The naval powers collide at Changi

29 06 2015

Every two years in May, the international maritime defence exhibition, IMDEX Asia, comes to town and offers a chance not only to catch up with the going-ons in the region’s naval developments, but also a rare opportunity to take a look at some of the the naval assets of the powers in the Asia Pacific region. This year’s treat must have been the chance to get up-close to the very impressive looking and well-built Chinese stealth frigate, the People’s Liberation Army (PLA) Navy’s 4,000-tonne Type 054A Jiangkai II class CNS Yulin (FFG 569).

The People's Liberation Army Navy's Type 054-A Jiangkai II Class Stealth Frigate, CNS Yulin.

The People’s Liberation Army Navy’s Type 054-A Jiangkai II Class Stealth Frigate, CNS Yulin.

The HQ-16 SAM vertical launcher cells on the fore deck.

The 32 cell HQ-16 SAM vertical launcher system on the fore deck.

There were also the ships of some of the navies whose presence in the region helps maintain a balance, chief among them the United States Navy (USN), which was the foreign navy with the largest number of ships at Changi Naval Base with two surface ships and a submarine. These were the Arleigh Burke Class Destroyer USS Mustin (DDG 89), a Freedom Class Littoral Combat Ship USS Fort Worth (LCS 3), and a Los Angeles Class submarine, the USS Pasadena (SSN 752). Some of the others at berth were a Republic of Korea Navy Incheon Class Frigate ROKS Incheon (FFX 811), a Royal Australian Navy Anzac Class Frigate HMAS Perth (FFH 157), and several ships of the regional and Indian sub-continent navies. More on IMDEX Asia 2015 can be found at the exhibition’s website. The next exhibition is schedule to take place from 16 to 18 May 2017.

The USS Fort Worth Littoral Combat Ship.

The USS Fort Worth, a Freedom class Littoral Combat Ship.

USS Mustin, an Arleigh Burke Class Destroyer.

USS Mustin, an Arleigh Burke class Destroyer.

USS Pasadena, a Los Angeles Class submarine.

USS Pasadena, a Los Angeles Class submarine.

SLNS Sayura, a Sri Lanka Navy Sukanya Class Patrol Vessel.

SLNS Sayura, a Sukanya class Offshore Patrol Vessel and the flagship of the Sri Lanka Navy.

The stern of the ROKS Incheon against the incoming storm.

The stern of the ROKS Incheon against the incoming storm.

The KD Lekir, a TLDM (Royal Malaysian Navy) Kasturi Class Corvette.

The KD Lekir, a TLDM (Royal Malaysian Navy)
Kasturi Class Corvette.

The Indian Navy's INS Satpura, a Shivalik Class Frigate.

The Indian Navy’s INS Satpura, a Shivalik Class Frigate.

The silhouettes of two of the Republic of Singapore Navy's Endurance class LSTs.

The silhouettes of two of the Republic of Singapore Navy’s Endurance class LSTs.


Previous posts on other naval vessels:






The long road to Somapah

26 06 2015

Excerpts of an interview with Mr Lim Jiak Kin:

From the late 1950s to the 1970s, I had a relative who lived in Mata Ikan. This was close to Somapah Village where my mother’s best friend lived. Her second son was my second brother’s god-brother.

The approach to Somapah and Mata Ikan was via Somapah Road, lined on the left and right with rows of shophouses. I remember a tailor, as well as a corner shop where my mother’s best friend ran a permanent wave salon. The salon was air-conditioned – a big deal in those days and it was where we always stopped on the way to Mata Ikan.

The idyllic setting of Mata Ikan village as captured by Singapore artist Harold Ong.

The idyllic setting of Mata Ikan village as captured by Singapore artist Harold Ong.

I also remember that there were shophouses opposite the permanent wave shop, in front of which were some very good food stalls. One hawker sold fish porridge and another sold fried oysters. The stalls were relocated to Changi Village when Somapah was resettled. Right next to the permanent wave salon was an open-air cinema.

Somapah Road, at its junction with Jalan Somapah Timor (National Archives online catalogue).

By the side of the cinema there was a little slope where a number of stalls had been set up. This was where the morning market was held and where freshly cooked food and fish were sold. The fish would probably have been brought in from the sea at Mata Ikan, one or two kilometres away. Driving past the market, you would come to a child and maternal clinic. Farther in there were holiday bungalows, corporate as well as private ones.

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A playground at the Government holiday bungalows at Mata Ikan.

After stopping by the salon, we would head to the end of Somapah Road. That was where we would find the last house by the sea, a house of wood and attap typical of a Malaysian beach hut, standing under a coconut tree.

That was our main destination, a provision shop run by a good friend of my father’s. He was a relative of sorts, having originated from the same ancestral village in Hainan as my father. This man and his Teochew wife lived at the back of the house and kept chickens, reserving the best of them and also their eggs for my father for the Chinese New Year.

Across the path from the provision shop was a small shed. That was where my father’s friend turned crushed cockle shells into a ‘dough-like’ kapor to be sold as whitewash. Packed into wooden crates measuring one foot by one foot and two to three feet high, the kapor would be put on sale in paint shops. Competition from low-end, but superior-quality paints introduced by established paint-makers, had seen the trade gradually dying out.

I remember that the population of the Somapah area was mainly Chinese. Among the various dialect groups was a large Hainanese community and I can recall the Hainanese-run Kwang Boo Kok Suat Thuan. The head of the association was one of the founders of the Long Beach Seafood Restaurant that used to operate in the now long-gone Bedok Rest House.

Kwang Boo Kok Suat Tuan on the Changi 10 Mile Facebook Page.

I have many fond memories of my trips to Somapah and Mata Ikan. It was an outing that to a young boy, seemed almost like an overseas trip. Not many people had the opportunity to travel to the beach by car in those days. We would head there in an Austin A40 with the registration plate SC 644 that my mother would drive. There would be five of us; my parents, my two brothers and me, and we would take the drive on Sundays when my father was free.

Somapah Village was one of the main settlements in the area and served as the gateway to some of the villages that lay along the old coastline.

Somapah Village, in the National Archives online catalogue.

The drive was a long but scenic one. It seemed a long journey even in later years when made on board a lorry that left from the Capitol Cinema, near where the Bata shop was. Sitting on a plank in the back of the lorry about an hour into the journey, I would always look out for the “阿弥陀佛” (a mi tuo fo) temple opposite the Bedok Army Camp, as a sign that we were nearing our destination, the site of the picnic we were attending.

The “阿弥陀佛 (a mi tuo fo) temple” – photograph online at Stamford Chalky’s Flickr album.

As a city dweller living in a two-storey shophouse with only the very dangerous Odeon car park to run about in, I felt like a caged dog being let loose when we went to the beach. It always meant getting my feet wet, picking up shells and sitting under coconut trees – a real treat that to this day I can still picture in my dreams.


More memories of Somapah Village and Mata Ikan

The site of Somapah Village is now where the new campus of the Singapore University of Technology and Design (SUTD) stands. Mata Ikan, was a holiday destination for many in days when it was the fashion to take vacations by the sea. The site of the village by the sea would be close to where Changi South Ave 3 is today.

What has happened to the magical Tanah Merah Coastline ...

Approximate locations of some of the missing villages of the Changi / Somapah area.


 

 





The sports complex at Turnhouse Road

24 06 2015

Lying silently and somewhat forgotten is a set of structures that is seemingly out of place in an area dominated by buildings of the former Royal Air Force Changi station (RAF Changi). An award winning sports complex that was completed in October 1982, the set of structures was the Singapore Airlines (SIA) Group Sports Club and had been built on the site of a previous sports facility, the former RAF Changi’s Airmen’s Swimming Pool. The S$11 million modern looking complex at 24 Turnhouse Road, one of the early post RAF Changi era interventions in the previously restricted section of Changi Point, was built to replace to the club’s facilities at the former international airport at Paya Lebar.

The former SIA Groups Sports and Recreation Club complex at 24 Turnhouse Road.

The former SIA Groups Sports Club complex at 24 Turnhouse Road.

The approach to the former club.

The approach to the former club along Turnhouse Road.

Windows into a more recent past.

Windows into a more recent past.

Erected at a time when several larger organisations were also investing in similar leisure facilities, the 2.68 ha. complex was thought of as second only to Shell’s impressive facilities at Pulau Bukom and Paya Lebar and catered for a variety of popular sports. It boasted of a seven lane Olympic size swimming pool, a children’s pool, basketball and netball courts, playing fields, three tennis courts, four squash courts, and a multi-purpose hall with three badminton courts.

The entrance to the club.

The entrance to the club.

The main staircase.

The main staircase.

The multi-purpose hall.

The multi-purpose hall.

And the seven-lane Olympic size swimming pool.

And the seven-lane Olympic size swimming pool.

The row of squash courts.

The row of squash courts.

The club’s architectural design, for which it won an award, has been described in an article on page 6 of the 18 June 1981 edition of the Straits Times:

The architecture of the complex is imaginative in concept and bold in design, featuring a four level chalet style building with sloping roofs, wide eaves and cantilevered balconies … An important aspect of the design is the viewing terrace, which links all sports and recreational areas. A roof deck on the topmost level of one wing offers superb views of the general surroundings, while a viewing balcony overlooks the multi-purpose hall and four squash courts.

A view from the sea towards the area where the former club is. The structures of its buildings stand out in the distance.

A view from the sea towards the area where the former club is. The structures of its buildings stand out in the distance.

The viewing balcony.

The viewing balcony.

The upper floor corridor overlooking the swimming pool.

The upper floor corridor overlooking the swimming pool.

What would have been a snack kiosk next to the swimming pool.

What would have been a snack kiosk next to the swimming pool.

A view out to the swimming pool.

A view out to the swimming pool.

Pipework in the club's boiler room.

Pipework in the club’s boiler room.

Besides catering for sports, the club also provided for indoor activities, other hobbies and dining. Housed within its buildings were food and beverage outlets, a gym, a reading room, a conference room, a lounge, a jackpot machine room, an electronic games arcade, as well as rooms for billiards, darts and television. An innovation of the day that the club put to use was a solar powered water heating system.

What must have been a function or conference room.

What must have been a function or conference room.

A restaurant space.

A restaurant space.

A view across the pool to the viewing balconies.

A view across the pool to the viewing balconies.

Despite the club’s enviable facilities, membership fell in its first years of operations at its new premises from a high of 5253 members in 1981 to a low of 1200, based on a 1983 report by in Suara Satu, the newsletter of Singapore Air Transport-Workers’s Union (SATU). Increased membership fees, distance and a lack of transportation to the club had been cited as a contributing factor. This saw the club open its doors to Division 1 civil servants, as well as staff of client airlines of its subsidiary Singapore Airport Terminal Services (SATS). There was also talk then of the club finding new premises or being opened to the public coming to the surface.

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The club did eventually move out – to its current facilities off Upper Changi Road East in 2006, leaving the clubhouse at Turnhouse Road abandoned. Today it remains unused – except for the occasional event being held there. The future of the club’s former buildings is uncertain, although an adaptive reuse may be found for the site in the interim during which time the structures will stand perhaps as a lesser known and temporary reminder of a period of Changi Point’s development that was influenced by the arrival of the new airport at Changi.

A terrace with a view to the sea.

A terrace with a view to the sea.

A view across to 23B Turnhouse Road, now a seafood restaurant.

A view across to 23 Turnhouse Road, now a seafood restaurant.

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Keeping the fire burning …

22 06 2015

One of the last two dragons of Singapore, the Thow Kwang dragon kiln, was brought to life over the weekend, its flames fed by a team of potters and volunteers working through the night. The use of such kilns, a tradition imported by the Teochew community, served a necessary purpose in the production of latex cups in the days when rubber plantations covered large parts of Singapore’s rural landscape. At its height, the would be kept running with little pause through a cycle of packing, firing, cooling and unpacking that would take place up to four times a month.

Keeping the fire burning at Thow Kwang.

Keeping the fire burning at Thow Kwang.

With the end of rubber production on the island, many kilns lost their relevance. Some turned to making flower pots in the 1980s, a decade that saw many others forced to close. Today, only the former Guan Huat and Thow Kwang kilns, both of which are located off Jalan Bahar, have survived.

Wood for firing in the glow of the kiln.

Wood for firing in the glow of the kiln.

The inferno inside the firing box.

The inferno inside the firing box.

The first row of pots seen  through the flames.

The first row of pots seen through the flames.

Fired by those with the passion to keep an age-old tradition alive, for now at least the dragons still breathe. The kilns operate on land that the Jurong Town Corporation (JTC) now owns, are on an extension to their respective leases that could see them used up to 2023/2024, beyond which, little is known of what will become of them.

Feeding the dragon.

Feeding the dragon.

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To learn more about the kiln, how it is fired and also the art of wood-fired pottery, there is a wonderful app (only for iPad at the moment) that can be downloaded at Dragon Fire.

Ms Carolyn Lim giving a demo of the iPad app.

Ms Carolyn Lim giving a demo of the iPad app.

More information on the Thow Kwang kiln and its previous firings and some of the preparatory work that goes on before a kiln is fired, do also visit some of my previous posts:

A look at the remains of what is thought to have been a Hokkien 3-chamber kiln that predates the dragon kiln.

A look at the remains of what is thought to have been a Hokkien 3-chamber kiln that predates the dragon kiln.





Reliving the good old days

17 06 2015

Pulau Ubin, the Granite Island, is possibly the last place left in Singapore in which we are able to rediscover how life might once have been. The island, which provided material with which the early structures of modern Singapore were built, is where the last remnants of village life in a setting reminiscent of the rural world that seems to have become irrelevant to the now ultra-modern Singapore is now to be found.

A village house on Pulau Ubin.

A village house on Pulau Ubin.

A resident of Ubin, an oriental pied hornbill.

A resident of Ubin, an oriental pied hornbill.

Despite the goings-on at the various sports venues across Singapore, the island managed to grab some attention from Singaporeans over the weekend when an almost carnival-like atmosphere descended on it for Ubin Day 2015. The two-day event, which attracted boat loads of visitors, provided an opportunity for many to relive the good old days with a host of activities that ranged from a Malay wedding showcase, a tour of a traditional Chinese kampong house (House 363B), and traditional games to nature and outdoor related action.

A silat performance at the 'Malay wedding'.

A silat performance at the ‘Malay wedding’.

Minister of State, National Development at the opening of Ubin Day 2015.

Minister of State, National Development at the opening of Ubin Day 2015.

Windows into the past.

Windows into the past – the windows of a kampong house.

Among the “guests” of the Malay wedding, were several VIP visitors, including Minister for National Development, Mr Khaw Boon Wan and Minister of State for National Development Dr Maliki Osman – who rode a bicycle to the house. The VIPs, besides being treated to a silat performance, also dropped in on Mdm Kamiriah Abdullah in her century old kampong house.

Madam Kamariah's century old Malay kampong house on Ubin.

Madam Kamariah Abdullah’s century old Malay kampong house on Ubin …

... which received some VIP guests ...

… which received some VIP guests …

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It was especially encouraging to see the many kids in the crowd show interest in the various nature conservation groups who had their booths set up at the old basketball court. The kids were also given an opportunity to try their hands at some of the traditional games – although it did seem like the overgrown kids were having most of the fun in rediscovering their childhood days…

A boy playing a traditional game hopscotch.

A boy playing a traditional game hopscotch.

A kid grown up showing her amazing zero-point skills.

A kid grown up showing her amazing zero-point skills.





The art and science of bringing an ogre to life

15 06 2015

Animation has allowed many a tale to be spun in which the unlikeliest of heroes take centre-stage. This is especially so in the last two decades with the availability of the computing power required to allow CGI animation to give scenes and characters a much greater degree of realism. We now have a chance in Singapore to see what how DreamWorks Animation, one of the studios at the forefront of animation, in bringing endearing characters such as a love struck ogre and a round kung-fu kicking panda to life, at Dreamworks Animation: The Exhibition. The exhibition, which opened at the ArtScience Museum over the weekend, will be a treat not just for animation fans, but also anyone and everyone who has watched any of DreamWorks’ wonderful creations.

Mr Chris Harris of ACMI, the ArtScience Museum's Ms Honor Harger and Mr Doug Cooper of DreamWorks Animation.

Mr Chris Harris of ACMI, the ArtScience Museum’s Ms Honor Harger and Mr Doug Cooper of DreamWorks Animation.

Curated by the Australian Centre for the Moving Image (ACMI), the exhibition, which is divided into three main galleries, also offers the visitor lots of opportunities to have a feel for some of the processes involved in animation for themselves, through its interactive components. One that will certainly be a hit would be the Face Poser interactive station. Here, visitors can play around at manipulating facial features such as furrowing a brow or raising an eyebrow of a character to give different facial expressions and show different emotions.

The Face Poser.

The Face Poser.

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There also is an opportunity to have a feel of the software used by DreamWorks’ animators at another interactive station in the Drawing Room. This will allow visitors to create a short 2D animation sequence with the aid of a tutorial.

Mr Doug Cooper at the Drawing Room.

Mr Doug Cooper at the Drawing Room.

The exhibition proper, which is on its first stop of an intended five-year international tour, takes visitors through the process of how characters are developed and how they evolve from 2D sketches to what we see on the screen in the Character gallery, how the story is developed and sold in the Story gallery, and finally how the magical worlds – the wonderful scenes that give a flavour to the films are woven around the characters and the story, in the World gallery.

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A recreation of a DreamWorks Animation studio real-life workspace.

A recreation of a DreamWorks Animation studio real-life workspace.

In the Character, we are also introduced to how the development of characters have evolved with the advances in computing, with the display of sketches, the marquettes that were used to develop 3D images prior to this being done completely on the computer screen, as well as in-depth interviews that are screened.

The Character Section with its display of marquettes and sketches that depict the evolution of some of the popular characters.

The Character gallery with its display of marquettes and sketches that depict the evolution of some of the popular characters.

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A recreation of another DreamWorks Animation studio real-life workspace.

A recreation of another DreamWorks Animation studio real-life workspace.

The Story gallery is where one finds what I thought was one of the more interesting exhibits – a digital storyboard at which visitors can catch a very animated Conrad Vernon, doing a pitch for the “Interrogating Gingy” scene in Shrek. The filmmaker was apparently so convincing that DreamWorks had him lend voice the gingerbread man his voice.

Catch Conrad Vernon doing his pitch for Interrogating Gingy.

Catch Conrad Vernon doing his pitch for Interrogating Gingy.

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The World gallery, the largest section, is where the work of directors, designers and concept artists converge and where we have a look at some of the thoughts that go into the scenes. It is also where another of the exhibition’s must-dos, Dragon Flight: A Dragon’s-Eye view of Berk, a panoramic ride on the back of Toothless from How to Train Your Dragon over Berk across a 40-foot 180 degree projection, specially made for the exhibition, can be viewed.

Dragon Flight (photo: Marina Bay Sands / Mark Ashkanasy).

Dragon Flight (photo: Marina Bay Sands / Mark Ashkanasy).

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There will be lots of other programmes and activities during the exhibition period, including screenings of some of our favourite DreamWorks’ films. More information on the exhibition, including a full list of programmes and on ticketing can be found at the exhibition page on the ArtScience Museum’s website.

For the kids - an activity that introduces the basics of animation.

For the kids – an activity that introduces the basics of animation.





The fire station at the 8th mile

9 06 2015

One of those things almost every young boy dreams of becoming is a fireman. I had myself harboured ambitions of becoming one at different points during my childhood; the inspiration coming from picture books and what I must have caught on the television and perhaps from the constant reminder I had in the form of the rather eye-catching Alexandra Fire Station, which was close to where I lived in Queenstown.

The former Bukit Timah Fire Station, a landmark in my many road journeys.

The fire station at the 8MS, Bukit Timah Fire Station, a landmark in my many road journeys and a fire station of old marked by a distinctive hose-drying tower.

Sadly, that station is long gone. The monster of a building that replaced it, besides housing a fire station, also has a police centre operating from it. Without the distinctive hose-drying tower and red doors, the new building, unlike the stations of old, is no longer one to fuel the aspirations of childhood, and certainly not one in which I am able to reconnect with days that I often wish to return to.

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That connection to my youthful days can fortunately be found in several other fire stations of old. Of these, the pretty red and white Central Fire Station, Singapore’s oldest and now a National Monument is still in operation. That, in the days of my childhood, loomed large at the far end of a street now lost, Hock Lam Street, along which I often found comfort in a bowl of its famous beef ball soup.

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Two others that I regularly set my eyes upon, while still around, are no longer operational. One is the red brick former Serangoon or Kolam Ayer Fire Station, along Upper Serangoon Road. Now reassembled, having been moved due to the construction of a road where it had stood, the station was one that was close to my second home in Toa Payoh.

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The other was Bukit Timah Fire Station. Sited at the 8th milestone Bukit Timah, it was close to the giant Green Spot bottle that stood tall at the Amoy Canning Factory (see: a photograph of the Green Spot bottle  on James Tann’s wonderful Princess Elizabeth Estate blog) and was at the foot of Singapore’s highest hill. The station stood out as a landmark in the many road journeys of my childhood. The pair (the station and the giant replica bottle) seemed then to mark the edge of the urban world and on the long drives to the desolate north and the wild west, the sight of them would represent the start of the adventure on the outward journey, and would signal the return to civilisation on the journey home.

The former station, just after its closure (online at http://m5.i.pbase.com/u41/lhlim/upload/22296575.DSCF0029_02.jpg).

The former Bukit Timah Fire Station has a mention in the National Heritage Board’s Bukit Timah Heritage Trail booklet. This tells us that it was in 1956, the fourth fire station to be built; a fact that I assume is in relation to the stations that were built for the Singapore Fire Brigade, coming after Central Fire Station and the sub-stations at Geylang and Alexandra. Kolam Ayer (Serangoon), built for the volunteer Auxiliary Fire Service in 1954 would have already been standing at the time. That only came under the Singapore Fire Bridage in 1961, following the disbandment of the volunteer force. Another station that would have existed, was the Naval Base Fire Brigade’s Sembawang Fire Station. Built in the 1930s, the station’s building is now conserved.

Signs of very different times.

Signs of very different times.

Bukit Timah sub-station’s appearance, is perhaps one of the strongest clues to its vintage, its clean and understated elegance is typical of the 1950s Modernist style. One of the few adornments on its uncluttered façade, is a coat of arms. That of the Colony of Singapore, it is also is a telltale sign of when the station would have been commissioning – the coat of arms was in use during the days of the Crown Colony from 1948 to 1959.

The coat of arms of the Crown Colony.

The coat of arms of the Crown Colony.

The station is designed in the 1950s Modernist style.

The station is designed in the 1950s Modernist style.

The station’s grounds, also speak of the past. Besides a sign slowing us down to 20 miles per hour, there are many other signs of the times, the most noticeable of which would be the now recoloured low-rise apartment blocks. The blocks provide evidence of days when the various services provided for the accommodation needs of servicemen and their families as well as point to a period in our history when Singapore, even if administered by the colonial masters as a separate entity, was a part of the greater Malaya. It would have been common then to find men in service hailing not just from the Crown Colony but also from parts of the Federation. The seven three-storey blocks, each with six comfortably proportioned apartments, are in the company of a single storey house at the back, which would have been the residence of the station master.

The former firemen's quarters, seen in 2010.

The former firemen’s quarters, seen in 2010.

Some of the apartment blocks today.

Some of the apartment blocks today.

A view through a wall to the former station master's residence.

A view through a wall to the former station master’s residence.

Having been in operation for close to half a century, the station was to close its red doors for good in 2005 when a larger and modern replacement at Bukit Batok Road was built. Missing from the new station was the hose-drying tower that once seemed to be the defining feature of a fire station. The introduction of machines to handle tasks such as the drying of hoses meant that stations built from 1987, starting with the one in Woodlands, would take on a new appearance.

The ladder up the hose-drying tower.

The ladder up the hose-drying tower – something firemen are no longer required to climb.

The entrance to the hose-drying tower.

The entrance to the hose-drying tower.

One of several former stations still standing, only the buildings belonging to Bukit Timah have found interim uses. These were initially leased out by the State for three years in April 2008 to serve as a venue for corporate events, adventure camps, arts, education and sports.

A world recoloured.

A world recoloured.

Letter boxes where hoses were once hung.

Letter boxes where hoses were once hung.

Since then, the premises has seen a second master tenant leasing the property on a 2+2 year term, with whom it was relaunched as a lifestyle and education hub in 2012. Besides the take-up of units in the former quarters by businesses running enrichment activities aimed at the young, there is also a food and beverage outlet that now operates out of the station’s former garage.

The former station's red doors, seen in 2010.

The former station’s red doors, seen in 2010.

A F&B outlet now operates from the former garage.

A F&B outlet now operates from the former garage.

As of today, the buildings do not have conservation status. There is hope however for their future retention, even if the current edition of the Urban Redevelopment Authority (URA) Master Plan seems to suggest otherwise. A Request for Proposal (RFP) for a Concept Master Plan for the Rail Corridor initiated by the URA identifies the former station as one of four activity hubs for which shortlisted teams are required to submit a concept design in which the buildings are retained and “repurposed for uses that complement its function as a gateway into the Rail Corridor(see A new journey through Tanjong Pagar begins).

Now a enrichment hub, will it be a future gateway to the Rail Corridor?

Now a enrichment hub, will it be a future gateway to the Rail Corridor?

It would certainly be a cause for celebration should this happen. The station, as one of the last to survive from an era during which the area developed as a industrial corridor and as a prominent landmark, serves not just as a link to the area’s development and history, but also as a reminder of a Singapore we might otherwise be quick to forget.

The hose-drying tower and one of the blocks of the former quarters.

The hose-drying tower and one of the blocks of the former quarters.

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