Ten 100 year old places in Singapore and the little stories they hide

9 07 2017

Surprising as it may seem, places that go back more than a hundred years are not uncommon in the midst of urban Singapore’s gleaming modernity. Not unexpectedly, many of these places hide a story or two, stories that relate to their history, and also ones that speak of Singapore’s linkages with the wider world. Here is a pick of ten such places with rather interesting tales to tell:


(1) The pagoda supported by eight “dimwits” 

Telok Ayer Street, a landing point for early immigrants in days when the sea washed up to it, is littered with the reminders of the forgotten days of adventure. The street is dotted with religious structures aplenty. Now reconstructions of the simple prayer houses put up by those whom came from distant lands so as to permit thanks to be offered to their gods for the safe passage, they offer insights into the origins of some of modern Singapore’s early settlers.

A cluster of Chinese structures from the mid 19th century, with two well ornamented pagodas, is found in the middle section of the street. The structures, which display the distinctive Minnan style of architecture, tell us of two waves of Hokkien settlers not just to Singapore but also to the region.

One of the pagodas is the Chung-Wen pagoda. Built initially for the worship of the god of literature, and used later as a school, it displays a little noticed but a rather interesting ornamental feature that was introduced to Minnan architecture during the Tang dynasty that takes the form of craved wooden figures of men with distinctively non-Chinese facial features dressed in colourful robes. The carved figures, appended in a corbel like fashion to the junctions of the beams and columns supporting the topmost tier of the pagoda, appear to be propping the structure up. The pieces, of which eight are found on the pagoda, are referred to in a rather disparaging manner as “dim-witted foreigners” in the vernacular. They have no structural function and are apparently a fairly commonly used decorative element in Minnan architecture. Rather than being an attempt to belittle, they are thought instead to have been a commemoration of the efforts of non-native workmen during the Tang period.

More on the Chung-Wen pagoda at : What’s propping a mid 1800s pagoda up on Telok Ayer Street


(2) A mosque with a leaning church steeple

Now fronted by a recently planted grove of gelam or Eucalyptus trees of a type from which Kampong Gelam (or Glam) got its name, is a mosque with an untypical minaret built into its boundary wall, the Hajjah Fatimah Mosque.

While the minaret’s claim to fame may be its tilt of 6 degrees –  for which it is known as the “Leaning Tower of Singapore”, what seems more noticeable is the minaret’s resemblance to a church’s steeple. Strange as it may sound, it may actually have been the steeple of the original St. Andrew’s Church (now the Cathedral) that served as an inspiration. The church  got its steeple in 1842, just a few years before the mosque was built.

Now stabilised, the tilt of the minaret has been attributed to the settlement of the less compact structure of the hand-made bricks employed in its construction. The mosque finds itself in an odd position as a shophouse-lined road, Java Road, once ran along its walls.

More photographs of the mosque and its unique minaret can be found at this link.


(3) A temple with furniture “made in Ngau Che Shui” 

Close-up of characters carved on the table. The Chinese characters ‘牛車水’ indicate that there were furniture craftsmen present in Singapore at a time when a lot of such commissioned work would have been carried out in China.

The Mun San Fook Tuck Chee temple has its roots in the Cantonese and Hakka coolie community who settled around the banks of the Kallang River in the mid-1800s. Many in the community found work in the brick kilns near the village of Sar Kong (or Sand Ridge) and helped established the temple in the 1860s. The term “Mun San” found in the temple’s name, is thought to be a corruption of the Malay word bangsal or shed or workshop and points to the area’s industrial origins.

The temple, which moved to its current premises in the early 1900s, is also a rare example of Cantonese style religious architecture in Singapore. What is perhaps more interestingly, is its furniture. A table used in the temple has the words “牛車水” carved into it, as a mark of its origin. “牛車水”, or ngau-che-shui as it would have been pronounced in Cantonese, translates literally to “Ox-Cart Water” and means “Bullock Water Cart”. This of course is a local reference to what we know today as Chinatown. The table is rather unusual in the sense that such items were then more commonly imported from China and what it does show is that wood craftsmen were then already present in Singapore’s Chinatown.

More on the temple at : On Borrowed Time: Mun San Fook Tuck Chee


(4) The graveyard of the would be successors of the Riau-Lingga Empire

Keramat Bukit Kasita on the slopes of Bukit Purmei, surrounded by block of HDB flats, is quite a curious sight. The old cemetery, with walls that give it an appearance of a fortified compound, has graves dressed both in the yellow of Malay royalty and green of holy men. Although it is quite unlikely, there are those who believe that the graveyard dates back to the 16th century. Even less likely is the claim that one of the graves purportedly belongs to “Sultan Iskandar Shah”.

What seems evident however, is that the oldest tomb goes back to 1721, which is well before Raffles and the British arrived. The cemetery is also known to be the burial place of Sultan Abdul Rahman Muazzam Shah II, who was the very last sultan of Riau-Lingga, the Dutch influenced remnant of the once great Johor-Riau-Lingga empire. Uncooperative, Abdul Rahman II was driven out by the Dutch in 1911 and died a pauper in Singapore in 1930. Several of his descendants are also buried in the cemetery.

More at : A vestige of 16th Century Singapura?

The Riau-Lingga sultanate was formed in the wake of the death of Sultan Mahmud Shah III – the last ruler of the once great Johor-Riau-Lingga Sultanate. Supported by the Dutch, the half-brother of the would be Sultan Hussein Shah of Singapore – Abdul Rahman (I) was installed as its sultan; a move that would be cemented by the Anglo-Dutch Treaty of 1824. The sultanate would see five sultans reign before it was dissolved by the Dutch in 1911.


(5) The house of the rising sun

Emily Hill, a villa that dates back to the end of the 19th century, has had quite an eventful past. It has seen its ownership passed from the hands of the Sultan of Siak, first to a dentist and then to the Department of Social Welfare and its occupants include Managing Directors of a trading firm, dentists, the Consul-General of Japan and former prostitutes. In more recent times, the National Arts Council has taken over and it has been used as an arts school as well as a venue for the arts.

With the clutter that has been added to the area in the last 30 to 40 years, it is hard now to imagine that the house actually occupied a prominent position overlooking Middle Road. The road was the heart of a sizeable Japanese community in the early part of the 20th century, and was known as Chuo Dori (or Central Street) to the Japanese. Because of its position, it was chosen by an increasingly militant Japan to serve as a focal point for the community here as the office of its Consul-General in 1939. As the Japanese Consulate, it flew the flag of the rising sun from a position that was almost as lofty as Government House, perched atop nearby Mount Caroline. This continued until 1941 when the Japanese were expelled from Singapore.

Another aspect of the house that few seem to know about, was the misfortune that befell several of its early occupants in the form of a spate of premature deaths in the 1890s. One unfortunate victim was on of the Katz Brothers’s MDs who took up residence there, the 45 year old Mr Heinrich Bock. His death, from a fall off a balcony on 31 May 1896, occurred in rather mysterious circumstances and was ruled by the coroner to be due to “suicide whilst temporarily insane”.

More on Emily Hill at : A Last Reminder of an Old-Fashioned Corner of Singapore

Middle Road when it would have been referred to as Chuo Dori in the 1930s. Osborne House, the Japanese Consulate from 1939 to 1941 can be seen atop Mount Emily, beyond at the northwest end of the street.


(6) The Portuguese Bishop’s Palace

Built in 1912, the 3-storey rectory of St. Joseph’s Church, wears the appearance described as Portuguese Baroque. Intended to provide a parish hall and well as accommodation for the church’s clergymen, the house also has a room on its second floor and a small chapel on the third, reserved for the Roman Catholic Bishop of Macau. The church’s origins was in the Portuguese Mission. Rather uniquely in Singapore, it was a parish first of the diocese of Goa and later of Macau – both of which were Portuguese colonies. As such, the Bishop of Macau, visited regularly as the head of the diocese and this made it a palace of sorts for the Macanese Primate until the church’s links with Macau ceased in 1999 with the former colony’s transfer to China (the anticipation of Macau’s transfer to China saw St. Joseph’s Church transferred to the Archdiocese of Singapore in 1981, although the Bishop of Macau continued to appoint its priests until 1999).

More on Parochial House, as the rectory building is now known, at: A look into the Portuguese Church’s beautiful Parochial House


(7) A final hiding place among the old gravestones 

The Aljunied al-Islamiah Cemetery, is one of two old Muslim cemeteries from the 19th century that straddle “Grave Road” or Jalan Kubor in Kampong Gelam. It’s links go back to the prominent Yemeni-Arab Aljunied family with its patriarch, Syed Omar Ali having been buried on the grounds, which he bought and donated to the community as a burial ground, in 1852. The cemetery is also associated with an incident in December 1972 during which two gunmen at the top of Singapore’s most wanted list, who were brothers, took their own lives after being cornered by the police. This came at a time when gun crime was not uncommon in Singapore and when several gunmen were on the loose. The two brothers involved in this case, Abdul and Mustapha Wahab, were especially daring and trigger-happy and the incident brought to a one-and-a-half month reign of terror to a close.

More on this incident can be found in a previous post: When gunmen roamed the streets of Singapore: a showdown at Jalan Kubor.


(8) A grave that holds the remains of 10,000 fallen soldiers

With graves that date back to 1889, the Japanese Cemetery in Chuan Hoe Avenue counts as one of the oldest un-exhumed non-Muslim burial sites in Singapore. Established by Japanese rubber plantation owners who were also brothel keepers to allow hundreds of karayuki-san (women who came over from impoverished parts of Japan to work in the vice trade in the late 1800s and into the early 1900s), the cemetery has not just the simple headstones marking where these unfortunate women are buried but also the graves of several interesting characters. A charnel containing part of the remains of Singapore’s first Japanese resident, Yamamoto Otokichi or John M. Ottoson, is one. Otokichi had quite an eventful life. He survived a 14 month long ordeal in a drifting wreck of a ship to become the first translator of the bible into Japanese and settled eventually in Singapore.

The cemetery is also linked somehow to Singapore’s darkest of days. Besides being where Field Marshal Count Hisaichi Terauchi, the Supreme Commander of Southern Command of the Japanese Imperial Army during the war, was first buried; the cemetery is also where a grave containing the ashes of 10,000 Japanese soldiers who fell during the war in the Pacific is found. The ashes were moved to the site after the Japanese ritually destroyed a war memorial erected at the top of Bukit Batok at which the ashes were originally placed, the Syonan Chureito, in the days leading up to their surrender.

More on the cemetery at : Voices from a forgotten past.


(9) A church building occupied by Sin

Now occupied by Objectifs, visual arts centre, the oldest building now on Middle Road has distinctively church-like features. Built in the 1870s, it originally housed a Christian Institute before turning into a church, the “Malay Church”, from 1885 to 1929. It has for the longest of time however not been used as a church, housing a restaurant during the war before being used from the 1950s to the 1980s as – of all things – a motor vehicle workshop by the name of Sin Sin!
More on the building: A church once occupied by Sin,


(10) A bridge that was a tomb for over 20 years

Anderson Bridge, completed in 1910 so that Cavenagh Bridge could be replaced, seems to have had quite a gruesome past. Known as the “Bridge of Death” in the 1950s for the spate of deaths from accidents involving motorcyclists, it was also one of several locations at which the heads of beheaded criminals were put on display in the early days of the Japanese Occupation to instill fear in the general population.

The bridge also became a tomb for over two decades from the mid-1960s to the late 1980s, without anyone knowing. The skeleton of a man, Mr Ong Choon Lim, was discovered  by a worker carrying out maintenance in February 1987.  Ong, who would have been in his 50s when he died, had last been seen alive by members of his family in 1960. The skeleton was found with two rings, a watch, $9 in currency notes issued prior to 1967, an identity card issued in 1948 and a certificate issued in July 1961. Ong was thought to have died sometime in between 1962 and 1967, which meant that his remains would have lain undiscovered for over 20 years.

The bridge is one of five bridges over the Singapore River that were given conservation status in 2009. More on its conservation: Singapore River Bridges


 





Beautiful in its abandonment: the red-brick power station at Pasir Panjang

20 06 2017

There is a certain charm about the utilitarian, red-brick faced ‘A’ power station at Pasir Panjang. Comparable in appearance to the much-loved and now lost National Library at Stamford Road, the former station stands in relative obscurity in a neglected corner of Singapore.

Pasir Panjang ‘A’ Power Station. Commissioned in 1953, it was Singapore’s second power station. Decommisisoned in the early 1980s, it lost its two iconic 235 foot high chimneys in the 1990s.

‘A’ station, completed in 1952-53, acquired the designation ‘A’ when a second or ‘B’ station was added just adjacent to it in 1965. Built at a time when such red-brick faced constructions seemed the fashion, it is evocative of an age at which the foundations for Singapore’s huge transformation were being laid. The elegance that ‘A’ station wears, one that seems to be missing in the form of its nearby and more modern counterpart, belies the fact that the station had been built in desperate circumstances. At the point of its opening, Singapore’s second station, constructed almost three decades after the first, was badly needed due to an acute shortage in electricity supply. St. James, Singapore’s first power station, which had been built with an initial capacity of 2 MW in 1926., was producing a maximum of 37 MW by 1948 (see also Electricity in Singapore). However, by 1950, maximum demand stood at 43.5 MW, and with the supply clearly insufficient, load shedding was introduced. This affected one-third of the electrical consumers in the municipality turned city each night.

The red brick power station and its two 235 feet high chimneys in the early days of the station (online at https://roots.sg/).

‘A’ power station was opened by Governor Sir John Nicoll on 3 July 1953 to great promise. Two of the intended six 25 MW turbo-alternators had been commissioned by then. More were to be added and by 1958, it had reached it intended output of 150 MW – a number that was thought at the planning stage to be sufficient to meet power supply requirements for 20 years. In that time, 260 substations were also built, some 230 kilometres of 22kV distribution cables laid (there also was an upgrade from a 6.6 kV transmission system to a 22 kV one) and 34,700 consumers added. Bulk supply could also provided to Johor Bahru. Power supplied by the station also helped launch Singapore’s big industrial push in the 1960s. With demand already reaching 105.7 MW in at the point of the commissioning of the sixth alternator, an additional 25 kW was added to Pasir Panjang ‘A’ station’s capacity in 1962. With demand increasing,  the construction of a new station, the ‘B’ station, commenced soon after  in 1963.

The former Pasir Panjang ‘B’ Power Station, which was opened in October 1965.

‘B’ station opened with an initial capacity of 120 MW in October 1965, half of its planned capacity of 240 MW. Even this would not be enough to fuel the rapid growth in demand and a new 240 MW power station in Jurong Industrial Estate had to be planned for as the ‘B’ station was taking shape. The commissioning of ‘B’ Station also allowed electrical power supplied to the island of Pulau Bukom from November 1965. Power on the island, where Shell commissioned Singapore’s first refinery in the early 1960s, had to be drawn from the island’s own generating plant prior to this. The opening of the ‘B’ station also saw the transmission system upgraded to 66kV with the existing 22 kV system relegated to a sub-transmission system (the current high voltage transmission network, introduced in 1976, distributes electricity at 230 kV).

Inside the Turbine Hall of the ‘A’ power station (online at National Archives of Singapore Online).

The death knell for the stations was sounded in the late 1970s with more advanced, higher capacity, and cleaner (one common complaint was of soot falling from the sky in the area) power stations such as Senoko and Pulau Seraya being built. ‘A’ station was decommissioned in mid-1980 and ‘B’ in the late 1990s. The stations’ buildings were re-purposed following their decommissioning and are still standing today sans their iconic chimneys. While ‘A’ station is now left vacant, ‘B’ station’s main building is currently in use as the Pasir Panjang District Office of SP PowerGrid Ltd. It is not known what the future holds for the two sets of buildings as the only thing that the URA Master Plan tells us, is that the stations sit on a “reserve site”.

Related:


Note: My visit to the former Pasir Panjang Power Station was made with the kind permission of the Singapore Land Authority.


The abandoned Pasir Panjang ‘A’ Power Station

The cleared out Turbine Hall.

Tall steel columns of the Turbine Hall – part of the metal skeleton of the building.

Reflections on the Turbine Hall.

The building has a generous amount of windows to allow natural light in.

Space under the platform of the Turbine Hall.

Reflections of the skylight in the Turbine Hall.

A steel beam, marked with its origin.

Electricity was distributed at 6. 6 kV before Pasir Panjang was built, when high-voltage transmission was done at 22 kV. The Pasir Panjang generators produced electricity at distribution voltage, and this be fed directly into the transmission network.

Transmission was switched to a higher voltage of 66 kV when the ‘B’ station was completed in 1965 and the 22 kV transmission network was used as a sub-distribution system.

Colour coded fire hydrant.

Stairway to the platform level.

The Boiler Hall.

Steel columns on the platform level.

Another view of the platform level.

Bracing on the steel framework.

Storage tanks for the power station’s oil fired boilers.

A weighbridge.

A last look at the Turbine Hall.


Some ‘B’ station facilities

‘B’ station’s pump house – the cooling plant, originally supplied by Mather and Platt Ltd, could supply 50,000 gallons of water a minute.

Inside the pump house.

Inside the pump house.

The added capacity of the ‘B’ power station permitted the supply of power to Pulau Bukom in Nov 1965. The commissioning to the ‘B’ power station also saw a shift to a 66 kV high voltage distribution network with the 22 kV network relegated to a sub-transmission system.

A room inside the chlorine handling facility.

Inside the chlorine handling facility.


Electricity in Singapore

The use of electricity for the purposes of lighting in Singapore goes back to 1897 when the Tanjong Pagar Dock company introduced electric lighting to its machine shops. It would be some years before the Municipality would adopt electric street lighting, which was introduced to Raffles Place, North Bridge Road and Boat Quay in 1906. This move coincided with the installation of a generator by the Singapore Tramways Company (later Singapore Traction Company) at MacKenzie Road for the purposes of powering its electric trams. Excess electricity distributed via a 460 V D.C. three-wire network, was sold in bulk to the Municipality, who in turn also sold electricity to some 42 consumers. This grew to 110 consumers in the first year and expanded rapidly thereafter.

The generating station at Singapore Tramways Company’s MacKenzie Road depot.

This arrangement went on for some 20 years, with supply also provided by the Singapore Harbour Board from 1924, until the coal fired St. James Power Station was built in 1926. The construction of the station were on the recommendations of a commission appointed by the Municipal Commission. The site at the promontory at St. James was selected due to its location by the coast as well as its proximity to the railway line, which ran to Pasir Panjang. This allowed the coal required to fire the station’s boilers to be delivered either by sea or by rail.





The knight whose works enriched a “cultural desert”

16 06 2017

I have long been fascinated by Cavaliere Rodolfo Nolli, the Italian sculptor who spent a better part of his life in Southeast Asia. Over a period spanning 35 years, his mastery in pre-cast decorative mouldings and finishes provided many of Singapore’s buildings with a finishing touch. All in all he would spend 42 years away from his native Italy, leaving his mark not just in Singapore, but also in Siam, Malaya and Brunei.

Collyer Quay at the end of the 1920s, a world that Cavaliere Rodolfo Nolli had a hand in decorating.

Of the numerous structures Cavaliere Nolli lent a hand to in Singapore, it is on the old Supreme Court that we see his impressive works. Built in 1939, the old Supreme Court features the largest concentration of Cavaliere Nolli’s efforts now found in the city-state. His decorative and finishing touches cover the grand old dame’s exterior with the exception of the friezes on the porch and a now missing coat of arms. It is however the massive sculptural pieces that adorn its pediment that is most eye-catching. Weighing a total of 13 tons, and measuring 2.7 metres high at the apex and 11 metres wide, the sculptural depiction of the Allegory of Justice in very classical form is the grandest of works that Cavaliere Nolli has here to his name. It is not just the sheer scale of the work that will impress, but also the display of artistic mastery found in the sculptures.

Much of the exterior decorative work on the old Supreme Court (now the Supreme Court Wing of the National Gallery) can be attributed to Cavaliere Rodolfo Nolli.

Cavaliere Nolli considered his efforts on the old Supreme Court to be his “proudest achievement”. They would have provided him with at least some measure of having achieved an ambition he had hoped to achieve by coming across to Asia in 1913 – to make a name as a famous sculptor. Once here, he found Singapore especially to be a “cultural desert” and most of what he did would be in a capacity as a stonework contractor.

A map showing the reach of Cavaliere Rodolfo Nolli’s work in Southeast Asia (Exhibtion panel from “The Italian Connection”).

As a stonework contractor, Cavaliere Nolli worked tirelessly. He excelled in plasterwork – a skill he picked up working on the finishing on the Ananta Samakhom Throne Hall in Bangkok – and also in casting artificial stone. There was particularly in high demand for the latter driven by the use of new building techniques such as the use of reinforced concrete. He produced artificial stone finishing tiles to clad these new edifices. These granolithic tiles, made from cement with aggregate mixed in, gave the new buildings the appearance of having been built out of solid granite without the expense involved. The lightweight tiles were made very economically through the use of moulds. This allowed both repeatability and consistency necessary for mass production.

The Billiard Room of the Singapore Club – showing the exquisite plasterwork of Cavaliere Rodolfo Nolli on its barrel vaulted ceiling. The room is now the Straits Room in the Fullerton Hotel (The Fullerton Heritage).

The technique could also extended to produce stone-like ornamental pieces and other decorative elements such as crests and coats of arms. It was for such work, commissioned for the completion of the (second) Ocean Building, that drew Cavaliere Nolli from Bangkok in 1921. Cavaliere Nolli was also employed to provide similar finishes for the Union Building and the Hongkong and Shanghai Bank Chambers, two more additions made to Collyer Quay in the 1920s.

A close-up of the smooth granolithic finish on the exterior of the old Supreme Court.

Nolli was heavily involved in the decorations of many more of the decade’s new buildings such as the David Elias Building, Connell House and the Netherlands Trading Society Building. Castings of crests, coats of arms and semi-sculptural work were also popular and that same decade, the Edward VII College of Medcine, Elgin Bridge, Crawford Bridge, and the Fullerton Building were beneficiaries of this work. Much, much more was to follow. Granolithic finishes produced by Nolli found their way to numerous new erections, one of which was the old Supreme Court.

One of the works of Cavaliere Rodolfo Nolli on the (Edward VII) College of Medicine Building – an eagle with spread wings (a symbol of protection).

Cavaliere Rodolfo Nolli’s skills in casting, also extended to the production of artificial stone columns and their capitals. The Ionic capitals he produced for the Hongkong and Shanghai Bank Chambers was one of the first he worked on. Also out of Cavaliere Nolli’s Scotts Road workshop were the huge columns and intricate Corinthian capitals that we see on the old Supreme Court.

Cavaliere Rodolfo Nolli at the top of the old Supreme Court with a close up of the columns and the intricate Corinthian capitals that were cast by him (Lina Brunner Collection, National Archives of Singapore).

Cavaliere Nolli was bestowed with the Order of the Crown of Italy – a form of knighthood that carried with it the title Cavaliere – in 1925. While his life here may have appeared to have gone on rather smoothly, it was not without incident or setback. A motoring accident, early one Sunday morning in October 1934 at Meyer Road, left him seriously injured. Both of the sculptor’s arms were fractured and he required surgery on the right arm. A citizen of one of the Axis states, Cavaliere Nolli was also interned in Australia during the Second World War from 1941 to 1945. On his return to Singapore in 1946, he found his Scotts Road studio and workshop in a rather poor state. All that he had left in it was also missing, including a collection of over 300 art books and his set of tools.

One of the first postwar works Cavaliere Nolli produced was this precast crest for Hongkong and Shanghai Bank on MacDonald House in Orchard Road.

Cavaliere Nolli overcame that setback and received several commissions before his retirement in 1956. Among his last works in Singapore were a pair of sculptured stone lions for the Bank of China and a coloured sculptured plaque for Van Kleef Aquarium. The last large scale project he worked on before his retirement was the decorative stonework for the magnificent Sultan Omar Ali Saifuddin Mosque in Bandar Seri Bagawan, Brunei. He returned to his native Italy following his retirement and passed away in December 1963 at the age of 75. He left a daughter, the then Hong Kong based Mrs Lina Brunner, behind.

One of Cavaliere Nolli’s last works in Singapore was a pair of lions for the Bank of China. Left: Cavaliere Nolli with one of the lions in his studio (Lina Brunner Collection, National Archives of Singapore). Right: The pair of lions seen today.

To discover more on Cavaliere Nolli’s life and work and his reach outside of Singapore, do visit The Italian Connection, which I had a hand in curating for The Fullerton Hotel. Held at the East Garden Foyer of The Fullerton Hotel, the exhibition has been put up as part of the Fullerton Building’s 89th Anniversary this June. Besides providing a glance at Cavaliere Nolli’s life, the exhibition also looks at the Italian community and  its connections with modern Singapore that go back to the early 19th century. There is also that connection that the Fullerton Building has, through Cavaliere Nolli at its very beginnings and today through the illustrious General Manager of The Fullerton Heritage, Cavaliere Giovanni Viterale.

One of Cavaliere Nolli’s more obscure works – reliefs of angels made for the chapel of St. Anthony’s Convent in 1952.


More on the exhibition and the works Cavaliere Rodolfo Nolli can also be found at:


The old Supreme Court’s Allegory of Justice

Cavaliere Nolli’s Allegory of Justice in the tympanum of the old Supreme Court.

The old Supreme Court’s sculptures, which took Cavaliere Nolli more than a year to complete, are as interesting as they are impressive. Its centrepiece is Lady Justice, which alone weighs 4 tons. Quite noticeably missing is the blindfold, an attribute thought to be central to the depictions of Justice representing impartiality.

There has been many suggestions as to why this may be so, but Justice’s depiction in this manner is actually quite consistent with many classical representations through history, which Cavaliere Nolli would have drawn inspiration from. A beautifully executed example of this is Luca Giordano’s 1680s Allegory of Justice. The blindfold, the use of which was apparently popularised in the 16th century, is also missing from several well-known depictions of Lady Justice, such as in the Old Bailey.

Two other attributes of Lady Justice, a pair of scales and a sword turned downwards, are in plain sight. The scales, weighing evidence, are positioned well above the sword delivering punishment; the symbolism of this being that evidence and court takes precedence above punishment in the administration of justice.

As with many classical representations, deceit, discord and strife is counterbalanced by the order and security that the administration of the law achieves. Deceit, represented by the the two-headed snake, is seen biting a man far to Justice’s right. Legislators and the bent figure of a supplicant, begging for mercy, are also depicted and represent the administration of justice. The fruits of order and security – abundance and prosperity – can be seen in the bull and a farmer leading a rich harvest of wheat on Justice’s left.


The old Supreme Court friezes and works incorrectly attributed to Nolli

The old Supreme Court friezes, which some have attributed to Cavaliere Nolli, are the work of Alec Wagstaff. They were based on designs made by George Thomas Squires as part of a competition. The son of the illustrious Hong Kong based British sculptor W W Wagstaff, Alec was killed in action during the Second World War. Squires, who lived at the Crescent Flats in Meyer Road, as it turns out was the father of Isabel Mary Ferrie – the wife of James Westwater Ferrie. Ferrie was a well-known figure in the field of architecture as well as being an artist known for his watercolours of local seascapes. Many were painted at his house by the sea in Sembawang, His architectural firm, James Ferrie & Partners, is now run by a son Alasdair. 

A number of other prominent sculptural works have also been incorrectly attributed to Cavaliere Nolli. These include the triumphal figures on the façade of Tanjong Pagar Railway Station, as well as the two lions of the Merdeka Bridge monument now hidden away in SAFTI Military Institute. Both sets of works were in fact contracted to Signor Raoul Bigazzi, a Florence based sculptor and businessman. Signor Bigazzi ran a successful marble supply and sculptural business and took on quite a fair bit of work in Asia. The railway station’s sculptures were crafted by his firm’s artistic director Professor Angelo Vannetti. The Merdeka Bridge lions were sculptured in the Philippines based on a design made by Mr L W Carpenter of the Public Works Department.

The friezes seen on the porch of the old Supreme Court are the works of Alec Wagstaff, the son of Hong Kong based sculptor W W Wagstaff.






The Italian captain who bought Pulau Bukom …

10 06 2017

Except perhaps for sculptor Cavaliere Rodolfo Nolli, whose magnificent work adorns the old Supreme Court, little is known of Singapore’s many connections with the Italian community – except perhaps of the community’s many culinary offerings we are now able to find. It may therefore come as a surprise that the connections do go well back –  even before Italy as an entity existed and that Singapore’s Pulau Bukom was once owned by an Italian man.

Explore Singapore’s surprising Italian connections at The Italian Connection at the Fullerton Hotel.

Pulau Bukom is perhaps better known to us as the island on which Singapore’s successful journey into the oil refining trade, had its beginnings. Shell, who built and operate the refinery, has long been associated with the island. 20 acres of it was bought by the company in 1891 for the purpose of kerosene storage. The transaction netted the island’s owner,  Capitano Giovanni Gaggino a tidy profit. Gaggino, an Italian master mariner, shipowner and adventurer, purchased the island for $500 in 1884 with the intention to supply freshwater to shipping. His purchase of “Freshwater Island” as it was informally known as, was one of many of Gaggino’s ventures here. He would spend 42 of his 72 years in Singapore from 1876 and passed on in 1918, whilst on a trip to Batavia. Capitano Gaggino was also known to have authored several books, one of which was the very first Malay-Italian dictionary.

Capitano Giovanni Gaggino, who once owned Pulau Bukom (source: Reproduction of “La Vallata del Yang-Tse-Kiang” by the Italian Ministry of Foreign Affairs. Open source).

Even before Gaggino, Italians – many of whom were involved in shipping and trade, made landfall. One rather famous Italian, the renowned botanist and contemporary of Charles Darwin, Odoardo Beccari, used Singapore as a stepping stone to his well documented explorations of the region’s forests. Credited with the discovery of the giant corpse flower, Beccari also documented a month he spent in March 1866 at the “wooden bungalow” of the Italian Consul, Signor Giovanni Leveson (a.k.a. Edward John Leveson) on the Johor Strait. The bungalow is thought to be where Woodlands in Singapore’s north got its name from.

Odoardo Beccari (source: Sailko, Creative Commons License 3.0).

Like Capitano Gaggino, Cavaliere Rodolfo Nolli spent a substantial part of his life in Singapore. He arrived from Bangkok in 1921 and remained – except for a period of internment during the Second World War (as a citizen of Italy, one of the Axis states, he was interned in Australia from 1941 to 1945), until his retirement in 1956 . He worked tirelessly and amassed a huge portfolio of work that began with the second Ocean Building on which he provided the decorative artificial stone facings.

Composite image of Rodolfo Nolli and the main (south) entrance of the GPO. Two sets of works – the coat of arms and a pair of flambeau compositions, went missing during the Japanese Occupation (source of images: National Archives of Singapore).

The majestic Ocean Building did not only launch Nolli’s career in Singapore, it also spelled a new era for the bund along Collyer Quay. Before the end of a decade, three even grander edifices would be added: the Union Building, a second generation Hongkong and Shanghai Bank Chambers, and the grandest of them all, the Fullerton Building. The additions, all of which Nolli had work done on, provided the bund with an appearance that could be compared to Shanghai’s more famous embankment.

Ocean Building in the 1920s (Source: W. A. Laxton, The Straits Steamship Fleets)..

Built to house the General Post Office, several municipal offices as well as the exclusive Singapore Club, the Fullerton was decorated with some of Nolli’s more exquisite pieces of the era. Two precast sculptural works: a pair of flambeau compositions and a royal coat of arms – symbols of enlightenment and empire – adorned the main entrance to the GPO. Sadly, these disappeared during the Japanese Occupation and all that can now be seen of Nolli’s contributions in the building is the magnificent plasterwork of the barrel vaulted ceiling of the Singapore Club’s Billiard Hall. The hall is now the Straits Room of The Fullerton Hotel. The hotel has occupied the Fullerton Building since 2001.

The Straits Room is now where the only works of Rodolfo Nolli’s in the Fullerton Building to have survived can be found.

The historic waterfront, 1932, to which Nolli added decorative finishing touches, and the waterfront today (source: top image, Singapore Philatelic Museum; lower image, Jerome Lim).

Cavaliere Rodolfo Nolli, whose works are also found in Bangkok – where he spent 7 years of his life, in parts of Malaysia and also in Brunei, was bestowed with a knighthood by the Italian Crown in 1925. This is an honour that another Italian gentleman connected with the Fullerton Building, Cavaliere Giovanni Viterale, has also received. Cavaliere Viterale, the GM of Fullerton Heritage, is a well respected member of the hospitality industry and it was for his contributions to it that he received the honour. The building, which was opened in June 1928, celebrates its 89th anniversary this month.

Nuns of the Canossian order speaking to Cavaliere Giovanni Viterale at the exhibition opening. The order, which has origins in Italy, first arrived in Singapore in 1894 (source: The Fullerton Heritage).

More on the Italian Community, including on an Italian order of missionaries whose work in tending to those in need continues to this very day, the Canossian Daughters of Charity, can be discovered at an exhibition that I curated with Zinke Aw, “The Italian Connection”. The exhibition, The Fullerton Hotel’s East Garden Foyer, runs until 18 July 2017. Information on the exhibition can also be found at The Fullerton Heritage’s website and through the official press release.

 

 

 





New Novena Church to be dedicated on 1 Aug 2017

18 04 2017

In a tweet yesterday, the Church of St. Alphonsus – popularly known as Novena Church – announced that it will be holding a dedication mass for the new church being built on 1 August 2017 – the feast day of St. Alphonsus Liguori, the founder of the Redemptorist order that runs the church. The church has been closed since October 2014 to allow the new building to be erected on a site next to the old church previously occupied by St. Clement’s Pastoral Centre, the bell tower and the Redemptorist Residence. The familiar and well-loved old church, which was gazetted for conservation in 2011, now stands dwarfed by the much larger new church that is being built at a cost of $55 million. The new church will be air-conditioned and have a capacity of 1,500 – twice that of the old church. Parking will now be in the basement, which will have a capacity of 120 cars. More information on the new church building can be found at http://www.novenachurch.com/redevelopment.html.

The new church coming up next to the conserved old church building.

Previous posts on Novena Church:


Yesterday’s tweet announcing the 1 August dedication of the new church and new mass and Novena devotion times:


How the church will look when completed (Novena Church Facebook Page):


How the inside of the new church will look like (Novena Church Facebook Page):






Singapore’s oldest Catholic church now looks like its newest

28 11 2016

The beautifully restored Cathedral of the Good Shepherd, Singapore’s oldest Catholic church and a National Monument, re-opened on 20 November 2016 when it held its first mass in over three years. Sitting on a foundation of nothing more than compacted earth, its structure had been quite badly affected by ground disturbance caused by construction work in, around, and under it, which required it to be closed for repair work could be carried out.

As it turned out, the repair effort was quite timely. Columns supporting the pediment at the cathedral’s Victoria Street end gave way as the building was in the late stages of repair on 3 September 2015. Fortunately, the incident – which also saw the pediment come crashing down – happened at night and no one was hurt. The incident also led to the discovery that the supports, on which the weight of the steeple and bell tower also rests, were inadequate and required strengthening and a decision was taken to replace the original brick columns with stronger but lighter steel columns due to weight (which would increase structural load on the base) and time considerations. Another consequence of the collapse would have was in the discovery of the original time-capsule. This was placed beneath the cornerstone when that was laid on 18 June 1843. It was only found due to the work that was needed on the new structure. The time-capsule contained coins, newspapers and a service booklet from the time and its contents are now on display in the Cathedral Heritage Centre.

The entire project, which also involved restoration of the Cathedral and its rectory, as well as the construction of a new three-storey annex block – where the heritage centre is being housed – came at a cost of S$40 million. One of the key areas of repair required was in the underpinning of the cathedral building due to the lack of a suitable foundation. The intervention also allowed service ducts to be run under the building to carry both electrical cables and ducting for air-conditioning – a much welcome addition. The gallery pipe-organ  – Singapore’s oldest pipe-organ – was also restored. This required it to be shipped to the Philippines, which has a rich organ building. The restored pipe-organ also made its debut during the reopening mass when it so wonderfully accompanied the cathedral choir.

The Cathedral Choir making its entry before the opening mass on 20 Nov 2016.

The Cathedral Choir making its entry before the opening mass on 20 Nov 2016.

Standing room only. The opening drew a large crowd and pews were already filled as early as an hour and a half before mass.

Standing room only. The opening drew a large crowd and pews were already filled as early as an hour and a half before mass.

The sanctuary after the reopening.

The sanctuary after the reopening, with a new altar.

In 2013 with a large crack clearly visible on the wall behind it.

In 2013 with a large crack clearly visible on the wall behind it.

The gallery pipe-organ in 2016.

The gallery pipe-organ in 2016.

The gallery pipe-organ in 2013.

The gallery pipe-organ in 2013.

View down the nave, 2016.

View down the nave, 2016.

View down the nave, 2013.

View down the nave, 2013.

The repaired and restored Victoria Street end and the steeple.

The repaired and restored Victoria Street end and the steeple.

The view during the restoration, when steel columns were introduced (to be clad with masonry) for reasons of weight and time when the original structure gave way.

The view during the restoration, when steel columns were introduced (to be clad with masonry) for reasons of weight and time when the original structure gave way.

With its columns braced in 2010.

With its columns braced in 2010.

A close-up.

A close-up.

Archbishop William Goh after unveiling a new Pietà before the opening mass.

Archbishop William Goh after unveiling a new Pietà before the opening mass.

The old Pietà, seen in 2013.

The old Pietà, seen in 2013.

Another view of the new Pietà.

Another view of the new Pietà.

The old Pietà and the staircase to the choir gallery in 2013.

The old Pietà and the staircase to the choir gallery in 2013.

The choir organ in 2013, which has been removed.

The choir organ in 2013, which was in the north transept and has since been removed.

Where the choir organ was located.

Where the choir organ was located.

The cathedral in 2016.

The cathedral in 2016.

The Cathedral in 2013.

The Cathedral in 2013.

The Good Shepherd, 2016.

The Good Shepherd, 2016.

The Good Shepherd, 2013.

The Good Shepherd, 2013.

The annex building and the rectory as seen from Queen Street.

The annex building and the rectory as seen from Queen Street.

The view of the rectory from Queen Street in 2013.

The view of the rectory from Queen Street in 2013.

Balustrades, an original feature, were restored to the second level of the rectory turret.

Balustrades, an original feature, were restored to the second level of the rectory turret.

The turret before restoration.

The turret before restoration.

The old annex building, which was demolished.

The old annex building, which was demolished.

The old annex building, which was demolished.

The old annex building, which was demolished.

The garage, which was also demolished.

The garage, which was also demolished.

The old annex building, which was demolished.

The old annex building, which was demolished.

The restoration was originally scheduled for two years,

The restoration was originally scheduled for two years,

Before the restoration.

Before the restoration.

During the restoration.

During the restoration.

Exposed brickwork of the columns seen during the restoration.

Exposed brickwork of the columns seen during the restoration.


More views of the beautifully restored cathedral

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A forgotten corner of Thomson Road

6 10 2016

Tucked away in an obscure corner of Thomson Road and Thomson Lane is the Lee Ah Mooi Old Age Home, sitting on a site whose significance has long been forgotten. Operating in a cluster of single-storey blocks of a style reminiscent of schools of the 1950s, the layout of the home points to it having once been one of many built in the 1950s as part of an ambitious school building effort that we have all but forgotten about. The former school’s name, Lee Kuo Chuan, also links to the late philanthropist and rubber magnate Mr.Lee Kong Chian, being the name of his father.

The former school and its soon to be lost yard.

The former school and its soon to be lost yard.

The school construction programme was part of a ten-year education plan, known also as the “Frisby Plan”. The plan was supplemented by a five-year plan to accelerate the effort to meet the pressing need to provide places in schools for the growing population of children. It was put in place by the the colonial administration’s Director of Education, Mr. A. W. Frisby with the aim of providing free universal primary education to all in Singapore by 1960. The implementation of this also saw the Teachers’ Training College, the predecessor to the National Institute of Education, being established in 1950. The plan although having been referred to as the Frisby Plan, actually had its origins in a 1948 paper put up by Mr. Frisby’s predecessor, Mr. J. Neilsen.

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All three acres of the land, on which the school was built – part of a former quarry, was donated by Mr. Lee Kong Chian as its name does suggest. Mr. Lee, who first came across from China with his father, a tailor, in the early 1900s, made generous generous donations to education and to the poor – an effort that is being continued by the Lee Foundation, which he founded. Among the projects Mr. Lee funded was the construction of the original National Library at Stamford Road for which he laid the foundation stone in August 1957. Mr. Lee donated a sum of $375,000 to that effort on the condition that the library charged no membership fees.

Lee Kuo Chuan School in the 1960s (posted by Chong Meng on the Lee Kuo Chuan Primary School Facebook Group).

Lee Kuo Chuan School in the 1950s (posted by Chong Meng on the Lee Kuo Chuan Primary School Facebook Group).

Interestingly the school seems to have lent its name to Kuo Chuan Constituency, one of three new parliamentary constituency carved out of Toa Payoh Constituency for the 1972 General Election. The constituency, whose first elected MP was Mr. P. Selvadurai, and last Mr. Wong Kan Seng, was absorbed into Toa Payoh Group Representation Constituency in 1988.

A classroom in the 1950s (posted by Chong Meng on the Lee Kuo Chuan Primary School Facebook Group).

A classroom in the 1950s (posted by Chong Meng on the Lee Kuo Chuan Primary School Facebook Group).

The school became Lee Kuo Chuan Primary School when it merged with Thomson Primary School in 1985 and moved it new premises at Ah Hood Road. As Lee Kuo Chuan Primary, it operated until the end of 1997 when it was shut down.

A view over the area in the early 1970s when Toa Payoh New Town was taking shape. The school can be seen in the lower left of the photo with Times Building then occupying the other part of the former quarry site.

A view over the area in the early 1970s when Toa Payoh New Town was taking shape. The school can be seen in the lower left of the photo with Times Building then occupying the other part of the former quarry site.

The home, started by a former nurse Madam Lee Ah Mooi in 1963 at her home in Chong Pang Village, does itself have a little story. It was set up to provide care for former Samsui women and Amahs, many of whom were sworn to singlehood, in their old age. It occupied several sites before moving into its current premises in 1986. It has also been in the news as a possible victim of the North-South Expressway project. Based on updates provided on its Facebook Page, it does seem that the home will be able to remain in place until 2020, although its kitchen and laundry spaces and its front yard would be affected.

More on the school, the old age home and the impact of the North-South Expressway project on it can be found at the following links:








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