MasterChef Asia makes it debut

3 09 2015

The first season of MasterChef Asia makes its debut on Lifetime today 3 September 2015. Over the 15 episodes, the first ever MasterChef Asia will emerge from the total of 15 aspiring cooks from across Asia. The first season will see three contestants from Singapore, Lennard Yeong, Woo Wai Leong and Sandrian Tan, who were seen at a live cook-off mystery box challenge at NEX on Saturday, along with the three judges, Hong Kong born Susur Lee, 3-Michelin Starred Bruno Menard and Singapore born Audra Morrice. The show can be followed on Lifetime (Starhub TV Channel 514) on Thursdays at 9 pm.

Susur watching over Leong and Sandrian at the Mystery Box challenge at NEX.

Susur watching over Leong and Sandrian at the Mystery Box challenge at NEX.

The three judges being introduced to the crowd.

The three judges being introduced to the crowd.





Liberation, 70 years ago, remembered

2 09 2015

It was on 2 September 1945, 70 years ago today, that Japan formally surrendered on board the USS Missouri in Tokyo Bay, bringing an end to the most devastating of armed conflicts the world had seen. It was a war that “impregnable fortress” that was Singapore found itself drawn into, having been bombed and subsequently occupied by Japan over a three and a half year period that counts as the darkest in modern Singapore’s history.

JAPANESE SURRENDER AT SINGAPORE, 12 SEPTEMBER 1945

The surrender ceremony in the Municipal Chamber, 12 September 1945, source: Imperial War Museums © IWM (A 30495).

The formal end of the war and occupation came to Singapore a little after the surrender in Tokyo Bay, an end that was commemorated in a simple yet meaningful ceremony held in City Hall Chamber (now within the National Gallery Singapore)  last Thursday, 27 August. Held in the very hall in which the war in Southeast Asia was formally brought to an end on 12 September 1945, the two hundred or so guests were reminded not only of the surrender, but also of the otherwise unimaginable pain and suffering of those uncertain days. Speaking during the ceremony MAJ (Retired) Ishwar Lall Singh, of the SAF Veterens League, revisited the trauma of war; his experienced echoed by the distinguished poet Professor Edwin Thumboo through a recital of verses recalling the days of Syonan-to.

City Hall Chamber, during the commemoration of the 70th Anniversary of the end of the war.

City Hall Chamber, during the commemoration of the 70th Anniversary of the end of the war.

The short ceremony was brought to a close by the sounds of a lone bugler filling the hall with the poignant strains of the Last Call and and then the Rouse on either side of the customary minute-of-silence, just as the call of the bugle on the Padang might have been sounded at the close of the events of 12 September, 70 years ago. Then, the surrender of forces under the command of Field Marshal Count Hisaichi Terauchi, whose grave can be found at the Japanese Cemetery in Singapore, had just been sealed in the Municipal Chamber, an event that was witnessed by scores of jubilant residents freed from the yoke of war.

The Last Post.

The Last Post, 27 August 2015.

JAPANESE SURRENDER AT SINGAPORE, 12 SEPTEMBER 1945

The Instrument of Surrender signed on 12 September 1945, source: Imperial War Museums © IWM (IND 4818).

SIGNING OF THE JAPANESE SURRENDER AT SINGAPORE, 1945

General Itagaki and the Japanese contingent being escorted up the steps of the Municipal Building fro the surrender ceremony, source: Imperial War Museums © IWM (CF 719).

The steps of City Hall today, now a wing of the soon-to-be-opened National Art Gallery Singapore.

The steps of City Hall today, now a wing of the soon-to-be-opened National Art Gallery Singapore.

The war had in all reality come to an abrupt end four weeks prior to the former surrender in Singapore, through the announcement by Emperor Hirohito broadcast to the people of Japan at noon on 15 August of Japan’s acceptance of the terms of the Potsdam Declaration. That had called for the unconditional surrender of all Japanese forces, a surrender that was to be formalised on the USS Missouri. The impact of the announcement was however only to reach the shores of Singapore on the morning of 5 September, some three weeks later, when troops from the British-led 5th Indian Division made landfall to begin the reoccupation of Singapore.

BRITISH REOCCUPATION OF SINGAPORE, 1945

Reoccupation troops from the 5th Indian Army on landing craft headed into Singapore, source: Imperial War Museums © IWM (SE 4636).

It may be thought of as fortunate that the end of three and a half years of darkness came with little of the violence that had accompanied its beginning. It could have been very different. The 5th Indian Division were poised to launch an invasion of Singapore (and Malaya), which would have taken place on 9 September 1945, if not for the surrender.

MAJ (Retired) Ishwar Lall Singh greeting Minister Lawrence Wong, the Guest of Honour.

MAJ (Retired) Ishwar Lall Singh greeting Minister Lawrence Wong, the Guest of Honour at the commemorative event.

Even with the surrender, there were many in the ranks of the occupying forces who were prepared to carry the fight on to the death. One was General Seishiro Itagaki, the most senior officer after Field Marshal Terauchi. It was Itagaki who would later sign the Instrument of Surrender on the bedridden Terauchi’s behalf, having accepted the Supreme Commander’s orders with some reluctance.  This however did not stop some violent deaths from taking place. Some 300 Japanese officers chose death over surrender and took their own lives after a sake party at Raffles Hotel on 22 August. A platoon of troops had reportedly chosen the same end,  blowing themselves up with hand grenades.

JAPANESE SURRENDER AT SINGAPORE, 4 SEPTEMBER 1945

General Itagaki onboard the HMS Sussex signing the terms of Reoccupation on 4 September 1945, source : Imperial War Museums © IWM (A 30481).

By and large, the first British-led troops to land late in the morning on 5 September, encountered none of the resistance some had feared. The terms of the reoccupation were in fact already laid out during an agreement on initial surrender terms that was signed on board the HMS Sussex the previous day. The first flight, which included a contingent of pressmen armed with typewriters alongside fully armed troops, made the two-hour journey on the landing craft from the troop ship HM Trooper Dilwara, anchored twenty miles away out of gun range, bound for Empire Dock “a few minutes after nine o’clock”. An account of this and what they encountered is described in a 5 September 1946 Singapore Free Press article written for the first anniversary of the reoccupation. The same account tells us how the flight had come ashore to “docks that were almost deserted, except for one or two small crowds of Asiatics, who cheered from the water’s edge”.

BRITISH REOCCUPATION OF SINGAPORE, 1945

A view down Bras Basah Road during the reoccupation on 5 September 1945, source: Imperial War Museums © IWM (IND 4817).

Among the 200 guests at the ceremony were survivors of the war, who were accompanied by family members.

Among the 200 guests at the commemorative event were survivors of the war, who were accompanied by family members.

The streets of Singapore had apparently been well policed in the interim by the Japanese. In maintaining sentry at major intersections, the Japanese troops also kept the streets clear to receive the anticipated reoccupation forces and it seems that it was only after word spread of the returning British-led forces that the large cheering crowds seen in many photographs circulated of the reoccupation, began to spill onto the streets.

BRITISH REOCCUPATION OF SINGAPORE, 1945

Crowds lining the streets of Singapore to greet the reoccupying forces, source: Imperial War Museums © IWM (SE 4659).

For most part, the horrors of war, and the liberation that came, are now quite forgotten. While the dates were remembered as Liberation Day and Victory Day in the first years of the return to British rule, 5 September and 12 September have all but faded into insignificance in a nation now obsessed with celebrating it most recent successes. While the initial years that followed may not immediately have fulfilled the promise that liberation seemed to suggest, we are here today only because of what did happen, and because of the men and women who lost their lives giving us our liberation.

THE BRITISH REOCCUPATION OF SINGAPORE

Japanese troops being put to work rolling the lawn of the Padang during the reoccupation, source: Imperial War Museums © IWM (SE 4839).

The same roller spotted at the Padang sometime last year.

The same roller spotted at the Padang sometime last year.

SINGAPORE: SIGHTSEEING. 8 AND 9 SEPTEMBER 1945, SINGAPORE.

Joy and hope on the streets. Children following a trishaw carrying two sightseeing British sailors from the reoccupying forces down High Street. Source: Imperial War Museums © IWM (A 30587).

City Hall and the Padang, where the Surrender and Victory Parade took place against the backdrop of a thriving and successful Singapore 70 years on.

City Hall and the Padang, where the Surrender and Victory Parade took place against the backdrop of a thriving and successful Singapore 70 years on.





Tanjong Pagar after dark

27 08 2015

It has been a little more than four years since the lights went out on Tanjong Pagar Railway Station. Left to the ghosts that are said to haunt it, the former station sees the occasional return of the living, as it did on Tuesday evening, when I got to see it again after dark with its ghosts scared off by the lights, sounds and action of the first of a series of this year’s Singapore International Festival of Arts’ (SIFA) Dance Marathon nights being held at the station.

JeromeLim-0373

JeromeLim-0374

JeromeLim-0377

The evening, which had Japanese Ambassador Haruhisa Takeuchi hosting a small reception and introduce Archivist-Choreographer Mikuni Yaniahara as a Japan Cultural Envoy, saw two dance performances, starting with Yaniahara’s Real Reality at the main hall and followed by Yukio Suzuki’s Lay/ered on the tracks. The double-bill was the first of four dance evenings that are being held at the station. The three other evenings are on 28 August31 August and on 4 September.

The Ambassador of Japan, His Excellency Haruhisa Takeuchi.

The Ambassador of Japan, His Excellency Haruhisa Takeuchi.

Mikuni Yanaihara.

Mikuni Yanaihara.

The former station, intended as a grand terminal and a gateway to oceans, was built in 1932 and is thought to have been modelled after Helsinki’s Central Station. Gazetted as a National Monument in April 2011, it has been left empty since the Malayan Railway’s moved its southern terminal to Woodlands in July of the same year. The building, once the property of the Malaysian government through the Malayan Railway or Keretapi Tanah Melayu (KTM) in more recent times, bears many reminders of the links Singapore had to Malaya throughout much of its history.

JeromeLim-0393

JeromeLim-0387

The future of the well-loved monument, at least for an interim twenty year period before the port nearby begins a journey to the west (port operations are being moved to Pasir Panjang and eventually to Tuas), is now on the drawing board. As one of two special interest areas, for which a concept design proposal is being sought under Stage 2A of a Request for Proposal (RFP) for the Rail Corridor, the five teams shortlisted are required to suggest an interim re-purposing of the former station. The former station is seen as a gateway to the Rail Corridor, and it is a requirement of the RFP that any proposed reuse will allow the public to have “unfettered access so that they can appreciate the heritage of this building and its surroundings”.

JeromeLim-0391

JeromeLim-0363

Submissions for the stage should have already been made. We should have some inkling of what the teams have in mind with a public exhibition of shortlisted submissions scheduled for October this year. More information on this can be found at the Rail Corridor RFP information site.

JeromeLim-0365

JeromeLim-0371

 

 





The Causeway queue that started at Queensway

25 08 2015

The recent news relating to the introduction of Vehicle Entry Permits (VEP) for Singapore registered private vehicles entering Malaysia, brings to mind the VEP in its previous form. A requirement in force from 1 May 1967, in the same year that full immigration controls at the two previously unified countries’ only land crossing point, the VEP was issued free and took the form of a paper disc. Much like a road tax disc and similarly sized, the disc, commonly referred to as the “White Disc” was to be displayed on the windscreen. The initial intention of implementing the VEP was to stem a loss of revenue due to Malaysian based motorists using Singapore registered vehicles permanently in West Malaysia to take advantage of the then lower road taxes in Singapore.

The “White Disc” (posted by Victor Tang on Facebook Group “On a Little Street in Singapore”).

Most motorists from the era will remember the effort that was required just to obtain the VEP, which after December 1973, had a its validity limited to 14 days from the previous 6 to 12 month validity. This required a visit to the Malaysian Registrar of Motor Vehicles’ Office, which was at a colonial bungalow at Holland Park off Queensway (the entrance to it was at Queensway – somewhere around where the crest of the hill, just past the Commonwealth Crescent area in the direction of Holland Road), and a good amount of patience as queues for the VEP were notoriously long – especially during the holiday season (the VEPs issued per day ran into the thousands).

The queue for the VEP at Queensway in the 1970s (source: http://www.nas.gov.sg/archivesonline/ – National Archives Online).

The VEP was eventually scrapped from 1 May 1986 and for close to three decades, Singapore registered vehicles could enter Malaysia for up to 90 days a year without the need for a permit. The new VEP requirements take effect from 1 September 2015, which requires vehicles to be registered through the Malaysian Road Transport Department’s website. Along with the VEP, Singapore registered vehicles would be required to pay a RM20 fee per entry, which based on current information, will take effect from 1 October 2015.





Vanishing acts

24 08 2015

Standing in silence at what perhaps is a less explored end of Balestier Road is a row that was only recently emptied of all life. Life in the row at the Rumah Miskin end of the road, included several reminders of the city we seem to have long forgotten – until only a few weeks ago, or at least when I last drove past it a month or so ago, the row was home to two artisans shops, a timber merchant and the merchant’s material storage yard.

A reflection on a discarded piece of the old world.

A reflection off  a discarded piece of the old world (sitting against the fence of Chop Chuan Seng’s former material yard).

Trades such as these were once a feature of the city’s living streets, but not in the redefined urban landscape we see today. With our streets seemingly intent only with the display of the city’s new found vanity, little place has now been left for the one thriving traditional business of old, leaving many of our streets, even ones along which the structures of old still exist, with little flavour and with hardly any character. The “more of the same” that many of our spaces in Singapore, once each with a charm and character of its own and now with a tendency to be differentiated only by a fanciful name, have become.

Along the five-foot-way of the row now emptied of life.

Along the five-foot-way of the row now emptied of life.

The noodle manufacturer, Nam Hin, which occupied two shop lots at Nos. 3 and 5.

The noodle manufacturer, Nam Hin, which occupied two shop lots at Nos. 3 and 5.

The now closed gates of the shop the noodle manufacturer once occupied.

The now closed gates of the shop the noodle manufacturer once occupied.

The Rattan Furniture maker's shop.

The Rattan Furniture maker’s shop.

Along the back lane behind the rattan furniture makers' shop.

Along the back lane behind the rattan furniture makers’ shop.

The timber merchant, Chop Chuan Seng, which occupied a four storey art-deco style building.

The timber merchant, Chop Chuan Seng, which occupied a four storey art-deco style building.

And the now empty timber merchants' yard next to it.

And the now empty timber merchants’ yard next to it.

A view of the storage shed inside the yard.

A view of the storage shed inside the yard.

 





Inuits will paint the town red this weekend

20 08 2015

The highly anticipated Singapore Night Festival is back!

One of the highlights of this year’s festival has to be the appearance of the world’s smallest and perhaps the most lovable Inuits, Anooki (Anook and Nooki). The Inuits, the creation of David Passegand and Moetu Batlle, have come all the way from France to run riot and paint the town, of rather the façade of the National Museum of Singapore. red, green, purple and blue and put a smile on the faces of the the crowds that will descend on the museum’s front lawn on the weekends of 21/22 and 28/29 August.

Annoki Celebrate Singapore on the façade of the National Museum of Singapore.

The Anooki wreaking havoc on the façade of the National Museum of Singapore.

JeromeLim-9858

JeromeLim-9884

JeromeLim-9888

David Passegand and Moetu Batlle.

David Passegand and Moetu Batlle.

The Inuits, which are said to have taken the animation world by storm, will feature in one of several performances specially commissioned for the jubilee year edition of the Singapore Night Festival. The fun and energetic projection, Anooki Celebrate Singapore, will anchor the festival’s Night Lights – a popular segment that promises to be bigger and better this year. Night Lights also sees several other light installations colour the night in and around the museum. One, Cédric Le Borgne’s le Desir et la Menace brings the huge banyan tree in front of the museum to life with giant illuminated bird wire sculptures. Another, Drawn in Light by Ralf Westerhof, recreates sights typical of Amsterdam using rotating illuminated wire frames suspended above the ground.

Le Desir et la Menace.

Le Desir et la Menace.

Drawn in Light.

Drawn in Light.

Inside the museum, Night Light offerings include And So They Say and A Little Nonya’s Dreams. The former is a documentary project that features interviews with 25 senior citizens that will also be seen at SOTA, DECK (at Prinsep Street) and the National Design Centre. The latter, sees three animators come together to individually interpret a little’s girls’ dreams.

And So They Say.

And So They Say.

From A Little Nonya's Dreams.

From A Little Nonya’s Dreams.

Playing with fire … and light over at the Singapore Art Museum, will be the Starlight Alchemy, an audience favourite and regular feature at the Singapore Night Festival. This year, sees the locally based group perform a specially commissioned Alchemy that tells of the reconciliation between Apollo from the world of Ethereal Light and Nuri from the world of Ethereal Flame, in another must-catch performance.

Fire ....

Fire ….

... and light meet at the SAM.

… and light meet at the SAM.

Other performances to catch include Goldies, who will take us back into Singapore’s musical world from the 50s to the 80s in a ticketed performance; Fields in Bloom, which sees flowers glowing in a spectrum of colours on the steps of SOTA and the Lorong Boys – 5 award winning Singaporean musicians who perform in both the concert hall and on the streets. Another interesting performance to catch is Lost Vegas, which features the giant puppets of Frank Malachi – an award winning puppeteer based in Singapore.

Meet Christine, who will be seen in Lost Vegas.

Meet Christine, who will be seen in Lost Vegas.

3 of the 5 Lorong Boys.

3 of the 5 Lorong Boys.

Flieds in Bloom.

Fields in Bloom.

Goldies.

Goldies.

The Singapore Night Festival 2015 runs over two weekends (Friday and Saturday nights), on 21 and 22 August and on 28 and 29 August, from 7 pm until 2 am. The festival will be held across 5 zones, the National Museum of Singapore, Armenian Street (which will again be closed for the festival), the House of Glamour (at the field across from the Cathay), the Festival Village at SMU and the Singapore Art Museum and Queen Street (including the National Design Centre, DECK at 120A Prinsep Street), Waterloo Street and SOTA). Besides light and music performances, festival goers can also look forward to lots of food offerings. More information on the festival can be found at the Singapore Night Festival Website at which a Festival Guide can also be downloaded.

Singapore Night Festival creative director Christie Chua.

Singapore Night Festival creative director Christie Chua.

 

 





Celebrating SG50 and a heritage gem

14 08 2015

One of the joys of living in Singapore, a melting pot of immigrant cultures for over two centuries, is the diverse influences seen in the architecture on display across the city-state.  One area where a concentration of this can be admired is in and around Telok Ayer Street, a street once fronting the bay after which it was named and a point of landing for many of modern Singapore’s earliest immigrants.  Along the street, stand two gorgeously adorned pagodas, possibly the oldest in Singapore, both of which were erected by Hokkien immigrants, one of which takes one from earth to heaven and houses an altar to the Heavenly Jade Emperor within what was once the home of the Keng Teck Whay.

The former Keng Teck Whay, now the Singapore Yu Huang Gong.

The former Keng Teck Whay, now the Singapore Yu Huang Gong.

A second pagoda - Thian Hock Keng's Chong Wen pagoda, seen across the roofs of the Hokkien temple from the Keng Teck Way's pagoda.

A second pagoda – Thian Hock Keng’s Chong Wen pagoda, seen across the roofs of the Hokkien temple from the Keng Teck Way’s pagoda.

The Keng Teck Whay, a mutual-aid society, was founded in 1831 by 36 Hokkien Peranakan (Straits Chinese) businessmen from Malacca whose origins can be traced back to Chiang Chew (Zhangzhou), China. The association, membership of which passed from father to eldest son, erected what can be said to be a clan complex around the mid 19th century. Being a very exclusive association, the complex and the fine example of southern Chinese architecture found within it, was kept well hidden from the public eye for much of its long existence.

The ancestral hall where a tablet bearing the names of 35 of the 36 founders - one was apparently ejected. 36 places are however set at the table where food offerings to the ancestors are laid out during the sembayang abu or ancestral prayer sessions - a practice that is now continued by the Taoist. Mission

The ancestral hall where a tablet bearing the names of 35 of the 36 founders – one was apparently ejected. 36 places are however set at the table where food offerings to the ancestors are laid out during the sembayang abu or ancestral prayer sessions – a practice that is now continued by the Taoist. Mission

A National Monument since 2009, the former Keng Teck Whay building – the only surviving example of a Straits Chinese clan complex, has since been taken over by the Taoist Mission. The complex, which was in a state of disrepair when the mission took possession in 2010, was painstakingly restored over a two and a half year period by a team of experts appointed by the Taoist Mission at a cost of some $3.8 million. Having first opened its doors to the public as the Singapore Yu Huang Kong or Temple of the Heavenly Jade Emperor early this year, the newly restored complex was officially opened on 9 August, the day independent Singapore celebrated its golden jubilee.

A view of the central door and the door gods.

A view of the central door (reserved for the Deity) and the door gods.

A view through the opened Deity door.

A view through the opened Deity door.

The opening of the former Keng Teck Whay as the Yu Huang Kong, which was officiated by Mr Sam Tan, Minister of State, Prime Minister’s Office and Ministry of Culture, Community and Youth, was a celebration in many ways. Marking the the end of the restoration effort, the ceremony, which also included the commemoration of National Day, was also a celebration of Singapore’s unity in diversity with representatives from Singapore’s many faiths also in the audience.

JeromeLim-8601

JeromeLim-8529

JeromeLim-8533

JeromeLim-8546

JeromeLim-8548

There is also much to celebrate about the beauty of the complex and its traditionally constructed structures and decorations. Laid out along a north-south axis, the complex features two courtyards, separated by its rather interesting pagoda. The beautifully constructed pagoda, laid out on a square base with octagonal plan upper tiers, said to represent Earth and Heaven respectively, is thought to have been modelled after the pagoda structures seen in temples to Confucius. It is on the second level of the three tier pagoda that the altar dedicated to the Heavenly Jade Emperor is found. The ancestral hall, housed on the lower level of the rear two storey building, lies across the inner courtyard from the pagoda.

Another view of the pagoda.

Another view of the pagoda.

The entrance building.

The entrance hall.

The altar to the Heavenly Jade Emperor.

The altar to the Heavenly Jade Emperor.

The iron spiral staircase of the pagoda.

The iron spiral staircase of the pagoda.

Doors, frescos and architectural details of the pagoda, beautifully restored.

Doors, frescos and architectural details of the pagoda, beautifully restored.

The ancestral hall, would have been where the main focus of the gathering of members five times a year to conduct ancestral prayers or sembayang abu, was. The hall is where a tablet inscribed with the 35 names of the association’s founding members can be found. While the name of the 36th founder, who was ejected for reasons unknown, is missing from the tablet, 36 places were still somehow set at the sembayang abu food offering table – a practice that the Taoist Mission continues with. More information on the Keng Teck Whay and the sembayang abu food offerings be found at this link:  http://peranakan.s3.amazonaws.com/2005/2005_Issue_2.pdf.

The curved roof ridge of the entrance hall.

The curved roof ridge of the entrance hall.

The upper level of the rear hall.

The upper level of the rear hall.

Further information on the Keng Teck Whay can be also found at the following links:


More photographs of the Opening and SG50 National Day Commemoration ceremony

JeromeLim-8619

JeromeLim-8631

JeromeLim-8487

JeromeLim-8493

JeromeLim-8506

JeromeLim-8510

JeromeLim-8514

JeromeLim-8525

JeromeLim-8527

JeromeLim-8460


More photographs of the beautifully restored Singapore Yu Huang Kong

JeromeLim-8686

JeromeLim-8649

JeromeLim-8657

JeromeLim-8681

JeromeLim-8683

JeromeLim-8676

JeromeLim-8694

JeromeLim-8703

JeromeLim-8710









Follow

Get every new post delivered to your Inbox.

Join 2,901 other followers

%d bloggers like this: