All at sea

24 07 2014

The launch on Saturday of Singapore HeritageFest 2014, bring us to focus on one of the key reasons for Singapore’s being, the sea. This year’s festival much of which revolves around a maritime based theme, “Our Islands, Our Home” has us looking at our maritime past as well as our present as a maritime nation.

HeritageFest 2014 opens a window to Singapore's island heritage.

HeritageFest 2014 opens a window to Singapore’s island heritage.

It is to raise the profile of this heritage, one that goes back to times well before the arrival of Raffles, that is in fact what the Maritime and Port Authority (MPA) and the National Heritage Board (NHB) hopes to achieve with the establishment of the S$500,000 Maritime Heritage Fund, which the two agencies will administer – for which a Memorandum of Understanding (MOU) was signed by the two agencies at Saturday’s launch.

One of the highlights of this year's HeritageFest is a lighthouse trail that includes a stop on Pulau Satumu, Singapore's southernmost island, on top of which Raffles' Lighthouse is perched.

One of the highlights of this year’s HeritageFest is a lighthouse trail that includes a stop on Pulau Satumu, Singapore’s southernmost island, on top of which Raffles’ Lighthouse is perched.

Once a common scene in the waters off the Southern Islands. Boats such as the kolek on the right, are very much part of our maritime heritage (a similar kolek is on display at the Balik Pulau Exhibition at the National Museum).

Once a common scene in the waters off the Southern Islands. Boats such as the kolek on the right, are very much part of our maritime heritage (a similar kolek is on display at the Balik Pulau Exhibition at the National Museum).

The focus of the fund, which complements the NHB’s S$5 million Heritage Grant Scheme launched last year, will be on developing community-initiated projects related to Singapore’s maritime heritage that will promote a greater understanding and appreciation of Singapore’s maritime connections, as was touched on by Mr Lawrence Wong, Minister for Community, Culture and Youth, in his speech at the festival’s launch.

Mr Lawrence Wong, Minister for Culture, Community and Youth and Mr Ong Yew Huat, Chairman of NHB launching Singapore HeritageFest 2014.

Mr Lawrence Wong, Minister for Culture, Community and Youth and Mr Ong Yew Huat, Chairman of NHB launching Singapore HeritageFest 2014.

Mr Wong also spoke of the transformation that will soon take place at the Asian Civilisations Museum (ACM), where the launch event was held. Besides a revamp of the museum with expanded galleries that will include a space allocated for the Tang Cargo and see new shops and dining outlets, the museum will be given a new entrance that will open it up to the river and give it a direct connection into the historic heart of Singapore.

Another lighthouse - the very pretty Sultan Shoal Lighthouse at the western extremities of Singapore's waters seen during the lighthouse trail as part of Singapore HeritageFest 2014.

Another lighthouse – the very pretty Sultan Shoal Lighthouse at the western extremities of Singapore’s waters seen during the lighthouse trail as part of Singapore HeritageFest 2014.

The revamp is part of the ongoing effort to develop a civic and cultural belt around Singapore’s colonial civic district (see: The Old Vic’s ticking again) that involves also the newly refurbished Victoria Theatre and Concert Hall, and the conversion of the Old Supreme Court and City Hall into National Gallery - due for completion in 2015.

The Old Vic's definitely back!

The newly refurbished Victoria Theatre and Concert Hall.

A cultural performance at the launch of Singapore HeritageFest2014.

A cultural performance at the launch of Singapore HeritageFest2014.

The launch also coincided with the first evening of a two-night series of programmes taking place around the ACM and the river, River Nights. The event, brought much life and colour to the river, and celebrated its changing identity over the years – in the same way the well received series of activities  for Singapore HeritageFest 2014 celebrates the islands.

A dragon dance performance at the start of River Nights at the ACM's front lawn.

A dragon dance performance at the start of River Nights at the ACM’s front lawn.

More information on the Maritime Heritage Fund, Singapore HeritageFest 2014, River Nights and on Balik Pulau: Stories from Singapore’s Islands (an exhibition at the National Museum of Singapore held in conjunction with HeritageFest 2014) can be found in the following links:





The Old Vic’s ticking once again

22 07 2014

The Old Vic’s finally back. Having seen it look increasingly tired over the years, it’s nice to see that it’s not just been freshened up during a four year hibernation, but has also been done up very nicely for its role as a mid-sized performing arts venue for the future.

Ticking once again is the clock at the Old Vic.

Ticking once again is the clock at the Old Vic.

The Old Vic's definitely back!

The Old Vic’ made new.

A passageway regained by the side of the concert hall.

A passageway regained by the side of the concert hall.

I had the opportunity to have a quick glance at the newly refurbished Vic at an exclusive tour organised for a group of bloggers over the weekend of the Open House, with a visit to the top of what to me has always been the mysterious clock tower thrown in; and I must say, there isn’t anything there is to dislike about its latest makeover – except that is that everyone now seems to want to refer to the well-loved monument by its acronym VTCH (for Victoria Theatre and Concert Hall). We in Singapore do have a penchant for using acronym, but extending the practice to our well loved icons, doesn’t seem quite right.

The queue at the opening of the Open House.

The queue at the opening of the Open House.

We got a peek at the inside of the clock tower.

We got a peek at the inside of the clock tower.

It will always the old Vic to me, a landmark that we have long identified with our Lion City. It is where the founder of modern Singapore, Sir Stamford Raffles, has maintained his proud position – almost uninterrupted (the statue was removed from its position during the Japanese Occupation in 1942 and restored in 1946) since 1919, the centenary of him setting foot on the island at a point not far away on the river bank and setting the ball rolling on a chain of events that has brought us to where we are today. The chimes from its clock tower were ones that flavoured my childhood and it was something I looked forward to hearing on the many occasions I found myself in the area in the days of my childhood.

Inside the refurbished Old Vic - seen on the third level below the glass roof of the Central Atrium.

Inside the refurbished Old Vic – seen on the third level below the glass roof of the Central Atrium.

The refurbished theatre.

The refurbished theatre.

The section of the building that has served as the concert hall since the late 197os was of course the Victoria Memorial Hall back in the days of my youth, a name I still have the tendency, as with many of my generation, to use in referring to the National Monument. There were several occasions when I did have a chance to pop into it – it had been the site of many exhibitions in the days before the former World Trade Centre and the former Harbourfront took over as Singapore’s main exhibition venues.

The entrance to the former Victoria Memorial Hall - the area below the concert hall where the box office is located.

The entrance to the former Victoria Memorial Hall – the area below the concert hall where the box office is located.

The concert hall, which served as the home of the Singapore Symphony Orchestra (SSO) from 1979 until the SSO shifted to the Esplanade in 2002, was actually a 1905 addition to the building, built in the memory of Queen Victoria. The original section, built as a town hall in 1862, was then remodelled to complement the memorial hall in a symmetrical fashion and reopened as a theatre in 1909. The clock tower, with chimes and clock by the Straits Trading Company, was completed in 1906.

A view from the clock tower.

A view from the clock tower.

Over the years, several modifications were made to the buildings. This included a significant makeover in the 1950s, which saw the two buildings air-conditioned, and the seating capacity of the theatre doubled. That makeover also saw the incorporation of the previously open courtyard between the two buildings into the structure with it being covered up – a modification that has to an extent, now been reversed.

The Central Atrium - where the courtyard between the two buildings had been.

The Central Atrium – where the courtyard between the two buildings had been.

A look through the old arches to the new relief etched panels of the theatre.

A look through the old arches to the new relief etched panels of the theatre.

A glass roof now allows light into a rather pleasant looking and air-conditioned courtyard, the Central Atrium, restored partially on the side of the concert hall. Not only does this allow a wonderful view of the clock tower, it allows it to serve as a through passageway from the front of the buildings to the back. At the back a magnificent view of Old Parliament House, now The Arts House, Singapore’s oldest government building, in its full glory awaits.

The Arts House - at the end of the passageway.

The Arts House – at the end of the passageway.

The Central Atrium is where we see a tasteful blend of old and new. The rolling back of the modifications made to maximise the capacities of both the theatre and the concert hall, sees the boundaries of both pushed back to the original locations, allowing the columns and arches to be brought out. On the side of the concert hall, we see how it may have been with its ornate archways and rusticated columns restored. It is however the side of the theatre that seems most interesting, it is there that we now see a reinterpretation of courtyard side of the old theatre, with the use of relief etched precast panels providing a modern and forward looking impression, partly to compensate for the absence of information relating to the original architectural details, in contrast to that on the side of the concert hall.

The precast etched relief panels.

The precast relief etched panels on the theatre side of the atrium.

It was also nice to see how Victoria Theatre has been redone – its seating arranged in the horseshoe shape as it might originally have been with a provision of an orchestral pit. This has reduced its capacity from 900  to 614, providing it with a more intimate setting. More importantly, the modifications must now give it much improved acoustics – one of the few impressions of the theatre that I have from watching Lea Salonga in a Singapore Repertory Theatre production of the musical “Into the Woods” sometime in the 1990s, was of its rather poor acoustics.

The refurbished theatre.

The refurbished theatre.

It is interesting to see that several items from the old theatre have been incorporated into the new – with the backs of the old seats decorating the entrance foyer, seen in a floating “Rubik’s Cube”. Frames and material from the old seating are now also seen in the remodelled theatre, such as the cast-iron components incorporated into the newly installed acoustic timber walls.

A re-used part of the frame of the old seating.

A re-used part of the frame of the old seating.

The 'Rubik's Cube' in the theatre's foyer and a reflection of it on a counter top.

The ‘Rubik’s Cube’ in the theatre’s foyer and a reflection of it on a counter top.

While some of us did not get to see the 673 seat concert hall, we did hear the glorious strains from Dr Margaret Chan’s masterful pipe-organ performance from the foyer where we got to see the suspended balcony - replacing the previously added balcony that had to be supported by intrusive structures, to free up volume and improve acoustics.

The refurbished concert hall (photo courtesy of Victoria Theatre and Concert Hall).

The refurbished concert hall (photo courtesy of Victoria Theatre and Concert Hall).

The suspended balcony.

The suspended balcony.

What we got to see that most visitors during the Open House didn’t was the clock tower (which incidentally has had its crown restored), which I had been curious about throughout  my childhood. The inside of the clock tower turned out to be quite different from the one I had envisaged - the clock’s mechanism and the five bells seemed a lot smaller than what I had imagined as a child.

The chime bells and a clock face on the platform below.

The chime bells and a clock face on the platform below.

The writing on the largest bell: 'This clock and chime of bells were presented to the Queen Victoria Memorial Hall by the Straits Trading Company, 1905'.

The writing on the largest bell: ‘This clock and chime of bells were presented to the Queen Victoria Memorial Hall by the Straits Trading Company, 1905′.

The clock has seen an improvement during the refurbishment – an automatic winding mechanism was added. Prior to this, the clock had to be rewound manually, requiring a winder and maintenance man to ascent up 176 steps once a week to spend up to an hour winding the clock.

The long road to the top - 176 steps for the winder who would have to ascend once a week.

The long road to the top – 176 steps for the winder who would have to make the acsent once a week.

An automatic winder has been added to the clock's mechanism.

An automatic winder has been added to the clock’s mechanism.

While the chimes I am told, can be heard as far away as the Esplanade, it didn’t quite sound as loud as one might have expected standing right by the bells, seemed minute compared to the bells that Quasimodo lent his hand in ringing. Beside the thrill of hearing the bells chime at 11 o’clock, there was also the bonus of taking in the magnificent views of the surroundings and the contrast of the old Padang surrounded by the architectural symbols of colonial power next to what architectural historian Lai Chee Kien, calls a new “liquid padang” - surrounded by the architectural symbols representing the new power.

The clock level.

The clock level.

The refurbishment of the old Vic coincides with an effort that will also see a renovation of the Asian Civilisations Museum and the transformation of the Old Supreme Court and City Hall into the National Gallery Singapore – all scheduled to be completed next year. That will complete the transformation of an area that had been at the heart of the colonial administration into an arts and cultural hub – what the Urban Redevelopment Authority (URA), in their 2014 Master Plan, terms as a “Civic and Cultural District by the Bay“.

For more information on what is envisaged for the Civic District as part of URA Master Plan 2014, do visit the following links:

More information on Victoria Theatre and Concert Hall and its recent refurbishment can be found on their website.


Some key dates relating to the Victoria Theatre and Concert Hall:

17 March 1855

The foundation stone for the new Town Hall was laid by the Governor of Singapore, Colonel W. J. Butterworth.

1902 – 1905

Victoria Memorial Hall was built in memory of Queen Victoria’s reign. Victoria Memorial Hall and Tower were joined to the existing theatre by R. A. J. Bidwell of Swan and Maclaren, with passageway between the two buildings.

18 October 1905

Victoria Memorial Hall was officially opened by the Governor of the Straits Settlements, John Anderson.

1906

The construction of the signature clock tower was completed. This was later than expected due to the delay in donation of the clock and chimes by the Straits Trading Company.

1909

The first performance that took place in the newly completed Victoria Theatre was Sirs William S. Gilbert and Arthur S. Sullivan’s well-known and amusing opera, The Pirates of Penzance, staged by the Singapore Amateur Dramatic Committee.

6 February 1919

On Centenary Day, T. Woolner’s statue of Sir Stamford Raffles was moved from the Padang to Victoria Memorial Hall, taking the place of the bronze elephant presented to Singapore by King Chulalongkorn.

Early 1942

The Victoria Memorial Hall was used as a hospital for victims of bombing raids by the Japanese forces during World War II.

1946 – 1947

Victoria Memorial Hall was used as a location for war crimes courts.

21 November 1954

The inaugural meeting of the People’s Action Party was held at the Victoria Memorial Hall.

1954 – 1958

Major renovations were carried out including a complete restructuring of the interior of the theatre. Air-conditioning and sound-proofing was added and the courtyard covered up.

4 November 1957

The public had its first glimpse at television when William Jacks and Co presented a full length variety show on television at the annual Philips Radio Convention held at the Victoria Memorial Hall.

15 February 1963

Television Singapura (Singapore’s first TV station) was launched with a pilot monochrome service at the Victoria Memorial Hall.

1979

Victoria Memorial Hall was renamed the Victoria Concert Hall and named as the official home of the Singapore Symphony Orchestra.

1980s

A gallery was added to the Concert Hall, adding seating capacity and enclosing the second storey balconies on the front and back facades with glass.

1990s

Renovations were carried out to Victoria Theatre to make it a more efficient performing venue.

February 1992

Victoria Theatre and Concert Hall was gazetted as a national monument of Singapore.

2010

The Victoria Theatre and Concert Hall was closed for a $158 million renovation.

2014

Victoria Theatre and Concert Hall reopened its doors after a four-year renovation.


 





Boarding the junk at sunrise

18 07 2014

An island that always seemed to me to have an air of mystery about it is the oddly shaped Pulau Jong. Set in an area of Singapore, the southern islands, that has much legend attached to it, legend does have it that Pulau Jong or “Junk Island” in Malay, had been a junk that had been transformed by the spirit of the sea into the island. The legend is described by H. T. Haughton in his 1889 paper, Notes on Names of Places in the Island of Singapore and its Vicinity:

Pulau Jong, “junk island”, a small island of a conical shape to the North of Pulau Seking and Pulau Sebarok. The story is that Malay pirates one night attacked a Chinese Junk, which was anchored where the island now is, and just as the Malays got alongside, the Nakhodah of the junk awoke. On seeing the pirates, through terror, he uttered such a frightful yell that the sea-spirit turned the junk into an island much to the consternation of the Malays.

Pulau Jong at sunrise.

Pulau Jong at sunrise.

Lying east of Pulau Semakau (which has absorbed Pulau Seking or Sakeng) and northwest of Pulau Sebarok, the tiny mound of an island measuring some 0.6 ha., is fringed to its north by some of the deepest waters in the Singapore Strait. From afar, the island looks rather inhospitable – particularly at high tide when only it tiny cliff faces and the clump of trees rising some 23 metres on its mound are exposed. It is at low tide that the fringing reefs that surround the island expose themselves – the reefs extend as far out as 0.4 nautical miles (about 700 metres) south-east in the direction of Pulau Sebarok.

Junk Island at low-tide.

Junk Island at low-tide.

The fringing reef on the island's south-east reaching out towards the oil terminal at Sebarok.

The fringing reef on the island’s south-east reaching out towards the oil terminal at Sebarok.

A navigation chart showing water depths around Pulau Jong.

A navigation chart showing water depths around Pulau Jong.

The reefs do make it difficult to land on the relatively untouched island – one of the last to resist human intervention in the waters of Singapore, but landing on it at sunrise was certainly a worthwhile experience, not just for the rich coral life found in the reefs, but also for the majestic perspectives one gets of the island being on it, the view of all that surround it, and an interesting look at the island’s geology and the glimpses it offers into its bird life.

Heading on a dinghy towards the island.

Heading on a dinghy towards the island.

Landing at sunrise - the reefs do make it a challenge to land safely on the island.

Landing at sunrise – the reefs do make it a challenge to land safely on the island.

The island's rock formations are part of the  are Jurong Formation that marks the geology of much of Singapore's west.

The island’s rock formations are part of the are Jurong Formation that marks the geology of much of Singapore’s west.

More rocks ...

More rock formations …

A pair of collared kingfishers.

A pair of collared kingfishers.

And another perched on a rock.

And another perched on a rock.

The junk, a very recognisable feature of southern Singapore’s seascape, has long been identified as an island for possible recreational use. More recently however, it does seem from the 2013 Land Use Plan that it would be be lost to future land reclamation. From the plan we see that it would be part of a large land mass that would also include Pulau Semakau and Pulau Sebarok and like the junks that once featured in the seas around us, the familiar sight of the junk that became an island will soon one that is forgotten.

A northward view.

A northward view.

The coral fringed beach looking west towards Pulau Semakau.

The coral fringed beach looking west towards Pulau Semakau.

Cliff faces on Pulau Jong.

Cliff faces on Pulau Jong.


The reef

I didn’t spend much time in the reef, which has some rather nice looking hard and soft corals and sea cucumber. There were also sightings of nudibranchs and flatworms on the reef’s edge. For more posts on what the reef revealed and also a wonderful drone’s eye view of the island, do also check these postings out:

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The visit to Pulau Jong is part of a series of visits to some of the lesser known shores of Singapore, in search of words and sounds for an IRememberSG funded project, Points of Departure.

A pano of the southern foreshore of Pulau Jong.

A pano of the southern foreshore of Pulau Jong.


 

 

 

 

 





Finding romance on Terumbu Semakau

17 07 2014

At 4.30 am, less than 24 hours after the adventure or what perhaps was more of a near misadventure on Cyrene, on Sunday, I found myself once again on a boat headed south. The destination this time was another patch reef, Terumbu Semakau, which lies just east of the original Pulau Semakau - now part of an enlarged island of the same name that serves as an offshore landfill.

A view of Terumbu Semakau, looking across to the enlarged Pulau Semakau.

A view of Terumbu Semakau under the light of the moon, looking across to an enlarged Pulau Semakau.

Location of Terumbu Semakau relative to Pulau Semakau.

Location of Terumbu Semakau relative to Pulau Semakau as seen on a navigational chart.

Terumbu Semakau in the moonlight.

Terumbu Semakau in the moonlight.

The super moon seen setting over Pulau Semakau.

The super moon seen setting over Pulau Semakau.

Thankfully, the weather provided much greater joy than it did a day before, allowing the group I was with to take-in an almost magical view of the reef bathed in the light of the super moon and then in the early light of day. The setting was one that seemed perfect for romance – the chorus we could hear of romancing amphibians across on Pulau Semakau seemed to testify to that.

6.28 am, the lights of Singapore's southern seas, that of the ships at anchor is seen against the lightening sky.

6.28 am, the lights of Singapore’s southern seas, that of the ships at anchor is seen against the lightening sky.

The terumbu at sunrise.

The terumbu at sunrise.

Finding romance on Terumbu Semakau with the rising of the sun.

Finding romance on Terumbu Semakau with the rising of the sun.

The reef, as with many of southern Singapore’s once numerous patch reefs, bears the scars of the developments of the last five decades. Its once lush meadows of seagrass have all but disappeared, leaving the moonlit scene without the stars that illuminated our visit to Cyrene. The group did however, find a couple of stars that, so disguised, were ones I wouldn’t have recognised. Shaped as their common name suggests, these cushion sea stars are quite recognisable upturned – wearing the unmistakeable mark of a true star on their well hidden undersides.

A cushion star.

A cushion star.

The underbelly of a cushion star.

The underbelly of a cushion star.

A smaller and less richly coloured cushion sea star.

A smaller and less richly coloured cushion sea star.

The expense of the reef did, in the light of the silvery moon, reveal quite a lot more to the keener pairs of eye. Ria Tan in blog post Terumbu Semakau: still no seagrass recovery, does bring to light several interesting sightings. It was, however, as unlikely romance that might have been the highlight of the day - the romance of a pair of rare tiger cowries, taking place discreetly behind a large piece of coral.

A pair of rare tiger cowries, discreet in their romance.

A pair of rare tiger cowries, discreet in their romance.

Feeling crabby, early in the morning.

Feeling crabby, early in the morning.

A less than romantic find - a fish trap erected on the reef.

A less than romantic find – a fish trap erected on the reef.

The romance found on Terumbu Semakau, is one that may soon be lost, as foretold by the Land Use Plan that was released by the Ministry of National Development last year in support of the less than well received Population White Paper. In the plan, the reef is seen to be within an area that is potentially a future land reclamation site that will create an even larger Pulau Semakau – leaving very little of the patch reef systems that once shaped our southern waters left for us to find romance in.

Possible future reclamation poses a threat to the future of the reefs (and the islands).

Possible future reclamation poses a threat to the future of the reef (source: Land Use Plan 2013).

The incinerated waste receiving station at Pulau Semakau as seen from the reef.

The incinerated waste receiving station at Pulau Semakau as seen from the reef.

Branching Montipora corals in the middle of the terumbu.

Branching Montipora corals in the middle of the terumbu.

More views of the reef in the moonlight

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The visit to Terumbu Semakau is part of a series of visits to some of the lesser known shores of Singapore, in search of words and sounds for an IRememberSG funded project, Points of Departure.






The forgotten stars of Singapore

15 07 2014

It is good to be reading about Dr Siti Maryam Yaakub’s work on Singapore’s unseen and unheard of seagrass meadows in Saturday’s edition of The Straits Times. We did, as Dr Siti points out in the article, once have lush meadows of seagrass, ones rich in life and ones which contributed to some of my happier childhood experiences off Changi Beach.

The star of our fast disappearing seagrass meadows.

The star of our fast disappearing seagrass meadows.

Common Sea Stars.

Common Sea Stars.

A sea hare - a type of sea slug.

A sea hare – a type of sea slug.

Coincidentally, I found myself in wading through another meadow, early in the morning of the day the article was published, found at one of offshore Singapore’s patch reef systems that is known collectively the Cyrene Reefs. The meadow, one of the larger surviving meadows in a part of the world where a certain emphasis has been placed on creating land where the sea is, is one that is teeming with life – the most noticeable of which are the huge red or pink knobby sea stars, which had also been prominent in the fields off Changi that featured in my youthful days.

A view across the sandbar at the Cyrene Reefs towards the new container terminal at Pasir Panjang.

A view across the sandbar at the Cyrene Reefs towards the new container terminal at Pasir Panjang.

An anemone.

An anemone.

And a false anemone.

And a cerianthid.

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More Knobby Sea Stars at Cyrene.

More Knobby Sea Stars at Cyrene.

Surveying the landscape from the rather expansive sandbar at Cyrene at 4 in the morning, does provide that sense of the reef and its seagrass meadows having been put under siege by the industrial empire, one that has left its unsightly scars on much of Singapore’s western coast. To the north, the bright lights of a Pasir Panjang relieved of its “pasir” (sand in Malay) reveal that S$3.5 billion container terminal that is only a temporary one - port operations we hear would eventually be consolidated at Tuas. To the south lies Pulau Bukom, the first of Singapore’s islands to be committed to industrial exploitation and to its west Jurong Island, the monster of an island created by joining a cluster of lands through land reclamation has created; both dominated by stacks smoking in the cover of night.

What's smoking on Pulau Bukom at 4 in the morning.

What’s smoking on Pulau Bukom at 4 in the morning.

A fire worm.

A fire worm.

A shrimp.

A shrimp.

A sea cucumber.

A sea cucumber.

The visit to Cyrene, was perhaps to be remembered not for the opportunity it did provide to reacquaint myself with the seagrass adventures of my youthful days, but for the possible misadventure it might have turned into, as the quickening pace of the winds from the west – the much feared Sumatras, promised not just to cover us in rain but also threaten us with a show of light. The attempt the winds prompted to scamper off as quickly as we could from what would have been a location that was completely exposed, was one that Murphy seemed to want to intervene in when the inflatable boat that was to get us out floundered in the wind and the waves; the increasing frequency at which the flashes lit up the sky as well as the fast rising tide adding to the drama.

Before the storm ... an anemone.

Before the storm … an anemone.

The escape as captured by Juria.

We did somehow find ourselves in the relatively safety of the bigger boat. The “escape” is described as Ria Tan of the Wild Shores of Singapore saw it in her post “Near Death at Cyrene!“:

Fortunately, by some miracle, the Sumatras made a U-turn around Cyrene! The winds and waves died down. Kok Sheng redirected the dinghy to a less rocky spot, with Chay Hoon using the paddle to hold it away from the shore as every clambered on board. Eventually, everyone made it safely back to the big boat. Phew. Thanks to Alex and crew for making sure we don’t drown! (Why is it we often have a near death experience on Cyrene? During our last trip there in Aug 2013, Russel found a living cone snail!) 

The NEA weather map showing the u-turn of the storm.

The incident brought to mind a close encounter with lightning that I had as a child, the setting for which was provided once again by the waters off Changi Beach. That did teach me about the respect one has to show for the untameable forces of nature as did this new encounter. The incident did also heighten the respect that I have for the folks I was in the company of and the risks they expose themselves to. It is through their tireless efforts, that attention is drawn to the many offshore habitats we have, as well as the many threats to the habitats as Singapore looks to create more land from the sea.

The view towards Jurong Island to the reefs' west.

The view towards Jurong Island to the reefs’ west.

The news over the weekend of the creation of Singapore’s first marine park at Sisters’ Islands is a positive outcome of some of these and other similar efforts and hopefully, it with the efforts of researchers such as Dr Siti and enthusiasts such as the group I was with, we will see a lot more emphasis on the conservation and revitalisation of the once rich offshore habitats that have survived in the waters of Singapore.


The visit to the Cyrene Reefs is part of a series of visits to some of the lesser known shores of Singapore, in search of words and sounds for an IRememberSG funded project, Points of Departure.






A sneak peek at NDP 2014

11 07 2014

I got an opportunity to have a sneak peek at what this year’s National Day Parade (NDP) had to offer at a rehearsal held on Saturday, taking a few photographs that accompany this post. The rehearsal was held a week before the series of rehearsals that Primary 5 students will attend as part of the National Education (NE) Show programme  starting on 12 July 2014, in the lead-up to the actual parade, all of which offers a glimpse of what the highly anticipated parade has to offer.

Always something to look forward to - the fireworks sign-off.

Always something to look forward to – the fireworks sign-off.

The audience seen as the lights come on ...

The audience seen as the lights come on …

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Beyond the always spectacular signature show of fireworks that now sign all NDPs off, the parade and ceremony, the flypast and the medley of National songs, this year’s NDP will see the introduction of a Military Tattoo, which for the first time, will open the Parade and Ceremony. The 7-minute band display, will involve some 164 personnel, including drummers from the Movement for the Intellectually Disabled of Singapore (MINDS) who will perform together with members of the Singapore Armed Forces (SAF) Band, the Singapore Police Force (SPF) Band, the Silent Precision Drill Squad (SPDS), the National Cadet Corp (NCC) Band, and the National Police Cadet Corp (NPCC) Band.

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The Parade and Ceremony itself, entitled “A Parade with a Heart”, has been aligned with this year’s NDP theme, “Our People, Our Home” and consists of five Heartbeats. The five moments will honour the organisations that have contributed in the defence, social and economic areas, pay tribute to our pioneers, get the audience singing in a sing-along of Singapore songs, celebrate the family and showcase the SAF and Home team’s capabilities in the Dynamic Defence Display.

The Leopard 2 MBT will feature in the Dynamic Display segment.

The Leopard 2-SG Main Battle Tank will feature in the Dynamic Display segment.

The Republic of Singapore Air Force (RSAF) Surface-to-Air PYTHON-5 and DERBY-Short Range (SPYDER-SR) ground-based air defence system - another asset the audience will see during the Dynamic Display.

The Republic of Singapore Air Force (RSAF) Surface-to-Air
PYTHON-5 and DERBY-Short Range (SPYDER-SR) ground-based air defence
system – another asset the audience will see during the Dynamic Display.

A navy RHIB during practice for the Dynamic DIsplay Segment.

A navy RHIB during practice for the Dynamic Display Segment.

Always something to look forward to at the NDP, are the so-called funpacks, which contain both giveaways as well as items for use during the parade itself. This year’s very brightly coloured funpacks were designed by a group of 15 students from the Institute of Technical Education (ITE) College Central’s School of Design and Media. Included in the funpacks are button badges – the result of the NDP 2014 Funpack Print Design Contest from which nine designs were chosen to be printed into button badges. Among the winning entries is one from 13 year-old Ong Zheng Jie Joshua, which centres on a tree that symbolizes the strong and prosperous Singapore built by our ancestors.

Funpack distribution.

Funpack distribution.

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The parade this year features some 35 marching contingents, with four Guard-Of-Honour (GOH) contingents, the Singapore Armed Forces (SAF) Colours Party, the Combined Band and 29 other contingents from the SAF, Home Team, uniformed groups as well as social and economic organisations. Numbering some 2,000 participants, the parade will be the largest Parade & Ceremony segment ever held at the Floating Platform.

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Get a sneak peek at the refurbished Victoria Theatre and Concert Hall

10 07 2014

Event Listing

Victoria Theatre and Concert Hall Open House Weekend

For one weekend only, the curtain is up for a sneak peek at the refurbished Victoria Theatre and Concert Hall! On 19 and 20 July, be among the first to discover what’s new at Singapore’s oldest performing arts centre through a series of guided and self- guided tours. Enjoy special performances by the Singapore Symphony Children’s Choir, T’ang Quartet and other arts groups.

An artist impression of the refurbished Victoria Theatre and Concert Hall (courtesy of W-Architects).

An artist impression of the refurbished Victoria Theatre and Concert Hall (courtesy of W-Architects).

What’s Your Victoria Story?

We are on the lookout for your favourite memories of Victoria Theatre and Concert Hall! Do you have stories of your first dates, backstage jitters, or were you part of the mass weddings held there in the 1950s? Share your old photographs and memories of these well-loved spaces at our irememberVictoria collection booth!

Snap your most creative shot of the refurbished venues and hashtag your photos to #irememberVictoria!

A recent peek at the building.

A recent peek at the building.

Event Details:

Date: 19 & 20 July 2014 (Saturday & Sunday)
Time: 10am – 7pm

Location:

Victoria Theatre, 9 Empress Place, Singapore 179555

Victoria Concert Hall, 11 Empress Place, Singapore 179558

Admission: Free

irememberVictoria is a collaboration between Victoria Theatre and Concert Hall with the Singapore Memory Project.

Visit www.vtvch.com for more information.








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