RAF Seletar’s last barrack block

26 05 2015

A part of Singapore that has seen a transformation in recent times is Seletar. The area was once occupied by the Royal Air Force (RAF) Seletar station or RAF Seletar, which at its establishment in 1928, held the distinction of being its largest station in the Far East. Vacated by the British during the 1971 pullout of forces, the former air base was used by the Singapore Armed Forces (SAF) as Seletar Camp, home to several units including ones that I was most familiar with from my involvement professionally in floating military bridges, such as the Combat Engineers.

A survivor of RAF Seletar.

Block 450, one of the last survivors of RAF Seletar.

Beyond Block 450 and a few other remnants, little is left of the oldest British Far East air station.

Beyond Block 450 and a few other remnants, little is left of the oldest British Far East air station.

The charm the area long had a reputation for and its laid back appeal provided by the  generously spaced clusters of old world military buildings and dwellings, retained even during the days of the SAF military camp, is now fast being lost. The transformation it is now seeing, involves not just an expansion of its now civilian airport, Seletar Airport, but also the development of a 320 ha. industrial Seletar Aerospace Park. These developments has left its scars on Seletar, a Seletar but for a few reminders of the old world, is one now hard to recognise.

The iconic entrance complex over the years.

The iconic entrance complex over the years.

One part of the former RAF station that serves to remind us of the old military installation is the iconic entrance  complex with its gate and guardhouse – although a two-storey building that somehow provided the camp’s entrance with some of its past flavour has since been lost. It is beyond the gate house, past what some may feel is Singapore’s equally famous Piccadilly Circus, down the Piccadilly – the road to the East Camp; even if it deceives at its start in evoking a sense of the old world, that the visitor is confronted by the changing face of Seletar.

The entrance gate in RAF Seletar days.

It was down the same Piccadilly, at least what it had been before the recently introduced confusion of roads, that a group of servicemen past and present, gathered to celebrate the past as well as a survivor of the past, a barrack building, that if not for it, might have made the celebration’s venue – now dominated by new roads and newly turfed spaces, not such an obvious choice.

The barrack building, Block 450.

The barrack building, Block 450.

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RAF Seletar was where life began for 160 Squadron.

RAF Seletar was where life began for 160 Squadron.

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The barrack building, Block 450, more affectionately referred to as “Alpha”, was at the heart of the area that was not only the birthplace of the servicemen’s unit, the Republic of Singapore Air Force (RSAF) 160 Squadron in 1970, but also that of the RSAF’s air defence set-up. Its heritage, that of the RAF air station, and 160 Squadron,  Singapore’s first and longest serving air defence unit, celebrated with a heritage storyboard for which the Urban Redevelopment Authority (URA), the 160 Anti-Aircraft (AA) Alumni and 160 Squadron came together to produce.

The 160 Squadron's 35mm Oerlikon AA gun - the onetime backbone of the AA defence system on display at Block 450.

The 160 Squadron’s 35mm Oerlikon AA gun – the onetime backbone of the AA defence system on display at Block 450.

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The launch of the heritage storyboard, by Mr Chan Chun Sing, Minister in the Prime Minister’s Office, was the highlight of the gathering. It provided an opportunity not just to learn about the unit and its role in the air defence of Singapore – something Minister Chan emphasised in his speech by saying how, put less crudely, our young now have a greater chance of being hit by droppings from airborne beings of an avian kind than ones with more destructive potential; but also to have a more intimate look at the barrack building through the Heritage Walk @ 450 Seletar staged by the 160 AA Alumni.

Mr Chan Chun Seng and President of the 160 AA Alumni MAJ(NS) Jayson Goh launching the heritage storyboard.

Mr Chan Chun Seng and President of the 160 AA Alumni MAJ(NS) Jayson Goh launching the heritage storyboard.

An exhibit tracing the evolution of aids to aircraft recognition in one of the rooms in Block 450.

An exhibit tracing the evolution of aids to aircraft recognition, from the use of the OHP, 35mm slides and printed material, in one of the rooms in Block 450.

An exhibition of photographs.

An exhibition of photographs.

An improvised fire-alarm.

An improvised fire-alarm.

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Typical of barrack blocks built during the Far East military build-up in the 1920s and 1930s, blocks such as Alpha – of which there were at least ten in RAF Seletar, provided shelter not just for the Anti-Aircraft gunners of 160 Squadron – who moved out in 2002, but also to numerous men in the service of His (and later Her) Majesty’s Government. Built in 1930, Block 450 is the only one in Seletar to have survived, having been gazetted for conservation as part of the 2014 Master Plan together with Block 179 – the former Station Headquarters, along with 32 bungalows in the former air base.

The Heritage Walk @ 450 Seletar also offered a peek into the conserved barrack building.

The Heritage Walk @ 450 Seletar also offered a peek into the conserved barrack building.

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Architecturally similar to many other barrack blocks put up in the era – I had the experience of it from my reservist days in Sembawang Camp (the former HMS Terror)  before it was renewed, the block is an example of the tropical military architecture of the age. Those were times forgotten when it was desirable to maximise comfort levels of the buildings’s occupants, without an over-dependence on high levels of energy consumption. Measures typically employed to provide maximum ventilation and shade is seen in the wide verandahs and in the provision of ample openings, is a very noticeable feature of Block 450. Some of this is also described in the URA’s Conservation Portal:

Like the former Station Headquarters, this building was designed in the tropical Art Deco style that was favoured by the British military. The use of traditional timber windows and doors with the then relatively new medium of reinforced concrete demonstrates a combination of traditional and modern design approaches.

As a response to the humid tropical climate, the building has long and continuous covered verandahs complemented by inner facades featuring timber-louvred windows, doors and pre-cast concrete vents to promote cross-ventilation. Other features of the building include moulded Art Deco style motifs at the top of every column which help to adorn this otherwise simple yet functional building.

A view of a sister block, H Block in the West Camp, in its early days (online at http://81squadron.com).

The wooden louvred doors along the generously sized verandah. The moulded Art Deco style motifs can be seen at the top of the pillars.

The wooden louvred doors along the generously sized verandah. The moulded Art Deco style motifs can be seen at the top of the pillars.

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Abandoned by its one-time companions, which I am told in the days of 160 Squadron would have included a parade square in its shadow, as well as building housing the squadron headquaters, the ops room and also hangars where the guns were stored across the Piccadilly, Block 450 now stands alone, out of place against the now vastly altered surroundings. It may be a shame that we are are unable to hold on to spaces such as Seletar with its rich history and its unique and now hard to find charm, but we have to be thankful for the conservation of buildings such as Block 450. While it will not come anywhere close to reminding us of the beautiful space Seletar once was, we will at least have several reminders that tell us of a history that will otherwise be forgotten.

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Further information on Block 450 and conservation within the former RAF Seletar:

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The celebration returns to Pulau Ubin

26 05 2015

Every year around Vesak Day, Pulau Ubin comes alive as the Pulau Ubin Fo Shan Teng Tua Pek Kong Temple (乌敏岛佛山亭大伯公庙) holds a series of festivities to celebrate the Tua Pek Kong festival. It is one of two occasions during which Teochew opera and getai performances are staged and offers a rare opportunity to watch Teochew opera as one might have done in the old days, under the stars. This year’s festival will be celebrated from 31 May to 5 Jun 2015 with opera performances every evening, except on the last when a getai performance will be held. The main day of the festival is on 1 Jun. More information on the festival schedule is provided below.

Backstage at the wayang stage: a festive face of Ubin.

Backstage at the wayang stage during last year’s celebrations.

A brightly dressed dancer on stage - getai is often seen as kitsch and somewhat crude, but it does have a huge following in Singapore.

A brightly dressed dancer on stage during the last evening’s getai performance two festivals back.

The schedule for this year's Tua Pek Kong Festival.

The schedule for this year’s Tua Pek Kong Festival.

A quick look at the main events as translated by Victor Yue:

Sunday 31 May 2015 (4th Month 14th Day)
10 am: Invite Tua Pek Kong
11 am: Prayer ritual starts
3 pm: First Taoist Ritual
7 pm: Second Taoist Ritual
7 pm: Sin Sin Yong Hua Teochew Opera performance starts
10 pm: Invite Jade Emperor

Monday 1 Jun 2015 (4th Month 15 Day) – also Vesak Day, a Public Holiday
10 am: Prayers starts
11 am: Lion and Dragon Dances
2.30 pm: Distribution of Temple Offerings
3.30 pm: Send off Jade Emperor
7 pm: Sin Sin Yong Hua Teochew Opera performance starts
8 pm: Tua Ji Ya Pek (First and Second Grandpa deity from the nearby temple) visit

Tuesday 2 Jun 2015 (4th Month 16th Day)
7 pm: Sin Sin Yong Hua Teochew Opera performance starts

Wednesday 3 Jun 2015 (4th Month 17th Day)
7 pm: Sin Sin Yong Hua Teochew Opera performance starts

Thursday 4 Jun 2015 (4th Month 18th Day)
7 pm: Sin Sin Yong Hua Teochew Opera performance starts

Friday 5 Jun 2015 (4th Month 19th Day)
10 am: Teochew Opera Singing (From Sin Sin Yong Hua)
6.15 pm: Pulau Ubin Fo Shan Ting Da Bo Gong Night (Getai) with Dr Mohamad Maliki Bin Osman, Minister for Defence & National Development, Mayor for South East District, and MP for East Coast GRC as Guest of Honour
10.30 pm: Tua Pek Kong returns

Free Ferry Service
31 May  to 4 Jun 2015 from Changi Jetty (6.30 pm to 9 pm) and from Pulau Ubin Jetty (8 pm – 10 pm)
5 Jun 2015 from Changi Jetty (6.30pm to 10pm) and from Pulau Ubin Jetty: (6.30 pm – 10.30 pm)


More photographs from the main celebrations last year:

More backstage scenes.

More backstage scenes.

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A view of the wayang stage during the evening's performance.

A view of the wayang stage during the evening’s performance.

The Teochew Opera performances is one of the draws of the festival.

The Teochew Opera performances is one of the draws of the festival.

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The ritual sees the appearance of the Tua Ya Pek (大爷伯) or Bai Wuchang (白无常) and ...

The ritual sees the appearance of the Tua Ya Pek (大爷伯) or Bai Wuchang (白无常) and …

... the Li Ya Pek (二爷伯) or Hei Wuchang (黑无常). Collectively the pair - guardians of the Taoist interpretation of the hell or purgatory of afterlife, are known as the Tua Li Ya Pek (大二爷伯) or Heibai Wuchang (黑白无常).

… the Li Ya Pek (二爷伯) or Hei Wuchang (黑无常). Collectively the pair – guardians of the Taoist interpretation of the hell or purgatory of afterlife, are known as the Tua Li Ya Pek (大二爷伯) or Heibai Wuchang (黑白无常).

A dragon dance held during the celebrations.

A dragon dance held during the celebrations.

The three stars make an appearance.

The three stars make an appearance.

The opera troupe onstage paying respects to the deity.

The opera troupe onstage paying respects to the deity.

The Tua Pek Kong temple.

The Tua Pek Kong temple.

The temple during one of the rituals.

The temple during one of the rituals.

 





So, what’s next for the Rail Corridor?

21 05 2015

Almost four years have passed since the rumble of the last train, we hear new noises finally being made over the Rail Corridor. Also known as the Green Corridor, calls were made by nature and heritage groups and enthusiasts for its preservation in the lead up to the move of the terminal from Tanjong Pagar to Woodlands. The hopes were that the space, long spared from development due to the railway, be kept untouched, uninterrupted and green; a space that will allow us in Singapore not just to remember the links we long have had with our northern neighbours, but also as a connector of green spaces down the length of the island.

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It wasn’t long after the railway’s last journey, that we in Singapore embarked on a new and uncharted journey through the 23 kilometre long corridor with the Minister for National Development, Mr Khaw Boon Wan, providing an assurance, in July 2011, that the corridor would be preserved as a green corridor. This was reinforced by the Prime Minister, Mr Lee Hsien Loong, in his National Day Rally speech of the same year.

There was much discussion that followed as to how this could be realised. An ideas competition held at the end of 2011 as a primer for a design competition, all with the 2013 Master Plan in mind. A dispute on development charges on the former railway land between Malaysia, which owned the land prior to the terminal’s move, and Singapore, however, meant that a Request for Proposal (RFP) for a master plan and concept proposals for the Rail Corridor could only be held this year. The pre-qualification for the RFP, which attracted a massive response with 64 teams making submissions, was recently concluded with the Urban Redevelopment Authority (URA) shortlisting five teams yesterday for participation in the next stage.

The five teams, who all have strong lead landscape architects – not surprising given the emphasis on the landscape element in the Rail Corridor, will be given until 21 August 2015 to make submissions for Stage 2A. This stage involves the development of an overall Concept Master Plan and Concept Proposals that will include two special interest areas: the urban-green-blue integrated concepts at Choa Chu Kang and a concept design for the adaptive reuse of the former Tanjong Pagar Railway Station.

Having had a glance at the pre-qualification submissions made of the selected teams, what does seem encouraging is that there has been a lot of thought put in not just in retaining as much of the Rail Corridor’s natural environment, but also in enhancing it. The natural environment is to me one of the features of the Rail Corridor that makes it what it is and I am all for keeping it as natural as possible, with as little intervention (I do recognise that some intervention would be necessary) as is possible. While it is important that it does become a space available to the wider community, what would be nice to see is that some of its unique spaces retained as they are and that as a whole the corridor remains a place one can always find an escape in.

After the submissions are made on Stage 2A, one team will then be selected, an announcement for which can be expected in October 2015. There will also be exhibition held from October to November 2015 that will put on display the submissions of all participating teams. During the period of the exhibition, members of the public will be provided with an opportunity to give their feedback. Along with feedback from stakeholders and the respective agencies, this will be taken into account in the next stage, 2B, which will involve a 8 week revision of concept designs (January to March 2016). The team will then move on to Stage 2C, a 12 week long preliminary design effort that will be undertaken for a 4 kilometre signature stretch of the Rail Corridor. More information on the RFP is available at the URA’s Rail Corridor RFP site.

Further information:





Monday not so blue

20 05 2015

It has been a long while since we a celebration of the new day as spectacular as the one seen on Monday.

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Colours of the new day, Monday, 18 May 2015, 6.48 am as seen from the beach at Kg Wak Hassan.





The vermilion bridge in the naval base

19 05 2015

The vermilion bridge, of a style and colour that is distinctively Japanese, stands almost garishly out of place in the expansive garden of an equally generously sized colonial house. Set in an area whose flavour is overwhelmingly one of the days of the empire, the bridge, and the landscaped area it arches across, is said to have been constructed through the efforts of Japanese Prisoners-of-War (POWs). It is one of at least two structures that the POWs built in an area that was at the heart of the huge British naval base, the other being a swimming pool on the grounds of Old Admiralty House.

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The house with the bridge, is one of many in the “black and white” style, commonly employed in the construction of homes for the colony’s senior administrators and military men, to be found in the area. Along with several residences with red-brick faces influenced by the arts and crafts movement, the “black and white” houses, in lush green and spacious surroundings, served as married quarters for the base’s senior officers. The house, the largest in its cluster and located so that it commanded a view of the base’s former stores basin and dockyard, was reserved for the dockyard’s most senior officer, the Commodore Superintendent.

An aerial view of the former Commodore Superintendent's residence.

An aerial view of the former Commodore Superintendent’s residence (posted in the Old Sembawang Naval Base Facebook Group).

The dockyard passed into the hands of the then newly formed Sembawang Shipyard in 1968 and the base saw its last days in 1971 with the British pullout, and the ownership of the house was transferred to the State, but with an arrangement that it, along with several other similar property be made available for use to the United Kingdom and also to Australian and New Zealand Forces deployed in Singapore under the Five Power Defence Arrangement. It perhaps is due to this that the house, which subsequent to the pullout, served as the residence of Commander of New Zealand’s Force SEA, and the brightly coloured bridge, set in an area that the the URA’s 2014 Masterplan tells us is “Subject to Detailed Planning”,  still stands today in a part of Singapore in which the winds of change are now blowing ever stronger.





The glow in the park

12 05 2015

The quiet green surroundings of Fort Canning Hill provides the setting for the Pinacothèque de Paris’ home away from home, in a building whose best features the museum seems to have brought out, especially with its nighttime illuminations. The rather majestic looking building, looking resplendent after a huge makeover, dates back to 1926, beginning its life as a barracks block of the Malaya Command Headquarters. The Malaya Command HQ occupied a large part of the grounds of a mid-18oos British fortification, of which part of the wall and a gate, the Fort Gate, remains. Named after Lord Canning, the Governor-General and Viceroy of British India at that time, the fort was also what gave the hill its modern name.

The new glow at the formerly very dark cemetery at Fort Canning.

The new glow at the formerly very dark cemetery at Fort Canning.

I first got to know the three storey building that is now the Pinacothèque in my days of youthful adventure when the hill was a draw for as much for its seclusion of the hill, as it was for its mystery. Known also as Bukit Larangan, the Forbidden Hill, it was so named as it was the abode of the ancient kings both in life and in the afterlife. The dark and uncertain slopes, desecrated by the ornaments of the new order the most noticeable of which were the reminders of Singapore’s first Christian burial ground, seemed more forbidding  then than forbidden.

Fort Canning Centre at the start of its transformation into the Pinacotheque de Paris.

Fort Canning Centre at the start of its transformation into the Pinacotheque de Paris.

The monuments on the hill to the garrison no one imagined could be defeated, were less forbidding. In former barracks block, then converted into the “world’s largest squash centre”, Singapore Squash Centre, one was never without company. Established in 1977 when the game of squash rackets was at the peak of its popularity in Singapore, the centre boasted of 25 courts and as a facility for the game, was well used up until the 1980s. Unfortunately, the good times were to be brought to an end at the end of the 1980s. Plans were announced in 1985 to revamp Fort Canning Hill into a focal point for cultural and recreational activities in the city, with the barracks block serving as its hub. Following the expiration of the centre’s lease for the building in 1987, the building was renovated and unveiled as the Fort Canning Centre in 1991 into which arts related tenants such dance studios and theatre groups moved.

The building in the 1980s (National Archives of Singapore).

Overlooking Fort Canning Green, the site of the former Christian cemetery, the Pinacothèque de Paris, which opens its doors on 30 May 2015, adds not just a stunning backdrop to the now open-air concert venue, but also provides a good reason to head up a hill on whose slopes much of our early history was written.





The National Gallery, naked

7 05 2015

It has been a long four and a half years since two architectural icons of a lost age went into hiding, cloaked for a large part in a dark shroud. That was to permit a huge and costly transformation of the two, the old Supreme Court and the City Hall, to be performed, a transformation that would turn the two  into a jewel that will crown Singapore’s coming of age. The massive 64,000 square metres of floor area that the two buildings share will provide Singapore with the grandest of showcases its huge National collection as the new National Gallery Singapore. The collection numbers some 10,000 works. Composed primarily of the art of Singapore and of Southeast Asia, it is the largest collection of its kind in the world.

The restored historical lobby of the Old Supreme Court.

The restored historical lobby of the Old Supreme Court.

The re-tiled corridors of the Old Supreme Court.

The new shine of the re-tiled corridors of the Old Supreme Court.

The buildings, both National Monuments and ones that for long characterised the city-scape, hark back to the days of the empire. With significant chapters of our history written within their walls, the two are monuments not just of the nation, but also to the nation and what is nice about the transformation, although it may have altered some of the buildings’ characters, is that its does allows an  appreciation of the buildings’s historic and architectural value by providing us and our future generations with access to them and more importantly to their many conserved spaces.

My favourite space in the two buildings, the Rotunda Library, seen in a new light.

My favourite space in the two buildings, the Rotunda Library, seen in a new light.

I had a chance to look at how the transformation has been managed when the buildings made their debut as the National Gallery without the art during the recent series of Naked Museum tours. Having had a look at the two during the open house held just prior to the closure in late 2010, I was especially interested to see how the character of the many conserved spaces within the two have been preserved.

The gathering of local artists and guests at the launch of the National Gallery Open House in 2010 prior to the renovations (National Gallery photo).

The beautifully restored Foyer of the Old Supreme Court.

The beautifully restored Foyer of the Old Supreme Court.

The old stairway that now leads to a new heaven.

The old stairway that now leads to a new heaven.

One of the first things that did catch my eye however, was how the two have been made to become one. A large part of this, is seen in the interface between the two at the former open plaza. Here, we see one of the larger intervention of the architect, Mr Jean François Milou, in the large enclosed space that has been created, encased by glass panels on a framework of steel. The framework is suspended over the two monuments through the use of a rather intriguing looking tree-like support structure. The space is best seen when the sun shines. That is when it takes on an almost magical quality in the soft light that filters through the specially designed screen of perforated aluminium panels.

The atrium between the two buildings.

The atrium between the two buildings.

The moment of inspiration for the screen came on a sun baked afternoon as the architect pondered over how the buildings could be unified sitting on a plastic chair in the Padang. The play of light and shadow through the patchwork of glass and steel, its tree-like support that is also replicated up on the roof of the old Supreme Court, and the sky bridges that allow communication between the two buildings finds meaning as a whole in providing a stunning visual spectacle in which the new is very much in harmony with the old.

A view of the sky bridges between in the atrium created the two buildings.

A view of the sky bridges between in the atrium created the two buildings.

The upper level sky bridge that connects at Level 4.

The upper level sky bridge that connects at Level 4.

The interventions on the roofs of the two buildings, are also best appreciated from the inside. On the previously empty roof of the City Hall, we now see two reflecting pools over the building’s former courtyards. This, found on Level 5, will be lined with F&B outlets. The upper level (Level 6), is where one can now gaze across the Padang to where the generations before once gazed at the lights of the old harbour from a viewing deck that will be opened to the public.

The lower level (Level 5) of City Hall Rooftop will see F&B outlets lining two reflection pools.

The lower level (Level 5) of City Hall Rooftop will see F&B outlets lining two reflection pools.

The view across the reflecting pool of the City Hall Rooftop towards the new Supreme Court.

The view across the reflecting pool of the City Hall Rooftop towards the new Supreme Court.

The City Hall Rooftop viewing deck on Level 6.

The City Hall Rooftop viewing deck on Level 6.

The view through the aluminium panels of the roof.

The view through the aluminium panels of the roof.

It was the roof across the sky bridge that I found especially appealing. Previously an inaccessible are of the old Supreme Court, it is where one finds the minor dome. The skylights on the dome is what casts the delightful glow on the beautifully Rotunda Library below it. The now covered space has a roof similar in construction to the glass enclosure of the atrium between the two buildings, and it is here that in the sunshine, that we also are able to see the gorgeous play of shadow and light it can create.

The Supreme Court Terrace.

The Supreme Court Terrace.

Another view of the terrace with the rotunda dome.

Another view of the terrace with the rotunda dome.

Reflections on the Supreme Court Terrace.

Reflections on the Supreme Court Terrace.

It is under the two domes of the old Supreme Court that one finds the most wonderful of conserved spaces, including what certainly is my favourite of all spaces, the beautiful Rotunda Library. Also conserved and restored are spaces such as Courtroom No. 1, the beautiful corridors on the second level and their skylights, the main staircase, the Historical Lobby and the Grand Foyer.

The Rotunda Library.

The Rotunda Library.

The Rotunda, see from the ground.

The Rotunda, see from a lower angle.

Courtroom No. 1.

Courtroom No. 1.

The beautiful light of the Old Supreme Court main staircase.

The beautiful light of the Old Supreme Court main staircase.

A skylight.

A skylight.

The corridors now feature gleaming marble floor tiles, laid out in a pattern that mimic that of the toxic asbestos filled rubber tiles that had to be replaced. In the area to the left of the staircase one also finds two holding cells, the only ones that have been retained. In the cells, we see a hint of a very necessary sanitary fitting, its opening sealed in cement. When operational, that could only be flushed outside the cells. What would have been nice to see conserved are the narrow caged passageways along which the cells’ occupants could be led, via a trap door, to the courtrooms. These however, were nowhere to be found.

The eight sided foundation stone under which there is a time-capsule that is meant to be opened in the year 3000.

The eight sided foundation stone under which there is a time-capsule that is meant to be opened in the year 3000.

The entrance to the Holding Cells.

The entrance to the Holding Cells.

Inside one ofthe  two holding cells that have been retained.

Inside one ofthe two holding cells that have been retained.

Prisoner holding area.

The caged passageway through which a prisoner would be led to the courtroom.

Another caged relic I would have liked to see, was the cage lift that I remember from a visit I accompanied my mother on in my childhood to a verbatim reporter friend she would sometimes have lunch with. This proved once again to be to be elusive, although I am told that the lift is still there and in working condition.

A look up to the underside of the main dome.

A look up to the underside of the main dome.

One part of the court building I did not have a chance to see previously is the underside of the empty main copper clad dome. That I got to see by special arrangement. With the ceiling that previously obscured it now removed, there is no more need to ascend the spiral staircase to have a glance at its bare underneath and the riveted steel beams that provides support. This view will be one of the treats we can look forward to when the new gallery opens its doors in November.

A voew of the distinctive copper dome from City Hall Rooftop. The dome is said to be a smaller scale version of the famous dome of London's St. Paul's Cathedral.

A view of the distinctive copper dome from City Hall Rooftop. The dome is said to be a smaller scale version of the famous dome of London’s St. Paul’s Cathedral.

A view from the balcony towards the pediment. The space left by a missing coat of arms, thought to be removed during the Japanese Occupation, will be left as it is.

A view from the balcony towards the pediment. The space left by a missing coat of arms, thought to be removed during the Japanese Occupation, will be left as it is.

New galleries in the old building. The old Supreme Court wing will be used to house the South-East Asian collection.

New galleries in the old building. The old Supreme Court wing will be used to house the South-East Asian collection.

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The pediment of the old Supreme Court on which Justice is not blind in Singapore.

The pediment of the old Supreme Court on which Justice is not blind in Singapore.

A pigeon's eye view from the balcony of the old Supreme Court.

A pigeon’s eye view from the balcony of the old Supreme Court.

The City Hall also has several conserved spaces of importance, the most important of which is City Hall Chamber. Once said to be the grandest of rooms in all of Singapore, the chamber witnessed several momentous events of our past, one of which was the surrender of Japanese forces in 1945. Another significant event that took place there was the swearing in of our first Prime Minister in 1959. In its refurbished state, the chamber retains much of its character. The entrance to it is now via side doors that previously were windows to the courtyard.

City Hall CHamber, a.k.a. the Surrender Chamber.

City Hall CHamber, a.k.a. the Surrender Chamber.

The courtyard the doors now lead to had been an open-air served car park. It now finds itself under a reflecting pool (the same pool on the roof terrace) and air-conditioned. As the DBS Singapore Courtyard, it will be used for the permanent display of a collection of Singapore art from the 19th century to the present when the gallery opens.

The former courtyard of City Hall.

The former courtyard of City Hall.

The courtyard will be a new exhibition space.

Shadows from the steel framework of the glass roof over the courtyard.

Moving stairways to the new heaven.

Moving stairways to the new heaven.

The Cor­inthian columns of the former City Hall's façade.

The Cor­inthian columns of the former City Hall’s façade.

The central staircase of City Hall.

The central staircase of City Hall.

In a year during which there is much to look forward to in a Singapore that celebrates its 50th year of independence, the gallery’s opening in November is something that will certainly enhance the celebration. The gallery will by itself be a celebration, one not just of art and culture, but also of our nationhood and of our history and heritage.More information on the National Gallery and the history of the buildings can be found at the National Gallery’s website and some of my previous posts, which contain photographs of how some of the spaces looked before the refurbishment.

A last look at the Rotunda Library.

A last look at the Rotunda Library.








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