The Stallwood houses

24 03 2020

In Singapore, Herbert Athill Stallwood is probably better known for his effort in documenting the Old Christian Cemetery on Fort Canning Hill. What perhaps is not as well known is the legacy that he has left Singapore in his capacity as the Government Architect. It the set of plans that he drew up during this time that a large proportion of Singapore’s so-called “Black and White Houses” were built to.

The first of the Stallwood designed houses are seen at Malcolm Park, built in 1925.

Stallwood, who arrived in Singapore in October 1906 and was appointed as a draughtsman in the Public Works Department (PWD) in November 1906, would take on the position of Architectural Assistant following his qualification as an architect in 1912. In 1920, Stallwood was appointed as Government Architect. Among Stallwood’s assistants was Frank Dorrington Ward, whose is perhaps the better known PWD architect whose later works included the old Supreme Court and Kallang Airport. It was during Stallwood’s time as Government Architect that the plans for what would become the PWD’s Government Class III Quarters were derived from.

These houses, which tended to be built into sloping terrain, featured concrete piers supporting timber upper structures in which the living spaces were arranged. They were provided with spacious verandahs, high ceilings and lots of ventilation openings to maximise airflow and light.  The residences are seen replicated in some form across many estates built to house senior government, military and municipal officers from the second half of the 1920s onwards.


More photographs

 

 

 

 

 

 

 

 

 

 

 

 





The Government Housing gems at Seton Close

22 03 2020

Found around the fringes of the Municipality of Singapore are several government housing gems such as several that were built using blueprints developed by the Public Works Department (PWD) in the 1910s. These, which include four Class III houses at Seton Close that were beautifully renovated for modern living in 2018, can be thought of as being among the PWD’s first purpose built designs.

A Seton Close residence.

The four at Seton Close, belonged to a larger set of six put up to house senior government officers in 1922. These are again, quite different from what could be thought of as an actual black and white house and feature a fair amount of masonry and have a main framework of concrete (as opposed to timber) columns and beams. Some of the upper level framework on the balcony projections and verandah (and of course roof supports) were however of timber. Much of these wooden structures would have been coated in black tar-based coatings, and would have (as they do to some extent now) featured a fair bit of black “trim”.

The since enclosed upper verandah.

Designed with a porte-cochère, with a (since enclosed) verandah space above that would have served as a lounge in the evenings, the houses had their reception and dining spaces below. The well-ventilated bedrooms on the second level also opened to balconies, which have also since been enclosed.

A bedroom.


More photographs


 





The houses that the SIT’s architects built – for themselves!

21 03 2020

Built for Singapore’s colonial administrators by the municipal commission, government and military, several hundred residences set in lush surroundings, stand today. Widely referred to as “black and white” houses, the bulk of these residences actually exhibit a range of styles that are not quite as black and white as the commonly used description would suggest and include some with more modern styles such as a set of residences built at Kay Siang Road for senior officers of the Singapore Improvement Trust (SIT). Designed by the SIT’s own team of architects and built from the 1940s to the 1950s, the houses – like the majority of the colonial homes that were built are not technically of the black and white style.

 

One of the “air-conditioned” SIT designed houses. These were built for the SIT’s most senior officers.

One thing that marks these modern residences in Kay Siang Road are their low ceilings –  a departure from the high ceilings of the typical colonial home. This feature was for the simple reason that the houses had been designed for air-conditioning, which was much more of a luxury back then than it is today. For the same reason, the houses lack. the verandahs, generous ventilation openings, and the airiness that came with them.

A close-up of the house.

The SIT, which was set up in 1927, took on the role of building public housing and urban planning until it was replaced by the Housing and Development Board in 1960. Among the estates that it housed its European staff at was at Adam Park and Kay Siang Road, the latter being where the SIT’s senior staff were put up. The colonial estate at Kay Siang Road was developed in the 1920s and was located north of Wee Kay Siang’s estate after which the road is named. The early homes at the estate were of the Public Works Department style and it was only later that the SIT’s architects added a flavour of their own to the area.


Inside the house






The Eastern Extension Telegraph Company’s Estate on Mount Faber

18 03 2020

Some of you would probably have read the news about the possibility of a heritage trail in the Pender Road area in the Straits Times over the weekend. The trail involves the estate containing five wonderfully designed houses that were erected by the Eastern Extension Telegraph Company’s relatively junior engineering staff in the early 1900s. The company, which was part of a group established by Sir John Pender that had a monopoly on the British Empire’s submarine cable network and hence a virtual monopoly on worldwide communications. It morphed into Cable and Wireless in 1929 through a merger with Marconi, which had a stranglehold on radio communications.

Designed by Swan and Maclaren and built between 1908 and 1919, the houses are among a wealth of several hundred residences that were built during colonial-era, which are often referred to in Singapore as “Black and White houses”. While the term is correctly applied to these houses, which are timber framed, which coated in black tar based paints do exhibit a distinct resemblance to the English Tudor-style houses from which the term is derived, the same cannot be said of Singapore’s other colonial residences.

The bulk of the colonial houses, particularly those built from the mid-1920s for senior municipal, government and military officers feature Public Works Department designs with concrete columns and beams. Although many of these are coated in white finishes and feature black painted trimmings today, not all have been coated in the same colours historically. The term also prevents us from looking at the many styles that can be found among the colonial homes.

Visits to the estate – an important note:

Much of the estate at Pender Road is tenanted. To maintain the residents privacy and to avoid causing nuisance, the estate is out-of-bounds to the general public. However, do look out for a series of controlled visits that will give the public an opportunity to visit the estate and learn more about these architectural gems. These are being planned in collaboration with the Singapore Land Authority as part of the Discovering Singapore’s Best Kept Secrets series of guided visits. Hopefully, this can start in the second half of this year.


The Estate’s Houses in Photographs


Married Engineer’s Quarters (two off, built in 1919)


 

Bachelor Jointers’ Quarters (built 1908 and extended in 1914)


Married Jointer’s Quarters (three off, built 1919)


 





The second iteration of the Singapore Art Museum

19 01 2020

A set of buildings in Singapore close to my heart are those that belong to the Singapore Art Museum (SAM) on Bras Basah Road. I spent four memorable years at them at the end of the 1970s, when the structures that have been protected as a National Monument, belong to St. Joseph’s Institution (SJI). With the school vacating the site it had occupied since 1852 in 1987 and urban redevelopment having already then arrived at Bras Basah Road’s doorstep, the former campus and the world around it has changed almost beyond recognition. I am grateful for at least the familiar sight of the school’s protected façade, which with its curved wings appearing like the arms of a mother to embrace her children with a warmest of welcomes. Another thing that I am grateful for, is the dignified manner in which the school’s old buildings have been repurposed.

Singapore Art Museum, which is undergoing redevelopment, will only reopen in 2023.

We should soon seen a second iteration of SAM in the former SJI, since the first that came in its 1996 conversion.  Several structures of the old school were torn down in the 1996 iteration, which included the much loved Brothers’ Quarters on Queen Street. The quarters’ building, the bottom of which contained the school’s tuck shop, was replaced with a service block which has been demolished to accommodate the set of changes that will come next. The proposed interventions, which will perhaps take a bit of taking to, will include an entrance plaza at Queen Street, the addition of a floating box over the two courtyards known as the Sky Gallery, and a gallery bridge that will link the set of structures on the SJI side of the SAM to the SAM @ 8Q section on site of the former Catholic High School (CHS).

Mr Chan Soo Kian of SCDA Architects presenting the proposed new entrance plaza at Queen Street.

In isolation and on first impressions, the new additions will seem almost monstrous in proportions, and the gallery bridge does seem to give the impression of an archway into Queen Street — where several other structures that I refer to as “monsters in our midst”, now seem to dominate. Having had the opportunity to hear from the creators of the proposed new additions and a chance to look at the artist impressions of the structures together with the parts that make the National Monument up  – the conserved main façade, the former Anderson Building on Waterloo Street, and the chapel block, it does seem that as a whole the additions are for the better.

An artist impression of the proposed Queen Street entrance plaza with the Sky Gallery also seen (©Singapore Art Museum).

The Sky Gallery was the addition that grated most on the senses — at first glance and seemingly something that would stick out like the proverbial sore thumb that will overwhelm the monument’s landmark façade. On closer inspection, the feature does however serve to provide a backdrop that could help in neutralising the effect of clutter currently behind the SAM. This could have the effect of drawing greater focus on the façade. The gallery will also series of reflective glass panels running its length, with each angled towards the dome — which does seem a brilliant touch. The effect to the observer is the shifting of reflections as one moves past, reflecting both the old but with the dynamism of the continuously changing and multi-faceted new — something that the museum hopes to do to enhance its position as a showcase of present and future contemporary Southeast Asian art.

An artist impression of SAM’s façade with the proposed Sky Gallery (©Singapore Art Museum).

The façade seen in May 2019.

The additions will not only create space as the SAM seeks to enhance its position as a show case of Southeast Asian contemporary art, but also make the old and new spaces much more usable. The additions will help to increase gallery space, which will grow some 30% area-wise. The more significant impact is to also have space created that will have greater height and volume – as will be seen in the two courtyards. Once spaces for assembly and play and now covered by the “floating” Sky Gallery, they will see large volume and column-free gallery space being created. Although not ideal for the old boy that I am looking to reminisce about things such as the aerial threat that was carried by the pigeons with seemingly overactive digestive systems who inhabited the rafters above, the change will make the space a lot more usable, more comfortable and perhaps much better appreciated.

An artist impression of the view from Queen Street of the former buildings of CHS with the gallery bridge and the proposed interventions at CHS (©Singapore Art Museum).

The gallery bridge — along which more gallery space will be created — will help integrate the isolated former CHS section fo the museum. To be erected over Queen Street, it will seem very much like a gateway into street from Bras Basah Road and place a focus on the street at street-level.

An artist impression of the gallery bridge (©Singapore Art Museum).

Another change that I thought will be positive, is the removal of glass panels along the previously open verandahs of the main building. It will give me a chance to walk the corridors as I once did and gaze at the statue of St. John the Baptist de la Salle – the founder of the religious order behind the school. The statue, a feature that was used as a navigation landmark, is a replica of a marble sculpture by Cesare Aureli in St. Peter’s Basilica in the Vatican that was donated to the school on the occasion of its Diamond Jubilee.

An artist impression of the Queen Street Courtyard (©Singapore Art Museum).

 

An artist impression of the Waterloo Street Courtyard (©Singapore Art Museum).

The reopening of SAM, has been moved to 2023 due to the restoration effort that is required on the old buildings. On the evidence of what is in store, it would be well worth the added wait. The redeveloped museum will see learning studios and a library, public art spaces and promises “exciting” retail and café spaces. SAM will however continue to remain active during the extended period of closure through partnerships with both Singapore and overseas art spaces and museums. More information on SAM related events in 2020 can be found at the calendar of events on the SAM website.

Dr Eugene Tan, Director, SAM and an old boy of SJI.

 


 





Orchard Road’s last shophouses

10 11 2019

Built close to a century ago, the last of Orchard Road’s shophouses stand as a reminder of a time before Singapore’s shopping mile was mall-ed. Comprising four delightful structures at numbers 14 to 38, each a gem of eclectic architectural expression, they also serve to remind us of the rubber trade inspired hopes and aspirations of the decade that followed the end of the Great War. The row, which features three notable edifices and one, no 38, which often goes unnoticed, was acquired by the State in the 1980s following a 1978 gazette for acquisition and gazetted for conservation in November 2000.

The conserved row.

The east end of the row is marked by the cry for attention that the former Malayan Motors showroom is. Designed by Swan and Maclaren’s DS Petrovich, it replaced the Morris and Rolls Royce dealer’s earlier showroom and represented a progression in showroom designs. A length of windows on each side of a projection in its façade provided natural illumination to its upper floors where its upper level showroom was served by a ramp to the ground floor. A scalloped semi-circular gable (if one can call it that) at each end of the roof drew attention to it.

The former Malayan Motors showroom seen in 1984 (courtesy of Henry Cordeiro).

Completed in 1927, the former showroom can also be thought of as a marker of Orchard Road’s motoring days. Fuelled by the expansion in the rubber market here during the Great War, the demand for the motorcar had risen three-fold between 1913 and 1918, leading to a proliferation in the area of motorcar showrooms, and workshops (several over the canal at what is now Handy Road ) by the 1920s. Vehicle assembly was also introduced and Singapore’s first assembly plant – for Ford – opened in the area with a production capacity of 12 cars a day in 1925. The showroom was built by the Wearnes brothers who also brought in the Fords, which they sold via another dealership, Universal Cars. Besides Morris and Rolls Royce, other brands that the Malayan Motors showroom would have dealt with were Rover and Studebaker.  The showroom made its last sale in August 1980, following which Malayan Motors concentrated its business at its Leng Kee branch. Following its acquisition by the State, the showroom was renovated in 1988 for use by the Singapore Manufacturers’ Association as SMA House. It has been used by MDIS, a private school, since 2002.

The former MidFilm House, then and now.

Another interesting building is the Dutch-gabled former Midfilm House (Middle East Film Building) at no 22 to 24 next to the showroom. This dates back to 1921 and was put up by Middle East Films Ltd, a pioneering distributor of films in Southeast Asia. The building, which is Orchard 22 today, also served as temporary premises for Malayan Motors when its showroom was being rebuilt in 1926-27.

22-24 Orchard Road in 1984 (courtesy of Henry Cordeiro).

What is probably now the icing in the cake for the row is the somewhat art deco and possibly modern-classical no 26 to 36 next to the former Midfilm House, which since June 2019, is the resplendent Temasek Shophouse. Built  in 1928, it stands on the site of six older shophouses – three of which had each been acquired by Chee Swee Cheng in 1926, and the other three by E Kong Guan from 1925 to 1926. Both Chee and E had roots in Malacca and were tapioca and rubber planters. Chee was also known to have substantial interests in opium and spirit “farming” in North Borneo and a landowner, who held several properties in Singapore. He is associated with the abandoned villa at 25 Grange Road, Wellington House, often incorrectly referred to as the Chee Guan Chiang mansion – after Chee’s son by a second marriage.

The Temasek Shophouse.

It was Guan Chiang who had the 3-storey 26 to 36 Orchard Road co-developed with E – based on plans drawn up by Westerhout and Oman in 1927. The new building’s interior spaces were split down the middle for each of the two owners, with E’s side being the western half numbered 32 to 36. An office space and store was laid out on each side of the ground floor. The upper floors of each half, each contained a 2-bedroom apartment.

No 26 to 36 in 1984 with the Art Furniture Depot and Sin Sin Furniture occupying the ground floor (courtesy of Henry Cordeiro).

The office spaces found use as showrooms, both initially occupied by The Art Furniture Depot in 1929. It was this store that the building would have the longest association with. The store gave up one of its showrooms in the early 1930s in the face of the Great Depression. The vacant unit would became the Eddystone Radio showrrom in 1933 and after the war, Sin Sin Furniture’s. Both furniture stores moved out around 1986 when the building was acquired by the State. Following this, substantial modifications were made to the building’s interiors so that it could house Pisces Garments Department Store with escalators, lifts and a mezzanine level were put in. The department store, which opened in 1989, morphed into PMart in 1994.

 

The current transformation has opened up the back of no 26 to 36, giving a full view of it.

The current transformation followed on the award of a tender launched in 2017 to Temasek, on the basis of the quality of concept that it had put forward.  The 18-month refurbishment effort that followed reversed several of the interventions of Pisces and gorgeously and sensitively restored the building, earned a 2019 URA Architectural Heritage Award for restoration. The overhauled interiors now feature a double-volume event space with a green wall featuring native plants. That is – in the context of today – not complete without a social-enterprise café. As an alternative to the street entrance, the garden – which the knocking of a boundary wall at the back has opened up – provides a very nice back door. The back is also where a pair of conserved concrete spiral staircases attached to the building’s rear – perhaps one of the tallest now seen – can be admired together with the equally impressive back façade. Offices, co-working spaces, meeting and function rooms – with native birds as themes, offices, a meeting space on its roof garden and space to accommodate its partners complete the picture.

Shophouses beyond the east end of the row – leading to an expunged street named Dhoby Ghaut – that have since been demolished (courtesy of Henry Cordeiro).

Fresh, innovative and a joy to behold, the Temasek Shophouse brings Temasek Trust and its beneficiaries Temasek Foundation and Stewardship Asia Centre under one roof – with the aim to serve as an incubator of social and philanthropic in initiatives promoting community collaboration and advancing sustainability. It brings, if not for anything else, an injection of purpose to that the conserved row now sorely lacks.

The event space and its green wall.


More photographs of the Temasek Shophouse

A co-working space on the mezzanine.

Another view of the event space and the café.

One of the native bird themed meeting spaces.

Up on the roof.

The rooftop meeting room.

Offices for one or its sustainability partners – which makes furniture out of recycled material.

A pantry within an office space.

A balcony and on of its spiral staircases at the building’s rear.

A balcony overlooking Orchard Road and Dhoby Ghaut MRT Station.

A close-up of the Corinthian capitals of the classical-esque columns on the building’s front façade.

Another view of the front balcony.

And another of the rear spiral staircase and balcony.

A downward view to the back garden from one of the spiral staircases.






The Class VIII Government quarters at Haig Road

26 10 2019

Built as government housing by the Public Works Department (PWD) in 1951, the cluster of 42 simple two-storey houses off Haig Road in the news this week, are representative of the period of austerity they were built in. Originally 48 units, arranged in 8 rows of 6 (1 of which has since made way for a road project), their design was a departure from the housing that the government had provided its officers with prior to that. Given a “Class VIII” designation, the two-bedroom units housed junior officers of various departments, including Broadcasting, Civil Aviation, Education, Postal and Telecoms. The quarters line streets named after common trees, Tembusu, Gajus (cashew), Binjai (a type of mango), and Beringin (weeping fig).  

A 1951 PWD Photograph.

The construction of the quarters was part of a PWD effort that also saw the erection of three schools over a 12 ha. site. The unique quality of the development was reported by the Singapore Free Press, who in a June 1951 article, made the observation that “there would be nothing like this when it is completed”. The schools that came up with the housing were two primary schools Haig Boys’ School, Haig Girls’ School, and a secondary school, Tanjong Katong Girls ‘s School.


The houses today

The houses have been rented out by the State on short term (2-year) tenancy agreements through managing agent Knight Frank, with 34 units currently tenanted. Despite the short term nature of the arrangements and the age of the properties, the very attractive rents (I have been advised that the median rate is $2700/- per month for the 100 square metre built-up area units) make the houses an appealing proposition. A walk around the neighbourhood will reveal the varied tenant mix this has attracted, as well as the condition that some of the houses are in. Feedback has been given by some tenants on leaking roofs and choked toilets, pipes and drains.

The southern section of Jalan Tembusu.

The Singapore Land Authority (SLA), who maintains the property on behalf of the State, will be carrying out extensive repair and upgrading works from January 2021. This will address the issues raised and ensure that the properties are in good condition for the longer term and will include electrical, plumbing and roof works. SLA has been engaging tenants individually since April 2019 on this, and has permitted an extension to existing tenancy arrangements to the end of 2020. The works are expected to be completed at the end of 2021 and existing tenants who are interested in returning once the works are completed will be able to register their interest to rent the property, which will be let out at prevailing market rates.

Part of the demolished row at the northern section of Jalan Tembusu.

 

One of the units that is in a relatively better condition.

 

The southern section of Jalan Tembusu – its proximity to East Coast Road and its shops and eating places also makes the houses an attractive choice for short term rental.

 

The meeting of Haig Road and the southern section of Jalan Tembusu.

 

The house have both front yards …

… and back yards that allow tenants to grow fruit tree and daily use items.

 

One of the since demolished units – seen in 2018.

 

Another unit from the northern section of Jalan Tembusu. The units feature living and dining spaces at ground level and two bedrooms on the upper level. Access is provided by a well-lit staircase arranged in the extended part of the house.

 

A vacant unit in relatively good condition.

There are signs of water seepage in quite a few of the units.

Ventilation openings – an essential part of the tropical architecture of old – is very much in evidence.


A look around the unit that is probably in the worst condition among the 42

The inside of a unit that will require a quite a lot of work to be done on it.

There seems a fair bit of water seepage from the roof of this unit – as is evident in the condition of the ceiling boards.