).




Where durians and Chinese opera come together

13 07 2021

Once commonly found across Singapore, permanently erected free-standing Chinese opera (also commonly referred to in Singapore as “wayang”) stages have become quite hard to come by in Singapore. Erected to entertain the gods during their visits down to the mortal realm, the were also put to use in several other ways, doubling up as the clan, temple or village schools, depending on where they were built. Only three such stages are left in Singapore, two on the main island and one more on Pulau Ubin and it is always a treat to catch a Chinese opera performance being staged on one of them, especially if one is able to head backstage where in my opinion, the best “action” takes place.

The Goh Chor Tua Pek Kong temple is a place of devotion for many.

One occasion during which I had the good fortune of doing just this was during the Mid-Autumn Festival celebrations at the Goh Chor Tua Pek Kong Temple at Balestier Road in September 2016 from which the photographs in this post were captured. The temple, having links to Hokkien plantation workers from Joseph Balestier’s venture to grow sugarcane by the Whampoa River, has a history that dates back to 1847. Its stage, which came up in 1906, was built by Tan Boo Liat — the great-grandson of Tan Tock Seng, and who is also well-known for erecting Golden Bell — the Edwardian-style mansion on Mount Faber that is now the Danish Seamen’s Church.

It is also a place where Chinese opera performances take place (at least pre-Covid) on one of Singapore’s last permanently erected free-standing wayang stages.

The temple, besides being a place of devotion and a place to catch a wayang, has also become a place that is synonymous with indulgence in the “king of all fruits” — durians. Durians have been sold in and around the area for, which was also known for its cinemas, for a long time and right by or in front of the temple ever since I can remember. Much of the area has changed, even if there is much that is is familiar physically. The durian stalls of old, are however, still very much a common sight every durian season. Not only do you see them just by temple, but also in the side lanes in the area. Like the temple, and the stage when it comes alive, they are among the last vestiges of the living side of the old Balestier Road, a side that long lives in my memory.

Durians and Chinese opera.
Another view of the temple.
Joss sticks at the temple.

Photographs of the Chinese Opera preparations and performance in September 2016






The Bidwell houses at Gallop Road

6 07 2021

Two beautiful conservation houses, Atbara and Inverturret at No 5 and No 7 Gallop Road, grace the newly opened Singapore Botanic Gardens Gallop Extension. Both wonderfully repurposed, Atbara as the Forest Discovery Centre and Inverturret as the Botanical Art Gallery, they are among the oldest and finest surviving examples of residential properties that English architect Regent Alfred John (R A J) Bidwell designed in Singapore.

Bidwell, who had an eventful but short two-year stint in the Selangor Public Works Department (PWD) as Chief Draughtsman and assistant to Government Architect A C Norman, came across to Singapore in 1895 to join pre-eminent architectural firm Swan and Maclaren. In a matter of four years, he became a partner in the firm; an arrangement that lasted until 1907. Bidwell would continue his association with the firm as an employee until 1912. His 17 years with Swan and Maclaren, was one marked by the string of notable contributions that he made to Singapore’s built landscape. His architectural works include many of Singapore’s landmarks of the early 20th century, which include the Goodwood Park Hotel — built as a clubhouse for the Teutonia Club; Victoria Theatre and Victoria Memorial Hall (the theatre component of the pair was a modification of a previously built Town Hall that also gave it an appearance similar to the 1905 erected Victoria Memorial Hall; and Stamford House — built as Whiteaway and Laidlaw Building in 1905. Also notable among his contributions were several buildings that have since been demolished, one of which was the old Telephone exchange on Hill Street that was designed in the Indo-Saracenic style.

The Indo-Saracenic style was something that Bidwell would have been extremely familiar with, having been heavily involved in the design of the Government Offices in Kuala Lumpur or KL, now the Sultan Abu Samad Building. Hints of the style are also found in one of the first design efforts in Singapore, which is seen in the unique set of piers on which Atbara is supported. The bungalow, along with several others that Bidwell had designed, is thought to have influenced the designs of numerous government, municipal and company residences, the bulk of which were constructed from the 1910s to the 1930s. Many of these are still around and are often erroneously referred to as “black and white houses”, a term that is more descriptive of their appearance — many are painted white with black trimmings — rather than a description of a their style or of a particular architectural style (see also: The Eastern Extension Telegraph Company’s Estate on Mount Faber).

Atbara has in fact earned the distinction of being Singapore oldest “black and white house” even if it does display a variety of architectural influences; influences that are also seen in many of the designs of the various residences. Built in 1898, apparently for lawyer John Burkinshaw, Atbara’s piers, timber floorboards and verandahs are among the features or adaptations applied to the residences of the early 20th century, all of which were intended to provide their occupants with a maximum of comfort in the unbearable heat and humidity of the tropics. Many of these adaptations were ones borrowed from the bungalows of the Indian sub-continent, from plantation style houses, and also the Malay houses found in the region. There was extensive use of pitched-roofs, a feature seen in the then popular Arts and Crafts style that the English architects of the era would have been familiar with. These roofs lent themselves to drainage and the promotion of ventilation through convection when combined with generous openings. Tropical interpretations of the Arts and Crafts style were in fact widely applied to several residences built during the era.

Atbara, which early “to-let” advertisements had as having seven rooms, five bathrooms, with a large compound and with extensive views, came into the possession of Charles MacArthur, Chairman of the Straits Trading Company, in 1903. MacArthur added the neighbouring Inverturret soon after in 1906. Also designed by Bidwell, Inverturret rests on a concrete base and is of a distinctively different style — even if verandahs, ample openings and the pitched roof found in Atbara are in evidence.

The two properties were eventually acquired by the Straits Trading Company in 1923, who held it until 1990, after which both were acquired by the State. The houses had several prominent tenants during this period. Just before the Second World War, Inverturret briefly served the official residence of the Air Officer Commanding (AOC), Royal Air Force Far East, from 1937 to 1939. During these two years, Inverturret saw two AOCs in residence, Air-Vice Marshal Arthur Tedder and Air-Vice Marshal John Babington. Their stay in Inverturret was in anticipation of a much grander residence — the third of a trio that was to have been built to house each of the senior commanders of the three military arms. Two, Flagstaff House (now Command House) to house the General Officer Commanding, Malaya and Navy House (now old Admiralty House) for the Rear Admiral Malaya, were known to have been built.

From 1939 to 1999, both Atbara and Inverturret were leased to the French Foreign Office by the Straits Trading Company up to 1990 and following their acquisition in 1990, by the State up to 1999. Except for the period of the Japanese Occupation (it is known that Inverturret was used as a residence for the Bank of Taiwan’s Manager during the Occupation) and shortly thereafter, Atbara served as the French Consular Office and later the French Embassy, and Inverturret as the French Consul-General’s / French Ambassador’s residence. It was during this period that those like me, who are of an age when travel to France required a visa, may remember visiting Atbara. The process of obtaining a visa involved submitting an application with your passport in the morning, and returning in the afternoon to pick the passport and visa up, a process that was not too dissimilar to obtaining an exit permit at the nearby CMPB!


Atbara


Inverturret


R A J Bidwell and Kuala Lumpur’s Sultan Abu Samad Building



Built as Government Offices for the Selangor Government from 1894 to 1897, the Sultan Abu Samad building – a landmark in Kuala Lumpur was described as the “most impressive building in the Federated Malay States”. Although the architectural work for it has been widely attributed to A C Norman, the Selangor Public Works Department’s Government Architect, it is widely accepted that it was R A J Bidwell who developed the finer architectural details of its eye-catching Indo-Saracenic lines. Bidwell, who was assistant to Norman from 1893 to 1895, developed the plans with input from C E Spooner – the State Engineer, who directed that initial plans for the building be redone in what he termed as the “Mohammedan style”.

Bidwell’s disaffection with his position and salary, saw to him resigning from the Selangor PWD — as is reflected in his correspondence relating to his resignation. The Selangor PWD’s loss would turn into Singapore’s gain, with Bidwell moving to Singapore in 1895 to join Swan and Maclaren .






A temporary Kempeitai HQ at Beach Road

23 06 2021

Convicted as a spy and imprisoned in Changi Prison during a stint as a press attaché with the Japanese Consulate in Singapore, Mamoru Shinozaki is also viewed in some circles as the “Oskar Schindler” of Singapore for the role he may have played in bringing the terrible Sook Ching Massacre to an end. While he remains a controversial even after his death in the 1990s, his accounts of the wartime Singapore remains a valuable resource. In oral history interviews contained in “My Wartime Experiences in Singapore” published by the Institute of South East Asian Studies in 1973, we learn that he was brought to Beach Road upon his release from in Changi Prison by the Japanese Army on 16 February 1942 – right after Singapore fell. Describing his arrival at Beach Road, Shinozaki said, “All along Beach Road, all the houses were closed and I did not see even a cat or dog. It was a ghost town.”

Since demolished buildings at the former Beach Road Police Station.

What was would to follow was his meeting with Lt. Col. Yokota, who had been placed in command of several units of the East Branch of the Kempeitai. “At Beach Road, now the temporary Voluntary Headquarters, the chief of the Yokota Kempei unit, Lt. Col. Yokota, was waiting. When I got down from the lorry he greeted me: “you have suffered so long, please take this.”” This very scene is, quite amazing, one that also exists in a visual record. A Japanese newsreel which contains the scenes that followed the Japanese Army’s taking of Singapore captured by Kameyama Matsutarō, Marē senki : shingeki no kiroku (Malaya War Record: A Record of the Onward March). This newsreel also contains a scene that shows Shinozaki being greeted by Yokata outside what can be identified as Beach Road Police Station (rather than the Volunteer Force Headquarters as identified by Shinozaki). The building, a conserved structure, is still around today and is currently being incorporated into Guocoland’s MidTown development.

While the former police station’s building may have been retained, the redevelopment of the plot as MidTown has resulted in the loss of two other buildings to the rear of the main structure that were part and parcel of the larger Beach Road Police Station complex that was completed in 1934. The construction of the station, came as part of a decade-long effort to upgrade the facilities of the Straits Settlements Police Force and bring about greater professionalism in the face of the high rates of crime in Singapore – or “Sin-Galore” as it may then have been known as. The state of disorder in the colony, also dubbed the “cesspool of iniquity”, even prompted comparisons to be made with Chicago! It was the through the same effort, initiated in the mid-1920s, that the Police Training School at Thomson Road – the old Police Academy – was established and Hill Street Police Station, was built along with several other stations.

A Discovering Singapore’s Best Kept Secrets visit to Beach Road Police Station in October 2017.

Built at a cost of $319,743, the Beach Road complex replaced an earlier station that had been located further east along Beach Road at Clyde Terrace. The two demolished buildings at the station’s rear were all built at the same time to serve as modern quarters in an attempt to provide improve policemen’s living standards. A three-storey block accommodated 64 married man and their families, while 80 single men and NCOs were accommodated in another three storey single-men’s block. The latter also contained a mess and recreation room on its ground floor. Along with this, the most senior ranking officers at the station were accommodated in its three-storey main building, which was described as being of a “pretentious type”. The building was laid out to provide quarters for two European and two “Asiatic” Inspectors on the second and third levels, while its ground floor was where the offices of the station, a guard room, an armoury and a number of stores were located. Immediately behind the main block – right behind the guard room, was an annex cell block in which the lock-up was located and “approached from it (the guardroom) by a covered way”.

Besides the episode involving Shinozaki, the station’s played several other wartime roles. A hundred or so Japanese “aliens” were rounded up and held in it following the outbreak of hostilities with Japan on 8 December 1941, before they were moved to Changi Prison. The scene was to repeat itself upon Singapore’s inglorious fall, when civilians from the other side were held with the station serving as a holding facility for civilian internees prior to them being sent to Changi Prison. The civilians rounded up by the Japanese Army included Jews and individuals of various European backgrounds and nationalities, along with members of the Chinese and Indian communities.

Beach Road Police Station also found itself in the thick of action in the tumultuous period that followed the end of the Second World War. During the Maria Hertogh riots in 1950, policemen from the station were amongst paramilitary personnel sent to quell disturbances in nearby Kampong Glam. The policemen involved were however forced into retreat with the station serving as a refuge for them along with scores of civilians seeking safe refuge.

Following independence, the station served as the Police ‘C’ Division headquarters until May 1988 – when the division HQ was moved into new premises at Geylang Police Station. The buildings were then used as Central Police Division headquarters from November 1992 until 2001, after which the division HQ moved into Cantonment Police Complex. The decommissioning of the station led to its use by the Raffles Design Institute for some six years. During this time, two sets of newer quarters that had been added on an adjacent piece of land – two four-storey blocks that were built in the 1950s, and a 12 storey block in erected in 1970, were demolished.

Sitting on a prime 2-hectare reserve site, the former station and barracks was sold for a whopping $1.62 million in 2017 and members of the public got to see it for the last time as it was during a “Discovering Singapore’s Best Kept Secrets” visit in October 2017.


A last look at the former Beach Road Police Station as it was in 2017.






Another glimpse of Singapore in 1941

11 06 2021


More of Singapore in 1941 (and also 1942) – from an album of photographic prints taken Colin Keon-Cohen that was donated to Museums Victoria. All photographs Public Domain (Licensed as Public Domain Mark), Museums Victoria Collections.

See also:

A glimpse of Singapore in 1941

Singapore in 1941 from the Harrison Forman Collection


An album of photographs by Pilot Officer Colin Keon-Cohen or life in Singapore with 205 Sqn RAF, then 77 Sqn RAAF, World War II era.






Days of Wonder

28 05 2021

Films containing familiar sights and sounds of the past have a wonderful effect of evoking feelings of nostalgia and a sense of coming home. Such was the case when I was provided with the opportunity to view a selection digitised 8mm home movies from the 1960s and 1970s that have been deposited in the National Archives of Singapore with a view to putting together segments of them in preparation for last Thursday’s “Archives Invites” online session “Days of Wonder: Fun and Leisure in 1960s and 1970s Singapore“. The session involved the screening of two videos, each containing scenes of the Singapore I was familiar with as a child, with a focus on sites, attractions and leisure activities that were popular among Singaporeans.

Fun for me in the late 1960s.

Among the activities that I put a spotlight on in the videos were those that took place by the coastal areas, which included scenes of Changi Beach – an extremely popular spot for picnics and dips in the sea at high tide – complete with kelongs in the near distance. Changi Beach, a regular destination for picnics right out the boot of the car (we could once drive right up to the beach), was where I first took a dip in the sea. The beach and the long sandy coastline that ran all the way towards Bedok, featured in many weekend outings and holidays through much of my childhood.

Ayer Gemuroh



It was the same for many in my generation. Changi Beach was often the place to chill out at during the weekend, especially when the timing of the high tide was favourable, which a quick check on tide tables published daily in the newspapers, could confirm. A friend of mine recounted how she looked forward to trips to Changi on the back of a borrowed lorry with the extended family whenever the timing of the tide was good. Pots of chicken curry and loafs of the local version of the baguette would also accompany the . If you were fortunate to have come with a car, there was also the option of driving right up to the beach and parking right under a shady tree to have your picnic right out of the car’s boot. Seeing cars with their wheels stuck in the sand was a pretty common sight because of this. And, if the chicken curry ran out or if one had come without food, there were several beachside cafés that one could visit. There was also the option of waiting for the fish and chips van, and the various itinerant food vendors that also visited the beach throughout the day such as the vadai man, the kacang putih man and the ice-cream vendors.

A small part of the segment on the coast, involved a holiday, taken locally by the sea – as was the fashion back in days when most of us could not afford to take a trip abroad. For me holidays involved the various government holiday facilities along the Tanah Merah coast, at long lost places with names like Mata Ikan and Ayer Gemuroh. A question that was put to me during the Q&A session was what do I miss most of those days. Mata Ikan, the Tanah Merah coast, and also how we seemed to have unlimited access to much of the length of Singapore’s coast, is probably what I miss most. Those were wonderful times for me, walking by the beach and along stretches of seawalls, poking my nose into the numerous pillboxes that lined the coast (boy, did they smell!), wading out when the tide went out, often as far as the kelongs were planted. The coastal regions are much more protected these days and in many parts, blocked off from the public.

Beside my interactions with the Tanah Merah coast, there were many other places in SIngapore that left an impression. I remember how places would come alive by night, as the scenes of an Orchard Road and Guillemard Circus illuminated by neon advertising boards seen in the videos show. Singapore had such a wonderful glow by night with the numerous fountains – many planted on the major roundabouts, also illuminated by night, and the occasional float parades and light-ups during National Day, often adding to the night lights. Adding to the lively scene by night were what would be termed as “pop-up” food centres. Several open-air car parks, such as the famous one on Orchard Road where Orchard Central, transformed themselves into places to indulge in some of the best hawker fare that could be found in Singapore.

The car park at Orchard Road that transformed into a hawker fare paradise by night (Paul Piollet Collection, National Archives of Singapore)



The one at Orchard Road, dubbed “Glutton’s Square” to provide it with greater tourism appeal, was an assault (in a pleasant way) on four of the five the senses. Evening time brought with it the disorderly rush of pushcarts, all of which would somehow be lined up in neat rows in double quick time. Lit by kerosene lamps in the dark, each contributed to the smoke that filled the air together with an unimaginable array of aromas. The sounds of the ladles scraping the bottoms of woks added to the atmosphere. Besides Orchard Road, there were also carparks at Prince Edward Road opposite the Singapore Polytechnic and the one in front of the railway station at which hawkers similarly gathered by night.

Among the other scenes were those of Orchard Road, which was in the 1960s, a place to perhaps shop for cars, to visit the western style supermarkets, which were uncommon then, and perhaps C K Tang. C K Tang, a pioneering departmental store on Orchard Road, was then housed in its rather iconic Chinese-roofed building and right nearby was Champion Motors on which Lucky Plaza now stands, Fitzpatrick’s Supermarket and Orchard Motors. The conversion of Orchard Motors into The Orchard – a shopping centre at which the infamous Tivoli Coffee House was located, possibly marked the beginning of the end for Orchard Road’s motoring days. There are perhaps two reminders left of those days, in the form of Liat Towers – built as a Mercedes Benz showroom and headquarters, and the delightful sunburst topped former Malayan Motors 1920s showroom that can be found opposite Dhoby Ghaut MRT Station.

The former Malayan Motors showroom seen in 1984 (courtesy of Henry Cordeiro).

Another of my favourite urban sites was Change Alley, which many locals – my grandmother included – seem to pronounce as something that sounded like “Chin-Charlie”. It was such a joy to wander through the alley, which in the late 1960s was filled with the sounds of the chorus of laughing bags being set off. The alley, which also provided correspondence between Collyer Quay and Raffles Place, was described by the BBC’s Alan Whicker in a 1959 newsreel as being “perhaps the most famous hundred yards in Southeast Asia”, a hundred yards of alley where one risked being “attacked in the pocket book”.

Whicker’s World with the BBC’s Alan Whicker wandering through Change Alley in 1959.

During the rather lively Q&A session at the end of the Archives Invites session, I believe that in view of the limited time we had, a number of questions posed went unanswered. Should you have been in that audience, and did not receive answers to the questions you may have posed, or have questions to which I was not able to adequately answer, you may leave them as comments to this post. I will try answering them as best as I can.





The revamped Changi Chapel and Museum – a quick walkthrough

18 05 2021

This walkthrough follows on to my previous post on the revamped Changi Chapel and Museum, which will reopen to the public tomorrow (19 May 2021).


Booking of visits slots to Changi Chapel and Museum:

https://nhb.vouch.sg/ccm




More on …

The museum: The Refreshingly Revamped Changi Chapel and Museum

Changi and its history: History Misunderstood: Changi Point

Selarang Barracks: A Changi Well Hidden from Sight

Roberts Barracks and the Changi Murals: A Light where there was only darkness: The Changi Murals


A quick 15-minute walkthrough





The refreshingly revamped Changi Chapel and Museum

12 05 2021

Booking of visits slots to Changi Chapel and Museum:

https://nhb.vouch.sg/ccm




Located close to Changi Prison and in the Changi area where tens of thousands of Allied Prisoners-of-War (POWs) and civilians were held captive during the Japanese Occupation of Singapore from 1942 to 1945, Changi Chapel and Museum (CCM) is a place to remember the experiences of those held and a site of pilgrimage for the families of those held captive. Closed for a huge revamp since 2018, CCM will reopen on 19 May 2021 with a with a refreshingly new feel, a new logo, and offer an experience that will be a lot more immersive.

The new look Changi Chapel and Museum – a huge improvement from its previous incarnation. The visitor services area, which spots a new look logo, with the CCM monogram shaped like a POW chapel. The logo is also designed to resemble prison bars.

For those held in Changi, the period of captivity, was marked by immense suffering and pain, and for some, death. Disease, malnutrition and the inhumane and overcrowded conditions under which both POWs and civilian internees were subjected to, contributed to this. In all that adversity, there are also many stories of resilience and resourcefulness, of hope, and ultimately, of survival. Some of these stories have been brought out by CCM through a combination of artefacts, personal accounts and through the use of multimedia. On display are 114 artefacts, and in them the individual stories of hope and resilience. Of the 114, 82 are newly acquired or loaned. These new artefacts also include 37 that have been obtained through donations or loans from the public, including several that have very generously come from the families of former internees.

A morse code transmitting device hidden in a matchbox, which shows the ingenuity of prisoners held in Changi.

The revamped museum features eight exhibition zones, as compared to five in the CCM’s previous incarnation as the Changi Museum. Some of the highlights found within these eight zones are given below. Another highlight of the museum is the replica chapel featuring the Changi Cross. The replica chapel, representative of the various chapels of captivity and modelled after St George’s Church, was constructed in 1988 and was originally on the grounds of Changi Prison. This was moved to the present site in 2001. Made from the casing of a 4.5” howitzer shell and strips of brass from camp workshops, the Changi Cross was a feat of the POWs’ resourcefulness and ingenuity. Designed by Reverend Eric Cordingly, it was made by Staff Sergeant Harry Stogden with Sapper Tim Hemmings using a sharpened steel umbrella spike to engrave the badges of the four regiments making up the congregation of St George’s POW Church. The cross has been loaned on a permanent basis to Changi Chapel and Museum by Reverend Cordingly’s family.

The Replica Chapel.

Opening and Admission

CCM will open from Tuesdays to Sundays from 9.30 am to 5.30 pm (Last Admission is at 5 pm).

Admission to CCM will be free for all Singaporeans and Permanent Residents.

Tourists and Foreign Residents will be charged $8 for adults and $5 for students, and Special Access. Children 6 years and below enjoy free entry. and above senior citizens (60 years and above). Visitors will enjoy $2 off admission with a valid ticket stub from the National Museum of Singapore. There is also a family package of $24 for a family of 5 with a maximum of 3 adults.

For the period of the opening from 19 to 30 May 2021 when all visitors will enjoy free entry.


Changi Chapel and Museum Opening Weekend (22 and 23 May 2021)

Priority Admission with Pre-booked Timeslots


Due to crowd regulation for safe-distancing, visitors are advised to pre-book their admission by timeslots (930am, 1130am, 130pm and 330pm) for opening weekend on 22 and 23 May.

Visitors with pre-booked admission slots will be given priority admission to the museum, but will however be required to visit during the selected time. Timeslots can be booked for up to a maximum of 5 person. Booking opens on 17 May 2021, 12 noon.

Crowd levels can be check via the museum website or chatbot before their visit and those without pre-booked entry timeslots may be required to return at a later time.

Do note that there is limited paid parking lots available at the Changi Chapel and Museum and there is also no public parking available in the vicinity. As such, visitors will be advised to take public transport or private car hire to the museum.

Opening Weekend Programmes include guided tours of the gallery and a recorded orchestral performance based on the experiences of prisoners of war for which pre- registration is required.
Registration for Opening Weekend programmes will also allow priority admission to the museum and there is not need to further pre-book admission by timeslots separately. Registration of programmes will begin on 17 May.

More information is available on the opening weekend programmes and registration details, please visit www.changichapelmuseum.gov.sg and CCM’sFacebook and Instagram pages.


The Eight Zones

Zone 1: Changi Fortress

The first zone, Changi Fortress, provides some context for how Changi became a place of internment in tracing how Changi developed from an area of swamp and forest, into a place for leisure and then into a military cantonment, setting the scene for the role that Changi played during the war. Here the visitor will be greeted by a projection that sets the context for the museum’s narrative as well as maps, and photographs related to Changi’s early days.

Changi Fortress.
The Changi Fortress zone, where visitors will encounter a projection show that sets the context of the museum’s narrative.
A view of a forested Changi in 1869 – a print View in Changi that was published in Skizzen aus Singapur und Djohor (Sketches of Singapore and Johore) by Austrian diplomat and naturalist Eugen von Ransonnet.

Zone 2: Fallen Fortress

The next zone, Fallen Fortress, looks at the Fall of Singapore and its aftermath. Among the artefacts of interest is a well preserved chronometer from the HMS Bulan, a cargo ship that was involved in the evacuation. It left Singapore on 11 February 1942 with a load of civilian evacuees, arriving safely in Batavia after steaming for four days during which time it was attacked.

Fallen Fortress
Chronometer from the HMS Bulan

Zone 3: The Interned

The third zone looks a the stories of the men, women and children who were interned. Some 48,000 of whom were marched to Changi in the days after the surrender with the civilians interned in Changi Prison and the troops in various camps in the area.

Among the artefacts of note is a 1941 Christmas dinner menu from the USS Joseph T. Dickman, a troopship carrying Private Albert Riley of the 195th Field Ambulance Unit, Royal Army Medical Corps, provides a sense of how blissfully unaware and unprepared the troops arriving in Singapore were for the ordeal that was to follow. Also of interest is signed shirt with some 30 names written on it, 22 of whom were known to have survived the war. Found on the shirt is an attempt to document what went on, such a an incident involving Pte Lewer’s fall into a sewer.

The display of artefacts in the third zone.
A Christmas dinner menu from the USS Joseph T. Dickman, which carried Private Albert Riley of the 195th Field Ambulance Unit, Royal Army Medical Corps.
A shirt with names written on it. Out of 30 names found on the shirt, 22 were known to have survived the war.
A close-up of the shirt shows an attempt to also document some of what went on, such as an unfortunate incident involving a Pte Lewer falling into a sewer.

Zone 4: Life as a POW

The Life as a POW recalls how life would have been as a prisoner. Changi Prison is a focal point with remnants of the prison — a place of civilian internment up to May 1944 when civilians were moved to Sime Road Camp. The prison served as the POW camp after this.

The highlight of the zone is a recreation of a Changi Prison cell complete with an actual door from the since demolished old prison. The small cell, intended to hold a single prisoner, held up to four prisoners during the period of internment. The re-created cell includes speakers at various points at which historical recordings of conversations between the internees.

A Changi Prison door. A mirror placed beside the door gives the impression of a long row of cells.
A recreation of the Changi Prison cell.
Historical recordings of conversations between the internees at various points in the cell offer a glimpse into their living conditions and daily experiences.
A captors-eye view through the peephole of the prison cell door.

Zone 5: Resilience in Adversity

The Resilience in Adversity zone provides a look at the hardship that the internees faced and how they responded to it. Among the hardships recalled in this zone are the work camps that the POWs were sent away to, including those on the so-called Death Railway on the Thai-Burma border. Also recalled was the Double Tenth Incident which began on 10 October 1943, involving the interrogation of civilian internees by the Kempeitai in Changi Prison and the likes of Elizabeth Choy in the old YMCA. The incident occurred after the successful Allied commando raid behind enemy lines in the harbour known as Operation Jaywick.

The zone is probably where the most visually impactful section of the CCM also is — where the replica Changi Murals are found. The original murals, five of which were painted, were the work of Stanley Warren from September 1942 to May 1943. Warren, who was down with dysentery and renal disease and a patient in the POW hospital at Roberts Barracks, summoned what little reserves were left in his strength to paint the biblical scenes. This became a source of hope and solace for his fellow POWs. The display, which I am glad has been retained (there was some thought initially of using video projections instead) is supplemented by multimedia panels that tell their story. I was fortunate to have visited the actual murals, which are in Block 151 in the former Roberts Barracks — now within Changi Air Base (West). More on my visit in 2013 and the Changi Murals can be found in “A light where there was only darkness”.

Also on display in the zone are objects fashioned by prisoners out of available materials such as toothbrushes and several other new highlights of the museum such as a Kodak Baby Brownie Camera and a 400 page diary that was maintained by civilian internee Arthur Westrop. The diary, “A Letter to My Wife”, contains entries written as if they were actual letters to his wife, who was in Rhodesia. The diary, which Westrop kept hidden under the floorboards, survived a raid on his cell during the Double Tenth Incident.

Resilience in Adversity looks at some of the hardships faced. One of the worst periods in POW life came when POWs were sent away from Changi to work camps which included the Thai-Burma or Death Railway (notice the representation of the rail tracks on the ground).
Also recalled was the Double Tenth Incident, involving the interrogation of civilian internees by the Kempeitai in Changi Prison and the likes of Elizabeth Choy in the old YMCA. The incident occured after the successful Allied commando raid behind enemy lines in the harbour known as Operation Jaywick.
Diary of Arthur Westrop 1942−1945, Gift of the family of Arthur Westrop, Collection of the National Museum of Singapore.
Toothbrushes made by prisoners.
The replica murals.
The multimedia panel.

Zone 6: Creativity in Adversity

Creativity in Adversity looks at how creative expression played a huge role in helping prisoners cope with their circumstances. Art and craft, theatrical performances, music, sports and even educational pursuits, played an important role in the process and the zone showcases some of the efforts in this area.

Among the internees were womenfolk, who found comfort in sewing quilts for the wounded. The quilts were also an ingenious method of messaging, as it allowed the women to tell their husbands that they were alive. In each personalised embroidered square, were expressions also of love patriotism, and identity.

Also found in the zone are works of art, efforts to create props for theatre, books that were used for learning including a Malay-English dictionary, and a word map of names of numerous places and objects, written on this piece of paper by Leading Aircraftman Ronald Bailey that provides an insight into a life cut short by a stint on the Death Railway. Bailey died aged 23, in 1943.

Creativity in Adversity
An exact replica of the British Changi Quilt made in2003 by the Asian Women’s Welfare Association. The original quilt is with the British Red Cross.
An interactive panel showing how a ventriloquist’s dummy was made by prisoners.
The Changi University provided education for many POWs in the early days of internment.
A Malay- English dictionary.
A message sent by a wife that tells a story of hope and love.
The word map of names of numerous places and objects, written on this piece of paper by Leading Aircraftman Ronald Bailey. This provides an insight into Bailey’s life and the places that he connect with. Bailey died in 1943 on the Death Railway aged 23.

Zone 7: Liberation

Liberation, which followed the surrender of Japan on 15 August 1945 and the subsequent British reoccupation of Singapore, brought a three and a half year chapter of captivity to an end. The zone is where the immediate aftermath and its impact on internees is looked at. Artefacts in the zone include a samurai sword presented to a POW and a letter from King George VI to POWs.

Liberation
A letter from King George VI addressed to captives.
A samurai sword presented to a POW by a Japanese officer at the end of the war.

Zone 8: Legacies

In the final zone, Legacies, the legacy of Changi as a prison camp, is remembered. Here, the names and stories of the internees call be called up on interactive screens. There is also a running count of internees and view some artefacts that were produced to remember how they had survived the internment.







Middle Road and the (un)European Town

26 04 2021

Street names, especially ones in common use, often tell an interesting tale. Such is the case with Middle Road. Constructed late in the first decade that followed British Singapore’s 1819 founding by Sir Stamford Raffles, parts of Middle Road have become known by a mix of names in the various vernaculars. Each provide a glimpse into the streets fascinating past, the communities it played host to and the trades and institutions that marked it. It is its official name, Middle Road, that seems to have less to reveal and what Middle Road the middle, is a question that has not been quite as adequately answered.


The Jackson Plan of 1822. Middle Road is not marked on it. Its location on this map correspond to the road passing through ‘Rocher Square’ right smack in the middle of the European quarter.

Often the resource of choice in seeking a better understanding of a Singapore street name and its origins is the book ‘Singapore Street Names: A Study of Toponymics’, authored by Victor Savage and Brenda Yeoh. The book however, does not quite provide the answer to the question of what made Middle Road the middle in explaining that the street was (or may have been) a line of demarcation between the trading post’s European Town and a designated ‘native’ settlement to its east. Reference has to be made to the 1822 Town Plan, for which Raffles’ provided a specific set of instructions, in the allocation of areas of settlement along ethnic lines with the civic and mercantile districts at the town’s centre. A set of written instructions was also provided by Raffles to members of the Town Committee. Based on the plan and the written instructions, the European Town was to have extended eastwards from the cantonment for “as far generally as the Sultan’s (settlement)”, with an ‘Arab Campong’ in between. This meant that the line demarcating the two districts was not Middle Road, but would have been Rochor Road or a parallel line to its northeast.


Middle Road is shown in the 1836 Map drawn by J B Tassin based on an 1829 survey by G D Coleman. On this I have superimposed the boundaries of the various districts based on the 1822 Town Plan. On this map, Middle Road seems to be a street that no only ran through the middle of the European Town, but was quite literally the middle road of the European Town three parallel roads.

There is an older attempt to explain what the ‘middle’ in Middle Road might have been. This was made in 1886 by T J Keaughran, a one-time employee of the Government printing office and resident of Singapore in the late 1800s. In a Straits Times article, ‘Picturesque and busy Singapore’, Keaughran described Middle Road as being “perhaps more appropriately, the central division or section of the city”. There may be some merit in this suggestion based on the 1822 Town Plan. What seems however to be more obvious is that Middle Road ran right down the middle of the European quarter. Middle Road was also, quite literally, the middle road of three parallel roads running northwest to southeast through the European Town.  

The Portuguese tradition is kept very much alive at St. Joseph’s Church (which is now under renovation).

It would appear that the European Town, or at least the section that was allocated to it, never quite developed as Raffles had envisaged. Middle Road would turn out to be the centre of many communities, none of which was quite European. Hints of European influences do however exist in the Portuguese Church and in the former St Anthony’s Convent. The Portuguese Church — as it was once commonly referred to, or St Joseph’s Church, long a focal point of Singapore’s Portuguese Eurasian community, traces it roots to the Portuguese Mission’s Father Francisco da Silva Pinto e Maia, a one time Rector of St Joseph’s Seminary in Macau and owes much to the generosity of Portuguese physician turned settler, merchant and plantation owner, Dr Jose D’Almeida. It was in D’Almeida’s exclusive beach front house in the area that Liang Seah Street is today, that the mission’s first masses were held in 1825 – a year in which both Father Maia and Dr D’Almeida set foot on a permanent basis in Singapore.

An old letter box and signboard for the church.

The land on which the Beach Road house stood, had been procured by Dr D’Almeida during a stopover whilst on a voyage to Macau in 1819 with the help of Francis James Bernard, acting Master Attendant, son-in-law of Singapore’s first resident William Farquhar, and perhaps more famously, the great, great, great, great grandfather of Canadian Prime Minister Justin Trudeau. D’Almeida also had a house built on the plot, which Bernard occupied whilst the physician was based in Macau. Political events in Portugal, and its delayed spread to Macau, would bring both Father Maia and D’Almeida to Singapore via Calcutta. D’Almeida’s Beach Road house was used to celebrate masses until 1833. A permanent church building for the Church of São José (St Joseph) would eventually be established at the corner of Victoria Street and Middle Road in the mid-1800s. What stands on the site today is a 1912 rebuild of this church. Initially administered by the Diocese of Goa and later, by the Diocese of Macau, the church’s links with Portugal were only broken in 1981, although parish priest appointments continued to be made by the Diocese of Macau until 1999 when Macau reverted to Chinese rule and the Portuguese Mission was dissolved. The church has since 1981, come under the jurisdiction of the Catholic Archdiocese of Singapore.

A touch of Iberia can be found in the Portuguese Church, especially during festival days.

The Portuguese Mission would also establish St Anna’s School in 1879. The school for children of poor parishioners, is the predecessor to St Anthony’s Boys’ School (now St Anthony’s Primary School) and St Anthony’s Convent (now St. Anthony’s Canossian Primary School). A spilt into a boys’ and a girls’ school in 1893 saw the two sections going their separate ways. The setting up of the girls’ school would see to an Italian flavour being added to Middle Road, when four nuns of the Italian-based Canossian order came over from Macau in 1894 to run the girls’ section. Two of the nuns were Italian and another two Portuguese and in the course of its time in Middle Road, many more nuns of Italian origin would arrive. Those who were boarders or schoolgirls from the old convent days in Middle Road will remember how old-fashioned methods of discipline that the nuns brought with them were administered in heavily accented English with a certain degree of fondness.

The first Canossians. Top – M. Giustina Sequeira, M. Matilde Rodriguez, M. Marietta Porroni, and bottom extreme right –  M. Teresa Rossi. Two others were the superiors M. Teresa Lucian and M. Maria Stella, who accompanied the four.

While the convent may have moved in 1995, the buildings that were put up over the course of the 20th century along Middle Road to serve it are still there and stands as a reminder of the work of the Canossian nuns. Now occupied by the National Design Centre, its former chapel building is also where the legacy of another Italian, Cav Rodolfo Nolli has quite literally been cast in stone. In the former convent’s chapel, now the centre’s auditorium, watchful angels in the form of cast stone reliefs made by Nolli — Nolli’s angels as I refer to them — count among the the last works that the sculptor executed here before his retirement. The angels have watched over the nuns, boarders, orphans and schoolgirls since the early 1950s and are among several lasting reminders of Cav Nolli. The Italian craftsman spent a good part of his life in Singapore, having first arrived from Bangkok in 1921. Except for a period of internment in Australia during the Second World War, Nolli was based in Singapore until 1956. His best known work in Singapore is the magnificent set of sculptures, the Allegory of Justice, found in the tympanum of the Old Supreme Court.

St. Anthony’s Convent in the 1950s.

Among the common names associated with Middle Road is a now a rather obscure one in the Hokkien vernacular, 小坡红毛打铁 (Sio Po Ang Mo Pah Thi). This is another that could be thought of as providing a hint of another of the street’s possible ‘ang mo’ (红毛) or European connections. The Sio Po (小坡) in the name is a reference to the ‘lesser town’ or the secondary Chinese settlement that developed on the north side of the Singapore River (as opposed to 大坡 tua po — the ‘greater town’ or Chinatown). A literal translation of Pah Thi (打铁) would be “hit iron” — a reference to an iron-working establishment, which in this case was the J M Cazalas et Fils’ (J M Cazalas and Sons’) iron and brass foundry. Established in 1856 by Mauritius born Frenchman Jean-Marie Cazalas, the foundary occupied an area bounded by Middle Road, Victoria Street, the since expunged Holloway Lane, and North Bridge Road, a site on which part of the National Library now stands.

Central Engine Works, the successor to the lesser town’s European ironworks.

The business survived in one form or another in the area right up to 1920. J M’s son, Joseph, who inherited the business, renamed it Cazalas and Fils. In 1887, Chop Bun Hup Guan bought the foundry over and had it renamed Victoria Engine Works. The last name that the business was known by was Central Engine Works, a name it acquired when it again changed hands in the 1900s. Central Engine Works’ move in 1920 to new and “more commodious” premises in Geylang, paved the way for the site’s redevelopment and saw to the removal of all traces of the foundry.  The name Central Engine Works would itself fade into oblivion when it became a victim of the poor economic conditions that persisted through much of the 1920s. The firm went into voluntary liquidation in the early 1930s. The Empress Hotel, which opened in 1928, was erected on part of the former foundry’s site and became a landmark in the area. It was known for its restaurant which produced a popular brand of mooncakes, the ‘Queen of the Mooncakes’. Looking tired and worn, the Empress Hotel came down in 1985, when the wave of urban redevelopment swept through the area.

Empress Hotel (roots.SG).

The setting up of the Cazalas foundry up came at a time when the European Town was already on its way to becoming the ‘Lesser Town’. One of the reasons contributing to the change in status of the designated European area and its choice beachfront plots may have been the preference amongst the settlement’s European ‘gentry’ for the more pleasant inland area of the island as places of residence as the interior opened up. Among the larger groups contributing to the influx of non-European settlers in the area were the Hainanese — who could be thought of as ‘latecomers’ to the Chinese Nanyang diaspora. The Hainanese established clan or bang boarding houses in the area and by 1857, a temple dedicated to Mazu was erected at Malabar Street. Middle Road became the Hainanese 海南一街 or Hylam Yet Goi. The area is today still thought of as a spiritual home to the community, who today form the fifth largest of the various Chinese dialect groups in Singapore. The Singapore Hainan Hwee Kuan and the Tin Hou Kong (the since relocated Mazu temple) is also present in the area at Beach Road. The area can also be thought of as the home of the Singapore brand of Hainanese Chicken Rice having been were it was conceived and for many years served by its inventor.

The house of the rising sun (take not of the pediment) — a reminder of the Japanese Community, which made Middle Road home from the end of the 1800s to 1941. At its height, the community numbered several thousands.

Among other names associated with Middle Road was 中央通り(Chuo Dori), Japanese for ‘Central Street’ and the محلة (Mahallah) — an Arabic term meaning ‘place’ and used by the Sephardic Jewish community who came through Baghdad to describe the Jewish neighbourhood that formed at the end of the 19th century in and around the northwest end of Middle Road. There were also a host of names in Hokkien that refer to Mangkulu 望久鲁 or Bencoolen — a reference to the Kampong Bencoolen, which was established in the area.

A marker of the Mahallah, the David Elias Building with its star of David.

One name that includes the name is 望久鲁车馆 or Mangkulu Chia Kuan — the jinrikisha registration station in the area that later became the Registry of Vehicles (where Sunshine Plaza is today. As with the station at Neil Road, a station was established in the Middle Road area due to the proliferation rickshaw coolie kengs or quarters and rickshaw operators in the area, many of which were run by other groups of late arrivals among the Chinese migrants, the Hokchia and the Henghwa. Also mixed into the area around the Lesser Town as the years went by were other migrant communities, who included Hakkas, the people of Sam Kiang (the three ‘kiangs‘ or ‘jiangs‘ — Zhejiang, Jiangsu and Jiangxi) who are sometimes described as Shanghainese, South Indians and Sikhs. The people of Sam Kiang were quite prominent and featured in the furniture making and piano trading businesses, books and publishing, and tailoring — Chiang Yick Ching, who founded CYC Shirts at Selegie Road was an immigrant from Ningbo in Zhejiang as was Chou Sing Chu, the founder of Popular Book Store at North Bridge Road. The Hakkas were involved in the canvas trade, and were opticians and watch dealers. They were also the shoe making and shoe last making factories around Middle Road, which was once a street known for it Chinese shoe shops.

Right next to the David Elias Building is the former Dojin Hospital, which was erected before the war to serve the Japanese Community.

Various communities and institutions populating the post-1850s ‘European Town’





A beautiful campus by the sea

20 04 2021

A peek into the beautiful BNP Paribas Asia-Pacific Campus. Established in 2014, the campus occupies two beautifully restored former barrack blocks of the former (Royal Engineers) Kitchener Barracks in Changi. The two blocks, currently Block 34 and 35 and formerly B an C Blocks, were among the first to be built in the Changi Cantonment that was developed from the end of the 1920s into the late 1930s and provide an excellent example of how such buildings could be restored and repurposed in the light of the recently announced Ideas Competition for Changi Point and old Changi Hospital (see also: Ideas sought to repurpose Old Changi Hospital, enhance surrounding Changi Point area).

The former B-Block, together with the former H-Block (now Block 24, which in 1947 was repurposed as RAF Hospital, Changi), were in fact the first barrack blocks to constructed in Changi and were completed by 1930. The cantonment also included barracks for the Royal Artillery at Roberts Barracks — now within Changi Air Base (West) and for the infantry at Selarang Barracks, as well as smaller camps for various Indian Army units.

In the 1920s, Britain had moved to establish a large naval base in Sembawang to defend its Far East interests in the face of rising Japanese ambition. The setting up of the cantonment followed this decision and was carried out to install, maintain, man and secure coastal artillery being placed around the eastern mouth of the Tebrau or Johor Strait to protect the naval base against naval attack.

The cantonment, which sustained some damage in the lead up to the Fall of Singapore but remain largely intact, was evacuated on 12 February 1942. Singapore fell on 15 February 1942 and with Japanese forces overwhelmed by the sheer numbers of surrendering Allied troops in Singapore, they found a solution to accommodating some of these troops in the emptied barracks in Changi. On 17 February 1942, close to 50,000 British and Australian Prisoners-of-War (POWs) were marched to Changi and placed in the various camps. The troops forming the last line of defence in Singapore, the Singapore Fortress Southern Area troops, which included some volunteer units, were allocated Kitchener Barracks. The Australians were kept separately in Selarang. POW hospitals, which were set up in former field hospitals in Roberts and Selarang, were consolidated at Roberts Barracks — this is where the Changi Murals were painted.

The POWs would initially have little contact with their captors, who got them to wire themselves into the various camps. Discipline was maintained by the officers among the POWs, who also took it upon themselves to keep the morale up. Sports, theatrical performances and even university classes were organised — there were several professional sportsmen amongst the ranks and also lecturers from Raffles College who were with the volunteer units and in Kitchener Barracks, the Southern Area College operated. With the Fortress troops — who were not involved in the retreat down Malaya — being amongst the fittest of the POWs, the men of the camp at Kitchener were among the first to be picked for the Japanese organised work teams, many of which would be sent to provide labour in places like the Thai-Burma ‘Death’ Railway. The numbers in Kitchener dwindled to the point that it could be closed as a POW camp in May 1943, followed by Roberts in September 1943. In May 1944, the POWs, which included those who had survived the Death Railway, were concentrated at Changi Prison, which had previously been used as a civilian internment camp (the civilians were moved to Sime Road Camp).

The two camps would then be occupied by Japanese units involved in the construction of the Japanese airstrip at Changi (operational at the end of 1944), around which the Royal Air Force would establish RAF Air Station Changi (RAF Changi) in 1946. The blocks of the former Kitchener Barracks were then used by the RAF, with RAF Hospital Changi being established in 1947. Among the renumbered blocks, Block 35, housed HQ Far East Air Force (FEAF) Command. The various roads within the former Kitchener Barracks were renamed after RAF Air Stations. Following the British pull-out in October 1971, the barrack buildings (except for Block 24 and 37), were used by the Singapore Armed Forces as Commando Camp. Of the various barrack developments, only the former Kitchener remains largely intact today.





Escape from Tanglin Barracks

16 04 2021

Tanglin Village or Dempsey Hill, a spacious and joyous site on the fringes of Singapore’s city centre, has a history that goes back more than a hundred and fifty years. Established as Singapore’s first purpose-built military camp, Tanglin Barracks, it is a place with stories abound. There are quite a few that I find especially intriguing, including one which has as its leading protagonist a rather flamboyant German mariner by the name of Julius Lauterbach, whose exploits on and off the high seas make for quite an interestIng read.

Tanglin Village today

Lauterbach’s chapter in Tanglin’s history is set against the backdrop of the First World War, a conflict which pitted his native Germany against Singapore’s colonial master, Great Britain. Almost overnight, friends found themselves on opposing sides and even if the war may have been raging far from Singapore’s shores, its fallout extended to the island in one way or another. On 24 October 1914, some three months into the conflict, nationals of Germany and Austria in Singapore received an order to report to the P&O Wharf. There were a number of prominent members of the mercantile community amongst the group. Initially interned on St John’s Island, the group would be moved into Tanglin Barracks‘ vacant blocks and were joined by internees who had been detained in Malaya.

St. John’s Island.

The choice of Tanglin Barracks as a place of internment was only possible as the British infantry units who would have normally be quartered at the barracks were most — in Europe. This arrangement however, would leave Singapore with threadbare defences, although there seemed to be little of concern with the main threat to the island’s security having been ascertained as internal rather than external. The responsibility for maintaining order was placed squarely on the shoulders of the officers and men of a British Indian Army infantry regiment — the 5th Light Infantry, which was quartered at Alexandra Barracks.

The former Gillman Barrack’s officers’ mess – close to the site where the first shot was fired to signal the start of the mutiny.

At Tanglin Barracks, a total of about 250 civilians were held, accommodated in a cluster of barrack buildings which had been ‘wired in’ with scaffolding used as watch towers. The 5th Light Infantry provided the camp’s security details together with a handful of men from the volunteer units. Within the confines of the camp boundary was also a ‘small bungalow’ that was converted for use as a hospital for internees. Tanglin Barracks’ Teutonic flavour was also to be enhanced by a group of about sixty Prisoners of War (POWs) from the German naval cruiser, SMS Emden, which brought the total number of internees at the camp to 309. The POWs were housed separately within the confines of the camp in a barrack block that acquired the name ‘Emden Villa’.

The cricket field and P-Block.

The Emden must have been quite well known in Singapore, having gained notoriety for the damage and disruption to Allied shipping in the Indian Ocean and the China Sea that it had inflicted in the early months of the war. Among the cruiser’s exploits was a daring raid on Penang harbour during which two ships — a Russian cruiser and a French destroyer — were sunk. The Emden, as did many naval vessels on both sides, also employed tactics that could be compared to pirate ships in sending boarding parties to storm merchant ships, either to scuttle them, or if the cargo was valuable enough, to commandeer these vessels as a ‘prize’. The men of the Emden who had found their way to Tanglin were in fact members of ‘prize crews’ of three ships that were recaptured by the Allies, the most senior of whom was Reserve Lieutenant Julius Lauterbach. Lauterbach was taken along with the prize crew of the collier, Exford, which was carrying a cargo of 6000 tons of coal when it was recaptured by the armed auxiliary cruiser, HMS Empress of Japan, off Sumatra on 11 December 1914.

Postcard, S.M.S. Emden, circa 1914, Germany, maker unknown. Te Papa (GH002110)

Lauterbach was already well known in many circles in Singapore in his days as a master mariner who was based at the port of Tsingtao (Qingdao), which Germany held as a concession port from 1898 to 1914. He had been an established fixture on the merchant marine scene and many among the civilian internees had made the passage on ships that Lauterbach had captained. His arrival at Tanglin was said to have been greeted with a loud cheer because of his fame. Being the highest ranking officer among the POWs, Lauterbach was afforded with a degree of respect by his captors, who put him in a three-room house on his own within the camp perimeter and close to the Emden Villa.

Julius Lauterbach at Tanglin

As soon as Leuterbach arrived in Tanglin, he set out plotting an escape and after having observed security arrangements at the camp, he determined that a tunnel would best serve his purpose. On 27 January 1915, with help from a group of trusted men he started on his dig right under the noses of the camp guards, under the guise of doing gardening. It could also have been that the members of 5th Light Infantry who were guarding the camp and who were free to interact with the internees, was under Lauterbach’s influence. Lauterbach was also able to have the company of a French-Chinese Eurasian admirer during his internment, albeit with a locked gate in between them. The young lady, according to a boast that Lauterbach made, had come to Singapore to see to his wellbeing having made her way from her native Shanghai once she got wind of his plight and was also able to hand information such as maps to him to aid in his intended escape.

A very special ward.

Mutiny

All this while, unhappiness was fermenting (some say fermented by Lauterbach and company) among members of the 5th Light Infantry. In January 1915, a decision was made to deploy the 5th to Hong Kong. The destination was however not communicated to the troops. There were rumours abound that the destination was not East, but West in Mesopotamia (modern day Iraq). With it large Muslim contingent, many among the rank and file were incensed by the prospect of having to fight fellow Muslims. In a move to quell the growing sense of unease, the transfer was brought forward. With the 5th due to be sent out on 16 February 1915 — the day after the three day Chinese New Year holiday weekend, the unit stood down from its duties at Tanglin on 14 February 1915 and camp security was left in the hands of one British and three native officers and twelve men of the Johore Military Forces, who were without ammunition, and a deployment of volunteers.

Remembering the victims of the Mutiny – a plaque at the Victoria Concert Hall.

The growing sense of unhappiness and the impending move to what was rumoured to be Mesopotamia provoked members of the 5th Light Infantry into action and just after 3 pm on the afternoon of 15 February 1915, members of the regiment’s Right Wing — numbering just over 400 men, mutinied (infantry regiments were then split into two wings, each with four companies). A group of about eighty rebels headed to Tanglin, intent on freeing German prisoners in the hope that they would lend support to the rebellion. At 3.45 pm, the mutineers reached Tanglin with a group among the eighty laying siege to Tanglin Military Hospital and firing into its administration building. In spite of coming under fire, Staff Sergeant Vickers, RAMC, managed to make his way to the medical officers bungalow some 300 yards away (270 metres). Finding the Medical Officer out, he was able to raise the alarm to the police, Fort Canning and a Dr Fowlie. A group of fifteen men reached the POW camp about half an hour later around 4.15 pm and also fired on the guards. The lock to the gate was then blown up. In the chaos of the attack, four officers were killed along with ten men. One German prisoner was also fatally wounded.

Buildings of the former Tanglin Military Hospital.

An eyewitness, Corporal J F Bray, RAMC, who was stationed at the prisoner hospital recalled being roused by the firing. German prisoners then told him that a mutiny had broken out. He then rushed to the POW hospital’s dispensary to get dressings in order to attend to the wounded, one of whom was a prisoner in W-Block (now Block 17). Inside W-Block, Bray witnessed six to seven members of the 5th freeing German prisoners before moving them into Y-Block (Block 26). Bray also witnessed the leader of the mutineers shaking hands with the German prisoners. Unsuccessful in their attempts to enlist the help of the Germans, the mutineers then left, promising to return with arms and ammunition. The bulk of the German prisoners, including Lauterbach, had in fact refused to take up arms; some went on to help in attending to the wounded, and transport the more seriously hurt to Tanglin Military Hospital.

Block 17 – a block that many who served National Service in the army will remember as the Enlistment Centre

Lauterbach’s Epic Escape

In the commotion of the disturbance at Tanglin, Lauterbach made a final push to finish the tunnel that he had been working on. Determined to get away unnoticed, he decided against walking out the open camp gate and use the tunnel he had worked on. Selecting a handful of prisoners to go with him for their ability to speak English made the escape as the darkness fell, having to making a vault over a final set of barbed-wire that lay beyond the tunnel exit. Leaving at around 8pm, the group decided that the main roads were to be avoided and took a route through grass, lallang and rubber plantation — a decision that got their guide and themselves lost. With some further help obtained through a handsome bribe, the group eventually found their way to the coast, some five hours after leaving Tanglin. There the scene was set for a voyage to Karimun. The long twelve hours that it would take them to get to the islands, which lay on the neutral Dutch side of the Melaka Strait, would only be the first leg of what was to become an epic journey of escape. The journey was to involve trudging through the jungles of Sumatra, a journey from Padang to Batavia (Jakarta) to Surabaya, a passage on a Dutch steamer to the Celebes (Sulawesi), a five day passage across the Celebes Sea to Mindanao in a leaking boat that required water to be bailed out by hand continuously, a voyage disguised as a Dutchman from Manila to China’s north coast where he made his way down to Shanghai. From Shanghai, he would head east to Japan, then Hawaii, and San Francisco from where he boarded a train for New York. At Hoboken — across the Hudson from Manhattan, Lauterbach signed on to a Oslo bound Danish ship as a Swedish stoke. Making landfall in Europe, he made his way to Copenhagen before finding himself on German soil on 10 October 1915 — some eight months after his escape from Singapore and ten months after his capture onboard the Exford.